#NO WAY THEY KILLED OFF MAGNETO

[swaghettoni]

did they just fucking kill off magneto.

[protagonistscum]

lmao after watching the last stand yeah i see why they took the timeline out back and shot it

[batmanisagatewaydrug]

I've recently been subjected to the first two X-Men movies and I literally cannot stop thinking about what a shitshow professor x's academy for mutant babies is as an actual school.

there's no way they're accredited, right? there are four teachers (three post-X2, RIP) and three of them were raised by the fourth. you clearly don't need any actual teaching credentials to work there other than a mutation and nepotism. I don't believe any of these people have a degree in the subjects they're teaching, let alone in education or human development. there appears to be a total lack of counseling services available, despite the fact that most of the student body are apparently runaways who all face heavy society discrimination. did Rogue get any support after she was kidnapped and almost killed by Magneto in the first movie or did Xavier just give her brain zappies until she was functional again.

there's no way in hell a "diploma" from the charles xavier institute for genetically anomalous youth is worth anything on a college application. do all of these kids end up having to get a GED if they want to have a prayer of accessing higher education? do they receive any support for that?

also did I mention there are four adults in this entire school. in X2 they all take off on the same night and leave the kids in the care of Logan, a famously unstable man who freaked out and stabbed a student last time he visited. it would have been lethal if it was anyone but Rogue. also in X2 half the student body has to flee in the night in their pajamas with no one to take care of them but a teenage Colossus and the adults just. do not feel the need to follow up on that. because they're busy dealing with the stupid plot du jour.

the entire setup seems like a massive lawsuit waiting to happen; while we the audience obviously know that there's nothing malicious happening to the kids (except for mutant terrorists and trained mercenaries alike regularly infiltrating the school) you have to admit that an unlicensed group home for children, some of whom are very young, masquerading as a school and staffed entirely by people with no real credentials to speak of is a pretty bad look. I think genuinely any parent would have a pretty strong case for a lawsuit here and it wouldn't even necessarily be mutantphobic of them to do it, although of course anyone with an anti-mutant agenda could have a field day here. genuinely I have to assume that the only way they've avoided it this long is Xavier lobotomizing anyone who tries it, which is so cool and normal.

[distort-opia]

Actually I also can't stop thinking about Erik's muttered "It's not that I don't trust you," to Charles, right before he puts on the helmet and shuts Charles out in First Class. Because with Days of Future Past in mind, it rings true. It's not that Erik doesn't trust Charles, it's more that he knows him.

In DOFP, when Raven takes away Erik's helmet and Charles controls him-- to remove the wreckage from himself, to stop him from killing more people-- Erik doesn't get mad. He doesn't even seem surprised. All he does is remind Charles that if he leaves him to be captured by the humans, he's as good as dead. And then Charles lets him go, without doing anything else.

Erik considers Charles using his powers in combat as fair play. He knows Charles can't allow people to die, won't condone murder. He's very aware what Charles' line is, and most of the time what he does is work with it or around it. "I'm going to kill Shaw, do you have it in you to allow that?" And Charles never gives a definitive yes or no. So Erik takes away the possibility of Charles saving Shaw-- without access to Erik's mind, Charles can only either let Shaw die or release him, risking Erik's life. If anything, Erik trusts Charles to choose him, and it's the same in DOFP. Charles still chooses not to put Erik in danger by letting him get captured, no matter what Erik might do afterwards. Even when Erik pulls the gun on Raven, breaking Charles' heart all over again, he coldly says "He can't," when Raven pleads with Charles to control Erik and stop him. He wouldn't have attempted the murder if Charles had been capable of interfering, knowing for sure he would've done it.

In the end, I feel like Erik does trust Charles. With his life, with his autonomy. To the extent of using it as a certainty in his manipulations. But he doesn't trust Charles to betray his beliefs for him, much like he wouldn't betray his own for Charles. The flippant jokes about how Charles could make him do anything when the helmet's off, to me always seemed like ways to test Charles and reassert this trust-- this boundary between who they are as leaders in a fight for the freedom of mutants, and who they are to each other as people. Professor X gets to stop Magneto in a fight... but Charles doesn't get to force Erik to change.

[gallavichsreddie1128]

Feelings and Faults (Wolverine)

Description: Logan loves Y/N but she’s too caught up on the past.

Word Count: 1,020

Requests: Hi I was just wondering if you could write wolverine x reader smut where he is in love/obsessed with her and she has feelings for him but doesn��t acknowledge it because she doesn’t think she deserves to be loved which could be down to past trauma (it’s up to you) but then they confess their feelings inspired by the scene in the Honda Odyssey just without deadpool please it’s okay if not

Author’s note: I didn’t see the smut part until I went to post so that’s not part of the story. But I hope you like it!

She sat in the Honda Odyssey with a drink in her hand. She never really was one for drinking but times like these it was needed. Everyone was either inside planning the attack on Nova or by the fire drinking. She was in the car, alone in thought. Not realizing that she had someone that could never look away from her.

Someone that loved her and wanted to be with her even though she had fault in that. After losing Erik she never felt like she could be loved again or deserved it. But Logan adored her and wanted her forever. In his universe Y/N and Magneto were the happy couple that he let get killed. He always adored her but could never have her.

Now, she didn’t have Magneto in her life anymore and he wanted to be the one to fill the void. He could tell that she beat herself up over it and the blame was on her. Whatever happened between them, he would never believe that she was fully the one to blame. She deserved love and happiness, even if she couldn’t see it.

After his talk with Laura he walked over to the car that he knew she was in and got in the driver side. She looked over at him and saw a bottle of whiskey in his hand and smirked. He was definitely one for drinking. But she couldn’t blame him. “How did I know that you were in here?” He asked and she shrugged. “Despite what Wade says, I think the Honda Odyssey fucks hard.” She said and that made him chuckle.

Wade hated this car but Y/N liked it. “I also didn’t take you for drinking.” She smiled at him and held up the drink, “Cheers to that. I never was a drinker but after things go south it’s nice to have one.” He watched as she chugged the rest of her drink and held out her cup to fill it up. He gladly poured her another glass. “So about the fight earlier-” “Don’t mention it. He’s fine.” “I’m talking about you. Us.” She looked over at him, “What’s there to talk about? You’re right. I beat myself up over a guy that probably never gave a shit about me.” He felt guilt for saying that to her. “In my universe, you guys were married. Had kids even. You two were in love.” She rolled her eyes, “And let me guess we died?” He nodded and cleared his throat, “Yeah. It was awful. I constantly think back to that night and it haunts me.” “It was probably meant to be.” He looked at her, “What do you mean?” “I’m not meant to be happy in any universe.” He wanted to roll his eyes at her and her stupidity but he kept going, “No. That’s me. You sit here and act like nobody loves you and you’re alone but that is fair from the truth.” She looked at him as he finished off the bottle.

