#Moira Queen

[dailydccomics]

the baptism of one Oliver Queen Green Arrow vol 4 #3

[jbuffyangel]

No Choice to Make: Arrow 2x07 Review (State v. Queen)

Is there anything better than Oliver saving Felicity? The correct answer is no.  Of course, my feminist side is screaming Felicity can take care of herself (and does in most circumstances), but my inner Gloria Steinem needs to zip it.  I want romance novel heroism and “State v. Queen” delivers on a swoon worthy level.

Let’s dig in…

Olicity

This is easily my favorite Oliver protecting Felicity moment because there are so many nuances in their two primary scenes. However, to understand those nuances we have to review a little background information.

The Count escaped from Iron Heights during the earthquake (and released the Dollmaker while he was at it). I love this explanation for returning villains because it makes total sense. Logic in Arrow is rare jewel – treasure the moment.

Moira's trial is under way, but Diggle is not feeling well. Oliver sends John home, but he collapses in the bunker.

Oliver: I heard you passed out.

Diggle: I told Felicity not to call you.

Felicity: Yeah, but before that you said ‘gaw’ and ‘thud’ so I didn’t take it very seriously.

Felicity has John's blood tested and there are trace amounts of Vertigo in his system. They try Oliver’s antidote, but it doesn’t work. Adam Donner, the lawyer prosecuting Moira, also collapses in court due to Vertigo poisoning. The Count kidnaps him and forces him to take the drug to alleviate the withdrawal symptoms. It’s broadcasted live, so everyone affected knows the only cure is Vertigo.

I feel I would make a pretty good drug lord after watching Breaking Bad, Power and Queen of the South. The key to success is return customers, so this is not a half bad plan. You have to admire the Count’s industriousness. Ghost and Walter White would definitely approve.

Oliver hoods up after Felicity tracks Adam Donner’s location through the city seal of the Starling Municipal Records Department, which is reflected in Donner’s eye. Ok, so science is not sciencing in this episode. Felicity is immediately concerned about Oliver.

Felicity: I know what you're thinking.

Oliver: No you don't. I made a choice not put an arrow in this guy and it was the right choice. There’s no more killing.

Felicity was concerned Oliver would regret allowing The Count to live, but it’s just the opposite. He’s doubling down on his vow to Tommy. Oliver is not a conflicted man. He knows he made the right call. That's called growth, my friends.

Felicity’s little assertive nod means she backs Oliver’s decision one hundred percent. In fact, I’m sure she had a whole speech prepared for why not killing The Count was the right thing to do. It’s not just Oliver who believes there is a better way – Felicity and Diggle believe it too. This is as much their mission as it is Oliver’s. They also made a vow to Tommy to do better.

Unfortunately, The Count has caught wind that The Arrow’s aim is not lethal these days. The Count holds his arms wide open – an easy shot – and taunts Oliver to kill him, while Donner is held hostage by a henchman. It’s always a bit of a pickle to determine how Oliver is going to get himself out of these situations without killing. I’m all in favor of the vow he made, but killing does have some practical applications.

Of course, Oliver always finds another way. He fires on some flammable canisters, which creates a fire in a drug factory – clearly against OSHA regulations. Oliver spins and throws a flechette into the henchman’s arm, so he drops Donner and they make their escape.

THIS SCENE IS EXTREMELY IMPORTANT. REMEMBER WHAT OLIVER DID.

Felicity and Diggle determine the common denominator between all those poisoned with Vertigo is a flu vaccine, but they need to be sure. Oliver is busy with his mother’s trial at the courthouse and Diggle can barely walk. Felicity decides recon is on her tonight and seeks out the vaccine distribution van.  Low and behold, there is an entire shelf of Vertigo in the van, but The Count catches Felicity as she snoops.

Oliver and Thea are waiting for their mother’s verdict, which could be coming at any moment, when he receives a call from Felicity. But it’s not Felicity. It’s The Count.

The Count: Oliver? Is it okay if I call you Oliver? Surprised to hear from me, right? Not as surprised as I was. You see, I find this… not unattractive blonde getting all up in my business. And what does she have on her?

Source:  laurelscanary 

Oliver can hear Felicity crying on the other line and closes his eyes in absolute horror when he realizes she’s being held hostage.

The Count: A Queen Consolidated ID badge. Now, I think to myself, why does that name ring a bell? Oliver Queen. He tried to buy off me last year just before the hood put me in a padded cell. Ipso facto, ARROW.

Source:  laurelscanary 

Oliver doesn’t bother to contain his rage and without a second thought leaves the courthouse. Thea calls after him, reminding him that the jury will have a verdict anytime. All Oliver can tell her is that something came up at the office, but he cannot hide shakiness in his voice.  Oliver is afraid.

Oliver arrives at Queen Consolidated, suit on but hood down. For practical purposes, he doesn’t need to conceal his identity from The Count because he already figured it out – something so many other characters have failed to do with much more information than he had.

But from a symbolical perspective, the hood down is crucially important. Oliver is not here as The Arrow. He is here as Oliver Queen. This is personal to him. So much of this series is about Oliver struggling to reconcile his two halves – the hood and the man, but Felicity is one of the few people who truly knows both sides. He doesn’t have to hide with her.

Oliver approaches very slowly. He recognizes The Count has the upper hand and he cannot afford any mistakes. Felicity is zip tied to a chair and The Count holds a gun on her while he strokes her ponytail. That action alone sends the creep factor sky high.

Source: @yet-i-remain-quiet

There is a sexual element to Felicity’s kidnapping. The Count referenced her attractiveness on the phone with Oliver. Now he’s stroking her ponytail. Oliver asks The Count what he wants and he responds, “World peace and personal satisfaction. Though not necessarily in that order.” He massages Felicity’s shoulders at “personal satisfaction” in the grossest way possible.

Source: @yet-i-remain-quiet

It’s a thinly veiled threat of sexual assault, which does not go unnoticed by Oliver.  There are few things worse than rape and it serves to amplify Felicity’s terror and Oliver’s powerlessness and rage. If the writers intended to keep Oliver and Felicity strictly platonic they would not introduce this terribly disturbing aspect into the scene.

The Count monologues for a bit longer and tells Oliver someone else hates him almost as much. This mysterious benefactor funded the Vertigo operation, so The Count could draw The Arrow out and kill him. (Spoiler alert: it was Blood).

The Count gets the drop on Oliver and fires off a couple rounds. It forces Oliver to run and dive behind a couch. It always surprised me The Count was able to get the upper hand in this moment, which points to Oliver’s fear for Felicity more than anything. He’s not thinking strategically when it’s her life in danger. He can’t.

The Count cuts the zip ties and grabs Felicity by the ponytail. He drags her to the spot where Oliver was hiding, ready to finish him off, but this time Oliver gets the drop on him. He points an arrow squarely at The Count’s chest, but he is using Felicity as a shield. The Count holds two syringes of Vertigo (a lethal dose) to Felicity’s neck. It’s important to remember Oliver’s antidote for Vertigo did not work on Diggle.

