#Mono Flow
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rotaryunion · 2 years ago
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poniclown · 2 months ago
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hi guys
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pb-s-corner · 5 months ago
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Sibling line!
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Black and white version 👇
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dreamerkitty · 1 year ago
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Yume fits part 2 featuring Monoko, Monoe, Urotsuki and Sabitsuki
Sadly struggled with Uro since I could only find one top with different coloured sleeves and no hairstyles that really suited her unique style…
The city area is just PERFECT for yume girls, the vibes are so right
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maidenofthecloud · 1 year ago
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Hi! I hope you're doing fantastic. Your poetry about the clouds and sun is so ... POIGNANT. Are you excited about LMK S5? How do you think it's gonna start out? Would you prefer for it to be high stakes right away or low stakes but slowly building up to it? Do you think we'd see any other JTTW characters in it, or maybe in later seasons? What kind of character do you want to see in the next season, in terms of personality and role?
Also, I absolutely hate doing this but could you please ask @loupsbane why they've blocked me again I am absolutely baffled on why this keeps happening to me.
Have a great month, eat your meals regularly, don't skip your breakfast or medicine!
first of all thank you
Are you excited about LMK S5?
yes I am very excited for season 5
How do you think it's gonna start out? Would you prefer for it to be high stakes right away or low stakes but slowly building up to it?
If I had to choose to start season 5 I would say low stakes but slowly building up to it
Do you think we'd see any other JTTW characters in it, or maybe in later seasons?
I think that surely more jttw characters will appear as new characters or in flashbacks, personally I would bet that Erlang Shen could appear
What kind of character do you want to see in the next season, in terms of personality and role?
Ugh I have a very long list of characters I want to appear and now that you've asked I'm going to ramble on about it, bad luck for you
starting with the most probable:
The mayor
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I want to know more about the character, what he was like before meeting LBD and being the mayor, getting to know his relationship with her in depth. Is he just a henchman or does he have his own motivations? what was he doing during Lady Bone Demon's confinement.
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Erlang shen
I'm really dying to see what kind of character Lego Erlang Shen is, what kind of complex character he can be, will he be a villain, an antagonist or maybe an ally? Will being a demigod be important for his character? what will his relationship with Sun Wukong be like? They will be like sworn brothers or enemies
guanyin goddess of mercy
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I really want to know what the lmk writers will do with Guanyin, how important his role would be in the series, taking into account his importance in Journey to the West, I think it would be great if it turned out that all this time Guanyin was secretly watching over MK and his friends helping them without them knowing. I mean, she always helped the pilgrims on their journey and could do the same for mk and his friends. I also wonder if his relationship with Red Son exists in lmk.
Ao bing
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I really want Ao bing to appear, I don't care how or why. basically because I think it would be cool for the fandom to see that Monkey King isn't the only one with skeletons in the closet. It would also be interesting to see Nezha face someone from his past that he thought was buried and that he would never see again
Do you think we'd see any other JTTW characters in it
characters I want to see
Taibai Jinxing (Gold star of venus) I would really like him to appear to help the protagonists
Nezha's family I would like to see Nezha's family even if it's just in flashbacks, especially muzha and LI Jing
lady earth Flow I'm really curious to know what his design would be like in the series.
Jade faced fox although if she appeared I highly doubt that her relationship with the demon Bull King would be the same as in the novel
The ones that are least likely to appear but I want them to appear so bad:
Spindrax
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I know the writers wrote it off for Strong Spider, but it would be great to see the spiders again. Maybe as an idea here the character of Spindrax wants to revive the spider queen or maybe avenge the spider queen, the writers could use to spindrax to show us spider queen's past and also give mei a badass biker rival (cough girlfriend cough)
Rumble & Savage
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I know that many think that the macaque is practically redeemed, if they think that that is perfectly fine. but in my opinion I do not agree with that, because the basic thing in a redemption is that the character realizes his mistakes and repents of his bad actions, Yes, Macaque helped defeat the bad guys and everything. but he has no regrets for the damage he did to mk and his friends I thought it would be great for Macaque's future redemption arc to have him face his own past mistakes and what better way to do that is face the little versions of himself who want revenge of you and they won't hesitate to hurt your loved ones in the process just to see you suffer (cough karma cough)
Bone spirits
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I really wanted to see Lady Bone Demon's army in the specials, They are literally the only villainous army not to make an appearance in the show and which I think is a big waste imagine that the mayor was not the only follower of lbd, if there were other followers and allies of her, plus it would be interesting to see more spirits or demons like LBD, besides I love his designs I mean who doesn't like skeletons with hoods.
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frost-rambling · 2 years ago
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OFLK
Im here I swear! And for proof u get little sketches and doodles of omni and paperjam in that Little mermaid AU.
Omni belongs to @/cereusblue
Paperjam belongs to @/7goodangel
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russellmoreton · 1 month ago
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Path : Holga 120WPC
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Path : Holga 120WPC by Russell Moreton Via Flickr: Postmodern : Ever Changing, Fleeting, Positive, Nihilistic, "There are no simple concepts. Every concept has components and is defined by them. It therefore has a combination [chiffre]. It is a multiplicity, although not every multiplicity is conceptual... Not only do Descartes, Hegel, and Feuerbach not begin with the same concept, they do not have the same concept of beginning... Every concept has an irregular contour defined by the sum of its components, which is why, from Plato to Bergson, we find the idea of the concept being a matter of articulation, of cutting and cross-cutting. The concept is a whole because it totalizes its components, but it is a fragmentary whole. Only on this condition can it escape the mental chaos constantly threatening it, stalking it, trying to reabsorb it." -- Gilles Deleuze and Felix Guattari, What is Philosophy?, pp. 15-16.
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bestonseal · 2 years ago
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vashtijoy · 1 month ago
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Thinking more about Akechi's rank 3, and about its flow into rank 4 at the jazz club—where Akechi begins to open up to Ren, by taking him somewhere special to him that he hasn't shared with anyone else.
Don't you think it seems off, on a first glance? Like it doesn't work? Because Akechi does not seem to entirely appreciate Ren's intervention. If you look at their phone call afterwards, it seems like Akechi lost control in the café, and is trying to take that back from Ren. He threatens him with what Ren "took" from him!—"I'll be dictating everything, from hair to accessories". Ren dictated the hair and accessories in rank 3, and now Akechi needs to do the same!
Make no mistake, this exchange, while cute as a button, is also Akechi struggling to regain some control that he feels he lost. He needs payback; he needs to meet Ren's challenge; he needs more.
So what's going on?
always in chains
As Akechi mentions in the engine room:
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This line, of course, suffers in translation, so let's take a closer look:
Akechi 君は、今までの自分とか、人間関係とか⋯そういうものに囚われない。 kimi wa, ima made no jibun to ka, ningen kankei to ka… sou iu mono ni torawarenai You don't allow yourself to be enslaved by such things as human relations or past selves…
Did you understand this line on its first pass? Or at all? "Past selves"? What is this, Akechi, are we bringing in reincarnation now? What do you even mean by "human relations", is this a biology class?
Let's rework it a little. ima made no jibun—that's "the you until now". We might say "who you've always been". And ningen kankei—well, that is "human relations", translated very literally. But nobody would ever say that—it just means "relationships"! When you talk about your ningen kankei, you're often talking about your skills with relationships—how you get on with people. And Akechi gets on with people very well.
So what is he actually saying?
You don't allow yourself to be enslaved by such things as human relations or past selves… You're not a slave to expectations, or to how others see you.
Akechi will later tell us that these chains have bound him since his earliest days:
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Those chains are the core of the resentment and envy he feels for Ren. More than anything Shido could potentially do to him, the expectations of others are what bind and torment Akechi. And this difference in how Akechi and Ren respond to outside pressure is one of the most important contrasts between them.
back to rank 3
So what does all of this tell us about rank 3, when Akechi is spotted by celebrity hunters?
In this situation, Akechi can't do anything but leave. He has to be the good boy everyone expects. He can't just sit there soaking up the adulation, and it seems clear that he isn't so inclined—look at the way he cringes away in his seat, and more to the point, look at his face:
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Before he's accosted, his sprite and model match—he is probably genuinely pleased! But afterwards, though the sprite is sad, the model looks angry. Akechi can't confront his fans and ask them to leave him in peace. He can't dare to be angry with them, even though he's spitting tacks. He is chained—he can only ever do what people expect "Goro Akechi" to do.
Not just as a celebrity, but in every sphere of his life, even when he's carping to Sae or showing off for Shido, he is a slave to his public image—to the expectations others have of him. He cannot act outside that box. Society put Akechi in chains from babyhood—and his response was to own them, to build a bigger, better cell for himself. That he understands—he tells us how it works repeatedly!—and that he recognises, but can never escape.
So what is it that Akechi learns about Ren, in rank 3? It's that if you dare put Ren Amamiya in a cell, he'll tear it down.
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Akechi could only dream of acting the way Ren does in this moment. Ren takes a huge risk here—on how Akechi will react, on how the crowd will react—and it pays off. Rather than submitting to the chains others place on him, Ren refuses to be bound. Ren is ungovernable.
