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distant--shadow · 2 months ago

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The Witch and the Widow – Chapter One – The Lake

Laudna Bradbury had murdered her husband.

Maybe murdered. Apparently. That is what brought Imogen here - indirectly, at least.

Not that she's with the law enforcement or anything. Not that, definitely, though ironically being an officer - an interrogator - would suit her well, at least on paper. Passion and enthusiasm would be a different question - and that's why she's here. Sorta. Indirectly, again, for a different question. Words travel, by means of mouth or ink or thoughts (apparently, she had found out), even though thoughts should not travel past the head that they were made in. But they did, and continue to do so, and Imogen had heard enough accounts about the man himself (the Lady’s husband, when he was alive and after the fact), had seen enough women squashed under the boots of the men they were tied to to intimately know and understand a flash decision made in a moment for self-preservation-

all too often women tempered their instincts to allow themselves to become the soil underfoot rather than the sole of the shoe

so much as to say that Imogen does not care much if Laudna Bradbury had murdered her husband.

She cares more about what the words whispered and weaved and waded in the time after wrote:

Laudna Bradbury had used witchcraft to murder her husband.

The only utterances of magic Imogen had heard of, had seen, had unexplainably received taken telegraphed by inner voice and grey matter before that rumour, were her own.

Imogen needs answers, desperately, as though a necessity purely imperative like breathing and eating, and so she brought herself to the source of the lake before it divided and weakened and meandered from river to muddy stream to drink directly from her-

(it.)

Laudna Bradbury is a widow, a widow who continues to live on the estate her husband’s heraldry and wealth had afforded them, company kept by a small team of housemaids and gardeners and the like.

and it is a large estate, a lot to look after, for sure, certainly, with its couple hundred maybe more years in age and just as many acres. There's hairline cracks in the stucco, a missing roof tile here and there

but there is no denying that it is a fine example of architecture, certainly was the highest of fashion at the time. A grand country house with an East Wing and a West, bay windows and towers and pleasing ratios between alcove and doorways and arches and walled topiaried gardens that extend from north to south, illustrations in stained glass ornately framed with flowering climbing ivy

statues that step out from domesticated bordering jungles, now appearing more as gargoyles thanks to the decay of time, noses eroded like they have rotted off, birds’ nests of briars thorned crowns or horns

rosemary bushes skirt the main building’s façade, perfuming the sometimes hot-and-humid, more often brisk-and-grey air carried through the opened lead-lined boiled sweet coloured window panes into the dark mahogany-panelled and silk-embroidered tapestried interiors.

Off of the West Wing there is an extension nearing the height of the gargoyled walls that surround the estate. This is the wall that fortifies the Lady Bradbury’s private garden; with doors adjoining directly to her study - both of which are off limits. Imogen doesn't know much of pretty and imported flowers, but she knows local common sense, knows what berries to pick and which weed’s sap causes a blister that will never heal again should it brush her skin.

Through small cracks in the masonry delicate tendrils curl out; leaves crawling, surfacing, small purple flowers with yellow tear-drop centres blooming.

Deadly nightshade.

She wonders what else grows behind the wall, patiently biding its time until the decay of such allows it through.

It is in the stables that Imogen spends most of her own time; her years of experience working under Master Faramore awarded her an earnest recommendation, and it sure helped that a couple of the Lady’s mares and a stallion were from his own livery, that they had been raised and trained by Imogen's own hands before they left them.

She needs answers, so she has taken herself to them, to the lake to drink from. She observes from a distance, listens to any whisperings and wonderings that bed with her in the servants’ quarters.

The days are long, mostly spent between mucking and feeding and exercising and grooming the horses and watching the Lady Bradbury taking a walk around the herb garden with knees as muddied as the kitchen staff’s, or cutting bark segments from off of the trees that dot the grounds as if she were operating in front of an amphitheatre of flora and fauna students whilst Imogen brushes down one of the horses or shovels hay

and despite the distance and Imogen's best efforts to remain subtle, the Lady Bradbury’s eyes would sometimes catch hers observing (staring, admittedly), and she would smile, and perform a barely perceivable curtsey (one of many behaviours outside of expectations), and Imogen would tip her brimmed suede hat in return, and would think of how despite the fact that the Lady’s practices of class and boundaries and what is proper were different, a bit odd, nothing of the woman's behaviour suggested that of a killer - only the situation that she stood in - the peculiarly beautiful widow with a walled off poison garden. And so maybe the same is to be said of her magic, should she even be harbouring or practicing any (although admittedly her appearance certainly is bewitching…)

and it's like the instances before but unlike them - Imogen stealing glances of the Lady Bradbury as she potters about her estate (she probably really does potter, she fills so much of her time with crafting and making. Imogen wouldn't be surprised to see her pale skin elbow-deep in caked-on terracotta pigment digging out clay rich soil into old whisky barrels to have carried by willing hands to a throwing room with a secret kiln.) but on this day, when their eyes in new routine now inevitably meet across the wildflower-speckled field (that in itself is unusual, highly out of vogue, it isn't the acres of well-kept uniform lawn and paths laid with talking-point pebbles imported from the coast that the other estates boasted and Imogen had glanced when ferrying Master Faramore’s horses elsewhere) the Lady Bradbury takes pause, before she starts to make her advance towards Imogen.

shit.

She's been brushing the same patch of short thick hair on Foie Gras’ shoulder for so long that she's surprised there isn't a bald patch. Maybe the Lady Bradbury is worried as such. Maybe Imogen has been too obvious in her observing (admitted staring). Maybe she has been found out.

She feels her brow start to perspire, the muscles in her limbs wishing to move erratically and awkwardly and restlessly and to carry her to stand out of sight hidden behind the thick neck of the horse like an obvious child playing hide and seek behind a tree trunk, or to flatten the creases in her breaches and her linen tunic and pick out the strands of hair and hay that have lodged themselves into their weave, untwist the grasp of her suspenders over her shoulders - but she practices restraint - is trained and cautious and intentional and thorough she was only being thorough with the mare, casts her gaze in iron like the blacksmith hammering the horseshoes and steels herself for the Lady Bradbury’s approach.

Her skirts are full and structured and plumed by many layers of petticoats that hide the movement of her feet across the wildflower lawn, causing her to appear to be drifting like the bees do from petal to petal, pollen dusting her pleats though ghostly her skin in contrast to the fine fabrics that she dresses for the part, black in mourning, still, bodice tight and sleeve leg of mutton, an ornate decorative layer of black lace laying over each yard of textured textile like spider webs on porcelain patterns, her husband's tableware collecting dust in the kitchen cupboard.

real impractical for how tending towards practical the Lady dares to be, hands on, too busy for errant hairs in piano key ivory and ebony windswept and loose from the high bun she pins in place with a cameo broach, a memento mori engraved in silver and inlayed with ruby eyes and tied with red ribbons. Her skin also proudly displays the age and perhaps trauma that her hair does, lines from laughter and furrowed brows and the feet of the crows that cry from the top of the chimney pots

Imogen has heard her call them her children (the birds that is, not the wrinkles) - has heard her talk to them as if they are responding, oftentimes giving her own tampered voice to do so (and to Imogen’s amusement)

The Lady never had children of her own; those are their own rivers of rumours within themselves. Imogen did not care for that stream of gossip at all.

The Lady steps closer, and the yet-to-be familiar fog of her mind cocoons Imogen, water transmuted into mist against jutting rock at the plummet of rapids, relief from the laborious work and humidity, her previous restraint to keep her body in check breaking as she visibly swallows and licks her lips, suddenly aware of how dry they had been.

The Lady Bradbury rests her hand on the back of Foie Gras’ neck, fingers long and pale and decorated in black lace like mother of pearl inlay and marquetry on a lacquered curious curio cabinet that perhaps Imogen had eyed through a stained glass window standing in the corner of the out-of-bounds office.

“Good day. It's Imogen, correct?” her delicately veiled fingers comb through the mare’s mane, her dark mahogany eyes seeming to look over the gloss of Foie Gras’ coat to inspect the way the late morning sunlight rests upon its sandy hues before turning her attention back to Imogen with a smile.

She hadn't spoken much to the Lady since she was hired a few weeks back - not much being that this is the third time, after her interview and a brief acknowledgment when being shown around by one of the housemaids the day she started.

The Lady Bradbury’s lips are painted a deep purple, an unusual colour for sure; Imogen had only seen illustrations and paintings of the dignitary from era’s passed in shades of peach and pinks and reds, stencilled in exaggerated shapes, and as with the landscaping of grounds, to wear such obvious make up itself is frowned upon, old fashioned, conveniently equated with providing false fronts.

The Lady’s teeth are bright, especially in comparison to the purpled dark lips.

and sharp

especially in comparison to how soft-

“You must pardon me, have I got it wrong?”

shit, fuck-

“Oh! n-no-” Imogen was staring, definitely “I apologise m’lady. You are right, it is Imogen.”

God dammit - she’s gonna get herself fired, fired for daydreamin’ and giving the horses receding hairlines and ignoring the Lady of the Manor when she addresses her-

The Lady chuckles to herself delicately, an act displaying a markable absence of frustration and bewilderment.

“From Master Faramore’s, yes? How are you finding the new environment? I am sure the stables here pale in comparison to his, but I do not believe that they afforded such space and the opportunity for frequent walks around such a beautiful lake…”

“Certainly, m’lady. There are less of them so they get more attention, they can be well looked after-”

“Indeed, plenty of grooming at the very least-”

Imogen can feel the hot blood rush to the surface of her cheeks, unable this time to wrangle her body’s motor reflexes.

“I have yet to visit the lake m’self, I am sure they enjoy bein’ taken by you though, they always seem happier when they come back.”

“Is that so? Well, I must insist you see the lake for yourself, if not only to relish the fact that you took great part in an amount of their contentedness.”

The Lady Bradbury looks to her expectantly, Imogen expected to have a reply for the unexpected.

“Would you accompany me this afternoon?”

Imogen can read thoughts. She can read thoughts but what if the Lady Bradbury can too? Or what if she can tell that she is imposing? Would she find herself in the bottom of that lake on her very first visit? A drink more filling than what she had wanted, her lungs full and void of buoyancy. Imogen can read thoughts but she dares not to read the Lady’s.

She can feel them, though, that first and second and now third time in her vicinity, feel how they are different, an audible silence amongst the swarm of bees wings and small talk and anxieties

At some point the Lady had stepped around Foie Gras’ head to stand beside Imogen

She smells like sage and gunpowder

On the day of her interview she had smelled of eucalyptus and raw animal fat-

“You’re quite the thinker, aren’t you?”

Of that she is guilty, though usually she can argue that the majority of the thoughts that weigh her down are not her own.

“Apologies m’lady, I wasn’t sure I had heard you right. Did you want a horse saddled for you for this afternoon?”

Imogen had never thought that her accent sounded particularly thick or clunky, but it felt as heavy as her mind tends to be around other company when speaking with the Lady, her tongue all thick tangled muscle swelling against the roof of her mouth and her teeth.

Perhaps this is some sort of witchery. She waits for the molasses to take a hold on her muscles and limbs, for the her skull to be crushed concave from the inside

But it doesn’t happen.

The Lady smiles (again)

“Almost. One for you and one for me, if you would accompany me around the lake - there isn’t a cloud in the sky today and it would be a shame to keep the clear reflections of the mountains to myself and Foie Gras here.”

Imogen is thrown. Yes, y’all could argue that this is exactly what she came here for; time alone with the Lady Bradbury, the opportunity to form a rapport or to subtly pluck at her brain but there is something in the way that she carries herself, how she talks to Imogen with ease and lack of formality that is alarmingly disarming, and leaves Imogen cloudy on why she came here in the first place-

“C-certainly, if it’s what the Lady wants-” she chuckles (again, again) waving her hand dismissively before catching herself and laying it over the patch of hair on the mare’s shoulder that surprisingly hasn’t thinned from all of Imogen’s enthusiastic (distracted) brushing.

“I will take Ceviche; you seem to have formed quite the bond with Foie Gras.”

Imogen can only nod with lips parted in silenced protest as she feels her cheeks flush again.

The walls of the stable are thick and stone, absent of windows save for the upper halves of the handful of wooden doors that allow for the horses to pop their heads out in eager greeting to Imogen as she walks towards them with their buckets of feed.

It is a clear day, as the Lady Bradbury has said, hot and humid and Imogen is grateful for both the surroundings and the company of the stable.

As she rakes the trodden-in and dirtied hay across the flagstone floor she allows the earthy scents of the dried grass to remind her of the smell of the sage, the crumbling mortar imitating gunpowder.

She wipes the back of her shirt sleeve across her brow, skin also sweating at the wrist where the gloves wrap work-beaten leather over shielded skin

Soft skin, mostly - save for where her fingertips appear to be frost-bitten.

A fairly visible reminder of why Imogen is here, should she forget again in the Lady’s presence-

Not that she would dare to take off the gloves.

That would only lead to questions.

‘Jammed in between horse-drawn carriage and stable door’ - she used to say, before the purple bruised tips started to migrate further, splitting out like surfaced capillaries that encompassed her fingers one knuckle at a time

They mark half-way over her palms now – like someone had dipped fine dense vegetable roots in an inkwell and struck them in lashings across her hand, punishment obfuscating her palmistry.

She hears one of the horses whinny – Ceviche most likely, a little restless, the black stallion not having been let out onto the fields yet today, as Imogen was now preparing him for his ride to be taken shortly.

The Lady’s saddle is very ornate, the leather finely tooled and decorated with organic flowing arrangements that resemble leaves and petals and insects with patterned wings or many many limbs

Its material and stitching is kin to the other saddles, the ones for notable guests and stablehands alike, brands the same maker’s mark

After a short amount of time observing (staring), Imogen suspects that the Lady tooled it herself.

The Lady does not ride sidesaddle – she straddles the stallion proper.

Imogen can only assume that she changes from her garden-strolling undergarments to allow for this, having never worn a crinoline herself - that would both be out-of-class, and, more importantly (to Imogen at least) - real impractical.

She had noted as such about the Lady on the first day she had seen her taking one of the horses (it was Carpaccio, a black and white paint) out of field.

It was the first instance of out-of-expected behaviour that she had witnessed.

Imogen can admit to herself that such a small thing had ignited her warming to the widow.

Imogen allows the Lady Bradbury and her steed to take the lead, pace set by the older woman’s enthusiasms making themselves known in short enough time from pointing out ‘notable’ forms in the sloping rock faces lining the well-worn path, covered in blankets of moss and ferns and tall stems of bell-shaped pink and white foxgloves and pomanders of wild thistles.

“I just can’t help but imagine what tiny creatures would love to make home between the cracks in the rock and the tree-stumps.”

“’lotta mice and rats I imagine, probably squirrels-”

“Well, yes, certainly…”

Ceviche’s slow walk carries on ahead of Foie Gras’, and the Lady sways with his gate in the saddle, though despite this Imogen could just about read the slight deflation in her shoulders when she had replied to the Lady’s statement.

Her head turns over her shoulder, gaze searching and challenging Imogen’s, caught staring (again), dark eyes hollows of homes burrowed in rocks, the high sun exaggerating high cheekbone architecture, pleasing ratios of brow to bridge of nose.

“…I refuse to believe that there are no imps or fairies when the land is so perfectly carved for them.”

“I can only say I’ve heard stories…” Rumours, rivers.

“Certainly, else you would not be here, would you?”

The Lady holds her gaze a moment longer, as if expecting Imogen to have an answer worth vocalising for that. Imogen feels her pulse begin to thud at her temples, the sweat returning to her hairline and underneath the cuff of her gloves.

The Lady giggles melodically and dismissively, returning her attention to whatever catches its fancy on the path ahead.

“How ugly it is that we must quarry and build. I have thought more than once about leaving the manor to the animals and the girls and making my home in the cave by the lake- oh, I am so very thrilled to show it to you.”

Her excitement cuts the atmosphere, spring back in her step transposed through the steed’s, one hand off of his reins and gesturing in the air.

“You can see it from the upper floors of the house – though that is rather rude of me to say, isn’t it? If you will allow that injustice to fall upon the architect and how societal structure seems to love its walls and assigning basement dwelling.”

Imogen finds herself inadvertently allowing Foie Gras to fall at a pace beside the Lady and Ceviche.

“That’s alright, most nights I tend t’lodge in the stables; eases my mind that I’ll be near the horses should anythin’ happen.”

“Plenty of wild animals around, yes? They do get spooked so easily.”

“I like how you’ve named ‘em – it’s fun.”

“Oh!, You do? I am so glad! You are the one who has to be calling their names most often after all.” Imogen may be in early days (hours) of learning the Lady’s tells, but the smile that creases the skin around her nose and mouth and deepens the wrinkles at the corners of her eyes feels genuine.

“It does often make me chuckle, I assume you’re fond of raw meats?”

“I suppose you would think so, wouldn’t you?”

“Are y’not?”

The Lady takes pause, her look introspective.

“Have you ever eaten horse?”

“w-what? Of course not – do people actually do that?”

“Mmhmm, across the waters – in all directions. It is certainly a common custom. What makes horse any different from beef?”