“Y/N, In my universe I was in love with you. I wanted you so bad but Erik beat me to it.” Her eyes widened in shock. His words repeating in her head. “The first second I met you I felt it all come back. Only this time Erik isn’t in the way. It’s you.” She chugged her drink before she could get out the words, “What?” It wasn’t a question of her asking him to repeat what he said or that she couldn’t hear him. She simply could not believe the words that left his mouth.

“Don’t act like nobody loves you and doesn’t care about you. I do! And I always will.” She stared at him with wide eyes. Sure, she had some feelings for him but she beat herself up after what happened with Erik. “You’re drunk.” She stated and he laughed. “Unbelievable. I pour my heart out to you and you tell me I’m drunk?” She didn’t know what to say to him at this time. “Y/N, Erik was a fucking idiot for not loving you and trying with you. You’re amazing and beautiful and only a dumb fuck like him wouldn’t see that.” Her eyes filled with tears, “You can’t mean that.” She whispers and he sighs, “Well I do. And if Wade wasn’t there earlier than maybe this would have come out sooner.” She turned away from him and sighed.

This couldn’t be real. There was no way he was telling the truth. Was he? She looked up at the top of the car, “The Magneto that Cassandra killed, that was mine.” He turned to look at her, “The TVA had got him before I could save him. I feel like the biggest fuck up about it. It wasn’t that he didn’t love me or wanted to be with me. It was never known but we had something special.

That’s why I was so nervous about coming here. I was so scared that he wouldn’t want anything to do with me and hated me but he’s dead. That’s worse than him hating me.” She was pouring her heart out to him. “I want to believe you, Logan. But I don’t know. After seeing you and you helping us I realized that maybe Erik wasn’t the one for me and that I could have another chance at happiness.”

“You can. I’m right here.” She turned to look at him to find that he was already looking at her. Maybe it was the heat of the moment but she really wanted to kiss him. As if he was Charles Xavier and could read her mind, he leaned in and kissed her. She kissed back and maybe it was the drink or the kiss but she felt herself calm down and realize that this was meant to be. “Erik wasn’t your fault sweetheart. You are not at fault for that. You deserve love and all the happy things in love.” She felt herself smile at his words. “Thank you, Logan.” she whispered and he smiled. “No problem, sweetheart.” He said before they locked lips again.

[yagirlpurplefox12]

Logan’s Firecracker

(Logan Howlett x Female Reader Insert)

~~~~~~~~~~~~~

“When you get to young Xavier, tell him to find me. Young me would have loved to have been in a school like that,” you pant out to Logan with blood dripping down your nose.

“(F/N)—!”

“Now go, I’ll hold them off.”

Tears start to make his vision blurry as he clenches his jaw…very unwilling to let you go but he knows he has to. The Sentinels have taken over and he has to go back in time to stop this from ever happening…but that means losing you…

“(F/N), I…”

Looking from his face to the door, you know the others are holding off as best as they can but dying at drastically quick rate. Focusing back to Logan, you give a small carefree smile and kiss him on the lips. The first and last kiss.

“I love you too. Now go fix the past and tell Xavier to find me. Bye, Logan.”

Getting away from his grasps, you salute the others in the room and lock the door behind you. In front of you is carnage and more Sentinels than before. Getting ready, you feel the space and gravity around you and send out a burst of gravikinesis force sending the Sentinels flying.

You know you are going to die like your friends before you. But be damn if you let them get to Logan and the rest of hope without a fight.

And a fight did you bring.

Along with a horrible death in the process.

But technically that never happened.

Now Logan stands in X’s office as he is given the details on what happened after 1973. Seeing Jean, Scott, and everyone else, he’s happy to have everything back to how it should have been. Though, there is one person on his mind he can’t forget.

“Logan, as I said before you have a class to teach. Now since you just learned about the changes, I’ll be in the classroom with you if you want.”

“That may be best,” Logan grumbles, still thinking about his girl. About you. A strong woman who made him realize love can come anytime and in surprising ways. A young woman originally from shield who had gravitational powers. You were also much younger than him meeting him when you were 23. But as the two years past with the both of you fighting side by side, more than a friendship blossomed but was never dealt with considering the uncertainties of death.

Arriving to the classroom, Logan notices some young friendly faces that either died battling the Sentinels or should be with Magneto instead of here.

After class greets him and Professor X and the bell rings, the door suddenly slams open and a flustered, short, young adult with a shit eating grin on her face chuckles nervously.

“Sorry I was late Logan, training got a little fun now that I can do some cool shit.” Professor X shakes his head at your language in front of the kids as the class laughs at your seemingly normal everyday behavior.

Seeing you, Logan can’t help but to feel that tight feeling around his heart and throat. Looking down at Xavier, the older bald man smiles at him and nods.

Logan then looks back at you and watches you.

“(F/N),” he starts, catching your attention.

“ I know, I know, language. It’s a hard adjustment.”

“How about taking over today’s lesson?”

Your eyes widen and you start to giggle out of nervousness and anticipation, “Wait, for real?”

He nods and tells Professor X he’s not needed.

‘How about you take the day off and be with her? Since you’re officially back now, I think you deserve some peace.’

Logan smiles and nods his head, Xavier now rolling to the door but not before telling you to behave. As he sits back and watches you teach the class in a VERY entertaining way keeping the young teens attention, he feels a burning sensation behind his eyes. He’s grateful he doesn’t remember anything after 1973, for it would honestly be super awkward if he had to see you as a child. He’s grateful Xavier listened and, just like he told Logan in his office before they headed to the classroom, Xavier found you just a week before you accidentally kills your family and everyone in the apartment building. He’s just really happy to see you, alive, and as geeky and animated as ever. Like you’ve never changed. No matter what pst or future, you’ll always have the lovely, bubbly spirit. Once class ends, Logan gives them homework and as Xavier promised he let everyone know there will be no history class for the rest of the day, surprising you.

“(F/N), how about we go out and enjoy our free day?”

“….really?”

Logan can’t help to feel flustered but he knows he has to do this, he doesn’t know if you feel for him the same as in the other timeline, but he would regret it if he never tried.

“Well I’m on my period and I’ve been craving strawberry ice cream and Puerto Rican food,” you slide up to him with the smiles he wants you to wear everyday as long as you live. He wonders if he himself before ever pulled a move on you, whether that is taking you out in a date or simply hugging you. He gives back your smiles and gives in to his feelings for you. Reaching behind your head, he grasps the back and messages between the lower part of your head and your nape. “Let me get you those well deserved treats.” Your cheeks flush from his actions and words but your smile only grows bigger. “Well, let’s go then! Oooh, and last week you promised me a ride on your bike, let’s go,” you grab his hand and he lets you pull him towards the garage. You answered is unheard question. He is meant to like you and from your hopping and smiling and even flushing his arm to your body, you are meant to like him as well. Your arms squeezes to him and you lay your protected head on his back the whole ride to the closest town that you said has Puerto Rican food.

It’s lunch time by then but since it’s a workday not many are out. He buys all the food you want and lets you feed him yourself of everything he never had. The whole day, the two of you were getting closer and closer. “Logan, are you feeling alright?”

“Hmm?”

The two of you are ending your day licking ice cream after spending and hour and a half at a book store. Piles of bags are next to him, every book he saw you remotely interested, he bought.

Had to get a lot of gay manga but if it makes you happy, it makes him happy.

“Well, you’re always so broody and very cold many times. You also have a tendency to yell at me and abuse the hell out of me during training, but for the past month or two you’ve been very nice to me…and today…I guess what I’m saying is don’t be an asshole and get my hopes up. I know you know I like you, I mean since I was 15 I’ve literally asked you to be my prom date every year. Was this day just to tell me that I’ll never have a chance or what?”

Logan freezes for a moment, and watches your face get saddened per second. He remembers from the other timeline of you being insecure about…well everything. You were just always joyful while making stupid untrue comments about yourself. He’s not gonna let you think like that.

Gently grabbing your chin, he guides your face to his and wait, seeing if you’ll object. Your eyes and the lick to your lips give him no objection. Moving forwards, both of your mouths collide to a deep and passionate kiss. Your bodies feeling the same tingle and longing. Dropping your ice cream to the ground, you grasp his hair, pulling to get a deeper kiss as he groans in your mouth. “I love you (F/N), I want to take you on dates every weekend, treat you like the queen you are, and god I want you so badly,” he states between kisses. You can’t help but feel for him the same, “I love you too Logan. I just can’t believe a hunk of a man like you would be interested in flabby me.”

“Don’t talk about yourself that way, you’re gorgeous inside and out,” he growls at you.

You guys headed home right after that, but Logan wants to take his time with you. To cherish you. You invite him to your room to watch the Child’s Play series, cuddling, and eating popcorn and snacks. He kisses your head and inhales your scent. He scents your shampoo, perfume, skin, and even the little musk of want coming from under the covers. “Love you Logan, can you sleep here, with me?”

“Of course, love you too you little firecracker.”

