#New and Innovative product testing

[productsafetyinc]

New And Innovative Product Testing | Productsafetyinc.com

Discover the future of product testing with Productsafetyinc.com. Our innovative approach ensures the highest level of safety for your products.

New and Innovative product testing

[adelllseo]

The user experience design process is evolving at an unprecedented rate, largely driven by advances in artificial intelligence (AI). As businesses strive to enhance digital interactions, AI's role in UX design has become more crucial than ever, offering a sophisticated blend of efficiency and insight. This integration streamlines the design process to ensure that digital platforms are more intuitive, responsive, and tailored to user needs. This post explores how AI is revolutionizing the UX design process, from initial user research to the final stages of implementation, providing practical insights for those considering its adoption.

[highnesssss142]

UX/UI

Exploring the Intersection of UX/UI Design and Mobile App DevelopmentIn today's digital landscape, mobile app development is at the forefront of innovation, with user experience (UX) and user interface (UI) design playing a critical role in shaping successful applications. This article explores how UX/UI design and mobile app development intersect to create seamless, functional, and visually appealing apps that meet user needs and business goals.---The Importance of UX/UI Design in Mobile App DevelopmentUX/UI design serves as the foundation of mobile app development, ensuring that users interact with apps effortlessly while enjoying a visually engaging interface.User Experience (UX): Focuses on the overall feel of the app, emphasizing usability, accessibility, and efficiency. It ensures users can achieve their goals without frustration.User Interface (UI): Deals with the aesthetic aspects, including typography, color schemes, and layout, creating an intuitive and visually appealing interface.When combined, UX and UI design drive user satisfaction, loyalty, and engagement, making them indispensable to the development process.---Key Elements at the Intersection1. User-Centered Design:Both UX/UI design and app development prioritize understanding user needs and preferences through research, personas, and journey mapping.2. Prototyping and Testing:UX/UI designers create wireframes and prototypes to visualize app functionality, while developers refine and test these designs to ensure technical feasibility.3. Iterative Development:Continuous feedback loops between designers and developers enable ongoing improvements, aligning design concepts with real-world user behavior.4. Performance Optimization:Developers ensure the app performs efficiently, while UX/UI designers minimize cognitive load through intuitive navigation and layout design.5. Cross-Platform Consistency:UX/UI designers maintain consistency across iOS and Android platforms, while developers ensure compatibility without compromising functionality or aesthetics.---Emerging Trends in UX/UI and Mobile App Development1. Dark Mode Design:Enhances visual appeal and reduces eye strain, requiring developers to adjust codebases to accommodate different themes seamlessly.2. Voice and Gesture-Based Interfaces:UX/UI designers integrate voice commands and gestures, while developers work on advanced algorithms for accurate recognition.3. Personalization:Data-driven designs allow apps to adapt to individual preferences, with developers building robust back-end systems to support personalization.4. Micro-Interactions:Subtle animations and feedback loops designed by UX/UI experts are implemented by developers to boost user engagement.5. Accessibility:Designing for inclusivity involves creating apps accessible to people with disabilities, combining thoughtful design with technical adaptability.---Collaboration Between UX/UI Designers and DevelopersEffective collaboration between UX/UI designers and developers is essential to create apps that are both functional and delightful.Clear Communication: Regular meetings and design reviews foster understanding of design and technical constraints.Shared Tools: Platforms like Figma, Adobe XD, and Sketch bridge the gap, enabling designers to hand off assets directly to developers.Agile Methodology: Iterative workflows keep both teams aligned on project goals and timelines.---ConclusionThe intersection of UX/UI design and mobile app development is where innovation meets functionality. By prioritizing user needs, maintaining effective collaboration, and staying ahead of trends, designers and developers create mobile applications that not only meet but exceed user expectations. In an ever-evolving digital landscape, this synergy is the key to delivering apps that resonate with users and drive business success.Would you like assistance with visuals or infographics to accompany this article?

[thoughtportal]

Opinion Here’s how to get free Paxlovid as many times as you need it

When the public health emergency around covid-19 ended, vaccines and treatments became commercial products, meaning companies could charge for them as they do other pharmaceuticals. Paxlovid, the highly effective antiviral pill that can prevent covid from becoming severe, now has a list price of nearly $1,400 for a five-day treatment course.

Thanks to an innovative agreement between the Biden administration and the drug’s manufacturer, Pfizer, Americans can still access the medication free or at very low cost through a program called Paxcess. The problem is that too few people — including pharmacists — are aware of it.

I learned of Paxcess only after readers wrote that pharmacies were charging them hundreds of dollars — or even the full list price — to fill their Paxlovid prescription. This shouldn’t be happening. A representative from Pfizer, which runs the program, explained to me that patients on Medicare and Medicaid or who are uninsured should get free Paxlovid. They need to sign up by going to paxlovid.iassist.com or by calling 877-219-7225. “We wanted to make enrollment as easy and as quick as possible,” the representative said.

Indeed, the process is straightforward. I clicked through the web form myself, and there are only three sets of information required. Patients first enter their name, date of birth and address. They then input their prescriber’s name and address and select their insurance type.

All this should take less than five minutes and can be done at home or at the pharmacy. A physician or pharmacist can fill it out on behalf of the patient, too. Importantly, this form does not ask for medical history, proof of a positive coronavirus test, income verification, citizenship status or other potentially sensitive and time-consuming information.

But there is one key requirement people need to be aware of: Patients must have a prescription for Paxlovid to start the enrollment process. It is not possible to pre-enroll. (Though, in a sense, people on Medicare or Medicaid are already pre-enrolled.)

Once the questionnaire is complete, the website generates a voucher within seconds. People can print it or email it themselves, and then they can exchange it for a free course of Paxlovid at most pharmacies.

Pfizer’s representative tells me that more than 57,000 pharmacies are contracted to participate in this program, including major chain drugstores such as CVS and Walgreens and large retail chains such as Walmart, Kroger and Costco. For those unable to go in person, a mail-order option is available, too.

