I was riding in a car to New York to see a movie, and the whole car ride there, I was just posting on a blog whose whole gimmick was that I would take a post and spell it backwards. Even really long posts.
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TAEVision 3D Mechanical Design
Automotive
MercedesBenz CClass W205 NY NYC
State-of-the-Art New York Dreams
▸ TAEVision Engineering on Pinterest [A]
▸ TAEVision Engineering on Google Photos [A]
▸ TAEVision Engineering on Pinterest [B]
▸ TAEVision Engineering on Google Photos [B]
Data 393 - Mar 29, 2023
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two of the worst homosexual teens you’ve ever met its actually kind of insane just how messed up these two are
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1924, A family in Harlem, New York City, photo by James Van Der Zee
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TAEVision 3D Mechanical Design
Automotive
MercedesBenz CClass W205 NY NYC
State-of-the-Art New York Dreams
▸ TAEVision Engineering on Pinterest [A]
▸ TAEVision Engineering on Google Photos [A]
▸ TAEVision Engineering on Pinterest [B]
▸ TAEVision Engineering on Google Photos [B]
Data 393 - Dec 06, 2022
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I was dating some dude (I’m lesbian) and he didn’t have a look but his ex who though they were still dating came with us on a trip to New York.
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TAEVision 3D Design Applications
Automotive
State-of-the-Art NewYork Dreams NY NYC
Mercedes-Benz A-Class MercedesBenz AClass
▸ TAEVision Engineering on Pinterest
▸ TAEVision Engineering on Google Photos
Data 392 - Nov 26, 2022
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Wilson Chinn (fl. 1863) was an escaped American slave from Louisiana who became known as the subject of photographs documenting the extensive use of torture received in slavery. The "branded slave" photograph of Chinn with "VBM" (the initials of his owner, Volsey B. Marmillion) branded on his forehead, wearing a punishment collar, and posing with other equipment used to punish slaves became one of the most widely circulated photos of the abolitionist movement during the American Civil War and remains one of the most famous photos of that era.
The New York Times writer Joan Paulson Gage, noted in 2013 that "The images of Wilson Chinn in chains, like the one of Gordon and his scarred back, are as disturbing today as they were in 1863. They serve as two of the earliest and most dramatic examples of how the newborn medium of photography could change the course of history."
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