#ODYSSEUS. / test muse.

[bigidiotenergy]

i love drawing toxic yaoi on company time (ft gigi's ody and anniflamma's poseidon)

[bigidiotenergy]

@halfsovl

he did, in fact, stab him

[multydoodles]

Mythology & Its Connection with IDV

I recently got the time to check Ashes of Memory and was astonished by the number of mythology referenced just in the story mode! As usual, I'll list the connected references instead of delving into the deeper meaning, leaving that to the theorists out there.

First, let's look at the names introduced in the Potion List during Miss DeRoss investigations; Orpheus, Siren Song, Mnemosyne & Hydra are the listed names for each drug alongside their ingredients.

Orpheus is the protagonist of "Orpheus & Eurydice." In the story, the musician travels to the depths of Hell to retrieve his wife, Eurydice, only to fail one of Hades' tests for her freedom. Sirens are human-like creatures with alluring voices. They appear in the Odyssey, where they hunt Odysseus' ship crew before the protagonist saves the ship. Mnemosyne is the goddess of memory and remembrance. She is a member of the Titans and the mother of the muses. The Hydra is a serpentine monster famous for its appearances in the story of Heracles and his Twelve Labors, where it is eventually buried alive by rocks.

Now let's look at the skin/cosmetics available for each member of AOM. (As I can't do all characters in one post, there are too many) Neat-ease hides small references to the character's background in the skins or objects given in each essence.

The following names that shine among the rest are: Phyllis (Entomologist), Pandora (Little Girl) & The Orphan Of Goetia (Prospector.)

The legend of Phyllis recounts the tragic tale of her taking her own life in anguish upon discovering that Demophon, who had been transformed into an almond tree by the gods, would not return to her.

Pandora is mostly famous for opening the jar ( or box, in later renditions of the myth) unleashing the greatest evil of humankind. Leaving only hope as the last thing remaining.

Now, the last one is quite peculiar. The "Goetia" is not from Greek Mythology; instead, it is from Satanism. They're explained in the first of the five sections of the Ars Goetia grimoire, which contains descriptions of the 72 demons that are said to have been summoned by Solomon

Unfortunately, the text never specified which demon the skin references. I hypothesize that it could be Asmodeus, Aim, Caim, or Aamon due to the fire and bird connections.

[blackthornprime]

Greek Poem- I

Sing to me, O Muse, of the tale profound,

Of Odysseus, the hero renowned,

Who sailed the seas, in war and woe,

On a journey home, through trials unknown.

From Troy he sailed, with his warriors bold,

Bound for Ithaca, his kingdom of old,

Through storms and strife, his courage shone,

Guided by Athena, goddess alone.

But Poseidon, god of sea and storm,

With wrathful fury, to the hero sworn,

Sent tempests fierce to thwart his way,

And test his will, day by day.

On Circe's isle, with her enchanting song,

Odysseus found himself trapped, for long,

Her magic potions, turned his men to swine,

But with Hermes' aid, he broke the spell divine.

Next came the deadly sirens' lure,

Their enchanting voices, oh so pure,

But Odysseus, with ears of wax,

Sailed past unharmed, through their attacks.

Then Scylla and Charybdis, the monsters dire,

One a beast, the other a maelstrom sire,

Through their deadly straits, the hero sailed,

His crew decimated, but victory prevailed.

At last, to the land of the Phaeacians he came,

Where he told his tale, his heart in flame,

Of his long journey, of his trials and pain,

Till at last, to Ithaca, home he'd regain.

But upon his return, more challenges arose,

His beloved wife besieged, by unwelcome foes,

With cunning mind and loyal heart,

Odysseus devised a plan, to play his part.

Disguised as a beggar, he bided his time,

Testing the suitors, their sins and crime,

Till the moment came, for vengeance pure,

With bow and arrow, his aim sure.

With a swift shot, he struck them down,

The suitors fell, in Ithaca's town,

And once more, Odysseus reigned as king,

His loyal wife by his side, in joy they sing.

Thus ends the tale of brave Odysseus,

His journey long, but victorious,

Through trials and tribulations, he did endure,

A hero's heart, brave and pure.

[heyjude19-writing]

Also I had a musing I would hope you could share your own opinion on.

I'm so glad you find him as interesting and intriguing as I do C! 🌈

I'm a sucker for Greek mythos and I cannot wait to see how ur Draco’s journey will unfold. His aesthetic lends itself to the classics, lends itself to the analogy which is why I think I often make this connection. On top of his character being simply compelling, he has an air of timeless and competitiveness that reminds me of the age old Herculean hero that stand the test of time.

I don't like to prophesies too much bc I love to go in reading things blind (I avoid conspiracies and teasers like the plague!) but I cannot help myself in getting excited to see how he will confront and face crossroads and compare them to the great ancients.

If our golden boy will be more likely to pull an Apollo or become Achilles. The thing that makes characters interesting imo is how the deal 'in the complicated'. When they are taken away something they want, or confronted with a problem, do they go red or do they mourn in the quiet and peace? And I think from what little we know of in Draco from the chapters of what we've seen, he is a character that has more than what meets the eye. which makes him all the more compelling to see what happens when he splits.

We all know the well told romance of Achilles and Patroclus on how they were lovers/friends but also fellows competitors and Patroclus went to the Trojan war just bc his lover was destined for greatness there. He was a supportive bf haha. Achilles was very much following (up until the death of Patroclus) a very, 'healthy' doctrine to war. He fell in line and was excellent.

But when Patroclus was killed nameless grief took over Achilles and went genuinely insane with his screams of cry and revenge. He cried so horribly that even his mother Thetis could hear in the depths of the sea and went up to comfort his son. He kept the corpse of his lover in his tent for the entirety of the war as he extracted his revenge that was so bloody it was feral. He slept with Patroclus's corpse, delusional kept it, and threatened anyone who suggested to remove it. He wanted to be buried with him by the time the war was done and made Odysseus swear that he would see this happen. Obv as we know he killed Hector.

I remember shivering in class when I was a teen remembering the poem in the Iliad Book 18, that, he said, 'neither food nor drink shall glide down my throat, for as long as he [Patroclus] is mangled in my tent I only crave murder and blood and the rattling of dying'.

So does Draco follow the same blood wounded vengeful fate like Achilles? Will he move heaven and earth to go on his own Taylor swift reputation era tour? Or will he be a different drum, one of peace and calm like the story of Apollo?

