#Now i just gotta write it too

[the-ghost-in-your-walls]

Me writing fanfiction instead of studying for my test like

[fictionalsownme]

smash???????? who said that?????????

engineer doesn't get enough love on this blog considering how much I cannot express my devotion to him, so I’m working to fix that :) this is similar to what I did for damien but it took foreverr!! iswm lighting is so so pretty which makes it impossible to get right ;;u;; the saturation is really high and there's multiple light sources so in terms of rendering it, its like it was personally designed to leave me dead on the floor :))))) either way,, I'm happy with how it turned out!! he’s very prettie :))

also bonus:

[starscream-is-my-wife]

This is part 1 of a continuation for my other post where LL Megatron gets trapped in the G1 universe, I was thinking about how someone would go insane in this cartoon world and thought "what if Megatron had someone else to accompany him" so, I gave Starscream an existential crisis

Edit: pt 2 here

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[sorunort]

i said in another post i was rping loop in a multifandom rp group and i'm having a lot of fun! so much fun that i made a giant doodle sheet of loop's glitch....that i haven't even gotten to rp yet but am so excited to im getting carried away. whoops

(in the context of the group, think of glitching like in spiderverse, they don't belong in this new world/dimension so their existence rejects it. we can do whatever we want for glitches so i just made loop's that they get their humanity back. yknow. for misery whenever they unglitch and go back to being a star [thumbs up])

i think my favorite here might just be the Go there Go Into the Dark catcrumb edit lmao

[lilianhuas]

i love three artistic gentlemen who made one of my most favourite films of all time Queer (2024): (Daniel Craig (William Lee), Director Luca Guadagnino, & Drew Starkey(Eugene Allerton))

[clansocreations]

@ameliapodcast

well....shit.

(Also,you haven't seen Watson around anywhere by any chance, have you?)

[queerofthedagger]

sometimes. what i like to read or write in fic or just generally play around with.... is different and, dare i say, sometimes even contradicting to what i think the canonical reading is offering. like yeah he would not fucking say that but every once in a while i do like to indulge. sue me

[applestorms]

ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.

the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.

notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.

take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.

(not a fan of that big joel video, if you couldn't tell. lmao.)

point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.

which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.

as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.

this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.

do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).

misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.

to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.

that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.

anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.

[hballegro]

the clock is here. all hail.

i forgot to turn antialiasing to the right settings with my pen so it is. the little numbers are chunky. thats life sometimes. just dont zoom in too hard. if i fix it, i wont make a new post abt it ill just edit it on to this one or something [and state that i did so in the post]

prev post with noclock version

and as promised here is also progress pics, harvested from when i sent screenshots to friends as i worked. as a bonus ive also included various layer names and the 5 different names the file went thru. the parts i [very lazily] painted over with dark blue had not been done yet, ergo anything with dark blue over it is just the picture itself so do not regard it

i will now be nice to myself and work on my fanfic and smaller drawings for a while. i will do eye posts sometimes still when i get a slow day and wanna do some peepers for 3 hours, i have collected many eyes [klinger, fr mulcahy, trapper, margaret, charles, hawkeye, bj. ive been busy stealing eyeballs to paint on. theyre all on one document its pretty funny]. i will be doing my best to force the cast into my style so i can do quick stuff.

i also WILL do more paintings of full shots again, but. fellas. ive done 3 back to back full paintings with no other digital art projects in between.

this has been NOT good planning lol

not sure if i should tag everything again so i will just. do so? idk i have not been on tumblr hardcore since like 2018 and have never regularly posted so idk proper etiquette. im gonna leave off characters for this one ig

[prince-liest]

First draft of 666 #11 is complete! +^+

[lunar-years]

When I was in DC visiting college friends who are all very smart people with very well-to-do jobs they started a conversation about ChatGPT and concluded it by agreeing in earnest that they think AI is actually really useful and a great tool for things such as WRITING ONE’S WEDDING VOWS because otherwise it’s “too hard to come up with what to say.” When I tell you I nearly keeled over on the spot…

[your-unfriendlyghost]

it feels so…… weird… seeing a cishet dude be so chill with queer themes lmao your soda-in-drag moment, the stevepop of it all, even guys with queers in their friend circles can’t bring themselves to partake sometimes lmao 😭 but it’s cool !! refreshing even sjksksndks this is a /pos statement I promise

Thanks lol! I think it’s cos I’m fairly secure. Sorta. (I’m still prone to compensating for things and being a stupid teen boy, but like, I’m aware of it, at least when I stop to think. Yk I’ll still join in on dick measuring contests, but deep down I’ll know it’s dumb and performative.)