Of course that's catnip to Akechi. Of course, even though it unnerves him, he wants more. He's drawn to Ren like a moth to flame—and this is the genesis of the bitter envy that will become so toxic by rank 8.
revision history
Click here for the latest version.
v1.1 (2024/10/06)—clarified some pronouns.
v1.0 (2024/10/06)—first posted.
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honest-moth-of-silver-grove · 7 months ago
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Could I ask for some yandere alucard post season 3 with a s/o that isn't human or only part human? Like being half fae, nymph or siren. I just think the dynamics of that relationship would be quite different then say if the object of his obsession was human given his lack of faith in humanity in season 3s aftermath
A/N: I LOVE this question! It was so interesting to think about all the different ways the MC could be half-human and have that connection with Alucard. I did end up going with a mermaid/siren sort of creature as the original asker did send in an additional ask clarifying how they could picture this abused mermaid girl feeling kinship with Alucard because of his current distrust of humans, and I liked that element. I also chose a siren / mer create as they have abilities to manipulate/hypnotize their prey, an ability Alucard probably has as well with him being half-vampire. I ended up writing a very long outline in bullet points but felt that it didn't quite flow for HC, so I instead broke it up into smaller scenes below. I hope that’s ok. Sorry, it took so long. I was sick with some weird virus for weeks (lowkey feel like it’s mono or something), and could only handle work and family crap, like I barely had any motivation to live. And then when I started writing this, it sort of took on a life of its own lol. (What can I say? I love me some Alucard.) 
Anon also suggested I check out this manga- it’s called Becoming the Villain's Family and it’s about a siren who goes back in time and makes a marriage pact with a devil to prevent their untimely fates. I’m not a huge manga reader, but my sister is, so I’m going to recommend it to her and maybe we can read it together. 
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Yandere! Alucard (Post-S3) w/ A Half-Siren S/O 
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The fair creature did not see quite how it happened, for it had all transpired too fast. A deep guttural growl echoed from past the tree line, well beyond the corners of her vision as the very ground beneath the wagon’s feet began to shake violently. As swiftly and silently as a flash of lightning, the wagon she resided in was sliced in half, the metal cage that kept her prisoner acting as her only guard against an elongated talon from some sort of monster. The cage was tossed sideways, skittering along the dirt ground as the poor mer creature inside flipped over violently, her dehydrated human form and lack of clothing sending her soft, nearly translucent skin into the square welds hard enough to form bruises. 
“Retrieve the asset!” 
“Don’t let her escape!” 
“Are you crazy?! Fuck the asset!” 
Around her, a flurry of mixed male voices shouted out contradictory directions. With only the setting sun for light, it was difficult to make out who had yelled what. 
Then came more growls in addition to all the shouting. Then the shouting turned into screaming. And a handful of those screams turned into cut-off cries followed by loud squelching. A flurry of slices and swings from blades and swords interrupted what must have been the creature's onslaught, but it would certainly not last long. There would be more torn flesh, and more final yells- a final symphony of bloodshed to follow. 
Kneeling into an upright position, the fair mer creature pushed and pulled frantically against the metal door of her cage. The hinges had warped in the fall, bending just so, that if enough force was applied…
With a metallic screech, the young water maiden could kick her cage door from its battered hinges. Fortunately enough for her, none of her captors seemed to notice her imminent freedom, the lot of them busy battling hideous creatures beyond any comprehensible amalgam or imagination. 
Unfortunately for her, her sudden movement did not go unnoticed by one such creature. 
A smaller, fiendish-looking thing, with the body of a lizard, but the head of a vulture, and the tail of a scorpion mawed loudly at her, its stinger striking warningly at the ground. 
Not needing to be told twice, the young maiden leaped up and made a mad dash for the treeline on the other side of the clearing, opposite the line of creatures. 
As she made it past the treeline she watched as one of her imprisoners struck successfully at the rear of the small fiendish creature with the sharp end of a spear. It cut roughly into the monster’s backside, turning the horrid thing’s attention away from her back onto her captors. 
Pausing for a mere second, she took one last look at the few men still alive, fighting for their lives against the horrible creatures. Even if they were to win the fight, she swore it would be the last time she saw them. Beasts or no beasts, she was never losing her freedom again. 
✧ ✧ ✧
The bottoms of her feet stung with every step, and her calves burned worse every time she jumped over branches, landing on uneven ground. Her thighs were practically numb from the midseason cold, and her time forced to rest on the cold metal bars of her prison certainly did not help. But she refused to stop running. Even if she was unfamiliar with the practice of traveling upright on two extremities, she perished the thought that her inexperience might slow her down. She could not fail. She could not yet rest. Whoever won the fight between her captors and the creatures was certain to follow after her once the battle was done. She could not waste precious time. So despite pain and exhaustion, she pushed onward. 
After what felt like an eternity, although, if she were to judge by the moon, it must have only been a few hours, she found her legs could no longer support her weight, as her knees buckled beneath her, slipping on the soft embankment ground. 
‘Embankment?’ The maiden, feeling a final surge of hope, strained her neck to get a better look. It did appear that she had made it to a river bank, although it was a rather small one at that. Still, the sight felt like a miracle. It had been too long since her body was submerged, snug, within her element’s embrace. And given the choice between breathing her last breaths on the cold dry forest ground, or under a river’s soft current, she’d choose the river, any day. 
Using her arms to pull herself into the cold water, she breathed one final breath of chilled night air before slinking into the river water. Closing her eyes, the young maiden had but one thought: 
‘If this is to be my final resting place, then so be it.’ 
✧ ✧ ✧
The next morning started the same way all mornings do: the sun rose in the sky, the birds and bugs began their daily chirps, and a very forlorn-looking Adrian Tepes, known currently as Alucard, son of Dracula exited his castle in search for food, his usual basket in hand. Unusual however were the two corpses that greeted him as he passed the castle steps. 
Alucard paid the bodies no mind, he didn’t once glance in either of their directions. He kept his eyes forward, locked onto the foliage and wildlife hidden within the forest line choosing to pretend the bodies were no longer there. Yes, he knew they were there. Of course, he knew. He was the one to string them up after all. But if he were to acknowledge the corpses' presence, then he would also be required to acknowledge the circumstances that led them to be staked there, and that was something not even the great slayer of Dracula could do. So instead Alucard did what he could: he adjusted the basket in his arms and began mentally preparing the meal he would make. 
Coming to the river bank, Alucard felt something was off. He sensed another presence nearby. Kneeling down to the water, he kept his ears open for any movement within the trees but did not hear any. 
‘Odd.’ The dhampir waited for a spell before resuming his usual activities. He methodically removed his boots, before rolling up the ends of his pants, as he prepared to wade into the river. He had found a comfortable position, balanced on the river rocks below his feet when he noticed another oddity. 
“Where have all the fish gone?” 
The river, once teeming with fish, ones even brave enough to stick around as he waded into the water, were nowhere to be seen. Besides the rushing of water over the river bank, Alucard could not hear them swimming around within the water below. 
Turning his head, he found a single glint of scales reflecting the morning’s rays a few meters from where he had been standing. But just one fish? Or perhaps, a damn of some kind was preventing them from moving freely. Alucard made a move to investigate closer. But then, just as he turned to do so, what appeared to be an incredibly large fish leaped out of the river, and flopped onto the bank. It writhed around, flopping this way and that before rolling over to face him. It was at that moment Alucard realized why all the other fish had disappeared. There was no damn, no net. It was because of this… this creature. 
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The young mermaid awoke with a start, the deep echo of footsteps underwater had vibrated her awake. From where she lay, her vision was obscured, but she could make it out that the being was human in nature, standing on two legs, with only two arms to boot. It did not possess any claws or animal characteristics like any of the night creatures from the night before, nor did it appear to resemble any of the men who had taken her. 
The maiden stayed as still as stone, hoping this new strange human would grow bored of waiting for a meal to catch, turn around, and go home. But luck, as it had proven time and time again as of late, was not on her side. 
The man made a move towards her position, and she found she could not help the fear that bubbled up from inside her chest. The river was too small for her to swim through. More so, moving within the water would only create splashes to further catch this stranger’s attention. If she wanted to get away, she’d need to shift back to her human form and make yet another run for it on foot. 
Using the strength her long waterlogged rest had given her, she propelled her body out of the water, onto the river bank. As soon as her full body was on land, she writhed and wriggled, doing all she could to shake the excess water from her body. 
Her earlier set of legs had once again merged into a fishtail, strong and thick, with grooved fins to match. Her abdomen and chest were plated with scales all up the sides. And as she shook herself dry, several of those scales slid off her body into the dirt. Her ears, previously flesh and pointed more like an elf’s, had pulled back, with loose tentacle-like fins spouting out around their outer shell. In the daylight, she knew there was no mistaking what she was. But if she was to change her form quickly, it was a risk she needed to take. 
