#and I somehow never edited a show in the style of its intro
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personinthepalace · 4 months ago
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Lockwood and Co as the Odd Squad Intro
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ick25 · 2 years ago
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Rockman EXE Movie Review. Part 1
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Oh yeah! The people have spoken! The Megaman Battle Network Legacy collection is finally here! So to celebrate it I’m “Reviewing” the Rockman.EXE movie, The program of Light and Darkness.
A few things before starting. First, the “movie” is less than 50 minutes long, so it’s more of a very long episode with better animation than usual. Second, the movie takes place during the Stream saga, a season of the anime that never aired in America because the plot was “too dark” for a kid’s show, like Axess wasn’t violent and dark enough already. It’s even worse for people in Latinoamerica because Axess never aired there either, so enjoying this movie would’ve been impossible for me if I hadn’t watched the episodes online.
For those who haven’t watched the Stream saga, this is what you need to know:
1. The movie takes place somewhere after episode 17 but before episode 31 of Stream, I say episode 17 because Raika, the Hypocrite, now uses Cross fusion, just like everybody else.
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2. The plot is based on Battle Network 5, minus the whole teams thing.
3. The whole story of Rockman.EXE Stream is not relevant, except for episode 2 because that is when Forte came back to steal Rockman’s Ultimate program, but after he fails to get it, he was defeated by an extraterrestrial Navi named Slur who throws him into the depths of the Undernet, where the movie begins.
Forte is shown floating in the cyberspace of the Undernet where he is woken up by strange light and a familiar evil laugh.
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Those who played BN5 know what that thing is.
We cut to England, which is probably called Kingland, where a giant beam of light suddenly appears and disintegrates everything in it’s path.
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Leaving behind a very ugly but also familiar face.
Meanwhile, somewhere in Japan, our heroes are in a Net Battle tournament taking place in a very weird building with roller coasters coming in and out of it.
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Seems very dangerous to be honest.
Of course, as Netto plugs in Rockman, we get the theme song Be somewhere, with the karaoke, timing, and Spanish translations provided by yours truly.
Don’t believe me?
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Yep, I was the head of this project, sure, I didn’t get paid and other people helped made this possible, but I’m still proud of this. Too bad not many people have access to this.
During the intro song we see Rockman fighting Gridman’s aka Footman’s first appearance in the anime, before becoming some random Navi in Beast. And in case you were wondering, no, Meijin is not Footman’s operator, it is actually this guy.
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The guy who just gives hints in BN3 white version.
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I think he is Mr. Famous’s aide, but I don’t remember.
Anyway, Netto wins, his friends, with new changes of cloths, congratulate him, and Meiru appears out of nowhere to hug him like she was already his girlfriend or something.
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I personally don’t like this art style, it makes Dekao look even uglier and Meiru looks like she has less hair than usual.
Now, a surprise for those who haven’t  seen Stream, Dingo and Tomahawkman are now part of the cast! And Dingo for some reason has blue eyes in this shot.
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I honestly don’t know why.
After Dingo wins his battle, we see more of the weird and unsafe building where they are with the indoor rollercoaster and all. Apparently this is Akihara’s 100th theme park.
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We get a small appearance from Shuko and Higure-san who are riding the roller coaster, but its more of a segway to the next scene because Higure somehow spots Mariko-sensei while screaming. Like, how? Mariko-sensei was wearing a helmet until Netto and friends arrived. Turns out, she is cosplaying as her favorite Sci-fi character in a convention that also takes place in the weird building.
But she only appears for Netto and friends to mention that she has a lot of hobbies, and to have this very weird cut to the next scene that made me think it was an editing mistake.
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Seriously, she didn’t even finish her line.
We immediately jump to a not so traumatizing scene of a group of men getting vaporized by the same light beams we saw in Kingland.
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NOT TRAUMATIZING AT ALL! 
Turns out this was in Ameroupe as we join Meijin and Yuichiro watching footage of the damage.
Yuichiro seems to know something and after seeing a satellite image, his suspicions are confirmed.
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The Internet service that is NOT all about you.
The light beams left what looks like giant algorithms, this is enough for Yuichiro to say some vague words, first “Spectrum”, and then “The Wily Program is active”.
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HELLO? Why did we cut to a Duel Master scene?!
Oh, right, turns out the people who worked on this movie also worked on the Duel Master movie which was still a thing back then. That is why they made a little animation at the beginning of the movie were we see Crossfused Netto and Shobu working together to fight their respective opponents. They also put like 3 second cameos in both movies to let us know that both the Net Battle and the DM tournament are happening in the same weird building. 
For this movie, it’s a clip of Shobu summoning a monster or something, and for the DM movie we get an actual shot of Netto and friends cheering for Shobu in the audience.
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It’s not even the same art style, or background! At least Meiru still has her hair intact.
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In that movie they actually say Shobu’s name, in this one they just play the clip and then cut to Netto and friends reacting to something. Personally, I never cared for DM, I watched one episode and that’s it, I always saw it as a Yugioh bootleg.
The cameo is interrupted by Yuichiro who calls Netto to tell him that he must get to the Trident Tower ASAP, with no details whatsoever. Netto says bye to his friends and wishes them luck for their upcoming battle
Apparently some time passed after Netto leaves for the tower, because in the very next scene we cut to Yuichiro typing really fast in a computer (still not giving Meijin details as they watch the light beams appearing in Choina), and then asking if Netto is already at the tower.
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LOL, he is stuck in traffic.
Although it is nice to see taxi drivers still have jobs in this future. At least the paying method is accurate.
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Netto decides to skate all the way to the tower. I like this scene, its been a while since we’ve seen Rockman giving Netto directions from inside the PET and Netto showing off his sweet skating moves.
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Will Netto  make it to the tower in time? Will Yuichiro finally tell us what’s going on? And will Meiru’s hair ever grow back? Stay tuned for part 2.
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logically-asexual · 4 years ago
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okay i'm already procrastinating and i don't plan on sleeping any time soon so here we go.
☆ ✩ my personal ranking for every season 1 Sanders Sides episode. ✩ ☆
i think it's going to be pretty similar to @dukeofonions' but let's see if i find something new to contribute haha. i see you didn't include that one about Patton in the Big Game or whatever, so i'm not including it either xd. also i think i'm going to count Accepting Anxiety as one episode only.
edit: i finished and now i dare you to drink a shot of water every time i say the word spanish or a version of the word comfort and become very well hydrated.
#16 I'm in a Disney Show
(i agree with dukeofonions here) i always forget this episode exists. it was ok in terms of being happy for real life Thomas but as a Sanders Sides episode it didn't do anything. the sides were just giving their opinions but it wasn't very funny or interesting. also i'm bitter because it made me look up the episode he was in and i didn't like it at all. i don't know if i'm too old for those Disney shows now but Thomas was literally the only good part of it, everything else was really dull and boring imo. a waste of time.
however, Logan supporting clickbait is one of the funniest things ever, and i'll never forget it.
#15 Becoming A Cartoon
i didn't hate this episode but it was just .. meh.. you know? several factors contribute to this. one, i couldn't feel much nostalgia for Butch Hartman's shows because i watched them in Spanish, and everything feels really weird when they speak English, i don't like how my old cartoons sound in English. two, it was disappointing to me because we were all desperately waiting for Plot™ and instead they give us this short episode about nothing (oh how the tables have turned now it's the other way around haha). and three, i didn't like the style of the animation :/ their faces and expressions freaked me out, Roman's douchey face still haunts me.
#14 Way Too Adult
here i'm biased because i don't like Patton much, and i didn't back when i watched the series the first time either, so this video was a little disappointingwithout the rest. also it wasn't relatable to me because i am still too young and dependent on my parents haha. but Patton is funny and it's funny to laugh at Thomas' struggling.
#13 The Dark Side of Disney
i've never been a fan of Disney movies. i actually never watched Mulan or the Lion King or Aladdin as a kid, so meh. i liked the ending, though, it was cool to see Virgil have fun and be right for once. it does make me a bit uncomfortable because the way Thomas tries too hard with Virgil's mouth movements and his low voice reminds me of a guy that had made me v uncomfortable not long before watching that video. so an icky feel overall.
#12 A New Year of Lying to Myself
this video was actually kind of fogettable to me. i had a hard time connecting the voices in the song to the characters and idk. i don't love it nor hate it, just .. neutral.
#11 My True Identity
pretty much the same opinion as dukeofonions, again. it's a good introduction and it's good that it was the beginning of it all but on its own it's not very special. i think it's awesome on Thomas to have come up with such a clever idea, like choosing the dad, the teacher and the prince and putting them together and match them with thoughts?? that fit so perfectly?? it really is just very impressive when you think about it, that it was just a random idea he had for a short 5 minute video.
#10 Taking on Anxiety
i liked this video a lot because when i watched it i had recently been a lot on tumblr, and found out through relatable posts that i had anxiety. so watching this video was really fun and it made me happy to feel so seen, specially the intro when Thomas just talks about what it's like to have Anxiety and Virgil is so smug about it.
- ★ -
okay now that those are out of the way things are going to get hard... all the following i love with all my heart so i'm going to rank them based on the smallest things.
#9 Growing Up
once more, Patton isn't my favorite. so that's why i'm putting this here, plus the echo at the end askjhsahg, but i love love this video. i remember we were waiting and oh so ready for the angst of nobody taking Patton seriously. and we received!! i love that though Roman and Logan are antagonists here, they're both so happy about Thomas wanting to have a healthy life. and i just adore the way Logan admits his mistake at the end and asks Patton directly. my heart... also aw.. the nostalgia. i remember none of us knew how to spell Patton's name and were writing it in very funny ways until Thomas and Joan told us lol.
#8 The Mind vs The Heart
when i watched this video the first times i didn't like it much, because i only had eyes for Virgil, but later i came back to it and loved it. so taking that into account i'm putting it here. logicality was the first ship i ever shipped in the show because i saw a gifset on tumblr of Patton screaming "what do you know about love?!" and Logan "apparently more than YOU" and the caption said "MARRIED", and i thought hey yeah... anyway. i love them. they're both my dads since that day.
this video is so so so relatable and i love it. Logan and Patton are so much fun arguing and i love how they compromise at the end and work together. im reconsidering.. i might move it higher? no, fine i'll leave it here.
#7 Making Some Changes
this video was absolutely hilarious. i personally couldn't see it as the Sides still once they were acted by Thomas' friends, i enjoyed it more as that bunch being silly and trying to be the sides but failing in so many ways, while sometimes nailing stuff suddenly. i really don't take this one too seriously as an episode. except Joan!Logan and Valerie!Logan, my beloved... i love how Joan acted as Logan and their voice and that they kept their ace ring on.. there's a reason i had them as my icon for so long. and Valerie looks a bit (a lot) like me with the glasses and dressed in dark colors, plus she spoke Spanish and there's .. no words to describe the joy i felt when seeing/hearing that. wait i'm getting emotional...
#6 My Personality Q&A
when i watched this Virgil was my favorite side and i didn't care much about the rest lol. when i heard his answers i related to him SO much it was scary, and also his voice is so soft and it was all very comforting. it was also when i first starting looking at Logan with more attention, because when he brought up Big Hero 6 and Fall Out Boy and said he didn't sing and would recite it like a poem? it only took a couple seconds but my brain said "me" and never went back.
now this video is a little underwhelming to watch for me, most of the appeal for me was in finding out the answers, and also watching it when we didn't know a lot about the sides. now we know more and want to know more so it's not as fun to me as it was first.
i wish so bad they'd do another one, although i know it would be more difficult with a much bigger audience, i think they can manage and i just need it. the chaos.. the energy.. they all being so savage with each other, learning little random facts about them you didn't expect.. i need it.
- ★ -
oh boy top 5 here we go. the next three are practically a tie. i can't choose.
