#Maybe I should just make a comic instead

[blushouyo]

cops and robbers

[kaiserouo]

[bandsandwristbands]

~🥰Overstim Gaara🥰~

Reposting w/ more cropped cuz tumblr was NOT HAPPY about the last one *cries*

[jasontoddenthusiastt]

The New Titans #55 (1989)

Batman (2010-) #641

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Red Hood and the Outlaws (2016-) #6

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Batman and Red Hood (2011-) #20

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Batman (2016-) #138

They sure do bAT&Tman. They sure as hell do.

Yet Jason never thought this way about you.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[puppyeared]

Helloooo popping in to say I love your art! It’s cute and feels soft (reminds me of when you’ve got a really smooth pencil and it just ghosts across the paper) but your poses and anatomy also give it a good feeling of realism :D

classic question here; do you have anything you’d say is a big influence on your art? I love seeing what people answer and trying to connect it back to the kind of thing they currently make :]

!! thank u!!! i do wish i could get more creative with angles, but im happy knowing my art gives u that feeling ^_^

I really enjoy comics!! I like poking thru graphic novels and webcomics, so I've fallen into the habit of exposing myself to lots of different styles over time that I'm fairly explorative with my art. It gives me a lot to study, especially since different artists have different strengths and preferences

I also think of myself as a simple person, so I'm not strongly attached to anything in particular... I notice a lot of artists find their ground in certain interests or aesthetics. But since I'm not really like that, I try to put a bit of myself in whatever I draw to connect with my art better. Its probably why I like taking creative liberty when making fanart lol

im also drawn to indie creative work like games and animation! they tend to be extremely varied and unique from each other, which is great since I work from my own sense of curiosity. I also hate repetition, so having things that set themselves apart visually or otherwise is something I like to look for.

[hoardlikegoldenirises]

something a little silly

(he's not actually angry at the "drugs" thing, just busy trying not to die)

oh i almost forgot

transcript of my bad handwriting:

Page 1 Panel 1: 2013, 1:38 pm (sfx: DING DING DING)

Panel 2: 9th period, 1:40 pm

Peter's internal thought bubble: "Oh shit my meds"

Panel 3:

Student 1: Hi, Mr. Parker!

Peter: mm-hm

Panel 4:

Student 1: Mr. Parker? Hello?

(Student 2: Huh?)

Panel 5:

Peter: Hm?

Student 1: What are those, tic tacs?

Student 2: No, he's doing drugs!!! (In class!)

Text pointing to Peter's hand holding his pills says "PTSD medication"

Peter: HKFGH (choking noise)

Page 2:

Panel 1:

Student 1: Are you okay?!

(Student 2: oh fuck)

Peter: COUGH COUGH

Panel 2:

(sfx: WHEEZE)

Peter: It's not DRUGS!

Panel 3, Peter cont.: Well, I mean, it is drugs, but it's prescription—it's medication. OK?

[yvtro]

i genuinely think that jason could and would be content with an ordinary life, especially if bruce were a civilian too. in another life i would have really enjoyed just being your son. a 10pm bedtime and slippers instead of pixie boots.

[tealfruit]

it's really a shame I have to sell 40+ of my life hours every week for poverty wages instead of spending all my time and energy on dozens of creative and technical pursuits with unlimited resources

[mstormcloud]

Bluerune postinggggggg YIPPEE

[claitea]

doing long comics Sucks man how do other people do it. webtoon artists you terrify me on a level i am incapable of putting into words.

[istherewifiinhell]

banging my head against the wall. does anyone wanna go insane and read TMNT Mirage #37 with me? An emotionally fraught jouney of faith and family and battling for or against your roots of eons past? You should. But if your not in for reading a 40 page comic I have a condensed visual/textual moments and summation for you! You might enjoy it!