Despite the morning's warm sun, her body did not dry as fast as she had hoped. The maiden used her arms, and her now-clawed fingers to pull herself up further, finally gaining purchase on one bark of a tree, as she did her best to twist around and face this stranger head-on. 
Letting out a hiss, she bore her fangs at the strange blonde man standing before her. Only the man did not seem intimidated, nor shocked to see a creature such as herself. If anything, he appeared, at ease. Was this perhaps a trap? She hissed again but found herself on the side of surprise when the seemingly human man bared his own set of fangs and hissed back. 
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‘A mermaid?’ Alucard watched, amused, as the young creature did her best to appear menacing to him. If only she knew, how instead of fear, Alucard felt a rush of reassurance at the sight of her inhuman features. 
‘Humans,’ he thought bitterly. It was two humans who had hurt him most of all. Not even his own father’s war on humanity had harmed him the way those two did. His father left him for dead paled in comparison to the shame and torment he carried with him from that one night.  
Had a human shown their face on his property, he’d… Well, Alucard was not certain what he would do should they refuse his order to leave. But whatever he decided, it would not be a fate any would enjoy, that’s for certain. 
Thankfully, with the very distinct mer-features of this individual, that point was moot. He did not need to threaten disembowelment or an eternity of torture as a spawn, Alucard felt no such need to. 
He took a step closer, taking in her unique features. Her eyes were large and dark, almost pure pools of black. He could feel the pull luring him in closer the longer he looked into them. Her skin was almost opaque, despite its color. At certain angles, rays of the morning sun seemed to shine through her body, as opposed to around it. And her tail, no doubt the most impressive of her peculiarities, glinted impressively, making her an almost otherworldly mirage against the browns and greens of the surrounding greenery. 
Of course, no sooner than Alucard could admire such an ethereal sight, her tail began to lose some of its luminescence, growing duller by the second. The previously shiny scales that overlapped each other began to flake off, one by one. Down the middle of her tail, from where her belly button would have been on her abdomen had she been a human, what scaled skin remained began to crack, viscously, like a deep fissure that would not heal. The fissure continued to grow in depth and width as Alucard came within feet of her. 
She hissed for a second time at his forward movement, but Alucurd was undeterred. Smiling a sort of melancholy smile, he paused before opening up his maw, revealing his impressive fangs with a hiss of his own.
At his revelation, the creature’s demeanor changed abruptly. Gone was the fear and hatred in her eyes, instead replaced by a much more benevolent wonder. 
She opened her mouth, the tentacles around her ears shriveling into themselves, her ears changing to a more elven point as they came to rest flatter against her head. Alucard watched as her fangs dissipated too, the sharp canine points rounding themselves down into very simple humanoid-looking teeth. The back of her throat opened and closed, but very little sound came out. If she was trying to communicate, it seemed a verbal conversation was currently off the table. 
“I am Alucard Tepes, son of Dracula and Lisa Tepes.” Alucard spoke, taking the lead for her. “And I am not human.” 
The mermaid closed her eyes as she leaned back against the tree bark, wincing once or twice as a very slime-covered, human-looking bottom half cracked free from the dried shell of her former tail. She used her hands to pull the husks away from her body, leaving every bit of her person on display. 
Alucard cleared his throat before deciding to remove his shirt and give it to her. He tossed the white shirt to the maiden who caught it in one hand. Bringing it in to smell, she sniffed it before looking back at him curiously. 
“If you wish to spend the walk back to my castle naked, I won’t stop you. But as I’m sure you’ve learned, people up here spend most of their life clothed.” 
She turned her head in the opposite direction as if to say, ‘So?’ before ultimately relenting, pulling the white top over her head. 
Making a move to stand, her legs wobbled, giving out underneath her. But before she could fall, by the grace of his vampiric speed, Alucard managed to catch her, one of his arms looping under hers around her shoulder. Upon noticing the sudden conflict, the mermaiden hissed again but made no move to shove him off. Making another choked-off sound, from the back of her throat, she tried speaking again. 
“Ghhank hou.” Frowning, she cleared her throat before trying again. “Thgank cou,” her voice was quiet, and yet deep and guttural at the same time as if she was holding back. 
“So you can speak,” Alucard commented as he helped her walk a distance, finding her balance. 
The young maiden nodded, before shaking her head. “Youg may naught want mee too.” She blinked her large, dark eyes at him, pointing to them, them down to her throat as she did so. “Sssighh-rhen.” 
Alucard paused his walking, staring his golden orbs back at her. In the light, the mermaid watched as they glittered and shined, an almost metallic color, reminiscent of pirates’ gold, lulling her into a sense of security. She gave off a warning growl, having caught on to the fact that she was not the only one with influential abilities. Alucard blinked twice, breaking off the trance. 
“As I said before,” he reiterated, leading the way back to his castle, “I am not human.” 
The mermaiden watched him, as an almost smirk graced her inhumanely beautiful face. “Gooodd,” she hissed out. 
✧ ✧ ✧
“That is how the castle came to be in my possession.” 
Alucard led the young mermaiden down the many hallways and corridors of the castle, telling her the story of how he, along with Belmont and Sypha, were tasked with defeating Dracula. He stopped to point out various rooms along the way, the ones he was the most familiar with, anyway. There was still much of the castle that felt foreign to him. It was as if he walked the rows of a graveyard, rarely stopping to notice yet another name on a tombstone. How many hands had helped build this place? How much of their blood was shed to gather all the infinite knowledge and wealth that was kept here? Alucard did not know. Nor was he certain he wanted to know. 
Walking past the various debris and carnage still left from their battle with Dracula, Alucard ushered her into his father’s former study, now his study. In the middle of the room sat one large rather ornate chair, placed before a cracked fireplace. In the chair was a crumbled blanket and pillow. On the small table next to it, a cold long-forgotten cup of tea. The items together suggested this chair was used in recent days for sleeping, not for sitting and reading or studying of any sort. 
The mermaiden narrowed her eyes at that. Surely, even with this battle, Alucard claimed had taken place within his home, there were bedrooms and living quarters left unbothered. Why would someone in possession of such a grand and luxurious home sleep sitting up in a chair? Or perhaps, was it a question of biology, not psychology? Did a being like Alucard require sleep at all? 
As the mermaiden contemplated, Alucard kneeled down to start a fire, but not before vaguely gesturing at the crack that ran up the front brick of the fireplace. “As you can see, the fight was not limited to one area or room.” 
“Bprokeghn,” the mermaid nodded before gesturing herself to the chair and blanket set-up. “Behd?” 
Alucard cleared his throat, as he stoked the beginning flames of the fire. “My room was… damaged, yes.” 
Seemingly content with that answer, the mermaiden turned her attention to other parts of the room. 
Off to the right there were various bookshelves and texts. And on the left? A modest oak desk sat under a large painting of a beautiful woman. Her hair was golden, almost appearing to glow under the warm hue of the fire’s dancing light. Her eyes were large and hopeful, and her size petite but strong. In her hand, she held a white flower, although its beauty paled in comparison to hers, it was a lovely touch against the dark maroon dress she was wearing. 
“Prehty,” she said, stopping to admire the woman in the painting. 
Upon hearing her words, Alucard looked up, a soft smile having formed on his face. “Yes,” he said. “She was beautiful.” 
Glancing back at the man, the mer creature noticed his hair was blonde and rather lovely as well. Not as gorgeous as her own siren’s locks of course, but that was understandable. She pointed to the hair of the woman in the painting before pointing to her own, and then finally, to his. “Prehty too.” 
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From where he stood in the kitchen, Alucard watched amusedly as the young woman tried taking a bite of her grossly undercooked fish using a knife and fork, stifling a laugh every time she would manage to grip one utensil only to drop the other. Her less-than-human approach to everyday things made Alucard feel at ease. She was not a lying, conniving human he had to watch out for, she was not biding her time waiting to stab him in the back. Quite the contrary: she was blunt and rather oblivious to human social conventions. 
She had very little reservations when it came to nudity, Alucard had come to discover. If it wasn’t for his polite, insistence, she would have continued to roam the castle naked. Dwelling deep underwater made her rather immune to things like catching a chill. Alucard was similar, he did not feel the cold the way humans did, although he was not entirely immune to it. He would surely suffer frostbite should he choose to venture outside in the dead of winter without any clothes on his back. However, unlike a human, and more like a vampire, it would take more than freezing exposure to do him in. 
It was almost comforting in a way, to share the castle with someone who’s biology was surprisingly close to his. She was more unhuman than human most days, her residual scales and sharp claw-like nails coming back once her body had returned to full-health. Her teeth had also increased in length, although Alucard suspected she could control their sharpness at will to some degree, her opting to keep her incisors short and squared, more human-like, whenever the two would talk walks around outside the castle. 
The mermaiden also had an interesting diet. She preferred her food cold, if not raw. Even things like fish and other meats, she refused to eat properly cooked. Alucard briefly recalled the first time he had tried to offer her dinner. He steamed her fish the same way he steamed his, and presented it to her, expecting gratitude. It was humourous now, but back then he recalled being rather dissatisfied with her indignant reaction. She hissed, and berated him for serving her something ‘burnt’, or ‘burrrnt’ as she had called it. 
