#OF A SORT

[wantonlywindswept]

another trope inversion of GAR/Guard interactions:

the GAR is entirely aware that Coruscant is a shit posting.

they're not blind; they can see all the anti-clone sentiment when they're on leave. even when they're deployed, it's not like they're cut off from all news - they know how many times bills for clone rights have gone to the Senate floor and been ruthlessly voted down. they can see how even their Jedi are restrained by the Senate dragging its feet and making bad choices and handling the war like it's a game of dejarik since it will never affect them personally.

very few politicians have the respect of the clones.

but the Guard still have to work with the spoiled, self-centered bastards, and the GAR knows that they're not being treated well. but what can they do? they have no rights, the Jedi are as trapped under the Senate's thumb as they are, and it's not like they can get regular citizens to do anything.

so they offer their support as much as they can. any Guard, any Corrie who needs help, all they have to do is find one of their brothers and it will be offered without any questions.

you'd think that crime rate would go up when battle-traumatized soldiers are given leave on a city-planet like Coruscant, but it actually goes down.

way down.

the thing criminals come to realize is that if you are being chased by one of the Guard, if ANY other clone catches sight of you, it is ON SIGHT. clones in casual clothes carrying food and drinks have dropped everything to immediately join a Guard's hunt, throwing themselves into the pursuit with glee and an energy that the usually-exhausted Guards often lack. (some of them howl. those, the criminal underground agrees, are the worst.) 

and with hundreds or thousands of clones wandering around during battalions' leave, it's possible to run into one of them anywhere. and they usually travel in packs.

best just to lay low for a while.

when it leaks that the Guard regularly run low on supplies, all sorts of things start to go missing on the venators. just a box or a crate here or there, ration packs or bacta patches or cold-weather gear. there are millions of clones and thousands of ships; it's not like every little thing can be tracked by the quartermasters. 

(rex realizes that, for whatever reason, his battalion is always prioritized for resupply, and rarely any questions are asked about their requisitions. rex takes immediate and shameless advantage of this. rex manages, somehow, to lose two entire bacta tanks, along with the bacta to fill them.)

and ofc the idea that started this whole ramble - when a shiny Corrie stumbles somewhere where some of the 501st are shooting the shit, causing everything to immediately come to a halt. the kid is clutching his helmet and one of his pauldrons to his chest; his hair is mussed up and there are tears on his cheeks and bruises on his face and unadulterated panic in his eyes. 

there's an angry call in the corridor.

the shiny flinches.

fives grabs him, hears him squeak, snaps out orders. echo yanks off his bucket and his upper armor; jesse lunges for a blanket. they hustle the kid into a chair, drape the blanket over his lower body, hastily swap his upper armor and helmet for echo's. fives shoves the armor somewhere, doesn't matter, it's out of sight with the telltale red, and they all barely have enough time to drop themselves back into the chairs arranged around the table and pick up their cards before some natborn stomps into the room.

anything we can do for you, sir? sorry, no, the Guard didn't stop in here. we saw him head back down toward the rotunda, though. yes, sir. have a nice day, sir.

they close and lock the door. fives goes back to the shiny. fives was instantly prepared to help a fellow clone in need.

fives was not prepared for tears.

the kid gets snot all over the inside of echo's helmet. they take him back to Guard HQ. fox is painfully, desperately relieved to see him. fox looks too-thin and too-tired but there is a fresh GAR-issued bacta patch covering a slash across the side of his cheek. he thanks them for saving the shiny, like that's something that ever needs gratitude, but is swept away before any of them can say that. 

fives doesn't think that misplaced bacta and pilfered rations are enough support for the Guard anymore.

thankfully, rex and the rest of the GAR agree.

