I think everyone will benefit from properly tagging posts. xreader fics abd ship fics ONLY include the relevent _x_ tags but none of the character's name on its own, allowing all the usual fanart, theories and such to stay on the main name tag and not be crowded out by horny fanfiction (I say this as someone who very much enjoys very horny, very smutty xreader fanfictions. I want to be able to search the fics I want directly without having to trawl through headcanon posts, fanart, unrelated ship posts, etc.).
No one really has a tailored experience on the internet (I'm glad tumblr is at least a little more user dictated than advertiser algorithm based), but I do get the frustration and discomfort that comes from the abundant hornyposting feeling inescapable.
It's tempting to take offence to persistent cries against xreader stuff. I like special POV episodes of shows for the same reason I like xreader fics. My favourite characters WERE the company I kept, my only real form of companionship (albeit simulated) for many many years. Not because I am allo, basically. I sought something to meet my social needs growing up where I was unable to find community or companionship in real life.
Unfortunately, because they are usually sexual in nature I just came to associate a need for human connection with sex (so am I allo or just conditioned to blend sexual, platonic and romantic feelings and actions together?). I was just happy to feel like I had someone to hang out with. I knew they weren't real and that I needed to find real people to connect with (not for lack of trying, kids are just cruel. Finally made friends as an adult, yay).
Didn't intend for any of that to be so sad or pathetic, but hopefully it gives context for the prevalence of xreader fics. Alongside the varied reasons people write / read them (no just blind allo horniness), especially in light of the widespread loneliness epidemic over the past decade.
It's still more than ok to not want anything to do with them either (be it due to being aroace or not - I know plenty of allos who find xreader fics cringe).
Something I need to clarify here – we get it. Well, we don't fundamentally get it, but trust me, we've been told time and time again why people would write/draw/be into xreader content (it's all part of the package of "aroaces MUST put themselves in allo people's shoes at all times"), and we know they're perfectly legitimate reasons, and we don't find it sad or pathetic, or cringe. At the very least I don't at all. That's not what it's about. It's not something as surface-level at that.
The thing is... The same kind of understanding effort is VERY rarely put forward in return for us. And the fact that we're perceived as naysayers is symptomatic of this. We're not crying against xreader content. People are free to do whatever they want. We just want it to be tagged to keep ourselves safe, and so we can appreciate some variety and find fandom content we can properly connect with with the identity we have.
The issue isn't that there is xreader content, or heck, that there's lots of it. It's that, as @kaoruko-han put it, "everyone is assumed to be into this", and that you can't express something as simple as "I'd rather read something else" without being finger-pointed as a villain.
Yeah, no one has a tailored experience online, but there's still a very clear lack of balance on what is acceptable to tailor to or not (and for us, that includes tumblr). And trying to find fan-content while being sex-repulsed? Bruh, you'd better pray on your lucky stars and be ready to trudge through an ocean of stuff that's loaded with the very thing that makes you scared, uncomfortable or downright triggers a feeling of sickness in you, because a lot of it ain't tagged. An alarming amount of people don't bother, because why would people like you exist, right? There's only ever them, and puritan bigots. It's that black and white in a lot of people's heads.
Here's the difference though: we, too, want people to be able to vibe to whatever fan content they want. We just wish "people" included us properly in this case. As it stands now, trying to find fan content that won't give you an uncomfortable feeling as a sex-repulsed person feels kinda like this (I'll try to illustrate that to the best of my ability as a vague comparison, please no one take that as a clear parallel, I'm literally just trying to explain how it feels in a way people who have no idea how it feels might understand): you're not into gore at all, you don't wanna look at it, but your streaming platform keeps recommending you those series that are loaded with gore. You try to filter it out, but no matter where you go, you keep being recommended those series. And no one ever gets your discomfort and you're being branded as nothing but a wet blanket for not wanting to see gore. It's kinda like that.
At this point I admire sex-repulsed or romance-repulsed people who still TRY to find anything at all in fandom spaces. I've stopped reading fanfic altogether and I've largely stopped engaging with the large majority of fandom spaces for those reasons. And that wasn't an easy choice, or one that I find fun because it feels incredibly lonely, but it's the result of years of exhaustion and strain on my mental health trying to navigate something that's so hostile to me at its core, even if it's unintentional.
So... Yeah. We know the reasons, just like the content itself, they're kinda impossible to ignore. But we are largely being ignored in this, and it's not just something at an "ick" or "picky" level ; for a sex-repulsed person, being spammed with sex entails much more than that. It's not even frustration anymore at this point, it's downright despair a lot of the time. So... Yeah, like you said, everyone would benefit from stuff being more properly tagged. For us it'd be so huge to know our safety is taken into account – that we're taken into account at all. Thing is, we're not, and we're so invisible in this and most other things that at this point, I don't have much hope. Sex-related controversies allo people can understand would sooner create a change than anything done for our sake.