#5 Alone on Valentines Day
i love Valerie, and the idea of this video was perfect and so perfectly excecuted. every side just giving their crazy opinions on how to woo a random stranger, i laughed SO much. first with Logan speaking simlish out of nowhere? at that point i didn't know practically anything about the sims except that it was some video game and the whiplash of Logan going AYO and the rest killed me. then when Roman whipped out that dialogue in Spanish??? my life was completed. i've never felt more happy than i did in that moment gosh. just the hilarity of Roman's drama, the shock of them speaking Spanish suddenly like that, the absolute JOY of seeing a creator i like speak (may i say) perfect Spanish, the other characters' faces after that.. never been happier.
also the conclusion was so cute. Virgil solving the whole problem without wanting to. i loved it.
#4 Am I Original
i think this video speaks for itself. it was fun to watch them all do the ideas Roman had, plus Logan and Virgil nodding at each other, (i love them so much), plus the angst at the end of Roman's perfectionism, plus Roman's just perfect name. this video has it all.
i think Thomas posted it kind of late at night and i watched it at 7am in the classroom as i waited for my classmates to arrive and the class to start. (i usually was like 40 minutes early to school due to mom’s work). i had to contain my laughter and it wasn’t easy.
#3 Losing My Motivation
i started loving this video after a while, when Logan passed Virgil in the position for my favorite side. but once he did this episode was beautiful. it's so funny and i love Logan and Patton's dynamic so much. and the video also so damn relatable in general. i felt so seen with it because they named all the problems i have when procrastinating, down to Patton's vague explanation of his feelings, it's exactly how i feel every time i want to do stuff. and the plot twist! i can hear the dramatic sound effect and see how they all turn to Logan clearly in my head, and it always makes me smile. plus there's so much Logan angst that can be dug up and overanalized. i love to watch it over and over.
#2 Accepting Anxiety
this video was perfect. everything we wanted. we knew it was coming and it delivered perfectly, better than any fanfic done in the waiting time. the week between the parts was agonizing but in a fun way somehow. i remember precisely when i was watching part 2 in my living room. i screamed. and i cried, a lot. i was feeling terrible at that time in my life and Thomas was such a comforting presence and i can't begin to describe how this episode made me feel.
and later it is always fun to rewatch with all their different reactions to being in Virgil's room, the energy of that was on point. Thomas is such a great actor and the characters where just amazingly performed. plus it gave so much to talk adn think about, the idea of the rooms, lots lots of insight into the characters, foreshadowing, so much. it's just perfect i have nothing else to say.
#1 (for purely emotional reasons, ironically) My Negative Thinking
i think Accepting Anxiety is the best episode of the season objectively but my favorite is My Negative Thinking. because i love Virgil and Logan so much and seeing them argue together was and is great. the comfort.. i can't repeat that word enough throughout this post. it's such a soft video while not being overwhelming with Patton and Roman's outbursts. just quiet (mostly) and clear and with perfectly timed humour.
Logan my beloved.. learning spanish... helping me with my own anxiety.. and their debate was so good. and the fact that they were friends i- i can't. Virgil didn't think Logan liked him and Logan told him explicitly that he did and the casual softness of it i cant even. Logan is happy that he tried.. it's just marvelous. Virgil and Logan as best friends will always be my favorite pair, and their dynamic will always be what i strive for in any relationship i might form, with both sides silently comforting each other within their own limits and realistic perspectives. so nice.
- ★ -
so yeah. that's all. thank you if you read all the way up to here. ♡ ♡ ♡
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comicteaparty · 5 years ago
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July 20th-July 26th, 2020 CTP Archive
The archive for the Comic Tea Party week long chat that occurred from July 20th, 2020 to July 26th, 2020.  The chat focused on Ring Spell by Artem Ficta.
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Featured Comment:
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Chat:
Comic Tea Party
BOOK CLUB START!
Hello and welcome everyone to Comic Tea Party’s Book Club~! This week we’ll be focusing on Ring Spell by Artem Ficta~! (http://ring-spell.com/)
You are free to read and comment about the comic all week at your own pace until July 26th, so stop on by whenever it suits your schedule! Discussions are freeform, but we do offer discussion prompts in the pins for those who’d like to have them. Additionally, remember that while constructive criticism is allowed, our focus is to have fun and appreciate the comic! Whether you finish the comic or can only read a few pages, everyone is welcome to join and chat with us!
DISCUSSION PROMPTS – PART 1
1. What did you like about the beginning of the comic?
2. What has been your favorite moment in the comic (so far)?
3. Who is your favorite character?
4. Which characters do like seeing interact the most?
5. What is something you like about the art? If you have a favorite illustration, please share it!
6. What is a theme you like that the comic explores?
7. What do you like about the comic’s story or overall related content?
8. Overall, what do you think the comic’s strengths are?
Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!
Feather J. Fern
1. What did you like about the beginning of the comic? I like how it seems lighthearted at first, but knowing Artem it's going to drop the ball on us really soon haha.(edited)
Also I always love how the backgrounds are, they look great.
Artem Ficta (Ring Spell)
Hahah, it's a shame I didn't get one more update up XD Thank you so much, Feather~!
snuffysam (Super Galaxy Knights)
well, the CTP is gonna run for the rest of the week...
Artem Ficta (Ring Spell)
I can't finish the next 8 pages by then XD
My guess is they'll be up the week after next
RebelVampire
For the beginning, I'm with Feather and I like how quickly the comic transitions from just lalala happy school to oh wait there's weird shit going on. I really like stories where the status quo is quickly ripped out from under your feet. My favorite moment in the comic so far is probably the most recent scene when we get to see Lyall's apartment and ya know, Claire starts dropping all these bombshells on us. The scene is the epitome of "Well that escalated quickly" and its just loaded with so much info to unpack. My favorite character right now is Claire. One because she seems the most sensible and mysterious, and two because I love Claire's hair so much and I'm so jealous and want such floof beautiful hair. ;3; As for characters I like see interacting the most, probably Claire and Lyall and they have some really good banter and a relationship, insofar, that's just kind of hilarious in its brutal honesty. A close second for me is Claire and Tasha as it quickly switches from happy smiles to probably most likely to have a catfight in the hallway.
Artem Ficta (Ring Spell)
Catfight in the hallway, lolol. Makes me want to draw them dressed like cat girls XD
RebelVampire
No not that sort of catfight
probably
O_O
Artem Ficta (Ring Spell)
comic turns into a catgirl fetish comic
Artem Ficta (Ring Spell)
1. I like how the first word is Zenchav which was the title of the comic this is a hard reboot of XD 2. My favorite moment was Lyall sticking his hands up Damon's shirt XD I really like how it was drawn and it's the most Lyall thing ever to do. 3. My favorite character overall is Damon, although it's probably Lyall at this point in the story. But I like them all of course XD 4. Damon and anybody, lol. I like when I get to draw him XD 5. I've been trying out a new shading style with this since I almost exclusively just hard shaded before, so it's nice to be branching out a bit and trying some new things. The Intro page is probably my favorite atm.
snuffysam (Super Galaxy Knights)
Theory: Lyall sticking his cold hands up Damon's shirt is how he drains Damon's energy, because secretly he's the witch.
mariah (rainy day dreams)
Oh no! XD that would be a twist!
Artem Ficta (Ring Spell)
Oh snap!
mathtans
Hmmm, so we ship Claire and Tasha then?
Artem Ficta (Ring Spell)
I don't not ship Tasha and Claire >v>
Artem Ficta (Ring Spell)
Drew that picture of them
RebelVampire
We should indeed all suspect Lyall. I mean no parents, lives alone, yet somehow affords everything? That's witchery.
Artem Ficta (Ring Spell)
How does he afford all that stuff
does he sell drugs on the side or something XD it is suspicious
mathtans
1. I'll mostly echo everyone else here in terms of the start seems pretty straightforward and makes one wonder how the teaser page fits into it all. I'll add a remark on the subtle details of world building, like you've got your digital alarm... and dude straight up has a TAIL, and it's like, no comment, that's normal too.
2. Favourite moment was probably recruiting Claire into the cosplay skit. It's like, hello new person, oh you want to associate with us? Then you need the proper accessories, and Claire's all 'Um, I'm not sure... prop weapons? Uh, okay then...' Cosplay is a force to be reckoned with. (nods)
3. Fave character... yeah, may have to echo Rebel here and go with Claire. Possibly because she's the first chapter name, and like the reader is coming into this new situation, so can get behind her trying to figure it out... but also because I'm big on the time/space bureau stuff and that sounds like a cool job to get.
Damon has a cool cane and has the mysterious ailment afflicting his cosplay though, so he's my fave guy at the moment. (Werewolf blood? Moon thing? Dunno.)
4. I honestly do like the Tasha/Claire interactions the most, because each of them seems to have something to hide, and so you're kind of wondering if and when one of them might slip up. The other girl interrupting with the paint was classic, and I felt it helped break tension. The ship picture (which I imagine won't show in the log) is kind of representative of that with the chessboard too, like they're making moves against the other (though I'm not yet convinced that one is a witch, could be a setup).
Of course, I'm very biased towards the yuri, so grain of salt for my opinions and all. And while the ship was a humour comment at first, I think I'm more into it after seeing a "catfight" could play out.
All that said, the Lyall/Damon interactions are equally good. Lyall's perversion sometimes saying the quiet part out loud.
5. I recognize the art style, have read some of the work before (under different name). Always find the hair impressive, like here you get the impression of each individual strand except that's not actually what's drawn... you can still see the neat ears, Claire having some strands that fall in front of her too. The shading is really good too, like definitely shades of grey, not just black and white.
Kind of echoing the author there, but I can see it.
I'm so bad with themes and need to charge computer, will be back later. o.o
Artem Ficta (Ring Spell)
I love all this input Math, thank you ;3;/
RebelVampire
@mathtans You have no idea how happy I am that someone noticed the tail that nobody seemed to comment on.
RebelVampire
What I like about the art is how clean and crisp everything is cause mmmm that sexy lineart you can just paint bucket when needed. <3 I like that the comic explores the idea of having someone you've known your entire life possibly be evil. Cause it opens up a lot of questions. Like should you doubt? Should you trust? And at which point have you hit the point of betrayal? So I'm glad we'll get to see a bit of this tackled as Lyall and Claire look for evidence. As for the overall story, I like that there's just lots of questions going on. It's a theorists dream. But I find the more mysteries a comic has, the more engaging it is. Because even when you know the answer, it's interesting everytime to see the characters reach that answer. As for the comic's strengths, see the above and the art. It's super pretty and clean to look at, has some fantastic emotive faces during the more comedic moments, and there's just lots to theorize and look forward too. ;3;
Now I will proceed to weep as someone who beta read the script and actually can't theorize cause I just know .
mathtans
Others may have noticed but not been sure what to say? (Does the tail turn into the cane?)
6. Ok, themes... could be a theme of belonging in there. Like Claire being accepted into the group, like Lyall wondering if she's only talking to him to get to Damon, that sort of thing? Then there's the idea Rebel raised of thinking you know someone but not necessarily knowing them.
Of course, there's also credibility, like maybe Claire is simply an escaped mental patient with really good hacking skills to get herself in the school and apartment. Because that's quite the tale she spins. (Though Lyall had heard of the organization? Or he's pranking her, bit hard to know for sure.)
7/8. The story's been setting up a number of things in the background, I feel. Which can be a strength, as we're learning more character items first. Though Claire's latest revelation I'm really jazzed about, because the idea of time travel (times when demons weren't supposed to be) and personification (Earth as a female entity) are right up my alley. So that's cool.
Also Lyall apparently has a strange aura to go with Tasha's strange energy? Maybe the witch is jumping bodies. Maybe we should ship Lyall/Tasha.
Artem Ficta (Ring Spell)
Oh my gosh, loving these ideas!
