#Matthew Fifer
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celluloidrainbow · 2 months ago
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CICADA (2020) dir. Kieran Mulcare & Matthew Fifer Ben spends his days living in Brooklyn and taking on a series of odd jobs, while at night he has meaningless one-night stands that leave him feeling empty inside. He suffers from hypochondria and has a set routine that he frequently goes through with his physician, Dr. Dragone. Ben's life takes on new meaning when he meets Sam, a data analyst, while browsing for books. Over time, the two men each admit personal secrets and life-long traumas that they had never really told to anyone else before. (link in title)
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popandfilms · 10 months ago
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Gay Movie "Cicada" by Matthew Fifer & Kieran Mulcare
My IG : https://www.instagram.com/popandfilms/
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fiercynn · 8 months ago
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queer short film: "isabel sandoval's shangri-la"
queer short cuts is a biweekly newsletter where i share queer & trans short film recommendations. i’m featuring some of my favorite films on tumblr because why not
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united states | 11 minutes | 2021 | narrative short audio in english; subtitles available in simplified and traditional chinese, english, french, italian, japanese, korean, and russian
isabel sandoval’s shangri-la, written and directed by isabel sandoval, depicts the love of the unnamed filipina-american protagonist (played by sandoval herself) and her white lover samuel (matthew fifer). set in the united states during the great depression in the 1930s, their relationship is forbidden by laws prohibiting interracial marriages. (the protagonist’s trans identity is only subtly referred to by a scene with dilation that post-operative trans women do, but transness undoubtedly shapes her context as well.) moving from a church confessional booth to an evocative flashback and again to a vision where the protagonist wakes up as a warrior on a battlefield, the entire film is dreamlike and seductive, showing how the protagonist transcends her current context to imagine other lives. - deepa's full review, including content notes at the end
you can find isabel sandoval on twitter and instagram!
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conatus · 2 years ago
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Traumas do passado se entranham em um relacionamento que tenta se solidificar em "Cicada"
Traumas do passado se entranham em um relacionamento que tenta se solidificar em “Cicada”
Ben é um jovem bissexual que em meio a uma fase hedonista, conhece e desenvolve um relacionamento intenso com Sam, um homem de cor que luta com feridas e traumas da sua vivência enquanto negro e gay. À medida que o verão avança e a intimidade do casal aumenta, o passado de ambos os personagens retorna. A sensação ao assistir a “Cicada” é de que ele quer lidar com muitos problemas. Aqui…
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sunshinestatecineplex · 4 months ago
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FANTASIA 2024: HAZE - A Slow-Burn Descent Into LGBTQ+ Fear
One cannot help but feel the anxiety of Fifer's work as it partakes in a deeply upsetting character study.
It’s hard to describe the impact of the AIDS crisis to non-LGBTQ+ individuals. While safe sex and fears of STDs are present across every group, AIDS completely changed how some men and women perceived sex within their communities. Even worse, non-urban areas saw the plague as a perceived punishment. Haze, a new horror feature from director Matthew Fifer, feels the reverberations of this trauma. A…
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fathersonholygore · 5 months ago
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Father Son Holy Gore Does Fantasia 2024
One of the joys in my film writing career over the past handful of years has been covering Fantasia, and yet again, for my 6th year in a row, I’ll be covering the festival in 2024. The genre films that come to the festival are some of the best you’ll see anywhere; they come from all over the world, thankfully finding a home during the summer at Fantasia. While a lot of attention and press…
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thebearisbacksince1972 · 2 years ago
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maxwelltait · 4 years ago
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Shangri-La (Sandoval, 2021)
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rickchung · 4 years ago
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Cicada (dirs. Matthew Fifer & Kieran Mulcare) x VQFF 2020.
Fifer and [Sheldon B.] Brown make Cicada such a quietly vibrant film through their low-key performances. There’s an appealing moodiness that makes its clear yet underlying queer themes of identity so identifiable. How it layers past trauma and stories of abuse feels natural and consequential.