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this is in a similar vein to an ask you got recently but do you have any tips for those who are interested in sims 4 (or even other games like ts3 and ts2) storytelling? I write fanfiction but I think making sims 4 stories could be a fun venture. Anyway, thank you for your time! I love your stories so very much they're literally my hyperfixation!
Well, that makes two of us because it's literally my hyperfixation. I think I've shared bits of advice before, so some of this might sound familiar, but here are some things I think are important to remember (and I tried to be concise, I swear).
Write the story you want to write. Obviously, it's a great feeling when something takes off and people get invested. But if you pursue an idea only because you think Simblr will like it, you probably won't be inspired for long and it'll probably show. I've been very lucky with my story, but it didn't blow up overnight. Early on, I was thrilled to get double digit notes or one reblog or comment and was admittedly disappointed when I put a lot of effort into something and nobody seemed to notice. But I kept going because I was obsessed and wanted to see it through, and that's more true now than ever.
Start with low stakes and allow yourself to evolve. Before I was on Simblr, I made Sims stories with no poses or visual enhancements or fancy editing. I wrote them for myself, and I loved every minute of it, but they also gave me a solid foundation for the kind of storytelling I do now. Even after starting this blog, I eased myself into it. I learned how to use poses and Reshade, then moved on to more advanced editing techniques, then moved on to teaching myself to make poses and very basic CC. If you try to learn it all at once, you're more likely to give up because you're overwhelmed. Take your time and make peace with the fact that perfection isn't possible. Everyone's always learning!
Take advantage of the fact that Sims is a game. Even though I've been a creative writer for most of my life, I don't come up with fully-fleshed, elaborate Sims stories from scratch. It started off with my legacy and not wanting every generation to feel the same. I thought about gameplay I hadn't experienced yet and centered each generation's story around that. Even with HZID, I just wanted to make and play with vampires! That's it! Initially, I used a lot of gameplay to convey Helena's college experiences, and I still try to incorporate it when I can. It can really be a great base to spark your creativity if you don't know where to start.
Don't have a life outside your story. I'm joking. Kind of. I'm not a very social person and I don't like leaving my house if I don't have to. This leaves me with a lot of time for working on story things. Honestly, I could probably stand to work on it less. But for better or worse, I'm doing story-related things most nights and weekends, and even if I'm not doing anything, I'm thinking about it. It's probably mental illness, but we'll just call it passion. At the same time, it's also important to take breaks! If you're feeling burnt out, step away for a while. If you can't make yourself step away completely (raises hand), just edit the script or spin your blorbos around in CAS or something rather than going straight for posing a scene.
Follow and interact with other storytellers. This is probably the most important thing, and as someone who struggles with social anxiety it was the hardest for me to do. But I try to make a point of keeping up with other stories, commenting, and reblogging. Not only will the amazing talent of other writers inspire you, but you're building meaningful connections that make them more likely to want to interact with your story. There's no denying it feels amazing to watch your audience grow. But no one's going to see you if you don't make an effort to be seen, as scary as it can be. So try to be active in the community and support other storytellers the way you want to be supported!
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ACTUAL POST.
i really really love that when the misfits are convincing evan to stay its not like “it’s rotten work/not to me. not if its you” but “yeah it is hard work but we care about you and its worth it”. because sometimes you are a burden! sometimes mental illness makes you hard to be around! and in my experience the people who say “oh its okay youre not that bad i’ll stick around no matter what” do not actually stick around. the ones who stuck around are the ones who said “yeah, it does suck sometimes, but we can work through it together because you are worth whatever effort it takes”.
and i feel like jammer truly encapsulates that energy—thats just who he is as a person. he’s got so much love and he cares so fucking much about everyone he meets. he’s the heart of the team, the string that holds them together, the captain who always knows how to hype up his team. he reaches out to people so effortlessly and genuinely, no matter what they’re going through.
and it’s interesting because sam is similar in a lot of ways, as like an influencer type who draws people to her, but her skillset is different. its so hard to explain but like, sam cant hype people up thr way jammer does, but jammer could never talk to a blood snake the way sam does. she’s unshakeable and fearless.
i could write an essay on k lmao they’re just like me fr….imo k is extremely autistic in the way of like, extrovert who doesn’t understand people. tries to analyze media because if they can understand characters maybe real people will make sense? so deeply uncomfortable and uncertain of themself that they have to build a persona to act as. also k was definitely bullied in school
its just such a deeply relatable thing to me of like. being soft and kind makes it too easy for people to hurt you. you’re small and cute and no one takes you seriously so you need to wear spikes and spit venom and bite first before they underestimate you. my phone is at 4 percent battery
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Jon and Co-dependence: my boy's mad at me. i'm going to make him move in w/ me and make him popcorn
Absolute Power: Super Son gave me a lot to think about. In terms of writing I really can't complain, it was executed very well for a one-shot. But in terms of characters, I'm frustrated(in a way indicative of good writing) about Jon and Nia.