I don't want to give spoilers but I think I'll answer the tail thing cause I never really meant for it to be a mystery It's just tucked into his pants when he's in public is all. That's why he's wearing the track suit for the school and not the standard school uniform, cause the pants are looser.
although it turning into the cane could have been hella cool(edited)
now I'm a little bummed I never thought of that
But the cane has other purposes
mathtans
I didn't really think it was a big mystery, and that explanation makes sense. (So I suppose it could be not normal, only normal for Damon's friends... demon prejudice otherwise?) Ok, so the cane is where he hides his stimulants to keep awake until the full moon.
Comic Tea Party
DISCUSSION PROMPTS – PART 2
9. What are your theories about Damon’s past? Why is he concerned about when the full moon is? Additionally, what do you think was meant about Damon and Xerfonos being the same age but not being twins?
10. Do you think Claire is right that Tasha is the witch Cadence? If so, how will she prove it? If not, who else could it be? Also, what might this all have to do with Tasha’s concern about Claire being the mysterious Draco’s student?
11. What do you think Cadence ultimately wants from Damon? Why would this compel the Earth, and by extension Apus, to protect him? Also, even if the characters find Cadence, can she actually be stopped?
12. Why do you think Lyall reacted so strangely to Claire mentioning Apus, and why do you think he’s so sure Apus wouldn’t care about protecting Damon? Do you think Lyall can trust Claire even for the long term?
Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!
mathtans
9. I mean, Damon seems to be a demon, but he's cool with being in our world, so... maybe he was born of a human/demon pairing? Or he was adopted by humans when he was a baby and simply given the same birthday as Xerfonos. I'm guessing the full moon has more significance than merely to werewolves (unless Damon needs to bite a werewolf to regain strength idk) and so it would help him.
I will say that initially the "same age" thing didn't phase me because there's more than 9 months in a year, plenty of time for having a second kid born in the same year. But now that I'm debating the adoption angle, maybe there's more to it.
They're not twins... they're TRIPLETS! Dun dun dun. Anyway.
snuffysam (Super Galaxy Knights)
they could also just not be twins due to a date technicality like one was born right before midnight and one was born right after
but yeah the adoption angle would explain a lot
mathtans
10. I don't think she's right about Tasha, or if she's right, not in the way she thinks. Because we've seen some from Tasha's perspective and she didn't seem to be the person in charge of whatever. In terms of proof, I guess she could see if Tasha would cosplay as a witch? And if the shoe fits? But yeah, maybe the witch is jumping between people like I mentioned earlier, or is not actually there yet, like APUS got the date wrong or something. Maybe Tasha's also trying to protect Damon from the witch (hence trying to give him that new name) but it's a rival organization?
I mean, technically still twins in that case, just not having the same birthday. (If Feb 29th enters into it, it gets even weirder.)
Actually, why wouldn't Claire use Damon's given name? Maybe her organization doesn't know everything it thinks it does?
Anyway, just had time for some random thoughts. Back later tonight.
mathtans
11. Cadence may just want him to keep living so that she can keep siphoning off energy. (Thus perhaps APUS wants him dead, it's not about protection?!) Or maybe Cadence wants a sweet cosplay. (Probably not.) Of course, it might be that if she's a free floating witch, she wants his body. Maybe she can't be stopped, but could be redirected?
The Earth aspect is one I haven't really been able to figure out yet. (Are pavonis a type of pasta?) But maybe there's a destiny or something that Damon needs to fulfil first.
12. Lyall could have been pranking, but maybe he knows a different organization like that... or maybe that's the name of some mystery file on his computer that he hasn't been able to open because the Cadence inside him hasn't revealed the password, oooh. I think Lyall can trust Claire (assuming she's not a raving lunatic) and she might even need him to provide better cover (she didn't seem to even know what apartment she was in)... but that's short term. Long term is another question, if she starts getting Apus directives saying to do things he wouldn't agree with.
Artem Ficta (Ring Spell)
This is all so interesting ;3;
Pavonis as a type of pasta, lolol
mathtans
I'm glad it's more interesting than rambly.
Artem Ficta (Ring Spell)
Nah, I love it XD I'm afraid I'd give spoilers if I said anymore lmao
RebelVampire
My theories about Damon's past are that he's a werewolf. And that something about being a werewolf has changed how he ages compared to Xerfonos - thus why they're the same age but not twins. Granted I guess they could also just be half brothers who have a shared father who said, "Man I should knock two girls up at once." But werewolf sounds more interesting. No I think we've established Lyall is clearly the witch. He is too suspicious. Tasha probably is a super secret agent or something, hence the suspicion. Maybe Apus is into some shady shit that Tasha knows about, especially Draco, so she doesn't want them jumping in on everything. As for how proof, she won't. Cadence will reveal she's Lyall when the most damage can be caused and Claire will weep her career as a detective is through. Cadence might just think Damon is hot. Although I think Damon has a grand destiny ahead of him, and Cadence wants to interfere with that destiny while also bulking up on some of that tasty werewolf energy. Also, can Cadence be stopped? Probably. But definitely not by these chumps right now. XD Lyall reacted strangely cause that was the Cadence in him going oh shit and kind of taking over. And sure, Lyall can trust Claire to never figure out its him. Sorry Claire, you hot, but clearly aren't noticing some stuff.
mathtans
I hadn't considered the "same father different mothers" angle. O.o Maybe it was a sperm donation sort of thing though?
As to Claire, maybe Tasha will be nice enough to buy Claire ice cream and give her snuggles once she realizes the error of her ways.
Artem Ficta (Ring Spell)
Tasha and Claire will get to snuggling at some point I'm sure XD
The same father with different mothers sounds most probable
of what's been mentioned at least
mathtans
I mean, time travel could also be involved. What with Apus.
Maybe Claire is Damon's daughter and she's trying to protect her own existence.
Artem Ficta (Ring Spell)
Maybe Claire is Xerfonos' mother
Wait, I don't think that'd work out lmao
Daughter would be way more probable
Comic Tea Party
DISCUSSION PROMPTS – PART 3
13. What are you most looking forward to seeing in regards to the comic?
14. Any final words of encouragement for the comic?
Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!
Artem Ficta (Ring Spell)
I look forward to getting a bit further into the story XD it's still pretty early on atm and there's a lot of really good scenes later. I don't feel like we've really gotten to know Damon yet either
RebelVampire
I am looking forward to seeing people's theories as the story continues and pieces fall into place. It will be interesting to see the routes people take with the ideas of what the answers are going to be. My final words are just read the comic. O_O
mariah (rainy day dreams)
I didn't end up having any brain power to write responses over the week, but I really enjoyed Ring Spell. Damon and his brother are cuties, Claire seems very capable, and I can't wait to find out what Tasha's motives are. I'm real excited to see how the themes of magical marital vows come to the forefront :3
Artem Ficta (Ring Spell)
Thank you~!
mathtans
Busy weekend was busy. Looking forward to seeing how the Apus thing fits in, like is Claire even from their time period? Will Lyall spill all the secrets? Will the ships happen? I'm so behind in all my reading but I've flagged it to check back when I can.
There was also the bit at the start implying knowing people from other lives, but the time travel possibilities make that weird. And I guess there's also the question of whether a Ring will have a Spell on it. Like, maybe the witch doesn't know she's the witch while she's wearing a ring? Or they have to get her to wear a ring? Here I am guessing again. ^^
14. To conclude, all the best with it, looks like a good setup. I do enjoy the art style too.
Also I guess congrats on being the finale CTP? Nice that you got it in there. Good initiative.
Artem Ficta (Ring Spell)
Thank you so much Math~!
Comic Tea Party
BOOK CLUB END!
Thank you everyone so much for reading and chatting about Ring Spell this week! Please also give a special thank you to Artem Ficta for volunteering the comic and creating it! If you liked Ring Spell, make sure to continue to support it via some of the links below!
Read and Comment: http://ring-spell.com/
Artem Ficta’s Ko-fi: https://ko-fi.com/artemficta
Artem Ficta’s Twitter: https://twitter.com/ArtemFicta
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cruddyborderlandstheories · 6 years ago
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“So Happy Together” Analysis
i don’t sleep
tl;dr: tbh not much to go off on about. i think we see a new skin for Iron Bear, one with some stripes. amara smiles, i do talk a little bit about little sisters in bioshock but tbh i think this was all just a stylistic choice lol. oh and handsome jack’s masks- probably Mount Jackmore. i don’t want to get to freaked out over jack returning, but damn gearbox lol u had me there for a second. im pretty sure it’s just a reused cut quest from bl2 that they never got to implement. 
EDIT: here’s all the cut content in bl2 (plus all the non-cut content as well for funsies). you can go to the cut quests and see the audio files for claptrap’s jackmore quest
holy shit can i just vomit all my emotions rn, they’re all good so imma do that so im rational when i start analyzing stuff okay? okay! 
holy shit that was fucking great and im really glad i tempered my expectations to something smaller than i thought because i feel bad for people expecting something huge, i was under the assumption we’d be getting a new mechanic that was like ‘choose ur +1 and they’ll be able to play the game with you if you’re both online even if they don’t have the game’ which was what someone said on reddit. altho im sure the poor company is gonna get spammed now with hate like ‘WTF YOU SHOULDN’T HAVE BUILT THIS UP AAAA’. not to lie, i was slightly disappointed it wasn’t a longer stream, but i mean if they’ve got nothing to announce, they’ve got nothing to announce and HEY! new trailer!!! gonna be combing thru on the assumption this has some easter eggs like the MoM trailer did, just in case. i thought it was a cute trailer, gearbox never explicitly said what it was gonna be, a lot people all just assumed what was gonna happen was a demo/beta which sucks so i hope this doesn’t negatively impact people’s perspective of the game. im staying off reddit for now bc when i first checked it people were pretty pissed and i dun need that negativity lmao
okay! emotions are LOCKED behind closed doors. i am shifting into study mode. here we go boys/girls/those of us who know better. haven’t done one of these in a while, let’s see if im rusty at all.
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claptrap! and the skull on the chair which reminds me of tyreen’s “favorite skull”. 
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tv says “we are under attack, please stand by”
and afaik claptrap is near the beginning of the game, you can see part of the recruitment center behind him when the camera pans.
im thinking there might be something in the roses, specifically the hand-drawn roses later on in the trailer. will be keeping an eye open for that.
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this is specifically a jakobs brand chest. i really like the see-through aesthetic of it
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intro area of the game again. possible hint to the opening cutscene? tbh i was worried that’s what we were about to get because i haven’t finished the roughs of my mock up lol
so what i didn’t notice my first time through is that you can then see claptrap, also being shown in the chest
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waving up at the camera. that’s not trippy at all or anything lol
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this car in the foreground (with no one driving it, mind you)
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randomly combusts, looking quite like elpis in that one shot of the claptrap presents pandora trailer. wonder if that means it’s gonna ‘splode.
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ohhh it spins. please no spin imma get motion sick blech
shot of some cultists. one appears to have a jetpack near the bottom right there
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another explosion to the beat
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the shock wave!!!! that’s awesome
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shock nomads cultists are back. f in chat for our shields
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another cultist seconds before he gets blown to bits
it cuts to black for a secco as it moves thru said explosion
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another cultist, i assume a psycho
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finally some good fucking angles
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heh.
idk what i expected from someone who’s first action skill line i ever heard was them shouting MAGIC WALL!!! TAAAADAAAAAAAAH
as a side note
who is shooting those lasers
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we see them coming from behind the VHs, but
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there’s nothing there
SPOOKY~
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they’re coming from... the wall???
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tfw u shot urself in the foot on accident
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amara is not amused
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`is this some human custom i don’t understand yet`
also i hate that i’ve done this exact dance before when i took dance classes as a kid
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with less style of course, i was like 7
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moze is into it, hell yeah
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this reminds me a lot of Kingsman. where all the blood is like fireworks and stuff. i wonder if that has anything to do with the psycho brainwashing. like little sisters in bioshock. they see roses instead of blood, right? maybe there’s something like that going on with the psychos
i’d certainly hope our vault hunters aren’t brainwashed, anyway.