Alucard discovered it was less of a preference and more of a requirement when he found her eagerly licking the blood from a freshly killed and skinned hare he had fetched for dinner. It seemed that she, like him, and like the many other supernatural creatures, had a penchant for blood that was born out of a necessity, and not mere cruelty. With her diet of raw and bloody food, her skin appeared healthier- still as shiny and translucent, but less gray. Her human form’s skin was less cakey and dry, and when she did change back into her tailed form, which was rather often given how much she enjoyed lounging in one of the castle’s large communal baths, her scales shed much less than they had when they first met. Upon her initial arrival at the castle, Alucard found she’d leave scales behind her wherever she walked, the same way a lover might lay out a trail of rose petals. Of course in this case, there was no intimate surprise waiting for him behind closed doors (not that he’d want one given his past circumstances, anyway), but a very brash and temperamental half-siren, usually impatiently awaiting yet another “useless” lesson in human conventions. 
“Naught fun-ie,” she hissed, under her breath, well aware of Alucard’s amusement. “No need for toools underwater.” She dropped both her knife and fork unceremoniously onto her plate before crossing her arms, looking like a wilful toddler. 
“There’s no one to impress here,” Alucard assured her. “Besides, even without a fork and knife I’m sure you eat like a magistrate compared to Belmont. The rodents outside have more manners.” 
“Belmonnt,” the fair maiden repeated, picking up her fish with her bare hands. “Frrend.” 
“Yes. Although, I haven’t seen him or Sypha for quite some time.” Alucard answered, just a hint of loneliness creeping into his voice. 
“Hadd frend wonss.” Biting into her fish, she tore a chunk of flesh off with her teeth, a satisfied groan leaving her body as some of the excess moisture dribbled down her chin. “Huumann too.” She swallowed her bite of fish down, not bothering to chew much at all. “Dyed.” She licked her lips in satisfaction. “Beectraaid.” 
“Wherever humans are concerned, such possibilities are never in short supply.” Alucard agreed, handing her a cloth napkin to wipe her chin. “It is their nature.” 
Choking down the rest of her fish, the mermaiden swallowed harshly again before asking, “Owtsighed?” Of course, the two giant stakes housing decayed corpses had not escaped her notice on their way inside. 
Alucard retrieved her empty plate, moving to place it in the sink. Closing his eyes, he desperately tried not to remember the feel of the silver cords burning his skin, the way he suffocating under Taka and Sumi’s gaze, how if it were not for his sword and the magical component of it, it’d be his body flayed and strung up outside instead of theirs. Despite not having had anything to chew or eat, Alucard swallowed hard as well. 
“Yes,” he finally said.  
✧ ✧ ✧
“Where are wee going?” The mermaiden asked, her vocabulary and annunciation having improved much over the last couple of weeks. 
Dressed in a relatively sheer nightgown and robe, the young woman begrudgingly followed Alucard, already dressed for the day, as he led her over to the remains of the Belmont hold. Upon reaching the cleverly designed pulley system, Alucard lifted the safety bar of the lift and gestured for her to get in. 
The young mer woman bared her teeth but did not hiss, a vast improvement of manners and trust on her part. 
“You may recall in the past, I’ve mentioned a man named Belmont, Trevor Belmont.” Alucard set the bar back down, clicking it into place, before pulling one of the levers to begin their descent. 
She nodded. “Friend. Miss him.” 
Alucard furrowed his brow. “I do not believe I’ve once said I missed his company.” 
The young woman shrugged her shoulders, a form of nonverbal human communication she had recently picked up on. “Still,” she wagged a finger, disapprovingly. “Can tell. No want to be alone.” 
Having reached the bottom of the lift, Alucard secured the platform before exiting, seemingly eager to remove himself from their current conversation. “I speak his name frequently because he has gifted me a rather large piece of his family’s inheritance for safekeeping. Without my permission, I might add.” 
Flicking a large switch on the wall, the mermaiden watched in awe as hundreds of blue flames suddenly sparked alight, illuminating an expansive cavern of towered rows and rows of books and other meticulously organized collections. 
“This,” Alucard extended his arm out, showcasing the vastness of the space before them, “Is the Belmont Hold. It possesses all the knowledge the Belmonts learned on creatures of the night, the collection starting generations ago. Everything any Belmont learned has been recorded onto paper, and stored somewhere within these tomes.” 
Temporarily blindsided by excitement, the mermaiden found herself quickly making her way down several sets of stairs, her balance thankfully having improved tenfold, as she ignored the darker implications of Alucard’s words. 
“So much boooks!” She cried out, settling on entering a random upper row of tomes, pulling one out of the shelf. “So much papper!” 
Alucard nodded, coming to join her. “I take it your people do not have much use for such records underwater?” 
The young mer woman nodded, running her clawed fingers delicately over the inked pages. “Runes. Maghik. No paper.” 
Carefully, Alucard took the book from her hands and placed it back onto the shelf where it belonged. Before the mermaiden could bare her teeth or hiss at him in irritation he had already begun climbing down a nearby ladder, calling for her to follow. “Come. The books are impressive, but they are not what I wish to show you.” 
Reaching the lowest level before her, Alucard smiled softly as his eyes were met with the familiar scene of a magic mirror, and open chest. How strange to think he and his friends stood on this very ground when Sypha successfully managed to summon the castle. How strange to think right there, under his feet, was where Adrian Tepes died and Alucard of Wallachia truly began. 
There was a time when Alucard believed he and he alone would be the one to ever stand upon this, practically hallowed ground. Belmont was not yet sure if he wished to resume the responsibilities of his namesake. And Sypha, well, Sypha had chosen to follow Belmont in whatever trouble he managed to get himself into. Who knows if they would be back, if they ever intended on coming back? At the end of their journey, there was Alucard, left alone to shoulder the burden of both their families’ legacies. 
Trevor had told him not to make the castle his grave, but to use it and the hold to… help people. Such a task seemed near impossible when you were one dhampir, isolated far away from the rest of the world. But then, Alucard reflected, along came Taka and Sumi, and perhaps, he had once thought, he would no longer have to be alone. 
They were so eager to learn, but they were also so eager to leave. They did not come intending to stay, Alucard knew this, and yet, he could not help the way he drew their lessons out, making sure to be as detailed as possible. If they must go, he supposed, he could make it so they did not leave for a while. It was foolish to think his desires would go unnoticed by the two humans. More foolish perhaps, to expect them to understand. Alucard had been wrong. 
They sensed he was less than forthcoming, Alucard could not deny that was true. But he never lied, not once to them. But in their humanity, in their hurt and in their pain and guilt and anger they felt they were deceived. Perhaps deception was so readily on their mind because they had arrived with a plan to play him for a fool all along. 
Either way, it was fatal on their part. Alucard may have wanted them to stay, but he did not need them. They alleviated his loneliness, but they were not necessary companions, not like Trevor or Sypha. They were far too different, far too divested from the line of existence Alucard walked to ever truly understand him. Being human, they ignorantly believed themselves to possess so many options of their own, but as fate had proven: they too were wrong. 
But this young woman, this siren, this mermaid, she was different. She did not come seeking him, rather their meeting was entirely accidental. And this time, the playing field was even: she needed him just as much, if not more, than Alucard wanted her. It was different this time. Here, within the Belmont hold and his castle, she was the outsider. And no matter how long she stayed with him, no matter how hard she tried, she would remain less human than Alucard. Next to her, he was not a monster or a beast, no. 
At her side, he appeared solely as Wallachia’s savior, Alucard, and he was neither human nor monster. 
Coming back to the present moment, Alucard watched silently as the mermaiden approached the glass display case of vampire skulls. He watched as her eyes widened, and her fists clenched, before she spun around, her fangs bared. “Exsplain, now!” 
“The Belmonts hunted creatures of the night for centuries. They came to Wallachia hunting Dracula and his army of vampires.” 
“You said Belmont friend!” 
“He is- was. As I have said to you before, he aided me in my journey to defeat my Father Dracula, to prevent him from securing the extinction of the human race.” 
The mermaiden tilted her head to the side. “Buut why? You vampire.” 
“Not entirely,” Alucard countered. 
The mermaiden’s eyes squinted. “What?”
“The woman in portraits you’ve so admired within the castle, she was my mother, Lisa Tepes, and she was human.” 
Enraged, the mermaiden’s face contorted into an expression of anger, her nostrils flaring with every huff of air she took. “Liar!” She accused him, making her way around the side of the cabinet, trying to move past the dhampir without encountering him directly. “You said humans betrayed! You said not like them! You lie!” 
“I did not lie. I never told you I was wholly vampire, nor did I once say I was not part human.” Alucard mirrored her movement, cutting her off before she could reach the stairs. “I aided humanity only to be betrayed by humans. I do not belong in their world, nor do they belong in mine.” 
