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[avengerscompound]

Home - Chapter 8

Home: A Captain America Fanfic

Masterlist PREVIOUS //

Buy me a ☕ Character Pairing:  Bucky Barnes x Steve Rogers

Word Count:  1572

Warnings:  Angst, parenthood, sexual manipulation, action, injuries, underage drinking and drug-taking.

Synopsis:  16 Years after the death of Daisy, Steve and Bucky have successfully raised two teenage kids with telepathy. Teens are never easy to live with though. Sarah in particular likes to test boundaries. Now on top of all the usual challenges of parenting, they have to deal with troublemaking demigods, a daughter who just wants to be accepted for who she is and running the Avengers. That’s when the children of other super-powered individuals start going missing.

Chapter 8

Sarah woke groggy, with her head pounding. It took a minute for her eyes to focus and for the confusion of what happened to clear. When it did she was first aware of how quiet her mind was. It had never been so clear before. It scared her and made her feel so alone that it hurt. She started to cry without even knowing what she was crying about.

She then became aware there was the sound of someone else crying nearby. She sat up and the room span. When everything finally steadied she looked around her. She was in a cell. It was modern and white. The bed wasn’t so much a bed as a white metallic bench. There was also a toilet. Three of the walls were solid white, no window just a small vent on the top of the back wall. The front of the cell was made of white bars.

Sarah staggered towards them and tried to used her strength to pull it open.

“Don’t bother.” A voice from the cell opposite. A young girl of around twelve stepped forward. She wore simple white cotton pants and a matching singlet. Her curly black hair hadn’t been brushed in weeks and it made her look wild.

“Danielle?” Sarah said.

“Yeah, that’s right,” Danielle replied.

“I thought you were dead.”

“Shit. So they’re not even looking for us?” Danielle snarled. Whoever it was that was crying started crying louder. “Shut up, May Day.”

“May Day?” Sarah called out, peering down the side of the bars as best she could. She couldn’t see much but there were other cells in the hall. At least five on each side of a hall.

“Sarah?” May Day called back. “I want my Mommy.”

“I know. We’ll get back. I promise.” Sarah said.

Danielle let out a sarcastic laugh. “How do you think that’s going to happen? Haven’t you noticed? They turned off our powers. If everyone thinks we’re dead, who’s coming for us?”

“They turned off our abilities?” Sarah asked confused. “How? Who did?”

Danielle shuddered. “They put something in our necks. I was awake the whole time because of what I am. They shot me and I didn’t think they could do that. It hurt so much. Then they cut me open while I was still hurting from the bullet. When they put the thing in my neck, my powers just shut off and they knocked me out. When I woke up the bullet was gone.”

“Who are they, Dani?” Sarah asked.

“How am I supposed to know?” Danielle shouted. “There’s so many of them. They keep telling us they’re going to hurt us more if we don’t do what they say. They make us watch these videos and they do all these tests on us. Is this our life now?”

“We’re going to get out, Danielle. I promise. My dads run the Avengers. You think they will give up looking for me? Even if they can’t find us, we’re far from helpless. I can fight even without my powers.” Sarah said.

Danielle started laughing and Sarah could hear May Day’s sobbing pick up in the cell next to her.

The door opened at the end of the hall and four men marched to Sarah’s cell.

“Step back from the bars.” One of the men barked.

Sarah took a step backward and clenched her fists. The men slid the door open, one pulled out handcuffs and went to grab Sarah’s wrist. Her training went into action. She flipped him over her head and kicked him in the throat. Two of the other men came for her one hit her with a taser and while she tried to shake it off he shoved her face-first into the wall.

“Oh, you gotta little fight in you, princess.” He growled into her ear. His hand slid up her side and squeezed her breast. “I’m going to like taking that from you.”

Sarah lashed out, hitting him in the chest. As he staggered back she kneed him in the groin. He dropped to the ground and she kicked him. “Touch me again, asshole.” She screamed.

The butt of a rifle struck her on the back of the head. Everything went black.

The Avengers briefing room was buzzing. Steve sat at the head of the table rubbing his eyes.  Carol, Tony, Peter, Bruce, Wanda, Sam, Jessica, and Luke all sat around it arguing with each other, while Bucky and Jamie paced up and down the room.

“If someone says we look at the known Hydra bases one more time I’m going to lose my shit.” Sam snapped. “There are no known Hydra bases. We thought we’d wiped them out already.”

“A fully operational Hyrda base would be using a lot of energy,” Bruce said. “If we were to use the satellites to find any anomalous energy hotspots around the globe?”

