#Mildred and Richard Loving

[rosemaryblossoms]

[totallyhussein-blog]

Learn what “Loving, and loving, are all about”

Shortly before the 2007 landmark vote, in which the State of Massachusetts legislature endorsed marriage equality by a 151-45 vote, Mildred Loving, one of the plaintiffs in the landmark racial marriage equality case from 1967 ’Loving v. Virginia’, endorsed equal marriage rights for gay couples.

The Loving’s had committed what the U.S State of Virginia called unlawful cohabitation. Their marriage was deemed illegal because Mildred was Black and Native American; and Richard was white. Their case went all the way to the Supreme Court and on June 12th, 1967, the couple won.

“My generation was bitterly divided over something that should have been so clear and right. The majority believed that what the judge said, that it was God’s plan to keep people apart, and that government should discriminate against people in love.

But I have lived long enough now to see big changes. The older generation’s fears and prejudices have given way, and today’s young people realize that if someone loves someone they have a right to marry.

Surrounded as I am now by wonderful children and grandchildren, not a day goes by that I don’t think of Richard and our love, our right to marry, and how much it meant to me to have that freedom to marry the person precious to me, even if others thought he was the "wrong kind of person” for me to marry.

I believe all Americans, no matter their race, no matter their sex, no matter their sexual orientation, should have that same freedom to marry. Government has no business imposing some people’s religious beliefs over others. Especially if it denies people’s civil rights.

I am still not a political person, but I am proud that Richard’s and my name is on a court case that can help reinforce the love, the commitment, the fairness, and the family that so many people, black or white, young or old, gay or straight seek in life. I support the freedom to marry for all. That’s what Loving, and loving, are all about.“

[mimi-0007]

Mildred Delores Loving (née Jeter; July 22, 1939 – May 2, 2008) and Richard Perry Loving (October 29, 1933 – June 29, 1975) were an American married couple who were the plaintiffs in the landmark U.S. Supreme Court case Loving v. Virginia (1967). Their marriage has been the subject of three movies, including the 2016 drama Loving, and several songs. The Lovings were criminally charged with interracial marriage under a Virginia statute banning such marriages, and were forced to leave the state to avoid being jailed. They moved to Washington, D.C., but wanted to return to their home town. With the help of the American Civil Liberties Union (ACLU), they filed suit to overturn the law. In 1967, the Supreme Court ruled in their favor, striking down the Virginia statute and all state anti-miscegenation laws as unconstitutional, for violating due process and equal protection of the law under the Fourteenth Amendment. On June 29, 1975, a drunk driver struck the Lovings' car in Caroline County, Virginia. Richard was killed in the crash, at the age of 41. Mildred lost her right eye.

Mildred and Richard Loving

[religion-is-a-mental-illness]

By: Leigh Ann O'Neill

Published: Jun 12, 2024

So, I have a confession: I am a Kenny Chesney fan. His song "Get Along" has always been a favorite of mine, but it didn’t achieve great significance in my mind until I started this job. As many of you know, I am the Director of Legal Advocacy for FAIR, and a big part of my job is fielding complaints from people who have faced discrimination at work or their children’s schools. Some have been outright barred from participating in events and activities based solely on their skin color. Others have been compelled to participate in discriminatory practices against their wishes for the same reason. Suffice it to say, the stories I hear are often quite grim and don't showcase the best of humanity. Instead, they frequently highlight discriminatory “DEI” efforts—present discrimination as a means of correcting past discrimination. These tactics are inherently flawed and bound to fail.

When the so-called “great awokening” began to sweep the country in 2020, my primary feeling was confusion. We were told that America is a systemically racist country and that the opportunity to succeed depended entirely on one's skin color. That racism was not in fact discrimination against an individual based on their race, but that racism = prejudice + power. The proposed solution was to decolonize America—a revolution.

I was confused by these proclamations because, as far as I could tell, they were not entirely accurate; many were themselves fundamentally racist. Has America and its leaders made horrid, unthinkable mistakes throughout history? Definitely. Do racist people still exist in America today? Of course. It’s the sweeping generalizations of the new orthodoxy that are suspect. Quite frankly, based on what I can see with my own eyes, it’s nonsense. However much actual racism there is in the world today, it is amplified 10X the moment you open social media. I have found that if we let it, sometimes the real world might just pleasantly surprise us. 

