#Number One

[slaterdevil]

I’m sorry but Prime Megatron is number 1

based sebastian?

got a funny voiceline thrown at me and I took it like bait lmaaoo

[thisisbeefjerky]

“If I shoot him is that murder or suicide?”

“Neither if I shoot him first”

[motteteto]

stage7: homicidal rage

[spocks-bikini-and-datas-bra]

I’m dead 😵

[aenslem]

N U M B E R • O N E

[tgcg]

stop starin at me with them big ol eyes

[vintagegeekculture]

Because she was an intentionally mysterious woman initially only seen in a single episode, and before she got an on-air backstory in the recent streaming series, Star Trek supplementary material developed contradictory information on who - or what - Number One, the female first executive officer of the Enterprise, was. To my count, she has four different, completely incompatible backstories in the comics and novels, and this is absolutely unique in Star Trek, which usually keeps it consistent.

Peter David, in his New Frontier novels, identified Number One as a long lived immortal human mutant (like Flint from the original series) named “Morgan Primus” who was an early genius in cybernetics and artificial intelligence, which is why the Enterprise computer has her voice. One of the names Morgan Primus assumed to hide her immortality was Morgan Lefler, and one of her daughters was Robin Lefler, Wesley Crusher’s love interest from the Next Generation Series played by Ashley Judd. Robin Lefler did not inherit her mutant ability to heal all injuries.

Alternatively, the DC Star Trek Comics of the early 1980s said that Number One was from an obscure planet of peaceful, open, friendly telepaths who resemble humans exactly, and that she was present at first contact with Starfleet. They explained that her blunt, direct, undiplomatic manner is due to her being from a telepathic culture that values total honesty. This would make her the first telepath on the Enterprise, with Spock and Arex coming later. Her planet was created before the Next Generation, but her species being a peaceful, open, telepathic race resembling Mediterranean humans who are not well known or commonly encountered in the original series era….well, that certainly sounds an awful lot like Betazoids to me. If this backstory is true, she may have been the first Betazoid seen on screen, in much the same way fans generally believe Trelane was either Q or a member of the Q Continuum.

D.C. Fontana’s only Star Trek novel, “Vulcan’s Glory,” was one of the earliest attempts to give the character a backstory, and was the most consequential long term. The first novel set in the era of the first Star Trek pilot with Captain Pike and a young Spock, "Vulcan's Glory" identified Number One as being an Illyrian, a race of human-like beings who specialize in species wide breeding programs and genetic improvement. This genetic superiority is why she was cool, intellectual, aloof, and a bit arrogant. Her nickname “Number One” came from the fact she was the supreme product of the hyper-competitive Illyrian system, and won at everything from academics to athletics. According to DC Fontana, her actual Illyrian name is impossible to pronounce, so when dealing with humans, she assumed the human name “Una Chin-Riley.” Una of course, being “Number One” in Greek.

As DC Fontana is such an important figure in Star Trek history and only actually wrote one Star Trek novel in her life, many future materials used the backstory established in “Vulcan’s Glory,” like the David Stern Pike-era novels of the 2010s....but more importantly, the Discovery and Strange New Worlds series, which canonized the “Una Chin-Reilly” name by using it on screen (I remember gasping when Pike called her Una in a Discovery episode, meaning they were going with the Fontana backstory, a detail that may not have been significant to the casual viewer). Since DC Fontana wrote “Vulcan’s Glory” in the 80s, a lot more information was learned about the role of genetic engineering in the Federation, however, and interesting things were done in that series to bring her in line with everything we’ve learned since in Deep Space 9 and Enterprise about augmentation and the society wide prejudice against it. For example, they established that the fact Number One was Illyrian was not public knowledge, but that she pretended to be human her entire life.

The one person who didn’t see fit to give her a backstory or even a real name was John "Johnny Redbeard" Byrne in his comic series about the Cage era Enterprise, who thought the mystery of the character was the most interesting thing about her, and he was deliberately cagey about any details. To Johnny Redbeard, she was just “Number One.” There was a running joke that every time someone says her actual name, or when we see her personnel file, it was blurred out, or somebody’s thumb was over it, and so on. It was rather like the running joke where Mr. Burns never remembers Homer Simpson's name. Johnny Redbeard loves mystery men and women who don't talk about their past, since that was the characterization he famously gave to Wolverine in his X-Men comics.

The one detail of Number One's past that is clear is that Number One in Byrne's comics is competent, mysterious, and has mystique, certainly, but she is completely human, without any powers. Byrne always got exasperated that his X-Men co-creator Chris Claremont added fantastical and far out details to the background of X-Men characters (like how Nightcrawler's girlfriend Amanda turned out to be a sorceress) because he felt "some people should just be allowed to be normal." Byrne always said his original idea for Wolverine's "true" backstory was that he was a Vietnam veteran in intelligence who volunteered for bionic experiments that wiped his memory, and disliked the idea he was immortal, and vetoed the very, very early Dave Cockrum idea Wolverine was an actual mutated wolverine who achieved sentience and a human shape (which early X-Men comics hint at). Byrne was reportedly enraged that they gave Moira MacTaggart a mutant power, as he saw her as just being a scrappy Scottish housekeeper.