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newlabdakos · 2 years ago
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Cicada (2020)
Continuing the tradition from my old blog (which has been unceremoniously deleted by tumblr without much of an explanation why) I’m doing daily posts during June to celebrate LGBTQIA+ pride by showcasing openly LGBTQIA+ celebrities and various content about or created by LGBTQIA+ people such as music videos, characters on TV shows, movie trailers, …
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thepeoplesmovies · 3 years ago
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Watch Profound UK Trailer For Cicada
Watch Profound UK Trailer For Cicada
Peccadillo Pictures have released the UK Trailer for drama for Matthew Fifer’s directorial debut Cicada. The film is a heartfelt and refreshingly hopeful tale that tackles complex subjects with grace, delicacy and uncompromising honesty. Based on Fifer’s personal experiences, the film launched at Outfest and has played to wide acclaim around the world, including the BFI London Film…
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kristenswig · 3 years ago
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#43. Cicada - Matthew Fifer & Kieran Mulcare
3.5/5
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brian-in-finance · 3 years ago
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Casting Society of America 2022 Artios Awards nominations: ‘Belfast,’ ‘CODA,’ ‘Power of the Dog’
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Apple+ TV; Rob Youngson/Focus Features; Kristy Griffin/Netflix
The casting branch of the academy is only eight years old and doesn’t have an Oscar category of its own. However, the Casting Society of America has been handing out the Artios Awards for 37 years (“Artios” is from the ancient Greek meaning “perfectly fitted.”).
Nominees for feature films were announced on February 1 (the last day of Oscar nominations voting). Many of the leading Academy Awards contenders reaped bids across the various categories according to production cost. Winners will be revealed a virtual ceremony on March 17, which is the first day of final Oscar voting.
Last year’s big budget winners were the comedy “Borat Subsequent Moviefilm” and the drama “The Trial of the Chicago 7 ” while “The Forty-Year-Old Version” and “One Night in Miami” took the equivalent prizes in the independent division. “Minari” won the low budget and “The Surrogate” the micro budget prizes while “Soul” claimed the animation award
Big Budget – Comedy
“Cruella”
Mary Vernieu, Lucy Bevan, Bret Howe (Associate), Emily Brockmann (Associate), Olivia Grant (Associate)
“Don’t Look Up”
Francine Maisler, Kathy Driscoll-Mohler (Additional Casting), Carolyn Pickman (Location Casting), Matt Bouldry (Location Casting), Kyle Crand (Location Casting), Molly Rose (Associate)
“The French Dispatchh”
Douglas Aibel, Matthew Glasner (Associate)
“In the Heights”
Bernard Telsey, Tiffany Little Canfield, Kristian Charbonier (Associate)
“Shang-Chi and the Legend of the 10 Rings”
Sarah Halley Finn, Amanda Mitchell (Location Casting), PoPing AuYeung (Location Casting), Molly Doyle (Associate)
Big Budget – Drama
“The House of Gucci”
Kate Rhodes-James
“King Richard”
Rich Delia, Avy Kaufman, Adam Richards (Associate), Scotty Anderson (Associate)
“The Power of the Dog”
Nikki Barrett, Carmen Cuba, Nina Gold, Martin Ware (Associate)
“tick, tick … BOOM!”
Debra Zane, Bernard Telsey, Kristian Charbonier AuYeung (Chinese Casting Consultant), Dylan Jury (Associate)
“West Side Story”
Cindy Tolan, Nicholas Petrovich (Associate)
Studio or Independent – Comedy
“Best Sellers”
Pam Dixon, Andrea Kenyon, Randi Wells
“The Tender Bar”
Rachel Tenner, Bess Fifer (Location Casting), Carolyn Pickman (Location Casting), Rick Messina (Associate)
“This Game’s Called Murder”
Meg Morman, Sunday Boling
“Zola”
Kim Taylor-Coleman
Studio or Independent – Drama
“Belfast”
Lucy Bevan, Emily Brockmann, Carla Stronge (Location Casting)
“CODA”
Deborah Aquila, Tricia Wood, Lisa Zagoria, Angela Peri (Location Casting), Lisa Lobel (Location Casting), Melissa Morris (Associate)
“The Lost Daughter”
Kahleen Crawford
“Passing”
Laura Rosenthal, Kimberly Ostroy
“The Hand of God”
Annamaria Sambucco
Low Budget – Comedy or Drama
“Blue Bayou”
Marisol Roncali, Chelsea Ellis Bloch, Matthew Morgan (Location Casting)