This issue does not resolve Jon's problems, it brings them to audience awareness in an explicit manner. People who've been keeping a keen eye on Jon saw this coming since 2021 in SOKE but no writer stated it in clear terms on page this way. Avoidance, denial, and an inability to think in terms of his humanity and only as a tool or a part of a whole(family, romance, friendship). Jon knows he's avoidant, he doesn't like thinking about his trauma or talking about it, he will suffer through it alone. Even in his deepest, most lowest moment, he speaks of his own trauma in terms of his family.
His autonomy and individuality have been slowly chipped away by the prospect of being Superman. Superman does not live for himself, he takes risks and sacrifices himself for the greater good. That label and the shadow of his father in that suit has been following him since he was 9-10 years old.
The only thing Jon seems to want solely for himself, is Jay.
Up until this point, Jon has been fairly chill and normal about seemingly on the surface. Their relationship was always very sweet, they were always on the same page and never had a reason to fight. There is a deep admiration and respect between them. But the understanding, the ability to see the person for who they are at their core, has yet to happen.
Regardless of that, Jon loves Jay in a way that is damn near unhealthy and codependent.
His love for Jay is what breaks Jon out of Brainiac Queen(BQ)'s control, but it makes him reckless and impulsive. He needs Jay in his life. Throughout the issue, Jay was pointedly not present in the dreams Nia constructed to keep Jon's mind safe from BQ's attack. This is precisely what kept breaking any shield Nia put up.
Jay's absence drives Jon deeper into spiraling. The lies Nia made for Jon never, ever worked because Jay was missing. A dream of his which Nia repeatedly showed Jon and which Jon has admitted is his wish to move to San Fran and get an apartment with Jay in it.
Nia gave him the apartment and the city but not the man and that always, ALWAYS broke Jon out. When Nia isn't around to keep things in-check, Jon just spontaneously remembers Jay on his own and inserts him into the dreamscape.
Nia built those dreams to protect Jon, but also to help him in fighting back but Jon was extremely weak to BQ's control regardless of those efforts. The only time Jon manages to find the strength to fight back is when Nia drops the dreams and instead just shows him the truth of BQ and acknowledges his trauma. She correctly identified that Jon needs help to fight back, but not through falsehoods, but through the truth.
That's when Jon fights back and breaks out of the control. At every turn, Jay and the things he stands for are what pull Jon out of false comfort.
There's those phrases right? Sweet dreams. Ugly truths. That's Nia and Jay.
The reality with Jay is nothing like a dream but Jon would rather take the pain of reality than be trapped in fake happiness. There was a pattern in the issue where Jon kept texting Jay after every dream session with the Amazonians. Jay checking in asking if he's okay, Jon replying he's 'totally fine' despite not feeling like that. Jay was his guide to the truth in SOKE, AOSJK, and now Super Son.
Jon's had his reality fucked with a LOOOOOOOT. Manchester Black, Waller & BQ, Injustice Universe, and the whole space trip. Jon has had this existential turmoil since he was a child, it was made worse by his trip to space with Jor-El. The impossibility of his existence is frequently emphasized. Most people see it as a miracle, Jon sees it as point of fear and doubt about his existence. He needs something, anything to stay above the surface and that is Jay.
Like, it is now canon, that Jay is Jon's tether to reality. He is the one thing he will selfishly ask for himself and by golly is he selfish about it. He clings. It's a repeated pattern.
The night they become official, the tendencies start showing.
SOKE establishes that Jay is always the one letting go, and Jon is always the one holding on by any means necessary. This leads to so truly ✨Problematic✨decisions on Jon's part.
