#Mythical Investigations

[mimiblue64]

Okay, here I go, I have drawn something, it has flaws, but it's a drawing that I feel happy with, I think it's more interesting the lore and the story behind than the drawing itself ^^.

So this is Mi, also goes by Mimi or MI-02, she has been created in the Labs of Mythical Investigations, a corporation that dedicates to experiment with pokemon, mostly Mythicals, showing the facade to the society and civils that they work for a better world for humans and pokemon. Mi is a super human, a hybrid created with human and pokemon DNA, so the corporation can use her as a lab rat to test medicines that can work both for pokemon and humans, doing unethical experiments on her...

Gladly, Mi scaped at a really young age, and learned to live on her own, and since she has pokemon DNA in her, she has some powers of really strong pokemon, some are really cool. Thanks to her powers she could survive and protect the mistreated ones, the pokemon with her are considered family, Mi lives in the wild with them, protecting and loving her family.

I want to say so much about Mi and her abbilities, but I think I could write and write about her and the post will be endless, you can ask about Mi if you want ^^, I'm excited to share my own pokemon story that I have been creating over a year ago.

[anim-ttrpgs]

something I don’t get about the disability metaphor is that for eureka monsters obviously it harms another person to eat them. the help a disabled person needs doesn’t actively harm or kill another person. Maybe it’s a difference in perspectives that cannot be resolved

(What I’m about to write could potentially sound very fucked up at first so I’m going to need to trust everyone to read the whole thing before forming an opinion.)

Also this message and response references these two posts.

Eureka’s stance on disabled people is that they (including myself writing this) are, or at least can often be, burdens.

Disabled people often require more resources to live than they are able to “give back,” which, in our capitalist and artificial-scarcity-based economy, is just about the worst thing a person can do.

Anti-ableism sentiment often focuses on the idea that “disabled people aren’t burdens, that they’re just as good and capable as everyone else,” but if they were, they wouldn’t be “disabled” would they? When you say stuff like that, you’re conceding that a person’s worth is determined by how capable they are at doing work, and then having to bend over backwards to justify thinking that a person without arms is just as valuable as a person with arms. Eureka is asking you to decouple a person’s value from how much net resources they can produce.

Often times also, the resources that real disabled people consume are human resources, and those human resources are very much capable of suffering for it. Nurses are overworked, around-the-clock care is absolutely physically and mentally exhausting, people who have to care for their elderly or otherwise disabled relatives on top of their regular jobs don’t get to have social lives or hobbies, etc.

To this end, we wrote the monsters in Eureka to be unquestionably people who “cause damage” to society by literally eating up human resources, because they have to to live, they have no other choice unless they want to just die. Your friend is gone from your life because he has to spend all his free time caring for his comatose wife after a freak car accident. Your friend is gone from your life because a vampire randomly ate him. Providing a metaphor isn't all the monsters are doing, they just work well through that lens.

And then Eureka forces you to look at these people as people, and make up your mind as to whether they have value and a right to prologue their own existence. We can’t force you to agree that they do, but if you think they don’t, then you’ll have to make that argument looking at an intelligent person with a life rather than a pure hypothetical or statistics on a chart.

There are some monsters in Eureka where, if the economy or societal structures were changed, they would stop being such severe drains on resources and could exist harmlessly within society, and there are some monsters where no imaginable amount of societal change would solve the problems they cause. This is true of disabled people IRL as well. Some of them would require no further assistance with living if certain things about society changed, and others would still require a massive amount of human resources.

And even when it’s not necessarily human resources, the extra resources that disabled people need also cause huge energy expenditure and create huge amounts of plastic waste, which are things that contribute to global warming and pollution, which do have significant harmful effects on everyone’s lives. Despite this, they are still “worth it” to keep around.

As for actively causing harm, that happens too. I randomly scrolled past this post after we got this message and saved it so I could link it here.

This person and their family had to cause a big stink in a restaurant just to get an accommodation that they needed, and to us reading it from their perspective, we’re obviously on their side, but I can assure you that the overworked staff at that restaurant didn’t see it that way. They saw the disabled person as an aggressive Karen whom they would never in a million years want to have to provide customer service to. The disabled person & family had to get aggressive, and ruin the staff’s day, to get what they needed. That’s actively causing harm - harm we all agreed was justified to cause - but harm nonetheless.

Plastic straws aren’t that big of a deal for global pollution, but even if they were, the point is that this person still would have needed a straw. It doesn’t line up one-to-one, because metaphors rarely do, but a vampire asking if they can drink someone’s blood, and being told No, may find themselves in much the same position. (And if you bring up that some people find vampires really sexy, you’re missing the point. “I would give them a straw if they had sex with me.” is not actually a great thing to announce about yourself.)

I can also come up with an example from my own life. I personally am very sensitive to noise and noise pollution. If there’s music playing at a public space, I usually can’t handle it. (Earplugs don’t work for other reasons I won’t get into - plus, if I just deafen myself to all sound, how can I socialize with anyone in this public space?)

If I want to exist in this space, I will have to actively cause harm to everyone there, or else stop existing in that space. I will have to go up to whoever is responsible and ask them to turn off the music, actively taking it away from everyone else who was enjoying it. I have to take action to ruin their good time if I want to exist in that space at all, and they might, very understandably, be pissed off at me for doing that. Because, like I said in this other post, the people that monsters eat do have a right to prevent themselves from being eaten by monsters. We aren't proposing that the solution is everyone has to line up to be mauled to death by monsters or else they're a bad person.

Who has a greater right to enjoy themselves in that space? That’s the kind of question that Eureka poses, and makes you consider both sides as human being rather than denoting one as just an ontologically evil villain to be destroyed.

We actually don't know of perfect solutions to all the problems presented by the existance of monsters in Eureka, we just know that "exterminate all people who are parasites and burdens to society" ain't it.

[phantom-voices]

Loving my Wendigo canvas. Ignore the wrinkles, I have not taken the wrap off yet. If you have not heard of the wendigo I suggest you look it up. 😉

[thetrueparanormal]

A new folklore article documenting the jinn has been uploaded to the world's largest database of paranormal research 😄

[marronje]

You know what I'm cooking

And the shahmaran idea bought me because this (healing flesh! do we have some manga flashbacks tgck nation???)