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this dude looking SHOCKED to see that tho, lmfao
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i relate to this man on a spiritual level i stg
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man he looks pissed
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omfg lol
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“um”
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“i guess this is okay”
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the body language in this is gold i am just having the time of my life
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adsfdgfhgjhgfk
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this is so cute
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also in retrospect, i think this is one of the turrets we see on promethea. i wonder what it’s doing here!
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moze u ok?
oh nvm she’s into it, look at her! she’s dancing! She’s Dancin’!
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oooo one of the robots from the we are mayhem trailer! okay you can totally see why i think they’re jakobs, RIGHT???
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iirc this is a maliwan soldier
man this is a crossover event, isn’t it?
i get it now. togetherness. i gotchu gearbox.
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some maliwan ships in the sky. possibly sanc-iii on the right? or a ship of the same model as sanc-iii!
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this is a magitek dropship, change my mind
eh, they both start with M, fuck it.
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no idea what fl4k is doing here
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mayyyybe shielding themselves from the ‘firework’/confetti shower
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i like that the confetti explosions are backed up by purple, you know like eridium/slag/siren powers. seriously, maybe this is just how to cultists see us Vault Hunters and the mass murder.
at the very least, the psychos.
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fl4k’s into it. i wish we knew the name of their skag, if it has one. i hope it does.
well now the lasers are coming from the other side! what the hell
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moving on
i think this is the HBC from the speakers, plus im pretty sure that skull and the stained glass are the entrance to mouthpiece’s arena
we also get a different colored explosion. im paranoid jack is somehow making a return (please god no), so i’ll just note it’s the same color as his eyes.
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AND the chests are vomiting out gold guns, which i think, gold-plated gear, is the cult’s way of signifying standing. which im sure is a tongue-in-cheek commentary as gearbox gives out a gold weapon pack as a pre-order bonus. no, like, it even shows up as an ad on the video
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smh gearbox lmao
oh, also, the cultists are doing fuckin flying impressions
im not saying its a reference to the cultist with rakk wings on the cover, buuuut
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bitch it might be lol
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it’s an upside-down vault symbol! ive been trying to figure out what that is in those screens for the longest time!
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back on promethea and we get to see fl4k’s spiderant in action
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their skag, too, of course
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the jabbermon in the back there, too! i wonder if they’re going to be shock or cryo. i would imagine shock given how they’re glowing
also i love the way the flowers look in contrast to the character models
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moze is so happy aw
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i love the way fl4k’s skag comes flying in and slides to a stop. such a good doggo ;-;
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this is beautiful, i want it as a wallpaper
moze skipping? holy shit
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100% verified the best thing i’ve ever seen
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i lied. this is.
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is this the fast travel station effect?
also! IB is looking a bit different
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i wonder if this is a redesign or if IB is wearing a new skin moze picked out
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pan over to zane who clearly doesn’t notice the being of darkness and horror in the doorway
oh also, we’re on eden-6 now. which would explain the fast travel effect
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psychos dancing on the rooftops lol
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oh god my eyes
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nothing to really say here, i just like this screenshot
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pink shields booyah
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this is so fucking cute
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we also get a better look at that one facility on eden-6
is that... red i see? >w> i won’t say it i won’t i won’t say it i swear i just- ATLAS
fuck
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i like that zane’s clone spawns with his melee attachment
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not AS excited as the real life version though
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GB pls let this be a zane emote
is that a varkid? on eden-6?
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wtf is a varkid doing on eden-6???
more shots of the facility btw. reminds me a lot of sanc-iii so maybe this actually is the supamax mfg construction facility like i originally thought. hmmmmmmm
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ah yes, of course
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holy shit what is this a reference to?
im told it’s the sex pistols
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the back of the bullet turns into Athenas
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pans in
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amara!
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enemy with a top hat on. some variation of/upgraded gravedigger? it’s like a psycho but recolored with blue pants and a top hat. you can see it fall off when amara shoots him
y’know, these guys
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some rakk in the background
i am hoping bc this is a celebration of togetherness we’re seeing all enemies everywhere, not that the planets don’t have their own unique fauna.
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she’s so happy omfg
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oh, you want some?
Uhhh then there’s THIS sequence
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they’re doing the flying thing again lmao
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there’s also whatever that black blob is on the left. a spaceship maybe?
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car wheel
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all their eyes started glowing red. uh oh gamers
also another fast travel effect
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hmmmm... zarpedon is that you??
back on pandora.
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“super 87 racetrack”, maybe this is near that motorcade fast travel we saw?
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huzzah! rainbows!
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i do believe that’s sanctuary-iii
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another ship. drop ship?
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elpis is looking nice this time of year. definitely not explode-y. yet.
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pret-ty sure that’s iron bear. moze is standing atop the tower lmao
also! back to it’s old paint scheme. looks like moze was using a skin or smth
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we also have this. are my eyes failing me or is that a big cross on the left? could be where jack was buried. 
also i know there was cut content in bl2 about Mount Jackmore! and this looks like a Mount Jackmore to me. it’s a cut quest where claptrap asks you to basically ruin the thing. but since the quest was cut, it’s still here in bl3. maybe they’ll reintegrate the quest lol
i can’t imagine it being roland’s gravesite. because it looks like the below.
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i do know we’re going to roland’s grave in bl3, but the statues don’t really match up. maybe it is and the statues were broken, or ruined or something and replaced by a cross. could be then that the gravesite was defaced with, well, the guy that killed him. 
im really hoping jack doesn’t make a return. im fine with dealing with what he set in motion, and his influence, and probably even some ECHO logs and movie trailers, but please, for the love of god, don’t actually bring him back, AI or otherwise. im really excited for the calypso twins, i’d really hate to see the focus shift back to that guy. he’s had his fingers in every borderlands game. it’s time to let him go.
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idk what this is exactly. it looks like maybe that weird eye bot troy stands next to in the intro for the behind closed doors panel?
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goodbye mr magical jakobs chest, it’s been real
the RC now has red drapes going down it. have those always been there? i don’t remember those
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hmmmmmmmmm maybe we’re looking at it from the back 🤔
anyway, that’s all she wrote. i haven’t see any hidden morse code messages or anything yet, but if something surfaces, i’ll be sure to add it here.
38 notes · View notes
all-the-kookies-fall · 7 years ago
Text
A THEORY: Linear Timeline of reputation
This is going to be a very long read; but it may just include unlocking the 15 Taylor's from the LWYMMD MV so read on if you dare…
 (OK it totally includes the theory, please read and tell me what you think!)
An Introduction:
I've been a casual fan of Taylor Swift since she started. Loved all her radio singles, listened to her albums (at my leisure upon release), and admired her platform and brand image. I guess I became a huge fan after 1989, but around the release of reputation, I realized just how much this woman's music has been there throughout my life and decided to fully stan her. As I fell down the rabbit hole of  learning everything I could about TS as an artist, I became completely enamored with her wits & charms. However, the more I learned to love about her, the more I could feel just a slight inauthenticity; I was constantly thinking of the hypocrisy of how she "never names who her songs about" yet she created this scavenger hunt with her liner notes that seemed to point in an obvious direction of one of her "ex-boyfriends." It didn't align with how she presented herself in every other aspect. Then, I felldowntherabbithole for real and found all of the incredibly documented and organized realm of the Kaylor's, and everything was literally in screaming color.
reputation made even more sense with fresh Kaylor eyes and once I read this Taylor Swift quote: 
reputation, in my mind, is an album that is very linear in it’s timeline. Meaning that it kind of starts out where I was when I first started making the record. The album ends more where I am now in my life. So this is more towards the end of the album, it’s called ‘Call It What You Want.’
my mind became OBSESSED with cracking this code. I had combed through all the kaylor blogs and while I had read everything I could, I still couldn't place it within any timeline. Then, Delicate came out and the code started to crack; I could peek inside and make sense of something, but was still unsure what it was. I put together a loose concept which had some plot holes, but it was when I remembered to revisit the 15 Taylor theory that everything completely revealed itself.
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  I would like to start with a disclaimer: I have never, ever actively participated more than lurking or even posted anything on Tumblr. I would like to fully acknowledge that there is a huge, fat chance none of this makes sense to anyone but me, but my husband was really getting fed up with me talking about it and I just needed to share. THANK YOUS to the Kaylor blogs I frequented with incredible analysis and POV of Tay in the media and her music-  @all-my-possessions​ @howyougetthenerd​  @jennyboom21 @karlitakloss​ @kaydar​ @kaylorrepdetective​ @larrienation​ @out-of-the-klosset​ @paradisekisses  @tallcurlygirl​ @taytaysbeard​ @that-curly-haired-lesbian @thoseflashinggreeneyes​ @whaler13bg​ to name a few. (Sorry, tumblr is not letting me tag a few of you.)
 A lot of the information I am providing is not new and connects the dots from the amazing posts from this community. I tried as best as I could to cite all relevant posts - you can definitely let me know if I've made any errors. Please feel free to edit//contribute//comment because I have a feeling that a more seasoned eye would be able to expound on so many more clues and easter eggs!
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Let the Games Begin!
Overall Concept/Themes
There are truly some insightful analysis of the overarching themes and concepts of the album already. Secrecy, partners in crime, forbidden love… In general there's a complex theme of Duality to the album; conflicting feelings, Brand vs Self, bad vs good, truth vs reputation etc. I think it's most important to note is that any analysis that views these tracks differently than listed below, can still be correct. Our Queen is a lyrical master plus there's that added layer of intentional dualities in her story telling; there's always at least 3 different meanings to her songs and that's one of the reasons we admire her wordsmith ways.
 The Timeline!!!
 …Ready For It?  - So It Goes… 2012* - 2014
This has long been inferred in every side of the fandom to indicate this is Part 1 of the Story, implied by the ellipses as the beginning and end of the track names. All the timelines I've previously read started at either the introduction of  1989 or even later beginning with 2016/2017 events, but it didn't make sense applied to the album as a whole. Once Delicate MV came out, I began to notice that all of the nods to RED in all these MV's were not just for nostalgia. She is literally telling us that this part of the story was about the end of RED era leading into 1989 - not quite 1989 era just yet. ;)
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*2012 is an estimate based on the beginning of the Delicate video; it's possible that TS & KK met before Swiftgron was officially over but who will ever know? Karlie's buzz cut was December 2011 (x). The first half of the album is difficult to theorize specific dates within this period because we really have no idea when KK & TS met.
LWYMMD - New Year's Day 2014 - 2017 (NYD)
I gotta tell you - immediately after reading this, go watch LWYMMD. It was (is?) literally hiding there in plain sight; it's a GENIUS video walking you through EXACTLY what she did (you could say from a satirical standpoint more how the media/GP thought she did) to prepare for this era! When she refers to the "Old Taylor," she's using the term in the exact way her fans have been using: to refer to Country Taylor. She is officially Pop; Look What We Made Her Do when RED, a pop-country album, "a patchwork of songs," didn't win the Grammy. She went full POP princess. This post in particular helped me remember that these songs are not fresh in regards to her life even though they are brand new to us. Part 2 of the story more clearly follows the events of the 1989 era through just before rep's release.
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Track by Track // 15 Taylors
…Ready For It?  Intro
I believe this is an introduction of what's to come, an overview of the story. Yes, she's definitely asking herself if she's ready to come out of the closet (x/x), if Karlie is ready to glass closet (x), is her beard ready for the consequences(x), and most specifically, are we, her fans, the GP, are we ready for her to come out and live her truth unapologetically? It's her laying the groundwork to prepare for 1989; her literally coming up with the concept for the whole era which is why we see the references to her 1989 MV's in the glass room. This post  cites the connection to the Dykes on Bikes; are we ready to accept Taylor to not only come out, but be a strong voice and activist of the LGBTQ+ community?