[snuffysbox]

The ✨Artistic Process✨

[neonjawbone]

HEY THERE SUGARFANGZ

🐍📻🦃

little fanart for @grimewart of her girls candy and roz ive been meaning to do forrrrrrever

[egophiliac]

I love your unhinged energy of your comics it's just *chef's kiss"

I wanna ask how you rig your chibi characters if you use a program or an app ಥ⁠‿⁠ಥ

thanks! 💚💜💚

I use Spine (professional version)! I'm pretty sure it's the same program the Twst devs use for the chibis; I decided to try reverse-engineering 'em basically because my license was just sitting around gathering dust, and I thought it'd be fun practice (this was before I tried to rig Meleanor's cape). it is an industry-standard program and, unfortunately, is priced accordingly, so it's a bit expensive if you're not planning on using it professionally -- there is a free trial, though I think you can't save/export anything in it? BUT it is truly excellent and can do a ton of super cool stuff, plus is genuinely just fun to mess around in, so I 10000% recommend it to anyone who is serious about getting into 2D rigging!

behold...the BONES...Najma and her billion discrete tassels...don't pay attention to all the extra bones from my desperate attempts to control Meleanor's meshes

[hypogryffin]

au where chidori joins sees and goes to gekkoukan and absolutely nothing goes wrong and everything is ok 🙂

[littlegaycubeoftofu]

Whenever I see people talk about that first kiss between Ed and Stede, I generally get an undercurrent of having to defend it in some way, and it makes me sad. Because I genuinely do think the kiss is perfect for who those characters are, and it's not a case of finding justification for all the choices in that scene after the fact, but rather believing the scene was genuinely designed to be the way it is.

How many times has Stede been kissed romantically? I'm going to guess at most Mary tried a few times without much success. And Ed? I can easily believe that all his experience with kissing is as a statement of intent to fuck very soon. So there's Ed, unused to kissing as an expression of love, putting all his awkward, shy feelings of tenderness into a kiss that has to show Stede exactly what he's feeling. It's a chaste kiss, a First Kiss for both of them. It's adolescent (look at Ed's freshly shaved face, how they're both stripped of their usual "armour") and ungainly and neither of them knows what to do with his hands, but their love for each other guides their movements (Stede presses forward slightly, Ed cups Stede face so gently and instinctively).

So I won't ever defend that kiss, because it doesn't need me to. It's perfect.

[redstainedsocks]

I know there's a well loved niche for royal whump, but lately I've been thinking a lot about royal *guard* whump.

Hurt for being loyal to the old king, punished for doing the thing they were trained to do. Grief-struck at the loss of their fellow guards in combat. Guilt at failing at their most important task: protecting the heart of kingdom.

[kawaoneechan]

[autisticrosewilson]

Hello to the one blog I've been loving to read for the past few days :) <3

Just wanted to add a little something that I started thinking abt after reading a few of your really cool posts, I think we should also discuss abt how Bruce's argument abt killing (with Jay) are often framed with "you're not the judge, jury & the executioner" which is really telling of who he thinks can exersise this legitimately? ? ?

I think it'd be constructive to actually properly discuss this aspect of Bruce's philosophy too. Plus, we get more nuanced Bruce characterisation. (Also keeping in mind uh... comic book propaganda of the writers and DC themselves)

YES ABSOLUTELY! Like what if someone is given a death sentence by a court of law? Does Bruce still care? I'm sure most writers would tell you no because Bruce has become a cop allegory. He's a violent enforcer of the law, and he seeks to uphold the law. Which is a recent switch! Batman comics used to be more radical, but now they're being written by old white men. So it's another one of those things where you can ignore it for your PERSONAL INTERPRETATION but you can't say that it's not A Thing because it's been like this for at least a decade.

His argument would likely be that everyone deserves a fair trial, that everyone has the right to be seen in court. Something which I do think Jason would agree with because when he's being written well he's not just shooting petty criminals! Jason's stance comes in with the big players, the disgustingly rich or well connected upper class who get away with murder. This has been true since the Garzonas case, the whole point was that Felipe was virtually immune to the law, and Jason couldn't allow that.

I think what it comes down to is whether they believe in reformative justice or punitive Justice, and I can most assuredly say that Batman believes in the latter. You can argue that Bruce is an advocate of prison reform but we don't really have evidence of that. He considers himself a punishment for criminals, he considers himself an equalizer but that's not true because he just delivers criminals into a system that is fundamentally corrupt and unfair. Do you actually think a trial in GOTHAM of all places is going to look at a rich man vs a petty crook the same way? That rarely happens even in real life.

And I don't think that Bruce does what he does out of inherent malice. Bruce is a deeply empathetic person, the core of Bruce Wayne is that he cares. But that's not enough, Bruce was allowed to grow up sheltered and it gave him an intrinsic idealism. He only has a Birdseye view of what the common people go through, that is not enough to stand there and say that he understands . Because he doesn't. He literally can't. And I think this bias, certainly one projected by the writers but that's another issue, comes through the most with Jason and Steph.