The story of Apollo, as the God of music and dance, prophecies and healing (also God of the Sun, queue the analogy of why I think of Draco for obvious blonde hero reasons :P) fell in love with a mortal man named Hyacinthus who was as well a Spartan warrior prince famous for his beauty and everyone wanted him. men and women, the whole lot!

Include the God of the West wind Zephyrus. But Hyacinthus chose Apollo among his many admirers and they had the best romance dude. They would do all kinds of things together like music, dance, archery, they were both extremely sporty (as Leo is!!).

But Zephyrus was rotting with jealousy of their romance, that while they were playing archery, he blew Zephyrus's arrow off course and it hit him in the head and killed him.

Apollo was obviously inconsolable and mourned his lover and tried to commit su**ide many times hoping to join his lover in death. And bc he was inconsolable, he decided to always remember Hyacinthus by naming the famous flower by him and made music and games after him. And Hyacinthus bloom every spring now.

So it will be interesting to see whether Draco will be the type to be bloodthirsty, angry for his Harry or if he is a blonde hero that's more of a mourner?

These are the kind of musings I catch myself thinking of Draco and would love to know where ur heads at when it comes to it :)

oh wow, lots of theories here. so i read the greek classics much too long ago and most of what i remember is related to the web comic Lore Olympus tbh 😅. i'd say i don't really see a hero vs mourner dichotomy in the drarry story im writing as it's not one of war and violence, but more one of two people trying to find their way back to one another. they've moved past the bloodthirsty, angry part of their lives and it's more a question of coming at a relationship from two different perspectives with the same end goal and trying not to destroy each other in the process.

[mythvoiced]

-. nyanya test muses~

Just muses I'm 'hmm-hmm'-ing about, I might be writing them already but haven't added them properly and yknow anything I want it to mean >:3

Jiang Cheng | age verse-dependent 18-25+ | he/him (the grudge;)

Canon character from MXTX's MDZS and related media, I'm mostly familiar with the books and some things from The Untamed, I am actually watching the donghua right now, but very slow & chill about it. Depending on verse, he is either a disciple/heir to the Yunmeng Jiang clan or its leader. Terribly repressed, very angy because he's insecure, and he knows no feeling better than he knows grief. Visually speaking, I like his donghua/manwha appearance the most, the tight bun? The mean face? Beautiful.

Xiao Xingchen | 20s | he/him (the righteous;)

Canon character from MXTX's MDZS and related media, as above in terms of what my portrayal is based on. Rogue cultivator, student of legendary cultivator Baoshan Sanren, painfully good, righteous, came down from the Mountain™ to 'help save the world', he will always give everyone the benefit of the doubt and he's just too good. Canonically blind in main verse.

Odysseus | 20s-30s | he/him (the seafarer;)

I had him around a while but then muse vanished and sometimes it resurfaces, bare-bones stuff. Canon character from Homer's Odyssey with major influences from EPIC: The Musical and my own interpretation of his psyche. It's the guy that's taking 20 years to come back from a war the guy in charge said would be 'over swiftly'. Cunning, quick-witted and sharp-tongued, he tries to solve situations by using his brain until his hand is ultimately forced into brawn. Also, apparently his name basically means 'to piss people off' lmao.

WIP/UC+

[uroborosymphony]

Aphrodite, daughter of Zeus

Will be found on this blog as a Verse 5.

I often do write villains/morally grey characters/anti heros. I however was not expecting Aphrodite to have so many ugly sides, I only remembered her as spreading love and beauty all around and being dedicated to her mission. It's a good twist I can use however - Her being this beauty obsessed tyran. As I do mix canons with oc ideas I can picture my Aphrodite over here to pose as this exquisite Goddess with such a warm smile on her lips and adores everything beautiful and wants everything to Stay Beautiful - in a cruel way. She would change your face if it's not Beautiful enough. She perhaps even lives in this gorgeous place and has many guests over all the time in her beautiful white dress and when they visit, she shows them her little Circus : Cages of deformed humans she watches for entertainment as to her, there should be only Beauty. In a twisted way yes she is Beautiful outside but Oh so Ugly inside.

Doom, son of Nyx

Can be found on my second multi muse blog : here.

He is a freshly created muse of mine who can be found on my new multi muse blog for my male characters. I name him Doom (named Moros in the Greek mythology however I like Doom better). He is the son of Nyx, goddess of the Night. I write him as punished by the Olympians for not carrying his role impartially that is to guide humans to their doom. He interfers, which goes beyond his role and impacts Fate with a capital F. He is therefore trapped to live a human life re-incarnated over and over, under the name of Geun and is tested by the Olympians. For his development, I planned him to mix with humans in ways that actually make his will to interfer even bigger : it's worse now. I want another god to free him from his punishment and for him to unleash the Beast. With his memories back he will want to get revenge against the Olympians and play even more.

Calypso, daughter of Atlas

Can be found on my first multi muse blog : here.

So my issue with Calypso is that she is my typical character, I always always write crazies obsessed with the love of their loves and would kill themselves out of love. So yes she will be completely insane for Odysseus as I will stick to Homer a little, but I want to add a twist to her in order to add more to this muse. She will come with a modern verse as well.

[poemshubs]

Why Are Greek Epics So Well Known?

Greek epics are among the most celebrated works of literature in Western history. Composed in ancient Greece, these narratives have influenced countless generations, shaping literary traditions and cultural identities. The most famous of these epics, The Iliad and The Odyssey, attributed to the poet Homer, explore themes of heroism, honor, and the complexities of human experience. In this article, we will explore the reasons behind the enduring fame of Greek epics, examining their historical context, literary characteristics, cultural significance, and lasting impact on literature and society.

Historical Context of Greek Epics

To understand why Greek epics are so well known, it is essential to consider their historical context. These works emerged during a time of significant social, political, and cultural change in ancient Greece.

The Age of Heroes

Greek epics were composed during the Geometric and Archaic periods (approximately 800 to 500 BCE). This era is often referred to as the Age of Heroes. It was a time when oral traditions flourished, and storytelling became a vital aspect of Greek culture. The Greeks celebrated their heroic past, and epics served as a means of preserving their history and values.

The Trojan War

The backdrop for The Iliad is the Trojan War, a legendary conflict between the Greeks and the city of Troy. This war is central to Greek mythology and serves as a source of inspiration for numerous epic narratives. The story of the Trojan War encapsulates themes of honor, revenge, and the consequences of human actions.

The characters involved, such as Achilles, Hector, and Odysseus, are archetypal heroes whose stories have resonated through centuries. Their experiences reflect the ideals and struggles of ancient Greek society, making them relatable across generations.