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End Game April 2013 - June 2014
I KNOW Taylor is singing to KK about them first meeting - and I KNOW we think they just met before VSFS 2013 (even though there are rumors that say they met sooner…) But, hear me out because this lines up way too easily with the information we get from the MV (x/x). Remind yourself… Who opened for Taylor's RED tour? That’s right, our favorite ginger. It's a nice additional nod with the callback of Everything Has Changed duet with Ed Sheeran. Miami (shoutout to my hometown even though I have no inkling to its significance) tour dates were 04/10/13, London was  02/01/14 (Did she really show us their first  NYE together?!), and Tokyo was 06/01/14.
Irrelevant now but important for later (LWYMMD): And I bury hatchets, but I keep maps of where I put ‘em. This post highlights a cool interpretation of the line that applies to this whole post!
I’ve been doing some digging to try and somehow link Miami in this mix, and this is pure speculation but I feel like Future represents her bearding with Harry Styles. Karlie’s “buzz cut” was in December 2012, and shortly thereafter she was in Miami for a photo shoot. 1/4/12 marks the official break up of Haylor in the US Virgin Islands… it’s a stretch and I’m totally grasping at straws but they are geographically close and it’s all I got for now.
   "Me, I was a robber first time that (s)he saw me…"
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I Did Something Bad early 2013
So, I have to admit… IDSB and DBM were the two songs I was having the most trouble placing within the linear timeline; my initial thought was this must have been a metaphor for her confessing her "sins" a.k.a. bearding, to Karlie when they first started dating. This was the song that clicked once I looked through the lenses of the 15 Taylors and reaffirmed my thoughts with the visuals of this Taylor on the cross in LWYMMD. In digging a little deeper, I found a Vanity Fair article - one of the only cover stories found online about TS during 2013. I'm not as confident about my perspective on the linear timeline with this track, however I feel like it's a good start especially considering the next holy church track.
In regards to the "light me up" lyric, and clear visual reference in the …RFI MV as well as the crucifixion of Taylor in LWYMMD, I thought this answer she gave the   73 Questions With Taylor Swift | Vogue video was also interesting to note. The question was what is the one thing she wishes she would have known at age 19 (8:03)?
"Hey, you're going to date just like a normal 20-something should be allowed to, but you're going to be a national lightning rod for slut-shaming."
I'll leave this quote from the April 2013 Vanity Fair interview right here:
"But nobody calls them the kinds of names that get thrown at Swift. “They’re ‘playboys,’ ” Swift says wryly. “They’re ‘having fun.’ ”
By the way, in the Vanity Fair article there's an "authorized source" giving insight to what "really happened" to Haylor aka probably lies.
 Every lie I tell them, they tell me three
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Don't Blame Me early - mid 2014
I can really only hypothesize through the lyrics and the Taylor line up that this may be a reference to how the RED "media" circus (as quoted from the VF article cited above) literally made her do crazy things - maybe how her past experiences had caused her to react a certain way in an undefined relationship, maybe how the media circus in general had her guarding her heart, and of course the religious context of the song leads me to believe of course it is connected in that aspect to the confessing of her actions in the previous track. Big Sur trip also falls within this timeline. (x/x/x) 
I once was poison ivy, but now I'm your daisy…
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Delicate 2013 - 2014
I think this one has so many beautiful analysis with the music video that syncs perfectly with this time line with no need for additional explanation, and I think it's especially apparent why this Taylor represents TraKK 5 in the line up. (x/x)
It's interesting that Fearless Taylor and Red Taylor were the ones actually fighting on Taylor Mountain in the LWYMMD MV; this may be a reference to her insecurities and headspace during the RED media circus//break up anxieties fighting contrasting to her want to just dance in her best dress Fearless with KK with no inhibitions.
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Dancing in my best dress, fearless 
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LWYMMD End of 2014
Has anyone noticed the crows in the beginning? It literally hit me as I was finishing this post - a group of crows is called a murder.
We see her Driving a new Maserati (well, car with significant meaning) down a dead end street and then crashes into the pole. (x) She literally killed the "Old Taylor" to get the Grammy - as well as set up clever disguises as red herrings* so that we missed the most obvious clue that this is about the release of 1989. I think even cleverer, how she walks away from the crash unscathed at the end of the MV to imply she rose up from the dead, she does it all the time (with each era release). (x/x/x/x)
*Red herring: something, especially a clue, that is or is intended to be misleading or distracting. In reference to the post regarding hatchets in End Game, she's definitely sending us on the hunt… remember that post above I asked you to note?
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 Then of course another hint to the timeline is in the lyrics and MV (look at the date of the tweet...)
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I've got a list of names and yours is in red underlined 
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So It Goes… October/November 2014
This was definitely the most challenging to figure out, but there's definitely two clear ideas that are represented here - the linear timeline alludes to the HOT KINKY SEX our girls probably had after VSFS '14 (x/x/x) and the death of her 'innocence.' Coincidentally, I had read Slaughterhouse Five for the first time earlier last year and lurking around the Reddit TS  community where they spent so much time trying to figure out how they could circle this back to Vonnegut. Unluckily for them, it is the most heteronormative//homophobic community where even Kaylor posts are censored/deleted/ridiculed etc so they weren't ever going to get it. This song represents a toxic relationship with CH in their eyes, and I can see that perspective… another Salute to the American Queen of Wordplay.
 Anyway, here is a quote from a NY Times (https://www.nytimes.com/2011/12/18/books/review/and-so-it-goes.html)
That is, the constant repetition of “So it goes” makes readers ask themselves about the meaning of death (or its lack of meaning) and the incalculable human costs of war.
The 2009 VMA's Taylor is the epitome of everything her art, brand and music spoke to prior to 1989; and with the Pop princess she was no longer the relatable girl next door. She had gone full big-city, celebrity friends, glitz and glam - feeling so Gatsby for that whole year. With 1989, represented by the LWYMMD music video, that image was shattered, it was the death of her reputation but the true beginning of laying the groundwork for her and KK's future and she truly felt alive. 
Not to mention a song about kinky sex is a huge step away from that image.
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So it goes...
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And so it goes, now Part 1 of our story is done.
Gorgeous Met Ball 2015
Part 2 moves into the 1989 era starting with the Met Gala. (x/x) I read a great analysis using the lyrics to prove why this song is not about someone you just met because of the intense conflicting feelings. (I have scoured Tumblr to find it and link it but can't rediscover it… sorry I explained I've been a noob and a lurker and I never liked or reblogged anything, I'll update with a link if I ever find it again!) That made me reevaluate my original thoughts of this track being Enchanted 2.0 and representing her meeting Karlie for the first time. This was the first public event Kaylor attended together; it must have been strong conflicting feelings of joy & giddiness of the relationship quickly overtaken by nerves, fear, and anger that she would be found out and/or couldn’t show any outward PDA towards KK at the event. I would imagine there was a lot of drinking that night to cope, thus the “drunk” perspective.
 PS she probably didn’t go home alone that night (DING)😉
 'Cause you're so gorgeous it actually hurts
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Getaway Car May - August 2016
There are great analysis looking at this song from two main POV's- 1. the bearding CH-TH circus(x/x) and 2. a reflection of Swiftgron in hindsight (x). For the sake of the timeline/15 taylor line up, it was too coincidental that this was the Taylor snapping at the beards in I <3 TS shirts and  from that perspective, fits perfectly into the linear timeline. It is suspect  that TS went against her management in anger of how the "break up" with CH unfolded, and so it would make sense to be a little apologetic towards TH -- the one beard aftermath she may have regretted but that is just pure speculation.
And a circus ain't a love story, and now we're both sorry
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  *I JUST NOTICED! She POPS HER LEG for the 7th boyfriend in line - AKA CH. She is SO EXTRA!
King of My Heart August 2016
The below quote and Taylor line up don't need further explanation. 
"I think it’s very interesting when people talk about their love stories. Like when you guys blog about, “my and my husband, me and my boyfriend” or just anyone talking about how they fell in love. 
There seem to be these very definitive phases. It doesn’t matter how long that phase lasts. There seems to be a moment where you know it transitioned to the next phase. People will be like, “Oh my God, we were friends for six years and there was this moment and we knew and then it changed. Then there was a moment and it got even deeper. Then there was a moment and we knew” or like “I saw this person and there was this moment and we knew.” Everyone has a different story with how they connect with someone else and what i find interesting is the moment where it switches. You always hope that switch is going to move forward and not backwards because it can happen either way. I always wanted to structure the song where each individual section of the song sounded like a move forward in the relationship but still being listenable. So I wanted the verse to seem like it’s own phase of a relationship, the pre-chorus to sound like it’s own phase of a relationship, and the chorus to sound like it’s own phase of a relationship. I wanted them to all have their own identity but seem like they were getting deeper and more fast paced as the song went on. So finally I was able to achieve that in a song.”
 Here’s a couple of my favorite analysis regarding this song. (x/x)
 Up on the roof with a school girl crush
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 Dancing With Our Hands Tied Mid - End 2016
This analysis  really explains the lyrics and matches the allusion of the Zombie Taylor to make it seem like it is a hindsight song about Swiftgron; however Out of the Woods is the last MV of 1989 era released the end of 2015 (aside from New Romantics your video) and this can perhaps be expressing the death of Taylor’s 1989 reputation after the slew of public feuds. It can also be interpreted as a hindsight song in regards to Kissgate in 12/2014(x/x); how she had found herself coming into 1989, but was a zombie version of that because she had to beard with CH and TH and it perhaps made her feel dead inside. Maybe she’s implying that she would have just taken the fall from grace then put herself through another (particularly long and grueling) fake relationship.
I had a bad feeling
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Dress October 2016
Not only is Dress pretty frequently analysed, it's also the most obvious and blatant within the theory.  I thought it was very cute that this was represented by the Ballerina in the line up as a not so subtle nod to Karlie. October 2016 was the infamous Golden Tattoos at Drake's birthday party. (x/x/x)  
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Made your mark on me, a golden tattoo. 
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Sorry I couldn’t help myself with this gif :P
TIWWCHNT November 2016
Originally, I thought this was the easiest one- yes, the Snake Queen is sipping and serving tea on her infamous feuds however it just didn't fit in the more transparent timeline of the second half. There's been a few posts that hint the track may be a slight diss to her fans. Once it hit me she was alluding to herself as our (the fans) American *dream* Queen, I realized: this song is not a slight diss - it is harshly directed to us, all of us. Hear me out: Just like KOMH is about a love that reflects back on different periods in life, this track also calls to a couple different conflicts with the relationship of TS and her fans. She's never enough for either aspect of the fandom.
I thought it was curious that she would have the "ET TU BRUTE" (x)  as a reference to Kanye because let's be honest, she probably never trusted him after 2009 and rightfully so. "Et tu, Brute?" is a Shakespeare reference and a phrase that is now used to describe a friend stabbing you in the back. This would be more applicable to us, her fans. V1:
It was so nice throwing big parties
Jumping to the pool from the balcony
Everyone swimming in a champagne sea
And there are no rules when you show up here
Bass beat rattling the chandelier
Feeling so Gatsby for that whole year
This easily refers to 12/2014 - Kissgate. Feeling so gatsby for that whole year; throwing big parties. She had to close the gate before she was outed prematurely by the fans watching her during the concert.  We were the last ones she ever expected having to protect herself from; she had been so open, glass-closeting, but the fans took it too far and crossed the line of her privacy. She was surprised by the network that had expanded to track her every move. A couple years pass, V2:
It was so nice being friends again
There I was giving you a second chance
Think back to the election of 2016; Taylor being back in the media and more open again with her life wasn't enough at this point. America had reached a boiling point and everyone had to pick a side; even Taylor's most dedicated fans were constantly expressing their disappointment at her so she changed her priorities and went into hiding.