“Nor in minesss!” She snarled. “You human. Not friend. Not anymoresss.” Shoving past Alucard she began up the stairs before she felt a hand on her wrist yank her back. Whipping around, she found herself face to face with Alucard, his expression angry, his fangs elongated and on clear display. 
“And where will you go? Your human charade may not disturb me but it is bound to alert others. There is no city, no town where you could travel that they would believe you to be one of their own.” His voice was deep, dark, and full of disdain. 
“Then I go home,” she retorted. “With othersss like mee.” 
“Do you think they will accept you now you’ve lived with a human, lain with a human?” 
“Half,” she spit into his face before sneering: “Half huumannn.” 
Alucard did not even flinch, entirely unphased by her vulgar action. “Human nonetheless,” he said, the ice in his veins offset only by the golden fire in his eyes. “Not even they would welcome you back now. There is nowhere you can go, no one who would welcome you. I,” he spoke, baring his fangs, “am all you have left. I am the only one who understands.” 
The mermaiden opened her mouth to speak, but could not find the words. She closed her mouth before opening it again, still hesitant on how to respond. If it was not as serious of a moment, Alucard would have laughed: she truly looked like a fish out of water. 
Careful as not to spook her, he slowly raised one hand, using it to wipe away a stray tear that had fallen from her eyes. How strange a sight to see a siren crying, awful yet beautiful at the same time. Like him, Alucard thought. 
“You are the only one who could possibly understand me. You need not ever leave.” Alucard used his other hand to take one of her own, and guide it, resting it atop his chest. “I do not wish to be alone anymore.” 
The maiden choked back more tears, shocked she was shedding them in the first place in Alucard’s presence. 
Prior to those horrible humans taking her, tears were not something the mermaiden had ever experienced. Living underwater, she was surrounded by saltwater. Even on the occasions she was consumed by great emotion, her eyes behaved no different, felt no different than they did being in their usual full-contact with water as they were everyday. But after she was taken, she found the ability to cry, something she despised. It burned the skin of her cheeks with hot shame, her throat felt too tight for air: the process of crying was foreign, and undeniably painful. She prayed it would not become a normal occurrence for her. She swore the moment she was free of her captors, she would never shed a tear again. And then she met Alucard. And he was…
Sweet. He was kind. He was not an ignorant, vengeful human. Surely, he would not give her reason to cry. They were of the same kind, she and him. He would harbor no hate for her in his heart. 
How foolish of the girl to think hatred was the only feeling capable of creating pain, of making remorse. Afterall, ‘love’ was just as powerful. ‘Love’ was just as dangerous. 
Deep down, the young siren knew the dhampir’s words were true: there was nowhere else she could go, there was no one else who would understand her, and care for her the way he did. 
In fairness, he was not fully human, he was half vampire, and his father was the great Lord Dracula to boot. He was not simple in the way other humans were. He was not stupid in the way people were. He was educated and well-aware of the fragility of egos, the slow passing of time… He did not look at the world through a mortal lens. The mermaiden knew she could do worse, in choosing someone to trust, in picking someone to rely on. 
Then again, he was half-human. She was wise to fear him, to doubt him. He may have meant what he said, when he told her she need not leave, but that did not mean she needn’t want to. But she was so far from home, so far from more of her own kind. Who else left in this region ravaged by night creatures and monsters would open their home to her the way he had? Perhaps it was wiser to stay. 
Did she even possess a choice in the matter?
Even withIn the arms of that former stranger, she felt more forsaken than she had when those evil traders first captured her. She felt so alone… Gods… 
She, too, wished not to be alone anymore. 
“Ssstay.” 
“What?” Alucard’s head snapped up at the sound of her words. “Truly?” He could not help the hope that seeped into his voice. “You wish to stay with me?” 
Before him, the mermaiden nodded, yet another human expression she had come to love over the past few weeks. “Yessss,” she hissed out, her voice still nasally from her earlier tears. “I ssstay.” 
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A/N: Holy shit! Almost 8,000 words here. And to think I did it all while fighting the worst virus of my life! (See, THAT just goes to show you how strong my love for Alucard is. 
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Don’t forget to Like & REBLOG!!!
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And if you enjoyed it, feel free to Tip Me on Kofi! 
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pikahlua · 10 months ago
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MHA Chapter 413 spoilers translations
This week’s initial tentative super rough/literal translations under the cut.
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tagline AFOとOFA精神の共鳴が見せるものとは⁉︎ オール・フォー・ワンとワン・フォー・オールせいしんのきょうめいがみせるものとは⁉︎ OORU FOO WAN to WAN FOO OORU seishin no kyoumei ga misero mono to wa!? The resonance between the spirit of One For All and All For One reveals [what]!?
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1 師 マスター MASUTAA (kanji: shi) Master,
2 悲しそうな子が かなしそうなこが kanashisou na ko ga a child who seems sad
3 いたよ ita yo was there.
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1 ーーィト! --ITO! "--ight!"
2 オールマイト‼︎ OORU MAITO!! "All Might!!"
3 寝たら死ぬぞ‼︎意識を保て‼︎ ねたらしぬぞ‼︎いしきをたもて‼︎ netara shinu zo!! ishiki wo tamote!! "If you sleep, you're die!! Keep conscious!!"
4 …! "...!"
5 通信機がなくて状況がわからんが つうしんきがなくてじょうきょうがわからんが tsuushinki ga nakute joukyou ga wakaran ga "I don't have a communication device so I don't know what's going on, but"
6 恐らく緑谷がまだ戦っている! おそらくみどりやがまだたたかっている! osoraku Midoriya ga mada tatakatte iru! "Midoriya is probably still fighting!"
7 夢…? ゆめ…? yume...? A dream...?
8 いや…この感覚は… いや…このかんかくは… iya...kono kankaku wa... No...this sensation...
9 あの時と同じー…‼︎ あのときとおなじー…‼︎ ano toki to onaji-...!! It's the same at that time-...!!
10 遠く離れている筈なのに とおくはなれているはずなのに tooku hanarete iru hazu nanoni Even though it should be far away,
11 OFAを感じる ワン・フォー・オールをかんじる WAN FOO OORU wo kanjiru I feel One For All.
12 "意志"が流れ込んでくる "いし"がながれこんでくる "ishi" ga nagarekonde kuru Its "will" is flowing back [into me].
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1 紡がれてきた力が… つむがれてきたちからが… tsumugarete kita chikara ga... The power that has been spun...
2 解れる ほつれる hotsureru will be unraveled.
tagline No.413 鉛の塊 堀越耕平 ナンバー413 なまりのかたまり ほりこしこうへい NANBAA 413  namari no katamari   Horikoshi Kouhei No. 413 A Lump of Lead  Kouhei Horikoshi
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1 何だ今のは なんだいまのは nanda ima no wa What was the just now?
2 何故今アレが脳裏に過った なぜいまアレがのうりによぎった naze ima ARE ga nouri ni yogitta Why did that pass through my mind just now?
3-4 おまえは完全に消滅した筈だ おまえはかんぜんにしょうめつしたはずだ omae wa kanzen ni shoumetsu shita hazu da You must have been completely extinguished.
5 人が人を助ける限り ひとがひとをたすけるかぎり hito ga hito wo tasukeru kagiri So long as people help people,
6 英雄の意志を継いだ誰かがー えいゆうのいしをついだだれかがー eiyuu no ishi wo tsuida dareka ga- someone who inherits the will of heroes-
7 消滅して尚 しょうめつしてなお shoumetsu shite nao Even though it was extinguished,
8 残り火の如く…! のこりびのごとく…! nokoribi no gotoku...! [it lingers] like an ember...!
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1 づ dzu "Dgh"
2 ハッ HA "Hah"
3 ーーッ "--"
4 …! "...!"
5 君は きみは kimi wa You
6 ヒーローになれる HIIROO ni nareru can become a hero.
7 どういう…ことですか… dou iu...koto desu ka... "What do...you mean..."
8 ワン・フォー・オールを手放せって…なんですか⁉︎ ワン・フォー・オールをてばなせって…なんですか⁉︎ WAN FOO OORU wo tebanase tte...nan desu ka!? "Let go of One For All...what [does that mean]!?"
9 二代目…‼︎ にだいめ…‼︎ nidaime...!! "Second...!!"
10 心を荒げるな奴に聞かれる こころをあらげるなやつにきかれる kokoro wo arageruna yatsu ni kikareru "Don't worry yourself [or] he'll question [us]." (Note: I think Kudou is basically saying "Play it cool or else Tomura will catch on.")
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1 死柄木の中にあった鉛のような黒い塊…あれは しがらきのなかにあったなまりのようなくろいかたまり…あれは Shigaraki no naka ni atta namari no you na kuroi katamari...are wa Inside Shigaraki [is a] lead-like black lump...that is
2 奴の中にあった幾つもの小さな怒りや不満……記憶… やつのなかにあったいくつものちいさないかりやふまん……きおく… yatsu no naka ni atta ikutsumo no chiisa na ikari ya fuman......kioku... the many small angers inside him......memories...