“I could never – we share a bond, they let us- they give us-” Imogen's tongue is too thick and heavy again, blubbering with words that do not come easily to it as they do her head. She allows herself a deep breath, collects what little face she has, remembers the presence she is in (a Lady regardless of murder or witchcraft) “-in all honesty I rarely eat any meat, the more time ya spend with animals the more guilty ya feel about doing so.”

“How peculiar…maybe you need to spend more time around carnivores.” The Lady laughs at her own joke this time, hand patting at the side of Ceviche’s neck, the horse unaware of what words have been said. Imogen is thankful, in this instance, though she will admit she has tried more than once to see if her mind reading extended to her four-legged friends.

“But they’ve got no choice, that’s how they were made.”

She mimics the Lady’s movements, lovingly patting Foie Gras at the same spot on her neck.

“Made…yes…You have incisors don’t you? Canines?”

“I do, but I don’t have a mouth full of ‘em. Most of our teeth are as flat as these fellas over here…” she ruffles the mare’s mane “-though I won’t deny that gettin’ bitten still hurts something fierce.”

“Makes you wonder what sort of damage you could do if you so chose to, after all, your eyes are not on the sides of your head.”

The lake is beautiful.

Of course it is. It displays itself naturally basined, wrapped in the embrace of the mountains surrounding draped in forest cloak, walls both man-made and much older obfuscating its view from the ground floor of the estate.

The lilac and blue hues of the pebbles are familiar, lining the vegetable patch borders in the garden, larger stones used for holding stable doors open.

It is quiet over the lake. The terrain raised around it shutting out the winds, only the quiet breeze that drifts through the canopies on the mountain crests giving a gentle whistle to the waters below, an enjoyable confusement between what is wind and what is the crashing of the tender tides.

The waters are clear blue with a hint of turquoise, green given by either the surrounding plant life’s reflection or by the ones that live underwater.

It reminds Imogen of the lakes in the mountains from her childhood. It is something else new.

Their horses slow to a stop, on the Lady’s cue.

“Magnificent, isn’t it?”

“It really is - no wonder why the horses come back so happy.”

“And will you be as such on your return?”

“Certainly m’lady, thank you for allowing me such a privilege”

“It is not mine to give, though I will make it explicit that you may come down here whenever you wish – providing the horses are happy, of course. That is what I ask of you.”

Imogen thinks she is blushing again, but the feeling is further inside her than her veins, a warmth radiating.

“You take good care of the servants at the estate, don’t you?”

For the first time, the Lady seems thrown by what Imogen offers, a step behind instead of two larger-horsed paces ahead.

“They take better care of me.”

“I don’t think I’ve ever heard someone wish to leave their home to the help.”

“It would be the very least I could do.”

“You give ‘em food and a roof over their heads-”

“They sow the seeds, they tend to the animals, they butcher their meat and harvest the wheat to bake the bread. I have been so lucky that they have yet to poison me.”

“I can only say from ma short experience that I’d find that hard t’understand.”

Her face softens again. It feels both comforting like a blanket but then uneasing like having the lights blown out.

“Funny thing, perspective…”

Lady Bradbury slides off of her horse, heels of her fine boots falling into the gaps between the pebbles, though her footing remains certain, experienced.

On the surface of the lake the trees grow downwards, the birds fly with their bellies exposed to what lies in the waters.

The Lady halts, dropping to one knee as she makes short work of the laces on her shoes.

Imogen isn’t sure if she should be offering to remove them for her, jumps down from Foie Gras and jogs clumsily on uneven surface towards the Lady regardless.

“There are old stories of this lake, you know-”

Lady Bradbury confesses a little breathlessly, lung capacity limited by the press of her thigh into her stomach. She swaps her knee for the other on the ground, starting on the other lace.

“I won’t tell of them just yet, I would hate for them to be off-putting.”

She stands straight again, the sieved remnants of harsher winds that have made it over the mountains’ embrace wishing to make field mouse nests of her hair, spiderwebs of the lace collar around her neck, footprints of birds’ feet fossilised in the marble cornering her eyes.

She looks at home at the lake, certainly a natural thing - flesh and blood and bones cocoons to silk cotton to yarn to lace – Imogen wonders what a marvel the Lady could paint and chisel into the mouth of an open cave.

Balancing, she pulls each shoe free, grin knowing, slightly manic, intensely catching Imogen before she gathers the length of layers of skirts into one hand and steps into the clear waters.

Imogen swears she sees something conjure beneath its surface to greet her.

Laudna Bradbury had (maybe) murdered her husband – (maybe) with witchcraft, most importantly - but Imogen has bigger questions that require her answers, and so she follows the Lady into the lake.

#imodna #critical role #imogen temult #laudna #bells hells #here it is folks #the 1800s ish AU in an unspecified location!#thank you to my boy freshy for being my proof reader #im feeling more aware than ever about how much of a mess my writing is to read #this will be up on ao3 once ive got my invite #but unil then...#browz writes #(!!!!??????)#recommended reading #look at me use that tag on myself #comments are fuel for typing bbz

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inthedayswhenlandswerefew · 5 months ago

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Where Will All The Martyrs Go [Chapter 4: Read Between The Lines]

Series summary: In the midst of the zombie apocalypse, both you and Aemond (and your respective travel companions) find yourselves headed for the West Coast. It’s the 2024 version of the Oregon Trail, but with less dysentery and more undead antagonists. Watch out for snakes! 😉🐍

Series warnings: Language, sexual content (18+ readers only), violence, bodily injury, med school Aemond, character deaths, nature, drinking, smoking, drugs, Adventures With Aegon, pregnancy and childbirth, the U.S. Navy, road trip vibes, Jace is here unfortunately.

Series title is a lyric from: “Letterbomb” by Green Day.

Chapter title is a lyric from: “Boulevard Of Broken Dreams” by Green Day.

Word count: 5.6k

💜 All my writing can be found HERE! 💜

Let me know if you’d like to be added to the taglist 🥰

It is your first week of basic training at Great Lakes on the north side of Chicago, and as you lie in the top bunk of your assigned bed you wonder what the hell you’ve done. You enlisted right out of high school, eighteen, no driver’s license, no work history, never been more than fifty miles outside of Soft Shell, Kentucky. The drill sergeants are always yelling and you’re bad at push-ups; you can’t understand the recruits from big cities like Los Angeles, Miami, Las Vegas, Detroit, Houston, and they don’t seem to get you either, and aren’t interested enough to try. Sometimes you wish you hadn’t signed that five-year contract, but where would you be if you weren’t here? Home is not words but textures, colors, fumes that still burn in your sinuses: cigarette ash on rose pink carpets, red embers glowing in the wood stove, Hamburger Helper and Mountain Dew, coffee creamer in Hungry Jack potatoes, laughter and heavy footsteps and slamming doors, scratch-off games, dogs barking, collecting coins from couch cushions for gas money, scrubbing clothes in the bathtub when the washer quits, Mama taking gulps from her favorite cup—plastic, Virginia Beach, filled with equal parts Hawaiian Punch and vodka—when she thinks no one is looking, blue shows flickering on the television, Family Feud, Maury, Good Morning America, WWE SmackDown. For as long as you can remember you’ve known you couldn’t stay. Now you’re getting out, but nothing in life is free.

You are at Class A Technical School in Gulfport, Mississippi, and even though it’s hotter than some noxious, volcanic hellscape—Mercury, Venus, Io—you are beginning to like it. You taste the salt of sweat when you lick your lips, sugar in the sweet tea they serve in the chow hall. There’s a magic in building something where there was only empty space before, in patching roofs and painting walls. Here being quiet and watchful is exactly what they want from you: head down, hammer striking nails, measurements and angles and long hours under the sun with no complaints. You’re not just running away anymore. You are creating something new.

You are sitting beneath swaying palm trees and a full moon on Diego Garcia, draining cans of Guinness with Rio, and he’s telling you things he shouldn’t, too personal, too honest: Sophie wants to try for a baby next time he’s home on leave, and part of him wants that too but he’s terrified. As thunder rumbles in the distance and raindrops begin to patter on the waves of the Indian Ocean, you tell Rio you think he’d be a good father. He wonders how you figure that, and you say because he’s not like any of the men from home. He gives you one of his crooked smiles—a flash of teeth, knowing dark eyes—and doesn’t ask what you mean.

But of course, when you swim up from the inky currents of sleep you are in none of these places. You are curled up on the floor of a bowling alley in Shenandoah, Ohio, cheap worn black carpet peppered with stars and swirls in neon green, pink, blue. You stretch out with a yawn. Someone has left a Lemon Tea Snapple within reach; you twist it open and guzzle it, hoping to extinguish the pounding in your skull, a rhythmic thudding of warm maroon, half Captain Morgan and half misery. The music isn’t helping. From the green Toshiba CD player, a man is singing in Spanish. Aegon and Rio are sitting at the nearest table and playing Uno.

Aegon says as he ponders his cards: “You know Enrique Iglesias, right Rio?”

“You are so racist.” Rio puts down a wild. “And the new color is red. Racist.”

“So what’s he saying?”

“Aegon, buddy, I told you, I was born here. My grandparents came over in the 60s. I don’t speak Spanish.”

“You can’t understand any of it?” Aegon is skeptical. He plays a skip, a reverse, and a seven. “My dad never taught me a word of Greek but I can recognize plenty of phrases. Vlákas means idiot. Spatáli chórou is a waste of space.”

Rio sighs, relenting. He puts down a two. “The song is called Súbeme La Radio, Turn Up The Radio For Me. Bring me the alcohol that numbs the pain… I don’t care about anything anymore…You’ve left me in the shadows…”

“Damn, now I’m sad. Draw four, bitch.”

“When the night comes and you don’t answer, I swear to you I’ll stay waiting at your door…” Rio studies his cards. “What’s the new color?”

“Green.”

“Yes!” Rio slams down a skip. “Fleeing from the past in every dawn, I can’t find any way to erase our history…”

Everyone else is awake already. As muted late-morning daylight streams in through the small tinted windows, Aemond is weaving between tables, pointedly checking on each person. He glances at you, says nothing, turns around and walks the other way.

“That’s tough,” Rio says sympathetically, popping open the tab on a can of Chef Boyardee and shoveling ravioli into his mouth with a plastic fork.

Aegon gives you a smirk. “You want to fake date now?”

“I’ll think about it.” No you won’t.

Helaena appears, a prairie girl vision in a modest blue sundress and with her hair tied back with a matching scarf. She reaches into her burlap messenger bag and offers you a choice between a ranch-flavored tuna pouch or a silvery pack of Pop-Tarts. “Strawberry,” she tells you.

“I’ll take the Pop-Tarts.”

Helaena gives them to you and then shakes a bottle of Advil. You’re so groggy it takes you a few seconds to figure out what she wants, then you obediently hold out a hand. Helaena lays two tablets in the center of your palm and moves on, soundlessly like a rabbit or a spider.

You wash the pills down with Snapple. As you nibble half-heartedly on a Pop-Tart—trying not to look at Aemond, multicolored sprinkles falling down onto the carpet—your eyes drift to the tattoo on the underside of Aegon’s forearm. It’s not over ‘til you’re underground. You’ve spotted it before. Only now do you remember where you recognize the lyric from. “Is that Green Day?”

“Yeah,” Aegon says, enthused that you noticed. “Letterbomb.”

“I love that whole album.”

“Me too. I could sing it front to back if you asked me to.”

“I’m not asking.”

Aegon cackles and resumes his Uno game with Rio. Baela is wearing denim shorts and a crop top, slathering her belly with Palmer’s cocoa butter from Walmart as she chats with Rhaena and eats Teddy Grahams. Daeron is waxing the string of his compound bow. Jace is gnawing on a Twizzler as he scrutinizes Aegon’s map, annotated with Xs and circles and arrows in sparkling gel pen green.

“I’m going to be a thousand years old by the time we get there,” Jace mutters.

Aegon hits the table with his fist. The discard pile collapses and cascades, an avalanche of Uno cards. Rio, undisturbed, continues contemplating his next move. “You know what, Jace? The cities are full of zombies, the interstates are blocked by fifty-car pileups, if we bump into anyone else who’s still alive they’re just as likely to rob and murder us as want to be friends, and on top of all that I’m trying to do you the favor of preventing you from getting so irradiated you turn into Spider-Man. If you have a better route in mind, I’d love to hear it.”

“Spider-Man…? You’re such a dumbass, what are you talking about?!”

Luke says from where he stands by a window: “Aemond, someone’s outside.”

“What?” Aemond stares at him. “Zombies?”

“No. People.”

Aemond bolts to the doors, the rest of you close behind him. Rhaena turns off the CD player. You, Rio, and Aegon squeeze together to peer out of one of the windows. There are men—three of them, no, four, all appearing to be in their forties—passing by on the main road through town. They are armed with what are either AR-15s or M16s, you can’t tell which.

Rio whistles. “If you get shot by one of those, the exit wound will be the size of an orange.” Everyone looks at him. This was not an encouraging thing to say.

You elaborate: “Thirty-round magazines. Semiautomatic, assuming they’re AR-15s for civilian use. I guess they could have gotten ahold of M16s somehow. Those have a fully automatic setting.”

“So regardless, we’re out-gunned,” Jace says.

“If they know how to use them. Some men think guns are wall decorations, like deer heads or fish.”

Aegon recoils. “Fish?! What the fuck. I’m glad the colonies left.”

“Maybe they’ll keep walking,” Daeron says hopefully. One of the men stops and points at the bowling alley, saying something to his companions. They laugh and begin crossing the small parking lot. They are less than two minutes from the door. “Oh, great…”

“There’s an emergency exit in the back,” Baela says.

Aegon snorts. “Yeah, that we stacked about twenty boxes of bowling pins in front of to zombie-proof.”

“We won’t be able to get out before they hear us,” Aemond says. Then he abruptly orders: “Grab your guns, let’s go. Helaena, Baela, Rhaena, you’re staying here.” Aemond’s remaining eye—briefly, reluctantly—skates over you as Rio, Aegon, Jace, Luke, and Daeron scatter to obey him. “You too.”

“But I’m the best shot.”

“I don’t want them to know we have women with us.”

“I’m of more use to you outside.”

Aemond rips his Glock out of its holster, pointing it at the floor. His frustration is palpable, an electric shock, heat that refracts light rays until they become mirages on the horizon. “You’re going to stay here, and if a stranger comes through those doors you’re going to kill them. Okay?”

His urgency stuns you; his eye is blue-white summer storm lightning. “Okay.”

“Now get back.”

You soar to the nearest table, duck under it, reach for your Beretta M9 and double-check the clip, fully loaded. You click off the safety.

“Aemond, wait, let me go first,” Aegon is saying by the door. “I’m better at de-escalation, I’m less…uh…intimidating.”

“Less socially incompetent, you mean,” Jace quips.

“I’ll lead,” Aemond insists. “Aegon can talk. Rio, you’re up front with me.”

Rio pumps his Remington 12 gauge. “I’d be delighted.”

Jace is amused. “I’ve been demoted, huh?”

“He’s bigger,” Aemond replies simply, then opens the door and vanishes through a blinding curtain of daylight. The others follow closely; Daeron, the last one out—his compound bow in hand, the strap of his Marlin .22 slung over his shoulder—shuts the door behind him.

Very faintly, you can hear Aegon: “Hey, guys! What’s happening? How’s the apocalypse treating you…?”

Baela, Rhaena, and Helaena are under the table with you. They deserve to have options. You tell them: “If you want to go hide behind the lanes or try to get out the back door, now’s your chance.”

Helaena shakes her head, clutching your t-shirt: black, Star Wars, pawed off a shelf at the Walmart. “I want to stay with you.”

“Same,” Baela says determinedly, gripping her Ruger. She barely knows how to use it, but she’ll try. Rhaena is shaking, her eyes filling up her face, small fragile bones like a bird’s.

You can’t hear voices from outside anymore, but there are no gunshots either. You keep your M9 aimed at the doors, your breathing slow and deep, your heart rate low. Your hands are steady. Your eyes hunt for the slightest movement, for the momentary shadow of someone passing by a window. Against your will, your thoughts wander to Aemond. I hope Aegon is on his left side. Aemond can’t see there.

“Rhaena, get your gun out,” Baela says sharply. “Come on. Turn the safety off. What if you were alone right now? What if we weren’t here to protect you?”

Rhaena nods, fumbling to free her revolver from its holster. “I’m sorry…I’m trying…”

Now there is a stranger’s voice, gruff and deep. He must be just beyond the door, the farthest one to the right. There is a creak of hinges, a sliver of sunlight. “That’s just too damn bad, fellas. You got a nice little hideout here, and you’re gonna have to share it—”

The door opens. Two unfamiliar faces, too shellshocked to raise their rifles in time. You close an eye, line up your sights, fire twice, and that’s all it takes: one headshot, one in the throat, blood like a fountain, spurting scarlet ruin, thuds against the carpet strewn with neon stars, gurgling and spasms as their brains send out those final electrical impulses: danger, catastrophe, apocalypse. Rhaena is screaming. Helaena is covering her ears with both hands.