Every member of a group categorized based on shared skin color does not think or act the same as the others. Nor does one’s likelihood of success in life depend on which group they are assigned to. Race-essentialist and reductive notions like these aren’t just crude, they’re wildly improbable. They’re also dangerous. What could go wrong in resurrecting the pernicious principle that the law might rightly treat people differently based on their immutable traits, so long as it fits the popular narrative of the day? The current dogma of “intersectionality” and “oppressors versus oppressed” is ultimately a losing proposition. It will logically fail on its own, and I believe that failure will be accelerated by love.

Fifty-seven years ago today, the Supreme Court handed down its opinion in Loving v. Virginia, the case that challenged anti-miscegenation statutes in several states. The plaintiffs, Mildred Jeter, a black woman, and Richard Loving, a white man, were married in the District of Columbia and then returned to Virginia to establish their marital home. Soon after, a grand jury indicted the Lovings for violating Virginia’s ban on interracial marriage. The Lovings appealed, and once their case reached the Supreme Court, justice was finally served. The Court ruled that our Constitution does not allow a state to prevent you from marrying someone simply because you don’t share the same skin color. For me, this history gives the slogan “Virginia is for lovers” a special meaning.

We’ve all probably felt the power of indeterminable forces trying to divide us based on immutable characteristics. After searching widely to find the exact source of this power, I still couldn’t tell you what it is. But I grow more and more convinced that it’s mostly imagined, fueled primarily by our willingness to give it oxygen. Thankfully, these misguided forces are weak; they only survive when we choose to breathe life into them. At the end of the day, they are built upon one critical, fatal flaw—they ignore that our common humanity transcends immutable traits. Love overlooks those differences, and now, so too does the law.

On this Loving Day 2024, we’d do well to remember that fact. Instead of allowing the ideological forces to divide us, we should take Kenny Chesney’s advice: “Always give love the upper hand. Paint a wall, learn to dance. Call your mom, buy a boat. Drink a beer, sing a song. Make a friend.” Do these basic human things and live by love—the rest will work itself out.

[hqtoussaint]

AP News photo, Jan 26/1965

Mildred Delores Loving (née Jeter; 1939–2008) and Richard Perry Loving (1933–1975) were an American married couple who were the plaintiffs in the landmark U.S. Supreme Court case Loving v. Virginia (1967). Their marriage has been the subject of three movies, including the 2016 drama Loving, and several songs.] The Lovings were criminally charged with interracial marriage under a Virginia statute banning such marriages, and were forced to leave the state to avoid being jailed. They moved to Washington, D.C., but wanted to return to their home town. With the help of the American Civil Liberties Union (ACLU), they filed suit to overturn the law. In 1967, the Supreme Court ruled in their favor, striking down the Virginia statute and all state anti-miscegenation laws as unconstitutional, for violating due process and equal protection of the law under the Fourteenth Amendment. On June 29, 1975, a drunk driver struck the Lovings' car in Caroline County, Virginia. Richard was killed in the crash, at the age of 41. Mildred lost her right eye.

With the exception of a 2007 statement on LGBT rights, Mildred lived "a quiet, private life declining interviews and staying clear of the spotlight" after Loving and the passing of her husband. On the 40th anniversary of the decision, she stated: "I am still not a political person, but I am proud that Richard's and my name is on a court case that can help reinforce the love, the commitment, the fairness, and the family that so many people, black or white, young or old, gay or straight, seek in life. I support the freedom to marry for all. That's what Loving, and loving, are all about." Beginning in 2013, the case was cited as precedent in U.S. federal court decisions holding restrictions on same-sex marriage unconstitutional, including in the U.S. Supreme Court decision Obergefell v. Hodges (2015). -Wikipedia

[legalkimchi]

Loving day

Today is Loving day. It marks the 57th anniversary of Loving v. Virginia, the Supreme Court case that struck down Anti-miscegenation laws in the United States.

my parents were married in 1976. 10 years prior, their marriage would have been a crime.

Forgive me, i'm tired. i didn't sleep well.

I could wax poetically about how important to my, and my children's existence, this ruling is.

I could tell you how it enforced many of our rights through the use of the Due Process Clause of the 14th amendment.

I could tell you how obergfell and roe v wade were based on the reasoning of the due process clause of the 14th...

I could tell you how justice thomas, who is himself in an interracial marriage, questioned the validity of that right and reasoning.

It is all interconnected. Race, LBGT+ issues, our rights in general.

If you are LGBT, or poc, both, or whatever, you should know that your rights are being targeted. and it isn't in hiding. It isn't a secret.

