#My Favorite Intros

[squoobest]

i had the most splitting headache during frostyfest tonight that all i could do to channel my thoughts about it was draw big man snow angel

[opens-up-4-nobody]

I LOOOOOOOVE TASKMASTER :-D

[theater-goul]

[flovoid]

YOUR ORIGIN: PROLOGUE

[warpedwings]

Misha Collins in Be Good Humans Podcast: Random Supernatural Acts.

[elpeadro]

If the writers wanted CaitVi to be their canon OTP so damn bad, they had two ways of going about it:

THE GOOD ENDING:

Caitlyn doesn’t turn to fascism in her grief and rage. Ambessa still takes advantage of the council bombing to goad Piltover’s elite toward supporting martial law, likely installing Salo as her puppet as she originally planned to, but Caitlyn is one of the few who protest and refuse to be swept up in the authoritarian fervor Ambessa stokes. Because:

1) there’s no way she wouldn’t notice how fishy the attack on the memorial was. This is the same person who pieced together the conspiracy surrounding Silco and his criminal empire without ever stepping foot in Zaun. She’s a great detective who has been shown to see through the surface level cover-up. Not to mention the list of potential suspects with both motive and means is very small. Add on Mel’s insight, who she would interact with as one of the other Piltover characters who resists Ambessa’s scheming, and they would definitely pin Ambessa as their prime suspect. The problem is that they have no proof. All of the attackers are dead. Ambessa covered her tracks well, a nod to Noxian subterfuge in the wider lore. 

And most of all, and most horrifyingly, Piltover doesn’t care. They’re angry. They’re outraged. Their bigotry is being preyed on by Ambessa, but they hardly need a push to go from the indifferent oppression of Zaun to active, overwhelming oppression. They already saw Zaunites as a monolith: criminals, street scum, dirty people who need to stay out of Piltover’s golden streets.

That Jinx is the lone guilty party is irrelevant. Her attack threatens their status quo. It has disrupted the utopia of Piltover living in its ivory towers without a care in the world, and they will bring back that false sense of security by crushing any possibility of Zaun fighting back ever again.

and 2) even with the grief of losing her mother fresh on her mind, this is still Caitlyn Kirammen we’re talking about. The woman who gives up her rifle - not just a prized possession, but her means of self-defense and safety when she’s deep in the worst parts of Zaun - without a second thought to save Vi’s life. The woman who hugs Huck, a homeless drug addict with a cancerous-like growth on half his forehead, of her own volition.

Because she cares.

As we are reminded time and time again in season 1, while Caitlyn is an incredibly naive, privileged, idealistic woman with an exceptional ability to put her foot in her mouth and say the most tone deaf things, she has a good heart, and more importantly, is willing to learn. It isn’t easy at the start, but when confronted with the irrefutable proof of how awful Piltover’s treatment of Zaun is, she listens. She feels sympathy for Zaunites, even if they are drug addicts (Huck), convicts (Vi), or gang leaders (Ekko).

That same Caitlyn, the one we see a small glimpse of in episode 1 when she protests that innocents will be caught in the crossfire, would not stand for Piltover’s martial law and mass imprisonment of Zaunites. She would try to fight it alongside Mel, using her position and influence in the enforcers as Mel uses hers as a politician.

(While she still develops an obsession over Jinx and getting justice for her mother’s death, she doesn’t see collective punishment and chemical weapons as acceptable costs of achieving said justice.)

And if the writing stayed true to the themes of class conflict in season 1, then she would quickly be forced to confront the horrible realization that there is no fixing this. The faults are systematic, not individualistic.

It doesn’t matter if it’s Marcus or Salo or Ambessa or whoever. The enforcers and Piltover will always be corrupt institutions stepping on the necks of Zaun. Piltover’s society is rotten from the inside out. And if she isn’t going to stand by and let it happen (because she refuses to compromise her morals and enforce martial law, because she cares - not just about Vi, but about Ekko and the Firelights, Huck, all the innocent people who will be swept up in Piltover’s thirst for blood), then the only way forward is to fight against Piltover.

So she becomes a class traitor. She fights alongside Vi and Ekko in repelling enforcers and Noxian soldiers from Zaun, protects the innocent. 

Her relationship with Vi develops healthily compared to the canon season 2 - or as best it can in the midst of fighting a war and given their personal issues (Caitlyn’s grief and rage; Vi's self-loathing and guilt) - and they are good for each other.

It becomes a loving, supportive relationship and a wonderful piece of queer representation.

It would be beautiful. Not just the love and trust they have in each other, but that such love can flourish even in dark times. That people are capable of being defined not by their class and the systems they are born into, but by their actions and morals.

(Would such writing be too radical for the higher-ups at Netflix, Riot, and Fortiche (i.e. writing a class traitor and class war)? Most likely, but that discussion is for another time.)

Part 2: The Bad, Tragic Ending

Part 3: The Disjumbled, Tonal Mess of an Ending We Got

[97-liners]

svt x screenshots of despair [4/?]

[stinkrascal]

vivienne de fer

[toddtakefive]

one of my favorite things about dps is the completely irrelevant background conversations/comments you’re probably not meant to hear but are still just barely audible? like the two guys in the study room arguing over their turns on the dart board, or the guys laughing under their breath and making ridiculing remarks when knox reads out his poem for chris, or the people in the opening scenes you can hear finding their friends and saying hi. it literally doesn’t matter at all, but it makes it feel so much realer and like you’ve really just been dropped into the setting with todd on the first day.

[dennythemenace]

Ben's introduction back in Season 1 is definitely one of the best. The angles switching between him being seen, the way he doesn't actually say anything, Diego checking the rear view mirror to see nothing. Ben's literal haunting presence

[wheelercurse]

AEGON II TARGARYEN The fates already fucked me sideways Swinging by my neck from the family tree

[chlorophyll-tints]

guess my favorite golden wind chara level: impossible!!!!

[royalarchivist]

Jaiden: Hello! Hello! [Long pause] ...Guys, hello. How are you? [Laughs] I dunno why that one was like, so awkward. I dunno. I'm sorry! Let me- let me try that again, hold on, hold on. ["Squeak Squad" intro music briefly gets louder] Jaiden: [In a forced causal voice] HEY! Sht, that was worse! [Laughs] Oh dear...

[personinthepalace]

Lockwood and Co as the Odd Squad Intro

[sadquickchristmassnowman]

has anyone done this yet (surely they have)

[imagefire]

HOMESTUCK STAMPS AGAIN