A list, if I may:
Gives Jay a new suit and half-proposes to him with a legion ring
Nearly fights Batman over him
Goes to Jay's counterpart in the injustice-verse with no evidence of if he may be good or not and just trusts him blindly
Took Jay to his own Fortress of Solitude and planned on keeping him there during the Siege of Gamorra
Burst in through a wall because he thought Jay was in danger
Asks to move in with him and move across the country with him
Safe to say, Jon needs Jay in some deep, fundamental, and kind of unhealthy way. The last one happens when Jay suggests it's not going to work between them if Jon insists he must forgive Nia. You don't define your own reality based on one person if you don't got issues, and unfortunately Jay does dish it like it is and calls himself the truth so like Jay was doomed from the second he opened his mouth and posted his recordings online.
Jay suggested breaking it off-- for understandable reasons- and within five minutes Jon dropped his very first "I love you" to Jay and asked him to move in with him.
This kind of leads to Jon deifying Jay and not seeing him entirely as a person. Jay is deeply upset about his mother's death, when Jon just rush at him with moving in together, Jay cries but doesn't immediately agree. He actually pulled away and seemed like he might have protested if not for the Amazonians calling Jon in to stop Waller.
Jay's relationship with Jon is filled with this, and Jay has to call Jon out to slow down and address Jay's issues(this makes him sound so bad, he really isn't, he' just gets too caught up in "protect him protect him protect him" mode when he's under distress). He does this when Jon is about to leave him to go fight Bendix, and in AOSJK when Jon's being all happy about getting to go out freely in public while Jay's stuck wearing disguises.
Jon's tendency to view Jay as his tether leads to him dismissing Jay's very human, raw and awful emotions. It's why he's so shocked when Jay feels nothing about Nia's death. It's also why he's quick to just ignore the topic and because yeah he feels terrible about it but if he keeps pushing this, Jay will leave him.
Jay's story.....is one of a loss of autonomy, just as much as Jon's. It happens in how he gains his powers, the way Nia betrayed him, the loss of his secret identity which he HEAVILY relied on to convey news, the seeming loss/ lowered involvement with The Truth news streams, and frequently with Jon where Jon chips at it with his desperate need to keep Jay by his side.
Jay doesn't dream of San Fran. Jay doesn't dream of shared apartments. No one has yet to properly let Jay cry about the loss of his country and his mother. Jon's avoidance strategy HURTS Jay here in an immense way.
If this keeps going, this relationship is going to break. Jay's always putting up with this, with Jon, because at this moment, he has no family. Jon is his closest tie to anyone, he can't let him go either because if he does he loses his entire support system but he's willing to since he actually prioritizes his grief over his mother. Jon centering Jay as a concept around his desire for himself is going to cause huge problems in the future.
Anyways, Jon's a freak, free Jay. Stan toxic yaoi.
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okay luvs ... here we go it's still wed (by like 3 hrs prolly depending how long this takes me to get done and how many times i get distracted)
💚first the good part thanks ever so much for all the tags today - y'all have been busy and i so appreciate them all (and am excited to go read ur words) @tailsbeth-writes @firstprincehornyramblings @thighzp @priincebutt @cha-melodius
@sophie1973 @tinyarmedtrex @mikibwrites @henryspearl @typicalopposite
@firstsprinces @seths-rogens @firenati0n @porcelainmortal @stellarmeadow
okay so for today's words we're getting a scenc from one of the sequels that i'm working on for next month to that were!alex/vamp!henry coffee shop au from the end of july
under the cut for (yeah you guessed it) smut DO I NEED TO WARN FOR WERE!ALEX GETTING OFF AS HIS WOLF? - IF SO UR WARNED
💚 AND BIG OPEN TAG IF I MISS YA IN THE TAGS UNDER IT (OR YA JUST WANNA PLAY)
Alex thinks about nothing but Henry that night. How if he took Henry up on his offer, the drive he makes once a month would no longer be necessary. He also thinks about the other things, the “benefits” of having Henry with him when he’s so keyed-up that running isn’t enough. He thinks about that so much that he does something he’s never done before when shifted—he finds a remote spot and attempts to get himself off in wolf form.
He’s leaning against a tree with his hand around himself; he’s careful of the elongated nails he gets when shifted. The last thing he wants to explain is accidentally clawing his dick up. Luckily his cock is fatter when he’s in wolf form, so his loose hand grip is enough to get him off without a lot of extra effort. He’s panting, thinking about Henry as he brings himself over the edge. The “Oh, fuck, Henry” that slips out of his lips carries on the wind almost as much as the howl that follows. He’s not come in his wolf form before, so the knot that forms as he’s coming is a bit of a shock. He didn’t know that was actually a thing outside fantasy novels. The time it takes to go away is a bit more of one; why does anyone need to be connected to another being for that long?