You run to the doorway; there are more booms of gunfire out in the parking lot. You cross into the late-morning light to see the other two men on the pavement: one with an arrow through the eye, the other with a gaping, hemorrhaging hole where his heart once was. Rio is admiring his work, holding his shotgun aloft. He scoops a handful of Cheddar Whales out of his shorts pocket and shovels them into his mouth.

“Goddamn, I love Remington Arms Company.”

“Oh, that was awesome,” Aegon says, wan and panting, hands on his waist. “Yeah, that was…that was…” He bends over and vomits Snapple and Cool Ranch Doritos onto the asphalt.

“Everyone okay in there?” Rio asks you.

“Yeah.” Behind you, Baela, Rhaena, and Helaena are stepping through the doorway. Your thoughts are whirling sickly: I killed someone. I killed someone. “They wouldn’t leave?”

“We told them the bowling alley was ours,” Aemond says, not looking at you. “We asked them very politely to keep moving. They chose to try to intimidate us into letting them stay. They weren’t good people, and these are the consequences.”

You click on the safety and re-holster your M9. You’re wearing Rio’s on your other hip. They seem to weigh so much more than they did ten minutes ago. I’m not supposed to be a killer. I’m a builder.

“Aegon, are you okay?” Daeron asks, a palm on his brother’s back.

Aegon retches again. “Shut up. You can’t even buy fireworks.”

“Zombies.” Luke is peering through his binoculars. “Not many, just two. Way up the road.”

“There will be more.” Baela’s cradling her belly; you don’t even think she’s aware of it. “They heard the gunshots, the sound carries for miles.”

“We’re leaving,” Aemond says. “Right now. Everyone get your things.”

As backpacks are hastily zipped and Daeron and Aegon stand guard in the parking lot, you kneel down beside the men you murdered and check their rifles. They are M16s, either stolen or illegally purchased: there’s a little switch by the trigger to choose between semi-automatic or the so-called machine gun mode.

“They barely had any bullets left,” you tell Rio. Just like us when we were trapped on that transmission tower.

“Yeah, same story for the other two guys. Four bullets in one magazine, a half dozen in the other. But it only takes once. We don’t have any ammo that will work with M16s, do we?”

“No, we definitely don’t.”

“Fantastic. Well, we’ll throw them in a Walmart cart and take them with us just in case.”

You’re staring down at the man you shot through the head. His eternal resting place is a puddle of blood and brains in a bowling alley in rural Ohio; surely no one deserves that. “He was a real person,” you say, dazed. “Not a zombie. Just a person.”

“Hey.” Rio grabs your shoulders and spins you towards him. From where he is helping Luke gather up the remaining food, Aemond’s head snaps up to watch. “You hurt him before he could hurt us. You did the right thing.”

“Sure.”

“I killed a dude too. I blew his heart right out of his chest. You think I’m going to hell for that?”

“No,” you admit, smiling. “And if you’d be there with me, I guess I wouldn’t mind so much.”

Rio grins, wide and toothy. “Well alright then. Let’s finish packing.”

The ten of you depart from Shenandoah, Ohio heading northwest on Route 603 just like Aegon marked on his map, Jace chauffeuring Baela in one shopping cart, Rio pushing another loaded high with food and M16s.

“It looks like rain,” Helaena says.

