#NYC film production

[gursimrankaur03]

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Contact Details:

Email Address: hello@clickplayfilms.com Phone: 646–417–5330 Address: 54 W 40th St, New York, NY 10018

[austinslounge]

"Caught Stealing" begins filming on Thursday, September 5th! 😁👏

[filtergrade]

How to Shoot 16mm Film for Beginners

[soundrooms]

J U A N   D U S S Á N   |   Composer for Film & Media

Looks like he’s scoring a silent movie!

[filmcourage]

This Is How I Started A Production Company And Made It A Career - Antoine Allen [FULL INTERVIEW]

Watch the video interview on Youtube here.

[unproduciblesmackdown]

meanwhile, some quotes about the material:

The "musical within a musical" is about a ramshackle theater troupe haphazardly putting on a show destined for Broadway in exchange for doing chores around the farm. People fall in and out of love throughout the process, all while the city folk comically struggle with the country life. Emmy-winning writer Cheri Steinkellner was given one mandate, however: "No tractor," she laughed on the phone just weeks before the show was set to begin previews. "They were adamant about that. And there's a tractor in the movie. There's a tractor in almost every scene. It's in many ways about a tractor. But I was told absolutely no tractor." [...] "We're all working on this like we're on an actual summer stock schedule. Art imitates life imitates art. It's just go, go, go. And I couldn't be prouder of our cast, and our Jane and Joe," Steinkellner, who is also a Golden Globe winner, said. Her writing partner also happens to be her husband Bill. "Our 'Summer Stock' is more 'inspired by' than adaptation. There are four songs included from the original film that you can't not do. But the new songs are the best of the old songs. The secret sauce was the great American Songbook." She said "It Had To Be You" is one of the classics audiences can expect.  

[source: ‘High School Musical’s’ Corbin Bleu makes his Goodspeed debut in ‘Summer Stock’]

So, how different is the musical Summer Stock from the movie? It feels like a whole new animal, even though we’ve borrowed some elements from the movie. It is still, first and foremost, a love letter to the theater; it’s about this group of players who come to a farm to put on a show. So many numbers are how they get into farming through performance! We also still focus on how Joe and his partner Phil [played by Gilbert L. Bailey II] fight to get the show on its feet, and how Joe helps his eventual love interest Jane [played by Danielle Wade] find her inner performer. But a lot has changed from the film, including some of the relationships. We have a brilliant new writer, Cheri Steinkellner, who has dropped in a lot of nods to why we love musical theater. We have Veanne Cox as Orville’s mother, who is the new “villain” of the piece. And we’ve added a lot of music, such as “It Had to Be You” and “It’s Only a Paper Moon,” and we’ve switched around who’s singing some of the film’s songs, such as “Dig, Dig, Dig” and “Happy Harvest.” But the most important thing is that while we’re still in the late 1940s, there are two Black actors playing the male leads – me and Gilbert Bailey as Phil – and it is definitely not color-blind casting; it’s color-conscious. That means we’re dealing with an interracial love affair, for instance. The racial element is an additional driving force, which I think is necessary, but the main story isn’t about the struggle for racial equality. In the end, it’s still a feel-good MGM-like affair. You’ve previously stepped into the figurative shoes of Gene Kelly, who originated the role of Joe in the movie, as well as Fred Astaire. How does that feel? I am always aware these golden age icons from MGM have such a specific style and that they make what they do look easy. Of course, I want to bring that to Joe. But in the tap dance sequence, for instance, we also have a bit of Gregory Hines, even though I’m no Gregory Hines. And at the end of the day, it’s me on stage, and I work hardest on finding my own characterization of these roles. This is your first time working with Donna Feore, who is one of Canada’s leading directors and choreographers. Tell me about your experience with her? Donna is wonderful to work with, both as director and choreographer. I think the best thing about her handling both roles is we don’t have to get everyone on the same page, because she is the same page. She’s also really hands-on with the music; she fought to have a drummer in the room during rehearsals so we could find those beats while we created the choreography, not just insert them later. As she directs, she considers the movement of every scene, but also the story that we’re telling through that movement! It’s not movement for movement’s sake, and I appreciate that! Goodspeed isn’t the easiest place to do a dance-oriented show, is it? Yes, we’re dealing with the confines of a very small stage, it’s like dancing on a Chiclet. I am so impressed how vibrantly our cast can move on this stage. We’re on top of each other!  I think we’d look great on a bigger stage, which is just one reason why everyone is focused on moving this show to New York.