I'll give you all my blood venom

and this

aaand this of course

thinking about harpia ochako and shahmaran himiko

[legionofmyth]

Vaesen: Nordic Horror Roleplaying - Adventure Ideas

🎲 #Vaesen: Nordic Horror Roleplaying: Embark on haunting investigations, unravel dark mysteries, and confront otherworldly creatures in a chilling Nordic setting. #Horror #TTRPG #RPG #FreeLeaguePublishing #YearZeroEngine

Vaesen – [PDF]Embark on haunting investigations, unravel dark mysteries, and confront otherworldly creatures in a chilling Nordic setting with these Vaesen adventure ideas. Step into the Mythic North, a land where real myths come alive. Vaesen – Nordic Horror Roleplaying by Nils Hintze takes you on a chilling journey through a Gothic setting steeped in Nordic folklore. Encounter bloodcurdling…

[someone-will-remember-us]

There is no collective noun for rapists but spend a week at the Pelicot trial and you wonder why. As the early morning queue of women who’ve come to support Gisèle Pelicot passes through security at the Palais de Justice, Avignon, you spy men with downturned faces scurrying across the lobby past the press. In court they sit on the left, clustered around a glass box containing more men, those in custody for the gravest crimes. Since there are 50 in total, the alleged rapists have been tried in batches and I’m just here for the final seven: Boris, Philippe, Nicolas, Nizair, Joseph, Christian, Charly.

Plus Dominique Pelicot himself, who invited them all into his marital bedroom, where he had his wife waiting, drugged and naked, and who joined in and filmed it all. Pelicot, 71, crumpled and fat now, but with a residual bulky power, sits sullenly alone with his guard in a separate glass box, protected from the other men who blame and detest him. Often after lunch he appears to doze off.

Such nondescript men. Grizzled, middle-aged (the mean is 47 years old), smart-casual in windcheaters or leather jackets and their best trainers, like minicab drivers waiting for fares. Ordinary men in many respects, not vagrants, junkies or career criminals. This week’s seven includes a fireman, an electrician and a journalist; several are fathers, two were keen weightlifters, one bred dogs. French trials helpfully begin with a personality profile formed from interviews with the men, their friends and colleagues. Poverty, domestic violence and mental breakdowns feature, but also that a man is “kind” or “gentle”, had a lovely childhood, adored his grandparents or is devoted to his mum.

Yet each one had sex with an unconscious woman, that is beyond doubt, thanks to Pelicot’s camera mounted on a tripod beside the bed, and by his own admission. “I am a rapist,” he has declared, “like the others in this room.”

From the Pelicot affair have come demands for reform to French rape law, for sexual violence to be treated more seriously, for an investigation into “chemical submission” — the coercive use of sedatives. But one question overshadows all others. How many men would have done the same? If Pelicot could recruit at least 70 willing participants (a number could not be identified) within a 25-mile radius of Mazan, the Provençal town where the couple retired, how many in the whole of France? As I walk through Avignon with Juliette Campion of radio station France Info, who bears the strain of reporting this case since September, she gestures to a bureau de tabac: “You think, ‘Would a guy in there have raped Gisèle? Or men in the boulangerie or those on the street?’ Women are looking at men differently: they’re asking, ‘Could you or you or you?’ ”

On the right of the court, behind her counsel of three serious, dark-haired young men, is Gisèle Pelicot with her female companion from victim support, leaning on the wall, as far from the men as the room allows, but facing her ex-husband. Her composure is remarkable. Although clearly tired and strained, she retains a quiet vivacity reflected in her clothes. Instead of shrinking away in black, she dresses each day as if meeting friends for drinks on a sunny terrace. A chic scarf, a faux fur bag, patent leather boots. Clothes that say, “I still have a life.” Every evening, when women line up to clap her out of court, she speaks to them warmly, neither reticent nor relishing the attention. Every day she walks through the cobbled streets past graffiti saying, “Gisèle, les femmes te remercient” (Gisèle, women thank you) to lunch at the same excellent brasserie, and people turn to gaze at her in awe.

The extraordinary woman who refused to be silenced

The humiliations of Gisèle Pelicot have a mythic quality. This is a woman who discovered the man she married aged 20, with whom she had three children and seven grandchildren, waited until she was deeply asleep before removing her pyjamas, dressing her in “sexy” underwear or writing on her buttocks, “I am a good submissive bitch,” then he let a stranger penetrate her inert body, filmed it, washed her intimately and replaced her pyjamas. This is a woman who thought she was going insane, had Alzheimer’s or a brain tumour, whose children thought she was dying, who stopped driving and going out alone, who slept all day and once woke puzzled why her hair was shorter. “But madame,” said her hairdresser, “you came in yesterday.” This is a woman who had mysterious gynaecological problems, including a swollen cervix (and still lives with four STDs), who thought her husband wonderful for accompanying her to medical tests, including an MRI.

This is a woman who, when her husband was arrested for “upskirting” in a Leclerc supermarket and police found the contents of his phone, discovered her whole 50-year marriage was a travesty, that he’d raped her in a service station car park, on Valentine’s Day and on her 66th birthday, and may have raped their daughter too. This is a woman who has listened to legal arguments about whether a man put his tongue inside or merely kissed her vagina, who heard another man say he’d only returned to rape her a second time because he couldn’t find anyone better, who sits in a courtroom while three giant TV screens show clips of her body being coldly humped by yet another “ordinary” guy.

Yet this is a woman who gathered up every scrap of her humiliation and with it constructed a mirror that she holds up defiantly to the court and to French society itself. “Shame must change sides,” she said, and in insisting the entire trial be conducted openly, that the worst men can do to women is witnessed by the whole world, she has done exactly that.

I ask many women I meet in Avignon how men in their lives regard the accused. They say they call them losers and freaks, that these are men on the margins, with no relation to themselves. But, along with the testimony I hear, the people I talk to believe this case raises many questions about French sexual mores. Whatever the decision later this month by five judges — there is no jury — Gisèle Pelicot will never be forgotten.

The court turns to Christian L, a fireman with a straggly castaway beard, who speaks from the glass box because after he was arrested, police found 4,000 child sex abuse and zoophilic images on his hard drive. We hear from his girlfriend, Sylvie, a small blonde in a grey hoodie, who says he’s a wonderful man, and is suspected of destroying evidence. Christian L recalls the victims he watched die in fires, the coffins of 11 colleagues he carried, the mental breakdowns that ensued. He was married but after his two daughters were born says he went off sex with his wife and turned to libertinisme. Strange, I think, that the French have coined this noble, philosophical concept, with its whiff of the barricades, to describe what we call swinging or dogging.

Like all the men, Christian met Pelicot through coco.fr — the murky, unmoderated site since closed down and now the focus of many major police investigations — on a forum called À son insu (without her knowledge). Christian L had already enjoyed “Sleeping Beauty” encounters with ten other couples. He spells out the rules: that you only dealt with the husband, sending him photos for approval, and during the sexual encounter he ran the show. Sometimes the wife woke up, other times not. How did he know, asked Gisèle’s lawyer, Stéphane Babonneau, that she consented?

“In a libertine encounter,” Christian L explained, “it is the husband’s responsibility to ensure consent.”

But how could you be sure?

“Are we expected to sign a contract?” Christian L spluttered.

“You could ask the woman,” Babonneau suggested.

How the case could change French law

Given the overwhelming video evidence, the defendants can only claim Pelicot deceived or drugged them, or they believed Gisèle was collaborating in a game. If this case were before a British court, rape would be decided by two tests: whether Gisèle had “capacity to consent” (tough to argue given Pelicot admits to drugging her) and whether the men had “reasonable belief” in her consent. Unlike most European countries, French rape law has no concept of consent. Rather, it is defined as penetration “by violence, constraint, threat or surprise”. (The prosecution case rests on a convoluted definition of surprise.)

But rather than demand consent be added to the law, French feminists are divided. Some agree with President Macron, who supports change; many others argue that consent would put the onus on the victim to prove her conduct was not an invitation. This seems an odd objection, especially as the whole purpose of the video evidence is to show no one could believe Gisèle capable of consent, given she was so lifeless one man asked Pelicot, “Is your wife dead?”

Alice Géraud is the author of��Sambre, an investigation into how, due to the indifference and cruelty of police, a caretaker called Dino Scala in northern France managed to rape 54 women over a period of 30 years. “The Pelicot case with 50 defendants and one victim feels a strange inverse of Sambre.”

Géraud believes the Pelicot affair could provide the same impetus for change as a famous 1974 case of two Belgian tourists, Anne-Marie Tonglet and Aracelli Castellano, who, camping near Marseilles, were brutally raped by three local men. As was normal practice, the crime was downgraded from felony to misdemeanour on the basis the victims eventually stopped resisting. But the women, a lesbian couple, persisted and thanks to their feminist lawyer, Gisèle Halimi, it became the first rape case to be heard in the higher assizes court. Like Gisèle Pelicot, the women waived their anonymity. “We believe that it’s one thing for a man to rape,” said Halimi, “and another to know it’ll get around his village, his work, the papers.” Shame changed sides: the men were jailed and the French criminal code was rewritten defining rape as a serious offence.

For Géraud, the greatest current injustice is that whether a man has raped one women or 50, the maximum sentence is 20 years (here a serial rapist can be jailed for life). “This is law made by men,” she says, “with a grave lack of knowledge of rape culture.” She is scornful too about libertinisme as a universal excuse for male sexual exploitation. “Libertinisme was why Coco existed for so long,” she says. “It is the justification for prostitution, for the porn industry.”

Charly A is the youngest of all the defendants, just 22 when he first entered the Pelicot house. Small, bearded, now 30, we learn his childhood was chaotic, his father an alcoholic, his mother had many sexual partners; there are hints of abuse. “This is a family of secrets,” concludes the personality profiler. A psychiatrist adds he is immature, struggles to sustain relationships and instead consumes porn, “especially the Milf [Mother I’d like to f***] category with mature women”. In 2016, he made contact with Pelicot via Coco: “He said his wife would be lying there pretending to be asleep, he doesn’t tell me more.”

Over time Pelicot asks Charly if he knows anyone they could drug for sex and he proffers the only woman in his life — his own mother. Pelicot gives him pills (which Charly claims to have thrown away), shows him how to crush them, keeps pressing him to use them. “When can I come and we f*** your mother?” he asks in one video, but Charly keeps stalling, saying his brother is at home. Yet he returns to violate Gisèle, always with Pelicot, once with another man, a total of six times. “Did you feel like you were in a porn film?” asks Babonneau. Charly shakes his head.

Until this point, very late in the trial, the influence of internet pornography has barely been explored. The court only notes paedophiliac images, not “normal” usage. Yet Mathieu Lacambre, a psychiatrist who evaluates Charly A, remarks how porn sites not only push users to more extreme content but to enact porn fantasies in real life. “Until now Charly A was behind the screens,” he says. “Now [in Gisèle] he has an object served up on a platter a few miles from home. The sleeping princess Milf, voilà.”

A rented home in a quiet cul-de-sac

I drive out to Mazan, a lovely honey-stoned French village set in the vineyards below Mont Ventoux, where the Pelicots retired from Villiers-sur-Marne, a Paris commuter town where he was electrician and she was a manager at EDF. I imagine Gisèle browsing the little boutique, dropping into the beauty salon, sipping an aperitif outside the bistro. The home they rented for ten years is five minutes away in a quiet cul-de-sac of four houses behind tall cypress trees. It is lemon yellow with blue shutters, a pool, a very prominent alarm system, and new tenants. Given how many men knew her address, Gisèle fled four years ago for her own safety, with just a suitcase and her dog.

Today an immense cloud of migrating starlings swoops over the house like pixels in a photograph. This was where their grandchildren loved to visit in the summer, but also the centre of Dominique Pelicot’s porn operation. For what else was this grotesque man but a pornographic auteur?

We leave our car, just as Pelicot instructed the men, in the sports ground car park, by the bottle bank. I think of them texting their arrival, then creeping down the lane. (One man made his girlfriend wait in the car.) Pelicot would meet them at the door by the light of his phone, tell them to undress in the dark living room and warm their hands on a radiator. (They’d been instructed to be clean, not smell of cigarettes or wear cologne.) Then they were led into a bedroom with a TV, a chest of drawers, a bed with a naked Gisèle motionless on white sheets, and a mounted camera.

Whatever followed next was carefully orchestrated by Pelicot, a director urging on actors in stage whispers, since the objective was to do what they desired without waking Gisèle. Pelicot would tell them how and when to penetrate her, or hold his wife’s gaping mouth to facilitate oral sex. Given four Temesta (lorazepam), a powerful anti-anxiety drug he’d crushed into her wine or ice cream, his wife was like a patient on an operating table. Even so, if her arm gave an involuntary spasm,the men would scuttle from the room. A friend who has sat through many court videos says it was Pelicot ordering the humping men to go doucement — softly — that upset her, since she knew this was not out of tenderness for Gisèle.

All the while the camera rolled. Why did these men agree to have their crimes recorded? They say it was part of the deal, that Pelicot told them Gisèle was shy and liked to watch the sex later. But perhaps also because, in taking part, these men were promoted from porn consumers to creators. Filming was central to their fantasy. When Christian L finally climaxes he turns to give the camera a cheery thumbs-up.

For Pelicot, each film added to his oeuvre. Police discovered a carefully curated archive of 20,000 images and videos on hard drives and memory sticks showing 200 rapes. He gave each film a title like “Squirt on the ass”, “Cock in mouth” or “Jacques fingering”. This man, once caught by his daughter-in-law masturbating at his computer, was now a porn impresario.

The question at the centre of the case

Why did Pelicot do all this to a wife he professed to love, whom he called “a saint”? Was it to punish Gisèle for an affair early in their marriage (although he was serially unfaithful himself)? Or because when he’d asked her to join him in the libertinisme scene she’d refused — so he devised a way to make her. But Gisèle was not his first victim: Pelicot has admitted to the rape of an estate agent, using ether to drug her, in 1999, and will be tried for the rape/murder of another young estate agent, Sophie Narme, in 1991. The French police cold case bureau is investigating his possible links to many other unsolved crimes.

But as the “Without her knowledge” forum suggests, his was not a unique fantasy. The Pelicot case has illuminated the issue of “chemical submission”, not only drinks being spiked by strangers in bars, but drugs used to control partners within relationships. The French health service is noted for being blasé about prescribing heavy-duty medications, which is how Pelicot stockpiled his vast stash of Temesta.

Documentary-maker Linda Bendali has made a film for French TV about chemical submission, featuring seven cases, including a 13-year-old girl drugged by her father with medicine supposedly for her allergies, put in lingerie and raped over two years, and a 60-year-old woman drugged then raped at home by a man she was mentoring at work. “I’ve looked back at 30 years of press reports of rape,” says Bendali, “which includes dozens of women saying they woke up — mainly with men they know— unable to remember what happened.”

The Sleeping Beauty scenario, she says, is not merely a means for a man to get easy sexual access, but a way to enjoy absolute domination. “You are not even giving her the chance to consent,” says Bendali. “You can do anything you want to a drugged woman, for as long as you want. You can dress her how you want. These men want total power.” Pelicot is typical in filming his crimes: “Pictures are trophies. He was driven by a mix of desires for blackmail and voyeurism.”

Gisèle’s daughter, Caroline Darian, who was also drugged and photographed naked by her father, is heading a campaign on chemical submission, demanding police take samples of hair from rape victims, the only way sedation can be proved.

In court, I hear another psychiatrist tasked with assessing whether each of the final seven defendants has the profile of a sexual abuser. One by one, he exonerates the men, saying they are not dangerous or likely to reoffend, to the growing exasperation of Gisèle’s team. Then he reaches Charly A. “He doesn’t search [for victims] systematically,” says the psychiatrist. “He’s not a predator.” Finally, Babonneau explodes: “Six times with a sleeping woman and he’s not a sexual abuser?” The men do not identify as rapists because, like this psychiatrist, they define rape as frenzied sexual violence, not an opportunistic act performed to whispers in a private home. As one defendant put it, “It’s her husband, his house, his room, his bed, his wife.”

Women unite in the town of Mazan

Both in religious and political terms, Mazan is a conservative town: for 500 years it was part of a papal enclave and in the recent French election voted heavily for Marine Le Pen. Villagers regarded the Pelicot case with horror and sympathy which turned quickly to resentment when press named it l’affaire Mazan. Amid longstanding families who’ve known each other for generations, the Pelicots were outsiders who’d brought disgrace into a rural community. Tired of inquiries, the mayor, Louis Bonnet, 74, told the BBC, “It could have been far more serious. There were no kids involved. No women were killed.”

At the Lucky Horse Ranch outside Mazan, women victims of sexual violence receive equine therapy. I’m sceptical at first about how grooming and riding horses could help rape victims, but somehow these large, placid animals are calming and restorative. Here I meet Latika, 33, who at first was too timid to touch a Shetland pony, but now sits high on a saddle for our photograph.

Latika was separating from her husband, the father of her two children, but still sharing a house. He was violent, hitting her daughters, putting her in hospital with cuts and a broken rib. Two years after they’d last had sex, she woke to find him inside her. She believes the sweet tea he often gave her was laced with sedatives, but that night she hadn’t drunk it all. She realised he’d been drugging her for years — her mother recalls finding her deeply unconscious early in her relationship — and, worse, she was pregnant with a third child. She told the police, who addressed the domestic violence but ignored the rape. Her husband fled to Guadeloupe and she was left traumatised, fearful of leaving the house.

“I didn’t feel people really believed what had happened to me until Gisèle Pelicot spoke out,” says Latika, who has since made the police reopen her case. In October, as women across France holding white flowers protested in support of Gisèle, Latika headed the local march into Mazan and the next day Gisèle herself visited the ranch. “She said it is almost unbearable to return to this place where terrible things happened,” says Latika, “but she wanted to thank us. She told me, ‘I didn’t know the meaning of my life before this happened — but I do now.’ ”

Watching Gisèle take such sustenance from her supporters, you wonder how she will cope when the trial finally ends. She is writing a book and could, if she chose, become a global campaigner. “There is something particularly powerful,” says Linda Bendali, “about her being an older woman — she represents all our mothers. All generations identify with her.” But those close to Gisèle say that, at 72, she may just return to a quiet life of friends, grandchildren and her garden, in the secret location where she now lives.

