#Ming Jian

[culiehua]

જ⁀➴ love is stored in the insult of endearment trope ୧⍤⃝💐

[baraste-legacy]

Ming Jian has a Tumblr! 🙂 At @mi17zen and an older one at @mi90-oolong (Lots of Maul in the former 😊. Try https://mi17zen.tumblr.com/tagged/darth%20maul)

As for Amy Learoyd, they are @lunaerebus 🙂, and have tons of nightbrother goodness in their Tumblr. Try https://www.tumblr.com/lunaerebus/tagged/nightbrother

Nightbrothers. 🤌🏼

Artists featured: Darth Maul (Ming Jiang) / Feral and Savage Opress (Amy Learoyd)

[weregonnabecoolbeans]

Hey everyone, I just randomly got really sad about will, jem, and tessa :)

How’s your day going?

[raddestrose]

I present to thee, tgcf memes part 1 (im on mobile 😔)

well he’s not at peace but still

there’s like two more pictures that i have to add

[fanqueen48]

I've seen so many fanfictions where Feng Xin and Jian Lan have an amicable divorce and split custody of Cou Cou, and I really want to read one where they have a battle in court for him. The Heavenly Officials are watching and making comments. Pei Ming is eating pop corn. Ling Wen is tired. Mu Qing is trying to figure out why he's here. All of ghost city is there as well. Just a chaotic court room where Feng Xin and Jian Lan fight over who gets their son on what days. They've almost agreed on how long each parent gets him, it's just a ridiculous spat over who gets Wednesday and Saturday.

[amezhu]

Heaven Official's Blessing ▪︎ Hurdacı Ölümsüz Ve Kızıl Cübbeli Hayalet hakkındaki halk hikayesi

"Orta dünyada şöyle derler, bir zamanlar hurdacı bir ölümsüz varmış.

Ona Hurdacı ölümsüz deseler de bu ölümsüzün kutsadığı hurda toplayıcılar değildi, ölümlüler diyarının huzuruydu. Çünkü aynı zamanda o en güçlü savaş tanrısıydı.

O'nun yenemeyeceği hiçbir kötülük, öldüremeyeceği hiçbir hayalet yoktur. O, dünyayı yok edecek güce sahip olsa da çiçeğe değer verecek yürekten yoksun değildi.

Ancak bir tanrıya ibadet etmek için birtakım kurallar ve tabular vardır. Eğer biri bu ölümsüze tapılan bir tapınağa uğrarsa asla öylesine gelişigüzel secde edilmemelidir.

Ancak bu hurdacı ölümsüzün özel bir yapısı var ve şanssızlığı çağırır. İnanmıyor musun? Bir zar hazırla, ölümsüzün ilahi heykelinin elini ovalayıp zar at, gel gör ki şansın kesinlikle en kötüsü olacak.

Yani, bu Hurdacı ölümsüzün tozlu beyaz heykeline dua eden bir kişi ne kadar çok dua ederse heykelin o kadar çok kötü şans getirebileceğini söylenir. Suyun bile dişlerin arasına sıkışabileceği noktadan Taocu cübbe giyerken hayaletleri görmeye kadar."

.

"Orta dünyada bir de şundan bahsedilir, öyle bir Kızıl Cübbeli Hayalet Kral varmış ki.

Her ne kadar bu Hayalet Kral'ın insan dışı bir varlık olduğu düşünülse de muazzam sayıda inananlara sahipti. Kendi meskenlerinde Hayalet Kral’ın türbesini gizlice kuranlar sıklıkla bulunur, gündüz ve gece ibadet edip iyi şans için dua ederlerdi.

Bunun nedeni, yalnızca bu Hayalet Kral’ın yenilmez olması değil, görünüşe göre tek bir yenilgiyi bile tatmamıştı ve şansı kıyaslanabilir derecede güçlüydü.

İnanmıyor musun? Zarları atmadan önce onun önünde secdeye kapan. Eğer sana yardım etmeyi isterse o zaman bir sonraki atışınız kesinlikle olağanüstü olacak.

Ancak hayaletler tanrılar gibi değil yani doğal olarak daha fazla tabular var. Hayalet kral çok güçlü olsa da kişiliği tuhaf ve aşırıdır.

Eğer mutluysa sen dua etmesen bile sana yardım edecektir; eğer mutsuzsa sen bin altın versen bile geri çevirir; eğer aşırı mutsuzsa kim bilir belki bir gün canını bile alabilir.

Yani aynı mantıkla, saygınızı göstermek en iyisi ama yine de uzak durun."

.

"Ancak eğer insanlar hem bu tanrının hem de bu hayaletin ilahi heykellerine beraber ibadet ederse işte o zaman bir mucize olur.