“The Humans”
Ellen Chenoweth, Susanne Scheel (Associate)
“The Novice”
Matthew Lessell, Nicole Hilliard-Forde
“Together Together”
Richard Hicks, Leslie Wasserman
Violet”
Orly Sitowitz, Stacey Pianko
“We Broke Up”
Amanda Lenker Doyle, Chrissy Fiorilli-Ellington
Micro Budget – Comedy or Drama
“Dramarama”
Meg Morman, Sunday Boling
“The Outside Story”
Stephanie Holbrook
“Shiva Baby”
Kate Geller
“The Subject”
Destiny Lilly
“Swan Song”
Eve Battaglia, Lina Todd, Angela Boehm (Location Casting)
Animation
“Encanto
Jamie Sparer Roberts, Grace C. Kim (Associate)
“Luca”
Kevin Reher, Natalie Lyon, Kate Hansen-Birnbaum (Associate)
“The Mitchells vs. the Machines:
Tamara Hunter
“Raya and the Last Dragon”
Jamie Sparer Roberts, Grace C. Kim (Associate)
“Vivo”
Tamara Hunter
https://www.goldderby.com/article/2022/casting-society-of-america-2022-artios-awards-nominations/
Remember… the Casting Society of America has been handing out the Artios Awards for 37 years (“Artios” is from the ancient Greek meaning “perfectly fitted.”). — Gold Derby
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wherearemyglassesbro · 4 years ago
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i saw that you play genshin impact, so i’m kind of curious... what’d be the axis and allies’ vision and weapons?
Uh oh...now you got me started. Be warned, it’s a long one cause I have no self control
Some key terms for those who don’t play genshin impact and want to be included!!
Cryo -> ice, Hydro -> water, Dendro -> nature, Geo -> rock, Pyro -> fire, Electro -> lightning
Hilichurls: a common enemy found in the wild. Despite looking like hairy trolls, they have a district language as well as texts, art and song that they share together making them an advanced species!
Ruin guards: another enemy. Giant, scary robot...they scare me...
Knights of Favonious: an organization of knights within Mondstat that keep order and peace :) very nice guys and gals over there!!
Mondstat: modeled after Germany
Liyue: modeled after China
Alfred: pyro, claymore, Springvale Mondstat
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Alfred would be a super heavy hitter in battle but his drawbacks are that despite his energetic nature, he’s slower because of the weight of his weapon
He blows stuff up a lot and sets all of the grass around you on fire so if you fight with him...His teammates will take damage from him Jeez Louise!!!
Since we don’t have all of the nations of Teyvay unlocked, I don’t know where he’d be from! I’d have to explore to get a sense for it so for characters that don’t have a place on the map yet, I’ll mark them with an asterisk from now on! :)
Idk where he lives but I do know that he’d be a devoted member of the adventurers guild! He’s always willing to offer a helping hand to anyone in need! Wether it be helping Granny Ann make hash browns or taking comissions to go kill a huge ruin guard who’s terrorizing the town!! He’s always leaping into new jobs! He isn’t even in it for the money or rewards! He just loves helping out!
Arthur: Dendro, archer, Mondstat
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Artie is a beast in battle! Shooting vine Aries at enemies to tie them up or temporarily blind them??? Sick as fuck. Keep in mind, Genshin doesn’t have any Dendro characters that are playable yet so idk how they’d fight but I think I can guess :)
Artie is technically part of the knights of favonious because he works in their library. He translates books written in ancient texts into the standard language so historians and others can read what the old civilizations had to say
Instead of having normal eyes, they’re slit like snake eyes. And he has leaves instead of hair :)
He has a little seelie that floats around at his side. He talks to it but it doesn’t really do anything but provide company to a lonely guy :’) he needs more friends
Matthew: Anemo, catalyst, *
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It’s always good to have a catalyst on your team! Ningguang is a great example of an underestimated catalyst cause she can do INSANE damage man!! So I think Mattie would be the same way
Matt isn’t violent and doesn’t enjoy fighting so his in-game voice lines would say that lol
Mattie is an alchemist! Well...A student alchemist. He didn’t take up an interest in alchemy until like, 3 years ago so he’s got a lot to catch up on still! He’s doing his best!