Source: @yet-i-remain-quiet

Don’t ever say to me Felicity Smoak is not a hero. She was willing to die to keep Oliver’s vow to Tommy. Felicity was ready to trade her life for Oliver’s soul. She believes in Oliver, and their mission, that much. What's madness is thinking Oliver would put the vow before her life.

The Count orders Oliver to lower his bow, which he does and tosses the arrow to the floor. Then we see him do something Oliver never does – he tries to negotiate.

Again, Oliver doesn’t bother to hide the fear in his voice which makes the negotiating sound a lot like begging.

The Count: Consider this your penalty for making me go to plan B in the first place.

The Count raises the syringes to Felicity’s neck and Oliver manages to pull not one, but three arrows in rapid succession - killing The Count. 

The look on Oliver’s face when he fires the arrows, tell me two things.  First, this kill is emotional. When Oliver shoots to kill he typically only needs one arrow. The Arrow never misses. Three arrows is excessive.  It is literally overkill which means one thing – pure rage.  

Second, the act is instinctual.  The rapid succession in which he fires the arrows shows there is something programmed deep in Oliver’s bones to protect Felicity. Her life was threatened and his body simply reacted.

Felicity drops to the floor and The Count crashes through the window. Oliver closes his eyes and exhales like he’s been holding his breath the entire time. I think it is part relief and part regret. He doesn’t regret killing that bastard, but regrets he couldn’t find another way this time.   

Or was there? Upon this rewatch I noticed a couple things. First, Laurel was held hostage by the Dollmaker and Oliver did not kill him. (Sara did the honors that time). But consider the scene with Donner. Oliver threw a flechette into the henchman’s hand to free Donner. The henchman let go of Donner as a reflex to the pain. Could Oliver attempt the same with Felicity? Would a flechette in The Count’s arm free her as well?

The point is we’ll never know. Oliver made a calculated risk at the municipal when he fired on the flammable liquid and injured, but didn’t kill, The Count’s henchman. Oliver was willing to take the risk when Donner and Laurel were involved, but not Felicity.

I’ve been watching a lot of Bridgerton, so the next scene screams romance novel to me.

Source: AARONSWARNER

Oliver makes his way to Felicity who remains crouched on the floor and crying.  He gets down on one knee and tenderly touches her shoulder.

Source: AARONSWARNER

Felicity immediately flinches in fear at his touch, so Oliver in a voice so soft it’s almost a whisper, gently reassures her. She finally looks up and sees Oliver staring back at her with concern and love. She exhales with relief.

Source: AARONSWARNER

The shock wears off quickly once she hears Oliver’s voice and feels his hand on her shoulder. Oliver’s first thought is for Felicity, but her first thought is for him. SHIP COUPLES WHO WORRY ABOUT EACH OTHER FOR CLEAR SKIN.

Source: AARONSWARNER

Oliver moves his uninjured arm from Felicity’s shoulder and cups her face. The man has an actual bullet in his shoulder, but can feel no pain because Felicity Smoak is alive and safe. She is all that matters to him.

Source: AARONSWARNER

These physical moments are no small thing. Oliver keeps an extremely rigged line with Felicity that he rarely crosses. Shoulder touches are the maximum physical contact he allows and even those are on rare occasion. But she almost died tonight, so Oliver allows himself to take it one step further and touches Felicity’s face.  Oliver’s whispered reassurances in his reserved-for-Felicity-only voice unveil the real intimacy between them. He comforts her. Not in the way Oliver would like, but in the way he can allow. The line is still there, but it’s blurred at the moment.

There is no moment which better encapsulates the two sides of Oliver Queen than this scene. One moment he is a rage filled killer and the next he is a soft spoken, loving and tender man. It is not an accident the two sides merge into one for her. Darkness and light working in perfect cohesion to be the hero Felicity Smoak needed.

Source: @laurelscanary

Oliver makes his way back to the courthouse. He is so visibly shaken that Thea asks Oliver if he’s okay. She touches his injured shoulder and Oliver flinches, but it’s not the bullet that’s bothering him. He came too close to losing Felicity. Way too close.

Source: @laurelscanary

Sadly, this somewhat reinforces what Oliver said to Felicity in 2x06. There is a direct correlation between proximity to Oliver and danger, so he thinks it’s better to remain emotionally unattached. In his mind, keeping Felicity at arm’s length means keeping her safe.

But there’s what Oliver says and what he feels. He can refuse to acknowledge or act upon his feelings for Felicity, but that does not eradicate them. If Oliver is truly worried about proximity then why does he allow Felicity to be part of the team? Two reasons, Oliver needs Felicity and firmly believes they can protect her. But this was a frightening close call and Oliver’s fear is stemming from a more than friendly place. Felicity Smoak has become too important to him and it is scaring the crap out of him.

Source: FERRISBUELLER

Oliver returns to the bunker after his mother’s verdict to check on Diggle and Felicity. The way he looks Felicity up and down y’all is… a lot. Queen Consolidated is formulating a non addictive antidote for the people with Vertigo poisoning. Moira is not guilty. All’s well that ends well, so Oliver tells Diggle and Felicity to go home and rest.

But Felicity needs to get something off her chest.

Felicity: Oliver, I uh…

The way this man spins at the sound of her voice like he's a golden retriever who saw a squirrel. He is so gone for this woman.

Felicity: I just wanted to say thank you.

Oliver: (nods) Yeah.

Source: laurelscanary

He truly cannot fathom what she is apologizing for and steps much closer than necessary.

Source: laurelscanary

It seems Felicity has inherited a little bit of Oliver’s guilt complex. YOU WERE KIDNAPPED MY PRECIOUS CUPCAKE!!!

Source: laurelscanary

HE. TAKES. HER. HAND. We had a shoulder touch, tender face caressing and now holding hands. At this point, this equivalent to first base for these two. MY BRAIN SHORT CIRCUITED.

Source: laurelscanary

Earlier in the episode, Oliver and Felicity discussed not killing The Count previously and how it was the right decision. Oliver’s certainty in the rightness of the decision solidifies his commitment to his vow to Tommy. It is not something Oliver is questioning or wavering on. 

But Oliver is not qualifying what happened to Felicity in those terms. This is not about right or wrong. In fact, it wasn’t a decision at all. Oliver was not calculating the risks. Oliver was not thinking about a vow, or honoring his best friend, or the mission. His only thought was Felicity and her safety. Oliver simply reacted. All he could see was Felicity. All he could feel was the unbridled rage that came from anyone threatening her life.  It is programmed deep into Oliver’s bones to protect Felicity. There is no rational thought when it comes to her.

Nor does he care if it was right or wrong now. Oliver is not Monday morning quarterbacking the situation. Someone raised a hand to her, so that person is dead. End of discussion.

There is a war happening between Oliver’s mind and his heart. Oliver was clearly thinking with his head when he told Felicity in 2x06 that he will not allow himself to love her. But this episode was a completely different story. Sometimes life and death circumstances bring a much needed moment of clarity. Oliver may believe he has a choice whether or not he loves Felicity, but his actions show his heart knows different. There is no choice to make.