~~~~~~~~~~~~~~~

[artbyblastweave]

i only learned recently from a friend's who much more comic literate than I that magneto's backstory as an Auschwitz survivor wasnt planned from the start, which surprised me since it seemed to me a really integral part of his character. anyway, twofold question: how common is it to see capes with backstories tied to very specific historical events, and, as time inevitably passes and real world survivors of those events pass, how do they justify having their characters still alive and kicking? (stay safe on your mountaintop friend)

Depending on how wide you cast the net, this is a pretty big list! There are a lot of comics who's characters cutting-edge ripped-from-the-headlines origin later became a very specific historical event, or at least Of A Specific Moment, in a way the writers had no reason to anticipate the franchise would run long enough to have happen. But to shed pedantry and hone in on some specific ones;

The big one, of course, is Captain America. Superficially Cap's contemporary origin comes with a baked-in means of him making it to the present day- he gets stuck in the ice and then gets unthawed. The fly in the ointment, though, is when he unthaws. When they first brought him back into rotation in 1964, his stint in the ice was only around 20 years; long enough for there to be a significant culture shock, but not long enough that his entire social circle was dead or even culturally sidelined. Nick Fury is still around and kicking ass as a zeitgeist-appropriate 60s superspy. But the further the sliding timeline hauls forward his implicit date of release, the more it changes the tone and tenor of the resulting story. Losing twenty years is different from losing fifty years (as was the case in The Ultimates, where he very explicitly comes back during the Bush years as part of the book's commentary on The War On Terror) and those will both be way different from when we inevitably hit the point where he's lost 100 years and he's the cultural equivalent of a Civil War Vet or something. There's strength to all of those stories but they're undeniably different.

Iron Man's origin was originally explicitly tied to the Vietnam war; he was captured by a detachment of "Red Guerillas" while consulting for the US military and the South Vietnamese government. Unfortunately U.S. foreign policy to this day has prevented this from ever becoming an unresolvable storytelling issue.

The Fantastic Four are a case where their origin was intimately tied to the space race; their untested, cutcorner spaceflight was expressly an attempt to show up the Russians. The extremely specific political context of their test flight is something that sort of gets brushed off; the Ultimate incarnation (written by Warren Ellis) threaded this needle deftly by having the accident be a dimensional expedition instead, circa the early 2000s. I'm not actually sure how the urgency of their test flight is currently contextualized in 616 continuity. Anyone got their finger on that pulse?

The Punisher was also originally a Vietnam vet- but through the jaded cynical lens of the 1980s rather than the straightforwardly peppy and jingoistic lens that defined Iron Man's debut in the 60s. Current continuities I believe have mostly bitten the bullet and updated his origin to the invasion of Afghanistan. However, an interesting decision in the Garth Ennis-spearheaded Punisher MAX continuity of the early 2000s- where Punisher is literally the only costumed vigilante- is that they bit the bullet and posited a version of Frank Castle who really has been killing criminals nonstop since shortly after his return from Vietnam in the 70s, a man well into his 60s who's survivability and efficacy at killing are edging up against the boundaries of magical realism.

Hulk I feel sort of deserves a mention here- he's in a sort of twilight zone on this issue, as there was, uh, a pretty goddamn specific political context in which the Army was having him make them a new kind of bomb, but you can haul that forward in the timeline without complete destruction of suspension of disbelief. Pretty soon it'll be downright topical again.