Everyone else peers up into a clear, cerulean sky, wondering what she means.

~~~~~~~~~~

You’re a few miles north of Shiloh when the storm rolls in, cold rain and furious wind, daylight that vanishes behind dark churning thunderheads, jagged scars of lightning in an opaque sky. The road is only two lanes, surrounded by fields of wildflowers and ravaged crops and untilled earth; it would look like the patchwork of a quilt if you were gazing down from an airplane, but of course the FAA grounded all flights over a month ago when the world went mad: Revelations, Ragnarök, the fabric of the universe unweaving as death burned through families, cities, nations like a fever, like plague.

“Maybe we should cut across one of these fields,” Jace says, pointing. He is soaked with rain; it drips from his curls, runs into his eyes. Baela is in her cart again; each time she tries to get out and walk, she’s gasping and can’t keep up within half an hour. You’ve all taken turns pushing her, much to Baela’s dismay. She’d be humiliated if she wasn’t too exhausted to keep her eyes open.

“Here, let me do it,” you offer, and Jace gratefully relinquishes the cart. Baela gives you a frail wave of appreciation.

“We stay on the road,” Aemond insists, flinching as rain pelts his scarred face. “Farmhouses have driveways and mailboxes, we’ll pass one eventually. If we lose the road, we might not be able to find it again. We’ll end up wandering around in circles in the woods.”

“Just like the Blair Witch Project,” Aegon says glumly, his Sperry Bahama sneakers audibly soggy.

“There!” Luke announces, spotting something with his binoculars. “Up ahead on the left. Past the bridge.”

You can’t see what Luke does until there is an especially brilliant flash of lightning: a farmhouse, old but seemingly not derelict, and with a number of accompanying buildings, guest houses and stables and barns and towering silos.

“Home sweet home!” Rio says. “And I don’t care if I have to kill a hundred of those undead bastards to get in, it’s mine.”

“Well, hopefully not a hundred,” you reply, in better spirits now that a sanctuary has been found. Aemond keeps glancing back at you as you push Baela’s cart. If he wants to say something, he’s doing a good job of resisting the temptation. “We don’t have that much ammo.”

There is a concrete bridge over a river, probably unremarkable and only five or ten feet deep normally but now torrential with rain. Water rushes by beneath, a muddy incline on each side as the earth rises back up to meet the road. A reflective green sign proclaims that you are only two miles from Plymouth, which Aegon plans to skirt along the edges of. It’s a decent-sized town; he thinks you might be able to find a car to steal there, something with gas in the tank and keys on a hook just inside the house.

“I call the master bedroom,” Jace says craftily, rubbing his palms together. You’re near the center of the bridge now, another ten yards to go. “Nice big bed, warm cozy blankets, and I was up for half of last night keeping watch so tonight I am off duty, I am a free man, it’s going to just be me and my girl and eight glorious uninterrupted hours of sleep—”

Rhaena shrieks, and then you hear it over the noise of the storm, pounding rain and rumbling thunder: moans, growls, hisses like snakes. Not one zombie. A lot more than one. They’re crawling up from under the bridge, from the filthy quagmire at both ends. There was a hoard of them waiting, aimless, dormant, almost hibernating. But now they are awake. They are grasping for you with bony, dirt-covered claws. They are snapping with jaws that leak blood and pus and bile as their organs curdle to a putrid soup.

“Get off the bridge!” Aemond is shouting. He has his Glock in his right hand, a baseball bat in his left. He’ll shoot until he’s out of bullets, and then, and then…

Rio helps you get Baela out of the cart, then opens fire. His Remington doesn’t just pierce skulls, it vaporizes them. When he’s out of shells—there are more in his backpack, but no time to reload—he yanks the M16s out of the other Walmart cart and empties each of them, mowing down zombies as the rest of you scramble across the bridge. All around you are explosions of gunshots, thunder, lightning, zombie skulls crushed by bullets and blunt force trauma. Baela is firing her Ruger as you half-drag her, one arm hooked beneath hers and around her back. When the last M16 is empty, Rio starts clubbing zombies with the butt of it. You’ve all reached the north side of the bridge, except…

“Fuck off, you freaks!” Jace is screaming. They’ve backed him up against the guardrail, a swarm of ten or more. His Remington shotgun is out of ammo; he’s swinging it wildly, but he doesn’t even have enough room to maneuver. There are still more zombies emerging from under the bridge. You can hear them snarling and groaning. You swipe an M9 off your belt and put a bullet in the brain of a zombie as its fingers close around your ankle, then you start picking off the ones mobbing Jace. You aren’t fast enough. As they lean in to bite him, teeth gnashing at the delicious throbbing heat of his jugular, Jace throws himself over the barrier and into the surging water below.

“No!” Baela cries. She careens off the road and into the field, running parallel to the river as swiftly as she can. You are helping her, steadying her, firing at any zombies you have a clear line of sight on. The others are here too: slipping in the muck of the flooding earth, shouting for Jace. He surfaces through the frothing current, flails pitifully, disappears beneath the water again. You glimpse a white hand, a shadow of his dark hair, a kicking shoe. There are more zombies on the opposite side of the river, trailing after Jace, lurching and slobbering viscous, gory saliva. They cannot swim, but they can follow him until he washes ashore.

Jace bursts up through the waves, gasping. “Help! Aemond…Aemond, for the love of God, help me…” He blubbers and then is dragged under. Aemond and Luke are continuing frantically after him. Baela is hysterical, sobbing, trembling with adrenaline. Aegon is yowling as he swings at zombies with his bloodied golf club. Helaena is darting around almost invisibly, always cowering behind Daeron or Aegon or Rio.

You glance north towards the farmhouse, growing not closer but farther away. We can’t leave shelter. We can’t leave the road. You lock eyes with Rio. He’s thinking the same thing.

“Aemond, we have to go,” Rio says, but in the midst of the rain and the turmoil it barely registers.

“Jace, we’re coming to get you!” Aemond swears. The ground is increasingly sodden, deep, difficult to trudge through. Jace resurfaces, coughing and sputtering.

“Jace!” Aegon wails. He caves in the skull of a zombie who was once a registered nurse as Helaena crouches behind him. “Jace, I’m sorry! I’m gonna miss you, man!”

Jace splashes in the rising river, his arms flailing helplessly. He is being swept away far faster than any of you can move on foot. “Aegon, you dumb bitch!” Jace manages, then slips beneath the water and doesn’t reappear.

“Where is he?!” Baela is saying. “Aemond, where…?”

You are trying to soothe her, to bring her back to reality. She was always so pragmatic before; you have to wake her up. “Baela, listen, we can’t stay here, he would want you and the baby to be safe—”

“Aemond! Aemond, we have to go!” Rio catches him, wrenches him around, roars into his face as driving rain pummels them both: “We have to go, or we’re going to die here too!”

It hits Aemond all at once; he understands, horror and agony in his sole blue eye. “We have to go,” he agrees. And then louder, to everyone: “Get to the farmhouse!”

Baela collapses into the mud, howling, tears flooding down her face. “No, he’s still alive, he’s still alive, we can’t leave him!”

You and Rhaena are trying to haul Baela to her feet. Now Aemond is here, pulling you away from her—his fingers tight and urgent around your wrist—as he and Luke take your place. “Go,” he commands. “You run. Don’t wait for us. Rio?”

“I got her,” Rio replies, grabbing your free hand with an iron grip. Gales of wind rip at you; every millimeter of your skin is soaked with rain. As you flee across the fields towards the farmhouse, dozens of zombies pursue you. More are still staggering along the banks of the river, swept up in the hoards chasing Jace and the promise of his waterlogged corpse when it reaches its final destination. Daeron has run out of arrows and is shooting with his .22, which is very much not his preference. Aegon trips, getting covered in mud as he rolls, and Rio stops to help him. While he is distracted, you look back at Aemond. He, Luke, and Baela are moving quickly, but not quickly enough. A drove of zombies is closing in on them. You have a spare few seconds at last. You yank your backpack off, grab a box of ammo inside, and reload your M9.

“Chips?!” Rio calls over his shoulder.

“I’m fine.”

He knows you well enough to listen. The world goes quiet as your finger settles on the trigger. There’s a rhythm one slips into, an impassionate lethal efficiency. It’s easier to keep going than to stop and have to find it again. You fire over and over, dropping eight zombies. You sheath your M9 and whip Rio’s out of your other holster, the sights finding grotesque decaying faces illuminated by lightning. You pull the trigger: blood, bones, brains, corpses jerking and convulsing as they fall harmlessly to the mud. Aemond is here; when did he get here?

“I told you to run!” he’s shouting through the storm, furious. He’s shoving you towards the farmhouse. You resist him.

“Let me kill as many as I can—”

“Go! Now!” Aemond orders over the clashing thunder, and then sprints with you all the way to the front porch to make sure you listen. Everyone else is already there. Helaena has fetched a spare key from under the doormat and is turning it in the lock.

Daeron observes her anxiously. “We don’t know if it’s safe in there, Helaena.”

“Not in,” she says, insistent. “Through.” Through this building, and maybe through the next one too. The average zombie is not terribly clever. If they lose sight of you, without the benefit of the momentum of a hoard they are lost. Helaena opens the door. The living rush inside, and she locks it behind you. As you are bursting out the back door, you can hear zombies pounding their rotting palms against the front one. You soar through a stable full of dead horses and donkeys, leaving the doors open; this should keep the zombies distracted if they make it this far. Then you race to the farthest guest house. Luke, swiveling with his binoculars, spies no zombies approaching as you steal inside. There is no spare key this time; Rio punches out a first-floor window for you to climb through. Once everyone is inside, he and Aegon move a bookshelf to cover the opening.

You all stand in the living room, gasping and shivering, dripping rain down onto the rug and the hardwood floor. The air is dusty but clean of any trace of vile, swampy decay. Outside, thunder booms and lightning flashes bright enough to illuminate the lightless house. The sky is so dark it might as well be nightfall. Baela sinks to her knees, clamping both hands over her mouth so she won’t sob loudly enough for a zombie to hear. Rhaena and Luke are beside her, both weeping quiet rivulets of tears, trying to comfort her in whispers. Helaena is rummaging around searching for candles; she has already taken a lighter out of her soaked burlap messenger bag.

“Daeron, bro, come over here,” Aegon chokes out. He embraces Daeron, clutches him tightly and desperately, doesn’t let go. Rio is reloading his Remington 12 gauge.

Jace is dead. Jace is dead.

Aemond says to you, his voice low but seething: “What the fuck was that?”

You blink the raindrops out of your eyes as you stare at him, bewildered. “You needed help.”

“I told you to run.”

“I’m an asset, I have skills that can keep you alive, why am I here if I’m not going to be useful—?”

“You’re not in the fucking Navy anymore!” he hisses. “When I tell you to run, you run, you don’t stop, you don’t look back, because I can’t worry about you and take care of everyone else.”

“Nobody asked you to worry about me.”

“But I do.”

“Aemond,” Aegon pleads, waving him over. Aegon’s plump sunburned cheeks are glistening with rain and tears. “Man, it doesn’t matter. Nothing else matters now. Please come here.”

“I’m going to clear the house,” Aemond says instead.

Rio raises an eyebrow at you—this is one fucked up guy, Chips—and then pumps his shotgun. “Me too.” He sweeps with Aemond through the main floor and then vanishes up the staircase.

Helaena is lightning candles she found in the kitchen and arranging them around the living room. Daeron starts gathering food from the pantry. Rhaena and Baela are murmuring to each other softly, mournfully. It doesn’t feel like something you should intrude on. Luke is peeking out of a window with his binoculars, vigilant for threats. Aegon sniffles, wanders over to you with large, sad, shimmering eyes, pats your shoulder awkwardly.

“Hey, Chocolate Chip. You doing okay?”

“No,” you answer honestly.

“Yeah. Me either.” Then he flops down on the hideous burnt orange couch and lies there motionless until Daeron brings him a can of Dr. Pepper. Aegon pops the tab, slurps up foam, and then begins singing to himself very quietly, a song so old you can remember your grandfather saying it was one of his favorites as a boy: A Tombstone Every Mile.

When Rio comes back downstairs—heavy footsteps, he can’t help that—you meet him at the bottom of the steps. “The house is good,” Rio says. “And Aemond’s in the big bedroom on the right if you’d like to go up there and talk to him.”

“I don’t think he wants to see me right now.”

“I could not disagree more,” Rio says with a miserable, exhausted smile. Then he goes to the couch to check on Aegon.

You pick up one of the flickering candles, white and scentless, and ascend the staircase. You find Aemond in the master bedroom, the same accommodations that Jace laid claim to when he was still alive. He is sitting at the edge of the bed and staring at the wall, at nothing. Tentatively, you sit down beside him, placing the candle on the nightstand.

“Aemond…what happened to Jace…it wasn’t your fault.”

“Criston said I was in charge, that’s the very last thing he told me. They might be the last words I ever hear from him, and I just…” His voice breaks; he wipes the rain and tears from his face with open palms. “I really wanted to get everyone home.”

“I’m so sorry about what I said at the bowling alley,” you confess, like it’s a dire secret. “I don’t want to fight with you, Aemond, I…I want to help you. I can see what you’ve done for everyone here, me and Rio included, and I believe in you. I want to be a part of this.”

He nods, an acceptance of peace, but he still doesn’t look at you.

“Can we start over? I’ll never bring it up again, okay? I wasn’t trying to guilt you or upset you or anything. I should have just dropped it. I overreacted. And I understand why being with someone like me maybe wouldn’t be…super appealing.”

“It’s not about that.”

“Then what’s it about?”

Aemond wrings his hands, shakes his head, at last turns to you, golden candlelight reflected in his eye, his scar cloaked in shadows. His words are hushed, clandestine, soft powerless surrender. “I’m already so afraid of losing you.”

He cares, he hopes, he wants me too? “I’m here right now, Aemond. I don’t know what else I can say. I’d promise you more if I could.”

He reaches out to touch you, to ghost his thumb across your cheekbone, wet with rain. Then he kisses you, so gently you cannot help but imagine the wispy borders of calm white summer clouds, the rustle of leaves as wind blows down the Appalachian Mountains. You don’t have to ask him what he’s thinking, what it feels like. You can read it in the startled, firelit wonder on his face.

You taste like the beginning of something, here at the end of the world.

#aemond targaryen x reader #aemond x you #aemond targaryen #aemond one eye #aemond x reader #aemond x y/n #aemond targaryen x you #aemond targaryen x y/n

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rabbitcruiser · 5 months ago

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Ghostbusters was released in the United States on June 8, 1984.

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najia-cooks · 7 months ago

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[ID: The first image is of four stuffed artichoke hearts on a plate with a mound of rice and fried vermicelli; the second is a close-up on one artichoke, showing fried ground 'beef' and golden pine nuts. End ID]

أرضي شوكي باللحم / Ardiyy-shawkiyy b-al-lahm (Stuffed artichoke hearts)

Artichoke hearts stuffed with spiced meat make a common dish throughout West Asia and North Africa, with variations on the recipe eaten in Lebanon, Syria, Palestine, Algeria, and Morocco. In Palestine, the dish is usually served on special occasions, either as an appetizer, or as a main course alongside rice. The artichokes are sometimes paired with cored potatoes, which are stuffed and cooked in the same manner. Stuffed artichokes do not appear in Medieval Arab cookbooks (though artichokes do), but the dish's distribution indicates that its origin may be Ottoman-era, as many other maḥshis (stuffed dishes) are.⁩

The creation of this dish is easy enough once the artichoke hearts have been excavated (or, as the case may be, purchased frozen and thawed): they are briefly deep-fried, stuffed with ground meat and perhaps pine nuts, then stewed in water, or water and tomato purée, or stock, until incredibly tender.

While simple, the dish is flavorful and well-rounded. A squeeze of lemon complements the bright, subtle earthiness of the artichoke and cuts through the richness of the meat; the fried pine nuts provide a play of textures, and pick up on the slight nutty taste that artichokes are known for.

Terminology and etymology

Artichokes prepared in this way may be called "ardiyy-shawkiyy b-al-lahm." "Ardiyy-shawkiyy" of course means "artichoke"; "ب" ("b") means "with"; "ال" ("al") is the determiner "the"; and "لَحْم" ("laḥm") is "meat" (via a process of semantic narrowing from Proto-Semitic *laḥm, "food"). Other Palestinian Arabic names for the same dish include "أرضي شوكي محشي" ("ardiyy-shawkiyy maḥshi," "stuffed artichokes"), and "أرضي شوكي على ادامه" ("ardiyy-shawkiyy 'ala adama," "artichokes cooked in their own juice").

The etymology of the Levantine dialectical phrase meaning "artichoke" is interestingly circular. The English "artichoke" is itself ultimately from Arabic "الخُرْشُوف" ("al-khurshūf"); it was borrowed into Spanish (as "alcarchofa") during the Islamic conquest of the Iberian peninsula, and thence into English via the northern Italian "articiocco." The English form was probably influenced by the word "choke" via a process of phono-semantic matching—a type of borrowing wherein native words are found that sound similar to the foreign word ("phonetics"), and communicate qualities associated with the object ("semantics").

"Artichoke" then returned to Levantine Arabic, undergoing another process of phono-semantic matching to become "ardiyy-shawkiyy": أَرْضِيّ ("ʔarḍiyy") "earthly," from أَرْض‎ ("ʔarḍ"), "Earth, land"; and شَوْكِيّ ("shawkiyy") "prickly," from شَوْك‎ ("shawk"), "thorn."

Artichokes in Palestine

Artichoke is considered to be very healthful by Palestinian cooks, and it is recommended to also consume the water it is boiled in (which becomes delightfully savory and earthy, suitable as a broth for soup). In addition to being stuffed, the hearts may be chopped and cooked with meat or potatoes into a rich soup. These soups are enjoyed especially during Ramadan, when hot soup is popular regardless of the season—but the best season for artichokes in the Levant is definitively spring. Stuffed artichokes are thus often served by Jewish people in North Africa and West Asia during Passover.

Artichokes grow wild in Palestine, sometimes in fields adjacent to cultivated crops such as cereals and olives. Swiss traveler Johann Ludwig Burckhardt, writing in 1822, referred to the abundant wild artichoke plants (presumably Cynara syriaca) near لُوبْيا ("lūbyā"), a large village of stone buildings on a hilly landscape just west of طبريا ("ṭabariyya," Tiberias):

About half an hour to the N. E. [of Kefer Sebt (كفر سبط)] is the spring Ain Dhamy (عين ظامي), in a deep valley, from hence a wide plain extends to the foot of Djebel Tor; in crossing it, we saw on our right, about three quarters of an hour from the road, the village Louby (لوبي), and a little further on, the village Shedjare (شجره). The plain was covered with the wild artichoke, called khob (خُب); it bears a thorny violet coloured flower, in the shape of an artichoke, upon a stem five feet in height.

(Despite resistance from local militia and the Arab Liberation Army, Zionist military groups ethnically cleansed Lubya of its nearly 3,000 Palestinian Arab inhabitants in July of 1948, before reducing its buildings and wells to rubble, The Jewish National Fund later planted the Lavi pine forest over the ruins.)

Artichokes are also cultivated and marketed. Elihu Grant, nearly a century after Burckhardt's writing, noted that Palestinian villages with sufficient irrigation "[went] into gardening extensively," and marketed their goods in crop-poor villages or in city markets:

Squash, pumpkin, cabbage, cauliflower, lettuce, turnip, beet, parsnip, bean, pea, chick-pea, onion, garlic, leek, radish, mallow and eggplant are common varieties [of vegetable]. The buds of the artichoke when boiled make a delicious dish. Potatoes are getting to be quite common now. Most of them are still imported, but probably more and more success will be met in raising a native crop.

Either wild artichokes (C. syriaca) or cardoons (C. cardunculus, later domesticated to yield modern commerical artichokes) were being harvested and eaten by Jewish Palestinians in the 1st to the 3rd centuries AD (the Meshnaic Hebrew is "עַכָּבִיּוֹת", sg. "עַכָּבִית", "'aqubit"; related to the Arabic "⁧عَكُوب⁩" "'akūb," which refers to a different plant). The Tosefta Shebiit discusses how farmers should treat the sprouting of artichokes ("קינרסי," "qinrasi") during the shmita year (when fields are allowed to lie fallow), indicating that Jews were also cultivating artichokes at this time.

Though artichokes were persistently associated with wealth and the feast table (perhaps, Susan Weingarten speculates, because of the time they took to prepare), trimming cardoons and artichokes during festivals, when other work was prohibited, was within the reach of common Jewish people. Those in the "upper echelons of Palestinian Jewish society," on the other hand, had access to artichokes year-round, including (through expensive marvels of preservation and transport) when they were out of season.

Jewish life and cuisine