But she is already an icon of courage for the women who come from across France and beyond just to watch the trial on a screen in an overspill room. Some want to witness history, a few enjoy the sensational evidence like tricoteuses at the guillotine, but many have risen at 5am, taking a day off work, to support a woman they deeply admire. Marion Spiteri and Amélie Planche, both 24 and law graduates, feel the case opened their eyes. “How can it be,” Spiteri says, “that so many men did this without her consent?” “It is terrifying,” Planche adds, “that a woman cannot even trust her own husband.” They tell me, astonishingly, that neither they nor their friends ever go to the toilet in a bar or club alone.

But then the nation of libertinisme lags behind in its attitude to violence against women. Until 2021, France did not even have an age of consent, effectively decriminalising even incestuous relations between children and adults, allowing several high-profile child abusers, including firemen who groomed a 13-year-old girl, to evade rape charges. Each time a prominent Frenchman is accused of rape — whether politician Dominique Strauss-Kahn or, currently, actor Gerard Dépardieu — famous French actresses leap to defend him. This is the nation that convicted child rapist Roman Polanski fled to from America, and is still fêted. The #MeToo movement was regarded by many as a wave of Anglosphere prudishness, contrary to the spirit of French seduction. So what can the Pelicot trial achieve?

I meet feminists from Les Amazones d’Avignon, the creators of graffiti across the city supporting Gisèle. (So as not to spoil the city walls, they write slogans on paper that can be removed.) Their latest reads “20 ans pour chacun” — 20 years for each one. I suggest a drink in a café nearby: “Not in there,” says one Amazone, “that’s where all the rapists go.” Blandine Deverlanges, 56, is part of the Coalition Féministe Loi Intégrale putting 130 proposals about sexual violence before the French parliament, including a ban on lawyers harassing victims in court. They are disgusted the defence asked Gisèle why she swam naked in her own swimming pool.

“This is a trial,” says Deverlanges, “of one extraordinary man, the monster Pelicot, and many ordinary men.” And as we talk I see a group of them emerge nervously from their favoured café and head back to the court. A collective noun for rapists? A violation, a banality, a shame.

(archive)

[ozzgin]

“Do you mean it in the sense that Reader goes through monster boyfriends and is quick to dump them for the next catch”

Yep. Just a vile reader who’s breaking hearts left and right. I think you’ll write it beautifully if you channel your evil side like when you play the sims! ☺️

-👘

Yandere! Monsters x Heartbreaker! Reader

You've always been a free spirit, unable to settle on a single partner. Even after being abruptly transported into a different dimension where you are the only human surrounded by monsters, this habit of yours has persisted. Except monsters, as you will see, are harder to discard than humans. They aren't as willing to accept rejection.

Content: female reader, reader is a player, monster smut

Ah, how troublesome. He won't stop calling. You lazily pick up the phone and look for the options to block the number, clicking your tongue in irritation. You'd specifically told him you're not interested in anything serious. "Who's calling?" The man shuffles under the sheets, still half-asleep. "No one." You respond curtly, glaring at the intruder. "It's morning already, by the way. When are you leaving?"

You slam the door shut before the overnight guest can bring up the classic "Will I see you again", and exhale theatrically in relief. Finally alone again. You look up and shake your fist menacingly, as if whichever entity governing this world is responsible for your bad luck. You've always been utterly indifferent towards committed relationships, and yet most fuck buddies end up head over heels for you, dragging themselves at your feet like pitiful beggars. Pathetic and a pain in the ass to deal with.

Well, someone must be up there, because your situation feels too much like a sassy answer to your complaint. You've just rushed out of your apartment a moment ago and last time you checked, the concierge office wasn't on a rocky hill covered in deep cracks erupting with lava, stretching out into the seemingly unending horizon. Where the hell are you? You turn on your heels, reaching for the door, only to find out - who would've expected? - that it's gone. Great. Your immediate explanation is that the guy you've mistakenly brought home last night must've slipped something in your drinks. All this for a sloppy, clumsy eating out.

The worry of being drugged vanishes quickly once the first creatures of the realm appear. Hard to believe anything on the market could cause such detailed hallucinations that can sniff and touch you: Some alligator-looking minions with eyes popping out of their backs slid out of a nearby crevice to investigate the newcomer. Ironically enough, they seem to be the ones shocked by your appearance. Once they've hesitantly assessed your presence, they scurry aside to discuss their findings. "What could it be?" You hear one mumble, completely baffled. For whatever reason you can understand their language, so you decide to speed up their detective work. "Ever heard of human?" You shout, with a hint of sarcasm in your voice. The beasts gasp in unison. "Nonsense! Straight out of a children's tale!"

Eventually, after a lot of confusion and pointed fingers, you manage to figure out your predicament. You've somehow landed in a world of monsters, where humans are more of a fictional, mythical existence. Thankfully they don't seem to consider your potential as food, though you're not sure if the sudden, massive ambush of creatures is any better. The alligator-like quadrupeds brought you to the nearest settlement and had to form a barrier to stop the curious beasts from almost trampling you in their frenzy to see "the human". You've garnered ridiculous amounts of attention, yet such reaction is to be expected; how often would an earthling wander into their world? It could very well be a lifetime singularity for many.

As the days pass and you become more accustomed to your fate, you begin to feel that familiar calling. It doesn't look like you'll be going home anytime soon and a lady has her needs. Additionally, whatever popularity you had back in the human world is a minuscule fraction of what you're currently experiencing here. In the eyes of the monsters, you're an exotic treat that cannot be refused. It shouldn't be too hard to find yourself a partner, or two. Or three. Who keeps count nowadays?