Moira Queen

The trial is not going well, so Moira is forced to testify. Laurel is lead prosecutor now that Donner is infected with Vertigo.  "Conflict of Interest" is flashing in a neon sign. On any planet in the solar system, Laurel would recuse herself. THE INSANITY GIVES ME A MIGRAINE.

Laurel also decides she’d like to get disbarred and visits Moira in prison because they are “family." Yack. Give me a break. She doesn’t want Moira to take the stand because Laurel will have to prosecute her to the best of her ability and use their smoking gun. Sure, because now she cares about legal procedure.

So, Moira comes clean to Oliver and Thea and tells them she had a one night stand with Malcolm Merlyn while married to their father.  The kids are shocked to say the least. Oliver has a solid case of the yicks. Thea is more than a little angry since she accused her mother of having an affair with Merlyn last year. Moira assures Thea it was not an affair, so technically she didn’t lie. Moira should teach Professional Gaslighting 101.

Inexplicably, Moira is found not guilty. (In my notes: Hahaha suck it Laurel)

Even Oliver is wondering what the fuck just happened. Upon release from prison, Moira is driven to a secret location to meet up with none other than MALCOLM MERLYN. His explanation for being alive is basically, “I’m a super awesome actor and faked it.” Oliver – did you check his pulse? What happened to the body? Did we miss a step Team Arrow? CLEARLY WE DID.

Merlyn bought the jury and Moira’s freedom (Ummm thanks I guess?) so he can deliver the second bomb. He ran a DNA test and knows he’s Thea’s father. PLOT TWIST! Honestly, this makes a lot of sense. I wasn't that surprised. Thea looks more like Tommy than she does Oliver.

Wait, this means Thea kissed her brother. Are we just going to Star Wars this and never talk about it again? Works for me.

Stray Thoughts

Oh shut up Laurel. Quit your bitching - me every time she opens her mouth lately.

Ivo is looking for the hosen because it contains coordinates to a sub that sunk in WWII. Whatever is on the sub can save the world. Shado and Oliver hope it can save Slade, so Team Island is going on a submarine field trip!

Slade has burns on half his body and yet he can still move. The man is not human.

"I have this thing about needles, all pointy things, which is ironic given who we work for.” I just love her so much.

David Ramsey is so enormous he doesn’t fit on the table. The mind cannot conceive of all that muscle.

 “Mom secrets are what put you into this situation. Secrets and lies. And now is the time to give truth its day.” Oh the irony, Oliver.

Donner took drugs on live television. Re-election is going to be a real bitch for the DA.

I like the Thea’s boxing moment with Roy. Nice foreshadowing. Girl is going to have a lot of rage to work through.

Laurel did make a good point about Walter and Merlyn. See? I can be positive about her.

OLIVER. STOP. ASKING. LAUREL. IF. SHE. IS. OK. Her whole “how can you possibly forgive me” speech was also nauseating and not believable. I like her better drunk.

“I’m pretty sure they aren’t interested in Buddhism.” Slade is burned over half his body but he jokes.

30-30-175-12 I’m sure that has something to do with the comics but I don’t care.

Some guy named Cyrus survived Blood’s Frankenstein experiment. So that’s not good.

Listen to the Watchover podcast reaction to 2x07!!!

If you’d like to support the blog, please buy me a cup of tea!

Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!

[the-feral-gremlin]

[justletmeramble1701]

I'm rewatching Arrow (might turn into an Arrowverse rewatch depending on how much I hate myself) and, man, season one Oliver's story is really tragic from the perspective of the housekeeper (Raisa) or, really, just from the perspective of an onlooker.

This man spent 5 years in hell and his support system doesn't care! They are too caught up in themselves to notice that he's struggling (again, this is from the perspective of someone who doesn't know the secret). They literally give up on him after a week or two.

Everyone is expecting him to both be the spoiled rich kid that he was before he left and the perfect mature adult that they've created in their heads. This causes him to hide in the bratty persona to try to find some comfort (angering those around him), while anytime he tries to be mature, no one takes him seriously (leading to more anger at the "hypocrisy"). It is almost painful to see.

To be more specific: his mother is already trying to shove him into taking over the family business, a police detective who desperately wants to prove he's a monster so he can punish him, and an ex who wants to hate him while also being obsessed with him. The only one who is understandable is Thea, his little sister, who is on a downward spiral because she never got the help she needed after she lost her father and brother. It's understandable that the troubled 17 year old would be behaving like thus.

All this drives him into the arms of a mob boss's daughter, which also becomes a toxic relationship, because she is one of the few people who will empathize with him. If it wasn't for Tommy and his new body guard, he would have no support system.

This idea makes me want to see a fanfiction that is either from the perspective of an Oliver who is not the Hood (the Hood still exists, their just a different person) or from the perspective of an OC watching the Queen family drama during season 1. I would write it myself, but I don't think I could write in Oliver's head or know enough about mental health.

[kent-farm]

—Arrow, “Year’s End”

[schrijverr]

🌹"

Any wip really I like most the fandoms you write in but specially arrow wich I binged

I'm not sure I'll return to the Arrow fandom. It won't be soon, if I ever do, but I did start a WIP that I never finished, so I'm sharing that. Who knows if it'll ever become a complete fic that sees the light of day xp

Thank you so much for the ask! I hope you enjoy :D

~~

“What are you doing here?” he asks. He’d hoped his voice would come out cold, a threat back to tell Slade he isn’t just going to roll over. However, his voice sounds fragile, so very fragile and filled with an awe like hope.

Slade’s eyes widen slightly, before his brow furrows. He looks to be confused at the tone of voice, which Oliver gets. He didn’t intend to sound like that.

However, this is Slade. Slade who might be the only person alive, who understands what he’s been through on that island. The closest thing he has to someone who shares his experiences, who knows who he’s been forced to become, who is like him.

Sure, Sara gets it, but not entirely. She gets being turned into a monster, not wanting to come home, because who could love you after all you’ve done in the name of survival? But she doesn’t understand Lian Yu, she doesn’t fully grasp the kind of survival that place requires.

She’d only been there for a small bit of time, never had to make it through a winter with three people to feed and a limited amount of animals and plants. She didn’t huddle up with him alongside Shado in an attempt to keep all their toes, didn’t give Oliver the biggest piece of the rabbit while pretending she wasn’t, or keep him alive through the worst part of his life, later exploits be damned, those first two years were the worst. Those years forcefully reshaped him, so that taking on the rest was easier.

Slade made his life easier.

Now, he’s standing in front of Oliver again, miraculously returned – and he tries not to think too much of the miracle he knows enabled it – and yet he is a total stranger.

Instead of a friend, Slade is confused by the small bit of softness still left in Oliver that is happy to see him, despite what he has been doing in his city. Hell, he probably assumes its another one of Oliver’s lies, made to manipulate him, or whatever his brain concocted on the Amazo.

Moira thinks he’s being rude. She always thinks the worst of him these days. The son who she wished would return for her, only to return and be a bother instead of the unifier he used to be, the bridge between her and his father, keeping everything together.