 As @paradisekisses once posted, “Not everything is about Kanye.”
 Salute to you, our American Queen of Red Herrings
 Because you break them, I had to take them away.
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Call It What You Want End of 2016
The lyrics all harken to 1989 (x) and this is when her reputation has never been worse (again), but she’s stronger this time and it didn’t break her as much as post RED era. Not to mention, she’s madly in love and found her end game so nothing else really matters to her; her priorities have been shifted and she knows what truly matters in her life. 
Call her what you want, she is Karlie's Partner in Crime.  it's an obvious call to the gold cage, hostage to my feelings; she will jail herself once more with this ((hopefully)) last beard and that will be the official death of  (2.0? 6.0?) Old Taylor. The best part is the BTS video showing how much fun she was actually having in the gold cage. There are beautiful analysis of this song (x/x/x/x/x)   , and to me it's just the most real/pure love song. Love isn't just about all the good times, it's how your partner and you navigate the bad. Sometimes the worst moments in life show us just how strong our relationships are and bring us closer together.
Karlie what you want, call her what you want to (I can't unhear this in the background now <3)
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New Year's Day January 1, 2017
This Taylor is hidden from us because she will probably never be as open with the GP, media, or her fans ever again. Who knows what to come in the future, but she actively tells us "don't read the last page" and to "hold onto the memories." Ugh, this is making me tear up --  I just officially joined the fandom!! Don’t tell me this is it already... (x/x/x) 
This post highlighted the importance of the sunshine necklace with Taylor's obvious sarcasm in the BTS in saying “It’s really important to wear subtle jewelry in music videos, I’ve learned.” (If anyone can forward the gif I’d love to add it to the post :))
Sidenote: technically, isn't this another closet she's in during the rep era?
Wear you like a necklace…
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And I will hold on to you...
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I had so much fun putting this together and being inspired by all the amazing perspectives the Kaylor fandom has been churning! Hope you like it :) Let me know your thoughts!
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cabinboy100 · 8 years ago
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BABY DRIVER: Take a Ride w/Edgar Wright's Rockin' Wheelman
Thanks to the Brattle Theatre and the Independent Film Festival of Boston, I got to watch BABY DRIVER at an advance screening last week!
It is a gorgeous musical roller coaster ride of a film. Writer and director Edgar Wright supercharges another beloved cinematic icon-slash-genre—the Wheelman or Driver—with his remarkable style, vision, wit, and rhythm. While not *a* musical, per se, BABY DRIVER is very musical, delivering snappy dialogue, sharp looks, slick moves, death-defying driving, and brutal gunplay, all choreographed to a soundtrack beautifully interwoven with the film…
There's not a lot more to say, really, beyond additional superlatives upon superlatives, and I don't want to go into scenes or characters too deeply and give up any of the fun. I think I'll just let one of the trailers do the talking…
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Bottom line—GO SEE THIS MOVIE! And see it IN THE THEATER!
[rant] And for Space Pope's sake, do NOT take your phone out for any reason while the movie is running. You just paid $10 to $20 for this amazing experience! We live in an age of wonder that allows you to ignore a movie for free at home. Save the spacebooking, twitting, and txting for later. Or if you're gonna do that, or even look at a message on your annoyingly-bright-in-a-darkened-theater phone, get out of your seat, walk to an exit, behind a barrier, or *maybe* the back wall, out of anyone's view, and then have a look, respond if you must, and get back to the show. If you're waiting on your wife to finish delivering, or the funeral parlor's supposed to call about Pop's arrangements, or you're expecting a call from the doctor with those test results—WTF are you doing at the movies? If your phone lights up and you can see it, believe me, everyone next to and behind you can see it. Keep it in your pocket. If you see someone next to or near you futzing w/a screen, do everyone a favor, be your own (and my) hero, and ask them to put it away or take it outside. [/rant]
Beware, beyond this point, I'm gonna start lobbing spoilers into my rambling. So, exit pursued by a bear now if you haven't seen BABY DRIVER already!
CRITS (oh-so-minor, probably more like backhanded compliments).
I don't feel the heart in this that I do in the Cornetto films. Those films—SHAUN OF THE DEAD, HOT FUZZ, THE WORLD'S END—had relationships at their centers. But I have to say that my not feeling that with BABY DRIVER is very fair and true to the driver genre. You don't get the warm fuzzies thinking about BULLITT, THE BLUES BROTHERS, or THE FRENCH CONNECTION, right? Well, okay, maybe THE BLUES BROTHERS. =)
The characters tend to be flat and archetypal, taking a back seat *sorry-not-sorry* to the action and style. Wright does get me rooting for some of the baddies along the way, because of their professionalism, circumstance, charisma, and, well, moral relativism. And while they may be flat, they own their two dimensions and are memorable, essential, love- and hate-able in their own ways.
Of course, we know who we're rooting for—our Baby on board.
Maybe this isn't fair to BABY DRIVER, but I'd *just* seen Walter Hill's THE DRIVER, right before it, and was so frickin' impressed with its style and tension and story-slash-chase-telling cinematography. I found myself wanting more from the final car-v-car showdown in BABY. I feel like both Wright's BABY DRIVER and Refn's DRIVE put their tightest and tautest chase set piece at the start of their films. They are a-ma-zing intros to each film experience, but greedy me, I want even higher peaks in the middle and the end.
Oh, don't get me wrong—there ARE more peaks, gorgeously choreographed, executed, shot, and edited peaks, throughout. It's been a week now and I still feel my thoughts are vibrating from the experience.
I'm gonna see it again, so maybe I'll revisit this notion of the "starting with dessert" problem, if that's what it is. Maybe it was having THE DRIVER on my palate affecting my perspective…
LOVES.
I love the reason that Baby is always listening to his music. I don't know which movie or story first used music as a way to time and count off the steps to a heist—at the moment I can only think of HUDSON HAWK =) —but I was almost surprised that that seemed to be what was happening with Baby's character in the film's opening chase scene (w/Buddy, Darling, and Griff). It almost seemed too, well, easy…y'know, for Edgar Wright. But it *is* Edgar Wright, so we know he's gonna do something brilliant with it.
Yeah, I know. Sometimes I wish I could watch a movie with my 9-yo brain, and not think so much.
Then we see Baby on his apparently regular walk to Octane coffee, and in a beautiful "Harlem Shuffle" music video starring Baby against the graffiti of Atlanta streets, we learn that music permeates every moment of Baby's life. Man, when Debora walks by outside the shop in front of the rainbow heart—so simply perfect. =)
And I'm pretty sure that when he retraces his steps, "Shake Shake" has been added to a column or wall that had "Right" on the way in.
Later we learn that there's more method to Baby's madness for music. Doc explains that he suffers from tinnitus, and music helps keep the ringing in his ears at bay. Later still, we learn that he has a habit of recording much of what he hears, using the audio as samples in musical creations of his own. I really wish we'd been able to see him create some more of those, and/or hear more from his extensive library.
WRIGHTS.
Some little bits of fun that I feel are somehow Wright-ian, whether intended by the director or not. =)
J.D., of Bats's crew, is given a simple assignment—pick up three HALLOWEEN Michael Myers masks for use in the robbery. What does he show up with? Three Mike Myers (as Austin Powers) Halloween masks. When questioned about his cluelessness, one of the gang tries to clarify—The Bad Guy from HALLOWEEN, the movie! To which he replies—Oh! You mean Jason! And hey—What's Buddy's real name? Jason! As in Jason from FRIDAY THE 13th? As in the guy who keeps getting killed by never dies?
(This exchange inspired me to goof a BABY DRIVER: Halloween the 13th meta-mashup poster = )
And what's Baby's real name? M I L E S of course!
Hrm…Good thing Wright didn't make this movie on the continent somewhere or in Canada or his name would've been Kilometers! *groan*
Bananas! Doc reveals that's the phone call confirmation code word he receives from his contacts after a successful interaction. Darling reacts to the playing of one of Baby's tapes—"Is he slow?"—with B-A-N-A-N-A-S. When the Butcher's Atlanta PD colleagues show up for revenge on Doc, they give him the code word—"Bananas!"—along with some hot lead.
The invisible camera returns! In WORLD'S END, Wright shoots a scene between Simon Pegg and Rosamund Pike in the restroom of a pub with the camera pointed squarely at the mirror on the wall. Sure, it could be digital magic, but I can't help but wonder if Wright has pulled off some practical magic. Just the right lighting combined with a glass plate at the correct complementary angle or something? Well, whatever he did then, he does again in…I want to say at least two shots—maybe three, with reflections in a car exterior?—in BABY DRIVER. My lame brain is now only recalling one, tho, in a pan across the washing machines of a laundromat, a sweet bit of Courtship, American Style.
Yeah, probably some "simple" digital trickery…But maybe only for the last 10% that some Houdini-like stage magic couldn't quite cover? I want to know but don't want to. =)
And speaking of courtship—I kind of adore how Baby sharing his earbuds with Debora physically connects them while they're moving around the laundromat and talking. It turns their conversation into a sweet dance number. A bit of Wright magic.
Becky & Ella? In the elevator down to P1, P2, and P3 after the first job, Buddy promises to take Darling to Bacchanalia, for the best wining and dining around, or something to that effect. When Debora presses Baby for an idea on where they'll go out, he tells her what sounds like "Becky and Ella" for the best wining and dining around. NB: Found out Bacchanalia *is* an actual ATL restaurant, but I don't believe we ever see its name or signage on screen.
I WONDER…
About the "Spirit of 85" or whatever it was called. Doc mentions it to help establish Baby's cred. Apparently Baby tied the Atlanta PD in knots on what sounded like a crazy prolonged chase involving a cloverleaf interchange of highways. I think the word "spaghetti" was used? No doubt native Atlantans will appreciate the description of the feat. Baby's Kessel Run? =)
Oh, man! Who is responsible for Baby's wardrobe? For half if not most of the film, he is strategically yet uncannily decked out in duds that scream "Han Solo" to me. I'm talking A NEW HOPE—black vest over white shirt with dark pants.
(Baby’s taste in clothes—as well as his backstory and talents—inspired this BABY DRIVER: Nerf Herder mashup… =)
After the film, I was told that our Baby, Ansel Elgort, had been on the short list for the young Han Solo film. I honestly had no idea as I did and do my best to block that sort of "news" as much as possible when it comes to films I'm looking forward to.
Was this Wright, Elgort, or another member or members of the crew expressing their support for HANsel? I have no idea how the timelines of young Solo casting and BABY DRIVER shooting line up. But if the decision was made before shooting, maybe Ansel’s turn as Baby becomes a kind of what-could-have-been/what-you-missed strutting? =)
When I heard about the LEGO MOVIE directors being dismissed from the project, I thought that maybe they'd seen BABY DRIVER and realized that Edgar Wright had already made the movie—what's the point now? =)
And in the Hollywood minute before Ron Howard was announced, I wondered if maybe BABY DRIVER might possibly be the perfect proof of capabilities for Wright as the new director. Alas—*sigh*—not to be.
I wonder just what the heck happened with Disney/Marvel/ANT-MAN and Wright.
CINEMA SERENDIPITY…
I love it when my experience of films and shows connect in little unexpected ways…
Last week, I got to see Edgar Wright's amazing action jukebox, BABY DRIVER. The next night, I caught Kumail Nanjani and Emily Gordon's hilarious, heart-warming and -punching rom-coma-com, THE BIG SICK. And tonight, a week later, experienced Bong Joon Ho's OKJA on the big screen before it streams on Netflix.
Yeah, none of that connects on paper, but in my head it's a different story… =)
In THE BIG SICK, Kumail and Emily's non-dating dates reveal his obsession with cricket and appreciation of zombies, which of course would logically add up to a SHAUN OF THE DEAD poster on his bedroom wall. That's some solid math, and reminded me that I've followed some twitter exchanges between them about movies (about ROGUE ONE, Riz Ahmed, representation, and a buddy heist film).