3 それらが引き寄せられ一つに集約されたものだ それらがひきよせられひとつにしゅうやくされたものだ sorera ga hikiyoserare hitotsu ni shouyaku sareta mono da Those are all drawn together and consolidated into [that] one thing.
4 いわば奴の決意そのもの憎悪で固められた精神 いわばやつのけついそのものぞうおでかためられたせいしん iwaba yatsu no ketsui sono mono zouo de katamerareta seishin So to speak, his determination itself is a spirit fortified with hatred.
5 だが dagaBut,
6-7 八木が隙を見つけた やぎがすきをみつけた Yagi ga suki wo mitsuketa Yagi found an opening.
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1 あれは恐らく あれはおそらく are wa osoraku That is probably
2 スターアンドストライプとの戦闘でついた残り傷 スターアンドストライプとのせんとうでついたのこりきず SUTAA ANDO SUTORAIPU to no sentou de tsuita nokori kizu a gash left over from the battle with Star and Stripe.
3 再生の"個性"でも癒し切れぬ肉体ではなく精神の傷 さいせいの"こせい"でもいやしきれぬにくたいではなくせいしんのきず saisei no "kosei" demo iyashi kirenu nikutai de wa naku seishin no kizu Even the Regeneration quirk cannot heal the wounds of the spirit as it's not the body.
4 それと sore to "And then"
5 ワン・フォー・オールが… WAN FOO OORU ga... "One For All..."
6 どういう…… dou iu...... "what do you mean......"
7 AFOを飲み込んだ死柄木は強くなりすぎだ……このまま力比べを続けても勝ち目はない オール・フォー・ワンをのみこんだしがらきはつよくなりすぎだ……このままちからくらべをつづけてもかちめはない OORU FOO WAN wo nomikonda Shigaraki wa tsuyoku nari sugi da......kono mama chikara kurabe wo tsudzuketemo kachime wa nai "[By] swallowing All For One, Shigaraki has become too strong...... At this rate, if we continute to compete by strength, there will be no chance of winning."
8 だから裡から攻める だからうちからせめる dakara uchi kara semeru "So we'll attack from the inside."
9-10 ワン・フォー・オールを譲渡という形で傷にぶつける ワン・フォー・オールをじょうとというかたちできずにぶつける WAN FOO OORU wo jouto to iu katachi de kizu ni butsukeru "[We'll] strike* the gash in the form of transfering One For All." (*Note: This particular word for "strike" evokes imagery almost like "bust through," "smash through.")
11 傷をこじ開け きずをこじあけ kizu wo kojiake "[We'll] pry open the gash
12 奴の精神を直接叩く やつのせいしんをちょくせつたたく yatsu no seishin wo chokusetsu tataku "and strike his spirit directly."
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1 "譲渡"して… "じょうと"して… "jouto" shite... "Transfer it..."
2 "ぶつける"……? "butsukeru"......? "and strike......?"
3 待って言ってる事がよくわかんない! まっていってることがよくわかんない! matte itteru koto ga yoku wakannai! "Wait, I don't really understand what you're saying!"
4 渡したら…使われるだけだ! わたしたら…つかわれるだけだ! watashitara...tsukawareru dake da! "If you hand [us] over...[we'll] just be used!"
5 四ノ森さんのように取り込まれるだけだ! しのもりさんのようにとりこまれるだけだ! Shinomori-san no you ni torikomareru dake da! "We'll just be captured like Mr. Shinomori!"
6 "譲渡"の解釈を拡げるんだ "じょうと"のかいしゃくをひろげるんだ "jouto" no kaishaku wo hirogerunda "Expand your interpretation of 'transfer.'"
7 わからんか wakaran ka "Don't you understand?"
8 イメージで修練? イメージでしゅうれん? IMEEJI de shuuren? "Training through visualiation?"
9 ーーーああ… ---aa... "---Yes..."
10 なら…わかりやすいのがいるだろう nara...wakari yasui no ga iru darou "In that case...there's one [person] who'll make it easy to understand."
11 あの幼馴染はおまえにどうやってものを渡すかな あのおさななじみはおまえにどうやってものをわたすかな ano osananajimi wa omae ni dou yatte mono wo watasu ka na "How does that childhood friend [of yours] hand over things to you?"
small text 信じ難いや しんじがたいや shinji gatai ya "It's difficult to believe."
12 渡し方によっては怪我もするし わたしかたによってはけがもするし watashikata ni yotte wa kega mo suru shi "Depending on how you hand it over, you may get injured,"
13 物自体が壊れもする ものじたいがこわれもする mono jitai ga koware mo suru "or the item itself may be broken."
14 これをOFAで実行するだが… これをワン・フォー・オールでじっこうするだが… kore wo WAN FOO OORU de jikkou suru daga... "You'll implement this with One For All, but..."
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1 確証はないだからまず俺で試す かくしょうはないだからまずおれでためす kakushou wa nai dakara mazu ore de tamesu "I'm not certain [about it], so I'll test it with myself first."
2 さっきは四ノ森さんだけが奪われた さっきはしのもりさんだけがうばわれた sakki wa Shinomori-san dake ga ubawareta "Earlier, only Mr. Shinomori was stolen."
3 一部だけ奪われるなら…一部だけの譲渡もシステムとして可能な筈だ いちぶだけうばわれるなら…いちぶだけのじょうともシステムとしてかのうなはずだ ichibu dake ubawareru nara...ichibu dake no jouto mo SHISUTEMU to shite kanou na hazu da "If only one portion was stolen...it should also be possible to transfer only one portion as a system."
4 俺たちはOFAに取り込まれた因子 おれたちはワン・フォー・オールにとりこまれたいんし ore-tachi wa WAN FOO OORU ni torikomareta inshi "We are factors taken into One For All."
5 OFAの一部……そして ワン・フォー・オールのいちぶ……そして WAN FOO OORU no ichibu......soshite "[Individual] parts of One For All...and"
6 強化された特別な因子 きょうかされたとくべつないんし kyouka sareta tokubetsu na inshi "strengthened special factors."
7 俺が砕け散る程に強く"渡せ"ば おれがくだけちるほどにつよく"わたせ"ば ore ga kudake chiru hodo ni tsuyoku "watase"ba "If you hand me over so strongly that I shatter to pieces,"
8 力が渡ることなく攻撃ができる ちからがわたることなくこうげきができる chikara ga wataru koto naku kougeki ga dekiru "I can attack without the power passing over [to him]." (Note: I believe Kudou is saying "If you send me over strongly enough to break me as a factor, I can attack Tomura without him being able to use my quirk.")
9 試すって…!なら「煙幕」を! ためすって…!なら「おれ」を! tamesu tte...! nara 「ore (kanji: enmaku)」 wo! "Test it, you say...! Then [send] me (read as: Smokescreen)!"
10 俺が今一番使い所ないでしょ おれがいまいちばんつかいどころないでしょ ore ga ima ichiban tsukai dokoro nai desho "I'm the one who has the least use, right?"
11 いや iya "No,"
12 俺からだ おれからだ ore kara da "it's from me." (Note: I think Kudou is saying "No, it was my suggestion, so I should be the one we test this on.")
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1 でも"変速"はこの戦いの要だ!失敗したら死柄木に"変速"が でも"へんそく"はこのたたかいのかなめだ!しっぱいしたらしがらきに"へんそく"が demo "hensoku" wa kono tatakai no kaname da! shippai shitara Shigaraki ni "hensoku" ga "But Gear Shift is key in this battle! If it fails, Shigaraki will [have]Gear Shift!"
2 今 いま ima "Right now,"
3 動けなければ死ぬ うごけなければしぬ ugokenakereba shinu "[whoever] can't move will die."
4 "変速"を手放せば反動も手放せる "おれ"をてばなせばはんどうもてばなせる "ore (kanji: hensoku)" wo tebanaseba handou mo tebanaseru "If he can let go of me (read as: Gear Shift), he can let go of the recoil."
5 そして万が一奴が使ったとしても今の反動状態がそのまま渡ることになる そしてまんがいちやつがつかったとしてもいまのはんどうじょうたいがそのままわたることになる soshite man ga ichi yatsu ga tsukatta to shitemo ima no handou joutai ga sono mama wataru koto ni naru "And even if by any chance that guy used it, the current state of the recoil would pass over [to him] as it is now."
6 リーダー…俺はずっとあなたに従ってきた…けれど今回はリスクが高すぎる リーダー…おれはずっとあなたにしたがってきた…けれどこんかいはリスクがたかすぎる RIIDAA...ore wa zutto anata ni shitagatte kita...keredo konkai wa RISUKU ga taka sugiru "Leader...I've always followed you...but this time the risk is too high."
7 だから賭けだよ だからかけだよ dakara kake da yo "That's why it's a bet."
8 俺たちは過酷な時代を生きた おれたちはかこくなじだいをいきた ore-tachi wa kakoku na jidai wo ikita "We lived in a harsh era."