You can see it on project2025. You can see it in Thomas's concurrence in Dobbs v Jackson women's health. It is out in the open. easy to find. spelled out.

Today is Loving day. and if you want to celebrate this day with me in the future, be sure you fight and support Obergfell, for our trans friends, for women's rights, and all the other interconnected issues out there.

Also: side note. Mildred Loving never wanted to be in the spotlight. She wanted to live a normal life after her and her husband's name became a rallying cry for civil rights. Her husband, Richard Loving, passed away in 1975 from a car accident. She passed away in 2008. Prior to that, on the 40th anniversary of Loving V. Virginia, Mildred Loving came out of her quiet life and said, "I am still not a political person, but I am proud that Richard's and my name is on a court case that can help reinforce the love, the commitment, the fairness, and the family that so many people, black or white, young or old, gay or straight seek in life. I support the freedom to marry for all. That's what Loving, and loving, are all about."

She knew it was all connected. Let's honor her memory.

[horeformilfs]

MASTERLIST

Requests: Open

Request Guidelines

RESIDENT EVIL: VILLAGE

Mother Miranda

Pray

Little Crow

Dove

Blood and Broken Art

Alcina Dimitrescu

Scars

Grieving

An Eye for an Eye Makes the Whole World Blind

Sacrifices in the Name of Love

Blood Bag

Miracina

Rescued From the Nightmare

Bela Dimitrescu

Mistakes

Cassandra Dimitrescu

Shattered Past

Unsheathed Fears

Daniela Dimitrescu

Secrets

Dimitrescu Sisters

Soulmates (In Progress)

Dimitrescu Family

Searching for Home

I'll Protect You...Because I Love You

A Family's Embrace

Donna Beneviento

Flowers

Mine

Lullaby

BRIDGERTON:

Violet Bridgerton

AMERICAN HORROR STORY:

Cordelia Goode

Ally Mayfair-Richards

Billie Dean Howard

Lana Winters

Wilhelmina Venable

Multi Character

Saviors

GLASS:

Dr. Ellie Staple

RATCHED:

Mildred Ratched

WINX CLUB:

Icy

I Told the Moon about You

Darcy

Stormy

The Trix

Its Okay to Feel

SCHOOL FOR GOOD AND EVIL:

Lady Lesso

Little Raven

Stubborn Little Princess

Trials of the Blue Forest

Crush?

Love and Comfort

Constellations of Love

Silent Resonance

Clarissa Dovey

Dovesso

HARRY POTTER:

Narcissa Malfoy/Black

Christmas Blues

Bellatrix Lestrange/Black

MARVEL CINEMATIC UNIVERSE:

Wanda Maximoff

Natasha Romanoff

WandaNat

Save me

PEAKY BLINDERS:

Polly Gray

MOTHERFATHERSON:

Kathryn Villiers

WEDNESDAY:

Larissa Weems

Morticia Addams

ACTRESSES:

Helen McCrory

Starving

Drowning

Helena Bonham Carter

I Don't Know How to Be Okay

Comfort

Elizabeth Olsen

Grieving

Cate Blanchett

Breath

Sarah Paulson

Tired

A Mother's Love

Charlize Theron

Scarlett Johansson

Keeping You Safe

Emily Blunt

Gwendoline Christie

Kathryn Hahn

Jessica Chastain

Catherine Zeta-Jones

Avoidance

[justforbooks]

Brian Murphy

Actor who became a TV star in the 1970s as George Roper in Man About the House and a spin-off series, George and Mildred

The comedy actor Brian Murphy was the mainstay of several hit television shows in which he was constantly outmanoeuvred by contemptuous and implacable women: Mildred Roper, Kitty McShane and Nora Batty were three of them.

The public image was of a ferret-faced and crafty-eyed loser, his thinning hair in a comb-over. Playing feeble, dim and cunning, Murphy specialised in a kind of low-level reedy grumble that could swiftly escalate into yelping panic. It was, however, somehow always clear that the weakness of his characters was firmly rooted in the strength and intelligence of his interpretation.

Murphy, who has died aged 92, became famous in six series of Man About the House on Thames Television, written by Johnnie Mortimer and Brian Cooke, which ran from 1973 to 1976. Man About the House followed the fortunes of three young people (played by Richard O’Sullivan, Sally Thomsett and Paula Wilcox) sharing a flat, with Murphy and Yootha Joyce playing George and Mildred Roper, who owned the house and lived below them. The socially ambitious Mildred was flirtatious and something of a predator, while the ineffectual and petty-minded George was clearly unable or unwilling to cope with his wife’s sexuality – though he could be seedily lascivious towards the younger female characters.