She starts her sentence about a sizable donation to her campaign, before suddenly falling still and cutting herself off. Her voice is laced with confusion and distrust as she says: “Oliver, dear, why are you crying?”

It’s only then that Oliver even realizes he started crying, his hand still holding onto Slade’s. He should probably let go. Stop crying too while he is at it. Neither of those things happen. Letting go of Slade feels too final, too definitive.

He needs to say something, anything, to salvage this whole situation. The blurriness of the tears start to impede his vision, but it’s not sadness. A whirlwind of complex emotions are lodged in his chest and the only thing he can think of is that Slade hasn’t ripped his hand from Oliver’s either.

[reusedtvseriescostumes]

ThIs Black Dress is worn on Lucy Hale as Aria Montgomery in Pretty Little Liars: Of Late I Think Of Rosewood (2016) and seen on Susanna Thompson as Moira Queen in Arrow: Lian Yu (2017)

[sunset-nymph]

I think the problem with the Arrow is that almost all of the female characters are made to be hated.

[winnie-the-monster]

[ramavataramaart]

Sometimes I still think of Arrow and all its dead ladies that should have instead been at the club. Bottoms up for Moira (love thinking about AU versions of her, maybe even evil ones)

[arrow-v-flash-polls]

12 Years ago today Arrow first aired it's Pilot epiosde of what would be an 170 epiosde run in the us. Where you one of the millions who watched Arrow on the day it first aired or did you catch it after?

[wipbigbang]

WIP BIG BANG SIGN-UPS ARE LIVE!

The 2024 round of WIP Big Bang is now open for sign-ups! Any fandom is welcome, as long as the fic is 500 completed so far and will be at least 7,500 words upon its finishing. Signing up is easy: just fill out the form linked below after you read the FAQ and take a look at the schedule.

[jbuffyangel]

The Love We Deserve: Arrow 2x06 Review (Keep Your Enemies Closer)

This is the episode I knew the writers were going THERE with Olicity. I wasn’t sure about endgame. I certainly did not know how Oliver and Felicity’s story would unfold, but “Keep Your Enemies Closer” confirmed we were in this, fam. We were in this all the way.

2013 Jen's live reaction:

Let’s dig in…

Olicity

The first scene immediately sets up this juxtaposition between Felicity, Oliver and Isabel and it carries through the episode. It’s not a love triangle. Isabel doesn’t matter enough to warrant a point on a triangle, but they use her (quite effectively I might add) to show Oliver and Felicity are anything but “just friends.”

Isabel is bitching at Oliver for whatever-he-failed-to-do-this-week and Felicity is trying to get his attention for some arrow (Roy Harper) related business. Initially, she tries using “Mr. Queen” in a very boss/employee way, but ultimately is fed up with being ignored and yells “Oliver!”

Isabel barely tosses Felicity a glance, but Oliver ends the Co-CEO argument to leave with Felicity. Trust me when I say, Isabel clocks this decision.

Source: @okmcintyre

Oliver and Felicity join Diggle in his search for Lyla Michaels. She went to Russia to search for Deadshot and now she’s missing. Oliver uses a Queen Consolidated subsidiary in Moscow as their cover story and use of the company jet. Unfortunately, Isabel tags along. She believes Oliver is meeting with their overseas partners behind her back. Once she discovered Oliver didn’t have any meetings planned with their subsidiary in Moscow, her accusations shift to Felicity.

Oliver: I’m not this person you think I am.

Isabel: That depends.

Oliver: On what?

Isabel: On if I think you used the corporate jet for a weekend of fun with your assistant.

Oliver: Excuse me?

He does his very best to look incredulous at the idea of hooking up with Felicity while on a romantic weekend in Moscow. I really wouldn’t put Russia on my Top 10 list of romantic getaways. Tahiti made a lot more sense, but whatever. The point is – Oliver’s feathers are immediately ruffled. Did I see him blushing? Oliver lies all day every day both professionally and personally, but this line of questioning has him quite tongue tied.

Isabel: A blonde IT girl all of a sudden gets promoted to be assistant to the CEO? There are only two ways that happens. One is nepotism and she doesn’t look like your cousin.

Source: Paigeota

It absolutely should be happening, Oliver.

Isabel: What were her qualifications aside from an abundance of short skirts?

Source: Paigeota

This scene is incredibly important because A) it’s hilarious and B) this is the first time Arrow has addressed OUTLOUD Felicity Smoak as a love interest for Oliver Queen. Everything up until now has been gazing, fervent glances, shoulder touches, soft tones, sexual innuendo and the electric chemistry between Stephen Amell and Emily Bett Rickards. But Isabel puts her money on the table and flat out accuses Oliver of sleeping with Felicity.

We, the audience, know Oliver and Felicity are not having sex (much to our horror and disappointment), but Isabel presents the one question we’ve been dying to ask Oliver – does he WANT to sleep with Felicity? And his answer is… glorious.

First he laughs, uncomfortably, like this is the most INSANE line of questioning to ever take place. Keep in mind this man was tortured on Lian Yu for information about bombs, planes, the location of a Chinese archer and Japanese soldiers bones from WWII. But nope, Oliver is shocked – SHOCKED I TELL YOU – that anyone would ever think he’s having sex with Felicity. Methinks he doth protest too much.

But Oliver trips up at the mention of skirts. He stutters his way through defending Felicity. It is damn near gallant of him to argue they are an appropriate length. No ma'am, the skirts are not too short. Not for Oliver Queen!

We can chalk this up to Oliver being a flesh and blood heterosexual man. The day they stop looking is the day they die. But this is the first time anyone has asked Oliver if he is sexually attracted to Felicity. He blushes, laughs, protests and stammers his way through his answer like a 13 year old boy.

Also, it’s extremely important to remember one episode prior Oliver was rejecting Laurel Lance in her apartment hallway after she tried to kiss him - his primary female love interest. Then the very next episode, the writers are crafting a scene forcing Oliver to address a romantic relationship with Felicity.

Is it a funny scene? Yes, but the real win for Olicity shippers is the question is being ASKED. The answer is even better. Yes, Oliver has noticed the skirts and the spectacular legs that go with them. You don’t say that about a character who is going to remain a platonic, comic relief Girl Wednesday.

We are so far from done. Diggle infiltrates the Russian prison where Lyla is being held while Oliver and Felicity meet up with Anatoly to purchase a Russian police car as part of their escape plan. Felicity is extremely anxious about Diggle, so Oliver offers her some witty banter and a shoulder touch as reassurance.

When the Russians try to fleece Oliver he threatens to make their children orphans in Russian.

It’s all very Bratva Oliver and menacing, but with Felicity he makes a little joke and winks! One could say his demeanor is quite light hearted – dare I say flirting?

Source: Paigeota

Oliver returns to the hotel and has a drink with Isabel. Bizarrely, he brings up Felicity again – unprompted. He couldn’t wiggle out of this line of questioning fast enough and now he can’t stop bringing it up! Pick a lane, my dude.