9 仕方がないと…無情な決断も重ねてきた しかたがないと…むじょうなけつだんもかさねてきた shikata ga nai to...mujou na ketsudan mo kasanete kita Literal. "[I thought] there was no choice... I piled up heartless decisions." Contextual. "[I thought] there was no choice... I made decision after heartless decision."
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1 今 最も過酷な状況にあって いま もっともかこくなじょうきょうにあって ima motto mo kakoku na joukyou ni atte Right now, [he is] is in the harshest situation,
2 それでも尚心を諦めないこの少年が それでもなおこころをあきらめないこのしょうねんが sore demo nao kokoro wo akiramenai kono shounen ga yet still, this boy will not give up on [his] heart. (Note: The "his" is ambiguous. This phrase literally reads as "this boy will not give up on heart.")
3 正しいのだと信じたい ただしいのだとしんじたい tadashii no da to shinjitai I want to believe that he is right*. (*Note: This word "right" can mean both "correct" and "righteous, just.")
4 オールマイトにここまでして貰えて オールマイトにここまでしてもらえて OORU MAITO ni koko made shite moraete For All Might to do all of this for me,
5 恵まれすぎてる… めぐまれすぎてる… megumare sugiteru... I'm too blessed...
6 づ… dzu... "Ddh..."
7 ふぐ…! fugu...! "Ngh...!"
8 …この期に及んで… …このごにおよんで… ...kono go ni oyonde... "...Up to this phase..."
9 力が惜しいとか…死の恐怖じゃない… ちからがおしいとか…しのきょうふじゃない… chikara ga oshii toka...shi no kyoufu ja nai... "it's not that the power is precious [to him]...and it's not the fear of death."
10 どれだけ強大な使命を帯びてても… どれだけきょうだいなしめいをおびてても… dore dake kyoudai na shimei wo obitetemo... "No matter how powerful the mission with which he is entrusted..."
11 俊典…! としのり…! Toshinori...! "Toshinori...!"
12 この子はいつまで経っても…… このこはいつまでたっても…… kono ko wa itsu made tattemo...... "For this child, no matter how much time passes......"
13 この子にとってOFAは… このこにとってワン・フォー・オールは… kono ko ni totte WAN FOO OORU wa... "to this child, One For All is..."
14 肝に銘じておきな きもにめいじておきな kimo ni meijite oki na Keep this in mind:
15 これは君自身が勝ち取った力だ これはきみじしんがかちとったちからだ kore wa kimi jishin ga kachitotta chikara da this is a power you have won yourself.
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1 憧れのヒーローがくれた宝物なんだよ あこがれのヒーローがくれたたからものなんだよ akogare no HIIROO ga kureta takaramono nanda yo ...a treasure given to him by the hero he admires.
3 何をごちゃごちゃと話してる なにをごちゃごちゃとはなしてる nani wo gochagocha to hanashiteru "What gripes are you talking about?"
4 万縄あんたはなるべく小僧の側に ばんじょうあんたはなるべくこぞうのそばに Banjou anta wa narubeku kozou no soba ni "Banjou, you [stay] by the boy's side as much as possible."
5 黒鞭が生命線だ くろむちがせいめいせんだ kuro muchi ga seimeisen da "Black Whip is the lifeline."
6 頼んだ たのんだ tanonda "[I'm] counting on you."
7 ああ aa "Right,"
8 マイヒーロー MAI HIIROO "my hero."
9 あとはお前だどうする緑谷出久‼︎ あとはおまえだどうするみどりやいずく‼︎ ato wa omae da dou suru Midoriya Izuku!! "The rest is up to you, Izuku Midoriya!!"
10 ……やります‼︎ ......yarimasu!! "......I'll do it!!"
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1 …とても ...totemo "...You don't really"
2 腱や筋肉を内から直接補強… けんやきんにくをうちからちょくせつほきょう… ken ya kinniku wo uchi kara chokusetsu hokyou… Direct reinforcement of your tendons and muscles from within…
3 肌から透けて見える黒鞭が物語ってる はだからすけてみえるそれがものがたってる hada kara sukete mieru sore (kanji: kuro muchi) ga monogatatteru That (read as: Black Whip) that’s transparently visible through your skin tells the story.
4 ヒーローには見えねえな ヒーローにはみえねえな HIIROO ni wa mienee na "look like a hero."
tagline 動かぬ身体に黒鞭を打つ‼︎ うごかぬからだにくろむちをうつ‼︎ ugokanu karada ni kuro muchi wo utsu!! With a body that won't move, strike with Black Whip!!
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littleeyesofpallas · 25 days ago
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Okay okay catching up on Bleach because I was putting it off...
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So the soul king has an actual name now and it's apparently Adnyeus(?*)[アドナイェウス] which at a glance I thought was some kind of weird mashup of Hebrew Adonai[אֲדֹנָי] and Latin deus as a kind of play on Yhwach's name being based on the tetragrammaton. But actually it's just the name Aidoneus[Ἀϊδωνεύς] which was an old epithet for the Greek Hades, supposedly meaning "The Unseen" which somewhat superficially fits for the Soul King as a king of the dead/underworld.
*(I have no idea where anyone is getting these romanizations I see flying around...)
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It's actually not the first time the name has come up. some eagle eyed fans caught that what appears to be "ADNYEUS" was shown back in episode 6 of TYBW in Ryuuken's notes, above the illustration of the castle Silbern. And then at the end of the previous season the anime added a chant to Yhwach's Auswählen that ran:
Kakageyo Gin no Monshou, Haiiro no Sougen, Hikari ni Uzumoreta, Enkan no Michi, Menou no Gankyu, Ougon no Shita, Zugai no Sakazuki, ADNYEUS no Hitsugi. Kakageru mono wa, Omae no Shinzou: AUSWÄHLEN [掲げよ 銀の紋章 灰色の草原 光に埋もれた円環の途 瑪瑙の眼球 黄金の舌 頭蓋の盃 アドナイェウスの棺 掲げるものは お前の心臓 聖別(アウスヴェーレン)] "Raise up Crest of Silver, Ash-colored(gray) Meadow, Circular Road hidden in (the) Light, Eye(s) of Agate, Tongue of Gold, Grail* of Skull, Coffin of Adnyeus. That which is Raised up is Your Heart: Auswählen."
*notably in one of Uryuu's German chants, the Japanese word for a [杯]:"sake cup" was paired with the German word Gral:"Grail", and [盃] and [杯] are alternate kanji for the same word. At the most literal the chant in Japanese just uses the word for "sake cup" like the one he uses for the schrift eucharist, but I feel like the more implicitly western imagery evoked by "skull Grail" or maybe "...chalice" is more in line with the ongoing aesthetic of Quincy spells
I'm not actually in a position to go doing a real deep dive on this but it does seem like at a glance there are associations with that alternate title with a specific incongruous variation of the god of the underworld--that is to say: characterizations of him under this epithets are not consistent with other more common interpretstions-- where he's actually got a lot of strong sun iconography. This of course maps almost perfectly with a bunch of stuff I've ranted on about a few different times in my Bleach ramblings.
Incidentally it is also the scientific namesake of the Papilio aidoneus... a black butterfly... In the first place Bleach's hell-butterflies were already a play on the real world association of butterflies and death, often either as psychopomps or themselves the souls of the dead. That they tie back in to the Soul King himself isn't too big a stretch.
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As for this "triplet world" thing... We were already told that Hueco Mundo isn't actually it's own formal realm, it's the interstitial realm that just naturally exists in the space between one world and the next. So it kinda annoys me that this feels like it's really only being acknowledged because after the fact it's just where a big chunk of Bleach's plot happened, rather than actually being cosmologically on par with the other two.
Anyway the translations going around I notice are a little sloppy, mostly in that a few are clearly just machine translated and so ignored the use of Bleach specific terminology, like "reishi" and "kishi" so here's my quick breakdown of it (thank god it's short...)
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原初の海から分かたれた尸魂界,現世, 虚圏の三つの世界。 The Three Worlds of Soul Society, This (the mortal) World, Hueco Mundo divided* from the Sea of Origin. 遍く魂魄の流れを司る礎であり, かつ世界の楔たる存在によって, The universal flow of spirits is the foundation to control, as well as the lynchpin of the world which is due to existence, 霊子の世界,器子の世界,砂の楽土の三世界が分離され, the Three Worlds of The World of Reishi, The World of Kishi, The Paradise of Sand are detached*, 『生』と『死』が隔てられた。 "Life" and "Death" were isolated*.
*so interestingly all three of these different words could be translated into english as "separated" but seem to be fairly distinct contextual differences: the first means like cutting one big thing up into smaller things the "A came from B" dynamic being the focus, the second means to be separated out almost like being categorized, and the third is to be isolated or alienated.
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So first it's saying the three worlds came from one sea of origin, and that the flow of spirits between those three worlds is the key to existence being what it is, which is to say three distinct realms where death and life are these things that can never coexist. All of which is stuff we really already knew.