He and Joyce – who had been close friends since the 1950s, when both had worked for Joan Littlewood’s Theatre Workshop company – were a glorious pairing, and before long became the show’s stars, leading to a spin-off, George and Mildred – also for Thames and written by Mortimer and Cooke – which ran for five series from 1976 to 1979. At its peak the show attracted up to 20 million viewers in the UK, making Joyce and Murphy household names.

When later asked if he felt haunted by the character of George Roper, Murphy was sanguine. “I’ve long since come to terms with it,” he said. “I had sort of made a name in theatre before George and Mildred came along, so the fact that I became well known to a wider audience just allowed me more opportunities in the theatre. They were pleased to have a ‘name’ on the bill.”

George and Mildred ended when Joyce, an alcoholic, died at the age of 53 in 1980, with Murphy at her bedside.

Murphy then took the starring role in two sitcoms, The Incredible Mr Tanner (ITV, 1981), in which he played an escapologist, and L for Lester (BBC Two, 1982), as Lester Small, a driving instructor.

In 1982 there came a personal stage triumph in Alan Plater’s On Your Way, Riley, in which Murphy played the music-hall drag star Arthur Lucan, who appeared on stage and film in the 30s as Old Mother Riley.

As a child Murphy had been taken by his parents to see Lucan and Kitty McShane (“Old Mother Riley and Her Daughter”) at his local variety theatre, and he loved them all his life. So he jumped at the chance and certainly rose to the challenge of playing Lucan in Plater’s play, first presented at the Theatre Royal, Stratford East. He was partnered by Maureen Lipman as Lucan’s wife and stage daughter Kitty. The play was later adapted for television and shown on ITV in 1985, with Murphy and Lipman again in the main roles.

On Your Way, Riley was a real-life, backstage tragi-comedy – George and Mildred without the easy laughs. Murphy, with tremendous grace and poignancy, sank to the depths of despair as a besotted old trouper in a relationship in which his much younger wife, tempestuous and faithless, flaunted her lovers in front of him. He also recreated Lucan’s slapstick routines with great fidelity. Lipman, too, was magnificent as the woman who despised Lucan as a man while acknowledging that as a performer he was “a genius”.

Murphy was born in Ventnor on the Isle of Wight, to Gerald and Mabel Murphy, who ran a restaurant. His two elder brothers, Ken and Eric, were killed on active service during the second world war. Brian was called up for national service in 1950 and worked as a clerk at RAF Northwood, near London, where he met another aspiring actor, Richard Briers, who also went on to be a television comedy star, in The Good Life.

When he was demobbed, Murphy studied at Rada and in 1955 joined Littlewood’s company in east London, appearing in Oh! What a Lovely War and Sparrers Can’t Sing. “She kept on casting me to play these funny old men,” he said. “I was young and not obviously good-looking, so it fell to my lot to impersonate old codgers.” He also played bit parts on TV in series such as Z Cars and Dixon of Dock Green.

Murphy married Carol Gibson in 1957 and the couple had two sons; as he approached 40, parts became scarcer, and at one point he considered giving up acting to become an insurance salesman. But then Man About the House appeared, and he remained solidly in work for the rest of his career.

In the 90s he was in One Foot in the Grave and had parts in The Bill, Casualty and Mrs Merton and Malcolm. From 2003 to 2010 he played the timid but devious Alvin Smedley in the BBC’s Last of the Summer Wine as a neighbour of the ferocious Nora Batty (Kathy Staff), taking the place of Bill “Compo” Owen, who had died in 1999.

Theatre included the title role in Sweeney Todd, The Demon Barber of Fleet Street, by Christopher Bond at the Theatre Royal, Stratford East (1973); Soppit in When We Are Married, by JB Priestley, at the Whitehall theatre, London (1986) and Jim in Roll on Friday, by Roger Hall, at the Watford Palace theatre (1989).

In 2001 he toured as Al Lewis in Neil Simon’s The Sunshine Boys, with Ron Moody.

Two years later he was in the ITV comedy The Booze Cruise and in 2010 made an appearance in Hustle on BBC One. He continued working into his 80s, including appearances in Holby City and Casualty, and had most recently been filming for a comedy in late 2024.