Oliver: Does everyone really think that Felicity and I are…

EXPLAIN THE DOT DOT DOT OLIVER! LET'S BE SPECIFIC!

Isabel: No. Just everyone who works at Queen Consolidated.

My kingdom to hang out by the water cooler in that office.

More with the loud chuckling. Nothing to see here but friendship. Look at all the friendship. Hardy har har.

Isabel: You don’t seem like the kind of man who has female friends.

That’s the understatement of the century. Putting Oliver’s sexual partners aside for the moment - Felicity is in a unique position. Oliver doesn’t have a lot of friends let alone female friends. Felicity is also the only female in his life who knows he’s the Arrow. Has he told her everything about his past? No, but relax. We’re only on Season 2. 

Oliver has shared quite a lot with Felicity in a relatively short amount of time. He trusts her (as much as he's capable of) and Oliver does not trust easily. Felicity is the only woman Oliver can be completely and authentically himself with. This makes her more than unique – it makes Felicity special. I think Oliver understands that and he approaches their friendship with reverence. He toes a very strict line with Felicity – for a very good reason which he will reveal later on in the episode.

Isabel: Underneath that swagger, I see you pretty clearly. You’re intelligent, driven and lonely.

Isabel reveals she doesn’t buy Oliver’s bad boy routine and instead believes she shares a lot in common with him. We can take this conversation one of two ways – 1) two people connecting over vodka and a shared ability to speak Russian or 2) Oliver is working Isabel to keep the real reason for this trip a secret. Bonus? He gets laid in the process.

Clearly, I’m going with option 2. He feeds her a line about loneliness in Russian and Isabel practically races Oliver back to the hotel room.

Mercifully, we don’t have to watch them have sex. Oliver is pressed for time because they need to save Diggle, but Isabel is fine with the wham bam thank you ma'am. Oliver thinks he left enough time, but as he opens the door to his hotel there stands Felicity just about to knock.

Oliver left Isabel undressed and in his bed, but the woman finds her clothes with lightning speed when she hears Felicity at the door and purposefully makes her exit then.

If Isabel bought Oliver’s “we’re just friends” speech then doing this would not be necessary. Isabel wants Felicity to know they slept together. Regardless of what people at Queen Consolidated think, Isabel knows there’s more going on between them than Oliver will admit. She wants to hurt Felicity. Isabel is marking her territory and I would encourage you to listen to Stephen Amell’s thoughts on why. #Cosigned.

However, this is NOT information Oliver wants Felicity to know. He is so embarrassed he can’t even look at Felicity as Isabel walks out the door.

Felicity is stunned. She’s actually speechless. Oliver tries to offer up some feeble explanation, but he doesn’t get very far. 

Felicity immediately makes a joke to alleviate the tension, but as she turns we can see her hurt and anger.

She cannot fathom a reason why Oliver would sleep with this woman. Whether or not Oliver heard Felicity’s remarks – he grimaces because he knows he screwed up. BIG TIME. It is so awkward and painful.

But again, the viewers must ask a fundamental question – why is this scene being written like Felicity caught Oliver cheating on her? Oliver is single. Isabel is single. Felicity is single. Nobody is dating anybody. And yet, the Arrow writers make it clear Felicity is hurt by this encounter – like she’s been betrayed.

As for Oliver, he absolutely did NOT want Felicity to know he slept with Isabel. He knows it will hurt her. This shows Oliver is somewhat aware Felicity has feelings for him. Congratulations, Oliver you’re not a total pine tree.

What’s more telling is Oliver’s reaction. He acts like Felicity caught him doing something wrong. If he didn’t return Felicity’s feelings then her opinion wouldn’t really matter. It’s never stopped him from dating or sleeping with other women before. And this is just a one night stand. Not even – it was a quickie. But Oliver is ashamed. This makes him look bad. Generally speaking, when you have romantic feelings for someone you don’t want that person to see you hooking up with someone else. It sends a very mixed message.

THIS IS NOT HOW YOU WRITE A PLATONIC COUPLE!!!

Felicity Smoak wears her heart on her sleeve. She can’t let it go. It’s not just that Oliver slept with someone. It’s that he slept with ISABEL. The woman who is trying to steal his company. Her bitchiness is embedded in her DNA, so Felicity’s work environment probably less than fun. Felicity cannot stand Isabel and Oliver slept with her. HER. 

Felicity: Over 64 million women over the age of consent in Russia and you sleep with her.

But this time it is Oliver’s turn to make a joke to deflect. The entire vibe is couple’s fight.

Source: Paigeota

But Felicity is not joking when they get home and she’s tired of the mixed messages. So ask the question point blank. God bless her. No sexual innuendos, stammers, deflections, furtive glances or unspoken truths.

 Source: Paigeota

Oliver’s initial response is kind of flippant to be honest.

 Source: Paigeota

He gives Felicity a very generic “It just happened,” which is the exact non-explanation cheaters use. Sex doesn’t “just happen.” It’s a decision. Oliver made a choice and Felicity is trying to understand why because maybe if she understands then it will hurt less. Even worse, he says it didn’t mean anything. The problem is it meant something to Felicity. Take it away Willow Rosenberg.

Xander: We were just kissing. It doesn't mean that much.

Willow: No. It just means you'd rather be with someone you hate, than be with me. - BTVS "Innocence"

Truly one of the most devastating lines in television history delivered by an equally heart wrenching performance by Alyson Hannigan. What Felicity is truly asking Oliver is not, “Why her?” but rather, “Why not me?”

Felicity’s disappointment in Oliver’s response is palpable and feels very similar to their scene in 1x12 when she asked Oliver if she could trust him. She didn’t want a flip answer then and she doesn’t want one now.

Source: Paigeota

Oliver lowers his voice into his gentle Felicity tone and says, “Hey,” so she’ll look at him again. The real intimacy between them is revealed in a single word. He cannot wiggle out of this, so Oliver is approaching her question, and pain, with the reverence she deserves. Felicity closes her eyes for a moment before she meets Oliver’s gaze again, like she’s steeling herself against whatever explanation is coming next. This time the answer will be honest, but it will hurt more.

Source: Paigeota

Oliver speaks hypothetically of course, in an attempt to discuss what he feels for Felicity without really discussing it. It keeps their friendship in this little protective bubble as Oliver takes an infinitesimally small step over the strict line he has drawn between them. Oliver feels life as The Arrow, and his proximity to danger, prevents him being in a loving relationship. He slept with Isobel because he doesn’t care about her. Oliver won’t be with Felicity because he does care about her.

What is MONUMENTALLY IMPORTANT about this scene is Oliver acknowledges the elephant in the room for the very first time. He feels more than friendship for Felicity.  Does Oliver Queen love Felicity Smoak? Yes. Is he ready to admit that to himself - let alone to her? No. Oliver believes his love endangers Felicity. He cannot lose her, so he will not allow himself to love her. As frustrating as Oliver’s answer is it’s not difficult to understand why he feels this way - especially after losing Tommy.