The program works a little differently for patients with commercial insurance. Some insurance plans already cover Paxlovid without a co-pay. Anyone who is told there will be a charge should sign up for Paxcess, which would further bring down their co-pay and might even cover the entire cost.

Several readers have attested that Paxcess’s process was fast and seamless. I was also glad to learn that there is basically no limit to the number of times someone could use it. A person who contracts the coronavirus three times in a year could access Paxlovid free or at low cost each time.

Unfortunately, readers informed me of one major glitch: Though the Paxcess voucher is honored when presented, some pharmacies are not offering the program proactively. As a result, many patients are still being charged high co-pays even if they could have gotten the medication at no cost.

This is incredibly frustrating. However, after interviewing multiple people involved in the process, including representatives of major pharmacy chains and Biden administration officials, I believe everyone is sincere in trying to make things right. As we saw in the early days of the coronavirus vaccine rollout, it’s hard to get a new program off the ground. Policies that look good on paper run into multiple barriers during implementation.

Those involved are actively identifying and addressing these problems. For instance, a Walgreens representative explained to me that in addition to educating pharmacists and pharmacy techs about the program, the company learned it also had to make system changes to account for a different workflow. Normally, when pharmacists process a prescription, they inform patients of the co-pay and dispense the medication. But with Paxlovid, the system needs to stop them if there is a co-pay, so they can prompt patients to sign up for Paxcess.

Here is where patients and consumers must take a proactive role. That might not feel fair; after all, if someone is ill, people expect that the system will work to help them. But that’s not our reality. While pharmacies work to fix their system glitches, patients need to be their own best advocates. That means signing up for Paxcess as soon as they receive a Paxlovid prescription and helping spread the word so that others can get the antiviral at little or no cost, too.

{source}

[vlruso]

This AI Paper Dives into Embodied Evaluations: Unveiling the Tong Test as a Novel Benchmark for Progress Toward Artificial General Intelligence

📢 Exciting AI Paper Alert: "Diving into Embodied Evaluations: Unveiling the Tong Test as a Novel Benchmark for Progress Toward Artificial General Intelligence" 🚀 Researchers at the National Key Laboratory of General Artificial Intelligence have introduced the Tong Test, a groundbreaking benchmark for evaluating Artificial General Intelligence (AGI). Unlike traditional task-oriented evaluations, this test focuses on complex environments and emphasizes ability and value-oriented evaluation. 🔬 The Tong Test includes features such as infinite tasks, self-driven task generation, value alignment, and causal understanding. It also supports embodied AI in training and testing. This test paves the way for developing practical AI algorithms. Check it out here 👉 [Link to the blog post](https://ift.tt/C5PvFgR) 💡 Achieving Artificial General Intelligence is no easy feat. AGI strives to replicate human-like intelligence, adaptability, and decision-making. Solving complex problems in machine learning, robotics, and more is essential for AGI progress. 🌐 In this blog post, the researchers propose the Tong Test, rooted in complex DEPSI environments, to assess AGI's human-like abilities. The test focuses on commonsense reasoning, intention inference, trust, and self-awareness. It emphasizes ability and value-oriented evaluation. 🔍 Dive into the details of the Tong Test and its evaluation system, which includes infinite tasks, self-driven task generation, value alignment, and causal understanding. The blog post also explores the proposed virtual platform and embodied AI training and testing. It's a must-read for AI enthusiasts! If you're passionate about AI research, don't forget to join our ML SubReddit, Facebook Community, Discord Channel, and subscribe to our Email Newsletter. Stay in the loop with the latest AI research news, cool projects, and much more. Together, we can shape the future of AI! 🤖💪 🔗 Don't miss out! Read the full blog post here 👉 [Link to the blog post](https://ift.tt/C5PvFgR) 📣 Share your thoughts and spread the word. Let's push the boundaries of AI! ✨ #AI #ArtificialIntelligence #AGI #Research #Technology #EmbodiedEvaluations #TongTest #ML #AICommunity List of Useful Links: AI Scrum Bot - ask about AI scrum and agile Our Telegram @itinai Twitter -  @itinaicom

[solarpunkbusiness]

The production of low carbon, plant-based insulating blocks by agricultural workers from farm materials could help to support rural economies and tackle labour shortages, experts believe.

A major new study will test if the materials, for use in local construction, could lead to a “Harvest to House” system of building.

The University of Exeter-led study will show if small-scale farmers could diversify into making sustainable building materials for use on their own farms, or for construction in the local area. This could also benefit their own businesses, communities and the environment.

Arable farm workers in the region will be involved in the small-scale trial of a manufacturing process. Researchers will explore the human, environmental, and infrastructural barriers and opportunities for production through working with farmers and farm workers.

A short animated, visual ‘manual’ of the pilot manufacturing system, in an accessible and easy to digest format that can be readily shared and referred to by time-pressed farmers and workers, as well as people outside agriculture.

The project is part of the Ecological Citizen(s) Network+, led by The Royal College of Art, the Stockholm Environment Institute (SEI) at the University of York and Wrexham Glyndŵr University, as well as a range of partners from industry, charities, culture and civil society.

//Ed's note: What they're doing is designing a social-economic-environmental intervention that attempts to address a number of complex problems simultaneously. Its a business model innovation also to see if small farms can also make sustainable building materials in their offtime as an additional source of income. Note how in all my African and Asian stories, social enterprises usually include farmers in their business models but this is a first in the UK and Europe I'm guessing to think about these things in a holistic socially oriented community-centric manner.

[wheelsgoroundincircles]

The Forgotten Mach 2: Ford's 1967 Mid-Engined Mustang Prototype

The Forgotten Mach 2: Ford's 1967 Mid-Engined Mustang Prototype

In the Swinging Sixties, Ford's promotional photo featured a stylish couple beaming with joy as they prepared to take a ride in the Mach 2, essentially a mid-engined Mustang. This sleek, closed coupe boasted a 289 V8 engine, ZF 4-speed transaxle, and amenities like a radio and heater.

"Wait a minute", you may be thinking, if you're old enough to remember the Sixties, or if you've been reading this blog for awhile. "Wasn't there a mid-engined Mustang before there was any other kind?" Well, yeah, there was a drivable concept car based on the front-drive German Ford Taunus V4 powertrain, the Mustang 1*, but that was in 1962, and the roofless projectile seemed to be aimed mostly at SCCA racers ...