[Mirage 37, Rick McCollum and Bill Anderson]

ID: Turtles walking through a forest with full camping bags. Mikey has his mask around his neck and wears a bucket hat: Well..." Raph wears a wide brimmed fedora type hat, he balances one sai by its point on his finger: "You do got a point, buddy." Leo is shadowed in the back with a straw hat. END

[In this comic the turtles are depicted with understated beaks and look lankier than Classic Mirage style. Their skin is usually in the darker of the 2 toners, and their masks are left without toner.]

ID: From behind the group, Don and Mikey in silhouette up front. Behind them, Raph is throwing his sai in the air. Leo is saying "I believe you Don, but... Spiritual meaning? Maybe you're reading too much into it." Close on Don's face, frowning "No, I'm not." END.

[See Donatello: The Ring, in Turtle Soup #2] Here's what you missed: Don went on a spiritual journey by himself. Now he wants them all to experience it.

ID: Three turtles and Splinter in the farm house living room. Raph and Mikey on the couch with books, Leo on the floor polishing his sword. Splinter standing to the side. Raph: Yeah, but Casey's car's on the blink. Mike: I hope its doesn't fall apart while he's out with April. Leo: Don will fix it when he returns. Raph has one leg up, is tossing some shuriken in one hand, his books says "Fun with sai". Mike slouches and has a drink can, his book is "Life of Bruce Lee" END

ID: Three Panels of Don explaining his experience in front of a large fire, fiddling with his bo staff, the flames curl around him as he speaks. A brow raised: But it wasn't the trees- It was one of us! The Father of All Reptiles Looking contemplative: He was a turtle. Or a ghost. Some kind of spirit... With a sheepish smile: And I'm glad I met him. He said I was special... END

Splinter reprimands the other turtles for not taking Don seriously. His lecture:

"Your lack of respect is unbecoming. Have I so failed you that you have no feel for your heritage, your roots? Reptiles ruled this world for uncounted eons, your people strode the land, slipped through the warm seas, and skittered about the sky. Though gone, their blood is your blood. And their spirit should be yours! They are your elders, with their bones left in the rock, lasting forever in the skin of the world. Respect them, and honor their spirits as you do me!" "Recall the time you spent, eons past, with your friend Renet. How you spoke of it once you'd returned! Did you not feel a sense of unity with that time? Did you not resonate to the heart-beat of the archosaurs? Your enthusiasm lingered for weeks."

[See Tales of TMNT 7] They went back in time and met dinosaurs, amongst other things.

ID: Panels with a close up on each character. April in profile, with a solemn look: You babbled on about it for days. Mike smiling wide: Yeah! It was warm! Leo, clutching his sword, looking away: I felt so free! Raph, his mask pushed up to his forehead, an eyes closed smile: Three months of fishing! Don, holding his staff, looking down: Yes, I was... Happy. END

Splinter continues to speak.

"Happiness…Ah, Donatello, it is so ephemeral. As was the time of those reptiles. Everything is a ring, and the ring turns. The world grew cold, small, furry creatures came out of the shadows. The dinosaurs died. The age of mammals began."

Raph, upset, gets disparaging about what the predominance of mammals has done to the earth.

ID: Three panels. Raph, shocked, hand over his mouth: I can't believe I said that. Splinter looming over Raph, who jerks back. Splinter: ~Think~ before~ you~ speak~ Raphael! Raph: I'm sorry! I'm sorry! I'm sorry! Splinter: Need I remind you that your best friend Casey Jones is a mammal? Close on Raph and April. Splinter off panel: Not to mention myself? Raph: Eep! April grimacing: I'm feeling warm-blooded and hairy also! END

ID: Four panels. Caption box: And look they do— Raph looking at two trees growing diagonally, thinking: I don't even know what I'm looking for. Leo, partially hidden behind foliage, thinking: Something's up. I feel... something. Mike, looking at a tree that's grown a loop in its trunk, thinking: Is this a "spiritual experience?" Don, walking through the trees in silhouette thinking: Why can't I find the place?" END

After a day of searching, they camp, but Mike goes missing during his watch in the night.