Felicity gives a little nod like this was the explanation she expected, but still needed to hear. Despite the hypothetical, they both know Oliver is speaking about her. Rather than a meaningful relationship, Oliver has resigned himself to a life of loneliness. He may have hook ups and one night stands to fill his bed and relieve an urge, but he withholds access to his heart. This is not just about Oliver’s refusal to truly love someone. It’s also about his refusal to allow anyone to love him in return.

He's taken bullets that hurt less than this.

In the end, it’s Felicity’s response that truly packs the emotional punch. She believes Oliver deserves better, regardless of his way of life. He deserves more than empty affairs and lonely, dark and violent nights.

There is so much this man cannot forgive himself for and the guilt is overwhelming. Oliver believes he has no right to happiness. Loneliness is his penance.  When all you experience is pain and loss it can be difficult to imagine a life without it.

"We accept the love we think we deserve." - Perks of Being a Wallflower

Oliver hurt Felicity deeply by sleeping with Isabel.  They both know it. He continues to hurt her by drawing this line in the sand between them. Yet, in the face of that pain, Felicity dreams a life for Oliver that’s more than the one he’s resigned himself to. It is forgiveness, compassion and unconditional love in action. He does not feel worthy of Felicity Smoak, but those are the lies Oliver’s guilt tells him. She knows the truth.

Source: Paigeota

The stunned look on his face says it all - no one has ever told Oliver Queen he deserves to be loved. 

John Diggle

Contrary to the previous six pages, this is actually a John Diggle focused episode. And boy, does he drop a bomb on Oliver and Felicity.

Oliver didn’t immediately recognize Lyla’s name, which is fine because I don’t think they’ve shared a scene. Felicity reminds him Lyla is John’s ARGUS girlfriend and I had whiplash at that status update. Girlfriend? When did we get to girlfriend? I feel more comfortable with super spy sexy time friend.

Diggle lowers the boom. Lyla Michaels is his ex-wife. SAY WHAT??!

Felicity: Explain that sentence.

Honestly, how do Oliver and Felicity not know this yet? What do they talk about in the bunker? It can’t always be about crimes and arrows. Sharing is caring OTA – embrace it.

Diggle: We couldn’t figure out how to stay married without a war to fight.

Diggle and Lyla were married while on tour in Afghanistan, but divorced shortly after returning home. Lyla joined ARGUS and Diggle went back for another tour.

Diggle and Oliver hook up with Anatoly (!!!) and he informs them Lyla was trying to break into the worst prison in Russia on a tip that Deadshot was being held there. Unfortunately, she was captured. It hasn’t been a pleasant stay given how battered Lyla is looking.

The only way in Gulag is to be a prisoner, so Diggle volunteers. Oliver balks at that, but Diggle needs him on the outside make the moves necessary for an escape. Also, Lyla is Diggle’s woman and he's going to save her, damn it. SWOON. Find you a man with a hero's complex. They make divine husbands. I speak from experience.

Anatoly provides enough drugs to land Diggle in prison for 400 years. Oliver and Felicity are nervous about this plan. In one of the sweetest moments between Diggle and Felicity, she gently kisses him on the cheek and wraps his scarf around his neck. It’s a good luck kiss, but everyone is clearly worried it’s a goodbye.

Of course, once John is inside he runs right into Deadshot. He sure is easy to find for a globetrotting criminal mastermind. Deadshot knows where Lyla is being held and wants in on the escape plan in exchange for her location. After Deadshot kills Anatoly’s guard, John has no choice but to team up with him.

Lyla: You came for me.

Diggle: I always have and I always will.

This is what stellar ships are made of folks. This is the content we're here for.

Of course, Oliver and Felicity rescue Diggle, Lyla and Deadshot, but the pinnacle of the episode for John is when they dump Deadshot on the side of the road. They’ll help him get out of prison, but not out of the country. John holds a gun on him – ready to pull the trigger to avenge his brother’s death, but he can’t do it.

Deadshot: That’s the thing about honor, John. You can’t turn it on and off.

What a great line! I love that line!!! It’s so fully encapsulates John Diggle’s character. I’m sorry I know he’s a killer, but between Deadshot bringing Olicity together with the ridden computer and this moment with John– I’m really starting to like this guy.

Deadshot offers John some additional information about his brother’s death. A thank you for not killing him I guess. He asks John how he thought Andy was killed.

Diggle: You shot at a client that Andy was protecting and you missed.

Deadshot: I don’t miss. Your brother was the contract.

Diggle: Who would want to kill Andy?

Deadshot: I don’t know their names, just an alias. H.I.V.E.

The plot thickens! I’m sure all the comic fans were excited about the introduction of H.I.V.E. I was clueless, but with a quick Google you’ll discover H.I.V.E is a terrorist organization. So, this means one of two things, John’s brother was an honorable man who ticked off a terrorist organization or Andy was not as honorable as his brother and ticked off a terrorist organization. This adds a layer of complexity the Diggle vs. Deadshot storyline desperately needed. It was running a little stale.

Diggle: You know me and Carly broke up because I couldn’t love her and hate him at the same time.

Lyla: I’m honored to be the exception.

Diggle: Lyla, you were always the exception.

Ok, I’m onboard the SS Dyla. Let’s get remarried. I’m ready.  

We go from the Dyla love scene directly to Olicity’s final scene in the office. This is not a mistake. John guides Oliver on his path. This also includes his romantic life and one of the ways Diggle guides Oliver is by example. Dyla always points the way.

Stray Thoughts

This is the first episode we meet Amanda Waller. She’s loyal to Lyla Michaels and knows about Oliver and Diggle’s vigilante operation, so she’s arriving on the scene as a fully formed bad ass.  

Diggle refused Anatoly’s vodka. Based on the look Oliver gave him I’m guessing that was a very bad idea. Drink the vodka, John.

“I wouldn’t mind a drink.” I mean honestly the boys could be so sexist sometimes. Felicity likes booze too!

“I will take care of her.” Snort. Yeah, I’ll bet Oliver.

Isobel immediately jumps to the conclusion that Felicity is sleeping her way up to the top. Way to be supportive of your fellow female coworkers and fighting that glass ceiling together, Isobel. This just makes her more evil in my opinion.

Sara left town. That’s fine I need a break from the Lance drama.

Quentin lets Roy go because he's working with the Arrow too, so I'm counting Lance as part of the team.

No Laurel. Hallelujah. Did you even notice she was gone? Nope. This character lifts right out.

There’s this whole weird subplot where Moira’s lawyer wants Thea to dump Roy because he’s a felon and it makes Moira look bad. Sure, Roy Harper is the problem. Not the 500 people who died. Even Moira thinks this plot line is ridiculously stupid and gets these crazy kids back together. Can we be done with the Theroy breakups? I’m tired. Find these two an actual storyline.

Slade: I will not be the reason something happens to you.

Shado: When I care about someone there's nothing I won't do for them.

Slade is in rough freaking shape after being burned over half his body, but he gets snuggle time with Shado so it isn’t all bad.

Never trust a Russian woman. Has Oliver ever seen a movie?