“FRIDAY?” Tony barked.

“Right away, Mr. Stark.” The building’s AI responded.

“What if she’s already dead? I can’t feel her anymore. I’m really scared.” Jamie said, rubbing his temple. Ever since he lost contact with Sarah he’d felt like a part of him was missing. It made him feel sick and he’d been fighting off low-level nausea ever since.

Bucky put his hand on Jamie’s shoulder. “We’re not going to give up looking for her either way.”

Steve looked over at Bucky. “Buck, when you were in Hydra, how did they control Daisy?”

Bucky collapsed down into one of the chairs and ran his hands through his hair. “I wasn’t even awake for most of that, Steve. I’m not sure I can help.”

“Whatever you can remember. Anything at this stage could help.” Steve said.

“Well, I think a lot of it was she was worried about me. I know she kind of did what she wanted a lot. I don’t think she was in complete control of her powers back then and you know she wasn’t ever as powerful as Sarah is anyway.”

“Well, that was helpful.” Jessica scoffed.

“I told you I couldn’t remember much.” Bucky spat back.

“Buck, is there anything else?” Steve asked.

Bucky closed his eyes and rubbed the bridge of his nose. The memory of waking up in her room and how thick the door was. How Daisy had said she was a prisoner too, but she wasn’t strong. So why was the door so thick? “I think they must have kept her in a room that was lined in something that damped her powers. The door to her room was so thick. I couldn’t break it open. Why would it be so thick for a girl who wasn’t even particularly strong.”

“FRIDAY, narrow your search to structures with unusually thick walls at least somewhere within them,” Steve said.

“Right away, Captain Rogers.”

Sarah came to sitting upright. Her head was pounding again and when she went to move she realized her hands were locked down to the arm of the chair she was sitting in. She opened her eyes and tried to struggle free from her bonds.

“Hello, Sarah.” A warm female voice said from behind her. She craned her head around to see who was talking. A beautiful woman with pale skin and black hair walked around the front of a desk and sat down opposite her. She wore a green bodysuit that hugged her figure. “I’m sorry for the way that Agent manhandled you. He is being reprimanded. You won’t see him again.”

“Who are you?” Sarah asked.

“My name is Viper. Have you heard of me?” Viper answered.

Sarah shook her head. “Where am I?”

“Why my dear, you’re with Hydra. You know your mother grew up with us, don’t you? I met her a few times. She was very powerful. You are stronger am I correct?” She spoke like she was bored and had an accent that Sarah couldn’t quite place. Like she’d never spent long enough in one country for an accent to take hold.

“You’re going to regret taking me.” Sarah seethed. “I’m going to kill you personally.”

Viper laughed. Sarcasm dripped from the sound. “Oh, darling. What do you think you’re going to do? I turned off your abilities.”

“You think that’s going to matter? Even if my fathers never find me. And you know they will. You think I need my powers? I am going to tear your throat out with my teeth.” Sarah spat.

Viper laughed again. This time it sounded genuine. “So full of fire, young Sarah. You remind me of me. I don’t want to take it from you, but don’t think I won’t.” Viper pressed a button on a console in front of her and electricity surged through Sarah. Her jaw clenched, her teeth narrowly missing her tongue. There was so much pain, she wondered for a moment if this was how she died.

It stopped quickly and Sarah sat panting in front. “What do you want from me?”

“Just your compliance. I know it won’t come quickly. Don’t worry about that. It will come. As it will with all your little friends.” Viper replied. “You aren’t going to be found here. You can’t escape. You will break.” Viper hit a button in front of her. A group of guards filed in. “Get her out of here.” She barked at them.

Sarah struggled with them as they wrestled her into cuffs.

“Get some rest, Sarah. Your re-education starts tomorrow.”

// NEXT

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[xce23]

A look into the design process of X-23′s new costume from Mike choi

These insights into the creation of the design concepts for Laura Kinney’s new costume were originally posted by artist Mike Choi on his Twitter account.

“My first stab at the new X-23 concept. Other than the editorial direction to be reminiscent of the X-Force look I helped create, as well as be a departure from the Wolverine look, it was pretty much left to my own exploratory devices. My initial goal was simple: to not just do the standard neck-to-toe bodysuit with seams and patches being the only thing separating it from the others. I also wanted to try going "my-era" punk with Laura's look, or at least evoke the idea of that punk aesthetic, hence the metal elements and the introduction of fine mesh as a material.

This concept presents the very by-the-numbers, bare bones of the culmination of all these ideas, and the necessity of some updates became immediately evident.”