Claudia Roden writes that stuffed artichoke, which she refers to as "Kharshouf Mahshi" (خرشوف محشي), is "famous as one of the grand old Jerusalem dishes" among Palestinian Jews. According to her, the stuffed artichokes used to be dipped in egg and then bread crumbs and deep-fried. This breading and frying is still referenced, though eschewed, in modern Sephardi recipes.

Prior to the beginning of the first Aliyah (עלייה, wave of immigration) in 1881, an estimated 3% of the overall population of Palestine, or 15,011 people, were Jewish. This Jewish presence was not the result of political Zionist settler-colonialism of the kind facilitated by Britain and Zionist organizations; rather, it consisted of ancestrally Palestinian Jewish groups, and of refugees and religious immigrants who had been naturalized over the preceding decades or centuries.

One such Jewish community were the Arabic-speaking Jews whom the Sephardim later came to call "מוּסְתערבים" or "مستعربين" ("Musta'ravim" or "Musta'ribīn"; from the Arabic "مُسْتَعْرِب⁩" "musta'rib," "Arabized"), because they seemed indifferentiable from their Muslim neighbors. A small number of them were descendants of Jews from Galilee, which had had a significant Jewish population in the mid-1st century BC; others were "מגרבים" ("Maghrebim"), or "مغربية" ("Mughariba"): descendents of Jews from Northwest Africa.

Another major Jewish community in pre-mandate Palestine were Ladino-speaking descendents of Sephardi Jews, who had migrated to Palestine in the decades following their expulsion from Spain and then Portugal in the late 15th century. Though initially seen as foreign by the 'indigenous' Mista'avim, this community became dominant in terms of population and political influence, coming to define themselves as Ottoman subjects and as the representatives of Jews in Palestine.

A third, Yiddish- and German-speaking, Askenazi Jewish population also existed in Palestine, the result of immigration over the preceding centuries (including a large wave in 1700).

These various groups of Jewish Palestinians lived as neighbors in urban centers, differentiating themselves from each other partly by the language they spoke and partly by their dress (though Sephardim and Ashkenazim quickly learned Arabic, and many Askenazim and Muslims learned Ladino). Ashkenazi women also learned from Sephardim how to prepare their dishes. These groups' interfamiliarity with each other's cuisine is further evidenced by the fact that Arabic words for Palestinian dishes entered Ladino and Yiddish (e.g. "كُفْتَة" / "kufta," rissole; "مَزَّة⁩" "mazza," appetizer); and words entered Arabic from Ladino (e.g. "דונסי" "donsi," sweet jams and fruit leather; "בור��ק" "burek," meat and cheese pastries; "המים" "hamim," from "haminados," braised eggs) and Yiddish (e.g. "לעקעך‎" "lakach," honey cake).

In addition to these 'native' Jews were another two waves of Ashkenazi migration in the late 18th and early-to-mid 19th centuries (sometimes called the "היישוב הישן," "ha-yishuv ha-yashan," "old settlement," though the term is often used more broadly); and throughout the previous centuries there had also been a steady trickle of religious immigration, including elderly immigrants who wished to die in Jerusalem in order to be present at the appointed place on the day of Resurrection. Recent elderly women immigrants unable to receive help from charitable institutions would rely on the community for support, in exchange helping the young married women of the neighborhood with childcare and with the shaping of pastries ("מיני מאפה").

In the first few centuries AD, the Jewish population of Palestine were largely farmers and agricultural workers in rural areas. By the 16th century, however, most of the Jewish population resided in the Jewish Holy Cities of Jerusalem (القُدس / al-quds), Hebron (الخليل / al-khalil), Safed (صفد), and Tiberias (طبريا / ṭabariyya). In the 19th century, the Jewish population lived entirely in these four cities and in expanding urban centers Jaffa and Haifa, alongside Muslims and Christians. Jerusalem in particular was majority Jewish by 1880.

In the 19th century, Jewish women in Jerusalem, like their Christian and Muslim neighbors, used communal ovens to bake the bread, cakes, matzah, cholent, and challah which they prepared at home. One woman recalls that bread would be sent to the baker on Mondays and Thursdays—but bribes could be offered in exchange for fresh bread on Shabbat. Charges would be by the item, or else a fixed monthly payment.

Trips to the ovens became social events, as women of various ages—while watching the bakers, who might not put a dish in or take it out in time—sent up a "clatter" of talking. During religious feast days, with women busy in the kitchen, some families might send young boys in their stead.

Markets and bakeries in Jerusalem sold bread of different 'grades' based on the proportion of white and wheat flour they contained; as well as flatbread (خبز مفرود / חובז מפרוד / khobbiz mafroud), Moroccan מאווי' / ماوي / meloui, and semolina breads (כומאש / كماج / kmaj) which Maghrebim especially purchased for the Sabbath.

On the Sabbath, those who had brick ovens in their sculleries would keep food, and water for tea and coffee, warm from the day before (since religious law prohibits performing work, including lighting fires, on Shabbat); those who did not would bring their food to the oven of a neighbor who did.

Palestinian Jewish men worked in a variety of professions: they were goldsmiths, writers, doctors, merchants, scientists, linguists, carpenters, and religious scholars. Jewish women, ignoring prohibitions, engaged in business, bringing baked goods and extra dairy to markets in Jerusalem, grinding and selling flour, spinning yarn, and making clothing (usually from materials purchased from Muslims); they were also shopkeepers and sellers of souvenirs and wine. Muslims, Jews, and Christians shared residential courtyards, pastimes, commercial enterprises, and even holidays and other religious practices.

Zionism and Jewish Palestinians

Eastern European Zionists in the 1880s and 90s were ambivalent towards existing Jewish communities in Palestine, often viewing them as overly traditional and religious, backwards-thinking, and lacking initiative. Jewish Palestinians did not seem to conform with the land-based, agricultural, and productivist ideals of political Zionist thinkers; they were integrated into the Palestinian economy (rather than seeking to create their own, segregated one); they were not working to create a Jewish ethnostate in Palestine, and seemed largely uninterested in nationalist concerns. Thus they were identified with Diaspora Jewish culture, which was seen as a remnant of exile and oppression to be eschewed, reformed, or overthrown.

These attitudes were applied especially to Sephardim and Mista'arevim, who were frequently denigrated in early Zionist literature. In 1926, Revisionist Zionist leader Vladimir Jabotinsky wrote that the "Jews, thank God, have nothing in common with the East. We must put an end to any trace of the Oriental spirit in the Jews of Palestine." The governance of Jewish communities was, indeed, changed with the advent of the British Mandate (colonial rule which allowed the British to facilitate political Zionist settling), as European political and "socialist" Zionists promoted Ashkenazi over Sephardi leadership.

Under the Ottomans, the millet system had allowed a degree of Jewish and Christian autonomy in matters of religious study and leadership, cultural and legal affairs, and the minting of currency. The religious authority of all Jewish people in Palestine had been the Sephardi Rabbi of Jerusalem, and his authority on matters of Jewish law (like the authority of the Armenian Patriarchate on matters of Christian law) extended outside of Palestine.

But British and European funding allowed newer waves of Ashkenazi settlers (sometimes called "היישוב החדש," "ha-yishuv ha-khadash," "new settlement")—who, at least if they were to live out the ideals of their sponsors, were more secular and nationalist-minded than the prior waves of Ashkenazi immigration—to be de facto independent of Sephardi governance. Several factors lead to the drying up of halaka (donated funds intended to be used for communal works and the support of the poor in Sephardi communities), which harmed Sephardim economically.

Zionist ideas continued to dominate newly formed committees and programs, and Palestinian and Sephardi Jews reported experiences of racial discrimination, including job discrimination, leading to widespread poverty. The "Hebrew labor" movement, which promoted a boycott of Palestinian labor and produce, in fact marginalized all workers racialized as Arab, and promises of work in Jewish labor unions were divided in favor of Ashkenazim to the detriment of Sephardim and Mizrahim. This economic marginalization coincided with the "social elimination of shared indigenous [Palestinian] life" in the Zionist approach to indigenous Jews and Muslims.

Despite the adversarial, disdainful, and sometimes abusive relationship which the European Zionist movement had with "Oriental" Jews, their presence is frequently used in Zionist food and travel writing to present Israel as a multicultural and pluralist state. Dishes such as stuffed artichokes are claimed as "Israeli"—though they were eaten by Jews in Palestine prior to the existence of the modern state of Israel, and though Sephardi and Mizrahi diets were once the target of a civilizing, correcting mission by Zionist nutritionists. The deep-frying that stuffed artichokes call for brings to mind European Zionists' half-fascinated, half-disgusted attitudes towards falafel. The point is not to claim a dish for any one national or ethnic group—which is, more often than not, an exercise in futility and even absurdity—but to pay attention to how the rhetoric of food writing can obscure political realities and promote the colonizer's version of history. The sinking of Jewish Palestinian life prior to the advent of modern political Zionism, and the corresponding insistence that it was Israel that brought "Jewish cuisine" to Palestine, allow for such false dichotomies as "Jewish-Palestinian relations" or "Jewish-Arab relations"; these descriptors further Zionist rhetoric by making a clear situation of ethnic cleansing and settler-colonialism sound like a complex and delicate issue of inter-ethnic conflict. To boot, the presentation of these communities as having merely paved the way to Zionist nationalism ignores their existence as groups with their own political, social, and cultural lives and histories.

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Ingredients:

Serves 4 (as a main dish).

For the artichokes:

6 fresh, very large artichokes; or frozen (not canned) whole artichoke hearts

1 lemon, quartered (if using fresh artichokes)

250g (1 1/2 cups) vegetarian ground beef substitute; or 3/4 cup TVP hydrated with 3/4 cup vegetarian 'beef' stock from concentrate

1 yellow onion, minced

Scant 1/2 tsp kosher salt

1/2 tsp ground black pepper

1 pinch ground cardamom (optional)

1/4 tsp ground allspice or seb'a baharat (optional)

1 Tbsp pine nuts (optional)

Water, to simmer

Oil, to fry

2 tsp vegetarian 'beef' stock concentrate, to simmer (optional)

Lemon, to serve

Larger artichokes are best, to yield hearts 3-4 inches in width once all leaves are removed. If you only have access to smaller artichokes, you may need to use 10-12 to use up all the filling; you might also consider leaving some of the edible internal leaves on.

The meat may be spiced to taste. Sometimes only salt and black pepper are used; some Palestinian cooks prefer to include seb'a baharat, white pepper, allspice, nutmeg, cardamom, and/or cinnamon.

Medieval Arab cookbooks sometimes call for vegetables to be deep-fried in olive oil (see Fiḍālat al-Khiwān fī Ṭayyibāt al-Ṭaʿām wa-l-Alwān, chapter 6, recipe no. 373, which instructs the reader to treat artichoke hearts this way). You may use olive oil, or a neutral oil such as canola or sunflower (as is more commonly done in Palestine today).

Elihu Grant noted in 1921 that lemon juice was often served with stuffed vegetable dishes; today stuffed artichokes are sometimes served with lemon.

For the rice:

200g Egyptian rice (or substitute any medium-grained white rice)

2 tsp broken semolina vermicelli (شعيريه) (optional)

1 tsp olive oil (optional)

Large pinch salt

520g water, or as needed

Broken semolina vermicelli (not rice vermicelli!) can be found in plastic bags at halal grocery stores.

Instructions:

For the stuffed artichokes:

1. Prepare the artichoke hearts. Cut off about 2/3 of the top of the artichoke (I find that leaving at least some of the stem on for now makes it easier to hollow out the base of the artichoke heart without puncturing it).

2. Pull or cut away the tough outer bracts ("leaves") of the artichoke until you get to the tender inner leaves, which will appear light yellow all the way through. As you work, rub a lemon quarter over the sides of the artichoke to prevent browning.

3. If you see a sharp indentation an inch or so above the base of the artichoke, use kitchen shears or a sharp knife to trim off the leaves above it and form the desired bowl shape. Set aside trimmings for a soup or stew.

4. Use a small spoon to remove the purple leaves and fibers from the center of the artichoke. Make sure to scrape the spoon all along the bottom and sides of the artichoke and get all of the fibrous material out.

5. Use a paring knife to remove any remaining tough bases of removed bracts and smooth out the base of the artichoke heart. Cut off the entire stem, so that the heart can sit flat, like a bowl.

6. Place the prepared artichoke heart in a large bowl of water with some lemon juice squeezed into it. Repeat with each artichoke.

7. Drain artichoke hearts and pat dry. Heat a few inches of oil in a pot or wok on medium and fry artichoke hearts, turning over occasionally, for a couple minutes until lightly browned. If you don't want to deep-fry, you can pan-fry in 1 cm or so of oil, flipping once. Remove with a slotted spoon and drain.

8. Prepare the filling. Heat 1 tsp of olive oil in a large skillet on medium-high and fry onions, agitating often, until translucent.

Tip: Some people add the pine nuts and brown them at this point, to save a step later. If you do this, they will of course be mixed throughout the filling rather than being a garnish on top.

9. Add spices, salt, and meat substitute and fry, stirring occasionally, until meat is browned. (If using TVP, brown it by allowing it to sit in a single layer undisturbed for 3-4 minutes, then stir and repeat.) Taste and adjust spices and salt.

10. Heat 1 Tbsp of olive oil or margarine in a small pan on medium-low. Add pine nuts and fry, stirring constantly, until they are a light golden brown, then remove with a slotted spoon. Note that, once they start taking on color, they will brown very quickly and must be carefully watched. They will continue to darken after they are removed from the oil, so remove them when they are a shade lighter than desired.

11. Stuff the artichoke hearts. Fill the bowl of each heart with meat filling, pressing into the bottom and sides to fill completely. Top with fried pine nuts.

12. Cook the artichoke hearts. Place the stuffed artichoke hearts in a single layer at the bottom of a large stock pot, along with any extra filling (or save extra filling to stuff peppers, eggplant, zucchini, or grape leaves).

13. Whisk stock concentrate into several cups of just-boiled water, if using—if not, whisk in about a half teaspoon of salt. Pour hot salted water or stock into the pot to cover just the bottoms of the stuffed artichokes.

14. Simmer, covered, for 15-20 minutes, until the artichokes are tender. Simmer uncovered for another 5-10 minutes to thicken the sauce.

For the rice:

1. Rinse your rice once by placing it in a sieve, putting the sieve in a closely fitting bowl, then filling the bowl with water; rub the rice between your fingers to wash, and remove the sieve from the bowl to strain.

2. Place a bowl on a kitchen scale and tare. Add the rice, then add water until the total weight is 520g. (This will account for the amount of water stuck to the rice from rinsing.)

3. (Optional.) In a small pot with a close-fitting lid, heat 1 tsp olive oil. Add broken vermicelli and fry, agitating often, until golden brown.

4. Add the rice and water to the pot and stir. Increase heat to high and allow water to come to a boil. Cover the pot and lower heat to a simmer. Cook the rice for 15 minutes. Remove from heat and steam for 10 minutes.

To serve:

1. Plate artichoke hearts on a serving plate alongside rice and lemon wedges; or, place artichoke hearts in a shallow serving dish, pour some of their cooking water in the base of the dish, and serve rice on a separate plate.

Tip: The white flesh at the base of the bracts (or "leaves") that you removed from the artichokes for this recipe is also edible. Try simmering removed leaves in water, salt, and a squeeze of lemon for 15 minutes, then scraping the bract between your teeth to eat the flesh.

#Palestinian #Levantine #vegan recipes #artichokes #Passover #Pesach #long post /

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aria-greenhoodie · 1 day ago

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Time stuck au but it’s Pacifica meeting the Anti-Cipher society. And she is becoming Abigale’s apprentice in engineering.

I thought I DELETED THIS ASK but I DIDNT it was just HIDDEN FOR SOME REASON! anyway this idea has captivated me, I have yet to draw Pac with the whole society (I WILL) but here’s some doodles of her and Abbey!!

Click for Quality!

Also some extra musings under the cut…..

The Northwests travel to Illinois one holiday. Pacifica takes some time off from her insufferable parents to find someplace worth visiting. Unfortunately, it seems like nothing in Illinois is worth visiting. She eventually finds herself at 333 North East West Drive, a functionally abandoned historical building, “For Rent” sign collecting dust in its windows. Something catches her eye on the ground - what looks to be a normal tape measurer. I say “looks to be,” because it is in fact a TIME tape-measurer, albeit a half-broken one.

Pacifica ends up in 1901 using the half-broken time tape measurer and manages to break it completely. Luckily for her, Abigale finds her and agrees to help fix it… and teach Pacifica some mechanical know-how in the process!

Abigale doesn’t know that she’s Pacifica’s ancestor. Pacifica is pretty certain Abigale Blackwing is Abigale Northwest, but doesn’t say anything because Abigale Northwest was always considered a bit of a stain on the family, half-buried by history. Pacifica doesn’t want to let Abigale know she’s been erased, and honestly, is still a little bought-in to her family’s philosophy of sweeping “unsavory” people or things under the rug at this point.

Pacifica is actually pretty damn good at mechanics! She takes a second to get a hang of it, but once she grasps the basics she learns the rest shockingly quick. Abigale is so proud.

Pacifica actually helps enable some semblance of workshop-safety in the society, what with her modern knowledge that lead, mercury, and arsenic are all deadly toxins that you shouldn’t be putting in “anti-cipher tonic” to guzzle and/or rub on your skin.

The rest of the society LOVE Pacifica. That’s their collective daughter now.

Jessamine teaches her how to shoot! Pacifica isn’t a very good natural aim, but Jessie is patient and knows skill comes with practice.

Horace is so charmed by her, he really takes up a sort of father figure. He would mow down entire countries for this kid. Pacifica doesn’t know how to take Horace at first, since she’s so used to her real dad sucking ass, but she becomes close with him fast!

Thurburt is SO her silly weird uncle. Thurburt was always a clumsy, accident-prone fool, but somehow around Pacifica he becomes even more slapstickly-inclined. Pacifica thinks he’s doing it on purpose to get a laugh out of her. He is. It always works.

Even O’Pimm, the crotchety old drunk that he is, gets a kick out of her! He likes her honesty. If Pac thinks something’s daft or dull, she’ll say it. O’Pimm is glad to not be the ONLY one with sense around the society anymore.

And of course, it goes without saying that Abigale ADORES Pac. Abigale never wanted to be a mother, but teaching Pacifica the ropes of engineering and working her through her problems made her reconsider that thought.

Pacifica actually manages to fix the time tape measurer all on her own one night. It takes 2 weeks for her to finally tell the society. She almost doesn’t want to leave.

Abigale was the one to convince her to go home. “The future needs you, Pacifica. It needs brilliant, talented girls like you. You’ve got people waiting on you, but more than that, you’ve got a whole WORLD waiting for you! Live your life, Pacifica, your story doesn’t end in this time. Promise me you’ll make some change in that future of yours, rather than feel trapped in the past with us…”

Pacifica is a lot different when she returns. She’s suddenly way into tinkering, something she keeps secret from her family. She’s also a lot happier, and a lot less concerned about mistakes (though she’s more worried when her parents are in eye or earshot…)

Pacifica starts to really get interested in the story of Abigale Northwest. She unearths a lot of hidden secrets about her life. Most of it isn’t good, especially now. At least Pacifica knows the truth, now. (I have a VERY specific idea as to how Abbey’s life was after the society disbanded and it is NOT pretty. When I post it I’ll add a link here)

She wishes Abigale could have had her happy ending. She wonders if she had stayed behind, could she have changed things? She considered using the time tape measurer to go back more times then she’d like to admit. But she made a promise, didn’t she? Her job is here in the future, not stuck in the past…

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skycowboys · 3 months ago

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Hello, I adore your work, I was wondering in this world does any other form of transportation exist such as locomotives 🚂 (I’m an avid Railway/rail fan enthusiast and considering there were races between horses and the earliest locomotives, with horses and other four legged critters helping building the lines before being replaced) I feel like these “iron horses” wouldn’t exactly be much of a threat.

Hello!

That's so cool. Trains are so cool. I seriously wish we had more of them here in America - both historical trains and tracks but also highspeed rail. I will die and go to heaven of happiness the moment I can take a reliable train to a destination other than the metrodome on a Twins game day sob.

The old west history of trains is fascinating and a little tragic, but yeah you're correct about the SC world. Due to the chasms, trains aren't really that viable for cross-country travel and shipping of goods. Here's a quick rail line theoretical -

The main cities are circled in purple -

West/North/South Rook and Southcut are a farming and nymbak center due to the relatively large swaths of unbroken land and the river.