ID: Two panels, each showing Raph and Don and they face off and argue, their speech bubbles placed between them. Raph is backed up against a tree, angry, clenching his sais tightly. Don has his bo like a walking stick, and seems calmer.

Raph: Why? Mike needs us! Don, with an irregular speech bubble: Either he is alive or he is dead. The quest is more important. R: What are you talking about? What's wrong with you? D, normal bubble: Nothing. I had a dream last night. If we give up the quest, we've lost. R: Mike is more important! D: That's what the adversary hopes you think. R: What adversary? D, irregular bubble: Have Faith. R: Donatello! D, regular bubble: Remember when you devovled? We kept faith. R, yelling: AAARGH! END

[See Mirage 24-26] Raph was de-mutated into a regular turtle, his brothers had to go on a journey to save him.

ID: Leo, mask off, scowling "This is what we'll do. Break camp. Consolidate our gear. Bury what's left. We're on a combat mission now. We'll keep faith, Don, but--. A narrow panel of Don, drawn small, gripping his staff: What? Leo getting in Don's face, displeased: I hate leaving Mike. -- Just make sure you're right. END

Raph goes missing on their second nights watch, Don becomes stranger and more convicted about this quest.

ID: Leo, furiously, points in the direction of the viewer, accusing Don. "What's with you? Why are you so out of it?! -- What's wrong with your voice? [Larger text] Don't you care about Mike or Raph?! END

ID: Don sits facing away from Leo, gripping his staff, angry, speaking towards his hands. Leo looks on from a ways back, dramatically lit. Don: [Large text] Of course I do! [Normal text] But... I don't know what's wrong with my voice. I don't know who the Adversary is. And yet..." END

ID from alt: Two panels, Leo glaring, getting in Don's face, pointing at his beak, grabbing Don's staff. "Who told you this?" Don has brows raised. Don, with a wincing smile: "The Father of us all." END

ID: Multiple panels. Close on Leo, "Remember what I said about being sure?" Don holding his staff in front of himself, seemingly scared, "Leo, please." Mid on Leo, more neutral frown, "Don..." Full body, Leo turns away, the wind picks up. Leo facing away, pulled back shot. "Let's keep going." END

Narration as they travel further into stranger and stranger territory.

Leonardo: What was to be a relaxing romp has become a grueling death march. Sweating and hacking through the threatening undergrowth, he understands that he is hopelessly lost. As lost as Donatello seems to be, following an Unknown pull, mumbling to somebody only he can hear Donatello: while Leonardo must fight the wild landscape, he slips easily through the thorns. And he listens, and talks. Hair is better than scales? The birds are traitors, having stolen the secret of hot blood? Giants, brought low by small, furry ones? As he pursues the silent beckoning, he learns...

They have a run in with a foe in pitch black forest. They take many hits but score one back, severing one limb, hairy and clawed, then retreat. Don garbs himself in some make shift religious fair, using his blanket, mud and ash. The two sleep, they dream.

And they dream the same dream. They see their blood rise and rule. The ring is turning. The reptiles differentiate, and claim the seas and air. They see their family as it might have become- If the ring hadn't broken. They feel contempt for their children, the birds, as they invade the skies. But it is nothing compared to the fear which the small hairy ones bring. The furry horde had been around since the reptiles beginnings- swarming… unstoppable.

ID: Three panels. Caption Box: The morning brings questions. Leo and Don sit with their backs to a tree. Don's taken his mask off, made a dark markings on his face and body, and wears a hood. Leo: Did you dream-? Don: Yes. Leo looks upset, gestures with a hand in front of himself. "I... felt grief. Anguish. They must be let loose. -- But why? And how?" Don's face is completely shadowed by his hood, his eyes and teeth stick out in far too much detail. It is an unsettling smile. "You're starting to learn." END

Another fight, Don's leg is broken by the mammalian Adversary. Leo, with all the weight of the loss of his brothers, takes position to make a last stand protecting him. But Don urges him to continue on, to find and aid the Father of all Reptiles.