Literary Characteristics of Greek Epics

Greek epics are characterized by specific literary elements that contribute to their popularity and recognition. These features enhance the storytelling experience and establish a distinct narrative style.

Length and Structure

Greek epics are long narratives, often composed in dactylic hexameter. This meter consists of six feet per line, with each foot containing one long syllable followed by two short syllables. The use of this rhythmic structure creates a musical quality, making the epics suitable for oral recitation.

The epics are typically divided into various sections, with each section focusing on a specific theme or character. This structure allows for the exploration of complex ideas and relationships.

Invocation of the Muse

At the beginning of Greek epics, the poet often invokes the Muse, a divine inspiration source. This invocation sets the tone for the narrative and emphasizes the poem‘s significance. For example, in The Iliad, Homer calls upon the Muse to help him tell the story of Achilles’ wrath. This tradition highlights the relationship between art and divinity in ancient Greek culture.

Use of Epithets

Epithets are descriptive phrases used to characterize individuals and enhance the narrative. For example, Achilles is often referred to as “swift-footed,” while Odysseus is called “wily.” These epithets serve to reinforce the characters’ traits and make them more memorable to the audience.

Themes of Heroism and Fate

Greek epics are rich in themes of heroism, honor, and fate. The heroes face challenges that test their strength, courage, and moral integrity. Their struggles often involve personal sacrifice and the pursuit of glory, reflecting the values of ancient Greek society.

Fate plays a crucial role in these narratives, as characters grapple with their destinies. The tension between free will and predetermined fate creates a compelling narrative dynamic that continues to resonate with readers.

Cultural Significance of Greek Epics

The cultural impact of Greek epics extends beyond their literary merit. These works have shaped Greek identity, philosophy, and artistic expression.

Preservation of History and Values

Greek epics serve as a repository of history and cultural values. They preserve the stories and traditions of ancient Greece, providing insights into the beliefs and practices of the time. The heroes in these narratives exemplify the ideals of bravery, loyalty, and honor, shaping the moral framework of Greek society.

Influence on Philosophy and Thought

The themes and characters in Greek epics have influenced philosophical thought throughout history. The exploration of human nature, ethics, and the human condition in these narratives has resonated with philosophers, including Plato and Aristotle. Their reflections on virtue, morality, and the pursuit of knowledge can be traced back to the ideas presented in these epics.

Impact on the Arts

Greek epics have inspired countless works of art, literature, and performance throughout history. From ancient Greek theater to modern adaptations, these narratives have left an indelible mark on artistic expression.

The themes of love, war, and adventure found in The Iliad and The Odyssey have provided rich material for playwrights, poets, and artists across cultures. This ongoing engagement with Greek epics underscores their timeless relevance.

Lasting Influence on Literature

The legacy of Greek epics extends to contemporary literature, where their themes and narrative structures continue to resonate with writers and audiences alike.

Epic Tradition

The influence of Greek epics can be seen in later epic poetry from various cultures. Writers like Virgil, Dante, and Milton drew inspiration from Homeric themes and narrative techniques. The  Aeneid, for example, echoes the structure and character archetypes found in The Iliad and The Odyssey.

Modern Adaptations

Greek epics have been adapted into various modern forms, including novels, films, and theater. These adaptations reinterpret the themes and characters for contemporary audiences. For instance, films like “Troy” and “O Brother, Where Art Thou?” draw on the narratives and motifs of Greek epics, bringing them to life in new contexts.

Narrative Techniques

The narrative techniques found in Greek epics, such as the use of flashbacks and multiple perspectives, have influenced modern storytelling. Writers employ these techniques to create complex narratives that engage readers on multiple levels.

Educational Importance

Greek epics play a vital role in education, particularly in the study of literature and history. They are often included in school curricula, providing students with insights into ancient cultures and the development of literary traditions.

Literary Analysis

Studying Greek epics encourages critical thinking and literary analysis. Students examine themes, character development, and narrative techniques, fostering a deeper appreciation for literature. This analysis also highlights the universality of human experiences and emotions depicted in these ancient texts.

Cultural Literacy

Familiarity with Greek epics contributes to cultural literacy. The references and themes found in these works permeate Western literature, art, and philosophy. Understanding these narratives enhances one’s comprehension of later texts and cultural expressions.

The Timelessness of Greek Epics

One of the reasons Greek epics remain well known is their timelessness. The themes and values they explore are universal, transcending the boundaries of time and culture.

Exploration of Human Experience

Greek epics delve into the complexities of human experience, addressing themes of love, loss, ambition, and the struggle for identity. These fundamental aspects of existence resonate with readers across generations.

Relatable Characters

The characters in Greek epics are multifaceted and relatable. Their struggles, desires, and flaws mirror the human condition, allowing readers to connect with them on a personal level. The internal conflicts faced by heroes like Achilles and Odysseus continue to evoke empathy and reflection.

Conclusion

The enduring fame of Greek epics can be attributed to their historical significance, literary characteristics, cultural impact, and lasting influence on literature and society. Works like The Iliad and The Odyssey not only preserve the values and traditions of ancient Greece but also explore themes that resonate across time.

Through their exploration of heroism, fate, and the complexities of human experience, Greek epics have left an indelible mark on literature and culture. Their narratives continue to inspire writers, artists, and thinkers, ensuring that these ancient tales remain relevant and celebrated in the modern world. As we engage with Greek epics, we honor the richness of human storytelling and the timeless nature of our shared experiences.

[bigidiotenergy]

Losing themselves in the darkness.

This land confuses your mind.

Is that what had happened? Through Odysseus's denial, through his despair, through his desperate means to get home— HAD HE LOST HIMSELF? After insisting for so many years that the King remained the same, was it the Land of the Underworld that had caused him to change? To embrace the darkness that lies underneath? No... Athena had told him all along, hadn't she? TO TURN OFF HIS HEART? Poseidon only reminded him, hadn't he? TO KEEP IT CLOSED?

It was Odysseus who had brought destruction upon himself and his men. Odysseus, King of Ithaca, who had decided that destruction would be no more.

He knows Hades is planning something. Why else would he have shown up to begin with? That was the thing about Gods. Their precious Egos and their Reputations. The God of the Underworld didn't care they were there. He didn't care about their tribulations, their journey, their obstacles. Just like his Brother, Hades cared that they had disrespected him by not asking. And Odysseus... Odysseus, King of Ithaca, is TIRED of ASKING.