[source: Interview: Corbin Bleu Talks About the New Musical Summer Stock and the Fourth Season of HSMTMTS]

“Summer Stock” is right in Corbin Bleu’s wheelhouse. “I feel at home on the stage,” he said. An actor, singer and dancer his whole life, Bleu is appearing in the upcoming stage adaptation of the Hollywood musical beginning July 7 at the Goodspeed Opera House. “I established myself in this particular genre, doing shows associated with Gene Kelly or Fred Astaire,” he said. “I am a bit of an old soul. This is what my voice naturally goes to.” The “High School Musical” star is playing Joe Ross, one of a troupe of actors that descends on a small farming town to turn an old barn into a theater. It appears he was born to play the role originated by Kelly on the big screen. “I grew up as a theater kid,” Bleu said. “I grew up watching old MGM movies. I was a theater nerd and a musical theater fan. My dad kept a storage unit of stuff from our childhood, and he found an old school paper from when I was in elementary school where I’m dreaming of performing in musicals.” [...] Of the four shows, “Holiday Inn” is most similar to “Summer Stock,” which was also adapted from a movie . “Holiday Inn” was a fairly close reworking of the film, but “Summer Stock” takes a few more liberties. “It’s not the exact same story,” Bleu said. “When I watch the movie, I think it could definitely use some updates.” Those updates include a multi-racial cast. “Let’s not skirt the obvious,” Bleu said. “I’m a Black guy doing characters traditionally played by white men, doing things Black men weren’t traditionally able to do easily at the time these shows take place.” [...] “Some parts of the book are still in process,” Bleu said. “Cheri is in the room with us at rehearsals. We want this to feel modern, but we don’t want to shoehorn anything in. “I was also part of the workshop we did in New York a month and a half ago,” he added. “I’m loving seeing it and I’m loving being a part of it. We know this genre. It’s a feel-good musical comedy, a big song and dance show.” Though there is a lot that has been rethought when reshaping “Summer Stock” for the 21st-century stage, those who know it as a Gene Kelly movie will have plenty to latch onto. “We are completely paying our homage to Gene,” Bleu said. “I am not Gene, but I do have a natural tendency to lean into that style. Gregory Hines is also a big inspiration. There’s tap dancing in this. There’s a whole Lindy Hop number. There are a lot of very large dance numbers.”

[source: ‘High School Musical’ star Corbin Bleu is rethinking ‘Summer Stock’ at the Goodspeed Opera House]

[unwyresoltuions]

brand consulting

Ditch the jargon and step into a world of simple strategies that blend creativity with an innovative approach. Give your business the voice it deserves and experience branding solutions that ‘unwyre’ even the most complex of briefs; with our vast array of customized services. We not just help you get the visibility you need, but also make you stand out from your competitors through an approach that blends traditional and new-age marketing.

[hotlanalain]

https://tinyurl.com/hotbluebottle

[recentupdates]

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[partuulla]

PUNK RAT POISON Film Indiegogo

Gavril is a convict on the run due to his control over black goo that can eat people. His goal is to make his way from NYC to LA to meet up with an old friend he reminisces about, but he is intercepted by the FBI who struggle to combat his mysterious power.

Punk Rat Poison is a 4 minute action film with elements of horror and black comedy. It mainly acts as an introduction of Gavril into the larger story of BUBO!

All the Indiegogo information is in the link above, but essentially:

GOAL: $2000 to fund the film's production including music and BGs/animation REWARDS: Various digital goods in the lower tiers and Many physical goods like prints and merch in the higher tiers. STRETCH GOALS: Gavril Game Chapter 2 at $3k and Gavril game Chapter 3 at $4k

NOTE: This is flexible funding so you don't get refunded if the goal isn't reached! That's specifically because this is my thesis film required to be finished to graduate so whatever funds I receive below the goal will absolutely go towards it (+ rewards and taxes) as promised! Thank you for understanding!