You remember stumbling upon a postcard print of "The Dream of the Fisherman's Wife" at some museum shop. You immediately picked up the thick cardboard, eyeing the artwork in amusement. A woman enveloped in the limbs of two octopuses and very obviously enjoying herself. Who even came up with the pairing, you wondered at the time. Whatever the artist was thinking, you can certainly see his point now. The first one to receive your indecent proposal was an eldritch creature of sorts, something straight out of Lovecraft's lucid dreams. Dark, long tendrils sprawling out of an amorphous core - which you assume is its head based on the bulging, glistening orbs hungrily staring at you. Your whole body is throbbing under the tight hold of the slippery tentacles, wrapping around you in masterful intricacy. You could see the result featured in a bondage magazine, though you don't...can't ponder much on it given the fact you're, well, stuffed with monstrous appendages. You doubt any genital variation back home could compare. The monster is even polite enough to occasionally wipe away the continuous stream of drool spilling out of your whining mouth. Towards the end you barely have a voice anymore, throat sore from the loud moans and merciless constriction. Your muscles contract all at once, overwhelmed by the sensations. Whatever sensitive areas you might have are presently aching under the needy fondling of the creature.

Mind-blowing. The memory is enough to have you wet and squirming with desire. Even more so when you consider the other varieties of monsters ready to fuck you senseless. Soon enough you're surveying the neighborhood for the ideal suitors and thankfully you don't have to worry about making wrong choices, as there's always a next target. Thus the following weeks fill you with a particular kind of nostalgia (among other things and fluids), reminding you of the bed-hopping in the human realm. From werewolves drowning out your whimpers with their desperate howling, to hooved legs of hybrids violently thrusting into you until you're a dripping mess. "Look at me" is what one of the beasts demanded in a low growl, turning you on with its ragged voice and clawed hand encircling your frail neck. Although you had to ask it where exactly to look, given it was covered entirely in eyes.

You yawn and stare at the ceiling, reminiscing about the depraved fuckfest you're currently recovering from. You might've overdone it with the last one. Alas, you came enough times to make up for it. Just as you turn around to readjust the ice pack, you hear a loud thud coming from the entrance. You (carefully) sit up and rub your eyes, trying to focus on the shadow figure approaching your bed. It's one of the lizard monsters, swiftly slithering across the wall and landing over you with an angered expression. "Where the fuck is that dog?" it inquires with a hiss. "What? Who're you talking about?" you mumble, wildly confused. "The one that dared to touch you."

Oh, not this crap again. You almost roll your eyes. "You never said anything about us being together." Is your annoyed reply. "What? I thought it'd be obvious you belong to me!" You're about to question the strange logic, but your couple's quarrel is interrupted by the sound of shattered glass. The many-eyed monster crawls its way in with fluid, uncanny movements, releasing a deafening screech once it notices the lizard in your bed. "Off! Get off my human now!" is what it finally manages to verbalize in its fury. Okay, it seems to be the common belief. To clear off any shred of doubt remaining, the ceiling gives in and crumbles like putty under the weight of an enormous tentacle. You scream and cover your face from the bits of rubble flying everywhere, but you're quickly sheltered by another thick appendage looping itself around you, against the wrathful protests of the lizard. You did not anticipate the eldritch creature could expand to this gargantuan size.

For the first time since arriving here, you feel homesick. At least back home you could get rid of your annoying admirers with the slide of a button. Is there a larger scale alternative for cosmic blasphemies? You shake your fist (up? down? you can't tell in the darkness of the tentacle shield) towards the entity once more. Damn it, you've learned your lesson. Several steps must’ve been skipped before reaching a pack of angry, possessive monsters fighting over your ownership.

[cyborb]

"A vessel, a sword, a set of tablets, and a set of beads... After obtaining these four treasures, the king's castle was destroyed. Why, you ask? Because these four treasures were actually four Pokémon! ... There is much to support the truth of this story. If I am able to prove the story's veracity myself, I will be sure to let you know."

raifort investigating some mythical treasures for @scarletvioletzine!

(timelapse below)

[thydungeongal]

can you please recommend some TTRPGs that are

as different as possible from the trad/D&D-like "default" that people come into TTRPGs with (and also recommendations that are different from each other), and

deliberately structured for longer-term recurring play? something where the same group can run the same "campaign" for, say, half a year or more, and

has enough mechanical hooks to not lose new players in the sea of borderline-freeform onepagers?

thank you!

Apocalypse World fits all of those criteria. It's the game that the Powered by the Apocalypse framework of games is based on, and it's a very good post-apocalyptic drama game, where the focus is on people with very orthogonal goals getting thrown into a powderkeg with each other.

As I keep mentioning whenever I bring it up, Apocalypse World isn't about a bunch of weirdos forming an adventuring party and going on adventures. It's almost an asymmetric game and a drama generator, instead of a traditional D&D-like co-operative challenge game.

I do not think there is anything antithetical to long-term campaign play in Apocalypse World, although since character development is rather shallow it does eventually lead to characters plateauing. But the game has options for players playing multiple characters and actually heavily encourages it.

Is actually quite crunchy despite the wider reputation of PbtA games.

For a different take, there's Eureka: Investigative Urban Fantasy by @anim-ttrpgs. A modern urban fantasy investigative game with a focus on verisimilitude and a very historically grounded take on the supernatural.

While a challenge-based game the fact that it's an investigative game (and a damn good one at that) is already a huge change, and the fact that it disincentivizes the use of violence as the primary verb for characters also distinguishes it from the defaults set by D&D. (There is a lot more to it where it differs from modern D&D in terms of design philosophy, but I don't want to make this overlong.)

Eureka also has limited character advancement but it is explicitly geared towards bringing the same bunch of weirdos to investigate different mysteries. It can be played episodic or as an anthology and there's even been talk in the @anim-ttrpgs RPG book club about using it for a campaign that is all about investigating one big mystery.

Has a lot of mechanical grit, but also divides its mechanics into easily digestible chunks to make learning it easier.

Most Trusted Advisors by @thehorizonmachine. A comedy game about playing the advisors of a medieval lord in a very historically inaccurate medieval nation, always scheming against each other while trying to keep them on their lord's good side.

Very much not a party-based adventure game, but an engine for creating a comedy of errors starring a cast of fundamentally unlikable nobs in a quasi-medieval pastiche, in the style of Black Adder.

Admittedly, works better for episodic play and shorter campaigns, but I don't know, I think it's neat so I wanted to recommend it anyway!

Simpler than the previous two, but still provides enough mechanical structure not to leave players hanging.

For a classic, there's Pendragon. A game set in a historical-mythical-Britain of Arthuriana about playing through a dynasty of knights as they live through the Anarchy and get to see Arthur ascend to the throne, and finally get to witness his death and the fall of Camelot.