Tired of the games. Tired of the Gods' Will. Tired, and angry. Angry at everyone who had gotten in his way of getting back to his wife and son. So, so angry that the tribulations, at the journey, and their obstacles— THAT HE'S PAST CARING. It's past the point of respect at this point. Kindness, pity, mercy... that wasn't what the Gods wanted. "If the Underworld is like every other isle..." Odysseus begins, low. "Then like ANY OTHER FOE, I'll force it to be at bay."

All to make sure they get home again. WHO CARES IF YOU'RE UNJUST?

It's a dangerous game. Dangerous to threaten these Lands with the King of them right in front of him. The crew still further out by the river, still awaiting him and what he could've possibly learned from the Prophet. He was facing the God of the Underworld alone. With no fancy trick up his sleeve to get them away in just the nick of time. Odysseus does not NEED redemption. Odysseus does not NEED perception. Odysseus does not NEED to remember, to understand.

"I don't need to rest." He replies firmly. "I can't rest until I get home. Your Land remains untouched. The Dead have not been disturbed-" A lie, but the Captain won't admit to the things he's heard. Won't admit that the Underworld had brought him right to his crew. Won't admit to where the dead have GRIPPED him so tightly. And he won't admit that for one, tiny moment, he had almost ALLOWED the dead to drag him into the river. "You've no reason to not allow us to leave."

And yet, Hades would only continue. Only telling him that this Land's confusion is no trick. It only reveals what is deep within. Revealing to you the things you plan to keep locked away. But the Dead... the Dead still have their stories to tell. They still HAUNT, no matter how hard you try. But the dead isn't the only thing waiting for him. He KNOWS IT, deep down. The words the Prophet spoke to him. The words that the Underworld God only just repeats to him so much more clearly. "No." he croaks out. "No!" He yells then, his hands going to the side of his temples as he holds his head. "I-I can't-" His breathing quickens. THE SACRIFICE OF MAN. "I can't-" THE PORTRAYALS OF BETRAYAL. "Th-They can't-" THE BROTHER'S FINAL STAND.

I see a man who gets to make it home alive. But it's-

NO

"STOP IT!" He screams again.

LONGER

He was only mortal.

YOU.

Losing himself in the darkness.

Satisfying  his  Ego  ?  Thought  was  laughable,  as  the  satisfaction  he  desired  was  something  a  mortal  struggled  to  give  him,  another  soul  struggled  to  understand,  and  no  other  member  of  his  family  couldn't  ever  give  him.  His  Ego  had  been  satisfied  by  the  moment  he  had  been  acknoweldged  as  God  of  the  Underworld  among  many  chessboards.  Yet  who  would  give  him  the  comfort  that  Fate  threads  could  be  merciful  towards  his  protegees  ?  Yet  who  could  ease  his  heart  from  incessant  torment  of  awareness  of  a  witch's  suffering,  whose  hand,  invisible,  supporting,  wished eagerly  to  give  her  enough  hope  to  hold  to  life  ?  Yet  who  could  give  him  the  comfort  of  seeing  mind  of  Lelouch  vi  Britannia  freed  from  the  lonely  war  he  had  engaged  in  against  himself  ?  Yet  who  could  give  him  the  comfort  that  no  tragedy  would  dramatically  touch  another  soul ?  Who  could  prove  to  him  that  humanity  could  do  better  than  eternally  bring  souls  back  to  his  realm,  losing  themselves  in  the  darkness ?  When  he will  be  generous  enough  to  show  a  Time  Lord  claiming  to  be  from  same  realm  of  the  Gods  that  this  ascension  had  been  made  without  knowing  all  the  nooks  and  crannies  of  the  Creators  ?  Satisfying  his  Ego  ?

Mortals  and  their  reduced  view  of  what  could  please  him  ---

Receiving  flatteries  were  intented  to  give  to  the  ground  water  needed  for  a  future  blessing,  for  a  future  acceptance  of  a  simple  request.  Nyx  twins  used  and  accustomed themselves  to  that  tatic  for  gain  his  cooperation,  turning  that  manipulative  move  so  common  he  shouldn't  comment  on  it,  would  refuse  any  sign  of  rebellion  or  disagreement  for  be  convinved  otherwise  at  the  anticipation  of  another  move  inside  another  direction  than  their  wishes.  How  many  times  did  he  suffered  it  from  Athena  herself  ?  How  many  times  did  Pegasus  begged  for  having  another  perception  of  what  he  received,  denying  him  inside  the  current  body  he  had  inside  these  circusmtances  ?  How  many  Gold  Saints  requested  mercy  in  their  eyes  as  his  Specters  were  about  to snatching  their  lives  ?  Thousands  of  years  passed  even  since  their  first  introduction  has  been  made,  Odysseus  and  Hades.  Thousands  of  years  had  passed  even  since  he  learned  Athena's  manners  to  giving  herself  the  role  of  the  nice  Goddess,  using  other  mortals  for  that  benefit.  Thousands  of  years  had  passed  even  since  he  had  been  accoustumed  to  souls  begging  towards  him.  Thousands  of  years  had  passed  even  since  he  was  tear  out  begging  out  of  another  soul  ---  Amused  and  condescending  smile  welcomed  his  features.  There  was  no  need  to  bring  an  oral  comment  on  the  matter  of  his  thoughts.  It  doesn't  matter  if  he  was  picturing  him  likewise  his  other  members  of  his  family.  It  doesn't  matter  if  he  assumed  he  was  created  within  the  same  wood  of  Poseidon,  in  which  he  suffered  cruetly  of  his  Lands,  and  had  to  begging  for  flattery  for  desiring  an  good  ending  to  his  journey  ---  Satisfying  his  Ego  ?  Humantiy  can  love  themselves  long  enough  for  not  wishing  destruction  of  themselves  ?  Humanity  could  watch  themselves  over  the  mirror  of  their  own  darkness  and  admit  all  the  degradations  their  made on their souls,  instead  to  blaming  another  God  as  an  argurment  ?  Sympathy  won't  be  confessed  outloud.  Compassionate  features  wouldn't  be  predominant  Odysseus  will  not  realize  until  arms  would  embrace  him  again  inside  the  Underworld,  he  was  considered  as  another  of  his  children,  in  which  everything  has  been  given  for  giving  the  most  brightful  light  upon  his  soul  ---  acting  as  an  Father  just  wanting  the  best  for  each  soul,  but  limited  to  an  realm  in  which  the  Dead  needed  find  that  happiness  they  didn't  get  within  the  living  realm  or  be  horribly  pushined  by  Underworld  law.