The content of OKJA does not directly connect to anything Wrightian (as far as I could tell on a first viewing), but Bong Joon Ho's previous film, the must-see sci-fi fable SNOWPIERCER, features Jamie Bell as a character named Edgar, apparently named for Wright. That note, plus the fact that Edgar was best buddy of Chris Evans's Curtis, inspired a couple of mashup posters, one of them a meta-mashup starring SCOTT PILGRIM's Lucas Lee.
Yeah, like I said…it's all in my head.
Why do I have a feeling like this will be read back to me in court at a later date?
BABY DRIVER AT AN ADVANCE SCREENING…?
Oh—how did I get to see all these films in the theater? And before their wide release dates? The Brattle Theatre and the Independent Film Festival of Boston are my enablers-slash-suppliers. If you're Boston-local and love moviegoing, I *highly* recommend you check their schedules and membership privileges, join/donate/support either or both, and see some amazing movies!
Allright, enough a-ramblin'. If you made it this far, I'm sorry and thanks much. Now, get thee to the theater and BABY DRIVER up!
Keep on keepin’ on~
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tumblunni · 6 years ago
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Baron omatsuri and the secret island traumatizes me yet again, hooray!
Ok wow that was a nostalgia blast! Finally goddamn have a physical copy of this thing to own. Its never been dubbed and the only way to get it was this weird manga UK licensed reprint of a bunch of (i think) hong kong english subtitles. The style of the subtitles looks like that, at least. Its all weird and grainy and very very old fashioned early days of subtitling style, which contrasts completely with the modern dvd menus and box and stuff. And its also a weird combination disc of four different movies, it seems they just bought out a licensing package deal or something? And just baked it onto the disc without checking or editing anything. Its not really a funny sort of bad subtitles though, its just awkward phrasings of thibgs that are hard to understand or random typos or whatever, no legendarily hilarious stuff. I kinda dislike it more when subtitles are like this, when theyre like...actually written by a guy who speaks fluent english but he just never watched the actual movie so theres a bunch of rookie mistakes. Also has a strange case of what you usually only see on fansubs- the obsession with leaving everything in japanese to Sound Cool. Nah we cant call them the Tea Party Pirates we have to say the japanese word for that. Nah we cant have this man say mustache when he's doing the mustache pose and talking about his crew of entirely mustache men who all do this mustache pose NO it has to be Chobehige because its somehow deep and edgy to not understand the word for mustache. Like i feel if i was watching this sub first i would have no idea what was happening! At least its not as bad as that older sub i saw where they insisted on translating friends as "crew", even when it was llike..a singular. This one man is my crew and here are all my other crews! Like i feel like that subber probably originally did that dumb old fandom thing of INSISTING that you had to say Nakama in japanese and Capitalized and it was a Very Important japanese word for specifically pirate friends that was Impossible To Translate. And then they just did a ctrl + F replace on the whole thing and made an incomprehensible mess. Also for some reason sanji just yells DOCTOR out of nowhere (chopper wasnt even in the scene) and baron omatsuri's one syllable "oh" is translated as some long string of what seems to be baseball jargon..?
But ANYWAY the movie is still fuckin awesome and i actually noticed EVEN MORE dark shit and subtle storytelling that i missed when i was a kid! The whole 'small child zombie stares blankly at the place where a sword stabbed through his chest and cant understand why he got back up' scene is EVEN MORE emotionally destructuve than i thought! Cos the subtlety of the voiceacting seems to make the poor kid sound so tired and resigned to it? He's desperately asking and his father figure feeds him the same old lies he's done a million times about how he's totally still alive and everything is fine. Like wow i missed that inplication that this has happened before! And then he kinda sounds like he's actually aware that Baron is lying and he's just pretending to believe him to make him feel better. And then he starts turning back into a corpse and he doesnt panic like muchigoro or not realize whats happening like the grandpas do. He just looks straight at his hand falling apart and tries to lie to Baron to make him feel better. *long shot of him from behind before you see whats happened* "I'm just feeling dizzy again. I've got used to it." *him staring blankly at his body falling apart, not even capable of feeling sad about it anymore* "Don't worry...i've got used to it." *thud*
Like FUCKING HELL this film is the best damn existential horror thing ever and why the FUCK did they market it as a fun happy kids film? it probably would have been way more successful if the twist wasnt kept all twisty, honestly.
And also WOW YEAH theres a lot of stuff thats the subtlest goddamn storytelling in the universe and youd never notice unless you watched this film a million times like i did! Like during the intro when everythibg still seems all fun and cute and normal, the advert for the Totally Innocent Not A Trap Super Secret Island Resort is being read over some random shots of waves and stuff. But then right near the end you see those same shots again and it becomes clear that it was literally the view from Baron's eyes as he was falling from the ship and drowning, desperately trying to keep his head above water and strain his eyes to see if anyone else had survived. All the moments that just looked like camera cuts were actually when his head fell beneath the waves. Thats fuckin amaizng you straight up showed the ending in the beginning and we didnt notice????
Oh and also right before THE FUCKIN TERRIFYING MUCHIGORO DEATH SCENE you see him casually mention being 'sleepy' a few scenes earlier. It just passes by without notice and you think that he's just drunk until he suddenly starts going from comedic slurring to fucking asphixiating and the SKIN ON HIS FINGERS PEELING OFF. Oh hey! Another thing i didnt notice before! FUCKING THAT. A fun game for you on your rewatch! Looking out to find the secret finger horror! Ha ha ha...ha...
Also MAN OH WOW all the subtle signs of Baron getting more desparate throughout the movie and how it seems the time limit for the zombies was almost up and he had to kill these specific pirates right now because he couldnt spare even a few more hours. In retrospect it makes sense how he was slipping up and leaving evidence for the heroes to figure him out. And its just so subtly offputting and strange how he goes from making a big fun performance about the festival early on and then starts subtky rushing through the formalities faster. Like you dont eveb conciously notice the tone is changing until suddenly BAM the full change happens and you realise you missed all those signs! And aaaa its so fuckin sad how you see him come running when muchigoro drops dead and he's like fuckin GET OUT OF THE WAY DAMMIT and kneels down next to the body and theb he just..turns emotionless again and goes ITS TIME FOR THE NEXT CHALLENGE. It is time. Its now. Shut the fuck up and do it, i dont have time to deal with this shit, just die so i can bring my friend back. (Tho of course you dont know thats why at the time) And then whats most jarring about the whole scene to me is how he's like "okay fuck it theres no more fun theres no more attractions, if youre not gonna play along then the final game is just i shoot your damn head off" WHILE YKNOW STILL STANDING OVER THE CORPSE OF HIS FRIEND AND STARING DAGGERS INTO THEM LIKE ITS THEIR FAULT FOR DARING TO CLING ONTO LIFE and then a fuckin half finished hapoy fun carnival game sign pops up in the backgroubd and everyone walks past it. Why was that somehow both hilarious and terrifying????? Just fuckin 'whoops we had this thing ready to go but alright its murder time i guess' and everyone IS SUDDENLY PACKING HEAT AND RIDDLING OUR HEROES WITH BULLETS???
And also even more subtly Baron just?? Stays with muchigoro?? Like notice how the entirety of the endgame takes place around where the dude dropped dead. And how when mustache pirate guy saves luffy you see Baron just walking in circles around the same area angrily shooting arrows at nothing in complete desperation even though the dude is gone and itd make more sense to run after him. No he stays standing right there and actually looks really damn relieved when luffy comes back, he's like 'holy shit you really were stupid enough to walk right into my trap jesus christ im so glad but also youre a dumbass'. And he fights entirely using arrows at this point so you might not even notice that he barely walks more than just circling a two meter radius of fuckin DEAD BEST FRIEND CORPSE. Which btw blends intonthe shadows for this entire scene and they only draw attention it again after Baron wibs and muchigoro comes back to life. And UGH MY HEART you see him smile genuinely for the firstvtime and he's like 'im so glad youre okay' and muchigoro is like 'haha im more than okay i can do somersaults!' and generally being a FUCKING TREASURE and this poor fuckin horrible evil man is hugging his buddy and gently leading him away from the battlefield so he doesnt norice he was just fuckin murdering some dudes to ressurect him. God the scariest damn thing about this film is how the zombies dont know theyre zombies and honestky they probably wouldnt even agree with their boss's plan to kill people to keep them alive. They justvthink they live a perfectly normal happy life on hapoy festival island, and he wants them to stay that way and never feel pain again :(
Aaaaand then yeah the infamous scene of revealing this horrifying intestines flower is growing out of the flesh on his back and all the corpses its digesting are pushed against the undulating flesh of its throat like a snake devouring its prey. And its cutesy fake flower face grows infinate eyes as it just keeps laughing and laughing. And then it gets graphically blown apart and the poor goddamn parasite host tries to shove the bloody instestines back into its body, knowing that without this horrifying monster chewing on his goddamn veins all his friends will go back to being dead.
THE END
THE FUCKING END
God it ends so abruptly seriously
I still cry my eyes out every time at the ending monologue of Baron dying and meeting all the souls of his dead friends and theyre crying telling him he shouldnt be here, they wish he'd been able to find another reason to live without him...
And then THE END
JAUNTY MUSIC OVER THE CREDITS
THE FUCKIN END I GUESS
What a great but very oddly executed movie. Seriously i feel it could have worked better if it was given space to breathe and more deeply explore the dark themes rather than the weirdness of trying to fool the audience into thinking it was cheerful and innocent. Like all of this shit happens in the last 30 minutes of the movie! They spend 60 minutes on the fun carnival games! What a strange sense of priorities!!
I WOULD DEVOUR A MILLION HOURS MORE OF DEEP SAD ZOMBIE CONTENT
I am like the Lily of fanfics
Oh yeah btw the horrifying deadly elder god spine parasite thing is named Lily and it looks pretty much exactly like flowey from undertale. This film kinda spoiled me for that game LOL ive never trusted a single talking flower ever since!
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hemcountry · 7 years ago
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MUNDY TALKS "BEING KINDER TO THE IDEAS" 21 YEARS ON FROM 'JELLY LEGS' DEBUT
I can still recall the excitement of realising that a guy from Offaly who wrote his own songs, was not only having them played on national radio, but had one of those songs included on a Hollywood blockbuster! It seemed unreal, like the sort of thing a lot of people would have tried to tell you couldn’t happen. But there he was, Mundy, one Edmund Enright from Birr, right in the heart of the midlands, with ‘To You I Bestow’ on the soundtrack to ‘Romeo And Juliet’, staring Leonardo DiCaprio and Clare Danes. And what was more, ‘To You I Bestow’ was from Mundy’s debut album, ‘Jelly Legs.’ Album number one and a track on a Hollywood hit! The big lesson I learned from that (and I carry it with me to this day) is that a lot of people often have no clue what they’re talking about, or what can and can’t happen. I also learned, of course, that Mundy’s ‘Jelly Legs’ collection was about far more than one song. ‘Life’s A Cinch’, ‘Gin & Tonic Sky’, ‘Arrow of Gold’, they all became trusted travelling companions for times of trouble, celebration, torment, and elation through the nineties and beyond for me. Me, and most of Ireland. And this year ‘Jelly Legs’ celebrates its 21st anniversary.
Jelly Legs – Mundy
Now to many, Mundy will be known first and foremost as a rocker. But as seems to be the case with so many great rockers, an appreciation for country music is never too far away. And the same is true for Mundy. In fact, on his ‘Shuffle’ album, Mundy’s tribute to the songwriters who inspired him, he covers work from some songwriters who are nothing short of icons in country music: Hank Williams, John Prine, Lucinda Williams, and Jimmie Rodgers. Most people would also think of Foo Fighters guitarist Chris Shiflett as an out-and-out rocker, but yet he released his third Americana album, the glorious ‘West Coast Town’, earlier this year. So, when I sat down with Mundy recently, I asked him what is it about country songs that seems to attract and appeal to guys like Chris and himself?
