#but the writers did just that

[elpeadro]

If the writers wanted CaitVi to be their canon OTP so damn bad, they had two ways of going about it:

THE GOOD ENDING:

Caitlyn doesn’t turn to fascism in her grief and rage. Ambessa still takes advantage of the council bombing to goad Piltover’s elite toward supporting martial law, likely installing Salo as her puppet as she originally planned to, but Caitlyn is one of the few who protest and refuse to be swept up in the authoritarian fervor Ambessa stokes. Because:

1) there’s no way she wouldn’t notice how fishy the attack on the memorial was. This is the same person who pieced together the conspiracy surrounding Silco and his criminal empire without ever stepping foot in Zaun. She’s a great detective who has been shown to see through the surface level cover-up. Not to mention the list of potential suspects with both motive and means is very small. Add on Mel’s insight, who she would interact with as one of the other Piltover characters who resists Ambessa’s scheming, and they would definitely pin Ambessa as their prime suspect. The problem is that they have no proof. All of the attackers are dead. Ambessa covered her tracks well, a nod to Noxian subterfuge in the wider lore. 

And most of all, and most horrifyingly, Piltover doesn’t care. They’re angry. They’re outraged. Their bigotry is being preyed on by Ambessa, but they hardly need a push to go from the indifferent oppression of Zaun to active, overwhelming oppression. They already saw Zaunites as a monolith: criminals, street scum, dirty people who need to stay out of Piltover’s golden streets.

That Jinx is the lone guilty party is irrelevant. Her attack threatens their status quo. It has disrupted the utopia of Piltover living in its ivory towers without a care in the world, and they will bring back that false sense of security by crushing any possibility of Zaun fighting back ever again.

and 2) even with the grief of losing her mother fresh on her mind, this is still Caitlyn Kirammen we’re talking about. The woman who gives up her rifle - not just a prized possession, but her means of self-defense and safety when she’s deep in the worst parts of Zaun - without a second thought to save Vi’s life. The woman who hugs Huck, a homeless drug addict with a cancerous-like growth on half his forehead, of her own volition.

Because she cares.

As we are reminded time and time again in season 1, while Caitlyn is an incredibly naive, privileged, idealistic woman with an exceptional ability to put her foot in her mouth and say the most tone deaf things, she has a good heart, and more importantly, is willing to learn. It isn’t easy at the start, but when confronted with the irrefutable proof of how awful Piltover’s treatment of Zaun is, she listens. She feels sympathy for Zaunites, even if they are drug addicts (Huck), convicts (Vi), or gang leaders (Ekko).

That same Caitlyn, the one we see a small glimpse of in episode 1 when she protests that innocents will be caught in the crossfire, would not stand for Piltover’s martial law and mass imprisonment of Zaunites. She would try to fight it alongside Mel, using her position and influence in the enforcers as Mel uses hers as a politician.

(While she still develops an obsession over Jinx and getting justice for her mother’s death, she doesn’t see collective punishment and chemical weapons as acceptable costs of achieving said justice.)

And if the writing stayed true to the themes of class conflict in season 1, then she would quickly be forced to confront the horrible realization that there is no fixing this. The faults are systematic, not individualistic.

It doesn’t matter if it’s Marcus or Salo or Ambessa or whoever. The enforcers and Piltover will always be corrupt institutions stepping on the necks of Zaun. Piltover’s society is rotten from the inside out. And if she isn’t going to stand by and let it happen (because she refuses to compromise her morals and enforce martial law, because she cares - not just about Vi, but about Ekko and the Firelights, Huck, all the innocent people who will be swept up in Piltover’s thirst for blood), then the only way forward is to fight against Piltover.

So she becomes a class traitor. She fights alongside Vi and Ekko in repelling enforcers and Noxian soldiers from Zaun, protects the innocent. 

Her relationship with Vi develops healthily compared to the canon season 2 - or as best it can in the midst of fighting a war and given their personal issues (Caitlyn’s grief and rage; Vi's self-loathing and guilt) - and they are good for each other.

It becomes a loving, supportive relationship and a wonderful piece of queer representation.

It would be beautiful. Not just the love and trust they have in each other, but that such love can flourish even in dark times. That people are capable of being defined not by their class and the systems they are born into, but by their actions and morals.

(Would such writing be too radical for the higher-ups at Netflix, Riot, and Fortiche (i.e. writing a class traitor and class war)? Most likely, but that discussion is for another time.)

Part 2: The Bad, Tragic Ending

Will post and link part 3 (the disjumbled tonal mess of an ending we got) once written.