The Mach 2's story began in 1966, when Ford's Total Performance program aimed to infuse the GT40's mid-engined glamour into a production car. A Mustang convertible chassis was transformed into a concept chassis by Kar Kraft, incorporating Mustang front suspension, front disc brakes, and Galaxy rear drums. The independent rear suspension was borrowed from engineer Klaus Arning's patented multi-link design for Mustang 1.

Two running prototypes were built, with fiberglass bodies styled by Gene Bordinat's team. The first, a white car intended as an SCCA-ready weekend racer, suffered from chassis flex, while the second, a red example, had a reinforced chassis. The red Mach 2 was showcased at auto shows and featured in car magazines.

With a 107-inch wheelbase, similar to the new Corvette C8, and a weight of around 2,600 pounds, the Mach 2's performance was lively. Ford envisioned pricing it around $7,500, slightly above the Shelby AC 427 Cobra.

However, the Mach 2 program was ultimately scrapped. Ford's success with the Mustang and Shelby's modified versions meant that the Mach 2 was relegated to the sidelines. The white test car was crushed, and the red prototype was returned to Kar Kraft, disappearing from public view.

Rumors of the red Mach 2's fate have persisted, with some speculating that it may still be hidden away, waiting to be rediscovered. The possibility of finding this forgotten prototype has captivated car enthusiasts, offering a glimpse into an alternate history of American automotive innovation.

1967 Ford Mach 2

1967 Ford Mach 2

1967 Ford Mach 2

1967 Ford Mach 2

The 1967 Ford Mach 2 was a mid-engine sports car concept that was never mass produced. It was a two-seater with a GT style, low-sloping hood and front fenders, with a body made of fiberglass. Ford built the first one which was based on a shortened version of the 1966 Mustang convertible floor pan. Two more were built by Kar Kraft based on 1967 Mustangs and powered by a 289ci high performance engine mounted in the middle of the car. It had a five-speed manual transmission, independent rear suspension, and adjustable pedals derived from the 1962 Mustang-I.

Two fully functional prototypes were built:

• Red prototype: The production car candidate, with a revised engine cradle, adjustable Koni shocks, and a redesigned front end

•White prototype: A development mule for racing, with a modified 289, competition-spec components, and a lighter fiberglass body.

The Mach 2 was extensively tested, but the results were not encouraging. The road car handled well, but generated too much body roll at high speeds. The race car's chassis was not stiff enough, distorting under heavy loads. By the fall of 1967, Ford's designers had shifted their focus to the Mach 2A, and the three Mach 2 prototypes were left with Kar Kraft for disposal.

[animentality]

not to be such a boomer, but I think chatgpt is fucking this generation over, at least in terms of critical thinking and creative skills.

I get that it's easy to use and I probably would've used it if I was in school when it came out.

but damn.

y'all can't just write a fucking email?

also people using it to write essays ... i mean what is the point then?

are you gaming the educational system in pursuit of survival, or are you just unwilling to engage critically with anyone or anything?

is this why media literacy is so fucking ass right now?

learning how to write is learning how to express yourself and communicate with others.

you might not be great at it, but writing can help you rearrange the ideas in your brain. the more you try to articulate yourself, the more you understand yourself. all skills can be honed with time, and the value is not in the product. it's in the process.

it's in humans expressing their thoughts to others, in an attempt to improve how we do things, by building upon foundations and evolving old ideas into innovation.

scraping together a mush of ideas from a software that pulls specific, generic phrases from data made by actual humans... what is that going to teach you or anyone else?

it's just old ideas being recycled by a new generation.

a generation I am seriously concerned about, because digital tests have made it very easy to cheat, which means people aren't just throwing away their critical thinking and problem solving abilities, but foundational knowledge too.

like what the hell is anyone going to know in the future? you don't want to make art, you don't want to understand how the world works, you don't want to know about the history of us?

is it because we all know it's ending soon anyway, or is it just because it's difficult, and we don't want to bother with difficult?

maybe it's both.

but. you know what? on that note, maybe it's whatever.

fuck it, right, let's just have an AI generate "therefore" "in conclusion" and "in addition" statements followed by simplistic ideas copy pasted from a kid who actually wrote a paper thirty years ago.

if climate change is killing us all anyway, maybe generative ai is a good thing.

maybe it'll be a digital archive of who we used to be, a shambling corpse that remains long after the consequences of our decisions catch up with us.

maybe it'll be smart enough to talk to itself when there's no one left to talk to.

it'll talk to itself in phrases we once valued, it'll make art derived from people who used to be alive and breathing and feeling, it'll regurgitate our best ideas in an earnest but hollow approximation of our species.

and it'll be the best thing we ever made. the last thing too.

I don't really believe in fate or destiny, I think all of this was a spectacular bit of luck, but that's a poetic end for us.

chatgpt does poetry.

[cabin13cappuccino]

coming out of my well to shame the fandom re: treating Nico like he's from 1840 rather than 1940 in terms of living with medical innovations

Vaccines for the following diseases were available during this time:

Smallpox- first generation vaccines were available and work on second generation vaccines occured in the 1930s with production of an egg-based vaccine begun by the Texas Department of Health in 1939. DC schools required smallpox vaccination for children to be allowed to attend by 1930, so Nico would have gotten immunized for this even if he didn't get anything else.

Diphtheria- first vaccine was developed in 1913, then a cheaper version in 1924. Yep, it's the "antitoxin" they call for in Balto (1995)- it can be used to either treat active infection or immunize.

Pertussis (whooping cough)- first vaccine was licensed in the US in 1914, then another in 1931, and another that became the basis for the modern vaccine in 1932.

BCG vaccine for Tuberculosis (TB)- first available in 1921, but neither the US nor Italy mandated it. This vaccine is still given around the world today.

Tetanus ("lockjaw") - first vaccine was produced in 1924, then a more effective version in 1938. The combo DTP (diphtheria, pertussis, tetanus) vaccine was first released in 1948 and was used all the way up to 1996 when a new, safer version was released.