Hades,  once  more,  without  an  Lord.  Though,  this  time  around,  reflection  of  many  souls  confused  themselves  within  his  eyes  as  Odysseus  tone  transformed.  Ah,  that  manner  to  call  his  name  was  the  sweet  melody  of  Lelouch,  that  eternal  anger  towards  him  ---  but  how  could  be  blame  him  ?  It  was  better  if  he  embraced  responsabilities  for  how  the  Fates  hadn't  been  avoided  in  the  manner  he  had  wished  it  could  be.  It  was  better  if  he  was  embracing  reponsabilities  of  an  tragedy  in  which  himself  had  been  an  witness.  It  was  for  the  best  of  other  players  soul,  damaged  by  circusmtances,  only  inside  that  chessboard,  he  was  treated  as  the  Villain,  the  Game  Master  who  planned  that  tragedy  all  along  ---  Nevertheless,  that  passing  thoughts,  in  which  pain  resonated  within  an  amused  smile,  managed  to  be  replaced  by  gentleness  of  the  remark.  There  was  no  explanation,  no  excuse  that  could  satisfy  him.  Mortals  weren't  SUPPOSED  to  enter  his  realm  without  any  kind  of  PERMISSION.  Mortals  couldn't  consider  one  door  of  the  Underworld  as  an  free  entry  in  case  of  need.  It  was  the  Underworld.  It  was  the  Underworld  hence  no  sweet  realm  to  take  vacancy  ---  Silently,  nevertheless,  he  listened  attempting  an  explanation,  as  fragile  it  will  be.  ❝  Have  you  then  considered,  in  your  great  toil  of  labor,  that  the  Underworld  was  like  any  island  ?  Have  you  then  considered,  in  the  fervor  of  the  moment,  that  a  door  presented  undisclosed  to  the  eyes  of  mortals,  must  be  opened  ?  ❞  Remembrances  towards  an  island  in  which  he  would  use  the  metaphor  generated  implicit  inscreased  playfulness  within  his  features.  ❝  Didn't  you  rather  seek  this  door  in  the  hope  of  seeing  your  journey  completed,  ignoring  even  the  laws  imposed  on  this  place,  forgetting  an  obligatory  politeness  ?  Would  you  have  asked  for  a  personal  audience  if  I  had  not  come  personally  to  welcome  you,  or  would  you  have  taken  advantage  of  a  moment  to  flee  like  an  intruder  without  thanking  the  host  ?  ❞  Gentleness  upon  his  tone  was  insisted  upon, for be  inside an generous mood.

None  of  them  were  going  to  receive  an  foreshadowing  of  an  perception  of  an  Underworld's  torture  for  be  pushined  to  had  dared  touched  his  Lands  in  an  offensive  manner.  Eventually,  in  middle  of  their  conversation,  an  physical  pain  would  have  been temporary  than  tourments  of  his  words.  Odysseus  won't  be  spared.  Lelouch  vi  Britannia  needed  his  perception  tear  apart  for  understanding  the  tragedy  he  created  towards  himself,  and  understanding  how  dramatic  offered  path  of  redemption  has  been  destroyed  by  his  actions  ---  in  which  complete  forgiveness  was  on  the  hands  of  an  spiteful  Deimos  that  will  never  stop  tourment  him.  The  Golden  Witch  needed  her  perception  to  growing  larger  for  understanding  how  much  she  was  loved,  no  matter  she  thought  the  opposite,  no  matter  how  she  sensed  herself  trapped  inside  an  horrible  Fate  in  which  the  odds  wouldn't  giving  her  that  wanted  miracle.  Battler  Ushiromiya  needed  to  remember,  Battler  Ushiromiya  needed  to  understand  the  comic  tragedy  he  was  trapped  with,  that  the  odds  explained  themselves.  Battler  Ushiromiya  needed  to  embracing  his  own  darkness,  accepting  them,  for  made  another  journey  upon  discovery  of  himself  gentle.  Deimos  needed  to  remember  where  his  place  was.  ❝  No  other  choice,  mh,  you  said  ?  ❞  He  playfully  mused  upon  that  thought.  ❝  Isn't  it  a  cry  of  love  from  you  that  you  envied  this  place  so  much  that  the  prospect  of  the  Underworld  clouded  your  mind  with  a  well-deserved  rest  ?  This  is  the  only  way  in  which  there  would  be  no  choice  ---  unfortunately,  the  smell  of  a  living  being  is  felt,  isn't  that  a  contradiction  ?  ❞  Amusement  sound  escaped  his  lips.

Impact  of  his  knowledgeable  gaze  will  always  remaining  an  delicate  pleasure  himself  could  understand  every  corner.  Knowing  those  ocean  eyes  aware  of  circumstances  be  spotted  or  not  didn't  mattered  at  all  within  the  big  scheme  he  created  with  Fates  threads.  Knoweldge  was  an  power  that  allowed  all  kind  of  manipulation,  and  it  was  all  depending  of  the  observer's  gaze,  tourmented  and  trapped  inside  an  subjective  perspective  for  not  perceiving  the  distance  of  an  objective  one.  Aren't  the  point  of  themselves,  as  divinities,  to  living  inside  such  view  circumstances  could  be  considered  otherwise,  and  no  matter  an  outcome  could  be  made,  if  they  were  clever  enough,  it  can  be  useful  towards  an  associated  intent  ?  It  was  understandable  Odysseus  would  refuse  the  knoweldge  and  the  visions  he  had  been  welcomed  with.  Oh,  in  some  manner,  it  was  an  reflection  of  something  he  recently  experienced  ---  Lady  Bernkastel  showed  to  an  boy  how  things  were,  and  Deimos  had  showing  up  not  so  long  afterwards  inside  his  realm,  negociating.  An  soul  for  an  soul.  His  lamentation  treated  as  a  representation  of  the  threat  he  posed,  in  claiming  Alois  Trancy's  soul,  had  pushed  the  main  concerned  to  give  his  soul,  even  using  his  desire  as  a  pressure  point.  ❝  This  fog  in  your  mind,  this  oppressive  shadow  that  makes  you  suffocate  inside,  is  the  price  to  pay,  small  compared  to  the  eternal  torments  that  you  could  feel  to  know  and  to  admit  to  having  to  face  by  the  courage  of  your  mind  and  your  decisions.  ❞  His  voice  was  gentle,  as  everything  remained  horribly  recent  within  his  own  mind.  There  will  be  no  happy  ending  regardless.  There  will  be  nothing  that  can  stop  an  tragedy  on  the  way.  Compassionate  features  allowed  themselves  to  appear,  regardless  if  there  was  always  that  supposed  distanced  lack  of  brutal  emotionality  inside  his  own  expression.  Odysseus's  anger  wasn't  towards  the  God  of  the  Underworld  hence  he  doesn't  take  it  personally.  Fates  weren't  kind.  Oh,  among  the  Gods,  he  always  has  been  the  most  tourmented  by  the  Fates.  Endlessly  pulled  inside  the  scene  of  an  tragedy  he  had  the  terrible  role  to  turn  it  comic  ---  If  the  Witch  of  Illusions  learned  perfomance  art  by  reflecting  an  golden  butterfly  struggling  upon  her  own  identity,  the  manners  of  lies  with  Lelouch,  he  was  the  origin  of  that  tragic  comedy,  that  eternal  divine  tragic  comedy  associated  to  his  name  given  by  the  Fates  …  ❝  You  will  see  your  wife  and  child  again,  who  will  have  waited  for  you  with  indecipherable  patience,  but  many  other  torments  await  you.  ❞  Inside  the  Purgatory,  he  would  have  expressed  that  sentence  in  that  beautiful  Red  of  Truth,  an  unbreakable  one.  ❝  Perhaps  you  would  have  thought  that  finishing  your  quest  would  end  the  torments  experienced  by  your  heart ?  Perhaps  you  would  have  thought  that  rest  would  be  given  to  the  hero  who  has  given  so  much  to  the  Gods ?  In  the  eternal  greatness  that  you  represent,  recognition  of  the  Gods  is  difficult  to  receive,  and  Athena  has  always  been  deeply  stingy  with  compliments.  She  always  sees  a  potential  beyond  what  mortals  can  imagine,  and  invites  them  into  a  long  journey  where  many  things  will  be  to  give.  Isn't  a  power  that  you  have  now  ?  ❞