He gets very annoyed with Alfred since Mattie is detail oriented and gentle...Alfred is not any of those things. But he still loves his brother and on rare occasions, he’ll assist him with his commissions
Ivan: Cryo, catalyst, Liyue(temporary)
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Ivan would be a support character for sure but he’d do a damn good job of doing it
He’s buff but he doesn’t do hand to hand combat, he’s mastered magic for a reason
Ivan spends most of his time studying hilichurls. He writes books about them, translates their texts and acts as a peace keeper when he can. He gets information from them about the Abyss Order in return for free reign of small portions of protected land where they can live without fear of being killed
Because he’s from Schneznya(spelling?) he’s kinda expected to be a bad guy but he left a long time ago. But he still sounds like he’s from there and...He’s super pale too so there really is no mistaking where he’s from
Ivan can’t stand how ignorant humans are towards hilichurls so he does everything he can to advocate for them. He’s covered in scars from when he first started engaging with the beasts. A huge scar runs down his face but he doesn’t mind it
He’s got big, sharp teeth!! So he doesn’t often smile cause he thinks he looks weird
Francis: Hyrdo, long sword, *
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Fran is underestimated when it comes to combat (like Kaeya...I see you slandering this man) but he has so much potential!
Since he’s a hydro, he is so useful for elemental reactions! If he’s paired with a cryo or pyro user, he’d totally boost them!!
Fran is a traveling entertainer, he goes between the 7 nations as a singer and actor for small stage plays. He has a crew of friends who travel with him, they’re one jolly bunch!
He always acts all nonchalant and stuff but once he’s in a battle, he’s wild. Especially if the abyss order holds up his crew on their way to their next tour destination “We need to be in Liyue Harbor in four hours you are NOT holding us back!” *tidal wave*
He’s a regular tavern hopper! A very recognizable face since he’s been banned from a handful for getting too rowdy
He can make not one, but 2 special dishes :0
Yao: Dendro, polearm, Liyue
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I just imagine him as a shorter, richer and cooler version of Zhongli
He’d do that kick move that Zhongli does with his polearm oh man that looks SICK dude!!!
Yao would shoot vines out and they’d strangle enemies for a few seconds before disintegrating but if he’s leveled up enough, they’ll totally strangle those stupid hillichurls lol
Yao sells rare gems and other miscellaneous items for very high prices in Liyue where he grew up. His shop is upstairs by the Fatui bank. Rich people enjoy looking at what his shop has to fifer and will argue prices with him. They’re getting scammed for sure. He’ll list a set of cor lapis earrings as $50,000 and the rich will be like ‘I’ll pay $25,000, no more than that’ and he’ll take it!!....Cause thise earrings are worth $5000 at most >:)
Hes close with a lot of the higher ups in Liyue and is often invited to fancy lunches or dinners where they discuss policy, contracts and vendor permits. He doesn’t really get a say in any of that but he benefits from listening
Kiku: Electro, claymore, *
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Kiku would be SUCH an awesome electo user are you KIDDING me??? I can see it now, him swinging that huge sword around, purple lightning bolts flying all around and he looks like a total badass? Amazing vibes
When paired with cryos???? He’d do an insane amount of damage fr
Kiku runs a small restaurant where he...runs the place...but doesn’t cook. His restaurant is extremely exclusive and people often throw fits when they can’t get in cause the wait list is over 5 years long. He’ll rest his hand on their shoulder and smile ‘is something wrong? I’d love to take a complaint if you have one’...No one has even dared to complain to his face lol
Behind the restaurant front he deals with the Fatui, buying and selling minerals or artifacts. That’s where his knowledge is at, not with food. He pays his staff to ignore what goes on behind the scenes and the locals are too busy enjoying the restaurant to question what goes on after dark
Gilbert: Pyro, long sword, Mondstat
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Gil would be one of the free characters given to you at the beginning of the game but hey, I’m not complaining
He’s highly destructive and very chaotic in battle, he can do that spin move even though that’s meant for claymore users
He’s Mondstat’s biggest trouble maker. He runs an underground gambling room that sits underneath a tavern. He isn’t really into gambling but he makes a lot of money by running it
The only knight who knows is Ludwig which is not good cause...Gil pretty much bribes his brother into not telling the knights of favonious (peace keepers of Mondstat)
Gil never got his gliding certificate cause he kept flying into buildings. He broke his nose doing that lol
Lovino: Pyro, catalyst, *
I can’t add anymore images so imagine a floating, red and black orb. Lovi doesn’t get a book catalyst cause he doesn’t read :) That’s the catalyst thing I’m talking about 😅😅
My guy has the angriest in game voice lines, he’s inconvenienced by every battle, every enemy is ugly and a fuckin disaster. He’s just. Angry.