As far back as Jason's Robin era - widely regarded as Bruce's peak of being a good dad - he still makes some pretty big mistakes. Because he finds this homeless kid whose family has been ripped apart by the corrupted systems, who has actively experienced the worst Gotham has to offer, and he comes to the conclusion that if he doesn't take Jason home Jason will inevitably become a criminal even after Jason explicitly says he doesn't like stealing. So he takes Jason in but he makes that position as his son synonymous with Robin. And this is where we have to talk about meta because Jason is intrinsically tied to meta narratives. I'm not sure if you saw my other posts about Robin, as a concept, but I'll summarize here.

Child sidekicks are fine, in early comics. When things were campy light hearted whodunnit mysteries with a few action sequences, when you always knew that the child hero would come out unscathed, would always live till the next issue. And so when Bruce makes Jason Robin you have this veil of suspension of disbelief. But Jason's era is where you start seeing these kids' storylines get worse. More gruesome, more violent, more cruel. They start really testing the limit of Bruce's morality.

Batman: The Cult - Robin Jason has to crawl through a pile of dead bodies and while Bruce is having a mental break this MAYBE 14 year old is trying to get them out. The Diplomats Son - Jason watches a rapist be let go, because he's powerful and his dad has money. He sees exactly the kind of damage it does to the victims, he's the one who finds Gloria Stanson. A Death in the Family - Jason is murdered. Tortured and murdered and betrayed. He's dead and he was always intended to STAY dead. And all throughout Tim's run and then into Steph's the writers retroactively change everything about who Jason was because it has to be HIS fault, because if it's not Jason's fault then it might be Bruce's. Because how can audiences see Bruce as just and good for taking in new kids after what happened to the last one?

The suspension of disbelief shatters. Because now Jason is back and he's angry. Because maybe we as readers know that Tim, and Steph, and Damian need to be Robin because Robin makes money with young readers. But you know who doesn't know that? Jason, who no doubt assumed that his survival depended on being Robin. Who was sold out because he was Robin. Who was badmouthed and disgraced the entire time he was gone by people he loved and trusted. Jason doesn't know that he's in a comic book, but I argue he knows he's in a Batman story.

If not from his first appearance then definitely in recent ones. What can you do besides lay down and forgive and keep coming back when you know that the universe revolves around one man? How do you get rid of the terror and anger at realizing that you can never leave, that no matter how much he hurts you the universe will bend itself in half so that he is still just and right? When you realize that the love that has defined you is a disease rooted so deeply that to rip it out would be to kill yourself, that you can't even stay dead because Bruce does not want you to be.

And they couldn't even stick to Jason being the problem! Because then Steph dies. And all I could think was "Of course she did. She's an East End girl whose been compared to Jason constantly. Or a version of him. Of course she would be tortured to death trying to get Bruce's approval." Here we are, history has literally repeated itself, and...Tim is Robin again. Why? Because this is a comic book, and Batman needs Robin.

But what do you think everyone in-universe thinks? What do you think that looks like? How can you possibly still call Bruce a good parent under these circumstances? Bruce calls Robin a blessing, a gift, a necessity. He relies on Robin, physically to watch his back and emotionally to keep him in line. He trains them, he molds them, he loves them.

But sometimes love just isn't enough and the good Robin does shouldn't negate the harm they get in the process. Robin then becomes this horrible force of change, you get it and you know that this has doomed you, one way or another. Because Bruce believes that suffering is noble, that pain can reform people. It's baked into his character. Even if he doesn't intend to hurt his kids, it's not like we haven't seen him justify it to himself and others. "I love you, I did this for your own good, I thought I could help you, it was your fault I did that, it won't happen again, I lost control of myself but only this once, we can be a family again if you just come home." It reads an awful lot like an abuser trying to convince you or himself that he's not in the wrong.