To circle back around to The X-Men, Claremont introduced a lot of historical specificity with the ANAD lineup. Off the top of my head, Colossus was explicitly a USSR partisan (updated to a gangster forced into crime to survive in the mismanaged chaos of the USSR's collapse in the Ultimate Universe) and Storm was orphaned by a French bombing during the Suez War. More to the point, the timing was such that Magneto, in his upper-middle age, had a pretty strongly defined timeline vis a vis his ideological development vs Xavier; child during the holocaust, Nazi hunter who eventually rifts with Xavier during the mid-to-late 60s, and then the two of them spend their years marshalling their respective resources before coming to blows during the quote-unquote "Age of Heroes," whatever the timeline looked like for that in the 80s. And it was a timeline that held together pretty damn well in the 80s, but it's gotten increasingly awkward as time's gone on. The Fox films completely gave up on having it make sense, near as I can tell. In the comics they've had all sorts of de-aging chicanery occur that very pointedly ignores what an odd timeline that implies for everyone else in the X-books besides Magneto. The Cullen Bunn Magneto standalone from 2014-15 I remember actually leaned into playing up the idea that he's just old as shit and dependent on so many superscience treatments to remain functional that he's basically pickled, which was a take I liked; the comic ended when he died of exertion trying to stop two planets from crashing into each other, right before a brand-wide universal reset. When the MCU was at it's peak and people were wargaming how to integrate the X-Men (lol) you occasionally saw people float "fixes" for the issue, such as making Magneto a survivor of the Bosnian Genocide, or making him black and a survivor of the Rwandan genocide; I remember that this consistently drew a lot of ire from people who (reasonably) thought that his Judaism and connection to the holocaust were deeply important to his character, continuity be damned. But yeah, he's a character dogged by specificity in a way only Cap even slightly approaches. If this is a tractable problem I'm not going to be the one to tract it.

Interestingly, I'm genuinely having a lot of trouble coming up with stuff that's analogous to this at DC comics- almost universally the core roster updates into any given time period much more smoothly. Furthermore, DC stuff has always been much more willing to eschew Marvel's World-Outside-Your-Window philosophy in favor of deliberately obfuscating the time period via the Dark-Deco aesthetic of BTAS's Gotham or the retrofuturism of STAS's Metropolis.

The closest you get to this kind of friction is The Justice Society, who, pre-crisis, were siloed off in a universe where superheroes had existed since the 40s and there was no comic book time, so they were all in their upper-middle-age to old age now, with their kids and grandkids as legacy capes. Post crisis they were (and are) kind of an awkward fit in DC continuity; in the scant few JSA comics from the 90s and early oughts that I read, surviving members of the WW2-era lineup like Alan Scott and Jay Garrick were absolutely written as dependent on their metahuman physiques to have endured up to the present day. I think they're still doing stuff with those guys. I don't know how. I do understand the impulse, though. I also never throw anything out.

[thepointofme]

mind full of thoughts of erik accidentally being sent back to the past and staying with the x men until they find a way to send him back to the future and present erik being jealous charles with his future version.

ok so in my head here the timeline is different from xmfc, it takes longer for erik to find shaw so he stays with charles for at least three years and they open the school together. there's no beach divorce or charles getting paralyzed but the divorce eventually happens bc erik never gave up on his revenge plan, ends up killing shaw at some point, this causes a massive fight between him and charles and he decides to go on his own bc they're both too stubborn to meet each other in the middle. a year and a half passes after their dramatic divorce and this is precisely when future!erik arrives. in his mid/late 40s from twenty years now on, this erik is not that different from present!erik, they still look the same, save from how future!erik has shorter hair, a stubble, and a few more wrinkles.

the major difference lies in his posture. future!erik carries himself with more genuine confidence than his present version, since he's obviously older and has way more experience, he's way more confident in his powers and doesn't rely (that much) on anger anymore to use them. hes just.. a bit more calm. doesn't look like a bomb ready to explode. and this is what makes charles orbit around him like a moth to the flame. i keep thinking about young charles absolute FASCINATED with this version of erik, bc that's the man he loves so much, his dearest friend, now older and mature and comfortable in his own skin. this is exactly what charles wanted for erik and its right in front of him, after a year and a half of being away from erik, all that hurt and pain.. and future!erik is ACHING and YEARNING so badly like i bet he regrets all the things he did that hurt charles and always had those 'what ifs' in the back of his mind, 'what if he could change the past' 'what if he could change the way he treated charles' and now he has this version of charles, the first version of him he learned how to love, still full of hope for the world and with that soft look on his beautiful blue eyes.. he wants to make things right this time. so while hank is trying to find a way to send him back to his time, charles and erik spend their days together, playing chess and talking and talking and talking.

charles sees erik interacting with alex and helping him with his powers, everybody is still at shock to see how he's way more patient than his present version, and charles is about to EXPLODEEE with so much love. and in the middle of all this we have present!erik, hurt and bitter with his fresh 'magneto' suit of armor bc now he's the leader of the brotherhood of mutants, seeing this man who clames to be him in the future following charles around like a puppy, making charles smile and blush, he's about to start a new war. he also stays with the x men bc he wants to send his future version to the future as soon as he can, he's there to "keep an eye on him".

it goes like this until one day charles and future!erik are talking in the balcony of charles' room, they're talking normally and they simply CANT take their eyes off each other until charles blurts out of nowhere "are you happy? at peace? or at least getting there?" and erik says after a few seconds looking at him ".. im getting there." and charles smiles bright like the sun, holds one of his hands saying "good" and the moment is so soft and delicate and intimate they end up kissing. slow and wet and romantic with their bodies pressed against each other totally lost to the rest of the world, none of them hear the door opening until is too late and suddenly there's another erik in the room, furious. thats where things get interesting!!!!!! present!erik is absolutely out of his mind and tries to attack future!erik with his powers, but future!erik is more powerful and doesn't even bat an eye (thinking about present!erik trying to choke future!erik with that necklace he uses in dark phoenix but future!erik simply uses his powers to put it in present!erik's neck to choke him instead) until charles get in the middle ordering them to stop because theyre being ridiculous.

its just too funny the idea of erik fighting with himself bc other version of him got to kiss charles before him (got to kiss charles at all) and future!erik tauts him by saying that he could have that if he wasn't too much of a coward to act on his feelings and charles is a little offended how they're talking about him as if hes not there but hes also getting all hot and bothered bc cmon there's Two eriks fighting over him and theyre both so hot and attractive in the same AND different ways he's sweating a little!!! and then future!erik kisses him again... gets behind him gently pushes his body close to present!erik.. who looks at him as if he's pained and then he also kisses charles... they end up taking charles to paris if you know what i mean

[justsomerandomfanfic]

Humans And Mutants - Chapter 9 - Logan Howlett X Female Reader

Title: See No Evil

Previous Chapter | Current Chapter | Next Chapter

Logan Howlett X Female Reader

Additional Characters: Jean, Scott, Kurt, Ororo, Charles (Mentioned), Magneto, Mystique (Mentioned), Stryker, some of the children (Mentioned), and Mutant 143 (Mentioned)

WC: 982

Warnings: X-Men canon violence, X-Men canon storyline, brief mention of death/killing, slow burn, and angst

(Sorry, if this series is a bit odd, I made this in 2018)

Ororo and Nightcrawler slowly got up and assisted all the children. “Everybody okay?” Ororo then asked, there were murmurs of ‘yeses.’ “Alright, follow me, and stay close,” She continued.