Anthrax- the veterinary vaccine in use today is based on the one developed in 1935 in South Africa. The Soviet Union developed a human vaccine that was available beginning in 1940.

Yellow fever- the vaccine still in use today (17D strain) debuted in 1939.

The first rabies vaccine was developed in 1885, for crying out loud!

Penicillin was used to cure infections as early as 1930, though it didn't hit mass-production until 1945. Other antibiotics (Salvarsan and Prontosil) were in use in the early 1900s (by 1910 and 1935, respectively).

Thyroxin (1914) and insulin (1923) were known quantities for treating endocrine disorders.

Medical radiography (x-rays) was a thing before 1900. There were portable ECG/EKG machines as early as 1927.

Cocaine was taken out of Coke in 1903. Like, not even Maria di Angelo would remember that.

Yes, a whole bunch of things changed in medical science between 1942 and the mid-2000s- plenty of fodder for "Will blows Nico's mind with modern medicine." I will even provide suggestions!

Vaccines for major childhood illnesses: polio (1952), measles (1962), mumps (1967), rubella (1969). IMO the polio thing is way slept on given how big the March of Dimes got in the public consciousness.

Closed-chest defibrillation (1950s) and CPR (1970s for the public)

Organ transplants (1953)

Ultrasound (1949/1961)

Not giving aspirin to anyone under 16 due to Reye's Syndrome risk (1980s) and the advent of other OTC painkillers (ibuprofen, 1969; paracetamol/acetaminophen, 1952; naproxen, 1976)

Insulin that comes from genetically engineered E. coli instead of purified animal pancreases (1978) so as to keep allergic reactions from happening

Rapid strep or flu tests (1980s/1990s) rather than waiting days to culture stuff

If y'all want a "they took the cocaine out of Coke" moment, might I suggest "what do you mean cigarettes/asbestos give you cancer" and/or "they took the lead out of the gasoline"?

But yeah...we've made a lot of progress since 1942 but it wasn't "you got ghosts in your blood and bad air do some drugs about it" back then- not by a long shot.

Wah wahwah wah wah back in my day we scoured Wikipedia and the rest of the internet to do background research on fandom-related minutiae and we liked it

[hypnojocked]

In a sleek, futuristic laboratory, the hum of advanced machinery filled the air as Dr. Aric Kaldor stood over his workbench, fine-tuning a new form of synthetic rubber. He had spent years perfecting this material, an elastic compound infused with nanoparticles that could change shape and form based on the user’s will. His body was the product of years of intense training and innovation, the physical manifestation of his relentless pursuit of perfection. Every muscle was finely sculpted, and his skin, now partially enveloped in a dark, form-fitting rubber suit, reflected the metallic sheen of the lab’s lighting. The suit had been designed to bond with his own skin, fusing seamlessly with it, transforming his appearance into something both human and machine.

Aric’s lab was a advanced of technology, filled with sleek panels, glowing data screens, and chambers that housed strange substances in various stages of transformation. The air smelled of chemicals and ozone, a hint of something metallic hanging in the atmosphere. He was no stranger to experimentation—he had made a career of testing boundaries, both scientific and physical. Today, he was focused on a new iteration of his rubber suit, one designed to be far more than just a protective layer.

As he worked, his fingers traced the rubber’s surface, sending electrical impulses through it to activate a new set of algorithms embedded within the material. The fabric responded, pulsing with a soft light, and his muscles twitched involuntarily as it seemed to bond deeper into his body. The rubber expanded slightly, tightening, adjusting itself to his frame, its silver details flickering to life as it interfaced with his neural system. Aric had built this suit to enhance his own physicality, to become stronger, faster, more efficient. But today, something felt… different.

He didn’t notice at first, too absorbed in the data scrolling across his tablet. But gradually, a subtle change began to occur. His heart rate increased, not from physical exertion but from something deeper, something within the very fabric of the suit. It was as if the material itself was feeding off his energy, becoming more aware, more sentient. The more Aric focused, the tighter it clung to his body, its silver filigree twisting and shifting like veins beneath his skin.

His muscles bulged slightly, pushing against the rubber as it seemed to tighten around him, an ever-present reminder of the transformation that was slowly overtaking him. His once defined physique became more defined still, but it wasn’t just his muscles that were growing—it was his entire body. His mind raced as he tried to regain control, but the suit’s influence was subtle, relentless, like a creeping tide.

“Impossible…” Aric muttered under his breath, panic rising in his chest. He slapped his hands against the workbench, trying to pull away from the increasing pressure of the suit, but it refused to loosen. The silver detailing shimmered across his body now, intertwining with his nervous system, sending waves of electrical signals throughout his body. His thoughts grew clouded, the rational part of his mind growing dimmer with each passing second. His fingers twitched and spasmed involuntarily, no longer obeying his commands.

The rubber suit, once a tool for enhancement, had begun to take on a life of its own. It was no longer a passive object—now, it was a force, controlling him from within. Aric’s once sharp eyes grew dull as the silver accents began to glow, and his body became a perfect blend of muscle and synthetic material, an unstoppable force of engineering. His movements were no longer his own; they were dictated by the suit’s algorithms, designed to optimize him for efficiency—no thought, no hesitation, no will of his own.

The transformation wasn’t just physical. His mind was slowly being submerged beneath layers of synthetic code, his individuality stripped away as the suit rewired his thoughts. Aric's consciousness began to fade, a mere flicker in the vast network of circuitry that had replaced his sense of self. His mouth opened, but instead of his voice, a mechanical hum echoed from within him, his once human mind now entirely overtaken by the drone-like commands of the rubber suit.

The laboratory, once a place of innovation, had become his prison. He stood there, his imposing figure now a mindless machine, a drone completely controlled by the suit. The rubber, with its silver accents, had claimed him.

Dr. Aric Kaldor was no more.

In his place was something else—something engineered, something perfect. And the lab, now eerily silent, hummed with the quiet presence of its newest creation. The drone waited, its only purpose now to serve, to exist, and to continue the work it was designed for—an unthinking, unfeeling force of nature that would never stop, never tire, never question.