His marriage to Carol ended in divorce; in 1995 he married the actor Linda Regan. She survives him, as do his sons, Trevor and Kevin, from his first marriage.

🔔 Brian Trevor John Murphy, actor, born 3 September 1932; died 2 February 2025

Daily inspiration. Discover more photos at Just for Books…?

[totallyhussein-blog]

Meet Richard and Mildred Loving. Celebrate love and universal justice

When Richard and Mildred Loving awoke in the middle of the night, a few weeks after their June 1958 wedding, it wasn’t normal newlywed ardor. As NPR reported, there were policemen with flashlights in their bedroom. They’d come to arrest the couple.

“They asked Richard who was that woman he was sleeping with? I say, I’m his wife, and the sheriff said, not here you’re not. And they said, come on, let’s go”. Mildred Loving recalled that night in the HBO documentary The Loving Story.

The Loving’s had committed what the U.S State of Virginia called unlawful cohabitation. Their marriage was deemed illegal because Mildred was Black and Native American; and Richard was white. Their case went all the way to the Supreme Court. And on June 12th, 1967, the couple won.

Now, each year on this date, “Loving Day” celebrates the historic ruling in Loving v. Virginia, which declared unconstitutional a Virginia law prohibiting mixed-race marriage — and legalized interracial marriage in every state.

“Under our Constitution, the freedom to marry, or not marry, a person of another race resides within the individual and cannot be infringed on by the State.”

Loving Day is the anniversary of this historic court decision for interracial marriage. Celebrated every year on June 12th, Loving Day is a global day of visibility, education, and community.

People around the world observe LovingDay.org in meaningful ways. Everyone is welcome and it can be especially significant for interracial couples, multiracial families, people of mixed race heritage and those with similar lived experiences.

[estebanlopezgonzalezcom]

“Te falta una sola persona, y el mundo entero está vacío”.

- Joan #Didion (1934-2021), escritora y periodista estadounidense.

https://estebanlopezgonzalez.com/2013/09/12/mildred-y-richard-loving/

[stayevildarling]

American Horror Story Masterlist:

One shots:

Cordelia Goode:

Soulmate

Hidden Desires ✾

Fix you ✩

Take my hand, Take my whole life too

On different ways ❆

In the silence

Diary

Traitor - Pt 1, Pt 2, Pt 3, Pt 4, Pt 5, Pt 6, Pt 7, Pt 8

Mildred Ratched:

First sight

Sick

Audrey Tindall

Chasing you

Wilhemina Venable

When the time is right - Pt 1, Pt 2, Pt 3

Sick

Who knew?

Holding on for dear life

Fade into you

Safe and Sound

Million Reasons

All I want for Christmas is you 🎄

Too messy ✾

Billie Dean Howard

What you call love

Lunch ✾

The haunting of your medium

I wanna be yours ✾

Until I found you

It's you

Craving ✾

You can‘t escape my affection ✾

Like I can

Slow dancing in a burning room

Ally Mayfair Richards

Heart like mine

✩ = mental health, ✾ = smut, ❆ = no happy ending

[todaysdocument]

Marriage license for Richard Loving and Mildred Jeter, June 2, 1958. 

Their arrest and conviction for violating Virginia’s law against interracial marriage led to the SCOTUS ruling that laws prohibiting interracial marriage were unconstitutional. 

Record Group 21: Records of District Courts of the United States

Series: Civil Case Files

File Unit: No. 4138 (Civil Action) Richard Perry Loving, et ux. v. the Commonwealth of Virginia, et al.

Transcription: 

No. 420276

[centered] Marriage License [/centered]

To Reverend John L. Henry

   authorized to celebrate marriages in the District of Columbia, GREETING:

You are hereby authorized to celebrate the rites of marriage between

Richard Perry Loving, of Passing, Virginia

AND

Mildred Delores Jeter, of Passing, Virginia

and having done so, you are commanded to make return of the same to the Clerk's Office of the United States District

Court for the District of Columbia within TEN days, under a penalty of $50 for default therein.

[right side] WITNESS my hand and seal of said Court, this 2nd

day of June, anno Domini 1958

HARRY M. HULL, Clerk.