He’d be a super weak character if he needed to rely on hand to hand combat but he learned magic for a reason babey
He owns a flower stand in his country and makes all kinds of beautiful flower arrangements. He even picks his own flowers in the fields when he can (but usually pays the town’s children to do it for him to ‘teach them the value of hard work’).
Everyone knows he’s a total hothead and will piss him off on purpose just cause it’s funny lmao. But then somehow...Their hair or clothes will just...catch on fire. So is it really worth it to tease him? :/
Feliciano: Hydro, archer, Mondstat(temporary)
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I feel like Feli would also be a free character, not cause he isn’t good or anything! But you always need an archer on your team!
Feli has healing properties for his team and doesn’t do an insane amount of damage but when given the right resources, he’d be a pretty sick healer
He moved to Mondstat to join the church there. He leads prayers in front of the church and sings in the choir inside.
He is the sweetest and has never committed a crime in his LIFE but he’s afraid of the knights lol he’s terrified that he’ll get in trouble and be kicked out of Mondstat forever! That would never happen but he’s a worry wart cause of his brother
Ludwig: Geo, long sword, Mondstat
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Lud is the only one that I could really think of as a Geo but Geos are awesome :)
He’s a hard hitter but has like...No shield so he’ll take damage fast if you don’t give him those artifacts with shield in them or whatever lol uhhhh I wouldn’t know anything about that cause I suck at building my teams ;-;
He’d totally be in with the knights of favonious! (I think that’s spelled right lol) but he’d take his duty as a knight very seriously!! He’s a familiar face around Mondstat, the elderly absolutely adore him and the local teenage girls swoon over him which he finds super embarrassing lol
He has to work hard to keep Gilbert in check cause even though Gil isn’t a knight, his actions reflect negatively back on Lud very often... :(
Please ignore the spelling errors and terrible photo cropping on my part lol this was so fun!!
By the time you’re seeing this, ive already made full outfit red sheets for everyone mentioned above!!!! :D
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kalyan-gullapalli · 4 years ago
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Post # 149
To err is human...
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For the past few days, I have been watching a 8-part, one-hour-each, docu-series called The Test: A New Era for Australia's Team on Amazon Prime Video. I just finished it and am bursting to share my thoughts on it. But a little bit of background first.
24th March, 2018, was a day of infamy in the annals of Australian cricketing history!
On this day, in Cape Town, South Africa, on Day 4 of the 3rd Test between visitors Australia and home team South Africa, Cameron Bancroft, a rookie Australian was caught tampering with the condition of the ball with a yellow sandpaper. He then tried to hide the sandpaper in his underwear. Jeez! What was he thinking? Did he not know that there are at least 50 cameras on the cricket ground these days? No one can scratch his back without being caught on one of the cameras.
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Steve Smith, considered the greatest test batsman after Sir Don Bradman, because of his stratospheric batting average in tests, was the captain of that Australian side. Dashing opening batsman, David Warner, was the vice-captain. Apparently, Warner was the mastermind of this incident. Steve Smith supposedly knew what was happening, but chose to look the other way. Basically, the Australian team cheated on the cricket ground! And got caught!
The backlash was swift and severe. Though the ICC penalties were light - Bancroft was fined 75% of his match fees and Smith was banned for just one match, Cricket Australia, the national board for cricket in Australia, came down really harsh. They conducted an investigation of their own. Following public admission of guilt from all three players, Australia's Prime Minister at that time, Malcolm Turnbull, phoned Cricket Australia's chairman directly to express his disappointment and concern, stating that strongest action be taken. Smith, Warner and Bancroft were banned from playing all forms of cricket for 12 months. They were flown back midway from the series and replacements flown in immediately. They lost their IPL contracts that year. Product endorsement contracts were cancelled. Darren Lehmann, though not a guilty party, stepped down as coach of the Australian team.
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Australia was rocked like never before. Warner, Smith and Bancroft had shamed the proud, cocky nation. Ex-players shook their heads in disgust and expressed their anguish, in public, on international TV. Someone said that this was the biggest scandal since the underarm ball of the Chappell brothers.