ID: Many panels, Don injured, propped against a tree. Eyes closed in pain he says "Can't you hear?" Leo looks behind them. A strange voice says "Come." Close on Don, crying, yelling at Leo "Go! Please! I have faith in you!" Leo's eyes, frowning. Leo's hand, offering his sword. Leo's eyes, he's crying through his mask. "Take this." Don's hand taking the sword from Leo. Narrow panel, Leo walks away, remaining sword drawn. "Fight well." END

ID: A cut off panel with dialogue, and a close on Leo, framed between two rocks, crying heavily. The says: You have become one with sorrow. You are sad. I am glad. Now we may speak. END

Leo climbs and the conversation continues.

Narration: There are sounds behind him, as he climbs. Voice: Your brother Donatello gave me joy when we met. I thought it would release me from my grief. Narration: Following him as he scampers every higher. Voice: I tried to go. But joy is ephemeral-- Narration: Leonardo reaches the top with haste. Voice: While melancholy lasts forever.

Leo sits at the mountain peak, thinks of his brothers, contemplates the sounds of the Adversary below and the Father of all Reptiles speaks to him more, as he falls into sleep.

This is my nexus, my holy spot. This is my prison, where I am trapped by my sadness. Dream of extinction. Dream of death. Once we were, now we are not. You and yours are what we could have been-- Had not the hairy ones come. All the scaly brethren are my children… But they hairy ones killed them-

Leo wakes slowly to a growl, then all at once with a yelp.

ID: Full page, the Father of all reptiles finishes in a yell. "THEY ATE MY EGGS!" The mammalian Adversary's loud growl just under the speech bubble. It looms in the panel, over Leo at the bottom, his sword drawn. The Adversary, large and rodent like, fur dark, eyes gleaming, foam dripping from its mouth. One arm severed and still bleeding, implanted in it are the weapons from Leo's brothers. Raph's sai in its leg, Mike's nunchaku in the stub of its arm, Don's staff and Leo's other sword in its chest. Other small rodents cling to its form. Surrounding the image, marginalia in the corners. Cracked eggs up top, rodents in the bottom. And a border of text, listing eras, genera and species of or relating to early mammals. END

Leo's brothers, injured, wounds wrapped and broken limbs braced, are following his trail. They see signs in the sky, Mikey thinks it looked like a massive turtle. Don is assured with his faith that this means the Father of All Reptiles is aiding Leo, and that they should rest. Mike and Raph leave him to sit at the mountain base (offering him another weapon for protection), and make their way up.

Narration: At the pinnacle, a warm, fresh breeze wafts downward. The trees below grow normal. Throughout the world, fossil Mesozoic eggs break apart, as fetal reptile souls are let loose. Paleontologists will find no more intact eggs. EVER.

ID: Full page panel, Leo sits at the base of the giant cracked egg of the Father of All Reptiles. Sword dangling, he's exhausted, blood splatters him, his sword, and the mottled surface of the egg shell. The Adversary's head and remaining hand are laying to one side, the dark mass of fur on his other. His brothers cresting the peak see him, and he says "We freed him. The wheel is moving again. The ring is whole." Caption box: And whole, the ring moves on. A Marginalia drawing in the corner shows a small rodent, the front of its body inside the cracked shell of an egg. END

[leaphia]

Gooooosh why do I feel so bad about my comic script all of a sudden? I've read it a million times, I loved it and now I'm questioning everything again

[deva-arts]

The spiritual successor of this comic

Maybe knock next time?

[quetzalpapalotl]

The contrast between these two is so funny to me.

[reanimatestar]

quick sketch of my best friends clark kent and superman

[image description: two pencil portraits of clark kent (also known as superman) from dc. the first drawing is him as clark kent while the second is him as superman. he is smiling in both portraits. /end description]