Even if you can't support the campaign monetarily, simple sharing it around is just as helpful! I appreciate any amount of interest, support or encouragement that goes toward my work <3

[gursimrankaur03]

The Titans Ahead Film Production Companies NYC

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Partnering with a 

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Contact Us: 

Email Address: 

hello@clickplayfilms.com

Phone: 646–417–5330

Address: 54 W 40th St, New York, NY 10018

[tuckerwooley]

today, @thepeoplesjoker finally sees a theatrical release, starting in NYC and spreading like wildfire to theaters across the country and almost certainly beyond. here are some non-spoilery screenshots of my scene!

i’m honored to have been asked to be a small part of this film; i animated a scene right in the middle of the movie in 2021 while i was finishing my senior year of college, as well as matte paintings used as backgrounds throughout - and recently i got to animate the logo, designed by @michaeldeforgecomics!

all movies take a herculean collaborative effort to get made, but the people’s joker has been supported by the good will of so many people just to get seen. @veradrew22 and @brilerose have made THE true trans comic book movie, equal parts funny, thrilling, emotional, and reflective of modernity. it’s been one of the most artistically rewarding experiences of my life, and i’m beyond excited for y’all to finally see it. i’m obviously biased, but this is my favorite movie, and it would be even if i didn’t work on it. she’s finally free and getting her due, and i couldn’t be happier!

if you somehow want more of me waxing poetic about TPJ, check out the review i did on my letterboxd. and to see other people do it instead, peruse one of the fuckmillion articles that have been out in major publications throughout the production; it’s been in indiewire, variety, the hollywood reporter, polygon, @brokenpencilmag, even the goddamn new york times! that’s wild. the whole thing is wild.

do yourself a favor and see this movie; it represents the possibilities of embracing outsider art, and of a world where IP law is less “for narcs, by narcs.”

[controld3vil]

atreides and bene gesserit

pairing(s): dune 2 cast x actor!reader (platonic), austin butler x actor!reader

synopsis: requested by this ask!

⤷ alt: as clueless as you were about your sister's role, it brought you much surprise and joy to see her on the same carpet as you.

notes: reader uses fem pronouns as she's playing a role as a bene gesserit. reader is also described as wearing a sleeveless jumpsuit. and i really enjoyed lea seydoux's performance and hope to see more of it !! this is also COMPLETELY separate from the first two posts ive made since the readers r playing different characters yeah?

When Denise Villeneuve asked you about the role of Lady Margot Fenring, you were genuinely shocked about his decision. You appreciated his works but have never gotten close to any of his sets before. You have worked with directors who've admired Villeneuve for his imaginative mind. And now, you witnessed his creativity in person for the first time.

The role was small and not as significant as the other main leads. Regardless, your character was just as enigmatic and complex as any other in the Dune franchise. Even though your time was short, it was a fun experience to learn and observe from. You weren't able to meet the entire cast after production, but with the NYC premiere, you were able to link up again.

You heard your name being called out. "Hello! How are you?" The well-known comedian and presenter by the name of Amelia Dimonberg was now beside you. In her jet-black corset dress, her style is chic and elegant. She hands you a microphone with the film's title plastered on it. "You look beautiful!"

"Thank you!" you sweetly recuperate, diverting your shoulders to the sight, cutely. You give a little pose before complimenting her own outfit. "You as well!"

"Do you have a memorable day on set that sticks out to you?" Amelia questions, subtly leaning toward your direction. And now you noticed her detailed eye makeup which enhances her outfit altogether.

"Well- I've had, like, only a few days," You let out a quick sigh. Truly it was nothing to be embarrassed about but you could not help but feel shy about it.

"Mmhmm! So all of them?"

"Yeah, all of them!" With ease, your shyness turns into giddy laughter as all you remember from your times on set. Recalling those tiny moments brought a small smile to your face. "Every day counted for me and that was enough."

"Oh absolutely!" Amelia chides, nodding in agreement. She quickly then moves onto the next question, "How long do you think you could last in the actual desert?"

"Oo that's a tough question," Lifting your fingers to rest on your chin as you try to contemplate an answer. "Ideally no- I feel like I could never recover from the heat."

"Yes yes, the heat's very intense,"

"Yeah- no I don't think I'd ever leave my house for that-" You shake your head nonchalantly, acknowledging how most of your scenes already were indoors. You could imagine how you would do in the desert of Abu Dhabi. It makes you appreciate the cast and crew even more for their effort to make filming more comforting and tolerable.

"Where would be your dream location to hang out? I'm assuming your home then since you prefer to say inside?" The blonde interviewer quickly catches on, eyebrows raising intrigued by your response.

Instead, you hummed bashfully, "Actually I think an oasis would be nice." The camera catches onto Amelia's face, fully fixated on you. "Which fits perfectly if I were to live in the desert actually!"

"Mm yeah, smart choice!" She responds more cheerily. "You can maybe go for a swim, you know-"

"Right right," You give her an playful look, "And you don't have to go thirsty!"'

"Absolutely, the best of both worlds," Amelia chirps, doing the same expression. "So this film centers a lot around dreams. Do you have vivid dreams of yourself?"

"Yes! I've uh- I've had many dreams of myself. I mean, this one, for example-" You turn to the camera, waving with the most adorable smile on your face. "'I'm living my dream right now!"

"You're living your dream right now!"

In another section of the premiere, you were walking down the carpet for press interviews and photography. The set where the premiere was taking place was gorgeously made in the shades of black and orange, the perfect theme of the film. The entire venue was outdoors, allowing you to feel the cold air and be more at ease in the crowded space. There were more paparazzi than you had expected, and you suddenly became aware that you were alone. Without any friend or acquaintance to accompany by, you searched aimlessly for a familiar face.

Then there was a holler. And then multiple more came after, it made you confused really. Your head swerves to the sound of the person you so try to look for and immediately you're struck in awe.

"Anya?!" In an instant, you're seen running towards your sister in the far back of the premiere wall. People were reluctantly used to fast-paced relocations around the carpet. Therefore most did not mind your hasty stumbles through the crowd. It was almost comical how apparent your demeanor changed when you heard her, in fact, videos and pictures caught all of it.

"Hi!" She beams in her white dress robe. Her makeup was glowing, making her skin seem angelic, and sheer without impurities. Her outfit covers her like a nun, covering her head and body in almost transparent cloth. Yet it flows around her so elegantly, almost like she was an angel from the stars. She squeezes your figure firmly, only after releasing to gush about your appearance.

You adored a beige sleeveless jumpsuit. The color is complimented with tiny designs of sparkle. Its seams captured your figure perfectly, as you also wore a gold chain and bulky rings. From the lighting, it looks as though your outfit is shining. And to be completely honest, you prefer comfort over the judging looks of fashion critics. Therefore you wanted to wear something that you could still move comfortably in. Thus you were able to run over to your sister with ease.

Through the other lens and camera, they could pick up some of her words after. "You look so gorgeous! How are you here?!" Anya's expression changes into a perplexed one as she gets a hold of your shoulders, shaking them back and forth.

"I was invited obviously, "You said, mimicking her voice while holding onto her arms on yours. "You didn't tell me you were a part of Dune!" Viewers from afar could tell you were pushing an act, reacting as though you were petrified about how Anya managed to be here in the first place.

"I didn't know you were either!" She giggled, closing in on your right ear. Your sister whispers to you slowly, trying to withdraw from the camera and recordings. "Villeneuve had mentioned something but honestly I just thought it was a joke."

It was your turn to guff. Your mouth opens wide flabbergasted, looking sarcastically offended. "Why would you think he's joking?!"

Anya scoffs lightly, wanting to go further with the joke. "I don't know- I just didn't take his word seriously,"

"Why? Because you didn't think I'd make it into the film?" You accused, eyes widening with a hand over your heart. "You're so cruel."

"So cruel," She smirks up at you, then moves back to be by your side. You see her face forward the flashing cameras, as you do the same. "Come! Let's take some pictures!"

"Your outfit looks beautiful by the way!" Anya Taylor muses, eyeing down at the fine details on your jumpsuit. "It's very... you!"

You give her a nod, before flattening some of the creases, "I thought this color was so exquisite, so I thought it would be perfect for the premiere." You lift your head to look at your sister, before realizing behind her, the upcoming stars of the film were getting ready to take cast photos. "Oh Anya- I think you should go!"

Your sister turns and then gazes back at you with a soft smile. "You should come with me!"

The thunder of cameramen and journalist blurred your focus for a moment. "Are you sure-"

Again the sound of your name is hurdled but this time from someone you haven't seen in a long time. Jessica Ferguson, who too wears a black body suit with veils and bold makeup. She waves her hand almost too eagerly to have you come closer alongside your sister. "Come, join us!"

Videos were filmed of the people gesturing to the cast of Dune in a line. Little by little, the row of people is filled and organized to be in the center of the camera's focus. Some actors had to move spots, due to lack of space or better color semblance on the other side of the row. You stood next to Jessica and Florence Pugh was beside your right, as you tried to stand closer for the picture.

Anya Taylor was on the opposite side, with Austin Butler and beside him, Timothee Chalamet. A noticeable clip taken all over was when the French actor went to greet the English actress, warmly, clasping her hand with both hands as a proper salute as on-screen siblings.

You did not mind the lack of attention. You were happy for Anya for achieving a great role. One with a welcoming cast and crew. It was then your eyes scanned down the row, from Zendaya to Stellan Skarsgard. Then to Austin, whom you've been familiar with since day one. Only him to find your gaze seconds later. You give a little nod and smile before averting your direction to Anya who is already staring at you with gleaming eyes.

You were going back and forth with Jessica and Florence on your travels for a while. From plans reception to favorite desserts, all you three wanted to talk about was food. Paparazzi caught onto your banter quickly and snapped a few photos. You even went out of your way to do silly poses. Followed by Jessica and Florence, then did the same, sticking their tongues out in a rock star kind of fashion. You throw out piece signs, giving a dramatic frown as another flash happens.

Catch-ups were definitely refreshing and fun. Thus why you nearly jump when Austin appeared behind you.

"Oh my gosh, hey!" You stuttered, giving him a quick hug to calm your nerves. "You scared me!"

"Sorry sorry! I just wanted to surprise you!" He leans his head slightly, allowing better eye contact. You felt a few taps on your shoulder and noticed Jessica and Florence scurrying away, with their thumbs up, all goofy and excited.

Your eyes make it back to his. "I would've said hi back at the cast photo, but you were so far away," Shrugging you dismiss your failure as a mild missed opportunity.

But Austin shakes his head in an averted manner. "No- Don't worry about it." You could already sense interviewers and others with microphones closing on you two. You were out in the open, and it's bound to happen. "I wanted to- you know, say hi to you in a less chaotic place."

"I tried looking for you but there's just so many people," You give your costar an exhausted look. It was then a keen young man approached the pair of you. It was the People magazine, as you became aware of the logo alongside their camera and microphone.

"Hey, would you two mind a short interview for People's magazine?"

Truly, this was what premieres were about. The cast and crew meet with fans to show what they have worked so hard for. You brought you no better satisfaction than to praise everyone's efforts. The interviewer then proceeded to have a quick introduction of you and Austin beside you. You both had separate microphones in each hand. Once the video started rolling, you peered at the camera and gave the audience a grin.

"So how are you guys doing? Met all of your lovely cast members yet?"

"Oh absolutely," You emphasized every syllable, nodding. Austin only glances at you in amusement. "It's crazy how many people are here I was so overwhelmed!"

"Yeah, it was pretty crowded," The male actor adds, lowering his microphone slightly.

"Hopefully it will die down!" The interviewer beams. "So what was it like getting to know each other in this film? How was the first day on set like?"

"Oh, well it went very smoothly," You start, staring up at Austin in approval. "Even though my time was short on set, I feel like we had a pretty good rhythm starting out."

"I was about to say! The scenes with Feyd and Lady Margot were really something!"

"Why thank you, we appreciate it," Austin nervously laughs, scratching his ear.

The interviewer takes the lead to discuss your preparation for the role and how it was working with Villeneuve. As new characters, you and Austin both talked about your views on both of your characters. Both are very different yet mysterious to the viewers. Additionally, you two were introduced in a similar scene of the pit fight. The People's Magazine interviewer was compelled to compliment Austin on his opening scene. You knew he had practiced the choreographed fights vigorously. And of which you were lucky to witness on the days that you were present.

"It was completely freeing and different than what I was used to doing," Austin probes, leaning toward your direction. "Were you there for the pit fight?"

"I think I was," You turn, similarly. "I remember watching from afar and thinking wow." Immediately you could sense him eagerly looking down at you with a sly smile. "He was- Austin did amazing with the fight choreography, I was impressed!"

"Was this the first time seeing him in full costume too?"

"Oh yes!" You bonked your hand on your forehead, "He was and I just- couldn't believe it was him!"

Suddenly Austin jumps in, "She was startled when I first came up to her in full costume."

"You came out of nowhere, by the way!" You rebutted, giving him a side glance.

"I didn't mean to," As he tries to reassure his actions, "I wanted to give a good first impression!" It was humorous how playful you two were together despite having dissimilar filming schedules. Though most of your scenes involved Butler, your friendship only became more apparent weeks after working together. It was off and on for months at a time due to being busy in other countries simultaneously.

Eventually, you were able to link up again weeks before the premiere. After waiting a long time to meet up, you almost felt relieved that you hadn't seen your costar in a while.

"And Austin, how was filming with her?! From a character's standpoint, what kind of dynamic do you see playing out?" The People's Magazine interviewer perks up, having the camera transition from his face to Austin's.

