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#Model A Ford
lackadaisycats · 1 year
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Could 1920s cars go as fast as showed in the pilot?
Also you deserve every amount of positive feedback and publicity you got for all the hard and vigorous amount of work you did, and your effort shows immensely
Thank you! For the vehicles, well, it'd be hard to put a pin on exactly how fast they were going, but those particular models could get a move on, relatively speaking. We definitely treated them as more nimble than they actually were, though.
The Lackadaisy trio's Fordor is based on the 1928 Ford Model A. It's a bit of an anachronism, but only by a few months, as the car debuted in December of '27. The model had a 4 cylinder engine like the Model T, but saw a significant upgrade in horsepower from its predecessor. They were known to top out at about 65 mph.
The Marigold vehicle is based on the 1927 Cadillac Series 314A, with an 8 cylinder engine and more than twice the hp of the Ford. I've seen classic car aficionados saying they've been able to get them up to about 80 mph.
Possibly also of note is that gangs trafficking alcohol in that era were pretty well known for souping up their vehicles for speed. They would armor them too, to try to minimize bullet penetration.
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retropopcult · 11 months
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"Student's car in front of University Club on K Street N.W." Photographed 1942 in Washington D.C. by John Ferrell for the Office of War Information.
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mcwsmith73 · 6 months
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automotiveamerican · 1 year
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 1930 Ford Model A Coupe "Used By John Dillinger Auctioned
This car was used by John Dillinger, Hommer Van Meter and John Hamilton to get away from Melvin Purvis and 17 other FBI agents that were sent to Little Bohemia, WI on April 22, 1934 to take John Dillinger, dead or alive, by President Roosevelt and J. Edgar Hoover. This was the largest crack down in all of FBI history and most famous incident, it was reported in newspapers all over the U.S. and in…
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fxdltc88 · 10 months
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oobbbear · 9 days
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Mandatory fiddleford posting of the day
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myfavoritetoycars · 8 months
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cherocarofficial · 9 months
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1978 Ford F150 4X4 Short Bed
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mrgaretcarter · 1 year
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Ted and Keeley similarities
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steven-myself · 6 months
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the higher the hair, the closer to God - Hamidou Banor by Baldovino Barani x FACTORY Fanzine
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typing-catastrophe · 8 days
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could you write a stanford pines x reader headcanon where the reader is an artist and always draws him and draws in his journals when he isnt looking? maybe he talks to the reader about the drawings and they get really flustered i dunno!!! <3
oohhh! yeesss, that's a great idea! thank you anon ^^ hope this is okay, enjoy!
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Your little habit started out even before Stanford came back. Dipper saw you sketching in your notebook from time to time, and asked you to draw something for him in the journal. He handed it to you and pointed next to a text he'd written about some anomaly (maybe a Manotaur or the Pterodactyl). First you were unsure, how would you feel if someone randomly decided to draw in your sketchbook? But it actually seemed really fun, an you didn't want to disappoint Dipper. Also it was in the spirit of research and preserving observations. And honestly, what were the odds the mysterious author would ever show up again?
With that attitude you began, whenever you got the chance to, to doodle yours and the twins encounters with the countless strange phenomena in gravity falls into the journal.
Well, oops? Seemed like the universe decided that not long after you started doing so, it was the right time for the author to come back.
It wasn't a big deal really, Dipper kept the journal for most of the time and Ford told him that he liked the additions he made. You weren't sure if he only meant the notes Dipper added, or if he even knew that someone else drew the newly added creatures.
It didn't take long for you and Ford to get to know each other better and spend more time together. Literally everything about him was just so fascinating. From the way he talked about his dimensional travels, anomaly hunts and research, his interest in a shared hobby of yours (dd&md), to the way he held himself. And, even if you were a bit embarrassed to admit it, his looks.
You couldn't help it, he was captivating. So to no surprise, one day you found yourself sitting the shack's porch, looking over at Ford standing in the yard, working away at something that was too bulky for the basement. You didn't even realise what you were doing, until something startled you out of your thoughts and you looked down at your sketchbook, seeing a familiar figure on the open page.
And then it happened again, in the lab. He was explaining away, deeply invested in whatever topic he was rambling about, not really taking in his surroundings. You had started out just sketching his study, but somehow he turned out to be the main focus of it.