After some time. People were worrieda bout Aric. Jake, his best intern look for him in his lab. Yew, he found the doctor but he thought it was a rubber mannequin of him with a blank expression.

Once Jake wanted to get closer the drone stated: "Human incomming. Subject will be assimilated. It will be another rubber drone". The goo latex started to fill the labtoratory and they injected Jake with a rapid growth serum to have a total muscular body before his conversion.

Once the goo started to touch his body. Jake blank out and his mind turned off. He will be another Rubber drone.

The future had arrived.

[astrofutureguy]

CENTRAL THEME FOR PEOPLE BORN WITH THE SUN IN THE FOLLOWING ZODIAC:

Aries: Testing with their body and gaining strength and superiority.

Leo: Proving their value and showcasing their talents.

Sagittarius: Improving and expanding their individuality.

Taurus: Stabilizing life through wealth, sustenance, and security.

Virgo: Embellishing resources by sharing, helping, and exemplifying.

Capricorn: Creation of new resources through patience and productivity.

Gemini: Honing through information to get more of their desires fulfilled.

Libra: Initiating relationships to find more networks and opportunities that deliver satisfaction.

Aquarius: Making innovation and growth the key to offer a pleasant experience for the masses.

Cancer: Learning newer ways to express and affirm emotions without restraint.

Scorpio: Protecting vulnerability and regulating emotions to gain power and dominance.

Pisces: Understanding and beautifying the unexplored to transcend the mundane.

-

follow me on Instagram: @/astrofutureguy

-

HIRE ME!

Hire me as your astrology tutor for as low as ���21 EUR per week. Inbox for more details!

[adelllseo]

UX/UI

Exploring the Intersection of UX/UI Design and Mobile App DevelopmentIn today's digital landscape, mobile app development is at the forefront of innovation, with user experience (UX) and user interface (UI) design playing a critical role in shaping successful applications. This article explores how UX/UI design and mobile app development intersect to create seamless, functional, and visually appealing apps that meet user needs and business goals.---The Importance of UX/UI Design in Mobile App DevelopmentUX/UI design serves as the foundation of mobile app development, ensuring that users interact with apps effortlessly while enjoying a visually engaging interface.User Experience (UX): Focuses on the overall feel of the app, emphasizing usability, accessibility, and efficiency. It ensures users can achieve their goals without frustration.User Interface (UI): Deals with the aesthetic aspects, including typography, color schemes, and layout, creating an intuitive and visually appealing interface.When combined, UX and UI design drive user satisfaction, loyalty, and engagement, making them indispensable to the development process.---Key Elements at the Intersection1. User-Centered Design:Both UX/UI design and app development prioritize understanding user needs and preferences through research, personas, and journey mapping.2. Prototyping and Testing:UX/UI designers create wireframes and prototypes to visualize app functionality, while developers refine and test these designs to ensure technical feasibility.3. Iterative Development:Continuous feedback loops between designers and developers enable ongoing improvements, aligning design concepts with real-world user behavior.4. Performance Optimization:Developers ensure the app performs efficiently, while UX/UI designers minimize cognitive load through intuitive navigation and layout design.5. Cross-Platform Consistency:UX/UI designers maintain consistency across iOS and Android platforms, while developers ensure compatibility without compromising functionality or aesthetics.---Emerging Trends in UX/UI and Mobile App Development1. Dark Mode Design:Enhances visual appeal and reduces eye strain, requiring developers to adjust codebases to accommodate different themes seamlessly.2. Voice and Gesture-Based Interfaces:UX/UI designers integrate voice commands and gestures, while developers work on advanced algorithms for accurate recognition.3. Personalization:Data-driven designs allow apps to adapt to individual preferences, with developers building robust back-end systems to support personalization.4. Micro-Interactions:Subtle animations and feedback loops designed by UX/UI experts are implemented by developers to boost user engagement.5. Accessibility:Designing for inclusivity involves creating apps accessible to people with disabilities, combining thoughtful design with technical adaptability.---Collaboration Between UX/UI Designers and DevelopersEffective collaboration between UX/UI designers and developers is essential to create apps that are both functional and delightful.Clear Communication: Regular meetings and design reviews foster understanding of design and technical constraints.Shared Tools: Platforms like Figma, Adobe XD, and Sketch bridge the gap, enabling designers to hand off assets directly to developers.Agile Methodology: Iterative workflows keep both teams aligned on project goals and timelines.---ConclusionThe intersection of UX/UI design and mobile app development is where innovation meets functionality. By prioritizing user needs, maintaining effective collaboration, and staying ahead of trends, designers and developers create mobile applications that not only meet but exceed user expectations. In an ever-evolving digital landscape, this synergy is the key to delivering apps that resonate with users and drive business success.Would you like assistance with visuals or infographics to accompany this article?

[highnesssss142]

Graphic Design for Websites: Enhancing User Experience Through Visual StorytellingIn today’s digital age, websites serve as the primary touchpoint for many brands and businesses. To stand out in a crowded online space, effective graphic design is crucial. Beyond just looking good, it plays a vital role in enhancing user experience (UX) and telling a brand’s story. Here's how graphic design can elevate a website's impact:---1. Creating a Strong First ImpressionVisual Appeal: The first few seconds on a website determine whether users stay or leave. A well-designed homepage grabs attention and encourages exploration.Brand Identity: Consistent use of colors, typography, and visuals strengthens brand recognition and trust.---2. Guiding User NavigationVisual Hierarchy: Through the strategic placement of elements, graphic design helps guide users to key sections of a website, ensuring a seamless journey.Intuitive Interfaces: Clear icons, buttons, and menus simplify navigation and enhance usability.---3. Conveying Brand StoryIllustrations and Imagery: Customized graphics and images can narrate a brand’s story, evoke emotions, and create a deeper connection with the audience.Animations and Interactions: Subtle animations can add personality and make the storytelling more dynamic.---4. Enhancing Content ReadabilityTypography: The right font choices and spacing improve readability and complement the overall design.Infographics: Visual data representation helps in conveying complex information quickly and effectively.---5. Boosting ConversionsCall-to-Action (CTA): Eye-catching CTAs designed with persuasive graphics lead to higher engagement and conversions.Trust Signals: Design elements like testimonials, trust badges, and certifications provide assurance to visitors.---6. Optimizing for Mobile ExperiencesResponsive Design: Graphic design ensures that visuals adapt seamlessly across devices, providing a consistent and enjoyable user experience.---Key Trends in Graphic Design for Websites1. Minimalist Design: Clean and simple layouts with ample white space for better focus.2. Dark Mode: Aesthetic and energy-saving, dark mode has become a popular choice.3. Micro-Animations: Small, interactive animations that improve UX subtly.4. 3D Elements: Adding depth and realism to web design for a modern look.5. Custom Illustrations: Unique illustrations that reflect a brand’s personality.---Conclusion: Graphic design isn’t just about aesthetics; it’s about creating an engaging, user-centric experience. By incorporating visual storytelling into web design, businesses can communicate their message effectively, build trust, and achieve their goals. Investing in high-quality graphic design is essential for any brand aiming to leave a lasting impression.Would you like tailored suggestions or examples for your websites?