This was longer than I intended it to be, but I guess my main point is that Bruce and Batman can't ever be fully separated. Something that I think his relationship with Cass shows us he's aware of but chooses to ignore. We know that Batman is dangerous, that he wouldn't hesitate to hurt his kids, we saw that with Zurr-Batman (WHO BRUCE ADMITTED WAS A FACET OF HIMSELF YOU CAN'T SAY IT WASN'T HIM BECAUSE HE HIMSELF SAID THAT IT WAS). So why try and act like it's this impossible out of character thing for Bruce to be harmful? For his kids to feel angry and hurt about his actions or for their feelings to be as or more valid than Bruce's. Batman has and will hurt his kids and Bruce will try to rationalize it all away because he loves them, he would never want to hurt them. And the narrative will tell us that Bruce is right, that this is good and fair and just, that Bruce's perspective is the correct one, that his kids deserve this, because this is a comic book and outrage sells. Or they'll retcon it and pretend it never happened. Or they'll just never bring it up again. Or Bruce will be forgiven regardless just to hammer home how good and right he is.

Because this is a comic book about Batman, and Batman is a hero, he is our protagonist, and so he is reliable and we should never doubt him, or call him out, or be mad at him. Naturally.

[see-arcane]

@ Diablo Cody and Zelda Williams, I have an idea for a sequel,

[dreamsteddie]

There is something so beautiful and melancholy about the idea of failed rockstar Eddie who was on the verge of being a major hit but ended up giving up his dreams because he didn't like who he was turning into.

Eddie who leaves Hawkins behind as quickly as he can and dedicates his entire life, every waking moment, to building up his music career. He sleeps on couches for years, staying with whoever will take him in for a night or two in exchange for a bump of coke or joint from the remains of his sizeable Reefer Kick stash. He carries everything he owns in the back of his trunk. Amp, wires, guitars, clothes, etc and basically converts it into a portable practice studio.

He plays every gig he can get his hands on. Playing as a last-minute substitute guitar or base for any band that calls, playing for pop bands and punk bands alike until he convinces enough people to join up with him and start a new metal band.

With the band comes more stability, for a while. They share a cramped two-bedroom among the five of them. Writing and jamming every day, going home to smoke up and decompress.

Just over four years after Eddie lands in the city, they play their first real show. A show at a respectable, if small, bar venue with people in the audience there to see them. People sing their songs and dance to their music. It's not sold out, not even close really, but it's the start of something big, they can all feel it. That night they go out to the club around the block with a couple of people who came to the show and party harder than Eddie ever has before. He wakes up with that distinctly fuzzy feeling the next morning that tells him he dipped into the harder drugs the night before, something he hasn't done since he learned his dad passed three years ago.

It scares him. He can't remember anything past walking into the club last night. He doesn't remember anything he did or said and desperately hopes he didn't do anything weird with a fan, but he brushes it off. Tells himself it was a one-time thing, a celebration of their success. They deserved to let loose, right?

Except it wasn't a one-time thing. In fact, it turns into an almost every night kind of thing, and as their fan base grows what feels like overnight, the parties grow in intensity with them. They play their hearts out on stage, eventually selling out all of the smaller local venues and moving on to the larger, more serious ones. The occasional disagreement over music between the band members turns into larger, more personal arguments. Eventually, they reach Fleetwood Mac Rumors Era levels of drama. Everyone is sleeping around, the drugs are out of control, and they can't hardly stand to be in the same room together anymore, only pulling it together enough to go on stage at the end of the day.

Eddie lives that handful of years in a daze. It can mostly be attributed to the copious amounts of alcohol he's turned to to cope with the stress, but he uses his fair share of snow to keep himself in the creative spirit too. It feels inevitable when he reaches a kind of low he doesn't know if he can come back from.

Eddie wasn't a saint, but he has always sworn off meth. It was the thing that killed his mom. He remembers the way she'd wasted away, the days when she seemed crazed, and how sorry she was to him when she stabilized. The regret in her eyes when she looked at him. But when he's asked if he wants a needle all he can think about is the prospect of spending the rest of his life stuck with this band full of people he can't stand and people who can't stand him if the record deal they've been negotiating goes through, and it feels like it will.

Thinks of what all his hard work will mean if it doesn't.

He says yes.

Wakes up the next day starfished in the alley of an apartment he doesn't recognize staring up at the little sliver of blue sky he can see between the fire escapes and weeps. He's become exactly the kind of person he never wanted to be, some asshole almost rich guy laying in a damp alleyway all alone with no real friends.