[apatilcs]

muses. /myo͞oz/

all muses are subject to change. that being said, muses are highly dependent on activity, mentality, and more. I do not write all my muses ( or any, for that matter ) complacent with the lore and mythos given in their respective locations. they are all heavily headcanon inspired, with their own lore and thoughts behind their character. as such, I do my best to bring them to life in a way that displays this, while honoring and respecting their sources.

muses taken from mythology.

odysseus of ithaca - ( open )

penelope of ithaca - ( test )

polites - ( open )

athena - ( open )

poseidon - ( open )

zeus - ( open )

aphrodite - ( open )

medusa - ( open )

apollo - ( open )

**calypso - ( open )

circe - ( open )

patroclus - ( open )

telemachus - ( open )

a variety of other gods and monsters ( request/plotting only )

**note: I will not outright write triggering content, but I do heavily portray calypso as an abuser and obsessive of odysseus. she will act as such ic, talking of him as if he is the love of her life, in humiliating ways, manipulation, and more. this will not be ignored, but it will not be romanticized.

[bigidiotenergy]

if u guys aren't following me on the kesha song app ur really missin out on this hilarious sound (+ obligatory gigi and anniflamma design cred!!!!!)

[shimmerbeasts]

So, I discovered EPIC: The Musical (yes, I am late to the party), and now I cannot get the idea of Odysseus!Wyll out of my head. Or at least, take inspiration from Odysseus, heck, even people like Hagen of Tronje, to prep up the backstory he has. Aka yes, I was always annoyed by the Folk Hero background and its stupid implication of good hero, a nice person. Just bah! I am just like Great, I am already testing Zariel and originally planned on testing Lae'zel. Ergo three test muses.

Thoughts?

[a-d-nox]

Hello👋 can you talk about asteroid Circe in Capricorn conjunct midheaven?? Thx

hi - please, everyone, the more details the better. the house that it aspects from could help with interpretation.

circe capricorn: you may take your presence in the world a bit too seriously - not everyone is supposed to become a god, queen, or famous in a lifetime. you’d be best served taking some of the expectations and responsibilities off of yourself. you will find that life gets better when you aren’t anxious to be perfect. you may even find that success comes more readily then. that being said you are likely a great presence to behold. you like circe may be pretty intimidating due to your power.

circe-mc: positive aspects: you could have a reputation that emphasizes your strength, power, and mysticism. you may find jobs that rely on manipulation to be perfect for you (law, sales, politics, tv personality, healthcare professions, teaching, etc.). you are likely leader material - people look to you to tell them what needs to be done and how to do it. negative aspects: you may struggle with keeping long term goals because those around around you are constantly testing your ability to adapt to sudden and extreme changes. your reputation may consist only of the terrible things you do (some people remember circe was the witch who turned odysseus’s men into pigs than manipulated their son into killing him). you may be frequently stepped on or used by the masculine energy around you: a boss who steals your work, a co-worker who is trying to be seen over you, a lover who has no intentions of being loyal or staying long-term, etc.

hope this helps.

a.d.

click here for the masterlist

click here for more greek myths & legends regarding primordials, titans, gods, goddesses, and muses

click here for more greek myths & legends regarding heroes, kings, queens, creatures, and creations

© a-d-nox 2022 all rights reserved

[darabeatha]

                # DARABEATHA  ― 𝐋𝐎𝐖 𝐀𝐂𝐓𝐈𝐕𝐈𝐓𝐘   Independent  &  selective  𝐌𝐔𝐋𝐓𝐈𝐌𝐔𝐒𝐄  only  feat.  𝐅𝐆𝐎  𝐌𝐔𝐒𝐄𝐒  Written  by  Smol  (+18;she/her).  For  my  own  comfort,  please  do  not follow  if  you  are  under  18.  Rules under  read  more  !   /   Important ! : my portrayal will be based on my muses set as summonable servants (set on FGO)  + bits of historical facts + my character’s original source; in regards to their fate interpretations, some might differ from what is established in canon   /   Rules and muses under read more !   / chibi commissions post

LIST OF MUSES : 

Primary : Constantine XI (rider) / about ; Ashwatthama (archer) ; Vlad III (slighty canon div) ; Jason (saber) ; Camazotz (temp. assassin) ; Odysseus (rider) ; Daybit (crypter) ; Tezcatlipoca (grand assassin) ; Charlemagne (saber) Moctezuma II (Avenger) ; Duryodhana (rider) ; Ritsuka Fujimaru (master) ; kukulkan (-) ; tlaloc (pretender) ; Nitocris (caster) ; Moriarty (ruler) ; Nero Claudius (saber) ; Asclepius (caster) ; Antonio Salieri (Avenger) ; Morgan le Fay (Berserker) ; Baobhan Sith (Archer) ; Barghest (saber) ; Oberon (pretender) ; L.ucifer (?) ; M.ichael (?) ; Edmond Dantes (Avenger) ; Arjuna (Archer) ;