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Also we're supposed to have just completely forgotten about Hell since it's not the current plot line, I guess? I anything the Three Worlds should be Soul Society, the Material World, and Hell, with Hueco Mundo as the interstitial void/aether, like it was originally defined as. That would at least map more sensibly onto the buddhist 3 realms of Form(Humans & animals: those bound by their physicality), Formless(Deva & Asura: those who exist in a hightened mental/spiritual state), and Desire(Preta & those in Hell: those defined by their strong need for what they lack)
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Maybe that only real point of interest is the reference to Hueco Mundo as suna no rakudo[砂の楽土], a "paradise of sand." In this voice I think the idea is that if life and death being separate realms is a bad thing that Yhwach seeks to rectify, then by being an inbetween realm, Hueco Mundo is a paradise, because it's a place of neither life nor death? But if it is a place of rest and comfort then I wonder if that doesn't validate my thoughts on the Vastolorde being the natural path of development for a soul in reincarnation afterall?
That aside, this mostly just lines up with existing Buddhist/Hindu parallels that were always pretty obviously implied but not so directly touched on. Once again things I've babbled about in some form or another already... I'm not about to go digging them all up right now.
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ink-flavored · 7 months ago
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65 Question OC Polycule Ask Game
Do you have a bunch of OCs in a polycule? Do you have the burning desire to answer questions about them? Look no further for an excuse to talk about it!   There are footnotes under the cut to explain some potentially unfamiliar terminology. Remember to send an ask to the person you reblog it from to make sure everyone gets to play!
How many members are in the polycule? How are they related to each other? Feel free to draw a flow chart.
Did the relationship start polyamorous, or was it a monogamous relationship that eventually opened?
If it started monogamous, how did the process of opening the relationship go?
Are there any mono-poly1 relationships in the polycule?
What “shape” is the polycule? A triad, a “V”, a straight line of metamours2, or incomprehensible?
Where do each of the members land on the “solo poly” to “entwined” spectrum?3
Where do each of the members land on the “free agent” to “community oriented” spectrum?4
How did each member realize they were polyamorous? Did they always know, or was there some sort of epiphany?
Do any of the current members practice hierarchical polyamory5? Who are the primary partners?
If the polycule is hierarchical, what differs in the boundaries set for primary vs secondary partners? Tertiary partners?
Have any of the members been in a hierarchical polycule before?
Have any of the members been in a non-hierarchical polycule before?
Do any of the members have a preference between hierarchical and non-hierarchical polyamory?
What’s the craziest polycule drama they’ve experienced so far?
Have any of the members been the unicorn6 of a relationship?
Have any of the members been unicorn hunters7 in the past? Were they successful?
How does each member like to engage with their metamours? Do they want to meet every potential addition, or do they not care at all?
What are their “vetoes” for potential metamours? Do they have any at all?
Which of the members want to live with their partner(s), and which prefer to live alone?
How do each of the members deal with jealousy? How intense is the feeling?
How intense does each member feel compersion8 toward their partners and metamours?
Who has the strongest communication skills in the group? Who has the weakest?
Who does the most scheduling out of all the members?
How do they deal with feelings of loneliness if their partner(s) are spending time with their other partner(s)?
Does the polycule ever have get-togethers or dates where everyone is present? What are they like?
Of the members who live together, what are the household dynamics like? How do they split chores, manage finances, etc.?
Of the members who live together, do they all sleep in one bed too? All separate bedrooms? Something in-between?
What are their sexual dynamics like? Is group sex frequent, or is it purely one-on-one?
Do boundaries shift depending on which partners are involved in sex or romance?
What kind of boundaries exist outside of a romantic dynamic? Are friends-with-benefits considered metamours? Hook-ups?
Are any of the polycule members aromantic? How does that influence their relationship boundaries and their relationship to polyamory in general?
Are any of the polycule members asexual? How does that influence their relationship boundaries and their relationship to polyamory in general?
Do any of the polycule members consider their relationship(s) to be queerplatonic? How does that influence their relationship boundaries and their relationship to polyamory in general?
How have their members’ respective family relationships influenced their polyamorous dynamics?
Were any of the members raised in a polyamorous family?
Are any of the polycule members parents? How many kids do they have?
If there aren’t any kids yet, will there ever be?
How would the polycule deal with one member wanting kids, but another member never wanting kids?
If the relationship opened up after children were already in the picture, how was the change explained to them? Was it explained at all?
Do all members of the polycule raise children together, or are there designated “parent” members?
How does being in a polyamorous relationship influence how boundaries are taught to their kids?
How do the kids feel about their parent(s) being polyamorous? Are they supportive, indifferent, or actively opposed?
Have cultural dynamics played a part in how the polycule operates?
Are any of the members keeping their polyamory a secret? Why?
For mono-poly relationships, how does the monogamous partner see and experience their relationship with a polyamorous person? Their relationships with their metamours?
How did any monogamous partners deal with the idea of opening up a previously closed relationship? Was it a difficult change?
Did any monogamous partners discover they were polyamorous after the relationship opened up? How did they find out?
Do any monogamous partners still struggle to cope with polyamory? What gets them through the hard times?
Were any monogamous partners completely fine with polyamory from the beginning?
How do the polyamorous halves of the mono-poly relationships feel about dating a monogamous person? Is it a unique struggle or smooth sailing?
Do the mono-poly relationships have different boundaries than the poly-poly-poly-poly-etc. relationships?
How well do the metamours get along? Do they even know each other?
Do any of the metamours dislike each other? How does that impact their shared partner(s)?
Do any of the metamours hang out when their shared partner(s) aren’t around?
Do any of the metamours have specific dynamics and/or boundaries with each other? Why?
How do the members feel about marriage? Do they live in a society that recognizes polyamorous marriage at all? If marriage isn’t an option, what about legal protections?
What do any monogamous members think about their polyamorous partner potentially marrying someone else (either in addition to or instead of them)?
How does the polycule celebrate anniversaries?
How does the polycule celebrate birthdays?
If one of the members gets sick, who takes care of them? Is there a rotation of caretakers lining up, or designated partner(s)?
Has anyone experienced a particularly messy break-up while in the polycule? How did everyone handle it?
Which of the members, if any, would be happy in a monogamous relationship if having a polycule wasn’t possible? Would any rather be single than monogamous?
How insecure was each member when starting their polyamorous journey? In what ways?
How did each member overcome their insecurities about relationships? Have they at all?
Wild card! Ask anything you can imagine!
[1] Mono-poly: a relationship that contains both a monogamous and polyamorous person; the monogamous person is only dating one polyamorous partner, but that partner might have other partners in addition to their monogamous partner.
[2] Metamour: the members of a polycule who are dating the same person or people, but aren’t dating each other.
[3] Solo: presents to the world as single at first glance; may not want to live with any partner, or if they do, they may not choose to share finances or property.
Entwined: prefers relationships that are more entwined practically, financially, or both; values sharing living space, spending time in close proximity, sharing financial or household obligations, etc.; may see themselves as part of a unit, a single family that shares responsibilities together and approaches life together.
Definitions taken from “More Than Two” by Franklin Veaux and Eve Rickert
[4] Free Agent: values personal autonomy highly, places importance on the ability to make their own decisions, and presents to the world as able to act without requiring permission from others; places responsibility for decision-making, and for bearing the consequences, on each person individually.
Community Oriented: focuses on the interconnectedness of their relationships and their community; decisions are made with an eye toward how they might fit with the others.
Definitions taken from “More Than Two” by Franklin Veaux and Eve Rickert
[5] Hierarchical Polyamory: a kind of polyamory in which the members of the polycule are split into “primary” partners, “secondary” partners, “tertiary” partners, and so on. The higher “ranked” members are given more priority when it comes to spending time together, living arrangements, major life decisions, and overall have more control over the state of the polycule than the lower ranked members. This is in contrast to non-hierarchical polyamory, in which there is no ranking system, all relationships are treated with equal weight, and decisions are made as a group. There is no one proper way to practice polyamory, and both methods can be fulfilling for people who have different needs for their relationships.
[6] Unicorn: stereotypically, a young bisexual woman that is equally attracted to both primary members of a hierarchical polycule or a recently opened monogamous relationship, agrees to give both members equal attention, and agrees to have no additional partners. Referred to as “unicorns” because these strict requirements for a dynamic are basically impossible to find.
[7] Unicorn Hunter(s): stereotypically, the primary members of a hierarchical polycule or a recently opened monogamous relationship who relentlessly search for a “unicorn” to perfect their ideal polyamorous dynamic. Often have very strict requirements of their unicorn, which is why they’re constantly hunting for someone who can fulfill them.
[8] Compersion: the opposite of jealousy; the feeling of joy experienced when seeing your partner happy with their other partner(s).
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cosmic-nopedog · 1 year ago
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Follow up on the trauma ask thing just now
Does that mean you have lore planned for Mono? Have you gone as far as to design the human behind the avatar?
WELL YOU SEE you got it backwards
mono is based off the human version of my Minecraft oc fyrglass who is a piglin so the like flow chart goes a little like this:
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With some little In between version between fyrglass and federico but you get the gist
i will say mono is older than both fyrglass and federico so yeah
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bestonseal · 2 years ago
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