Eddie lies there for an hour just thinking. Trying to remember when the last time he called Wayne was. Thinking of all the girls he slept with when he probably shouldn't have, when they were both too fucked up to make the right choice. Thinks of his mom and dad.

Tries to remember the last time he made the world a better place to live in instead of contributing to the filth.

He gets up and leaves. Leaves it all behind. Gets in a taxi to take him to where his van is parked by the venue from last night. Frantically takes everything out of the back and leaves it on the street. The only things that remain are the few keepsakes he brought with him to the city and his acoustic, the one his mom left him and Wayne helped him paint. The amps, his sweetheart, and the performance wear all get dumped on the side of the road and then he's jumping into the front seat and stearing himself toward Hawkins.

Hours of driving leads him back home to Hawkins Indiana, the one place he promised never to return. Hawkins has seen a boom in the last few years, it seems. More shops, a bigger main street. He even spots a proper cafe. It all feels less haunted than he remembers. More people, fewer familiar faces. The trailer park, though, looks almost the same as it did the day he left, right down to the sight of his uncle lounging on the porch, waiting patiently for whatever comes next the way he always has.

Wayne doesn't ask any questions, not right away. He just scoops his nephew up in his arms and holds him in the cool morning air. He always knew his nephew better than anyone else, never needed words to know when he needed his uncle to help hold up the weight of the world.

And that's how Eddie finds his way back home. It takes a while for him to feel well enough to face the world again. A mixture of detoxing and coming to terms with the feeling of starting back at the beginning, like the last six years of his life didn't even happen leaves him licking his wounds in his partially empty childhood bed. It looks the same way it did when he walked out the front door.

When he does come back to the world, he starts small. Stepping out on the porch to share a cup of coffee with his uncle feels like one of the hardest things he's ever done. Maybe the most important.

He's proven right when he steps out to find he's not the only guest his uncle is entertaining this morning. Another resident of the park has already claimed the second chair as his own.

Steve Harrington.

Steve Harrington who never made it out of Hawkins but also never regretted it. Who's made a small, happy life for himself here in the trailer park after his parents kicked him out for good when he turned 20. Who works part-time under the table at Miller's Mechanic and collects disability checks for the lost leg and minor brain damage he got from a car accident at 21. Steve Harrington who keeps his uncle company and makes sure he has everything he needs, taking care of the other residents in the park to the best of his ability doing easy car maintenance, babysitting, or just offering company to the more lonely residents.

Steve is so different from the guy Eddie vaguely knew in high school that he might as well be a stranger. They all sit and talk together for the entire morning, laughing and sharing stories. Steve never asks about where he's been or why he's back and Eddie wishes he could tell Steve how much he appreciates it.

Before Steve heads back he asks if Eddie would like to come over after he gets back from his shift. Asks if he wants to drink a beer and watch a movie. Eddie is quick, maybe too quick judging by the sympathetic look Steve sends his way, to turn down the beer and scoop up the movie invitation like the precious thing it is. There's something about Steve that soothes his soul. An easy connection between them that Eddie hopes they both feel.

Steve kisses him that night, slow and easy like they've been doing it their whole lives. Like they didn't basically meet for the first time this morning. Like Eddie hasn't been in denial about his sexuality for his entire life. Eddie cries at the warmth it fills him with. Steve just cradles him by the cheeks and lets him. That night Eddie doesn't go back to Wayne's. He lets Steve drag him to bed and hold him close. Lets him tangle their legs together and breathe warm air into the crown of his head until morning.

Steve shows Eddie how to live a life without dreams. A life without ambition but full of love and comfort. A life without plans, but with the knowledge that every day someone who loves you will kiss you when you wake up and hold you through the night.

[st4r-t3ars]

An archivist and his assistants 😎

The Archivist and his Assistants

[piosyne]

Spirit Hunter: NG Bad End audio drama

[egophiliac]

GRIMS COMING!!! You gonna pull for him??👀👀

I'm gonna try, but...

I have mere hours to decide if I want to make one last attempt at Malleus or save a few to try for Grim...and this is all before the new event reveal on the 16th. truly the most difficult choice of our modern times. the gacha is getting its revenge for all of my Lilias.

[knightofleo]

"Summer Festival Girlfriend" by shin.2580