I guess I feel a kinship to queerness. I go to art school where I’m sometimes the only guy in a class of girls, and I’ve been the token straight guy in every friend group I’ve been in since freshman year of high school. Beyond that, growing up I was frequently mistook for a girl- I had long-ish hair (post bowl-cut era 😭) and I’m part Asian, I was pretty androgynous lol. People irl have thought I’m gay, or a trans man on testosterone (I mean fine, I guess I am pretty short and hang with a lot of trans guys.) Hell, I did drag on a dare once, back when I was even more secure. (And I was hot asf in drag lemme tell ya. It felt lousy and it’s definitely not my thing, but man if I had a clone who was a girl-) All this to say, I say I’m straight, but honestly I don’t really know. I like girls a lot, but I have seen a buddy of mine in drag, and lemme tell ya I felt something but I’m not gonna examine that rn lol. Straight just feels comfortable, safe, and it’s good for interacting with folks who ain’t so progressive, so it’s what I’m sticking with…but I’ll admit there’s a gray area.

I relate a lot to the guys in the Outsiders, and irl I like to present myself as a tough, cool, Very Masculine guy. Hell, sometimes I play dumb about stuff because it’s “feminine” and a guy like me shouldn’t know about it. I act a lot like how I write Steve Randle, he’s my guy I like to project on lol. Honestly, I’ve got a fair amount of internalized toxic masculinity. But I think because I know how silly it all is deep down, I can interact with queer themes in art without feeling like I’m not “man enough”. Idk, I suppose it’s an outlet in some ways. Who knows maybe in 2027 I’ll come out as bi or something, but don’t wait up.

idk, I guess what I’m trying to say is that I like exploring queer themes, not because they’re queer necessarily, but because they’re human and I relate to them. And that’s hard not to partake in, y’know?

[kaisollisto]

(Based off of the reality of having a metal ring in your back as a constant reminder of your fate and how that affects you as a person set in the Switzerland arc)

“Does it hurt?” 

Ava’s pressed face down into the pillow sleep curling around her limbs. She hums, she can’t remember what she says, she’s exhausted. Her arms are tangled beneath her pillow. She holds her fingers tightly between each other, her bones ache from the pressure but her hands no longer shake. Ava hasn’t experienced this before, a fear that haunts her at night. (She finds she cannot stop dreaming about dying. It’s stifling in the cover of night trying to figure out where she is.) 

She slowly opens her eyes and squints in the darkness. Beatrice is facing her a furrow in her brow that Ava knows she’s doing unconsciously. Ava’s lip quirks a smidgen, Beatrice looks funny. It’s a bit silly to her, Beatrice no doubt working out a solution to an unknown problem that Ava has yet to see in the middle of the night. In her sleepy state she wants to laugh at the imaginary cogs churning in Beatrice’s head. 

Beatrice scooches closer and Ava panics, her skin can taste the dust of Bea’s forearm. She hoists herself up on her elbows, turning to face Beatrice. “Wha?” Ava’s shaking off bits of sleep from her mouth when Beatrice repeats herself. 

“Does the Halo hurt?” 

She doesn’t know if she wants to answer that. Ava peers over Beatrice squinting at the harsh light of the digital clock on Beatrice’s side. Ava loves it, it reminds her of the early 2000’s and the aesthetic of waking up to an alarm to go somewhere. The clock blinks an innocent 1:43 Am, and Ava debates on letting her head thump back down. 

She turns her body on her side, she can feel the halo shifting in her back and it makes her want to throw up. The sides of the halo press against her shoulder blades and Ava resists the urge to yank it out. She grits her teeth and settles ignoring the skin of her back pulling tight to accommodate for the ring. Beatrice is still expecting an answer and Ava can’t lie to her, she pulls the covers of the sheet up to her chest hoping to bide more time for an answer. 

"Everything hurts Bea," Ava smiles, "getting my ass handed to me is hard work."

Beatrice frowns displeased but looks at her through her lashes, it's unguarded, the stress and worries of the world stay out of their room in the dead of night. Her lashes are so pretty and Ava wants to curse the soft glow of the moon. There’s just enough moonlight to illuminate her eyes but overshadow her freckles. Ava swallows down the taste of defeat, she can’t win, she thinks. 

Her gaze is soft, Beatrice is looking at her and it’s different yet the same. The same feeling in her chest constricting her lungs, the same soft gaze of Beatrice. Beatrice who likes what she sees in Ava when Ava can barely see where she begins. She doesn’t like to dwell on it, the truth of the matter being what belongs to Ava.

If she closes her eyes she can pretend just a little longer. She can give herself the hope of the future and what comes after all this. She can put down the fighting and the artifact and live. Ava doesn't want to think about it anymore, at least not tonight when Beatrice is here with her. 

Beatrice is soft. She knows it from hours and hours of training. She's felt it when Beatrice corrects her form, in the way she talks. She speaks from a place of care like she has turned the harsh words in her brain over and over to soften the syllables spoken to Ava. And Ava doesn't linger on it, the meaning behind it, (Ava didn't think she'd make it this far, finding a person who cares quite like Bea does.)

And Ava's got it bad, she knows she's fucked because Beatrice doesn’t say anything about her language and Ava can't not tell her the truth. She looks down, her hand fiddling with the bed sheet underneath them. 

"It doesn't hurt," if she thinks about it she can feel the fibers of the cotton between the pads of her fingers. "But it's very uncomfortable." She doesn't want to find the response in Beatrice's eyes, content to hear it from her voice. The soft British lilting accent that holds her just as soft as a touch. 