[i-will-write]

reading my own fics as a reference for a new wip and squinting at it like "how the hell did I do that"

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[phantomrose96]

Actually the funniest part of the entire James Somerton debacle is the response his cowriter Nick gave. For context, Hbomberguy talks a bit about Nick as a cowriter, and there is not any strong evidence implicating Nick of also plagiarizing, so Hbomberguy takes the angle of "Nick is probably not (also) responsible for the plagiarism".

Nick's response?

To claim he could not be part of the plagiarism, because he does not read. And does not do research...

SOURCE: I Fact-Checked The Worst Video Essayist On YouTube - YouTube, video essay by Todd in the Shadows.

The second screen cap is maybe a tongue-in-cheek joke... but bold choice when everyone's eyes are on you to respond to serious allegations. And this screencap doesn't include the other wishy-washy statements, pre-video, from Nick saying to the effect of "I write based on vibes. I come up with an idea and ruminate on it." For research videos. For educational videos about queer history and queer media culture.

Adds flavor to the Todd video, which goes through two-dozen examples of Somerton videos which just claim... provably factually incorrect bullshit.

This guy is a writer. An author. You could not waterboard "I don't read" out of me if I were aiming to launch a writing career.

Beating the plagiarism allegations by confidently asserting you suck too bad to ever get that far.

[catastrxblues]

i love ao3 but tumblr fanfics just hit different 😩😩

[castiels-undercoat]

Supernatural really came into it's own when they totally gave up on Deans whole "one night stand with random women" thing and just started writing Cas and Dean as a couple.

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[hypertranced]

hey can anyone who hated season 2 but still loves arcane and it's characters like this post. I'm tired of seeing mindless praise or posts hating the characters for the bad choices the writers made

[needanaccount2readarcaneposts]

like you guys know warwick is supposed to be a metaphor, right?

and by 'you guys' I am talking to the writers of Arcane S2 (2024), who appear to have forgotten this.

like warwick, in a strictly plot sense, is something that is done to vander. but warwick, in a narrative sense, is supposed to be a metaphor. you understand that, right?

it's a metaphor for the monster within the man?

the hound of the underground?

the way suffering breeds cruelty breeds monsters - the uncaged wrath of zaun?

the sins of his past come back to haunt him?

the violence he tried to leave behind, but never could?

"i knew you still had it in you."?

Sometimes, as he fed in dark alleys on stray gangers, the flash of knives would remind him of an old blade covered in blood. Blood passing from the blade to his hands. From his hands, to everything he touched. Sometimes, he remembered the girl again. And still there was blood. It had always been there, he realized, his entire life, and nothing he did could wash it off. He'd left so many scars that even if he didn't remember his past, the city would. When he peered into the eyes of Zaun's criminals - the gang bosses, murderers, and thieves - he saw himself.

that's the warwick we should have gotten in S2. vander the grey, not vander the unproblematically whitewashed. vander the revolutionary who brought his gauntlets to that bridge to fight for a future; the base violence necessary for change. vander with blood on his hands, just as much as the partner he scapegoated for it; tried to bury in the pilt along with his own guilt; not just vander who felt aw shucks real sorry about the attempted murder that one time. vander the complex. vander who sold out zaun's resistance to ease his own shame. vander the reckoning with his own complicity; his own violence; his own original sin. vander whose murkiness helps vi unpack her black and white worldview, and let go of the rose-tinted past to which she clings; understand jinx, even understand silco; understand that it's not just about Individual Bad People doing Individual Bad Things to Individual Good People, and Individual Good People who have to defeat the Individual Bad People, but that this is something far bigger and far older than any of them, a whole rotten system of misery and oppression that turns people into monsters. that the thing that turned vander into a monster, METAPHORICALLY, happened long before he met singed.

vander the monster, as well as vander the man.

instead, we got whatever this shit is:

[molinaesque]

Astarion: I think he likes us. Tav: I like him, too. But I'd never say it to his smarmy face. Raphael has a crush on Tav and tries real hard to act cool about it.

[nibbelraz]

A writer and His number one fan hater

[leona-florianova]

No, Jayce...What the fuck...He was dying of terminal illnes at like 30... Terminal illness caused by all the pollution in Zaun (Piltover mining operations, The Grey, the sewer system) .. What he really wanted was at least little bit more time to figure out and prevent the cause... To help the people of Zaun that work n live in the fissures...

But that part of Viktors character was lost at this point so whatever

Anyway... whats up.. S2 was very hollow.

[anon-nee]

Father.