He still beats off before he gets dressed and drives back to Henry’s place because getting off that one time was not nearly enough when he’s been thinking about Henry all night. His wolf is inordinately interested in getting Henry under him—or over him—he doesn’t seem that particular, really. Henry is waiting for him when he gets home, and Alex is still so filled with lust that they don’t make it past the living room the first time Alex gets his mouth around Henry’s cock. He uses his mouth to get him hard, sucking at the tip and licking him to the point Alex knows that if he takes him in his mouth, he’ll be falling over the edge in no time. It’s so quick, and Alex comes just from rubbing his cock through his pants as Henry shoots down his throat.
alright and a couple tags off the top of my head shall we (and yeah you may have done this and i missed it lolz we'll just assume i stole ur open tag that ya prolly have) @adreamareads @blueeyedgrlwrites @catdadacd @caterpills @emmalostinwonderland
@england-would-fall @forever-fixating @getmehighonmagic @judasofsuburbia @thinkof-england
@piratefalls @suseagull04 @taste-thewaste @thesleepyskipper @eusuntgratie
@sparklepocalypse @kiwiana-writes (yes i know it's so no longer wed by you but if you did do this you have an open tag - i just haven't looked yet lolz)
and i don't know all the peeps i'm forgetting lolz i luv y'all my brain is just broken
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Throwing in fun (not fun) facts to contribute esp bc I was tagged in the essay:
(Sorry in advance this is literally my career and special interest AND I just got back from a training conference about this SO obv I am going to talk too much. Disclosure: These statistics are from peer-reviewed sources AND the National Children's Alliance. The NCA IS an American association, though, so take this all with a grain of salt bc we're applying it to someone whose bg is not American lmao. This is an essay for funsies. CW: discussion of and stats about CSA, Child Abuse)
Relevant to the Jo stuff is also that victims of one/any kind of abuse are statistically much more likely to subsequently face overlapping abuse, so knowing he comes from a home where abuse and potential neglect was actively occurring sets Jo-boy up for some sad statistics. I am looking for my notes on the stats for that but it's something stupid high, I wanna say over 30 or 40%.
Additionally, 47%~ of CSA victims are revictimized. Abysmal statistic but mostly just an interesting note if this IS the case/if we choose to interpret Jo this way bc of the other things mentioned in Masu's ask, specifically if we're viewing his unhealthy and ultimately traumatic relationship with Ikumi as a potential example of that revictimization (similarly, coming from a like background, it may have been revictimizing for Ikumi if she had ever experienced something like CSA, as well. It's one of those cases where they both got hurt even if neither of them were at fault for "playing house" as Jo calls it).
Seconding/Adding on to Masu's thoughts about Jo's behavior being as self-destructive as it is because of the compounded trauma of his life, victims of adolescent abuse "engage in health-risk behaviors such as substance use, physical fighting, and risky sexual activity," in far higher numbers than non-victims. We know for facts that adolescent Jo checks at least 2 of those 3 boxes, and that he still puts himself in unnecessary danger as a full grown adult (the Heian Tower fight, and Hoshino's Office fight): An interesting and well-written cycle of trauma and abuse on RGGs part, tbh, but also so narratively telling about how he saw/sees/continues to see himself as more an object than a person. (Love your notes on that btw, it rings very true. I could write an essay on that alone tbh.)
Another weird little thing I notice from both a Doyalist AND Watsonian perspective: Jo's disclosure of his father's abuse would classify as what we call an "accidental disclosure" in the field even though it's clearly intentional that he shares it with Ichi - it's offhanded and markedly unimportant in the story he's telling. He says it passively in a literary sense, as well: "The only thing waiting for me at home was my father's fists." Like homie, that's the most roundabout way you could have said "My dad beat me." Interestingly, up to 50% of [specifically CSA] victims do not state outright that abuse occurs, but disclose it accidentally/offhandedly; and in general, accidental disclosure is more common among people who have also delayed disclosure. Up to 66% of admissions from victims of child abuse come delayed if they come at all.
I think it's a very in-character remark of him to make, but statistically, it lines up with other victims of abuse as a whole. I think it's also just cool that from the Doyalist perspective, writing his lines in this way was intentional. It's part of the whole "Everything Jo says sounds like it could mean more than one thing" thing. He speaks poetically - it's intentional not just for the character but for the writer.
Okay, I'm done for now I'm sorry I just wanted to throw some added stuff into the convo bc I love applying my everyday usage of adolescent-focused trauma care and pysch shit to blorbos and seeing what sticks. Anyway, I also have a shit ton of thoughts on Masumi Arakawa as an abuse survivor but THATS another essay I won't dig into now. If I am still in your good graces after this long ass spiel I will consider it not only amazing but perhaps even cool as hell.
[ continuity of this ask ]
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