O Kızıl Cübbeli Hayalet Kral, Hurdacı Ölümsüz'ü saran tüm talihsizlikleri kovacak ve onun gerçek görünüşünü ortaya çıkarmasına izin verecek.

İnsanlar bunu şok edici bir şekilde keşfedecekler, görünüşe göre o Hurdacı ölümsüzün rengi tozlu bir beyaz değil, parıl parıl parlayan altın rengiymiş."

.

"Efsaneler genellikle gerçeklere dayanır. Ancak bu masal muhtemelen çok çok uzun zaman önce belki de sekiz yüz yıl öncesinden ba��layarak anlatılması bile gerekebilirdi ve bunu anlatmak çok çok uzun bir hikaye olurdu. İnsanlar dinleme sabrına sahip olmayabilir.

Ancak kesin olan şu ki her ikisinin de en güçlü güçlerini sergilemesine sahip olmak için ikisine birlikte tapınılmalıdır.

Bu şekilde kişi iki kat servet ve iki kat yenilmezlik elde edebilir.

Cennetin kutsamasıyla, hiçbir yol çıkmaz değildir."

"天官赐福 百无禁忌"

[brother-lipsmackariah]

Continuing my tradition of yearly birthday drawings for Jem. Now we have mermaid Jem

[bonebreakjack]

MY MONSTER CHARACTER MEME FOR TGCF! 25 CHARACTERS! Heres a clear one if anyone wants to take a shot!

[daffodilsinspring]

GIVING TGCF CHARACTERS FLOWERS

Jun Wu - Statice ~ Rememberance

Mei Nianqing - Hydrangea - Grace and Beauty

Xie Lan - Sunflower ~ Warmth,Happiness,Longevity

Hua Cheng - Heather ~ Admiration and Good Luck

Yin Yu - Lisianthus ~ Appreciation

Quan Yizhen - White Lilac ~ Youthful Innocence

Shi Qingxuan - Bouvardia ~ Enthusiasm

Ling Wen - Purple Iris ~ Wisdom

Pei Ming - Gladiolus ~ Strength and Moral Integrity

Yushi Huang - Daffodils - Rebirth and New Beginings

Jian Lan - Orchid ~ Beauty and Strength

Feng Xin - Snapdragon ~ Graciousness and Strength

Mu Qing - Amaryllis ~ Pride,Determination and Radiant Beauty

Banyue - Delphinium ~ Open Heart and Ardent Affection

He Xuan - Protea ~ Change and Transformation

Lang Qianqiu - Freesia ~ Innocence and Friendship

Shi Wudu - Blue Star ~ Strength and Determination

Qi Rong - Orange Roses ~ Enthusiam and Passion and Excitement

[hahahax30]

When Jem displays his chinese heritage >>>>

[habizuh-studios]

A1: Little Guy (Xiao Mengyou); When Lang Qianqiu praises him A2: Gu Zi; When looking at his father after Qi Rong possesses him A3: Shi Qingxuan; Trying to figure out ways to make Ming Yi wear a dress A4: Mu Qing; Trying to say the... f-f-f word A5: Yin Yu; Realizing he has more work B1: Xuan Ji; When Pei Ming flirts with her for the first time B2: Hua Cheng; When the Xianle Quartet finds the Cave of 10,000 Gods B3: Xie Lian; Trying to figure out whether to laugh or cry B4: Feng Xin; When Xie Lian calls Hua Cheng by affectionate pet names B5: Shi Wudu; Looking at those incest stories the mortals make C1: Jian Lan (Lang Chang); When they figure out CuoCuo exists C2: Banyue; Being so, so tired. C3: Yushi Huang; When Heaven actually needs her for once C4: Pei Ming; Trying to figure out that boundaries exist (when women aren't interested) C5: Ling Wen; Realizing there is more work D1: Jun Wu; On the inside when Xie Lian gets accused of impregnating a woman D2: Qi Rong; How he feels when he calls Xie Lian a Dog Fucker D3: Ming Yi (He Xuan); When Shi Qingxuan tries to make him crossdress D4: Heaven's Eye; Realizing where the evil qi in Xie Lian came from D5: CuoCuo; On a daily basis ------- I tried my best!!!! All different TGCF characters with the appropriate scenario... this was way harder than I expected.

[culiehua]

Jem's parents' love story is so much funnier if you consider that Jonah and Wenyu were born at the start of the first opium war and likely met during the second, being like 18 and 17 when it started. Imagine being a stoic, disciplined warrior princess working at imperial court and one day the evil british enemy shows up and you're ready to annihilate him except he is a sappy romantic fool and tries to serenade you. I know my girl was befuddled. Invented enemies to lovers honestly

[friedwizardwhispers]

I'm excluding the ones we got in season 1 and in sneak peeks (so no Jun Wu, Shi Qingxuan, Lang Qianqiu).