Denavi and Oakridge are known for their timber (and Denavi for lightning fish products).

Woodloch and Vale have universities.

Slipshod and Carver Canyon Falls are known for their mining, and the area north of Carver Canyon is another bread basket.

Almost all the space in between is free-range farm, timber, and livestock land.

I've drawn potential rail lines between them and you can see all of, uh, the problems lol. If there would be a maintained line, it'd be in the middle of the farmland north of the Rooks to transport grains southward to the Rooks, but people are so accustomed to skimmers (flying pegasi pulling wheeled carts on the ground) and shortwings pulling carts along paved roads, it'd be hard to convince them to put in rail lines. The people of SC are used to using what's in their local area to make a good living for themselves, supplemented with goods and knowhow brought in by pilots and trade routes supported by bridge and cable cars.

Eventually I want to make a map that includes bridges and cable cars because that might switch this up a bit, but first I gotta finish the book :)

But yeah, the pegasus is the main mode of transportation in the SC world, and other than footpaths there aren't really any others that get close to the popularity and efficiency of pegasus-centered methods.

~ Larn

#ask #worldbuilding #trains

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thebigsl33p · 10 months ago

Text

Last Words of A Shooting Star (Part One)

A/N: this is the longest fic I've ever written, and this is only part one. A lot of love has gone into this, I'm super excited to share it! If there any mistakes or stuff please let me know. Uh, Aleksander's kinda OOC bcs it's early days and I'm not traumatising him yet but I am gonna make everyone so miserable in Part Two, I promise, and then he'll become a mardy bastard. Masterlist will be up with the second part, and my main will be updated.

Main Masterlist

people I thought might appreciate being tagged: (If not, sorry!!!):

@augustwithquills @myanmy @noortsshift @archangelslollipop @vaguekayla @budugu @inlovewithfictionalmen444 @weallhaveadestiny @dreamlandcreations @bookloverfilmoholic @lost-tothe-centuries

Warnings: Violence - murder, not too graphic, I don't think. I think that's all, if not please let me know. tbf, canon level I think but maybe I'm delusional

Word Count: 8260

Fic Playlist:

Aleksander has always had a fascination with the night sky. He can’t help it. It’s the darkness, he thinks, it runs in his blood and makes up his flesh, how couldn’t he be absolutely enamoured with it?

Maybe it’s because it was the only constant.

So much of his childhood, his years as a teenager and as a young adult were spent travelling, creating new identities, learning new landscapes, new faces, new names, new buildings, all of which would disappear and be replaced every two weeks. And sure, the daytime was nice with the sun and all. But it wasn’t as peaceful, didn’t bring him that same tranquillity as when he would lay down in a field, gaze up and try to name all the constellations, find new shapes and make up new stories.

Perhaps it all changed due to the incident at the Grisha camp. He had loved sunlight, the dark had scared him. But now, something was different - that air of peace was replaced by a penchant for the tenebrosity that the night brought with it, and a love for the small lights which decorated the dusk.

No matter where he went, whether he was North, East, South, or West, the night-sky was the same. Always that deep monumental blue speckled with little dots - little lights, little moons, little stories - which people like him called Stars. There was nothing quite like laying in a field, feeling the cool summer breeze or the biting winter gusts and knowing that you were so small, so insignificant compared to everything that burned up in the cosmos.

He was young then. Young and naive. And it was before her.

Looking back on it, Aleksander should’ve known better. Hadn’t the incident at the Grisha Camp taught him that? Wasn’t it what his mother drilled into him constantly? Trust no one. Never show your abilities. Touch no one. He was, politely put, a fool.

He was a young man when his life changed, for the better and for the worse. It’s hard to remember exactly, but he believes he was around nineteen, and he remembers it was a hot summer’s evening. The day had been spent working. He couldn’t have known then, but that ‘work’ was the beginnings of The Little Palace. But back then, it was him being - as his mother would put it - foolish, and helping other Grisha travel across Ravka. They were hard to find, and even harder to trust, but gradually, slowly yet surely, he was building a good network.

But during the nights, just for a little while he could let that go. He could lay in the tall grass, head tipped towards the dark vast sky and he could stare up at the stars and pretend he was normal, that shadows weren’t absentmindedly curling around his fingers.

For some reason he struggles to remember memories before that time. They’re blurry and vague, little snippets and days that he’s lost with his extended age. But that particular night, he remembers it vividly - his long hair brushing his cheek in the wind, the hard dirt under his head, the hum of nature and bugs, the bustle of a town not so far away carried on the wind, and the stars. They were the brightest he’d ever seen them, almost restless, buzzing in their eternal placeholders. Something, he could feel, was wrong.

The image of the star falling to Earth is eternally seared into his memory.

It appeared faster than he could comprehend - one second it wasn’t there, and then one second it was. He sits up on his elbows, completely transfixed and stunned by, what he at first presumes, is a shooting star. But gradually, he realises it’s getting bigger, faster… closer.

This burning bright ball of cream yellow light, tumbling through time and space and existence, tumbling towards him. Sitting there in the field, stunned by the sight, he’s sure he can hear it fizzling and crackling, knows it’s completely impossible from this distance, but he’s certain of it. Something tugs in his chest, somewhere between unbridled intrigue and panic, his mother’s words of warning echoing in his head. The intrigue wins, it’s an easy internal battle of common sense and childlike wonder which he thought he had long abandoned.

Aleksander scrambles to his feet, accidentally getting dirt on his palms and his trousers but he barely notices, head still tilted to the sky and his breath caught in his throat. He can see the trajectory of the star, where it will land in a section of the forest just a bit off from where he’s camping out. His eyes widen, a small smile, and before he knows it he’s stepping towards the tree-line, his black boots thudding on the ground as his footsteps get quicker and quicker.

To anyone else, the forest might’ve seemed daunting, especially so late at night. But the Shadow Summoner stepped into it without hesitation, the wizened terrain underfoot switching to a softer crunch of twigs and leaves. Once inside, he loses sight of the star, the canopy of the forest shielding it from him, its only indication being the unnatural light it shines through the leaves onto the forest floor, making his journey easier. He dodges twigs, branches, spider-webs, ducking and batting them out of the way quickly, balancing looking at the floor and where he’s going with gazing up at the foliage covered sky for any indication he’s travelling the right way.

He doesn’t know why he’s following after the star. He doesn’t know how he knows it’s a star. It feels more akin to when you’re in a dream, and you just know something is. Something about it compels him, drags him forward and pushes him on, deeper into the forest.

When the star makes impact, he feels it. In fact, Aleksander’s sure the entire world might’ve felt it, the shake in the trees and the ground, the birds disturbed from their midnight peace quickly fleeing their homes at the rattle of the branches and leaves, the dust-like dirt stirring. And it guides him to the star - the cracking noise it made as it hit the ground unmistakably came from a fraction to his left and so, he followed that way.

He knows he’s getting closer when the damage becomes more destructive. It’s no longer just disturbed birds and dirt, it’s entire trees tilted at an angle as if God had pushed a finger into the dirt and tilted them, their roots peeking through the soil. But in the middle of the makeshift clearing it is dark, the disturbed dirt floating and drifting through the air and concealing his surroundings. The ground is severely dented and compacted, forming a large dark crater which Aleksander can barely peek over.

He shuffles from the damaged treeline, his boots creaking on the soil as he tries to catch a glimpse over the edge of the vast crater, but it’s wide and deep, and the edges are loose. He’s careful, his Shadows waiting obediently for his hands to move - for some form of attack or defence. But it never comes.

Instead, as the clouds of dirt clear, the centre of the crater gradually became more visible. The middle was, overall, smooth but it slopes and nicks here and there. He had expected to see a rock, some large grey bland thing which ultimately would’ve made this all less exciting. But what he sees instead has his eyes widening. There, in the middle of the crater, is a young woman. She’s asleep - passed out maybe - her arms loosely stretched outwards, her hair splayed, messy and white. It’s not even like he can say it’s grey, or silver, or blonde. No, her hair is white, paper white, as white as the dress she’s wearing. It fits her well, skims over her body without constricting too much movement. He notices she has no shoes on. It dawns on him that this sleeping woman, this girl, is the Star and his brow furrows softly.

He barely hesitates before he’s sitting on the ledge of the crater and sliding down it, his boots landing on the compacted soil with a thud. In a few strides he’s standing over the sleeping girl, and then in another quick action he crouches down and picks her up, the back of her knees bent over his arm, her waist in his other as he supports her back and her head lolls. He huffs in soft amusement, and walks back the way he came, gently hoisting her up the wall of the crater with as much care as he can, using his shadows when he has a spare hand. It’s hard, and takes a bit of manoeuvring, but he gets there eventually before he pulls himself up. It’s a surprise to him that she hasn’t woken up yet.

He didn’t feel comfortable leaving her there like that, asleep, vulnerable and barefoot where anyone could’ve found her and not have known what they had stumbled on. He picks her up again, and begins his journey back through the forest, a little slower and with a little more care, mumbling to himself - to her - as they go. She doesn’t stir once, her head propped against his chest, her hair tickling his arm slightly.

The journey back to where he was camping out is peaceful. It’s quiet, save for his footsteps or the rustle of clothes. Occasionally, the moonlight catches her and she sparkles a bit. Literally sparkles, reflects it like a goddamn mirror. It really is a sight to see and it makes his lips quirk up a bit.

When they get back to the field, he’s careful. Aleksander lays her down on his mat, adds a few more logs to the fire and covers her with his coat. He thinks of checking her for injuries or damage, but decides that can wait until she wakes up. He doesn’t want to be a creep, and if she’s in pain she’s probably better off telling him when she wakes up, than him finding out for himself.

And so, he settles himself on the other side of the campfire. He leans his head on his pack - considering the girl next to him has his mat - and tries to get what little sleep will come.

When Y/N wakes, it’s in unfamiliar surroundings. The first thing she’s aware of is the cold. It’s not freezing, but it’s uncomfortable, and she tucks her legs up under her until she’s in a ball, tugging the blanket under her chin. Blanket? No. She shouldn’t have a blanket. It shouldn’t be cold…

She sits up fast and quick, all lethargy gone from her body as her eyes widen and she takes in her surroundings. She’s in a field. On a mat. And someone’s dark, large coat is over her body. It’s early morning, the sky a pale grey, a low mist settling on her surroundings and a light dew coating the grass. She can feel heat on one side of her, but her head is turned towards the foggy treeline. She tries to recall the last things she remembers… being in the sky, existing, and then a sudden gap which she can’t figure out, and then she wakes up here.

She’s caught in thought, trying to make sense of her surroundings when a voice says, “You’re awake.” and her head whips around. On the other side of a fresh campfire is a young man, dark eyes, long dark hair, pale skin and dark clothes. He’s roasting a rabbit over the fire - no doubt freshly caught from the knife that sits beside him. His pack sits beside him, his eyes never leave her, even as she expresses soft panic.

She tries to get up, but her body aches, and he holds out a hand, “Easy. I’m not… I’m not going to hurt you. What’s your name?” he asks softly, waving to her to relax.

She answers hesitantly, her eyes scanning the boy, “Y/N.” she says eventually, “You?”

“Leonid.” Aleksander lies, looking between the campfire and her, “Are you hurt anywhere? You took… quite the fall.”

“Funny.” Y/N says drily, “How long have you been working on that one?”

From the grin that splits his face, he’s clearly secretly pleased with his dad-joke, “Just this morning.” Leonid - Aleksander - turns a bit more serious, “Are you, though? Hurt?”

She shakes her head, kicking the coat off her and putting it to one side so she can sit up properly, “No, I’m fine.” she mumbles, “Just achy.”

“Mhm, I suppose that’s to be expected.” he holds the cooked rabbit out to her on a makeshift fork, “Here, eat. You’ll need it.”

Y/N takes it hesitantly, sniffing it before picking a bit of meat off it with her fingers and eating it, “Thanks… who are you?”

“Leonid.” He repeats.

“No, I meant like - where am I? Who are you - like - how did you find me?”

“Well,” he leans back on his elbows, glances around, “You’re in a field, near Vernost, in Ravka.” he says, “and I am…” his brow furrows softly as he figures out how to phrase this. She’s a Star - would she even understand the difference between Grisha and Otkazats’ya?

He says it anyway.

“As I said, my name’s Leonid, I’m…” he’s hesitant - would a star really have prejudices? He hopes not. He takes a foolish chance. “Grisha. You know what that is?”

She nods, offers him what remains of the Rabbit. He waves it off, indicating that she finishes it. “Why are you helping me?” She asks, tilting her head.

“My, you’re just full of questions.” he sighs, “I saw you fall. I wasn’t just gonna… leave you.”

“Right.” Y/N’s eyes narrow slightly, “is this your coat? Here you can have it back.” she nudges the coat towards him.

He gives her an amused look, his eyes moving down, then back up, “I think you’ll need it more than me, zvezda.” he muses, smug almost.

She glances down at the dress she’s wearing. It’s simple, plain, and he’s right. It’s too thin for the current weather - she’ll be better off as it warms up during the day - but for now, she accepts the coat with a small, amused huff.

"C'mon, eat that fast," he says, indicating to the rabbit, "We've gotta get going before the sun is too high." He's already tucking away the few things he got out, "I'm gonna walk you to the nearest town, Vernost, leave you somewhere safe, okay?" he glances at her, "Get you some shoes and some more suitable clothes. Until then…”

He reaches into his pack, produces a spare undershirt and hands it to her with an almost apologetic look, "Better than nothing." she nods in thanks.

She takes the shirt with a grateful nod. Once she's finished the rabbit, she stands and hands him the mat, watching as he rolls it up and tucks that away too, and then they're set to travel. She pulls on the undershirt over her dress and while it hangs loosely it provides a bit more comfort, and then she shuffles on his coat. It’s too big for her, completely contrasts her bright eyes and white hair, the sleeves hang loosely and she has to roll them up.

He wants to make her as comfortable as possible, and so shows her the map he’s using, highlights the path they’ll be travelling with his finger, showing their way through the woods, worries a bit over her lack of shoes and then they’re walking.

The path to the town is simple, through the woods, past her crater, and then a little further for about fifteen or twenty minutes. He’s careful to go first, his harsh boots making some attempt at flattening the ground for her barefoot condition. Aleksander considers picking her up - no, too weird for someone he’s just met - and she doesn’t seem to be in any pain.

They keep walking. The sun rises higher, the morning beginning just as they make their way into Vernost. It’s a small town, but a good town. The hustle and bustle of people, farmers, artisans, builders and blacksmiths is accompanied by the gentle murmur of the small local market, travellers and locals who move between stalls and shops, horses’ hooves on the cobblestone, the crowd parting for an occasional rickety wooden carriage.

He glances over to her. The look of awe on her face is somewhere between sad and endearing. She’s struck completely by this tiny town, the smallest, simplest form of inhabitance, and yet it brings nothing but awe and wonder to her gaze. There’s a sense of yearning in the way her eyes run over everything as they walk, as if she’s desperate to take it all in, to retain it, keep it held to her chest - to make life hers. To have all of it - to know the joys and the sorrows like the back of her hand. Aleksander could practically see the light come to life behind her eyes, as if she’d finally woken up to something wonderful.

He smiles, somewhere between amusement and appreciation, and places a hand on her shoulder to steer her through the crowds which are slowly getting busier, “Easy tiger.” he says and she laughs sheepishly.

“It’s just all so…” she doesn’t know how to describe it, the words to explain the way her heart is racing all jam up in her throat. She has a heart. The rushing of blood, just the wind against her skin, it’s all she ever wanted to feel, and now that she can feel it, now she’s no longer confined to the night sky, she’s in complete and utter astonishment, raptured by everything around her.

“Kinda overwhelming?” He suggests, raising an eyebrow as they walk. He’s keeping an eye out for a Cobbler - or anywhere that sells shoes, really. Again, he casts his eyes down to her bare feet and feels guilt and concern rise in him, that the streets of Vernost, nor the woods are exactly clean, and they must be hurting by now.

But one glance at her face and he can tell she barely feels it. It’s just dirt - it can be washed off. However, it doesn’t ease the guilt.

The first time she ‘shines’, is over a piece of cake.

They’d been travelling together for a few weeks now. Aleksander was a fool to think he could leave her alone in Vernost, his worries, concerns and guilt over the Star getting the better of him. They stayed for a few days there, giving her a general introduction to the workings of human life in a contained and somewhat non-threatening environment.

In their few brief days in Vernost she tries a range of food, stews, desserts. He explains money, the current politics of the country over a bowl of stew from the Inn they were staying at, explains the prejudices and segregation of Grisha, the violence. They get her clothing, a shirt, an overvest, trousers and boots, and a small bag to carry her non-existent belongings. She folds her dress into it for the first few days - that silky silver material which catches in the moonlight - and it fits surprisingly well, tucks into the corner of the satchel. He explains to her how to read the map, all the different little symbols. In some ways, she’s like a child. Her lack of general knowledge about the world is understandable, but she catches on fast, much faster than anyone else could’ve.

Well, they’d been travelling together for a few weeks, developing a relationship that might even be called friendship. Aleksander had to make a few adjustments to the way he travelled - he was still telling Y/N his name was Leonid - occasionally they travelled at night. Honestly, it made more sense, he felt more comfortable in the darkness, and she had more energy. But it also made them bigger targets for suspicion, people travelling at night were often suspected of Grisha related activity… which is exactly what he was doing. She was just along for the ride, and the last thing he wanted was for her to get dragged into his problems and potentially harmed. Conflicting morals, he knows.

They’d passed through a few villages on their travels, small places which minded their own business and were good for occasional stock ups on food, water, supplies.

He doesn’t know why he bought the slice of cake. Aleksander had decided it was good for her to develop her own independence, and so she had gone to make her own way around this small town they’d stopped in. Meanwhile, he perused the sparse shops for anything of use.

The slices of cake were sitting in the shop window, all of them uniform in their cream decoration and the small slices of strawberries which sat inside and on top of the layers of sponge, and all of them placed delicately on little porcelain dishes. He enters the shop without thinking, purchases a slice to take away, lets the person wrap it away in a small tissue and carefully takes it, slipping it into a safe part of his own bag. He’s careful for the rest of the day in the way he moves - making sure not to squash or compromise the baked good. He can’t quite wrap his mind - nor his heart - around why he’s done it. Why did he suddenly feel the urge to buy her a slice of cake of all things. But he’s glad he did. Aleksander hopes she’ll like it.

He presents it to her over their campfire for the evening. It’s a small thing made of dried grass and twigs or any larger pieces of wood they could find but it provides light and heat and that’s enough. They’re sitting either side of it, across from one another, having just eaten bread and cheese for dinner. Twilight is setting in the sky, and he can see it on her - the way her eyes are slightly brighter, her laugh slightly more mellow as they chat over their food.

He reaches into his bag by his side, clears his throat and says, “I got you something.”

Y/N’s brow furrows softly, and she tilts her head as he continues, “I just… it’s small, but I thought you might like it.” and he produces a square shaped thing, slanted, and wrapped in tissue, still preserved, offering it to her in the palm of his hand over the campfire.