“This overall silhouette was inspired by the old-school superhero costumes, à la She-Hulk or post-/pre-skirt Wonder Woman, as well as possibly subconsciously WWE wrestling singlets. I wrapped the torso with a leather strap weave texture, and extended the mesh sleeves and added asymmetrical straps as an extension of the midsection wrap to cover the entire arms to see what that looked like.

Something that really helped inform the process for me was cosplayers possibly creating this costume in real life, and what that would look like, and how they would go about creating it. This allowed me to think in terms of layers, materials, and textures, and also the hope that people would have fun making the costume.

I also added a strap of material on her shoulders bordered with a metal trim, and I liked that it created a callback to her old Wolverine costume, but it only served to underscore the intention to shed that look completely.

The immediate response from all parties including myself after seeing this on paper was that Laura's costume looked weird and out-of-character without pants. And obviously a look that works because it's ingrained after decades in our psyche for established characters probably won't work on a newer character.”

“This is when I consciously made the decision to eschew color altogether. Blue and yellow were out, as were earth tones, because she's no longer Wolverine. Plus, nothing harkens back to the original X-Force look like black and greys.

I absolutely accept 100% of the credit and blame for Laura having an exposed midriff in her designs. It started with my first attempt in designing a costume for X-23, who prior to that point, had never had an official costume. I designed one on the fly for a variant cover that I assumed was going to be an unofficial one-off, and without having read any X-23 books except for NYX, which had come out earlier that year, and the first script of Target X. At the time, most of her history and backstory had been established as canon by NYX, which I believe still counts as the first appearance of the character. That costume inadvertently for me also became canon in many ways after it became the basis for action figures, statues, and video game appearances.

Laura has obviously evolved in the decade-plus history of the character, hopefully starting in many ways with Target X and my run on X-Force with the creator of Laura/X-23, @MrCraigKyle, continuing into her own titles ongoing to today. She is definitely not the same person she was back then. But do tastes in clothes correspondingly change? Like I said, she's no longer Wolverine, either.”

“I have the absolute honor and pleasure of having a professorship at a small but prestigious local university, and was able to conduct research with my female students between the age of 19-22 and ask them what they would wear if they were superheroes. I was surprised by some of their answers, including finding a few in favor of capri-cut pants, which I'm a fan of aesthetically but know that their fashionability comes and goes.

It was made abundantly clear that young women their age value agency above all else, and want to wear whatever they want without adhering to external pressures, norms or rules. To paraphrase Betsey Johnson, women dress for themselves first, then other women, and then finally men, and perhaps that tenet is truer now more than ever. For most women, affecting others, especially men such as myself, is not the main or even major impetus of their style, and to assume such is no different than other narrow-minded orthodoxies that put the onus of "temptation" on women.

So, as it pertains to costume design, imbuing agency in a character is obviously an oxymoron and was a difficult needle to thread, but in light of today and tomorrow's culture of female empowerment, something that made me feel just as uncomfortable as seeing exposed skin on Laura was finding myself believing that I needed to have that skin covered up.”

“My favorite part of these concepts is the boots. I'm a big fan of sneakers, and love designing footwear and taking cues from expressive and risk-taking designs. Recently, 14 female designers at Nike remixed their own versions of the Air Force 1 and Air Jordan 1 sneakers in some truly inspiring directions, that I in turn drew from to create Laura's boots here.

In the back of my mind is the constant question of "how is this useful in a superhero fight" or "what combat-related advantage does this present," but more and more recently I've been able to modulate its volume. What is the point of that thing on Snake-Eyes's face? What competitive advantage is presented in the patent leather outer on the Air Jordan 11s?

Sometimes a good design just needs to look cool, otherwise I'd just cover Laura head to toe in camo-textured Kevlar. My explanation for these boots is simply that they look cool to me. We could always reverse-engineer a more functionality-based explanation later.”

“Speaking of functionality, this is my attempt to draw from the results of Google image searching "CrossFit women", as well as to try to go lighter in my greys to see what that would look like. The responses were mixed, in that everyone hated it in various degrees.

Something I wanted to be aware of was that I wouldn't be the only one drawing any approved costume. Even if these short shorts had been approved, a number of future depictions maybe wouldn't take into account that the look was intended to be primarily athletically-inspired, even if I affixed a Lululemon logo at the hip. I didn't want to see a slippery slope of future artists making costume elements smaller and smaller beyond functionality, so already small shorts were immediately out.

The finger-gloves were inspired by what Lady Gaga wears in opening for the music video for Telephone. As a student of music video crafting, other than absolutely amazing editing the only thing I liked in that video were those gloves.”

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