I wanted to cheat and include Guoshi Fangxin but I had to make choices to fit more characters.

[zefile]

Beauty Strategy EP06

[thatshowthingstarted]

Sword (jian) and scabbard, probably made in the court workshops of the Yongle Ming Emperor. Chinese, Ming Dynasty, early 15th century.

The hilt is of gilt iron. The grip is of gibbous rectangular section, punched with small circles to imitate ray skin. Down the centre of the front is a raised spine bordered by tiny flames at either side.

The pommel is of trilobed form, bordered at the front and rear by bands of golden scrolls. The front panel of the pommel is chiselled and fretted with a dragon surrounded by interlacing flames, with triple claws on each paw. At the rear of the pommel, the central panel is decorated with a monster mask (kirtimukha), surmounted by a silvered crescent and golden disc, and with human hands, also surrounded by flames. At either side of the pommel are the Eight Buddhist Emblems of Good Augury (ba jixiang): the wheel of law (dharma), the standard, the treasure jar, the pair of fish, the endless knot, the lotus, the parasol and the conch shell of victory.

The guard is embossed in the form of a monster mask, surmounted by a silvered crescent and golden disc. The face is punched with circles, the canine teeth silvered, the eyebrows and whiskers chiselled and gilt. The horns are in the form of crab claws. At either side of the mouth is a paw in the form of a human hand. The head is surrounded by scrolling curls of mane. The rear of the guard is rendered as the underside of the jaw, with a set of silvered teeth, and a narrow beard running into a throat of alternate silvered and gilt bands.

The blade is associated but is probably a later replacement of Tibetan manufacture. It is formed of pattern-welded steel, of diamond section, straight and double edged. The pattern welding produces a mirrored pattern of addorsed crescents at either side of the medial ridge. The tang is of rectangular section, tapering towards the pommel, with a large expanded peg-hole towards the end. The edges have been ground and sharpened.

The scabbard is of wood covered in green stained leather and bound with gilt iron. At the throat is a V-shaped cut out at the front for seating the blade, and a scalloped cut-out in the leather to accommodate the guard. The throat retains traces of the scarlet silk with which it was lined. The iron binding comprises a long, facetted strip running all the way round either edge.

There are eight transverse bands at the rear, the uppermost and fourth of which are wider than the others, and extend round the front of the scabbard forming suspension loops. The edging strip has four main facets, with an additional narow facet at either side. It is decorated with scrollwork in gold running down each facet, and matching that on the pommel. At either end is a set of three golden lotus leaves.

The front panel is divided stylistically into upper and lower sections. The upper section is decorated quite plainly; a series of five beaded transverse bands divide it into six sections, and there are three vertical bands of fretted four-petalled rosettes in each section.

At the throat is a cusped section with a beaded border, below which is a band of flames. The ornate lower section has six smaller segments, divided vertically and horizontally by fretted 'vajras', each with a 'yinyang' symbol in the central knop. The half-'vajras' at either side emanate from the heads of lions, and the vertical bands of decoration at either side are formed by rows of flames.

Above and in the middle of these divisions are two square panels, each containing a cusped lozenge shaped central medallion, the corners decorated with interlacing flames. The uppermost of these two panels contains two dragons intertwined amid flames, with the heads at top right and bottom left; the lower has two similar dragons, with thicker bodies, and with their heads confronted at the left and right.

The chape section is decorated with a large panel of interlacing flames, within a beaded border. At the rear of the scabbard, the upper band is decorated with alternating gold and silver scrollwork, and terminates in a rosette at the front. The next two narrow bands are decorated with silver scrollwork only. The fourth is decorated at the rear like the top one, but is extended accross the front in a broad band; it is chiselled with four medallions decorated with gilt characters on silver grounds, and surrounded by interlacing gilt flames. The three lower bands are decorated in gold scrollwork.

The rear chape panel has a small, flat piece of rather coarse, scrolling interlace at the bottom, and narrow bands of petalled rosettes at either side.

A four character Tibetan inscription on the lower suspension loop reads 'khi'u ga ral gri' (honourific sharp sword).

China, 15th century (About 1420),

Leather, Ferrous, Gold, Silver, Semi-precious stone, Silk, Wood,

Dimensions:

Blade Length: 30 inches

Overall (sword) Length: 35 inches

Courtesy: Royal Armouries Museum, Leeds, United Kingdom

Sword (jian) and scabbard, probably made in the court workshops of the Yongle Ming Emperor. Chinese, Ming Dynasty, early 15th century.

[kamoteqeater]

This is how the scene with jian lan accusing the other charactersof being cuocuo's father felt like: