#My heart didn't hurt as much out there

[cartoonghosts]

I am so fucking fragile and soft rn like I feel like I might just break under the pressure of daily life. I always forget how okay I can be when I'm surrounded by people who make me feel safe and now I'm back and it's like. I don't like or trust anyone around me. I'm just scared all the time. I can't live like this. I don't know what to do and I'm not sure there's anything I can do other than be ready to tape myself back together when I break again.

[lotus-pear]

regret

[agentark]

whatever you do, don't imagine a young J Corvin waiting every day at the end of their drive, hoping today is the day the mail carrier finally brings a letter from their very best friend

[chiyana]

Bruce: now, for the last part of this meeting

Dick, Jason, Tim, Stephanie, Damian, Cass, and Duke: ?

Bruce: -turns around to bring up a power point presentation, the title card of which just reads 'Please Be Normal About Tim'-

Bruce: -turns back around-

Bruce: ...Tim why are you the only one still here

Tim: I just like power point presentations

[novadreii]

rewatched arrival for the hundredth time. this movie never fails to gut punch me with its approach to determinism. louise embracing her future that she knows every moment of, despite the tremendous loss and pain it contains, with open arms. she doesn't hesitate, or ruminate on how she can try and change it. she accepts it all, the good and the bad, because what she gains is worth it, so many times over for her. she steels herself against a certain future and runs forward to meet it all, to love, learn, and lose, and trusts and leans on herself to live through it all. because that's what life is; it's the joy and the suffering. to try and isolate the joy alone is madness, futility in its purest definition.

comparing her line of thinking to a palindrome (how she named her daughter, hannah), the movie kept emphasizing, "it's the same backwards as it is forwards." it doesn't matter if you can see the end; life is the same whether you live it "forwards" (without knowledge of the future) or "backwards" (with foresight). it doesn't change the significance of your life experiences; to try and avoid certain future pain just because you have the knowledge of it is a zero sum game. you think you win because you avoided pain, but you also avoided the joy that preceded it. the metamorphosis. so you still lose if you try to win, and vice-versa.

all you can do is rush forward and take it all head-on. see this whole beautiful mess as your one most precious gift; this one life, this one chance, a laughably miniature blip on the colossus that is linear time, to experience all there is to feel before you return back to an eternity without perception. it's all worth it, because only in living a full-fledged life open to everything it has to offer does the experience of living turn out to be greater than the sum of its parts; it's in trying to beat the system (avoid pain) that we actually lose.

"if you could see your whole life from start to finish, would you change things?"

"maybe i'd say what i feel more often. i...i don't know."

[found--family]

am i the only one who sensed some jilted lover vibes from jensen? 

[peachsukii]

Might be a little radio silent today and tomorrow, but I'll be back soon. Gonna run off a queue & pop in and out. 💜

[katierosefun]

oh there's something particularly painful about my mister in that dong hoon tells ji an that as long as no one knows, it's no big deal, and there's something particularly painful about how ji an tells dong hoon that sometimes, i want [my secret] to play out on big screens for everyone to see, and there's something particularly painful about how the second dong hoon meets the loan shark tormenting ji an, he starts screaming and yelling about how she's just a kid, how could you do that to a kid, and there's something particularly painful about how dong hoon doesn't even let ji an know he did that, but ji an knows. she knows because she was listening in the entire time and she just starts crying because someone actually knows this ugly, sad part of her and still took her side, and something particularly painful about how my mister started with as long as no one knows, it's no big deal but really concludes with there is so much risk in having someone know who you are but there's also so much comfort and peace to be found in that, too and maybe you shouldn't isolate yourself and maybe you should reach for that kind of comfort in being known and loved anyways

[stop-breaking-my-heart-dragonage]

Alistair: So I'm not going with you, I see. Any particular reason? Tabris: I'm not going to risk you getting hurt, Alistair. Alistair: And you think I want you going in there and sacrificing yourself? You think I want you to die!? But there's no use arguing with you, is there? We don't have time... and you are a stubborn, stubborn woman. Tabris: You would do something foolish. Alistair: Maybe… I guess we'll never know now, will we? I guess this is the last chance we'll get… before this is finished, one way or another. Be careful in there. Tabris: I love you, Alistair. Alistair:

Guess who made the ultimate sacrifice...?

Me. It was me.

I made the ultimate sacrifice.

The achievement wasn't worth it.