While it is a game of knights going on adventures it's also so much more: it has domain management, courtly romance, trying to be a good knight as opposed to an errant murderer and with actual mechanical incentives for it.

The Great Pendragon Campaign is huge and will give you enough material for years of play.

Not the crunchiest game out there, but still has a lot of mechanical structure while being mostly very intuitive.

Hmmm okay one more since I'm on a roll: Paranoia. A science fiction dystopian black comedy about playing Troubleshooters who help do dirty work for the insane egoistical computer that runs the Alpha Complex.

While it is a co-operative game it is also very much about pitting the player characters against each other. Paranoia is the name of the game. It's also decidedly humorous which sets it apart from your serious D&D-likes.

There's character advancement, secret goals given by conspiracies, and a lot of potential to see the Troubleshooters advance and flourish within the system that slowly grinds them to a paste.

Has mechanics. I mean, the rules and their depth will vary depending on which edition you're playing, but Paranoia definitely has some mechanical grit to it.

[artifacts-and-arthropods]

Gold Turtle Necklace from Ancient Colchis (modern-day Georgia/South Caucasus) c. 450 BCE: this necklace was crafted from 31 turtle-shaped pendants, each one made of g0ld

The necklace was discovered during excavations at a site known as Vani, in Georgia (the country, not the state). Ancient Vani once served as the religious and administrative center for the Kingdom of Colchis; as I've previously discussed, Colchis was also known as the homeland of the fabled Golden Fleece, and to much of the ancient world, the Colchians themselves were renowned for their skills in goldsmithing.

The turtle pendants on this necklace are all decorated with ornate filigree and granulation patterns. The eyes of the 30 smaller turtles were originally made with glass inlay, while the eyes of the largest turtle (seen in the center) were made from drops of gold.

As this article also notes (translated from Georgian):

[This necklace] is unique because of the zoomorphic depiction that it presents. Among the known examples of goldsmithing from antiquity, the depiction of a turtle is not attested anywhere other than the Vani necklace. 

The local origin of the necklace is primarily indicated by the stylistic unity of the pendants with other examples of Colchian goldsmithing. It should be noted that the land turtle depicted on the pendants was widespread in Colchis.

The excavations at Vani have uncovered lots of other artifacts made by Colchian goldsmiths. These artifacts include temple ornaments, zoomorphic figures, pieces of jewelry, diadems, headdresses, hairpins, drinking vessels, and appliqués, among other things, and they've provided some really valuable insights into the unique goldsmithing traditions that existed among the peoples of Colchis -- and the myths that evolved as a result.

A few of the other golden artifacts from Vani:

Top: headdress ornament featuring an openwork design, c. 350-300 BCE; the central panel of this piece depicts a stag and three other deer, while the frame is topped by two lions and several rows of birds; Bottom: a diadem with a set of temple ornaments, c. 400-350 BCE; all of the panels along the front of the diadem depict scenes of prey animals being hunted by lions

Top: necklace with a series of ram-shaped pendants, c. 400-350 BCE; each pendant was forged from two separate castings that were sealed together to form a complete shape, and the ears/horns were then soldered onto each piece; Bottom: set of bracelets with boar finials, c. 460-440 BCE

Golden appliqués depicting various animals, c. 400-300 BCE

Set of temple ornaments that depict two pairs of riders on horseback, c. 400-350 BCE

And a map showing the location of modern-day Georgia (just for reference):

As this map illustrates, Georgia is nestled right at the crossroads between Europe and Asia, with the Black Sea located on one side and the Caspian not far from the other; it is bordered by Russia to the North and by Turkey, Armenia, and Azerbaijan to the South

Sources & More Info:

National Geographic (Georgian): Golden Kolkheti

Atinati: The Golden Kingdom of Colchis

Smithsonian: Summary of "Wine, Worship, and Sacrifice: the Golden Graves of Ancient Vani" Exhibition

Burusi (Georgian): The Archaeological Discoveries at Vani

Quaternary International: A Modern Field Investigation of the Mythical “Gold Sands” of Ancient Colchis and the “Golden Fleece” Phenomena

[xxtc-96xx]

I’m surprised Gary isn’t trying to capture the twos, or Mew considering he’s part of that Pokemon research group whose main goal is finding and studying every Pokemon. Especially legendary and mythicals.

What I never understood was why Project Mew didn’t have more interest in the fact there was a mewTWO just wandering around and had no further investigations on it after Goh and Ash encountered him. Since their end goal was mew

[annabelle--cane]

guys I’ve cracked the code. so, I’ve been thinking, the title of “the magnus archives” was central to the whole conceit of the show, and according to word-of-god it was also the name of the mega ritual jonah pulled off with jon as the lynchpin (magnus + archives), but the magnus protocol doesn’t even take place in the magnus institute. we’ve had a case about it, sure, and sam’s investigating, but it’s still a change in approach, it feels less directly relevant. I’d been thinking that the title might mean “the protocol to follow in the event of magnus, what to do when something happens with the magnus institute,” but I’ve been reading some stuff and. I think I have an idea.

on the left below is the official tmagp logo, showing the OIAR coat of arms on a big chunky computer screen, and on the left is the alchemical symbol for the philosopher’s stone, the mythical substance that was meant to transform base metals into gold and make a potion for eternal life.

as several other people have pointed out, the central medallion of the coat of arms is laid out like the symbol for the philosopher’s stone flipped upside down, and if you stare into the black part of the screen on the logo, you’ll see a bunch more very faint symbols scattered all over the place, and all the marketing materials to do with tmagp have just been dripping in these things. can’t move for alchemical symbols. just lousy with ‘em.

alchemy was all about working towards discovering the philosopher’s stone, and this process of changing both materials and the self on a journey of discovery has been referred to as the “great work” of alchemy, or, to use the more common latin phrase, the “magnum opus” of alchemy. “magnus” and “magnum” are different declensions of the same latin word, meaning big, or great, and what I’m seeing when I look at the logo is the big word “magnus” under the symbol for the alchemical magnum opus. I think the title has nothing to do with jonah magnus or the magnus institute, I think it means the protocol for creating the philosopher’s stone.