By [signature] Maude R Rynes

Deputy Clerk [/right side]

----------------------------------------------------------------------------------------------------------------------------------------------------------------

No. 420276                          [ul]  RETURN [/ul]

I, Reverend John L. Henry

who have been duly authorized to celebrate the rites of marriage in the District of Columbia, do hereby certify that, by

authority of license of corresponding number herewith, I solemnized the marriage of

Richard Perry Loving and Mildred Delores Jeter

named therein, on the 2nd day of June, 1958, at 748 Princeton Place, N.W.

in said District.

FPI ERO-8.19.57.10M.7208       6/4/58 ewg                 Rev. John L. Henry

[idealuk]

My tipsy ass having a very ACD moment: There's a reason why I don't get credit that I would otherwise deserve. Media never implements what is my superior-to-what-they-actually-do ideas for storylines. Before the movie came out, and after I found out that they were combining Rafael and Liam in to one character for the film, I openly hypothesized that he would be a rogue Embed with the Richards campaign [I grew up in a vastly-economically-diverse suburb of D.C., so our public school curriculum was geared towards leading us to careers in politics/journalism and/or activism, therefore, before doing a deep dive on Taylor, I, not only already knew that occupation existed, but had the preliminary skills to be one (tangent within a tangent: to those of you from Minnesota whom complained about that electoral map unbelievably having you be red, I feel you, because I can't see a way where my purple state of Virginia would've gone blue in that election, then again, Virginia Is For Lovers (tangent within a tangent within a tangent: it will never make sense to me how that motto isn't actually because of Loving Vs. Virginia as that legalized interracial marriage across the country especially as the then-surviving member of the precedent-setting couple, Mildred Loving, was even vocally pro-gay-marriage when that battle arose)). Taylor was on a whole show about said job profession (see his character explain what one is here at 1:27), and that way the character would still be viewed as good/moral like Rafael and Liam are in the book, but, no, media can never utilize my good theories and they made Miguel a conniving asshole. I'm not actually complaining about the choices made as it would have been difficult to make such a peripheral character as Jeffrey Richards a bad guy in the length of a movie about a queer love story (though, come on, modern-day Republican - does it really need any exposition?) and it needed more drama than the blatantly apparent austerity of the crown and queerphobia. There was just a cleaner way to out the boys with out villainizing an openly queer character.

*Goes back to remembering that you don't want to hear from me today and continuing to hate self-aggrandizing Miguel with you*

[dreamypqulson]

Hey , how are you?

I just though of a headcanon: The Sarah’s reaction to the reader making matching rings/necklaces and giving it to them for no reason

hi! i’m good, how are you? :))

i love this idea! here you go:

billie dean howard

you would gift billie a matching ring and she would show it off to everyone!

she would wear it as if it were her wedding ring.

when you surprise her with it, she would get so lovey-dovey on you.

like non stop kissing because you and your gesture is just so cute to her.

lana winters

you would surprise lana with a matching diamond necklace after she’d been working so hard all week.

you guys can’t exactly show your love in public just yet so this is the perfect way to display your love that only you two know of.

she would always start smiling with her tongue between her teeth anytime you wear the necklace.

and she too would wear it everyday!

cordelia goode

sweet cordelia would ball her eyes out if you got her a matching ring.

it would be a promise ring with a pretty crystal on it.

but she would totally wear it every single day and night. she would never take it off and neither would you.

she would constantly fidget with it on her finger subconsciously and always say things like “i love your ring, baby,” teasingly, knowing she was wearing the same one.

ally mayfair-richards

with ally, i can picture matching a simple diamond necklace.

ally would always twirl the chain around her fingers when she’s wearing it.

and she would wear it everyday.

she would constantly stare at the matching necklace on your neck and smile at it.

mildred ratched

mildred would be so shocked if you gifted her a matching necklace.

like she has never had anything this nice done for her so she’s like…frozen when you give it to her.

but millie is super soft abt it and would wear it all the time.

she wouldn’t draw to much attention to the necklace but she would always think about it at random times and get all blushy.