She takes it gently, “What is it?” as she delicately peels back the tissue. The cake is… well, cake. The sponge is a soft pale yellow, the cream delicately placed and the strawberries are slightly softer than they should be, but won’t make too much of a difference. She raises it to her nose and hesitantly sniffs it, which gets a chuckle out of him.

“It’s cake.” he answers, “Go on, try it.” Aleksander encourages her with a wave of his hand.

She raises her eyebrows and lifts the cake to her mouth, taking a small bite. Her eyes instantly light up, and he laughs at her reaction as she mumbles, “Oh, Saints, this is really good..” Around a mouthful of cake.

She eats a bit more, and then holds it out to him, “Want some?”

And that’s when he sees it. She’s shining. Literally glowing. Radiating light, her very skin and hair giving it off like it’s nothing. His breath hitches as she lights up the field. It’s not particularly bright, but it’s strong and it makes itself known. She’s like a mellow night light, and it only causes his smile to widen, “You’re um…” he gestures at her - at her glowing.

Her brow scrunches up - it’s cute - and she laughs sheepishly, “Shining?”

“Yeah. That.” he grins, leaning back on his palms.

She huffs, a huff of mock exasperation, “I’m sorry - I can’t… it’s not something I can really control. It just happens, y’know. Like…” She averts her eyes to the flames of the small campfire, “If I’m happy. I shine - it’s what stars do best.” They both laugh a little.

“Well, it suits you.” Aleksander says gently - his voice much softer than he meant it to be, or than he’s comfortable with. When did he get so… compassionate? He internally grimaces, but for some reason he feels an odd sense of endearment to this girl.

“Yeah,” She responds with a wry grin, “I should hope so. I am a star, after all.”

And again, they both laugh.

Aleksander didn’t intend to keep her with him for so long. He didn’t intend to introduce her to his friends - to his connections, to the people across the country who help him with his work. He didn’t intend to get her involved. But they’ve been travelling together for three months and in that time, he’s discovered a wide array of things.

The first is that she’s good with a sword. Perhaps good is an understatement. She has a natural balance about her, maybe it’s her celestial nature, but watching her with a sword is like watching art. The handle sits in her palm with an easy weight, she swings it with an air of freedom and lax, yet with complete control. The blade is, undoubtedly, hers.

They had discovered her penchant for swords in a rather unfortunate situation. They had been a touch careless. He was feeling more secure with someone else travelling at his side. And so, had paid less attention to his surroundings. If there was one con of her having her around, it was that she was a touch of a distraction.

They had passed through a village. They stayed to briefly eat lunch sitting in the town square, and then had gone to pass on just as quick as they came. It shouldn’t have drawn attention. But it did.

They hadn’t noticed the group of men watching them, looks of disdain on their features as they eyed up the two of them, mumbling to one another. They’d managed to avoid trouble so far, steering clear of Druskelle and negative situations, but on that day, something had given them away as both travellers and Grisha. It was hard to say what - perhaps it was the way they murmured and laughed quietly with one another, maybe the tell-tale way his hands moved. Perhaps he’d been careless and a slip of shadow had been noticed. They couldn’t say for certain. But these men, standing and sneering, they knew.

Either way, Y/N and Aleksander were followed back to where they were camping out by the night. It was just a clearing off the main path they were following, and they had been very comfortably sitting, eating, laughing as they did each and every evening, lit by firelight and accompanied by the low hum of bugs and the weather slowly turning cold. She noticed the figures first.

They seemed to come out of nowhere, far enough away that she could tap his shoulder with a quiet, “Leonid. There’s people.”

His brow furrowed softly, and he turned over his shoulder in the direction she was looking at. Three men, two shorter, one that was a bit taller and lagged behind - all three variously armed. One man - short, dirty blonde hair and a face marred by smudges of dirt - carried a small dagger. The second, slightly taller with a slightly more muscular frame, had dark hair that was greying at the roots, a knife, and a snarl. The third and final man, the tallest of the lot was passive, but his eyes glinted in the firelight with nothing malevolence, and in his goliath hand was a sword.

The man with the dark hair speaks first, accented and gruff, his eyes pinned to Aleksander, “Grisha, aren’t you?” he asks the question in a way that betrays he already knows the answer.

Aleksander doesn’t answer. He’s careful. Delicate. She’s sitting behind him, watching the interaction, hesitant to move. He needs to think this through in a way that puts Y/N out of harm's way. His eyes never leave the men.

There’s a movement out of the corner of his eye - the second man, wielding his dagger up quickly, his movements fueled by disgust. Aleksander’s quicker, raising his hand with two fingers pointed up, creating a wall of shadow which the dagger clashes against, and in that moment he’s scrambled up to his feet, grabbing Y/N by the arm and pulling her up with him. He runs.

He’s not used to running. He’s used to fighting. But at the moment he’s responsible for two people’s safety, and so he pushes forward, yelling at her to go. He expected the men to follow. He didn’t expect the largest to go after her, the three men separating into groups of one and two. The two come after him, dagger and knife, and he has little time to worry about Y/N before they’re gaining,

Aleksander’s efficient, his hands move fast to bring forth his shadows, forming sharp points which pierce the chests of the two men with harsh crunches, their weapons dropping into the grass as their bodies go limp, blood drooling from their mouths as the light leaves their eyes.

He breathes a sigh of relief, but then he’s alert again at the sound of someone crying out from behind him. His head whips around, and he sees Y/N, and the largest man. He’s backing her up against the tree line, she’s almost frozen in fear when she trips over her own feet and onto her back. Her eyes widen, the man leers over her, sword readied and in a brief moment of fear and desperation she rears her legs and kicks his knees.

The man grunts, hisses in pain as the sword drops from his hand so he can clutch at where she kicked him. Amateur. And in the next instant she’s lunged across the ground for the sword, where he dropped it, scrambling for it. She’s still on the floor, and she turns onto her back as the man’s attention is brought to her again, large hands reaching to cause her harm.

The sound of the sword cutting into the man is almost deafening. She does it without thinking, pure survival instinct as she cuts the man's stomach, her hands firm on the handle as blood coats them both, her breathing heavy as she pulls the sword out and the man falls back, dying slowly.

She’s frozen, and Aleksander’s eyes are almost as wide as hers. He takes a few loose footsteps towards her, a few more which are a bit firmer before he’s by her side, kneeling beside her and cleaning the blood off her cheeks with his sleeve, gently taking the sword from her iron grip and laying it beside her.

“Are you okay?” He asks quietly, and it feels stupid. She’s covered in blood, shaking, tears in her eyes and the only thing he can think to ask is ‘are you okay’? Saints, he’s an idiot.

He moves on, still wiping the blood off her as well as he can as she nods her head shakily, “It’s alright. You’re alright.” He says quietly. He remembers the first time he killed someone - the guilt, the fear, the horror at yourself. He frowns softly, as the thin shine of tears comes to her eyes and she looks away.

Without thinking about it much more, he picks her up, scooping her into his arms, hooking the back of her knees over his arm as she turns and curls into his chest, her crying quiet and barely audible as he carries her back to their camp.

After that, things are different. They’re closer, in a way.

Y/N keeps the sword, keeps it tucked by her side, takes care of the metal and the handle. She’s good with it, he knows for a fact, and he feels more comfortable knowing she has a means of handling herself. The emotional toll of the murder hit her hard. Perhaps, she thinks, she wasn’t meant to feel emotions like this. Her very existence is in conflict. She’s not meant to be able to feel this way, she’s meant to be a star for Saint’s sake!

But there is something so very human in the guilt she carried in the days after the attack. She was quiet, much quieter than she usually was. At first, she was hesitant to carry the sword. So, instead he carried it for her, catching her eyes flickering towards it occasionally, the way it swung by his hip and the metal caught in the sun.

One evening as they walked, she offered to take it instead.

“Do you want me to take that?” she had said, a quiet, unspoken I think I’m okay now.

“Are you sure?” he asked, “It’s not heavy, I’m okay to carry it for as long as-”

“No, I’m sure.” She nodded, her look determined and firm, “My safety shouldn’t be your responsibility alone.” She explained, “We should be responsible for one another if we’re going to be travelling together. And I can’t do that if I’m unarmed.”

He nodded in understanding, and softly unhooked the sword and the holder, and offered the handle to her. She took it, measuring the weight in her palm, before she put the holder on herself and slipped the sword into it. She took a breath.

He spoke first, “I should tell you something, Y/N. Y’know, if we’re going to be stuck together for a while, I don’t want to keep you in the dark.” he said.

She didn’t respond, simply nodded and waited for him to say what he had to say.

“My name isn’t Leonid, I lied. I’ve spent most of my life having to conceal who I am, what I am, and so I hope you can understand and forgive my deception.” He paused, breathing relief into the night air, “My name is Aleksander.”

“Aleksander?” She echoes, and a small, intimate smile finds her features, “Well, it’s a pleasure to meet you, Aleksander.” She says, in that half-teasing tone he’s become so accustomed with.

He rolls his eyes but can’t fight back the grin, “You’re an ass, do you know that?”

“Ah, you may have mentioned it once or twice.” She shrugs, unable to wipe off that teasing smile from her features.

He huffs in mock exasperation before his tone turns softer. He’s found he has a habit of doing that. Something about her makes him better, gentler. He almost feels human around her, “I mean it Y/N,” he says quietly, “I’m sorry I lied to you, especially for so long.”

“It’s fine,” she says with a small smile, nudging his shoulder, “You’re forgiven, if that eases your conscience.” She’s still slightly teasing, but her tone is mostly compassionate. Endearing, even.

“Thank you,” he says, grinning as he nudges her back, “Saints, you’re insufferable.”

She gasps, dramatically feigning offence. For a star, she’s caught onto the culture of sarcasm and drama rather well, and he laughs at her display, wrapping an arm around her shoulder as they walk. It feels right.

“How are you finding it?” He asks, as they walk, “y’know, being human? Is it weird?” He checks in on her this way every now and then to make sure she’s not overwhelmed. But this is the first time she answers differently.

“...As a star…” She sighed softly, weighing up her words, “You’re constantly watching. You’re up there, watching all these little people have adventures and lives and romance, and it’s… it’s yearning. You want those things too, y’know? You want to be flesh and bone as well, to feel emotion. To cry, and be happy, and be angry, and to know what love feels like. You want adventure, the big things in life like… meeting someone. Or having a family. Or getting an education. Making a difference.” She laughed softly, “But you also want the little things - like cake, for example. And music, and friendship, and to share meals with people you care about.”

She glanced at him, and then back to the path, “I’m glad you found me. I don’t think anyone else would’ve done such a good job at making me feel welcome in a world that isn’t strictly mine.”

Her words were soft, quiet, and sincere. And it made Aleksander’s heart stutter in his chest, but he kept his composure and managed, “I’m glad I found you too.”

Aleksander takes her to a place he calls ‘the sanctuary’.

He explains it to her on the way there - a building, a place, where Grisha can support, aid and train other Grisha.

It’s been months since they first met, and by now the warm comfort of the summer is fading, replaced by cold golden sunlight and browned leaves, wetter grounds and harsher gales. And so, he takes her there.

The sanctuary is a medium-sized, pale stone structure, hidden away in the middle of nowhere, concealed by thick woods and trees. It’s squat, but wide, the front of it gives away nothing but a set of rounded wooden doors. He takes her hand - she’s not even sure he realises that he’s done it - and guides her with him to the front. Her sword swings at her side as she follows, standing beside him as he raps his knuckles on the wooden door a few times.

The door opens a crack, she can’t see who’s on the other side, but Aleksander’s gaze meets theirs and they open it. On the other side is a man, short brown hair and green eyes. He’s rather skinny, but his strength is held in his eyes. He lets Aleksander in without issue, nodding his head softly. Their hands are still linked together and so, she goes to follow.

But the brown haired man stops her, a hand coming to her chest to halt her, his eyes narrowed and dark, glancing back at Aleksander. He answers, “She’s with me, Andrei.”

“Grisha?” The man interrogates.

Aleksander huffs, “No, Andrei. But she’s been helping me for the past five months, let her through.”

Andrei’s eyes narrow in suspicion, and he glances at Aleksander finally before letting his hand drop and allowing her entrance. She nods her head softly, and follows after Aleksander. Y/N feels him squeeze her hand, a quiet apology. She squeezes back as he guides her deeper into the sanctuary. They pass rooms, beds, people who nod at him as they pass and whose eyebrows furrow when they see her trailing after him, and her stark white hair.

Inside, the sanctuary was busy. It was filled with the hum of people working, all in various clothing - some injured, some healing, some cooking, some reading, teaching, training - it was almost a wonderful study in the kindness of human nature and community that had her eyes widening.

“Are you alright, Zvezda?” he asked softly, turning back to her over his shoulder, “Are you overwhelmed? We can…”

“No, it’s… it’s wonderful.” She said quietly, her wide eyes meeting his, “I mean- it’s astounding. I’m good.” she nodded, indicating for him to keep going, “It’s just… in all our time travelling, I’ve never seen anything like this.”

He laughed softly, pulling her closer by her hand, “I guess,” he grinned, “I’m proud of this place. I’m glad you can see it like that.”

They spend at least three weeks at the Sanctuary.

Aleksander takes his time to introduce Y/N to those around her. He shows her around to all the Healers, the Heartrenders, the Inferni, the Squalors, Tidemakers - technically, he shows her off to everyone. But no one knows, really, who - or what - she is. He doesn’t say. People press and ask and inquire, “Oh, what’s her Grisha order?” “Grisha, are you?” And everytime, one of them answers, “Oh, uh, No.” and refuse to elaborate further.

It has the entire building utterly perplexed as to who this strange white haired girl is, and why she has the Shadow Summoner wrapped around her little finger. Not that The Star or The Shadow Summoner can see it, no, they’re completely oblivious. They don’t see how they’re quiet giggles, teasing, conversations might be perceived as intimate. Nor how the amount of time they spend together might be seen as suspicious.

But when you’ve spent everyday with a person for just over five months, all day, everyday, it’s very hard to separate yourself from the comfort they bring.

The confession comes late at night.

Now that they’re in a place like the Sanctuary, they have their own rooms. They’re only small, and they’re a short walk away from one another, and it gives them each a privacy they haven’t experienced for a few months. For the first week - it’s nice. Having their own beds, their own time, being able to spend some of it alone with their thoughts.

He notices it first. That he’s restless. It’s late at night, most of the building is asleep save for those on night watch, and he can barely close his eyes without feeling disturbed. He feels the need to do something - anything - and so, he gets out of bed, slipping back on his boots at the end of his bed and deciding he’s going to go for a walk. Maybe it’ll help clear his mind.

Aleksander’s almost embarrassed. He can’t… he can’t stop thinking of her. He’s annoyed at himself for it, for letting him get that close, for letting him be so vulnerable to someone who wasn’t even human, who had a child’s grasp on the world…

No, that was being unfair. He calms himself as he steps out of his room. He knows he’s just agitated, tired, a little giddy, and he takes a deep breath as he starts off down the corridor, careful not to let his boots thud too heavily. He doesn’t know where he’s going, he decides he’s just going to walk until he comes across something distracting or gets tired.

His feet take him to her room.

It’s the same size as his, and from the crack in the door he can tell she’s still awake, can hear a slight shuffling inside, candle light flickering on the floor. He realises now, why he’s there. What he’s come to do. And his heart lurches in his chest, but he understands that it’s now or hold his tongue for another few months and he doesn’t want to do that.

Aleksander wants her to know about the Y/N shaped cavern she’s carved into his life. He wants her to know about how all those nights spent travelling in fields were not something he was willing to give up so easily - that when spring came he hoped to do it all again. With her. That he thinks of her endlessly. That when he wakes he hopes she’s still sleeping beside him, just a campfire away. And he wants her closer. He wants her. It’s as simple as that, that he wants to see her smile at him, and laugh - he doesn’t care if it’s at him or with him - Saints, he just wants her happy.

The revelation comes to him, standing so close to her yet so far, on her bedroom doorstep. He takes a breath, steels himself to the sound of her soft humming from the other side of the door, and then raises his fist and knocks three times.

By the first knock, the humming stops. By the second, she’s walking over to the door, he can hear her footsteps. And by the third, the handle is turning. The door opens and he lowers his hand. She’s standing on the other side. Of course it was her, he knew it was her. It doesn’t stop his heart from thudding against his ribs, nor his breath hitching quietly.

The light from the candle makes her seem fully celestial, casting a golden hue across her features, and darkening half her face to accentuate them. It bounces off her silver hair, catching in the strands like a contained forest fire.

“Aleksander?” Y/N greets softly, a small amused smile as she tilts her head in soft confusion, her brow furrowing.

“Zvezda,” He greets softly, his eyes catching in the candle, so dark you can barely separate the pupil from the iris, “Can’t sleep?”

She shakes her head with a small laugh, beckoning him in with her hand, “Always got more energy during the night,” she sighs, “And it’s taking some getting used to, not sleeping in a field, not waking up…” next to you.

But she doesn’t need to finish the sentence, he simply hums in agreement and shuts the door behind him, leaning on it, “I know, it’s a big adjustment.” He runs a hand through his long dark hair, “How are you finding the Sanctuary?”

“It’s nice,” she says softly, briefly fixing her words in a slight hurry, “Sorry, that sounded- it’s lovely. The people are kind, the community is wonderful, food’s much better than bread and cheese and meats,” She grins, “No offence.”

He laughs, his nose wrinkling with the action, “None taken. In fact, I completely agree.”

She sits on her bed as they talk, tucking her legs underneath her, “Can’t sleep either?” She probes.

Aleksander shakes his head as well, “No, feeling restless. Same reasons as you.” He admits, feeling a bit more at ease with the slight indication that the comfort they feel around one another may be mutual, “I guess,” he sighs, bracing himself to admit it, “We spent so long together. A week was fine - but it’s weird. I keep on… waking up and expecting to see you.”

“I know,” she agreed quietly with a small laugh, her head bent down to her hands in her lap, “it’s strange, isn’t it? I feel weird not… walking with you, or doing something, seeing a new town or whatnot. And I have this feeling.” She frowned softly to herself.

He tilts his head, folds his arms, “What feeling, Zvezda?” He asks, his brow furrowing gently.

“I… I don’t know.” she said, her eyes narrowing as she looked not quite at him - but just over his shoulder - “It’s like… this…tightness.” her hand came to her chest, her nose scrunching softly, “Here. Like… nausea. But not quite - I’m not going to be sick. And I can feel my heart. And it… it feels like wanting. But stronger?”

His eyes widened a fraction, “And uh, when do you feel it?”

She tilted her head, her eyes zeroing in on him in confusion and uncertainty, “When…” when I think about you. “Oh.” She said quietly, “Is that what that is?” her hand gently rubbed her chest, clearly where she felt it strongest, a sheepish laugh as she turned her eyes to the candle, anywhere but him, “They don’t describe it like this in the books.”

He breathed a sigh of relief as he realised that he wouldn’t have to explain to her that what she was feeling was, at least, a crush. If not more. Aleksander laughed softly, “No, no they do not.”

Y/N laughed too, mildly embarrassed and still somewhat avoiding looking at him, her hands fidgeting, “Look, I’m sorry-”

“Don’t be.” he cut her off, “Don’t be, please don’t be, you’ve done nothing wrong.” He cleared his throat and took a sharp breath, standing up from leaning on the door, “It’s… it’s mutual, Y/N.” and he took a hesitant step towards her, “Zvezda.” He said the nickname to get her attention.

It worked, her head turning slightly, and he continued, “Please don’t ever apologise for having feelings.” He said, his tone so much softer than he was comfortable with, “You’re a human now.” he laughed a little, crouching down in front of her as she sat on the bed, “It’s your job now. To feel. To make the most of life. So,” he said with a playful shrug, “we both have… crushes on one another.” It felt childish to say ‘crushes’ but he couldn’t think of a better word.