“There’s an honesty in country music. And hey, not everybody’s from the city. I think there’s an honesty about where you’ve grown up, a rawness, a loneliness, and a starkness, and an abandonment there. There’s a lot of people in the music business who grew up in those kind of ‘one-horse’ towns, ya know. People that had to leave somewhere to get to the next place. I think country music – the right type of country music, at least – is raw, and vulnerable, and makes no qualms about saying what it wants to say. I think that’s probably what it is.”
Mundy
Mundy, like all of us, has of course grown and changed as an individual during the twenty-one years between ‘Jelly Legs’ and today. But what about his songwriting? Has his style or process in that regard changed much over the years, or does it all happen in pretty much the same way?
“It’s getting harder for me to find the time, to be honest. When I do find the time, I have an idea of what I want to do and where to start. But the one big thing for me is just letting go. Forgetting about the end product, and just let the show begin! As in let the words come out, and let as many of them as possible come out. There’s a very bad habit where you can just ‘break-the-skeleton’ [of the song] before it’s even finished, and just throw it away. Like, I’ve had a good bit of success in the last twenty-one years, and you’re kind of always expecting the beginning of a song to get somewhere [to progress] very quickly. But when it doesn’t, you just throw it in the bin. And that’s the wrong thing to do. You have to nurture some of these ideas. Stay with them, and let them stay with you a little bit longer. So I’m tryin’ to be less critical, because it’s a bad habit to get into, ya know. And I’ve gotten a bit like that, killing an idea before it even has a chance to form. So, I’m trying to be kinder to the ideas, that’s exactly what I’m trying to do!”
Mundy
Returning to the fabulous collection of songs on ‘Shuffle’, another of those writers to whom Mundy was paying tribute was Bob Dylan, who picked up (finally) the Nobel Prize for Literature in 2016. As a Dylan fan, and as a songwriter himself, what did Mundy make of that news?
“I thought, well that makes sense to me! I mean, he’s written a lot of great songs. And a lot of long songs. He labours over his words in a big way and I think he’s a master of turning a phrase. I can see why some people might have got angry, because it wasn’t exactly ….[a book? I suggested] Well, ya know what, ‘Chronicles’ is one of the best books I’ve ever read. But I’d say there’s a big hierarchy there in the world of literature who are goin’ through it with a fine-comb, and sayin’, ‘But this doesn’t make sense?!’ [laughs]. And I’m sure Dylan was probably sayin’ to himself, o.k, so I’ve received this even though I wasn’t lookin’ for it…..So I don’t know if he even knew himself what way to accept it. But yeah, why not, ya know. He’s definitely brought literature into music for the likes of myself. I wouldn’t have heard of Arthur Rimbaud or Kafka, or any of these people if it wasn’t for Dylan. So he’s certainly opened up that door.”
Mundy
As mentioned, somehow, in that way time does, twenty-one years have passed since ‘Jelly Legs’ took its first steps upon the landscape of Irish music. Twenty-one years on, and it’s still standing strong. When we spoke, Mundy had just begun a tour celebrating the album’s 21st anniversary, and with the original band line-up from back in the day, too.I wondered if it all felt like twenty-one years ago, first of all? But also, did Mundy ever imagine back then that twenty-one years on so many people would still be so excited about listening to the songs on ‘Jelly Legs’?
“Well, that’s a good question. I never thought twenty-one years ahead back then. I was only livin’ day-to-day and song-to-song, to the next album, ya know. But lookin’ back, it doesn’t feel like twenty-one years, no. But there’s a lot of it that I kinda had forgotten about, cos’ it is a long time ago, I suppose. I reformed the band that played on the album – we hadn’t played with each other in nearly…had to be the guts of eighteen years – so that was kinda nerve-racking. I was hoping we still had ‘it’, ya know. I mean, the lads have all still carried on with their own musical careers, so thankfully there was none of us all over the place, like if we were starting all over again! [laughs]. And ironically we started off with what was is, I guess, the first song on ‘Jelly Legs’, a song called ‘Reunion.’ We played that one first, and it and it’s not the easiest of songs, but it was awesome. It just sounded really, really good. So we’ve had some great rehearsals and we’ve got three gigs behind us now, and another five left to go.”
Mundy
So what had fans been getting at these shows? Had Mundy been playing the album straight-through, like it’s tracklisted, as is often the case for occasions like these?
“More or less, yeah. We have an intro tune, then we walk on, we play the first six songs of the album. Then we do a B-side from one of the singles, a rare song that we never really played ‘live’, but it’s probably a song that should have been on the album. Then we go back and play another bunch of songs from the album, then a cover, a few more rockers, then an encore. So yeah, we kinda mix it up. I do a couple of other oldies as well, because there are people coming to the gigs – and it always happens, even when you tell people what you’re celebrating or doing – they want to hear some of the other songs, so I’m throwin’ in a few solo ones like that. And I have a new song that’s basically like an autobiography up to now of my musical career, so that’s quite appropriate, I think. It’s called ‘Sometimes I Thought I Was You.’ ”
Mundy
Everybody knows and remembers the big songs from ‘Jelly Legs’, tracks such as ‘Gin And Tonic Sky’, ‘Life’s A Cinch’ (one of my own all-time favourites!), and of course, ‘To You I Bestow’. But what I wondered if there was a song, or maybe songs, on the album that Mundy felt might never have received the attention they deserved?
“Well, it’s weird, I mean they’re three really good songs. But there’s a load of other really good songs on it which I forgot about! The one song I’m really excited about singing, that I feel is very much in my heart now, is ‘Springtown’, which is a song about Birr. It’s quite a melancholy, bitter-sweet ballad, really. There’s three or four other upbeat rockers on it, there’s a song called ‘Thanks For The Stones’, (‘The Stone’) which would have been one of the first songs I wrote on the album, a really upbeat, grungy thing! Then there’s a song called ‘Sisters’ that’s in that vein, too. There’s an energy there, let me put it this way, that only a twenty year old could have, ya know.”
Mundy
Was he surprised that ‘Springtown’, a song he wrote so long ago and when he was so young, had come to mean so much to him at this particular time in his life?
“Well, like I was sayin’, it is quite bittersweet, and I suppose I was a bit…kind of afraid, of a few things that I said in it. But I wrote it without editing it too much because I suppose I had that belief in what I was sayin’. But now, I’m kinda listenin’ to it and goin’, ya know what…it’s kinda quite poetic. It’s actually very poetic, in its own way, so I’m proud of it, yeah, very proud of my words. It was a sub-conscious honesty, ya know.”
Mundy
‘To You I Bestow’ was the song that really catapulted Mundy before an international audience. Looking back on it now, that really was such a monster achievement, having a song from his debut album make the soundtrack to such a massive movie, ‘Romeo And Juliet.’ Could he still remember how it all unfolded at the time?
“Oh yeah, yeah. Basically I got a phone call about it one day. I always used to ring my manager over in England and go, any good news, any bad news, any whatever, ya know [laughs]. And she said to me that Sony had been approached by this guy called Nellee Hooper regarding a couple of songs for a new movie that was coming out, and it was going to be a big blockbuster, fingers crossed we’d get one on it. So I was like, what songs did you send and she told me ‘Gin And Tonic Sky’ and ‘To You I Bestow.’ Now, we didn’t think we had a chance because other bands had been mentioned like Radiohead, and The Cardigans. So then when it happened, it was like, oh my God! Things are gonna change now.”
Mundy
One of the hugely positive developments in the music industry over the last few years has been the resurgence of interest in vinyl, because, as anybody in the industry will tell you, it’s an actual, physical, tangible, tactile product that fans want. And now, of course, and for the first time, ‘Jelly Legs’ is on vinyl, too! What was it like for Mundy to finally get a copy in his own hands?
“It was pretty incredible! And the thing is, all of the singles [from the album] came out on vinyl, so I never understood why they did that but never put the whole album out on vinyl. And I didn’t think I had a relationship left with Sony, to be honest. But me and a friend of mine called in and we said, look, this is what we’re doing, and we’ll be going out on a tour as well…is there anything ye think that ye could get involved in with a reissue of the album? Because it isn’t available physically anymore. And they were like, we’ll do a double-vinyl of it. And I was like….Are you kidding me?! [laughs]. So they sent it to me anyway, and it’s way more impressive than the cd, ya know. You’re pulling two big, heavy vinyls out of two big, massive pictures of me and the band, and you have all the lyrics written on the back, all the credits. Ya know, it’s not all squashed down. Because when I actually hand-wrote all the lyrics for the cd, then everything was brought down to scale rather than left at the scale it was written at. But yeah, I’m very impressed with it. I have it at home, and it sounds great on the record player. Every home should have one! [laughs].”
Mundy
The Jelly Legs Anniversary Tour is scheduled to finish up in Birr, or ‘Springtown’, on October 29th. Now Mundy has obviously played many’s a hometown gig over the years, but this time, given the occasion, I felt it would be something a little bit extra-special for him. Was I right, though?
“It will, absolutely. I was putting this tour together, I don’t know, eight or nine months ago, and I was looking around at what dates were around the country, what venues were available and all of that, and Birr was definitely going to be one of them. But it was due to their calendar that we’re playing on the 29th, it was the date they had left. And I just thought, well this is perfect, it’s the very last night of the tour. I mean, I didn’t even realise that it wasn’t a school night [laughs]. Myself and the lads are going to stay down in Birr and have a hooley! And it looks like there might be some gigs coming over in the UK as well. Sure it’s twenty-one [the album] for a whole year, that’s the way I look at it!”
Mundy
Keeping Mundy and his band company on this tour are the North Carolina outfit, Happy Abandon.
“There’s a pal of mine, Stephen Judge, who’s from North Carolina, where he has a little record label and a well-known record shop. He had a wedding party and the band, Happy Abandon, were playing at it and they were really, really good. Then he asked me if I was interested in having them along for support, and I said yeah. They’re really worth hearing, they’re pretty awesome. It’s a three-piece band, but they make a BIG sound.”
Happy Abandon Band
While he made it to Screggan for the National Ploughing Championships recently, he’s also been back over in the States and in Finland of late. Now here at home, I’ve seen it with my own eyes, nights where Mundy can barely get to say hello before there’s some bright spark screaming for ‘Galway Girl’! But when he’s overseas, does he find that it’s a very different set of songs that fans most often request?
“Yeah, I just played Finland, right, and nobody really knows anything about me there, but I had a couple of really great gigs. But when people hear that you’re Irish they do associate you with Irish music. So I’ve found that I’ve thrown about four Irish ballads into my set, plus ‘Galway Girl’, you kind of have to embrace where you’re from in situations like that. And there’s nothing wrong with it. Like I keep telling people too, ya know I’ve written all my own songs and they’re Irish as well cos’ I’m Irish [laughs]. Even though they probably don’t ‘sound’ like what people expect Irish songs to ‘sound’ like, ya know. But yeah, sometimes you just embrace your heritage and throw in a few songs that will keep the flag flyin’. I rarely have to do that, mind you, but I don’t mind doin’ it when it makes sense to do it.”
* Mundy’s ‘Jelly Legs’ 21st Anniversary Tour wraps up in Birr on October 29th. And, not surprisingly, the ‘Full House’ sign is already set to hang on the front door that night as the show is a complete sell-out.
** Fear not, though, because some tickets are still available for his shows in Monroe’s of Galway on October 27th, and The Academy in Dublin on October 28th.
MUNDY TALKS “BEING KINDER TO THE IDEAS” 21 YEARS ON FROM ‘JELLY LEGS’ DEBUT was originally published on HEM COUNTRY
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