------- Inspired by @astudyincontrasts wonderful Priest!Silco fanfiction that you all should read here

[eloquent-edits]

🗡️ “I’m all for platonic intimacy but this…?”

the subtext of romance is really peeking through 🗡️ friends to lovers scenarios

Person A going to person B’s house to watch a movie but getting looped into playing drunk card games with B and their parents

Working out together and A insisting on spotting B and adjusting their form

B playfully poking A in public and promptly getting tackled

B patting A’s cheek only to accidentally linger as they notice how the light catches in A’s eyes (A is DESPERATELY trying to not blush)

“Here’s the garage code.” “… Why am I receiving this information?” “You’re already over here a lot. My parents think it’s better than a key.”

Forced close proximity at a LAN party because there’s not much room at the table (and A’s arm keeps brushing against B’s, messing up their aim, but if anything the space between them decreases as the night goes on)

The “Oh, is B coming too?” to “A kidnapped me to come here and hang out” pipeline

Going from quick and funny head scratches to absentmindedly stroking/detangling their hair while chatting with friends

“Do I smell okay?” “You smell normal.” “Which is…?” “Like lilac and gooseberry.”

A melting into B’s hug after a long and stressful week

B helping A deal with a major headache by rubbing/scratching their back

A heating up B’s ears with their hands because B forgot ear muffs in winter

“My mom thinks you’re really pretty/handsome.” “My mom thinks you look like Adonis/Aphrodite.” “Can you ever take a compliment?”

Candid pictures give away the softness in B’s eyes when they look at A goofing around

B not minding when A gives them a long hug in public, even though they aren’t big on PDA in general

B drawing a shitpost and sending it to A, A setting it as their lockscreen, and months later B realizes that A still hasn’t changed it

B’s family automatically assuming that A might join for any family function and making A’s favorite dish accordingly

“I have to go into the office this week. Can I crash at your place since it’s closer?”

Hanging out for hours —> “I don’t want you to drive home this late.” —> waking up in each other’s arms because they both refused to let the other sleep on the floor/couch

“My clothes reek of you.” “You could’ve just told me to take a shower.”

[technically-human]

Hi i'm absolutely in love with the reverse au!!

I want to know, in this verse does edwin still confesses to charles? if so how is it different? i feel if he did he would end it by apologizing, you know, religious guilt and all

There’s a train that goes through Hell.

Its journey starts in Wrath, and it departs already full of souls. It took Charles far too many years to realize that there were separate, more spacious wagons that demons could board. Not that he could understand why anyone, hellborn or not, would want to get into the damned thing. He certainly hadn’t.

Actually, Charles couldn’t recall ever boarding the train. As far as he could tell, he just appeared there one day, and had spent the next tortuous decades trying to get out. It was part of the torture. Getting out was entirely possible. More than that, it was necessary.

The train had no regular schedule that he could discern (not at first, though he had always been good at finding patterns, and was eventually able to crack it) but it would make quite a few stops before finally returning to the Wrath ring. Souls inside the train were already angry and far too close to each other (close, so close not even air could squeeze in) but when they got really violent was when the train made a stop.

Getting out didn’t mean you were free, no matter where you managed it, be it Sloth or Gluttony, Pride or Lust. No, as soon as the train finished its journey, you would appear back inside, in Wrath where you belonged, suffocating once again, getting ready to claw your way out for the millionth time.

Because if you didn’t get out, The Conductor would get you.

If he thought about it calmly, Charles could probably say that he got out of the train more times than not. Still, being caught by The Conductor once was bad enough, as there was no coal in Hell, and something had to serve as combustible. Souls could not burn to death, and the whole journey always felt longer than eternity when he was caught. Once it was over, he would be inside again, and fight with more desperation than before, not caring who stayed inside so long as it wasn’t him.

He couldn’t understand why anyone, hellborn or not, would want to get into the damned thing. He certainly hadn’t. But as the souls pushed and bit and clawed and punched their way out, Edwin boarded the train. And that wasn’t even the most groundbreaking revelation Charles had that day.

ko-fi

[girl-bateman]

I guess that this is as good of a time as any to remind people that WRITERS MAKE THE STORY!!!! I cannot count how many times I see posts praising tv directors for things that are simply not their doing. That iconic line of dialogue? Yeah a screenwriter wrote that. The characters you love? Screenwriter. The places, the plot lines, the developments? Writers.

A show CANNOT happen without a script because a script is necessary for EVERYONE to do their job right. It dictates what set to look for/create, the filming schedule, the casting calls, the costumes and so on. It's not just words on a paper, its the backbone for all of production and it deserves to get recognised as the integral part of tv and film as it is.