Secondary: Ritsuka Fujimaru ( based on R.itsuka F.ujimaru Doesn’t get it ) ; Hakuno Kishinami (fate/extra CCC) ; billy the kid (archer) ; Sherlock Holmes (Ruler) ; Diarmuid (lancer) ; EMIYA (archer) ; Mandricardo (rider) ; Prometheus (tbt ) ; Hermes (tbt) ; caeneus ( lancer ) ; Medb ( Rider) ; Dumuzid (?) ; Tristan (archer)

note: muses who have their own blogs/used to write but could make an appearance in here if im too tired to switch blogs/ or upon request: gilgamesh (caster & Archer) Nero Claudius (saber) nitocris (caster), arash (Archer) Mandricardo (rider), Edmond Dantes (avenger), Sherlock Holmes (ruler), Achilles (rider), Robin Hood (Archer) , Billy the kid (Archer) , Lancelot (saber), Ishtar (Archer), Ereshkigal (lancer), Francis Drake (rider), Blackbeard (canon divergent + rider) + saito hajime (saber), dioscuri (castor rider)

SELECTIVE & MUTUALS only.

this is a TEST blog, meaning that I am currently testing this muse

VERY HIGHLY SPORADIC ACTIVITY. My attention wanders all over the place so this blog will remain as low acitvity, If this isn´t ur cup of tea then I would advice to consider again following.

I am not an expert historian so I (politely) ask u to pls understand if in any case I happen to make a mistake, it´s due to that (*꒦ິㅂ꒦ີ)

mun & muse are both +18 (mun is 21 currently!)

Not affiliated with the Fate fandom.

Duplicates & crossover friendly !!

If you are not aware of F.ate as a franchise or the game F.go pls do not feel scared of interacting! there is no need to have prior knowledge about the universe where my muse comes from and if you have any questions i’m always happy to answer !

Alongside this post, please do not assume or dictate me how to write my own muse, this has happened before and it makes me very uncomfortable (*꒦ິㅂ꒦ີ)

Due to his character, this blog will remain as Fewship & very HIGHLY selective. I´m more inclined to ship with friends / people i know / people I can click OOC wise more, yet if you are interested in developing something between our muses, be it platonic or romantic, I am certainly not against that if the chemistry is present ! Aside this, i will not ship with underaged muses nor with underaged muns.

muse does not equal mun & I do not condone my muse´s actions.

And that´s it! apologies if any of these sounded harsh, let´s just respecc each other and have fun! thank u for dropping by!

❝ ― ❞ "ㅤ"

[abyssmalice]

(for the maybe-never-day i ever write a skirk muse loooooool)

has a weird duality of being loud and not-loud??

like, normally, she speaks quietly and is very philosophical 

her facial expression doesn’t change a lot either - it’s not like she’s blank-faced, but it’s hard to read what she’s thinking and feeling based on her expression. and that expression only barely changes every now and then, like small twitches of an eyebrow or a brief quirk of her lips.

but then u put her in front of a monster and she becomes some bright-eyed grinning maniac. she finds a great thrill in testing and sharpening herself against others, be it creature or human

very blunt outside of her impromptu philosophy lessons

always calls childe “kiddo”. always. whether he’s an actual kiddo or an adulte

childe is probably the most entertaining little beanstalk she’s seen in god knows how long. she finds him funny in the same way my sibling did when i was nine and thought you finished school after fourth grade. aka cutely stupid and he had to grow on her tbh 

like she originally took him on bc im too much of a softie and hc that skirk is a nice-ish person deep deeeeeep down so she just didn’t want to abandon another weak child to the abyss

just wanted to teach him to stop holding his damn sword wrong and somehow she ended up with adoption papers? 

she doesn’t really want to adopt him, but he does make for a funny sentient pet at least?

oh yeah writing this up reminded me of a fic draft i accidentally deleted where she used to be friends with the in-universe ajax that childe got his name from. i had some wild ass worldbuilding/headcanons for that draft lol

EDIT: WAIT I THINK I REMEMBER THE PREMISE FOR THE FIC? I THINK? uhhhh something about in-universe ajax the great having a feud with uhhhhhhh odysseus? agamemnon?? I THINK IT WAS ONE OF THE TWO and something something khaenriah

and oh yeah she’s a chronic smoker.

[superkooku]

Thank you for the tag 😛

So here's my opinion on the subject :

For starters, your story is fundamentally different from Greek mythology.

There is that Disney™ charm and innocence that, while perfectly fitting the story, is completely absent from the myths, that aim for more epic, tragic stories, or for allegoric representations of real life.

So it's already very difficult to compare. I did find some stuff, though.

1. Aster as Orpheus

(though I agree that both love their wives immensely and would do anything to protect them)

Aster as "Epic the musical" Odysseus ? Maybe. Jay made him a bit more conventionally heroic than in the myths. Odysseus is a hardened soldier, whose body count is pretty high (especially with a whole lot of suitors and dead Trojans).

I don't want to try babying Aster, ofc, especially since he matured, but he's still softer than Odysseus.

(and thank you for making me picture Aster doxxing himself to Polyphemus 😂)

Orpheus is a way better pick, especially since Aster is a musician in your human alternative universe. And Aster seems to love music.

Plus Orpheus is the student (and sometimes son) of Apollo. Apollo is the god of many things, including music, medicine, arts and the sun*.

With Aster being a star (and befriending the sun), it's even better.

*Helios is the main sun god. It's more secondary for Apollo.

Fun fact : Orpheus' voice is stronger than the sirens'

Fun fact n°2 : his voice is so enchanting than even the wildest beasts calm down and listen to him. Heck, even the trees are charmed ! Reminds me of Aster's magic.

Though it's clear that whatever death Aster has is way happier than Orpheus'... just make sure he doesn't come across crazy women in the woods and normally he's safe 😂.

Fortunately, after Orpheus died, his soul was reunited with Eurydice's.

2. KOW!Asha as Antigone

Medea isn't that bad of an idea, honestly. But I also have another pick : Antigone.

Again, let's ignore the unhappy ending.

Antigone : she fought with her king/Uncle Creon and was deeply against injustice, though for wildly different reasons. She was so determined that she was ready to die (and did) for her values.

She was a courageous young girl.

