#North African culture
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overwatchfanskinarchive · 3 months ago
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Anubis Ramattra by eweeppy (twitter)
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kemetic-dreams · 2 years ago
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sissa-arrows · 9 months ago
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Hey as a mixed North African, I was wondering if you had any tips/advice for reconnecting with my culture? I’m Very sorry if this ask is rude or insensitive at all
This is not rude at all and I’m happy you’re trying to reconnect with your culture. That being said unfortunately I’m going to give you a very generic answer as I don’t know which languages you speak, the country where you live and which North African country you come from exactly.
Depending on where you live you can get in North African groups, if IRL groups are not an option, online groups are good too. I would suggest groups that are specifically related to the country you’re from as we all have different traditions and a different culture.
Connecting with your side of the family who is North African might not be an option but if it is, ask questions, the aunties, uncles and grandparents love talking about our culture.
History books. Are also interesting.
Legend and children’s tale are also good I have a couple books I can suggest if you speak French. My favorite stories were the ones with Mama Ghoula basically she is a ghoul and she is the equivalent of the big bad wolf. That being said some of our monsters are actually not legendary monsters at all but real colonizers who became monsters in children stories because of colonial trauma (Bouchou is actually Bugeaud) they can also be people who resisted colonialism (according to a Moroccan friend Aisha Kandisha was woman who resisted colonialism after they killed her husband by luring in Portuguese soldiers with her beauty and she would then kill them… later in the legend she became a woman who lure in men in general or just unfaithful men to kill then)
Food is also a good way to reconnect there’s tons of easy recipes online like baghrir, sfeng, shlada mechouia, fricassés…
Be super careful online cause there’s this new wave of supposedly Imazighen folks (I say supposedly cause while some are some are also just white people who wanna pretend they are exotic) who are trying to reconnect by believing every single thing online and by spreading misinformations in videos where they pretend the be knowledgeable on the subject. One of them legit said “Morocco” and “Moroccan” were slurs and good thing they didn’t try that shit with Algeria because our great grandparents didn’t die for people to be stupid and to refuse to call it Algeria and to call us Algerians so I would have insulted her so fucking much.
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seasealwaters · 2 years ago
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The hard thing for me about being an Arabised Moroccan wishing to reconnect with her culture is the whole struggle between Arab and North African identity.
Although many Moroccans try really hard to deny it, Amazighs are a fundamental and much greater part of Morocco than Arabs ever were and will ever be. They are such a huge part of NA and people's history and identity that you can't possibly ignore it (even though many have tried). And I really want to connect with this part of my heritage, but... at the same time, I feel like I don't have any right to. Arabs have hurt Amazighs and continue to do so. Their language is mocked. Their traditions and contributions to Moroccan history and identity are downplayed when not erased. The most common words used to refer to them are slurs (to the point that many do not even know that they are slurs).
Even though I probably do have Amazigh ancestry (Arabs conquered NA, they didn't entirely repopulate the whole area), my family have always denied it and categorized themselves as Arabs. Aside from some music and dishes, I have always lived within an Arab identity/upbriging/culture, and I love it! But at the same time, it makes me sad that I have bypassed a whole side of my people's history. A side that many among us have actively tried to suppress, which therefore makes me feel like I don't have any right to try reclaiming it, let alone reconcile it with my Arab identity.
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panafrocore · 9 months ago
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The Famine Stela: A Tale of Drought, Famine, and Divine Intervention
The Famine Stela, an ancient inscription in Egyptian hieroglyphs, offers a poignant glimpse into the historical account of a devastating drought and famine during the reign of Pharaoh Djoser of the Third Dynasty. Located on Sehel Island in the Nile near Aswan, Egypt, this significant artifact reveals a compelling narrative of resilience, faith, and divine intervention. The inscription, believed…
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bottegapowerpoint · 1 year ago
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Étienne Dinet, Au bord de l’Oued
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babalmaghrib · 2 years ago
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Fr - " Le commerce en Algérie : notes sur le peuplement utile de l'Afrique française" , écrit by Théo Laujoulet
Dans cette ouvrage, l'auteur témoigne de l'Algérie des livraisons venue du Maroc remplis de marchandises tel que le haik.