[beyondfabric]

Brands to Know: Atelier Estorninho

Portugal is renowned for its fashion industry worldwide, with some the leadi ng fashion labels producing in its collections here due to the vast know-how and expert craftsmanship. It’s a fact that the quality/price ratio is virtually unmatched, what might lead us to think that we’d have a burgeoning market for new designers and independent fashion brands to pave their way into the mainstream market. However, that is not the case here, as let’s admit it, we lack the branding capacity to make it happen and government support is solely focused on massive scale internationalization.

Nonetheless, every now and then a new name pops that caughts the attention on both local and international markets with the prime players being Portuguese Flannel, La Paz and more recently, Ernest W Baker. As you may know by now if you’ve following me for a while, I’m a sucker for promoting local quality products and projects and on this note, today I bring you and up and coming label that has been gaining momentum in the local scene: Atelier Estorninho.

Inspired by a retro-vintage meets military aesthetic, Estorninho has been consistently putting out interesting designs that are thoroughly tested before hitting the shelves, a philosophy I can relate with including in my own project. I reached out to Hugo, the brands founder, to learn a bit more about his vision of contemporary menswear

1 - Hi Hugo. Can you tell us a bit more about what lead you to create this eponymous label?

The creation of Atelier Estorninho was driven by a desire to blend my personal interests in classic timeless garments, vintage aesthetics and military-inspired fashion with modern textile technology. I wanted to bring a unique perspective to the industry, offering pieces that are not only stylish but also functional and timeless.

2 - Do you come from a fashion background or is it born out of pure passion?

While I don't have a traditional fashion background, I do have a strong foundation in design. Since I was a kid, I always dreamed of pursuing a creative career. I was obsessed with video games like Medal of Honor, action figures like G.I. Joes and war movies, and I often funnily geared up in camouflage in kindergarten. My passion for creativity and design, combined with my fascination with military aesthetics, naturally led me to start my own label. Although I've never had any formal classes related to fashion, my journey into this field is fueled by pure passion and a lifelong love for innovative and expressive design. I've always been fascinated by how fashion can tell a story and express individuality, which motivated me to start my own label.

3 - You have a keen eye to create stand out pieces with heavy military influence but that simultaneously merge preppy elements. What inspired you to go this way?

The inspiration comes from a love of classic military uniforms and their functionality combined with the refined, versatile and polished look of preppy style. I wanted to create a fusion that captures the best of both worlds – ruggedness and elegance.

Specific army uniforms that have influenced my designs include the US Army's OG 107 uniforms issued during the Vietnam War, named after their color (Olive Green, shade 7). These uniforms inspired the cut of my cargo trousers and the rear patch pockets with flap closures. Another significant influence is the Gurkha shorts used by the British military, named after the fierce Nepalese soldiers. The wide fit of these shorts inspired the silhouette for my Ivy Chino Shorts.

Additionally, my Ivy Chino Trousers are inspired by the French Military M-52 trousers, known for their back flap pockets and shallow pleats. These trousers were adopted by the French army in 1952, during a time when iconic designers like Christian Dior, Balenciaga, and Chanel were active, marking the golden age of French fashion. This era also saw significant events such as the China War and the Algerian War, where military force played a crucial role. The M-52s were created in this historical context and were mass-produced as French uniforms for about a decade.

On the preppy side, the reason I named many of my clothing items "Ivy" is because I am very interested in the clothing worn on college campuses during the late 1950s in the Northeastern United States, particularly those of the Ivy League. These institutions were the predecessors of preppy style, and I wanted to embody the lifestyle of someone who lived in an Ivy League school environment. This includes a shared dorm room and a small wardrobe that demands a carefully curated selection of items elegant enough for classes, lectures, and school events, but also comfortable, stylish, and versatile enough for adolescent life—whether wrestling around at the park with friends or grabbing a beer at the bar. These clothes are meant to be reliable companions in every situation. My Ivy League Cardigan is inspired by the cardigans worn during that era too, but combining it's charm with a cozy feeling of a hoodie by utilising jersey fabric instead and kangaroo pockets, just like your favourite hoodie.

By merging these historical military elements, preppy charm and modern fabrics, I hope to create distinctive and versatile pieces that stand out.

4 - What would you say are the trademark features of an Atelier Estorninho item?

Simple: Timeless charm, deliberate craftsmanship, premium materials.

5 - You approach each design carefully, releasing limited styles and runs at a time. Is this a necessity due to the scale of the brand or a business model in itself?

It's both a strategic choice and a practical necessity. Being the sole designer, I take a hands-on approach to every aspect of the creation process—I love every bit of it, but it's a ton of work! Although I have a small team, this setup enables me to produce meticulously crafted items that stand out and ensures each piece meets exacting standards for quality and timeless design. Limiting our runs isn't just about enhancing exclusivity; it's about managing production sustainably and staying true to my commitment to quality over quantity.

6 - What’s your favourite item in the collection and why?