[intheholler]

okay. i'm up to episode five now, so, by increasingly popular demand lol:

my initial thoughts about old gods of appalachia

i think it's really smart in what it relays as "appalachian horror," because this is actually what The Appalachian Gothic is supposed to give

what i mean is it's not just like the usual spoopy mythical forest/"don't investigate the noises in the woods" stuff alone. dgmw, obviously i love the urban legends

but the gothic of an area or time period needs cultural elements tied in to really make it chilling, and this does it well. it stands out in the way that it incorporates the genuine horrors of humanity in appalachia with the supernatural element everyone is drawn to about these mountains. it's very creatively done

like in the barlo, kentucky saga i am currently listening to, it's the dangerous coal mines and the near-possessed preacher turning all hellfire n brimstone at the behest of the haints. it preys (i use this word positively here) on this mix of very specific but common fears, both existential and otherwise, held by residents of the appalachian south. love it

as an aside, i love the narrator's accent because it sounds like mine :') a lifetime of code switching means mine isn't quite as strong unfortunately, but our pronunciation habits and colloquialisms are next to identical, so there manages to be this like warm and nostalgic feeling to it, too

because it's honestly so nice to hear my accent and my family's accent as a critical part of a superb story being told, and not just as a vehicle for mockery and stereotypes :')))

all in all... it is Good Shit

[goliath-de-senfina-sango]

Mythic Phantom

This is a little something I whipped up over a while thinking about merging the DP and Riordanverse universes together, and I thank @geraldmariaivo for helping me think my way through it. If you want the ao3 version you can find it here, and I hope you enjoy the fic!

Most Underworld Gods felt it when Vlad’s current permanent Portal opened, but they all Felt it when Danny’s accident happened. A child’s death throes is hard to ignore after all. Pantheons world wide decided that was America’s problem, and Hel decided it was Persephone’s problem, and Haides felt it would close on its own. No gate to Khaos can stay open for long after all.

When Ember went globally live, Muses and Music Gods and Hypnos heard the way she sang, called out to the mortals to never be forgotten. Danny and Tucker dealt with her swiftly enough that she was remembered, noted even, but disregarded.

When the Fright Knight’s sword was drawn, many Fear Gods turned toward Amity, but Danny dealt with it swiftly. Most regarded it as an anomaly but Phobos and Deimos sent subordinate spirits to investigate the town and report anything interesting.

Hades and Persephone noted the invasion of Ghost Cops and saw that Danny had it handled in only a few days, which they would count as a quest fulfilled. Clearly, Amity Park was a contained issue, and the Master Bolt had gone missing by now so they have other things to deal with. The House of Life have some reservations but agree.

Then Pariah Dark got out, and the Gods scrambled to do something about that. In only a week however, He was dealt with too.  A closer eye was warranted. By everyone, not just the Observants.

Whoever these agents were, be they half-bloods or spirits or even minor gods, most wouldn’t see Young Blood and thus would fear Danny was losing it too. When he calmed down, they’d sigh in relief. The two future Ghost Villains who show up outside of the do-over would raise alarms at how fast ghosts can progress, but hey, it’s handled.

When the Hellenic spies are pulled back home for safety during the winter solstice, pleasantly surprised by Ghost activity dying down at the same time, Artemis and Luna, Khonshu and more felt something wrong happening as the Ghostwriter possessed the moon to speak.

When Duul Amon returned to the land of the living, the House of Life sent agents to the town, and Tucker Foley was immediately offered magic lessons. His is power over stone and steel, glass and gems, as well as an ear for the voices of machines. Between terrakinesis and technopathy, Tucker’s limits with his staff became only what he understood about technology.

Then entire copies of the Ghost Boy (Prince? King?) appear, attacking him, manipulating him for the elder, but he lets her go free after he’s rescued? Truly fascinating. Psychopomps keep an eye on Elle wherever she goes - she’s always very close to melting after all. The titan army also keep an eye on her, a powerful being both like and unlike the Gods, much the same as a Titan, Giant, or Monster.

Then the Reality Gauntlet is found by a mortal man, a rogue Magician, while the boy is busy trying to stop it and save the world, Lydia is keeping House of Life magicians and even Odin’s Ravens from finding Freakshow, so some Camp Jupiter heroes are being sent on a quest to deal with him. Then he gets the fucking gems and turns the world into a circus for 10 minutes.

Before the Boy tricks him, takes the Gauntlet, resets the world to before his identity was revealed to the world, (though perhaps not quite fooling the memories of Gods, who Are the world) and destroying the Gauntlet and gems in a single blast.

An artifact presumed by the Ghost Investigation Ward to be powerful enough to destroy the Infinite Realms, reduced to molten ash by one burst of power.

What to do about the young Phantom is a matter of discussion during the solstice meeting on Olympus.  Hades is sent to investigate the boy and finds that he is a godling of Kaos Themself, which sparks yet further debate on what to do when Artemis goes missing.

But then the Son of Hades stumbled upon Elmerton and witnessed a duel between Gods firsthand.

Danny Phantom faced off against Vortex, the ghost of all weather and sky and storm gods who had faded over the millennia, all on his own.  Even in defeat, Danny stole half of Vortex’s power, and less than a week later, he defeated the calamity that even two pantheons worth of gods could not.

The Titans would be horrible for humanity as a whole, and the Olympians were bad for half bloods as well.  Danny Phantom, however, could be just what most half bloods were after.  He needed training in mortal form, clearly, but that could be an angle for Nico to use.

[legionofmyth]

Vaesen: Nordic Horror Roleplaying - Vaesen

🎲 #Vaesen: Nordic Horror Roleplaying: Utilize the Year Zero Engine to blend investigation, folklore, and horror elements to unravel mysteries and face the unknown. #Horror #TTRPG #RPG #FreeLeaguePublishing #YearZeroEngine

Vaesen – [PDF]In Vaesen: Nordic Horror Roleplaying, Vaesen refers to supernatural creatures that are inspired by Nordic folklore and myths. These entities embody the dark and mysterious aspects of the Mythic North. Vaesen can take various forms and often possess eerie and unsettling traits. They include creatures such as trolls, hulders, draugr, nisses, and other mythical beings deeply rooted in…