Eng - "Trade in Algeria : notes on the useful settlement of French Africa", written by Théo Laujoulet
In this work, the author testifies to the Algerian deliveries from Morocco filled with goods such as the haik.
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baebeylik · 4 months ago
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Fragment of a Woodblock Print on Linen. The Cleveland Museum of Art.
From the Mamluk Sultanate of Egypt. 1200s/1300s.
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kaalbela · 2 years ago
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Khartoum, Sudan.
Zofa
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nejjcollectsbooks · 4 months ago
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Arabian Dark Academia
Practising Arabic calligraphy, retaping flash cards back onto the wall of notes, kohl-rimmed eyes, translated folklore and classics, layered tops and long skirts, homework assignments written on your palms, self-teaching the mother tongue, mint tea and spicy coffee, writing from right to left, then writing from left to right, ink stains on your hands and cheeks, henna painted hands, long to-do lists, gold on your neck and your hands, dual language notes, detailed diagrams, switching languages mid-speech, headscarves in muted colours, reciting prayers against stress and anxiety, bookshelves filled with western and eastern novels, forgetting words in one language but remembering it in another, chewing the tops of pens and pencils, reapplying roll-on perfume throughout the school day, highlighted lines in textbooks, loud rich laughter bouncing off the corridors where ever the group goes.
You are a student. You are a student descended from foreign parents. You do what you were brought to the West to do. You learn.
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overwatchfanskinarchive · 2 months ago
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Mummy Venture by sapphirechip (twitter)
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folkfashion · 1 year ago
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Mardi Gras carnivaler, Mystic Medecine Man, United States of America, by Danielle C. Miles
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hastalavistabyebye · 2 months ago
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Worldbuilding shouldn't be so western cultured centered. Not when there is so many incredible conceptual visions of the world around the planets. And fascinating rituals linked to them.
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panafrocore · 9 months ago
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The Kingdom of Kush: An Ancient Civilization in the Nile Valley
The Kingdom of Kush, also known as the Kushite Empire, holds a significant place in the annals of ancient history. This powerful kingdom flourished in Nubia, an area along the Nile Valley encompassing present-day northern Sudan and southern Egypt. With a rich and complex history, the Kingdom of Kush emerged as a formidable force, engaging in warfare, trade, and cultural exchange with neighboring…
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weldnas · 9 months ago
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#Seeing the dune part 2 american centric red carpet and as a devoted aficionado of the books and yk a moroccan person here are my 2 cents#Dune was one of the few Western works inspired by MENA culture that that felt genuine and respectful#But ofc despite the profound symbiosis with Middle Eastern and North African culture evident within the pages of the novels#the movie adaptation lack of substantive representation from these communities both in on-screen portrayals and within production roles was#very much disappointing in part 1 and i doubt there are any change now#While drawing inspiration from the Amazigh peoples of Algeria and Morocco#the film barely skims the surface of its MENA influences leaving substantial potential untapped#Herbert openly acknowledged the profound impact of Islam and MENA culture on his noveIs#from the metaphorical representation of Spice as oil#to the allegorical parallels drawn between the occupation of Arrakis and real-world MENA geopolitics#By marginalizing Arabs from the narrative fabric of Dune the essence of the story is being undermined particularly its anti-colonial core#the irony of this is kiIIing me because this was a direct resuIt of us impérialism on the middIe east#But the reality is that Dune is an American production tailored for an American audience so it makes sense for it to be what it is now#a big production running from its original essence#What adds to my disappointment is the fact that I liked Villeneuve's adaptation of Incendies and I had what you call foolish hope hfhg#Dune feIt Iike a squandered opportunity to authentically depict the cultural milieu that inspired it#Given the narrative's inherent anti-colonial themes#the omission of Arab and North African voices dilute its message if any of it is even left#without representation from Arabs and Amazigh people the cultural essence becomes another appropriated resource watered down to an aestheti#rather than serving as a critique of the destructive actions of colonialists seeking power and dominance#the narrative becomes susceptible to distortion and co-option by the very entities it was intended to condemn and hold accountable
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occvltswim · 14 days ago
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