[ulkaralakbarova]

The story of Richard and Mildred Loving, an interracial couple, whose challenge of their anti-miscegenation arrest for their marriage in Virginia led to a legal battle that would end at the US Supreme Court. Credits: TheMovieDb. Film Cast: Richard Loving: Joel Edgerton Mildred Loving: Ruth Negga Grey Villet: Michael Shannon Sheriff Brooks: Marton Csokas Bernie Cohen: Nick Kroll Frank Beazley: Bill Camp Lola Loving: Sharon Blackwood Raymond Green: Alano Miller Garnet Jetter: Terri Abney Judge Bazile: David Jensen Phil Hirschkop: Jon Bass Theoliver Jeter: Christopher Mann Musiel Byrd-Jeter: Winter-Lee Holland Deputy: Michael Abbott Jr. Percy Fortune: Chris Greene Virgil: Will Dalton Chet Antieau: Matt Malloy Laura: Andrene Ward-Hammond Alex: D.L. Hopkins Hope Ryden: Jennifer Joyner Cousin Davis: Lance Lemon Cousin Gerald: Marquis Adonis Hazelwood Older Sydney: Brenan Young Older Donald: Dalyn Cleckley Older Peggy: Quinn McPherson Middle Sidney: Jevin Crochrell Middle Donald: Jordan Williams Jr. Middle Peggy: Georgia Crawford Toddler Sydney: Micah Claiborne Baby Sydney: Devin Cleckley Infant Sydney: Pryor Ferguson Clara – Cashier: Karen Vicks Reporter #1: Scott Wichmann Construction Worker: Benjamin Loeh Court Secretary: Bridget Gethins Store Pedestrian: Mark Huber Drag Race Spectator: James Matthew Poole Secretary: Coley Campany Secretary: Sheri Lahris Construction Worker: Jordan Dickey Telephone Man: Coby Batty Drag Race Spectator / Bar Patron: Chris Condetti Richard’s Racing Crew: Logan J. Woolfolk County Clerk: Robert Haulbrook Bricklayer: Keith Tyree Spectator: James Nevins Prisoner: W. Keith Scott Photojournalist: Tom Lancaster Street Walker: Lonnie M. Henderson Court Audience Member: Brian Thomas Wise Drag Race Spectator: Ken Holliday Antieau’s Secretary: Terry Menefee Gau Driver: Marc Anthony Lowe Racetrack Spectator: Jay SanGiovanni D.C Teen: Tyrell Ford Baby Boy #1: James Atticus Abebayehu Phil’s Dad: Jim D. Johnston …: Derick Newson Boarding House Boy: Miles Hopkins Construction Worker: Kenneth William Clarke Reporter: Robert Furner Secretary: Victoria Chavatel Jimison Field Hand / Drag Strip Attendee / Shot Gun Shack Attendee (uncredited): Darrick Claiborne Courtroom Spectator (uncredited): Raymond H. Johnson Drag Race Driver: Dean Mumford Pregnant Girl: Rebecca Turner Magistrate: Mike Shiflett County Jailer: Greg Cooper Supreme Court Reporter: A. Smith Harrison Press Conference Reporter: Keith Flippen Soundman: Jason Alan Cook Courtroom Spectator (uncredited): Lucas N. Hall Film Crew: Director: Jeff Nichols Editor: Julie Monroe Producer: Peter Saraf Executive Producer: Jack Turner Executive Producer: Jared Ian Goldman Executive Producer: Brian Kavanaugh-Jones Unit Production Manager: Sarah Green Art Direction: Jonathan Guggenheim Casting: Francine Maisler Production Design: Chad Keith Storyboard: Nancy Buirski Associate Producer: Oge Egbuono Producer: Colin Firth Producer: Marc Turtletaub Set Decoration: Adam Willis Producer: Ged Doherty Unit Production Manager: Will Greenfield Costume Design: Erin Benach Music Supervisor: Lauren Mikus Original Music Composer: David Wingo Still Photographer: Ben Rothstein Director of Photography: Adam Stone Script Supervisor: Jean-Paul Chreky Special Effects Coordinator: Gary Pilkinton Special Effects Technician: Trevor Smithson Property Master: A. Patrick Storey First Assistant Director: Cas Donovan Second Assistant Director: Tommy Martin Stunt Driver: Dean Mumford Key Makeup Artist: Katie Middleton Second Second Assistant Director: Ben LeDoux Construction Buyer: Roslyn Blankenship Assistant Property Master: Hannah Ross Dialogue Editor: Brandon Proctor Genetator Operator: Maxwel Fisher Post Production Supervisor: Susan E. Novick Boom Operator: Proctor Trivette Leadman: Stephen G. Shifflette Second Assistant “A” Camera: Stephen McBride Sound Effects Editor: David Grimaldi Foley Mixer: Judy Kirschner Makeup Department Head: Julia Lallas Hairstylist: Brian Morton Sound Effects Editor: Joel Dougherty ADR Mixer: Chris Navarro Sound Effects Editor: P.K. Hooker ...