Meanwhile, Cyclops sat up, shaking off the effects of Dark Cerebro. He looked over to see Jean in the far corner, holding her head. “Jean..?” He asked weakly. She didn’t look up. He stood, walked over and crouched next to her, tenderly holding her hand. “Hey.” He spoke. She squealed and winced, startled. “It’s okay… It’s me.” He continued, calming her down.

She looked up, her eyes were bloodshot, and filled with fear. She held a shaky hand up to his face and caressed it gently. “Scott.”

Scoot frowned, “What happened?”

Jean shut her eyes tight and rubbed them. He helped her up. She seemed disoriented, she held onto him for support. “I… I don’t know.”

Her com device crackled with Ororo’s voice. “Jean, I’ve got the kids.”

Cyclops heard a faint beeping sound. He turned and saw a charge attached to one of the generators. He looked up and saw the rest. “Alright. Meet us in the west corridor. We’re going to get the Professor.” Jean spoke weakly on her device to Ororo.

“Jean…” Cyclopes muttered. He reached towards the charge, it beeped louder and faster, and the clock started to count down faster. He pulled away and it slowed down to its normal speed. “Jean… We have to go.”

“Scott... Something’s wrong.

Cyclops stared at the charge. “I know.”

~~~

Back in Dark Cerebro, Magneto stared at Charles, who was still in his coma-like state from 143. “How does it look from there, Charles? Still fighting the good fight? From here, it doesn’t look like they’re playing by your rules.” Magneto hovered across the middle of the hole. With a wave of Magneto’s hand, the entire machine began to re-configure itself. Ceiling boards, metal braces, tubes, wires, everything. It was a swirl of metal and movement. He stopped and landed on the platform, “Maybe it’s time to play by theirs.” Through the doorway, Mystique smiled as Magneto turned to walk out. “Goodbye, Charles.” 

He then shut the door.

Cerebro slowly started back up again. The throbbing started again, louder this time. Each light signifying the non-mutants of the world, the rest of humanity, were Cerebro’s new targets.

Stryker was about to open the helicopter door, but he hesitated. He heard it, faintly. He stopped and pulled out a small dart gun, and wheeled around. Logan cut the gun from his hand and threw him to the ground. He pulled Stryker close, his nostrils flaring.

“Now, you were about to tell me something…” Logan began with a growl. Then the ground rocked by an explosion. A loud one. The first of the charges detonated, sending the giant generator crashing into the side of the room. Debris and water splashed everywhere. Then the second charge hit. An alarm blared and warning lights flashed. The ground was suddenly rocked by the sound of two more explosions. Still holding Stryker to the ground, he looked to the spillway beside him. Water began to fill the spillway… Preventing the X-Men from going out the way they came. “What did you do?” Logan asked angrily, glaring down at the man. Stryker’s face curled into a smile. 

“Logan, we have to go.” You spoke, beside him, still holding your head.

He looked back to the tunnel. The sound of colossal rushing water could be heard, as could a distant rumbling. He’s torn between his past - Stryker - and his future - the X-Men - who were confined underground. He grabbed a bundle of chains used to secure the helicopter and quickly chained Stryker around one of the legs of the said helicopter.

“Don’t move, we’re not finished.” Logan turned away. He then took your hand and ran back through the tunnel. 

Ororo, the children, and Nightcrawler came around a corner and neared the giant spinning sphere. They watched in awe. All around them, the creaking and shattering of the base could be heard.

“What is this?” Nightcrawler asked, his eyes wide.

“Cerebro.” Ororo replied, horrified. Just then, Cyclops appeared, guiding a staggering Jean. The low, throbbing hum of Dark Cerebro was once again audible. “Jean, I thought you and Magneto stopped it.” Ororo thought.

“He did, but…” Jean said.

Quickly, Jean closed her eyes, focusing. She placed her hand on the door, using her telepathy. You and Logan came running down the hallway, out of breath he reluctantly let go of your hand. “We have to get out of here, now!” He shouted, “There’s a tunnel that goes under the spillway, Stryker has a helicopter there.”

Jean had her hand still pressed against the door, still concentrating. “No… Magneto reversed Cerebro. It’s not targeting mutants anymore.”

“So who's targeting now?” Logan asked.

“Everyone else. The Professor’s still inside. He’s being… Manipulated… By a mutant.” She replied. The system shook by the sound of the dam coming apart. The kids looked worried. Dark Cerebro’s hum got louder. “Kurt.” Jean called.

“Yes?” He replied, ready to help.

She gestured with her hand slightly, “You have to take me in there. Now.”

“Jean…” Cyclops began.

“I told you. It’s too dangerous. If I can’t see where I’m going, I…” Nightcrawler began stuttering out, but Scott interrupted him.

“Jean, no.” Cyclops said.

Jean then turned in your general direction, “Y/N?” 

“I’m sorry, but I can’t.” You muttered, your fingers tingled painfully from your constant mutation usage. “I’m sorry.”

Cyclops stared at Jean closely, and noticed something different about her, the way she’s staring ahead at nothing in particular.

“I have to get in there.” She continued to speak, and - though people couldn’t see - Scott narrowed his eyes.

“Wait a second.” Cyclops said suspiciously. Cyclops grabbed Jean by the shoulder and gazed into her eyes.

“What’s wrong?” Ororo asked.

He swallowed, “She’s blind” Cyclops said sorrowfully.

---

@ashdoctor @powergirlsupremacy @weallhaveadestiny

---

Main Masterlist | X-Men Masterlist

[thorias]

No, seriously, what the hell is going on here? The more information we get about this, the more confusing it becomes.

Nightcrawler encourages Remy to marry Rogue; the thought of it makes Remy smile. Then Rogue wears her famous first-date-with-Remy dress to the gala where she dances with Magneto instead and kisses him right in front of Remy. So Remy gets his heart ripped out and then dies believing that the woman he loves had chosen the other guy.

I, like many people, thought there had to be some kind of timeline reset coming to change these events because that's the only way they'd make any sense. I mean, why on Earth would you even think of doing it this way if the whole point wasn't to undo it? But Beau DeMayo has since dismissed the possibility of resolving this with time travel, so... WTF?!

Why have Rogue wear that dress? She could have worn literally anything, any other outfit, but it had to be that particular dress, a dress that has very special significance to anyone who loves the Romy relationship... and it's used as a way to completely gut Remy and the fans alike right before he gets killed?

WHY?!

And now that we know there's no time travel fix, this means that, even if Remy is resurrected as Deathbit, Rogue won't be going back in time, won't save Remy that way, won't get to rectify that moment by dancing with Remy instead...

...SO HOW DO YOU FUCKING FIX THIS THEN? WHY DO IT THIS WAY? WHAT WAS EVEN THE POINT OF THIS EXCEPT TO TAKE SOMETHING CHERISHED AND BELOVED BY THE FANS AND NIHILISTICALLY PISS ALL OVER IT JUST FOR THE SAKE OF ABJECT CRUELTY?

Was the cruelty the point? Did they just want to take something the fans loved and desecrate it because they think that's funny or something? What the fuck are we doing here?!

Yeah, there's two episodes left and a lot can still happen, but holy shit, I officially have no clue how they can pay all this off in a way that's going to be in any way satisfying or even make sense at this point...

[honey-minded-hivemind]

Reader, in a random X-Men Evolution A/B/O AU or reboot, semi-adopts Laura. Let's imagine that Reader, some of the other mutants, and Laura were experimented on. Jailbreak happens, but something goes wrong, with Wolverine snapping and the other escapees taking vengeance or herding the others to safety, falling into protective pack instincts, so what does Reader do?

They take Laura and run like H*ll.

The last thing they want is for her to get hurt worse than she already has been, Reader wants to offer assistance and help, and Laura is small and in need of care. So Reader and Laura go on a small roadtrip/escape route, and Reader tries to help her understand her emotions and powers. Reader gets her food, helps hide evidence if they had to knock someone out, and keeps putting most of the blankets and jackets on Laura to keep her warm. Reader fights tooth and nail to keep her safe and happy, they try to let her know she isn't bad or wrong to exist, and they keep giving hugs and free food and water and blankets and comfort, with no hidden agenda or strings attached.

This leads to Laura becoming attached. Dangerously so.

Reader is HER sibling, or friend, or whatever. Make no mistake. If someone comes after them, if she can, she kills them before they can get near Reader. If Reader is struggling to keep them alive, Laura is catching small animals for them, or even a deer. If Reader is upset, she tries her best to ge then to feel better. It doesn't matter to Laura if they're older or younger or even the same age as her. This is HER person, or friend, or sibling, and NO ONE can take them from her! (She'd gut then if they tried-)

Things become weird, in an uncomfortable, tense way, when the X-Men (and possibly Brotherhood) show up (they're working together/became one big team/family). They want to have their two odd, fellow ex-prisoners or experiments with them, and somewhere safer and more secure, than the open road and where humans can get them. The X-Teens are insistent that the two join them, offering friendship and telling them about the Institute and the adults and their adventures, and adding that they remember them from where they were all held captive. The X-Adults are trying to force them to come with them, citing that the two need proper care and guidance, which can't be found with just the two of them... Logan is being a papa wolf, insisting on having Laura with him, and Reader too, and tries to open up to them emotionally, and tries to get them to trust him and give in to their care... The Brotherhood teens are doing their best to not p*ss Laura off, and try to appear harmless and fun (which works, partially?). Magneto and Mystique and the Acolytes are more focused on intimidating the two into joining them, hoping to patch up relationships after they have them with them. And Sabretoorh is busy trying to get the two to join him, and be a crazed family, or at the very least, get them to Logan, so they have some form of parenting by someone who can meet their feral needs.

Reader is adamant that they and Laura keep to themselves, stating something isn't right about the others, that there's something off with them... While Laura agrees with them, but does visit Logan when he shows up, simply keeping him away from Reader.

Things come to a head when things get harsher on Reader and Laura, and the adults, knowing Reader won't budge in their choice, go to Laura... They tell her that she and Reader need help, need care, need pack, that she and Reader can't provide entirely for each other. Reader isn't doing well, and neither is she. If they come with them, they can make it better. They can give them pack, and comfort, and whatever they need to feel safe. Reader won't agree to it, because they're stubborn and worried for the both of them... but all they need is a yes from Laura, and they'll see to it that they're both in a nest and warm and happy as soon as they're home...

Laura ends up begrudingly agreeing, worried about Reader, who has been struggling to provide enough care and warmth and protection, but isn't able to take care of themself, and so she and Reader don't have to run anymore. She hopes they aren't mad, and decides to keep to their side while they wait to go back to where the others live...

(And they and the teens end up nesting, sleeping and wrapped in fluffy blankets and exhausted, they're warm, and while Reader is drugged, they're still being hugged, especially by Laura and Kurt and Kitty, and by Logan, who is now a dad to even more pups... When Reader is well again, they're still stubborn and resistant... so, the adults decide to try and fix that, while Laura keeps them company and is around, so Reader doesn't feel as scared, and so she can hug them...)

[inkmemes]

x-men  (  2000  )  sentence  starters ↪  taken  from  the first x-man film.  alter  as  you  see  fit  ♡

“won't it kinda be cold?”

“well, that's the point, stupid.”

“and when are you gonna do this?”

“i don't know what happened.”

“i don't know... i just touched him.”

“call an ambulance!”

“just get away from me!”

“don't touch me!”

“thank you, [name]. it was quite educational.”

“the wrong person driving a car can be dangerous.”

“i didn't say they were hiding.”

“what are you doing here?”

“why do you ask questions to which you already know the answers?”

“don't give up on them, [name].”

“what would you have me do, [name]?”

i've heard these arguments before.”

“it was a long time ago.”

“are you sneaking around in here, [name]? whatever are you looking for?”

“i'm looking for hope.”

“don't get in my way.”

where are we?”

“are you gonna let this man walk away with your money?”

“i'll fight him!”

“don't hit him in the balls.”

“you said anything goes.”

“you idiot!”

“you want something new, honey?”

“i'll have a beer.”

“you owe me some money.”

“[name], let's not do this.”

“no man takes a beating like that without a mark to show for it.”

“come on, this isn't worth it.”

“i know what you are.”

“you lost your money. you keep this up, you lose something else.”

“what the hell are you doin'?”

“i'm sorry. i needed a ride.”

“i thought you might help me.”

“get out!”

“where am i supposed to go?”

“i saved your life!”

“you don't have anything to eat, do you?”

“suddenly my life isn't bad.”

“it looks cosy.”

“put your hands on the heater.”

“it's nothing personal.”

“so what kind of a name is [name]?”

“you should wear your seat belt.”

“you all right?”

“weren't you supposed to bring someone back with you?”

“what happened?”

“i have made the first move.”

“where are you going?”

“what's your hurry?”

“good morning, [name].”

“would you like some breakfast?”

“i don't need medical attention.”

“what's a magneto?”

“this is the stupidest thing i've ever heard.”

“you wanna get outta my way?”

“give me a chance.”

“i may be able to help you find some answers.”

“how do you know?”

“you're not the only one with gifts.”

“what is this place?”

“i'll make a deal with you.”

“no, i don't see a difference.”

“it's gonna be close.”

“the world will be watching.”