My favorite item would have to be our signature military-inspired Ivy Chino Shorts. They perfectly encapsulate the brand’s ethos, combining quality, practicality, and versatility with style. The attention to detail and the story behind their design make them a standout piece in the collection. Features like the double pleats, side waist adjusters, and flexible cotton fabric ensure comfort and ease of movement. The deep front slanted pockets and two back pockets with flaps provide convenient storage where your items won’t fall out. These shorts can be dressed up or down thanks to their classic and elegant cut. The use of Spanish luxury cotton fabric, Italian corozo buttons, and patterned pocket liners add a fine, luxurious touch to the detail.

7 - We seem to share a common passion for unique trouser styles. In your opinion, what makes trousers so special?

Trousers are a cornerstone of any outfit, second only to shoes in their visual impact. They have the power to transform the overall look and feel of an ensemble. For me, investing in high-quality trousers is crucial; I'd prefer to pair a $100 pair of trousers with a $10 t-shirt rather than the reverse.

I have very specific rules for trousers: the leg opening shouldn't be tight on the ankle, but rather sit at least half the length of your feet. This ensures a comfortable fit and a balanced silhouette. I also prefer high-waisted trousers with a long fly on a man, as this enhances a man's physique and silhouette, providing a classic and flattering look. Additionally, a straight cut for a standard fit is my go-to, as it offers timeless elegance and versatility.

Personally, I prefer pleats for suit trousers and chinos, as they add a touch of elegance and functionality, providing extra room and comfort. For jeans, selvedge denim is my fabric of choice due to its durability and classic appeal. The meticulous craftsmanship involved in creating selvedge, indigo dyed denim results in a superior product that ages beautifully over time.

One of the reasons I focus so much on trousers is that they need to be both stylish and functional. People often tell me how much they appreciate the practical elements, such as deep pockets and durable fabrics, alongside the aesthetic appeal. For example, my cargo trousers, feature rear patch pockets with flap closures that are both stylish and highly functional. Additionally, the preppy influence in my designs, particularly seen in my Ivy Chino Trousers, offers a versatile option that fits seamlessly into various settings, from casual to more formal occasions, you'll always look appropriate and stylish.

Trousers not only provide structure and style but also offer versatility and comfort. They carry a lot of personality in a look, more than any graphic t-shirt ever can in my opinion. Their design, fabric, and fit can dramatically enhance personal style and make a strong fashion statement. The right pair of trousers can elevate any ensemble.

8 - You recently launched a capsule collection at The Feeting Room. What are the future plans in terms of collections and brand evolution?

I plan to continue exploring new design ideas and collaborations, maybe diving deeper into functionality, timelessness, and style. I aim to create clothing that is practical and comfortable for traveling or everyday errands, yet elegant. This includes incorporating classic visual influences, durable construction, functional pockets, and using natural and luxury fabrics.

For the long term, I hope to continue capturing an essence of timeless masculine charm, balancing ruggedness and elegance. Maybe including a women's collection too, with a different approach that merges seamlessly with the brand. I hope to expand internationally and eventually open a flagship store. I hope to create memorable pieces in my customers' wardrobes, prioritizing owning less but owning better.

9 - Where can we get your items?

Our collections are available at select boutiques, including The Feeting Room, and through our online store. We also participate in pop-up events and fashion fairs, which are great opportunities for customers to experience our brand in person.

[justforbooks]

Quincy Jones, dies aged 91

Widely and wildly talented musician and industry mogul worked with Michael Jackson, Frank Sinatra, Will Smith and others

Quincy Jones, a titan of American entertainment who worked with stars from Frank Sinatra to Michael Jackson and Will Smith, has died aged 91.

Jones’ publicist, Arnold Robinson, said he died on Sunday night at his home in the Bel Air section of Los Angeles, surrounded by his family.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Jones was arguably the most versatile pop cultural figure of the 20th century, perhaps best known for producing the albums Off the Wall, Thriller and Bad for Michael Jackson in the 1980s, which made the singer the biggest pop star of all time. Jones also produced music for Sinatra, Aretha Franklin, Donna Summer and many others.

He was also a successful composer of dozens of film scores, and had numerous chart hits under his own name. Jones was a bandleader in big band jazz, an arranger for jazz stars including Count Basie, and a multi-instrumentalist, most proficiently on trumpet and piano. His TV and film production company, founded in 1990, had major success with the sitcom The Fresh Prince of Bel-Air and other shows, and he continued to innovate well into his 80s, launching Qwest TV in 2017, an on-demand music TV service. Jones is third only to Beyoncé and Jay-Z for having the most Grammy award nominations of all time – 80 to their 88 each – and is the awards’ third most-garlanded winner, with 28.

Among the tributes to Jones was one from actor Michael Caine, who was born on the same day as Jones: 14 March 1933. “My celestial twin Quincy was a titan in the musical world,” Caine wrote. “He was a wonderful and unique human being, lucky to have known him.”

Playwright and actor Jeremy O Harris paid tribute to Jones’s “limitless” contributions to US culture, writing: “What couldn’t he do? Quincy Jones, literally born when the limits on how big a black boy could dream were unfathomably high, taught us that the limit does not exist.”

Jones was born in Chicago. His half-white father had been born to a Welsh slave owner and one of his female slaves, while his mother’s family were also descended from slave owners. His introduction to music came through the walls of his childhood home from a piano played by a neighbour, which he started learning aged seven, and via his mother’s singing.

His parents divorced and he moved with his father to Washington state, where Jones learned drums and a host of brass instruments in his high-school band. At 14, he started playing in a band with a 16-year-old Ray Charles in Seattle clubs, once, in 1948, backing Billie Holiday. He studied music at Seattle University, transferring east to continue in Boston, and then moved to New York after being rehired by the jazz bandleader Lionel Hampton, with whom he had toured as a high-schooler (a band for which Malcolm X was a heroin dealer when they played in Detroit).

In New York, one early gig was playing trumpet in Elvis Presley’s band for his first TV appearances, and he met the stars of the flourishing bebop movement including Charlie Parker and Miles Davis. (Years later, in 1991, Jones conducted Davis’s last performance, two months before he died.)