"Well I'd say, she's great. You know I've got to meet a lot of amazing people in this film. And," He says your name sincerely, "She's- she's one of those people. I can't say much for Lady Margot and Feyd's relationship- you know there's a lot of that's still not uncovered. We don't really know what's happening but kind of have an idea of something. And to have such a great actress like her, it makes everything feel authentic and- feel the tension." It felt as if you were in a daze, eyes completely focused on his words with such admiration and grace. Before you knew it, you were smiling as if you had won the best possible prize in the world. His compliments to you meant more than you had anticipated really.

Unbeknownst to you, the cameraman had caught your lovestruck expression before directing attention back to the interviewer. "And how about you, Miss Margot?"

"I'd say it's the same," Now looking at the interviewer, only momentarily back at your costar. "Austin's- he's great at all the stunts and acting like a scary dude. Every scene with him was fun to do. Like he's all serious in character but once they yell cut! he's so nice and funny!" Your bubbly laugh breaks as you can feel your face growing hot.

"Well I appreciate you liking my humor," Austin pokes fun at you, fanning a little air towards you.

You mutter a soft thank you! before continuing, "And he's dedicated you know? I remember one scene, a little spoiler, where Feyd is about to be tested by Lady Margot, and I just couldn't do it! I couldn't keep a straight face!"

"Really?!"

"She just kept breaking, I don't know why," The actor shrugs, his attention closely drawn to you. "We had a few takes on a few days."

"We did! We did!" You gave a big frown, "You just have a really distracting face."

"Do I?" Austin asks, between the lines of teasing and coolly.

By the time, other premieres had occurred, people were still focused on your interactions with Austin Butler. Your chemistry on and off screen on the carpet was hilarious. And with how polarizing your characters were, it made many clips of your shared encounters gain attention.

A few short videos were recorded after the People Magazine interview of you and Austin, bashfully talking behind the stage. The two of you went back and forth whispering in each other's ears about what was unknown to the viewer. Through a bird's eye view, the video also catches you hugging your arms before zooming in on Austin's placing an arm around your figure.

Another clip that had been reposted many times was when you both took duo pictures together. As you comfortably shift your weight on one leg, as you turn to have your side face the flashing paparazzi. Whilst the Elvis actor stands beside you at a pleasant distance, doing the same pose to the other side. There was one instance where you lifted your head to make eye contact with your eyes instantly brightening. As Austin's smile widened, only to blow air in your face.

[ghibli-collector]

For anyone who’s already seen Boy and the Heron i found this really interesting article where Ghibli Boss/Producer Suzuki was interviewed recently by indie wire and explains the background of the characters from the new Ghibli film, I’ve copied the full article below or you can click the link to go to the interview but once again it contains so many spoilers

‘The Boy and the Heron’ Is So Personal, Hayao Miyazaki Needed a Year to Grieve Before Pivoting in a New Direction

Miyazaki came out of retirement for his first film in a decade, about his friendships at Ghibli with the late co-founder/director Takahata and co-founder/producer Suzuki.

When Hayao Miyazaki pitched “The Boy and the Heron” (GKids, now in select L.A. and NYC theaters) to Studio Ghibli co-founder/producer Toshio Suzuki in 2016, he asked permission to make the story about himself. This took Suzuki — his friend of nearly 40 years at the time — by surprise; the legendary anime director isn’t known for getting so personal. And yet this aligned perfectly with the notion that Ghibli films are devoted to reliving memories.

“I agree that it is Miyazaki’s most personal film because he actually told me,” Suzuki told IndieWire over Zoom through an interpreter. Not only is “The Boy and the Heron” inspired by Miyazaki’s childhood (he endured the firebombing of Japan during World War II and his father was director of the family’s aircraft manufacturing factory), but also his career at Ghibli with his two closest friends: the late studio co-founder/director Isao Takahata (“Grave of the Fireflies”) and Suzuki.

“Miyazaki is Mahito [the 12-year-old protagonist voiced by Luca Padovan in the English-language version], Takahata is the great uncle [voiced by Mark Hamill], and the gray heron [voiced by Robert Pattinson] is me,” Suzuki added. “So I asked him why. He said [Takahata] discovered his talent and added him to the staff. I think Takahata san was the one who helped him develop his ability. On the other hand, the relationship between the boy and the [heron] is a relationship where they don’t give in to each other, push and pull.”