“where the hell are we?”

“i'm sorry.”

“so... couldn't wait to get my shirt off again, huh?”

“he could very well be older than you, [name].”

“i've never seen anything like this before.”

“it's such a strange phrase.”

“i think what you really are afraid of is me.”

“i think you'll be comfortable here.”

“where's your room?”

“so read my mind.”

“come on. you afraid you might like it?”

“what do you see?”

“you oughta be careful. i might not be there next time.”

“it was an accident.”

“what the hell have you done to me?”

“i had no choice.”

“i think it'll be easier on your own.”

“you don't like him.”

“how could you tell?”

“where is it?”

“we had a deal.”

“she's all right. she's just upset.”

“i'm sorry about last night.”

“you running again?”

“who told you that?”

“she was supposed to meet me for lunch.”

“you look around, i'll check with the ticket agent.”

“i think you should follow your instincts.”

“i can still feel him inside my head.”

“he seems to genuinely wanna help you.”

“what do you say?”

“come on, i'll take care of you.”

“you promise?”

“scream for me.”

“what the hell do you want with me?”

“whoever said i wanted you?”

“you'll have to kill me, [name].”

“care to press your luck, [name]?”

“goodbye, [name].”

“i made a terrible mistake.”

“i couldn't see what he was after ‘til it was too late.”

“[name], you can't do this alone.”

“who the hell do you think you are?”

“i want you to try and relax. i'm not going to hurt you.”

“please don't leave me! i don't want to be alone.”

“wait a minute. he's not coming with us, is he?”

“answer me. please.”

“are you going to kill me?”

“i'll understand if that comes as small consolation.”

“you actually go outside in these things?”

“sounds like a storm's comin'.”

“there's someone here.”

“there's someone here. i just can't see 'em.”

“do you know what happens to a toad when it's struck by lightning?”

“[name], is that you?”

“you're not part of the group.”

“i can't move.”

“i thought you lived at a school.”

“he's become even more powerful than i imagined.”

“are you sure you saw what you saw?”

“why do none of you understand what i'm trying to do?”

“you're so full of shit.”

“if you're really so righteous, it'd be you in that thing.”

“please! somebody please help me!”

“this is mine.”

“you owe me a scream.”

“you drop something?”

“i can't control it like that.”

“i'm taking it.”

“welcome back. i knew you'd find your way.”

“how did we do?”

“oh, that tickles.”

“how are you feeling?”

“that was a brave thing you did.”

“i think she's a little taken with you.”

“well, you can tell her my heart belongs to someone else.”

“are you going to say goodbye to them?”

“i was wrong in this particular issue and i hope, in time, i may be forgiven.”

“i kinda like it.”

“i don't want you to go.”

“what do you do when you wake up to that?”

“and i will always be there.”

[beforetimes]

charles and erik are both two sides of the same coin in a few ways, but one specific way this makes itself known is through the fact that they are both incredibly enduring. charles has his enduring hope and erik his enduring pain.

when charles tries to be selfish in dofp, at his lowest, he still retains hope in that memory of raven coming to him in childhood and summons up as much of it as he can to go after her. he continues to hold out hope—even when hank thinks that raven will become mystique no matter what they do—that he can help her and she will find her way back home. when the world is against mutants in every other film, charles is with mutants and the world because he has to have hope in the kindness of others to exist—he has to have hope to take control of his powers and his life, otherwise, as seen in dofp, he spirals.

erik as a person is intrinsically built off of his relationship with pain, and magneto is a representation of that suffering condensed into its most lethal form. he tries to help where he can but life doubles back to put him through the wringer, time and time again. charles finds good in him he didn't think he had, but using the powers that charles helped him hone, erik wounds him severely. he tries to back away from the world following his failure with the president and creates a family free from pain but again, the world turns back to him and takes them from him. his powers are honed through his suffering over and over; with shaw and with the death of his family and with the knowledge if he doesn't kill raven, his old friend, all the brothers and sisters he spent years fighting for will die.

erik can not disentangle himself from pain and charles can not disentangle himself from hope because these two things are a core part of them. but erik brings charles pain where charles brings erik hope, evening each other out like the world's worst joke

[thealtoduck]

Being a student at Xavier’s school and unlocking your second mutation…

X Men x Male Reader

Warnings: Superhero violence…

Part 1: Being a mutant and joining Xavier’s school…

Summary: While on a mission you accidentally unlock another power…

(A/n: Sorry if it’s short i didn’t know what to add…)

——

It happened while on a mission…

You hadn’t been on many missions much less one this dangerous before but the team had needed as much manpower as they could get. Magneto and his brotherhood were at it again. And you and the others needed to try stop them.

You ran over the battlefield, rubble was sprawled everywhere. One of Magneto’s goons ran towards you readying herself for attack, you immediately used your telepathy to give her a psionic blast causing her to fall to the ground holding her head as she twisted and turned in pain.

You ran past her and continued looking for your fellow team mates. You then saw Jean, Ororo and Scott fighting together against Magneto. You knew you couldn’t be much help to them as Magneto’s helmet protected him from telepathic power.

You continued running trying to get past them to find the others but all of a sudden Scott shot an optic blast at Magneto hitting his arm, making him fling an explosive he was carrying with his powers right towards you.

”Y/N” Ororo yelled making you turn to see the explosive flying towards you. You could do nothing but brace for impact. You closed your eyes and felt a blast against your chest. Then nothing.

Were you dead now…? If this was dying it didn’t hurt as you had thought. But wait how could you still think?… were you still alive?…

You opened your eyes seeing a cloud of dust and smoke surrounding you. Once it cleared you saw Jean, Ororo and Scott were staring at you. Even Magneto was looking your way, curious of what mutant he had accidentally almost killed.

You looked around confused how in hell had you survived that. Then you caught a glimpse of your hands and you almost screamed. ”What the-!” you said. Your hands were crystalline, like glass or diamond.

The explosive had made a big hole in your costume revealing your crytalized skin, your whole body had become like this.

”Amazing” Magneto muttred under his breath. Ororo used his current fasination with you to shoot lightning at him taking him down.

Once you had won the battle you went back to the X mansion, where they immediately rushed to figure out what had happened to you. After several scans the professor eventually uttred an astonished ”Amazing”.