She waits, she can picture Bea’s mannerisms with her eyes closed but maybe she should check just to be sure. Ava peers up at Beatrice and she’s suddenly closer. Her eyes really are pretty, there’s a depth to them that Ava wants to spend an ungodly amount of time studying.

“Can I help?”

[zolo-san]

I read all your tags and I’d like to suggest that in bed Zoro and Sanji also sleep this way. Sanji’s side of the bed being the left and Zoro’s the right because they trust each other to cover their blind spots.

I could write a fic about this ong

Okay, okay yes!!!! I agree!!!! But also might I add a bit from my hc that I discussed in this post I made about the Straw Hats' sleeping arrangements where I mentioned that I think that Zoro would choose the one of the beds closest to the door partly because he's inherently a protector (there are studies that show that people who choose to sleep closets to the door/facing the door do so because they want to protect/defend while those who sleep furthest from the door tend to want to be protected and hide or run) But from the way I hc their sleeping arrangements and how that would change/be affected by relationships, I had Zoro opting to sleep in Sanji's bunk and while I never said it, I always imagined Sanji sleeping to the left of Zoro, partly because Zoro would insist on sleeping closest to the door and party because I think that (whether Sanji realizes it or not) Sanji doesn't like to feel vulnerable when sleeping so he would sleep better with Zoro on his right and closer to the door And I think that they are not really aware that they do this and that they're not consciously protecting each other, they just do it inherently I also think that Zoro sleeps a little better too, knowing that he can trust Sanji to protect him on his more vulnerable side But I also think a contributing factor to Zoro preferring Sanji to be on his left would have to do a bit with Zoro always wanting to know when Sanji is awake/gotten out of bed They originally would have swapped bunks because Zoro hated being woken up by Sanji in the morning, but I think that even after they swapped Zoro was still woken up anyways (I have a whole other hc about how and why I think that Zoro is actually a really light sleeper) because he'd sense any movement in the room and automatically wake up a little bit, but this doesn't really bother him because he likes to know where everyone is, for safety reasons (and let's face it, he can instantly fall asleep after lol) Once him and Sanji start sleeping in the same bed I think that they'd be further along in their relationship (I'm currently working on a timeline for when and how I think their relationship would develop) and Zoro might have a bit more anxiety around Sanji's safety because even though he knows that Sanji can easily handle himself, I think that Sanji's self-sacrificial tendencies would honestly really affect Zoro if he admitted it or not But yeah...I'm very normal about this hc so normal about the intrinsic trust these two have in each other and how easily and naturally they are combat partners without ever discussing anything, they just know~ I'm incredibly normal about how quick they are to know when the other needs help and how they don't hesitate to help each other and trust that the other will always be there when they need them and when they need protection yup yup...very normal I too could write a whole fic on this concept~ Edit: to anyone wondering what post this is referring to, it's this one with my long ass tags on it

[estellardreams]

Some Prisoner Trio related stuff that idk where else to put.

First was actually a scrapped two parter because I literally didn't know where I was going with this. I think I was gonna go down the idea of "King Red gets so sick of TT Red resisting that he just starts flat out scarring him however he could (my first thought went to ice ocean water)" but then I just... Forgot. Oops.

Second... Post Prisoner Trio. These three are SCARRED. And this is only scratching the surface, quite literally.

If you had to base the time frame these three were under... My mind instantly went to at least two years under King Red. And YIKES did it get brutal.

Unsurprisingly Macaque got the least amount of damage. Sure the fillet became an issue from time to time but he usually did the work. Meanwhile Wukong and Red continuously resisted, and since King Red probably hates Wukong WAY MORE than his past self, especially after the monkey king killed his parents, then suffice to say he took most of his brutality out on the stone monkey.

And third... A small assortment of doodles. Including timers on the longest each has had their fillet activated.

Red once got three days, to the degree his body went numb to the pain and headache.

Wukong had the wreck of an entire WEEK to deal with. Absolutely sucked.

And Macaque only got an entire day once due to legitimately covering for Wukong so the two wouldn't get caught after purposefully sabotaging one of the King's devices. Wukong still took the fall for it, but for being the accomplice he still got a pretty extreme punishment.

And for the small doodle of TT Red trying to sleep... Well, I remembered that one ask I read on TT Red indulging in very cutesy stuff to not make himself like King Red. And while stuck in their current position he had an extremely hard time sleeping through the pain.

So... Wukong, knowing full well that the object couldn't be used to break them out but would still be quite "embarrassing" for someone like King Red to have around in his fortress, decided to grant TT Red's request of receiving something cutesy to help him sleep through the night.

That just so happened to be a Fluttershy doll (mlp looks so cutesy doesn't it? Also if Red probably had to choose his favorite would've most likely been between Rainbow Dash and Twilight Sparkle. But Fluttershy is absolutely NOT who he sees himself relating to (he actually does but doesn't know it) and chose that pony in particular. It's also the most soft looking main character there is).

[DKR and TT Red belong to @purble-turble]