Other potential candidates

+ The muses : goddesses of the arts, who inspired heroes. There isn't a muse of drawing, but if I had to pick one : Polymnia. She's the muse of rhetoric and poetry.

And I wouldn't really compare her to Ariadne. Though it would be neat to mention that Dionysus offers her a crown of stars as a wedding gift.

3. KOW!Magnifico as king Pygmalion or Tantalus

Thank you anon for precising "DISNEY" Hades. In the mythology, they don't match at all.

Hades is the rightful lord of the underworld (even Elysium, which is kinda like an ancient Greek heaven).

He does his job very well and never tried to kill his brothers.

Which king did Magnus resemble more ?

King Pygmalion, not to be confused with the sculptor who fell in love with his creation.

Like Magnus, he was power hungry and murdered his uncle and his sister's (Dido) husband. He then steals all their riches and Dido's forced to run away.

Ngl, I had to dig pretty deep to find this one. More well-known kings are either not evil (like Odysseus, Midas), or ambiguous (Minos, Agamemnon).

The only really "evil" kings are Cronus and Tantalus. The latter is more interesting because, according to Ovid, he murders his own son and, out of hubris, serves him as a meal to the gods in order to test their omniscience.

Greek authors find other reasons for his punishment, but he always ends up in Tartarus.

(and no, Zeus isn't an evil king 😅. He did some... more than debatable stuff, but he was worshipped as a god of justice and he is also the rightful king. So, yeah)

And Creon, who I mentioned earlier, isn't an evil king.

4. KOW!Amaya as Medea

You already mentioned her, so I'll keep it short.

Though Medea isn't as evil as Amaya, I can see the inspiration in KOW (especially in her earlier life).

Then there's what I told you earlier about the cursed necklace of Harmonia.

Also, obvious similarities: they're both powerful witches who fled their kingdoms.

(and both aren't in good terms with kids...)

And Jason abandoning her for someone else, except his new wife is actually innocent and a victim of Medea's rage. While Harmona admittedly deserved at least some punishment.

Other picks :

+ Circe : another witch who, ultimately, isn't as evil. If we count Ovid, she changed Scylla into a monster because she loved the god Glaucus (who in return loved Scylla).

If we don't, she doesn't fit as much.

+ Queen Ino : tried to kill Athamas' children after marrying him. Queen Ino's the first evil stepmother 😂. Before Lady Tremaine and the evil queen, we had Ino.

(well, the second bitter stepmother, if we count Hera. But she's not an evil queen.)

Ino also had her fair share of suffering, mainly because she took care of her nephew Dionysus. And Hera didn't like it very much.

Bonus point : Typhon and Echidna

The only thing close to an "evil couple" in Greek mythology.

They gave birth to many monsters and Typhon almost defeated the Olympians, thus taking over the Earth. But Zeus defeated him and now he's in Tartarus.

All in all

I struggled a bit, ngl. Greek mythology is fascinating to study, but because 90% of its characters are morally nuanced, it doesn't fit the Disney tone.

(That didn't stop them from making Hercules. I won't complain, since I really liked that inaccurate movie).

But here's my answer.

I reread the backstory of the villains and at the end you mentioned that Amaya is Persephone and Magnifico is Hades (from Disney). I was wondering which of the ancient Greek gods (or other characters from Greek mythology) do you associate Asha and Aster with?

So I kept looking for greek love stories with happy endings... And as ya'll can imagine that's a pointless endeavor, most are tragedies, and the few happy ones we do have don't fit with Asha and Aster.

So instead I decided to just pick greek characters that remind me of Asha and Aster, regardless of who those loved.

I'd say Asha reminds me most to Medea

Now hear me out, I know what you're thinking (If you're familiar with her myth)

"But Anny! Medea killed people!"

Yeah yeah I know, that's not what gives me Asha vibes in her, quick summary for those who don't know:

Medea was a princess, that fell in love with a "hero" named Jason

(She only fell in love with him because Hera made her fall in love with him, so she would help him survive the many trials her father was putting him through, Jason was like Hera's champion, that's why she gave him this lil intervention)

So Jason took Medea home with him, after she literally saved his life, and they had two kids together. But later, Jason decided he wanted to marry another princess, like, one still in power instead of Medea that was a run away princess.

Medea obviously got furious that her husband would marry someone else just for the perks. But she didn't just sit down and took it like many other maidens in greek mythology would, nuh-uh, she started plotting her revenge.

She elaborated a plan to kill both their kids and Jason's new girlfriend, through clever scheming and also potions- because did I mention she makes potions? Yeah turns out Medea was also a big inspiration for me when writing Amaya, she's kinda my favorite girl in greek mythology.

So WHY does she reminds me of Asha? Well simple, Asha stood up against injustice and did everything she possibly could to outwit the villains and had plenty of moments where her quick thinking saved her by a hair (Flashback to the climax of Kingdom of Wishes). Asha plans things out and speaks her mind, she and Medea are both strong, not physically, but in their wit.

I guess I could also compare her to Ariadne since she was also clever by helping Theseus escape the minotaur labyrinth, buuuuut Ariadne isn't as cool as Medea, like come on, at the end of the classical stage play she RIDES HELIOS FLYING CHARIOT LIKE A FREAKIN GODDESS JUST TO TAUNT JASON!!! SAYING SHE TOOK EVERYTHING FROM HIM!!! THEN SHE PROPHESIZES HE'LL DIE ALONE!!!! AND THAT THE GODS ARE ON HER SIDE!!! BECAUSE HES A LYING LIL OATH BREAKER!!!

Anyway, it gives me the vibes of Asha flying on her hand drawn flying carpet to defeat Magnifico and Amaya, and then saying "No one believes your lies anymore" while they're being turned into stone, she's just a badass like that.

As for Aster, maybe it's the Epic: The Musical fan in me talking, but eh, Odyseus.

Simply because I can totally see Aster going through hell and back to find Asha, the same way Odyseus did for Penelope, and also because I can see him being dumb enough to give his full name and address to a cyclops he just blinded. But as more and more shenanigans happen (And by that I mean most of his army freaking dying) he becomes more willing to be more ruthless for the sake of his men that are left and so they can go back home, similar to how Aster matured and even got a lil sadistic in the end there when he decided to turn the villains into stone.

Alternatively, I could also let the Hadestown fan in me win and say he reminds me of Orpheus, but that makes me too sad, considering what happens to Orpheus and Eurydice in the end. Let's say if you cut Orpheus turning to look back, yeah that relationship is very Aster and Asha vibes.

@superkooku you like greek mythology right? Do you have other ideas?