Flashback Sara betrays Oliver and gives Ivo the location of Slade, Shado and the soldier bones. Let's go with Stockholm syndrome to explain this insanity. Or she's just completely terrified of Ivo. Either works. But still - dick move Sara.

Why does David Ramsey wear shirts? It’s really a crime against humanity.

Listen to the Watchover podcast reaction to 2x06!!!

If you’d like to support the blog, please buy me a cup of tea!

Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!

[the-feral-gremlin]

“You’re the best of us, Thea.”

Stop me by Natalia Kills// quote from the tv show You // 2x??// The Lover by Marguerite Duras // Bruno is Orange by Hop Along//arrow 1x23// tiktok comment//tags (and post) by @marypsue // arrow 3x14 // fatima asghar.

[bestmothertournament]

[schrijverr]

Tomorrow Will Be Different 22

Chapter 22 out of 26

Instead of managing to meet up later, Oliver has to keep running with Akio. The only way to keep them safe is to go public with Oliver being alive, leaving him back home in charge of Akio, while Tatsu and Maseo are still in the wind

In this chapter, Oliver, Diggle, Tatsu and Maseo have to deal with A.R.G.U.S. and America bureaucracy, before they can go to the Queen Mansion.

On AO3.

Ships: tatsu x maseo

Warnings: none

~~~

Chapter 22: Testimonies and Debriefs

In Washington DC two cars are waiting for them. Since Diggle and Oliver are off the record, they’re not allowed to accompany Tatsu and Maseo to the government building where they have to testify against Shrieve.

The only reason Oliver lets them out of sight, is because Lyla will be with them and she promises they can call Akio in the car. If they’re letting their arrival out of containment, they can’t make a disappearance permanent without raising red flags.

Still, the hours they have to wait are torture. The first two hours are filled with Diggle and Oliver giving a mission reports of went down in Japan, but after that it’s just waiting.

After an hour or so of just him and Diggle in a waiting room, an A.R.G.U.S. agent comes to bring them the stuff they left behind on the plane. Diggle goes to call Carly and Andy Jr., while Oliver cringes as he looks down at all the missed messages from his mom, sister and Akio.

Maybe he should’ve said goodbye, but in the moment, it seemed like too much to handle. Now reaching out seems like a lot to handle too.

In Osaka he was confronted once more with how different he is now. During the debrief he mentioned the explosion and they confirmed that 15 bodies were recovered. He didn’t feel a thing about that then, and he doesn’t now. That probably makes him a bad person.

It’s not like he completely minds being a bad person; being a bad person has kept him alive for the past three years, has ensured Tatsu and Maseo are now here to reunite with Akio. A lot of bad people accomplish good things. Like Amanda Waller.

However, being around bad people can make you a bad person, again see what Amanda did with him. He doesn’t want to make those around him a bad person too.

He won’t be around Akio for long enough to influence him, but what about mom, Speedy, Tommy, Raisa, hell, even Laurel or Diggle, maybe Felicity. He’ll be around them for long enough. He can’t hide these parts for forever.

Those years are a permanent part of him. They’re lodged deep inside his soul and still haunt him every day.

Oliver can’t just stop scanning every crowd for potential threats, mapping the best exit routes and cataloging all potential weapons. Can’t stop seeing violence as a posssible answer to solve his problems.

If he has to repress that for the rest of time, he’ll probably explode.

However, running away from home also isn’t the answer. Looking through the frantic messages from his family tells him that much. He doesn’t want to hurt them like that, even if it is to protect them from himself. That will be backup plan Z, not sooner.

Perhaps if Diggle stays, he can convince him to spar with him. Take a beating and give one to get it out of his system.

In that moment, the revelation from the shower returns to him. That he’d like to do something good anonymously. His father’s notebook is still in his pocket and he has everything else from the island too, which was among the gear Lyla got him. He can use the bow and the hood to work down the list and right his father’s wrongs, detox the city from its poison.

The idea is very appealing and he mentally starts working out the details, the process keeping his mind busy enough that all the messages aren’t so overwhelming anymore.

He calls Akio first. The kid picks up in seconds, excitedly saying: “Oliver! You got them! Otōsan and Okāsan called, they are going to be here soon.”

“They are, buddy. You’re going to see them real soon,” he says, smiling at the excitement in Akio’s voice.

“Thank you. I knew you would get them. You always keep your promises.”

Oliver knows that isn’t true, that he promised Slade he’d help him get off the Lian Yu, Yao Fei that he’d keep his daughter safe, Sara that she’d make it home. However, when Akio says it, he can almost believe it. “Yeah, I try.”

“Are you going to be here soon?” Akio asks.

“I don’t know. Your mom and dad are answering some questions, but it might take a while. The second they’re done, we’re coming home, though.”

“And that will be soon?”

Oliver isn’t sure what to answer to that. He has no clue how long Tatsu and Maseo will be held until it’s all cleared up. With American bureaucracy, it can take hours, days, or months, even years. The only confidence he has that it will be today is that they’re in the waiting room, but for all he knows they’re waiting to get put in a hotel or something.

“Oliver?” Akio prompts, a small frown audible at the lack of response.

He is saved by an unlikely hero; his mom. He can hear her in the background of the call asking: “Is it your parents again, Akio? Did they say where Oliver is?”

“No, it is Oliver,” Akio answers.

Moira gasps and her heels click quickly over the hardwood floors. “Can I speak to him for a moment?”

“Yes, you can,” Akio says, his voice further from the receiver.

“Oliver?” his mom sounds a lot like when he called her after those three years and guilt churns in his gut at that.

“Hi, mom,” he greets softly. “I’m so sorry for disappearing like that.”

“Oh thank God. You have no idea how worried I was. Never do that again.”

“I won’t, I won’t,” Oliver promises, vowing to himself to keep it. He never wants to make the life of his loved ones more difficult.

In the background, he can hear Akio ask: “Can you ask him when he will be home?”

“Of course,” Moira directs to him, before repeating to Oliver: “When will you be back? Akio’s parents said they’re in Washington DC. Are you there too?”

“Yeah, yeah, I’m here. I can’t say much yet, but Tatsu and Maseo need to give their side of the story, you know, what happened between me leaving and- and nearly everyone dying,” he doesn’t have to fake how his voice turns a little strangled at the end, remembering how none of the prisoners of Ivo’s ship, bar Anatoli maybe, made it out of there. He was responsible for that and he feels that weight every day.

“Oh my poor boy, that- that must be so hard,” Moira says sympathetically.

“Only Tatsu and Maseo lived,” Oliver gasps, tears welling up as the cover story and memories run together in his mind.

His mom doesn’t know what to say to that and Oliver can’t blame her. The things he’s seen are beyond the norm. Some days he barely knows how to live with it, how to conceptualize it all, so how would anyone who didn’t live it know what to say?

“I’m sorry,” he says, because apologizing for his outburst is easier than letting it be real. He clears his throat. “Uhm, I don’t know how long we’re going to be, but they haven’t put us up in a hotel, so it should be today.”