Johnny Redbeard didn’t give Number One a past (other than to show she was on the Enterprise's shakedown cruise with Robert April as a rookie officer), but he did give her a future, as he showed an older Number One as a starship commander in the Kirk era (aging gracefully with a white tuft like Tongolele), and later, a flag officer in the Motion Picture era.

To what extent are these backstories compatible? Well, with what we currently know about Number One, that she hid her true species and status to avoid prejudice, it could be that some of the other versions were tall tales she spread to obscure her true origins. The John Byrne idea she served as an Ensign with Robert April in the Enterprise's very first mission hasn't been confirmed, but hasn't been denied, either. The Peter David "Morgan Primus" backstory is completely incompatible, but perhaps there are some elements to it that are true, like the idea that the early part of her career involved working as a computer engineer in artificial intelligence, which is why the computer has her voice.

[virtualsuitmoon]

Boimler every time something goes wrong on the USS Cerritos so pretty much daily ig

[ireallyamabear]

The choice to put Una Chin-Reily on a Starfleet recruitment poster in the late 2370s seems a nod to the extraordinary person she is and her exemplary service, but Boimler’s enthusiasm for her as a personal hero cannot mask the fact of what Starfleet execs are really doing here: while it is Starfleet tradition to honour esteemed personnel from its centuries of history, we have to look at the poster as a product of its time: it seems clear that, shortly after the devastating death toll and the rapid militarisation of the Dominion War, putting a prominent figure of the Great Exploration Age - and notedly someone who had not served in the Klingon War - as the poster person for Starfleet is an indictment that contemporary young people of the Federation are not drawn to the service as it is in their time anymore.

Critically, Starfleet has to use somebody from a 120 years ago, a timeframe that would lap generations of even especially long lived member species like Vulcans or Denobulans, to attract new recruits. Boimler says himself that seeing Una as a representative and her motto - “Ad astra per aspera” was: “Uh, it was a really big reason why I joined.” Clearly there is a wealth of recognisable Starfleet officers from 2370 and onwards, but their entanglement in the Dominion War, or at least in the Borg threat makes them unsuitable as role models for people like Boimler who cannot help but associate these contemporaries with the horrors of war and intergalactic conflict. Thus, the retreat to a “safe” historical narrative, with Starfleet still being about peaceful exploration reflects the growing divide between the realities of a colonised galaxy, the ongoing need of new bodies to fill the posts on all those ships and space stations and the aspirations and values of young people today. In this essay I will question whether Starfleet can keep its promise of scientific integrity in the face of growing political unrest in the UFP and ask what “Number One” herself would have thought about-

[neuroprincess]

Una Chin-Riley/Number One | Star Trek TOS

[arachniasbride]

Is it OTP worthy? ⤷ Chris Pike & Una Chin-Riley | Star Trek: Strange New Worlds

[whatelsecanwedonow]

STAR TREK: STRANGE NEW WORLDS S02E02 | Ad Astra per Aspera S02E07 | Those Old Scientists

[evviejo]

NUMBER ONE - STAR TREK S1E12 The Menagerie, Part 2

[ansonmountdaily]

Star Trek: Strange New Worlds Season 1 bloopers (DVD extra features)

The cast channeling their accident-prone Captain! :D

[my-little-c0rner-of-the-universe]

Can we briefly talk about how season 4 TUA kinda made Klaus’s addiction his entire personality?? Like I feel like so much of Klaus is shown through his style and clothes but when he was sober he looked like all he wore was a mix of Viktor’s and One’s closet (they rock that style but it’s just not Klaus) .

Like he could of been sober and kept his flamboyant personality that we all love so much like it honestly just confused me. Okay maybe fear of death makes sense because he’s afraid of becoming a ghost/being with them again but other than that he literally lost all his personality. The only time I felt like it was klaus (before he got his powers back) was when he did his little tarot but everything before that felt like a joke.

Again why make it so he’s only authentically himself when he’s not sober/got his powers? I mean they always made Klaus’s addiction kinda his personality but this season they went further, it’s like he was a completely different person in the first few episodes.

Anyway he’s my fav character and I would be more mad if it hadn’t been a complete butchering for all the other characters as well.

Also are we just not going to address the forced prostitution and the sex possession thing??

TUA S4: no absolutely not all the traumas and old love interests are never going to be brought up again/concluded and everyone is just going to cease to have existed

Past Klaus if he could see early season four Klaus’s outfits and hair