[gunpowder-gemini]

FINALLY have wrestled my brain into sitting down and watching Good Omens and it is, in fact, very good!! Incredibly good!! Absolutely in love with it ♥️♥️♥️

It does, however, hurt terribly

[serve-cunt]

absolutely no fucking notes on the new piece, it’s PERFECT (also insane nod to brno bc how funny that things still turned out that way) but… okay this will make me sound like the worlds worst person ever bc im doing this to a 19 year old but i imagined for a moment the same situation set a year prior… it would change a little of the dynamic, considering, obviously, but qatar 2013 strikes a note that is decidedly post-fuck and it only gets worse from there and it’s clear marc will move into the motogp class by mid-2012 anyway so who’s to blame vale and uccio for doing scout work on vale’s supposed “friend”… due diligence and all that, preparation for the new year, they’re just checking on the competition early (marc won brno in 2012 too so that’s just…)

hi anon it's just that you are ACtually a genius and this is a fic I need to have read, uhhh ,, YESTERDAY?? it's the only fic I want in my life now?????? I would read or listen to any more thoughts you have on this subject bc this dynamic w / 19 yr old marc is both sooOooo toxic & horrible etc but um. unfortunately also terribly compelling!!!!!! sepang 2012 in a drivers caravan (?) frustrated!marc sweet!vale ummm HELLOOO ?? THINKING THOUGHTS

[autumnoakes]

man... rhoam's "redemption" in aoc really sucked, huh?

like botw SHOWED us, several times, how much pressure rhoam put on zelda to unlock her powers, despite her telling him, several times, that it wasn't working. he got angry and banned her from doing not only something she saw as useful, but something that she was clearly very interested in and passionate about because she "wasn't dedicating enough time to her prayers." yes, his diary expresses regret for it, but at the end of the day, if zelda saw that it wouldn't mean much to her. the actions rhoam took, and the way zelda grew up under so much pressure that she nearly died as a child in one of the springs (this is in urbosa's diary, iirc) mean so much more than his regrets and his intentions. it took him nearly 10 years to realize that he fucked up, and by that point it was too late. the calamity had returned, and rhoam had lost any chance he had at making things right with zelda.

meanwhile, in aoc, all that's there is some half-hearted scene in the temple of time that's supposed to make everything better? yes, aoc had a very different and arguably better outcome than the calamity that led to botw, but the damage was still done by rhoam. it's still the same hurts and abuse and trauma that he put his daughter through all because of the prophesized calamity.

[torgawl]

everytime i think about the new chapter the more and more i like it, it really consolidated yuuta and gojo's characters. the revelation of how the higher-ups were taken down and the set-up for the scene with gojo and yuuta's conversation about what their plan was for gojo's body, in case he lost, might just be the part i find most interesting. all in all, the chapter really highlights the underlying difference between the violence of oppression and the violence of resistence and revolution.

when it comes to yuuta and the archetype of his character he is the pure embodiment of love in the series. if yuuji is able to reach sukuna because he was one with him (love as oneness), yuuta's entire exitence has sorrounded love and, specifically, love as a curse. sukuna's surprise at yuuta's antics come from a place of not understanding love and therefore being unable to conceptualise that yuuta would go so far as betray his own humanity for it. he can't conceive how love can drive a person like yuuta, who's sweet and kind-hearted, to a place as cursed as this - emphasised by the sheer horror and heinosity that is seeing the usage of gojo's dead body with yuuta's innocent expression. but we know that yuuta's journey has always been marked by this concept of love as a curse, starting all the way back in jjk 0 where yuuta's unwillingness to let go of a deceased rika caused her to linger in the world in the form of a cursed spirit. one that yuuta learns to let go of by the end of the story. a lot of what he learns in that moment is about consent and mutuality in love (hence his domain expansion name), and although rika's soul passes and gets freed she is able to manifest her will into her vessel that continues to protect yuuta until this day. yuuta asking gojo for consent to use his body not only consolidates this mutual exchange and respect that he has for those he cares for - which are his main driving force - but is also exactly what separates him from someone like kenjaku, who body hops with total disregard for who they were originally. so there's that layer of irony behind yuuta having rika consume kenjaku to copy his technique and make use of it in a equally disturbing but more compassionate way. which in itself can serve to both question if intent plays a role in absolution and introduce, once again, the idea that humans and curses are not so different, as explored between mahito and yuuji in shibuya with them mirroring each other.

in regards to gojo i think his aknowledgement of his own inertia when it came to the revolution that he was leading was the cherry on top to consolidate who gojo really was as a person. gojo's greatest character flaw was arguably that he simply wasn't radical enough, allowing his students to be targets under the influence of the higher-ups. he had reasons not to kill them, as he explained before in the series, but he still failed to weight the consequences of his own actions and how no one is rewarded by working under a broken system. and i feel like having the youth he guided watching as he killed them is also quite significant as they're followers of this new revolutionary ideology.