“I mean…” he sighed softly, “That’s kind of… why I came here.” He confessed.

“Really?” she asked quietly, watching him intently as he spoke.

“Really.” he echoed, standing up. She patted the bed beside her for him to sit, and he gratefully took it, glad she was taking this all so well and she wasn’t clamming up about their feelings for one another, “Look, Y/N, Zvezda. You’ve changed my life,” he said with a small laugh of disbelief, “I mean… you’re a Star, for Saint’s sake. You are, by nature, brilliant. And you’ve been nothing short of that in the months we’ve been travelling. Even if your humour is appalling.” He softly teased, earning a playful grumble of, “It is not.” from her.

“It is!” he insisted with a teasing grin, “You laugh at all my bad jokes, dear.”

“Yeah well,” her initial embarrassment was beginning to fade as they engaged in their usual banter, “I think that says more about you for making the bad jokes.” to which he scoffed, and she dispersed into laughter, the two of them leaning back on the single bed.

The laughter lasted a moment longer before fading out with a soft, content sigh. He grinned at her from where he was, a hand reaching forward for hers as he softly, half-teasingly, murmured, “You’re doing it again.”

“Doing what?” “Shining, Zvezda.”

“What can I say?” she laughed quietly, her head finding his shoulder, “I’m happy.”

A/N: I cannot wait to go to bed. And also to start part two. Goodnight!! <;3

#Last Words of A Shooting Star AU #Stardust AU #the darkling X reader #Shadow And bone X reader #aleksander morozova x reader #aleksander x reader #shadow and bone fanfic #general kirigan x reader #kirigan x reader #stardust au #thebigsl33p

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kimyoonmiauthor · 4 months ago

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Europe without trade, a worldbuilding exercise

This exercise pissed off a bunch of white people for all the wrong reasons, but facts are facts and I can link you to all the major resources. You all should be insulted at the idea that Europe can't trade, that melanin dictates that white people can't get along and find ways to trade. But that's not why they were upset. They were upset at the idea that a single region couldn't provide for people. And that's the wrong thing to get upset about. And I'm telling you that's white supremacy ideology you need to boot. Europe, too, traded and used people from other regions who migrated and were physically there on foot. Stop thinking that your lack of melanin is a force field.

So the exercise goes like this: Shortly after Homo Sapiens interbred with the Neanderthal and migrated to Europe, there was a magical force field put around Europe to cut off Europe from the Middle East, Africa, etc. ^^;; I'm sure people from the Caucuses aren't very pleased with this since they get commandeered into this exercise which racists somehow love. Later people also deemed them inferior (which takes a while to travel through but there is a wikipedia page dedicated to the term Caucasian meaning white [link] that goes over this ranking thing and the racist origins and ties to Nazis). But whatever, Nanowrimo a*holes were determined to argue against trade, fine, let's play this game and cut the whole of the Middle East/West Asia.

The other rule is that the Gulf Stream still exists, so you can have that unusual European climate which is a fluke. (This also ticked off people? But seriously, to get the gradient of Europe that far north, you need to Gulf of Mexico otherwise the latitude range would look more like the US than Europe, more south, and larger, much larger. And most people don't make a continent that large. Why people get ticked off at true facts is a whole thing.)

If you cut off the Gulf of Mexico, which a lot of world building of European-like continents do, you get Siberia. So the Gulf of Mexico has to stay for our Hypothetical Europe. (Not getting into continentality either.)

We're not counting the little bit of Turkey here, BTW. Turkey gets to stay whole. And Russia gets kicked out because it always gets kicked out anyway and besides, people were preaching about stupid things when these racists were posting, like all of Russia is white. And then people were arguing over if Russia counts. Fine. We'll kick Russia out. BTW, Australia was called all white. Haha. Aboriginals don't exist according to them. Like WTF. But whatever.

The question is what civilization can Europe grow with only the resources found naturally in Europe? Can you build a European civilization with only things found naturally occurring in Europe?

The first issue is STAPLE CROP.

Yeah, if you notice, you've cut off all of the major grains to Europe. You've also cut off the Beaker people. Oops.

Some Anthropology here, Beaker people brought agriculture to Europe. They were also from Turkey.

https://www.nhm.ac.uk/discover/news/2018/february/the-beaker-people-a-new-population-for-ancient-britain.html

So, Stone Henge, Long burrows, and all of that are suddenly cut off.

Honestly, this one is terrible to overcome. Most of the BBC docs I watched argued that the ancient people of Britain before Brown people from Turkey brought agriculture and the Cheddar Man, were boiling and eating reeds. Think like cattails type of thing, which is really hard to eat.

Upside, you still have fire in the form of rush lights, though you can't use tallow or beeswax--comes from outside of Europe. And horses are too lean. So, likely the European bison? However, this limits technology quite a bit as advancements can't be made by night and only by camp fire. (Fire is safely pre-modern humans—homonins and some say Homo Erectus, though still debated. But at least Homo Hedelberengensis)

Without a staple crop, you're going to have it tough to make enough surplus to build anything. You need free time and enough food supply to build things like castles.

The closest you might get is maybe peas? The best you get is pea flour, and have you worked with pea flour? It doesn't do anything like the wheat family does. Nutritionally, it's also low carbs, which is great if you're on a low carb diet, but not great for a civilization. Pea flour: 100 kcal, 18 g carbohydrate, 8 g fiber, 0 g fat, and 8 g protein

White rice:

Total Fat 0.4 g

Saturated fat 0.1 g

Cholesterol 0 mg

Sodium 2 mg

Potassium 55 mg

Total Carbohydrate 45 g 15%

Dietary fiber 0.6 g

Sugar 0.1 g

Protein 4.3 g

https://www.healthline.com/health/food-nutrition/brown-rice-vs-white-rice

68-82 amounts of energy in rice.

So peas aren't a bad choice, but the problem is that you don't have a binder. You need a binder to make bread, etc. Even this one here: https://www.powerhungry.com/2024/02/06/split-pea-bread-vegan-oil-free-gf/ Uses a binder from India. But the majority of your people aren't eating Bread. The recipes I can find include non-European things like rice or things outside of Europe. This severely hinders your tech advancements. Being able to eat on the job and not have it take forever is really hard. The portability of bread is a plus for technology. And peas can get mushy and if cooked can mold.

There are Lactofermented peas:

https://www.beetsandbones.com/lacto-fermented-green-peas/

But they aren't widely eaten and include things like garlic, which is out. Bay leaves are not from Europe. Garlic is a difficult one since garlic kills so many bacteria, but you can cope with oregano, I suppose, which kills a high amount of bacteria according to a well vetted study since it was published (original study was 1999, but followup studies since then):

Preservation is a huge part of production and an upside of grains.

Also, how are you going to produce alcohol? This makes water safer to drink. You'd have to convert to teas. (Raspberry leaf tea is a thing.) Peas are not high starch enough, as cited to hold together bread. It's not good enough to make alcohol.

But now you're thinking, OK, we got peas as a staple, they just won't make bread out of it.

Peas, a major protein source, you don't need cows, pigs, etc as much. (Though you're still kinda lacking in vitamin B12, but I'll cover that later.) And your people make a new type of pea plant (BTW, legumes is the largest plant family on Earth.)

Might limit you to not be able to carry it around easily and it's hard to rehydrate, but eventually your people get there. (If you're thinking, but lentils, yeah, not Europe. Deal).

Subsequent agriculture

Tanning leather, BTW, you need oak trees with high tannins, but this tech originated from Western Asia (or Southwestern Asia, if you want to call it that)

Oak trees are found on five continents, but it's a bit fuzzy on how they got there. Humans have a habit of picking up seeds and spreading them about. My own great grandfather loved collecting seeds and planting them. You also have Johnny Appleseed.

The processing time to make acorn flour is pretty terrible (You have to boil it a long, long time to remove the tannins, this is why I didn't suggest this as a staple), but at least you have leather.

The major other crops are out:

Potatoes, sweet potatoes, tomatoes, chocolate, hazelnuts, walnuts, corn, wheat, rye, barley, strawberries? (This one is questionable.), pears (China), apples (Central Asia), Pomegranates (Iran), and major fruits you can think of. Think of a major fruit. Look it up and you'll find it doesn't come from Europe, though it might be grown there.

Most of the spices and herbs are out (sage, oregano, rosemary, and thyme stay in.) No, you can't have garlic. Most allium comes from outside of Europe. Animals are also out: pigs, goats, sheep, cows, chickens, llamas, alpacas.

It's debatable about horses. One thread people debated back and forth on horses, so I'll lay that out.

This leaves you likely with dogs, which probably came with early modern humans. Yeah, ummm... there's a question here, and maybe I shouldn't touch it, and the answer is likely no, probably not eating them. Not unless people get desperate. The Cambridge History of Food also questions the archaeology from Western Asia, but the archaeology also says the only time humans ate dogs were in desperation and the layer in question came at the heels of a drought? (I took a picture of the page, pretty easy to look up since it has an excellent index.).

This leaves deer. Not a good animal to domesticate, but let's say Reindeer. (Thinking Evenk here).

I'm adding in carob.

So Round up of what we have?

Staple crop: Legume, likely related to peas.

Secondary crops:

You have brassica (mustard family)

Olives

Rosemary

Thyme

Oregano

sage

horseradish, maybe.

Acorns—makes leather

carob

currants

gooseberries

raspberry

blackberry

turnip, possibly beets

parsnip Stinging nettle Dandelion (European and edible from roots which make a substance said to be similar to coffee to the buds.)

Brassica family, mainly Brussel sprouts, but possibly they would invent others.

BTW, carrots originally weren't orange until William of Orange, who gets his name from a plant native to Southern China-ish.

But other berries—cranberry, is from the Americas. And strawberry, while found in Europe, was originally domesticated in the Americas. This one is a question mark. Because it was found on both continents, but was only domesticated in the Americas.

The majority of the foods you find are domesticated in West Asia, Southern China and the Americas (mostly central Americas and Northern South America.) Welcome to the downside of temperate climates.

Pies? Nope. "What about Shepards Pie" Yeah, where are you getting the potatoes? Also the iron works is in question here. (later)

Short list. You're losing your mind, no pizza? Yep. No pizza. (lol Someone got mad when I pointed this out with links). Tomato is New World, Wheat is West Asia, Cows domestication is West Asia and Northern Africa. Horse milk you can't form into cheese without camel rennet. Camels, you guessed it, not Europe.

Possibly new legumes to maximize it. (They grow tall as trees, make peanuts, etc, so it's possible a culture under pressure would make new ones. BTW, peanuts is new world.)

Domesticated animals: Dogs, deer, maybe horses—horses are debated. European rabbits, yes, though don't make for good domestication since they are really difficult to work with which you'll have to look up. Look up a rabbit care video. But at least breed fast. Low amount of fat for candles, though.

You'd also have seafood. Only one type of seaweed is poisonous in the world and that is in England. But it's highly nutritious. (The native seaweed in India is apparently nasty, but edible).

You don't need as much with the pea family anyway.

European Bison are not easily domesticated, BTW, but would give you tallow-ish stuff if they succeeded or an ethnic group decided to be nomadic pastoralists with them.

For sweet taste, carob. Easy to process, and you don't need sugar beets, which is harder to process and were only invented as a source in the late 19th century. Mediterranean. The seeds are edible so just grind it up. Though it's easier to grind the pods. So it's easier to process and use in other recipes.

The other options are out: Honeybee domestication originated in China, there's a form in Northern Africa, but the frame design was late 1800's, so Victorian. Even if you had it, it would be for rich people.

Sugar cane is tropical.

Carob mildly tastes like chocolate. This is your chocolate substitute. No fermentation required. However, it doesn't have the properties of chocolate melting, etc. The fat content is much lower, but the production is much higher.

Dates, BTW, are from 4000 BCE in West Asia, fertile crescent. It's out. https://foodandnutrition.org/from-the-magazine/dates-an-ancient-fruit-rediscovered/

The problem with horses

This part is really difficult to climb through.

The first part is that horses were likely domesticated outside of Europe. Also, the invention of the saddle, etc was also outside of Europe. You need a good staple crop to have enough time to mes around with it. You would also have a smaller population if it stays in Europe.

This part got heated in the original. So the evidence is this:

Horses were domesticated outside of Europe (It's on the border of Europe, so hotly debated)

Horses were killed off in the Americas by Indigneous people before being reintroduced. https://new.nsf.gov/science-matters/horses-part-indigenous-cultures-longer-western

The technology to domesticate the horse further was outside of Europe (saddle, stirrups, etc)

But horses exist in Europe, wouldn't they want to breed them?

But maybe only for food? (recent scandal at the time)

Would they be burden animals? You need burden animals fro agriculture to advance and higher production.

So yeah... without cows, pigs, goats, sheep, large questions arise about this.

Would the population split into eating and noneating? Would it not?

Yeah, limited foodstuff. Limited calories, but your people are making it, but maybe not turning white yet? Well, in Southern Europe. Introduction of grains and farming was said to be the thing that tipped people over.

Agriculture is really difficult to achieve without a staple crop like grains or starchy tubers.

But for the sake of argument, let's say they get there, and manage to never break the force field, no matter what, because racists win or whatever. No food importation in or out, no new ideas.

What now?

Arches, as an idea, came from outside of Europe. Rafts do predate humans (Homo Erectus again), but boats, was likely Phonecian. And metal working and stone working also came from outside of Europe as ideas. Beaker people, love them.

Metal working came from Northern Africa, BTW, but say they figure it out, and we let them slide.

You get stunted in Maths since ideas of math came from Babylonians. Later Migrations of Minoans don't count anymore. Linear A isn't invented, but OK, OK, there was written language invented in the Americas, so it's possible, if they get through agriculture and get up to what? Trade, they might have language. But wait, you (Nanowrimo person) just said trade is evil, so maybe they don't have a written language? In all instances of language being created it was on the back of what? trade. Maths awas also created on the back of mostly trade. Sumerians created their written language on trade. The oldest tablets we have is a trade dispute.

Look up Complaint tablet to Ea-nasir. In another words, written records were for keeping track of ledgers, one of the oldest types of writing on record.

These people think trade is too complicated and evil to exist in Europe. So OK, no written language for you, though seriously, I don't know how that works. Is Northern Europe a different subsistence system than Southern Europe?

You all are fighting for diminishing resources (considering 1500's Europe and a BBC doc about how trees were fought over and laws about not cutting down trees) each other while the rest of the world is trading back and forth on ideas and not getting imperialized. Fine. Let's play that game.

The amount of technology gets cut down severely when you disconnect Europe from the rest of the world. You don't get the iron age without some knowledge about smelting. And you need those "dirty Africans" or whatever racist thing they were thinking in order to get that smelting. You don't get masonry without PoCs (Most masonry, as an idea came from West Asia, and they would literally import those people to work on castles, see the docs on Guédelon Castle from British TV). Whatcha going to do?

Let's move onto clothes...

Flax (for Linen), silk, ramie, hemp (for clothes which is a different cultivar), coir, Abaca, Angora (rabbit)*, Angora (goat), wool (obviously), bamboo, banana fiber, cashmere (the goat), sisal, camel hair (obviously), kapok, mohair, kenaf, yak, Qiviut, vicuña,Hibiscus cannabinus, Lyocell, Modal (AKA Rayon) *, Piña (pineapple), and Soy protein are out. All of them occur outside of Europe or require an industrial society. Byssus AKA sea silk, Chiengora (dog hair), spider silk*, is in.

However, notice how expensive and difficult it is to make clothes of these things. So only rich can access them.

dog* hair often requires wool to be added to make the hairs stick together. And sheep wool, in particular has really good spinnable fibers.

Spider silk also kinda takes higher technology to produce into clothing. Look it up and some might find it cruel to do it that way.

Byssus also known as Sea silk was produced by the Greeks and Romans, but only for the super rich.

This means for poor people: Leather and stinging nettle fabric is what they have left. You can see a video of that here: https://www.youtube.com/watch?v=t-usU7-WjUU So your people have clothing. They aren't white except for the nomadic people to the north unless you can advance their agriculture and slide the pea family to replace the major nutrition somehow.

And making clothes is torture for the common populace who have to pick stinging nettles for their clothes.

You're thinking, but Angora Rabbits? Yeah, this is possible, though not likely called that since the rabbits originated from Turkey, which is outside of the scenario, but it would be maybe possible your people come up with something similar given human nature as long as they pause the rabbit breeding long enough and have enough surplus to tinker.

So poor people are running around with stinging nettle fabric, rich are wearing most likely sea silk, and you can see the misery compared to growing something like flax.

I doubt anyone can afford to be vegetarian with limited resources. Pescitarian, maybe closer to the shore.

*Dogs were domesticated outside of Europe, but are often attributed to why humans outpaced Neanderthal and date back far enough in time that early humans likely took them to Europe when they first arrived. Cats, however, were domesticated in Africa and are OUT. (Making the majority of writers cry since there seems to be more cat people than dog people among writers).

Conclusion

You're stuck with the Humours, but does Greek civilization even exist without grains? So much collapses when you don't have the subsistence infrastructure. I mean there is a reason people made bread and carry grains and we don't eat peas as a staple.

So you'd have to build everything from scratch starting around ~45,000 BCE or earlier (when Homo sapiens came to Europe by estimates) and you don't even have those really white people then according to science except the Evenk ancestors who show white about 10K years ago? (No, it's not the Caucuses—in what right mind do you think white people developed in the Caucuses when you know about Vitamin D and darker melanin generally around the equator due to skin cancer, etc issues and so on.)

Umm, the lesson here is that Europe was never cut off and people should stop going into that fantasy. Like how did you get apples, plums, honey, etc without trade? And also, people shouldn't be afraid of trade and keep in mind temperate climates (Middle/Northernish Europe) aren't the only biomes in Europe. No matter how much fantasy wants to focus on Western Europe and ignore the Scandis. Seriously, I'm so bored of people assuming everything is like Germany or a less rainy England in fantasy. (And I do mean England, not Scotland or Wales). Can't we get some variety? You have the Mediterranean, but you also have Scandinavia, and you're doing Europe? Where are they? You also had foragers and Nomads in the history of Europe. The Romani from North Western India, for example. And some say that early Celtic groups could have been partial foragers before the coming of Beaker people.

But even in an alt sci-fi, you have to trim all of those accomplishments of PoC and then argue that your people killed all of the PoCs on the way to the planet, and really, that makes no sense. But I suppose then you can murder Bibimbap into tatertot disgusting mess later on. But really?

But even say, you had an organically grown planet that happened to grow a humanoid species, how are you going to grow it without some level of cooperation? And the majority of the food stuff is going to come from those warmer climates: Southern China, West Asia and Central-ish Americas. They don't have a winter to worry about. So it would be imperative for your people to trade.

While you're at it, I'm really squicked by the idea that people put in 16 year old girls to marry much older guys in fantasy and then call it acceptable. You can change at least those rules.

I don't get why people work so hard to cut out LGBTQIA, disability and PoCs from fantasy? Like people should have maimed legs from all the battles written.

BTW, I am amused by the idea that in Star Trek times they didn't have birth control. lol thousands of years and haven't perfected birth control? That one I can't believe. Picard didn't know how to use a condom. lol.

#worldbuilding #worldbuilding tips #worldbuilding exercise

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