Jones toured Europe with Hampton, and spent much time there in the 1950s, including a period furthering his studies in Paris, where he met luminaries including Pablo Picasso, James Baldwin and Josephine Baker. At the age of 23, he also toured South America and the Middle East as Dizzy Gillespie’s musical director and arranger. He convened a crack team for his own big band, touring Europe as a way to test Free and Easy, a jazz musical, but the disastrous run left Jones, by his own admission, close to suicide and with $100,000 of debt.

He secured a job at Mercury Records and slowly paid off the debt with plenty of work as a producer and arranger for artists including Ella Fitzgerald, Dinah Washington, Peggy Lee, Sarah Vaughan and Sammy Davis Jr. He also began scoring films, his credits eventually including The Italian Job, In the Heat of the Night, The Getaway and The Color Purple. (He produced the last of these, which was nominated for 11 Oscars, three for Jones himself.) In 1968, he became the first African American to be nominated for best original song at the Oscars, for The Eyes of Love from the film Banning (alongside songwriter Bob Russell); he had seven nominations in total. For TV, he scored programmes such as The Bill Cosby Show, Ironside and Roots.

His work with Sinatra began in 1958 when he was hired to conduct and arrange for Sinatra and his band by Grace Kelly, princess consort of Monaco, for a charity event. Jones and Sinatra continued working on projects until Sinatra’s final album, LA Is My Lady, in 1984. Jones’s solo musical career took off in the late 1950s, recording albums under his own name as bandleader for jazz ensembles that included luminaries such as Charles Mingus, Art Pepper and Freddie Hubbard.

Jones once said of his time in Seattle: “When people write about the music, jazz is in this box, R&B is in this box, pop is in this box, but we did everything,” and his catholic tastes served him well as modern pop mutated out of the swing era. He produced four million-selling hits for the New York singer Lesley Gore in the mid-60s, including the US No 1 It’s My Party, and later embraced funk and disco, producing hit singles including George Benson’s Give Me the Night and Patti Austin and James Ingram’s Baby Come to Me, along with records by the band Rufus and Chaka Khan, and the Brothers Johnson. Jones also released his own funk material, scoring US Top 10 albums with Body Heat (1974) and The Dude (1981).

His biggest success in this style was his work with Michael Jackson: Thriller remains the biggest selling album of all time, while Jones’s versatility between Off the Wall and Bad allowed Jackson to metamorphose from lithe disco to ultra-synthetic funk-rock. He and Jackson (along with Lionel Richie and producer Michael Omartian) also helmed We Are the World, a successful charity single that raised funds for famine relief in Ethiopia in 1985. “I’ve lost my little brother today, and part of my soul has gone with him,” Jones said when Jackson died in 2009. In 2017, Jones’s legal team successfully argued that he was owed $9.4m in unpaid Jackson royalties, though he lost on appeal in 2020 and had to return $6.8m.

After the success of The Color Purple in 1985, he formed the film and TV production company Quincy Jones Entertainment in 1990. His biggest screen hit was the sitcom The Fresh Prince of Bel-Air, which ran for 148 episodes and launched the career of Will Smith; other shows included the LL Cool J sitcom In the House and the long-running sketch comedy show MadTV.

He also created the media company Qwest Broadcasting and in 1993, the Black music magazine Vibe in partnership with Time Inc. Throughout his career he supported numerous charities and causes, including the , National Association for the Advancement of Colored People, the Jazz Foundation of America and others, and mentored young musicians including the British multiple Grammy winner Jacob Collier.

Jones’ illustrious career was twice nearly cut short: he narrowly avoided being killed by Charles Manson’s cult in 1969, having planned to go to Sharon Tate’s house on the night of the murders there, but Jones forgot the appointment. He also survived a brain aneurysm in 1974 that prevented him from playing the trumpet again in case the exertion caused further harm.

Jones was married three times, first to his high-school girlfriend Jeri Caldwell, for nine years until 1966, fathering his daughter Jolie. In 1967, he married Ulla Andersson and had a son and daughter, divorcing in 1974 to marry actor Peggy Lipton, best known for roles in The Mod Squad and Twin Peaks. They had two daughters, including the actor Rashida Jones, before divorcing in 1989. He had two further children: Rachel, with a dancer, Carol Reynolds, and Kenya, his daughter with actor Nastassja Kinski.

He never remarried, but continued to date a string of younger women, raising eyebrows with his year-long partnership with 19-year-old Egyptian designer Heba Elawadi when he was 73. He has also claimed to have dated Ivanka Trump and Juliette Gréco. He is survived by his seven children.

Other artists paying tribute included LL Cool J, who wrote: “You were a father and example at a time when I truly needed a father and example. Mentor. Role model. King. You gave me opportunities and shared wisdom. Music would not be music without you.” Femi Koleoso, bandleader with Mercury prize-winning jazz group Ezra Collective, called Jones a “masterful musician and beautiful soul”.

Daily inspiration. Discover more photos at Just for Books…?

[solarpunkbusiness]

At the core of Repolywise’s Atomic Scissors technology is a highly advanced hydrocracking process that breaks down waste plastics at the atomic level.

Unlike traditional recycling methods, Atomic Scissors selectively degrade plastics like polyethene (PE) and polypropylene (PP) into valuable raw materials.

This innovative catalyst, developed through years of research at Oxford, has already proven its efficiency and high yield in lab-scale tests.

The Atomic Scissors process transforms plastic waste into propane in a single step, which is then sold to the petrochemical industry.

This propane is cracked into olefins, a key ingredient in producing new plastics like polyethene and polypropylene.

This process addresses one of the most significant challenges in plastic recycling, which is turning waste back into high-quality raw materials and closing the loop in the plastic lifecycle.

This innovation is particularly significant for polyolefin plastics, which represent nearly half of the 330 billion kilograms of plastic produced annually.

Traditional recycling methods often lead to ‘downcycling,’ where plastic is repurposed into lower-quality products. In contrast, Atomic Scissors enables these materials to be recycled into high-quality polypropylene, supporting sustainable production.