Collectively, it’s a lot to unpack: Miyazaki came out of retirement for the second time after “The Wind Rises” (2013) to make his 12th feature — the semi-autobiographical, hand-drawn fantasy for his grandchildren. It’s about destruction, loss, and rebuilding a better future through imagination, inspired by the novel he adored as a child (“How Do You Live?”).

Mahito loses his mother in the firebombing of Japan and relocates to the countryside, where his father (voiced by Christian Bale), who runs an air munitions factory, marries his sister-in-law, Natsuko (voiced by Gemma Chan). Traumatized, angry, and confused, the boy encounters a talking heron (part bird, part man), who tells him that his mother is still alive and guides him to an alternate world in a magical tower shared by the living and the dead. There he encounters his great uncle, the architect of the tower, and reunites with both his mother (voiced by Karen Fukuhara) and Natsuko.

At first, Suzuki resisted green-lighting “The Boy and the Heron” because of Miyazaki’s age (he’s 82) and the great expense (it is arguably Japan’s most expensive film but has made the equivalent of nearly $80 million at the country’s box office). Yet Miyazaki wore down his resistance with his enthusiasm and impressive storyboarding. The film took seven years to complete, and Suzuki needed to hire some of Japan’s most talented animators outside of Ghibli to handle the task (including supervising animator Takeshi Honda of “Neon Genesis Evangelion” fame). With diminished stamina and failing eyesight, Miyazaki was unable to oversee the production in the same manner as when he was at the height of his creative powers and relied on Honda to draw, redraw, and review under close advisement.

But with the death of Takahata in 20018, a grief-stricken Miyazaki was forced to scale back the role of the great uncle in the story, who had previously been more central to the boy’s life. “After Takahata passed away, he wasn’t able to continue with that story, so he changed the narrative and it became the relationship between the boy and the Heron,” Suzuki continued. “And in his mind, initially, the Heron was something that symbolizes the eeriness of the mansion and that tower, even ominous, that he goes to during war time. But he changed it to this sort of budding friendship between the boy and the Heron.”

Miyazaki first toyed with the idea of exploring the theme of friendship in “The Wind Rises” (inspired by real-life fighter design engineer Jiro Horikoshi during World War II) before abandoning it. “So this time around, when the Heron became the centerpiece of the story, and he came with the storyboards, I was careful for him to not portray me in a bad way,” Suzuki said. “Having said that, I’ve known Miyazaki for 45 years. I remember everything about him. There are things that only I know. There are things that only the two of us know. And he remembers all these small details, which I was very impressed with.”

For example, when Mahito and the Heron sit and chat at the house of Kiriko (voiced by Florence Pugh), a younger, seafaring version of one of the old maids, it is a recreation of the way Miyazaki and Suzuki would meet. “The place that we do our meetings, where we have our conversation is at his studio, his atelier,” he added. “And he has this like large table, but we don’t sit facing each other, we sit next to each other, and we never look at each other when we talk. And what we discussed was very similar.”

During production, Suzuki became impatient to see the new storyboards with the great uncle. It seemed Miyazaki was intentionally stalling while grieving about Takahata. “My question was: ‘So when is the great uncle going to appear?'” said Suzuki. “He built this great character, but he never appears in the storyboards that he would bring me. But it took him actually about a year after the passing of Takahata that he was able to draw that character into the storyboards in the second half of the story.

“And the most surprising thing for me was when I saw the storyboard where Mahito was asked by his great uncle to carry on with this work, this legacy, and he says no — he declines the offer. Miyazaki was someone who followed the path of Takahata for so many years, and I thought it was a huge thing for him [to follow a different path].”

Meanwhile, Suzuki confirmed that Miyazaki has not retired. The film has given the director renewed confidence to keep working on other stories. However, Miyazaki can’t focus on new ideas while “The Boy and the Heron” remains in theaters. “He needs to empty his mind again,” Suzuki said, “and then when he’s emptied his mind with a blank canvas, he usually comes up with new ideas. So we have to wait a little more.”

[jettpack]

A bunch of characters I did for the cut “turtles reveal themselves” montage in the old version of the film. This was early in production, Back then the turtles walk into highschool at the end of the first act with no plan and of course chaos ensues. FEMA, FBI, NYPD, Animal Control, etc showed up, the turtles got arrested, get tested and experimented on. They visit the white house. There are protests at nyc city hall with both people who love and hate the turtles lol. I did a bunch of ideas for pro and anti turtle protestors. Was looking at a lot of qanon rallies for reference lol. I tried to lean into them feeling like they were drawn with pencil and of course was riffing on what my friend and character designer woodrow white was doing

[luvrrgirl444]

chapter 24: so girlhood

IRL, INSTAGRAM!