One evening you found yourself in the living room of the shack. Ford was sitting on the floor, which was almost entirely covered in graph paper. You had joined him while he prepared the next campaign session, the tv quietly proving some background noise. While he was franticly scribbling away sheet after sheet, you propped open your notebook and began sketching some of the characters that came to your mind. Ford's, Dipper's and your characters and some npcs you encountered on your travels. But looming over all of them, half hidden behind the dm-screen, the scheming face of the man before you took his shape.
The end of the evening was rather blurry, you remembered falling asleep on the floor and being carried to bed, half asleep in someone's arms.
"hmm thank you", is all you could mumble when you felt the soft pillow under your head.
"No problem, dear", you heard a deep voice chuckle.
-
When you thought about it the next morning, a smile crept unto your face and you kinda wished, you would've been more awake, so you could've enjoyed the moment properly.
The smiled was quickly wiped off though, when you realised that you must've left your sketchbook in the living room, given that Ford probably didn't bring it with him last night. You panicked and jumped out of bed, stumbling to the door when your gaze was caught by something. Your sketchbook, laying on your desk. You exhaled, glad it didn't lay around for anyone to see. You took it into your hands and opened it to the last page you were working on. But instead of the drawing from yesterday evening, only the one before that stared back at you. Confused, you turned the pages a few times, examined it, maybe someone ripped it out? No, no remnants of a torn out page....
Then, it dawned on you. You left your notebook in your room yesterday. You didn't plan on staying or even going to the living room. God knows how you ended up there, but it definitely was without your sketchbook. Which could only mean one thing...
In record time you were out the door, down the hall and in the living room. Right in time to take in the scenery of Ford staring down at his campaign notebook, opened to the page of your drawing.
"Ahh!! No no don't look!", you jumped forward and put your hands over the drawing. Ford furrowed his eyebrows, looking quite puzzled.
"This? Oh I already saw it last night after getting you to bed. It is incredible!"
Your cheeks heated up. "Oh" was all you could utter.
"It was also you who added the depictions of the twin's adventures, right?"
"Uhmm" You didn't keep your passion for drawing a secret, but you also didn't make a big deal out of it. And honestly, the way Ford was always so indulged in his own mind, you didn't think he was paying much attention to what you were doing. Now you felt a bit stupid for believing he wouldn't connect the - admittedly - obvious dots.
"They really are marvellous. And this?", he gestured to yesterdays page "Truly phenomenal!"
You didn't know what to say. You weren't even sure if you could say anything at all. All you felt was blood rushing to the tips of your ears and a flaming hot sensation in your cheeks.
"I- well uhm, thank you", you managed to stutter "I uh, I actually didn't mean to- uhm, use your campaign book. It was a mistake, I'm sorry."
"You've got to be joking! It's the perfect addition!" Ford exclaimed. "Do you mind if I keep it?"
"Oh", his enthusiasm caught you off guard. "I-, I guess not. Actually, that would mean a lot to me." you admitted sheepishly.
"Very well then! Thank you, dear." He looked at you with a fond expression.
You were about to retreat back to your room, turning around ready to leave, when Ford spoke up again, the smile apparent in his voice. "I also liked your artistic rendition of the twins adventures. Anything else you want to show me?" You froze.
Your heart started beating ridiculously fast. Did he knew? Did he notice you staring at him while drawing? Your thoughts started racing, but came to a sudden halt when he leaned down. His lips were almost touching your ear when he started to whisper.
"Maybe another time." And with that he walked by you, leaving you to yourself.
-------------------------------------------------- thank you for reading <3 reblogs are appreciated
a/n: if you want a second part with romance and/or where ford discovers the drawings of him, let me know! Have a nice day/night!
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2025 Ford Mustang GTD
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automotiveamerican · 7 months
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Shay v "Real" Model A (Repost From 2015)
A recent post on the Ford Barn reminded me of the Ford v Shay Model A debate. I almost bought a Shay before purchasing my 29 Sport Coupe. Last year whilst on my latest US trip I managed to see the two next to each other. I’ll let you decide, particularly on the dash!
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1966 Munster Koach With Designer George Barris
Only one Munster Koach was made for the television series and feature film. It was made from three Ford Model T bodies and 18 feet long. The 133-inch frame was made by hand, as were the brass radiator and fenders. It has blood red interior and black pearl paint. It took 500 hours to hand-form the ornate rolled steel scrollwork. The front end had a dropped axle, split radius rods and T springs. Its design featured a custom hearse body.
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bumzbumzbumz · 4 months
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Fin Argus and Sean Ford by Greg Swales
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