i think the shock or impact these violent or twisted acts by the hands of those forced to survive within the status quo (like maki slaughtering her clan, gojo killing the higher-ups, yuuta taking over gojo's body) as a reaction to the violence they're subjeted to by this same system serves some purpose. and i think this is the reason the higher-ups are these anonymous faceless figures, barely-there personalities who have such a big influence in the lives of so many people. even in the real world, and we can think of systems like capitalism and how it exploits people in such a casual way and it relies on that exploration to survive, we sort of take for granted that violence coming from those institutions, having our attention driven away from the minority that's upholding these systems to other things instead. that violence is more "acceptable" because we've been conditioned to it whereas the violence in response to those acts is always met with more scrutiny. and that kind of contextualises why shoko and nanami, for example, much like gojo, aren't really revolutionary with their ideals either - or rather, do not get that priviledge. the difference being gojo was someone these higher-ups were actively afraid of, because if he wanted to, he could have done more. and that's exactly why the instant he was sealed it was the perfect opportunity for them to do whatever they could to prevent him from coming back and place new-drawn targets on the backs of the people gojo was protecting. the gruesome nature of maki slaughtering her clan or the off-putting way people react to yuuta discarding his own humanity and going against what he believes is right to make sure gojo's legacy continues is almost forcing this question of what are people willing to stomach in the name of survival and change.

gojo remembering geto in that crucial moment ("i was falling behind" or "i have to catch up") and just having in mind how they were both so young and naive is so incredibly bittersweet. geto had radical ideals, no matter how misguided. he looked at the world and he had this unshakeable conviction that things couldn't continue to be the way they were. he reached incredibly misplaced conclusions, yes, which came from a place of great pain and alienation, but gojo finally stepping forward to follow that same path, to be more radical, also sort of confirms that things could have been so different if only gojo had the same level of consciousness back then; that they could have found a way better solution together instead of the tragedy that ensued. the parallels between them add an extra layer of wistfulness to their bond, too. their fates have and always will be so intertwined, in such a beautiful and tragic way. and i think geto's unwillingness to force gojo to take a certain path will always be one of the biggest proofs of his love towards him. at the end of the day, even knowing gojo was who he was, geto always seemed to want to protect gojo's path from being stained like his.

at the core, jjk really is a story about revolution and humanity; a story about love and curses and how love is the most twisted curse of all (which has been reinforced over and over again). the fact some are rewarded and some are punished for taking certain paths under the same system is there to convey a very specific message. i really love the incorporation of eastern philosophies within the story and the role horror plays, too. the usage of the genre to deepen the impact of these themes and the way things are introduced with the intention to provoke almost visceral reactions in the readers (much like yuuta's own reaction) also makes the message much more impactful. i think this chapter was great!!!

[sysig]

One better (Patreon)

[candied-cae]

I am super fucking pissed about Wee John in this last episode.

Why. The. Fuck. Was. He. Not. Included. AT. ALL. During. The. Escape??????????

Legitimately, where the fuck was he? I was fuming for a lot of that because he's my favorite character, so I was looking for him. While everyone was stripping the English of their uniforms and getting dressed up (at least partially) in disguise, he is the only character not included.

They make a point about Fang not getting a proper shirt, which already pissed me off enough, that he had to wear what was essentially prison stripes while everyone else was in uniform, but Wee John wasn't even there. He wasn't in the raid. He wasn't in the run down the beach.

He just wasn't even fucking there. And if it was something Kristian decided he didn't want to worry about hurting himself over, particularly looking out for his back and knees, I understand not asking him to run over and over again for reshoots. But the fact that he didn't even get dressed with them... and that's the second time he's been excluded from a plan apparently due to his size (remember that he didn't get to participate when The Revenge dressed up as rich boys for Nigel Badminton)...

It is legitimately breaking my heart. One of the things I love about this show is the love is gives to its fat characters and actors. Fang gets to have his tummy out 24/7 and he's treated like a snack by Lucius, Wee John got to have an incredible dress, Oluwande is the crew's most eligible bachelor, and we even got a delightful fat character in 2x07 who spent his whole time dressed in only some leather halters and pants...

But the fact that Wee John was singled out and left behind, and the fact that Fang was singled out and othered at that very same time... It fucking hurts. As a fat person who has loved getting to see so much love for fat bodies... it stung to see that the comedy couldn't even suspend its reality long enough to say "there are a few fat people in the Royal English Navy, so Wee John and Fang get to be dressed up too."

[paradoxikaa]

hey. elias hodge autistic headcanon, hm?

more in the tags, mild spoilers of ep 2