*planetyn had just started a live!

‘GRWMMMM’

“hiiii y’all!” you greeted your supporters as they started to enter the live.

you were just about to get ready when you realized you hadn’t done a grwm livestream in a while. so, you decided to do one.

hannabae: HEYYY PRETTY

se7en: MOTHERS BACK

user999: GIRL WE MISSED U

“oh my god, i missed you guys too! how are you?”

user2: GOODDDDDDD

se7en: WE GUCCI WBU

“i’m good!” you said, putting on your headband and pushing strands of hair away from your face. “so. i’m getting ready right now because me and the gang are going out.” you paused. “and we might or might not film a video.” you playfully bit your finger. “wink wink.”

santanalvr: WE GETTIN A BIG CHEESE VIDEO HELL YEAHHHHH

“hey! now, i didn’t say all that.” you looked around, suspiciously. “anyways! let’s get into this beat!”

you had already moisturized your face earlier, so you started with primer. you applied the sticky product onto your skin and rubbed it in.

therealnai2: where ur man at queen

user00: omg why’d i forget the brits were in nyc

you looked at the comment and laughed. “the brits is crazy work,” you started to brush your eyebrows and lightly fill them in. “eren and brit gang are at their hotel right now. literally everyone’s getting ready right now.”

therealnai2: OH PERIODDDDD

hannabae: girl what song is in the background omg

“all i want is you by miguel and j cole. i love this song so bad y’all.” you held the makeup brush to your lips and started to sing the lyrics.

kimberlyyyy: CUS THEY DONT SMILE

yummyymir: she think she ymir omgg ijbol

conman69: brah stfu 😭😭😭😭

“CONNIE. get the fuck out my live right now bitch.” you rolled your eyes and fake punched the camera. “that’s for you hoe!”

you held up two foundations to the camera. “which one should i use today y’all?” you asked your supporters. majority said charlotte tilbury, so you opened the bottle and applied a generous amount onto your face. blending the product in afterwards.

your bedroom door suddenly opened and sasha’s head peeked through. “y/n, can i use your setting spray? pleaseeee,” she pleaded. you jokingly rolled your eyes and beckoned her to come in.

sasha then came into the camera and smiled. “heyyyy live!”

hannabae: HEYYY SASHA BAE

bbycakes: DIDNT U BUY HER ONE FOR HER BDAY IJBOL 😭😭

“BRO, I DID! i swear she drinks that shit.” you said, handing her the bottle of setting spray. sasha laughed. “i don’t! i just use alot! i need my shit to stay all day.”

user00: okay thats real

“thank you user00!”

since sasha was done with her makeup and she already had her outfit picked, she decided to stay in your room. she plugged in the straightener that was hidden in one of your vanity drawers. she began to straighten her hair, while you did your makeup.

therealnai2: this is so girlhood

user00: I love yall so bad omg

15 minutes later..

“makeup and hair is done guys! are we serving or what?” you and sasha posed for the camera, showing off your makeup and hair.

“oh we ate!” sasha said, biting her finger.

user007: y’all are GIVINGGGG

yummyymir: girlies ate downnnn

hannabae: MOTHERS OH MYYYYY

user29: i wish i was Eren and mikasa

you and sasha giggled and thanked your supporters for the compliments. “i think we’re gonna end the live here. thank you all for chatting with us, bye bye!!!!”

“make good choices!” sasha shouted before the live ended.

*planetyn has ended the live!

🫧

- #THEONLYBESTIESEVER

- giving yall another one to make up for the 4 months..

taglist <3 : @greeniegreengreen @bakuhoes-bxtch @itzgabz22 @princess-jaeger @marsandsaturn @violenthots @roses-arerosies @conniesbbymama @llovergirlll @iheartamajiki @clipperlighter @liliorsstuff-blog @hoohoohope @akvrae @rinslutz @miniaturelunar @sheluvzeren @shigamiryuk @chamomilespetal @booistoleyou @asp7n @heartz444skz @thatartistshar0n @vintagexparker @tsukkisukkii @venusinx @seeingivy @cyberkitty1 @anitatvd @blamemef0rit @crvzy-fujoshi @seeingivy @dazaisfavgf @bubbabobabubbles @erenspersonalwh0re