“We’ll be waiting up for you,” Moira promises and the words settle something warm inside him. It has been so long since he had some place to return home to, people who’d miss him. The concept is still weird, but in a good way.

“Thank you,” Oliver smiles. “Can you give the phone to Akio so I can say goodbye?”

“Yes, yes, of course,” his mom’s voice still sounds strange at his concern for Akio. Oliver thinks she’s never going to get used to who is now. Maybe with time. He hopes so.

Akio gets the phone and says: “Moira says we are waiting up, does that mean you will be home tonight?”

“I’ll try to be. Might get late, but I’ll wake you when we get there,” Oliver says.

“Good, I missed you.”

It does a lot of things to Oliver’s heart that Akio means him too, not just his parents. That Oliver is important enough to him to be missed. Fuck, it’s going to hurt to let him go, no matter how good a hands he’ll leave him in and how much more Tatsu and Maseo deserve to fulfill the role he has these past few weeks.

But he can’t verbalize any of that, doesn’t want to put that on Akio’s shoulder. So he smiles, because you can always hear a smile, and ignores his wet eyes as he whispers: “I missed you too, buddy.”

He contemplates calling Thea too, but she’ll probably hear from his mom and Akio and he doesn’t have the energy to have another one of those calls. So he snaps a picture of himself, carefully making sure the backdrop reveals nothing and there’s no left over grime on his face. He captures it: alive, then presses send.

Diggle is still off having his own conversation. He’s probably more used to talking to family than Oliver is and the conversation is easier to maintain.

Unsure of what else to do, he dials the same number he did yesterday. Within seconds, he is greeted with: “Hello? This is Felicity Smoak, Queen Consolidated I.T. department.”

“I made your deadline. Back in the States, even called my mom,” Oliver informs her.

Felicity obviously isn’t expecting him to call, because she takes a few moments to process before replying. “Oh, Mr. Queen. Of course. Hi, yes. It’s good to hear from you. Not because I expected to hear from you, I’m not your girlfriend or something. Not that it’d a hardship to be your girlfriend, I’m just not your girlfriend. I didn’t mean to imply anything with that. I know I’m not your type- I mean, I don’t expect you to want to sleep with me. I mean, you do have a reputation, but I didn’t mean anything like that with it. Anyway, my mouth is running off, so I am going to stop now.”

She takes a deep breath, then starts over: “I meant to say: I’m glad you called, because I have been worried after what you had me do yesterday and I know you mom was too, so it’s good to hear that you’re safe.”

Oliver can’t help but huff out a short breath of laughter, which isn’t helped by Felicity’s soft muttered: “G-d, can’t go a day without humiliating myself.”

He decides to let her have most of her dignity and doesn’t respond to ninety percent of what she has said. “Truly, Oliver is fine. And I appreciate your concern. I’m all good.”

“That is good to hear.” Felicity sounds relieved that he doesn’t mention anything else from her ramble. She gathers herself and asks: “Was that all or can I help you with something else, Oliver.”

She’s testing out how his name sounds on her lips and he smiles involuntarily. Felicity truly is just a bright person, he’s drawn to her. However, it’s dangerous to let himself form attachments to anyone, especially people without his darkness. So he just says: “That was all, Felicity,” before saying his goodbyes and hanging up.

Diggle returns shortly after and the two resume their waiting. It’s not until three hours later, so six total, that Tatsu and Maseo enter accompanied by Amanda.

Oliver rises immediately when she enters, not out of any respect, but his instinct screaming not to be caught unawares by a predator. “Amanda, good to see you free,” he grins cockily, trying to cover that reaction to her.

Amanda gives him a mild smile, before greeting in turn: “Mr. Queen, good to have you back for another mission.”

“Mission is over, got debriefed and everything,” Oliver replies sharply, not giving her a second to think he’s actually back.

“Yes, I assume you will want to return home accompanied by Mr. and Mrs. Yamashiro.”

Suspicion creeps up Oliver’s spine as he returns: “Yes, will that be a problem, Director Waller?”

“No,” Amanda says, smiling sharply since she knows she got on his nerves, that she still has that effect on him. “Mr. Yamashiro has officially earned his release from A.R.G.U.S. service with his testimony. They’re free to return to the public. We’ll release a statement about their survival tomorrow morning.”

“That is good to hear,” Oliver smiles. “Would it be too much to ask for transport home. You did kind of summon us away from it on short notice.”

While Amanda is still smiling politely, it is clear that she isn’t amused. She never is and Oliver doubts that’ll ever change. “Agent Micheals will have to return to Starling to finish her charade there. You can drive with her.”

“Thank you, I would say till next time, but let’s not and say we did,” Oliver says, before walking out of there, the others at his heels.

Once they’re over the threshold, Maseo leans in and says: “You can at least try to be polite to her, so we stay out of trouble.”

“You know me, Maseo. I’m never out of trouble,” Oliver grins, feeling too light and happy to care about all that right now.

“Let him have his fun, Waller is no longer our problem now,” Tatsu says, surprising Oliver, since she has never backed him up a day in her life. “Tell us more about how Akio is doing.”

“Well, you’ll loathe to hear that I’ve turned him into a spoiled American,” Oliver jokes. “I taught him to forget how to do his laundry and got him hooked on cheeseburgers.”

Now Tatsu is glaring at him. Oliver is almost entirely sure she doesn’t mean it, but not entirely. She never fully liked him and she might believe him. So to be sure, he quickly adds: “I’m joking. Well, about the laundry part. I did feed him cheeseburgers, but also veggies, I swear.”

At that Tatsu allows a bit of a smile to appear on her face and Oliver is now sure she was playing with him. He glares back, but knows it doesn’t have the same impact as hers. His glare can be intimidating, she just knows him too well to feel it.

The three of them are crammed in the backseat (not literally, the A.R.G.U.S. car is quite spacious), while Diggle takes up the front seat next to Lyla.

Tatsu and Maseo talk a little about how their weeks of hiding have been and how they ended up on that Yakuza ship. However, it’s mostly Oliver, who tells them all about what he and Akio have been up to, making sure to not leave anything out. These are his parents, they need to know what their child has been through, so they can support him.

Diggle pipes up sometimes, adding his own anecdotes or insights, but remains quiet mostly. Oliver is grateful for him, the man has a higher regard for his time as Akio’s guardian than Oliver has of himself.

When they arrive at the mansion, Oliver leans over to Diggle and asks: “Is this delivery also your resignation?”

“I’ll be here tomorrow morning, sir,” Diggle smiles and Oliver can’t help but smile back.

“Good, see you then,” Oliver says, glad Diggle is still on his side. Then he says his goodbyes to Diggle and Lyla, making sure to give the latter his thanks for her help.

He gets out of the car and sees Tatsu and Maseo stare at the mansion. It’s his childhood home, so he sometimes forgets it can be a lot to some. Cautiously, he asks: “Are you good?”

“That is a big house,” Maseo says.

“I get now why you did not know how to do your laundry,” Tatsu comments.

Oliver laughs, but before he can reply, the door is swung open. The other must have been looking out the window to wait for the car. Lit from the back stands Akio, face bright with a big smile as he exclaims: “Otōsan! Okāsan!”