”What?” you questioned. ”You seem to have developed a second mutation Y/n” he explained. Jean followed up saying ”Your body seems to have become a sort of organic diamond, which protected you from the explosive blast”.

”Is there anyway to turn it off?” you asked them. ”Try it” Jean urged. You did as told and suddenly you were back to your regular self. You then focused and made only your hands turn diamond. ”This is so cool” you said to yourself.

You immediately went to find Peter your roomate and closest friend at the school to show him your new powers. He then pointed out the irony that the two people who could shapeshift in to different materials at the school were also roomates.

[spaceorphan18]

How an animated series saved Remy LeBeau (again)

It's a bit of a hyperbolic title, but catchy, non?

I was looking over my comic collection as I've decided to reread X-Men's 60 year history over the course of the summer. And it got me thinking about a dead period of 616 canon that I've never actually read. Around the time Rogue hooked up with Magneto and scooted off to the Avengers, I decided I'd be done with comics for a while. And didn't start again until Rogue (and Gambit) came back to the X-books in 2017's Astonishing X-Men. But it made me wonder -- What happened to Gambit in that time??

Well, after his solo ended, he flitted around to X-Factor and hung out with X-23 and then kind of went 'poof' for a good long while.

Why? I can only guess the same reason this is a running motif with Gambit. There's something about him that drives the X-Office crazy. I'm not here to speculate what or how or who of it all. I don't know enough about the back end of Marvel to give concrete answers. But I think what has surprised me (recently) is that he's definitely a fan favorite character.

[Yes, I know he can be a divisive character. Yes, I know elements of his character from the 90s have not aged well. Yes, I know there are those of you who can't stand him. Don't really care - you can get off my lawn, thank you.]

Which got me thinking -- Gambit's original popularity, I believe, stemmed from the original X-Men Animated Series. He had just started showing up in the comics at the time, and had barely any kind of page time. And the X-Men TAS swung and was a hit. And so was Gambit.

I don't really know that Gambit would be around today if TAS hadn't done its thing. Would the X-Office have kept him around? I really have no idea.

But they did try to get rid of him. That was the point of leaving him in Antarctica. And things were just never the same after that. Claremont tried his best in the early 2000s. And then Deathbit happened. Carey's run wasn't bad. But Carey clearly had an agenda for other things... And then, Gambit just kind of faded into the background. (I hear his run as a side character for Laura (X-23) was good - but I haven't read that.)

Bless Kelly Thompson (always) for sparking life back into him with (and his relationship with Rogue). And bless the fact that she actually married him to Rogue. Yes, I understand comics -- my god look what they did to Peter and MJ, no one really gets to be happily married except Sue and Reed. He and Rogue are now really tied together in a way that I don't think is going to be undone any time soon.

Even if the X-Office still isn't thrilled with the guy. Krakoa era has been less than ideal. (I can't comment on it fully - I haven't read much of it, as I'm behind on my comic reading.) But I've heard rumors that one reason Thompson was let go was that she didn't want Gambit killed off. And she didn't like the direction they wanted to take the character.

Which leads me to X-Men 97. Killing him off sucked. Really. As a fan, it really sucked. But - my god, the reaction to it. Gambit was amazing. And all I've heard lately is good things about the character. There's been a Gambit resurgence in the best way. He may have went out -- but he went out with a bang. X-Men 97 made an emotional impact with people. And that changes things.

Gambit is cool again.

And I love it.

What's even more exciting is the fact that the X-Office has changed hands again and Gail Simone on Uncanny who (if her Twitter/X feed is to be believed) is really enjoying writing the character. Which means (hopefully) at least another year or two in the comics of some (hopefully) great Gambit stuff.

And maybe there will be some changing of hearts and minds in the X-Office.

It's actually very exciting.

And, guys, I really (really, really) doubt he'll be completely gone from X-Men 97, too.

Because Remy LeBeau never stays down for long.

But as a fan, it's nice to see him be on top again. And I don't think he's going anywhere anytime soon.

[artbyblastweave]

On another note It’s interesting to think about the gray area of Bronze Age Marvel where "comic book time" was only barely starting to be necessary. Spider-Man aged in real time for a while, through high school and then out of college. When the All-New -All-Different X-Men debuted, the members of the original lineup who stuck around were mentioned to be.... about as old as they'd have been if they'd been aging in real time from their first debut, maybe with a little compression? Ten to twelve years or so, which roughly works- 1963 to 1975. In issue 97, set in what I think is supposed to be December of 1975, Jean Grey mentions last having fought the Sentinels in 1969- it would eventually become extremely rare for them to nail their own asses down with a specific date like that. This leads to an interesting thing early in Claremont's run, I'm talking really early, like Banshee is still a full-time member of the team early- there was one arc where the ANAD lineup, from an outside perspective, just drops off the face of the earth for a year. They get brainwashed and abducted and put in a carnival, then Magneto abducts them from there and drags them to a facility in Antarctica, and then they get stuck in the Savage Land for a few months, and then they get waylaid and stuck in Japan when their boat crashes and then they have to deal with a bunch of bullshit in Japan before they can finagle a way back to the States. By the time they get back they're all missing persons cases and the Professor thinks that they were killed.

This arc is fascinating to me because it was told more-or-less in real time, taking the better part of a year with the monthly releases, and apparently taking the same amount of time in-universe. Moreover it's a storyline that's incredibly dependent on the political and technological situation in the late 70s when it was being published. It's a conflict that vanishes the second they get to Japan if the internet exists, if cell-phones exist, if 24 hour news cycles exist. (To say nothing of the datedness of the now-rarely deployed supervillain Moses Magnum.) But it's still technically in continuity, unless someone's said something to the contrary that I missed. It's still the arc where Banshee got permanently benched from the A-list X-Men Roster due to blowing out his vocal cords countering a Japan-wrecking Earthquake machine. They still spent like a year dealing with all that bullshit. One year out of the supposed 15 or 20 that they've all been at this- and it has to be roughly in the middle, to accommodate the veteran hero status of the O5 team members that were involved. That was actually a reasonable time allocation when this came out, when the setting was still pushing forward from the outer edges of realtime. It's so much weirder now.