There was a huge debate whether the 12 months ban was too harsh. Personally, I didn't think so. I think they deserved every month of the ban. But public opinion was split. Harsha Bhogle said, "I honestly do not believe any other country would have handed its captain and lead player a one-year ban for attempted ball-tampering." ICC saw how steep Cricket Australia's penalties were and made their punishments steeper!
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For a while, Smith, Warner and Bancroft mulled taking legal action against CA, but then decided against it. They decided to wait out their ban, straighten themselves in their own heads and hope to come back to the sport again.
The Australian cricket team, arguably the best in the world, was depleted. Their two best batsmen were not available for selection. The rest of the team was scared of its shadow. Morale was low. There were questions about "culture". Australia and Australians were always competitive. They pioneered sledging & other psychological games and called them "getting under the skin of competition." Now somebody crossed the line and the nation had lost respect!
Tim Paine (who?) was made captain and Justin Langer was made coach. Their job - to rebuild a team and regain the lost respect in the eyes of their fans - the Australian people.
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I honestly thought Smith, Warner and Bancroft were finished. I didn't think they would ever come back to play for Australia. And I thought Australia was finished as a team to reckon with, for a long long time.
Smith, Warner and Bancroft did come back and play for Australia again. Warner and Smith were the champions of Australia's dream run till the semis in the World Cup 2019. Smith was the player of the tournament when Australia successfully regained the Ashes later that year. In a year and half, Australian cricket was back on its feet. They are not invincible yet, but they are no pushovers either.
And that to me is an exciting story. It is a story of comebacks. It is the story of the triumph of human spirit. It is the story of a few individuals, a team and a nation, owning up to their mistakes, accepting responsibility, bearing the consequences of their actions and making sterling comebacks. And earning back respect!
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The Test - A New Era for Australia's Team is that story. It is a behind-the-scene, real time account, of the way the team regrouped under Coach Langer. Like me, you will wonder how a camera (more than one actually) got into the Australian dressing room and followed each and every player's each and every move or action, reaction, emotion, for 18 months? The answer is - this docu-series was authorised, sponsored and produced by Cricket Australia. I wonder how the players and support staff felt about the constant scrutiny. I guess they didn't have too much of a choice.
The 8-part series takes us through the 18-month journey that the young Australian team took, first without Smith and Warner, through the series against Pakistan in Dubai, then against India at home, then against India again in India, their World Cup campaign, with Smith and Warner back in the team (Bancroft too) and finally the Ashes series.
Coach Justin Langer demonstrates why he, along with Haydos (Matthew Hayden), was the best opening bat in the world in his time. With his usual grit and perseverance, he lays down the process of becoming world class again. This mantra keeps repeating again and again throughout the series.
1. Focus on the next ball!
2. Trust the process to deliver the result.
3. Let not temporary setbacks waver your faith on the process.
4. Keep the noise out of the equation.
It was fascinating to see how individuals responded to the process. Usman Khwaja bats for hours and hours in the scorching heat of Dubai to save the test against Pakistan. Nathan Lyon becomes a powerful weapon in the Aussie bowling arsenal with his frequent fifers. Pat Cummins emerges as the leader of the fast bowling pack. Tim Paine (who again?) begins to come on his own and shapes up into an amazing captain. To my mind, he becomes the first Australian captain I like (not just respect) - a nice guy! That's definitely a first for an Australian captain. Over time, Aaron Finch emerges as the ODI and T20 captain. Then Smith-Warner-Bancroft are back. The series shows how they integrated back into the team, their dream world cup campaign till the disastrous semis against England and their phenomenal 2-2 Ashes result.
The journey wasn't smooth, nor was it easy. The series shows candid dressing room conversations, post match meetings, strategy discussions, coaching staff meetings, some selection discussions and so on.
One particularly touching scene was the post match team meeting the day after they lost to England by 1 wicket - the one where Ben Stokes plays and plays and plays, probably the best innings ever, okay, maybe one of the best innings ever - to prevent Aussies the series win. The match was Aussies, till Ben Stokes decided he didn't want to lose yet. Morale in the Aussie camp was low. Coach Langer swallows his own disappointment and holds the meeting to discuss what went wrong and how to do things differently next time. That one was tough to watch. My heart went out for Tim Paine and his team.
It was cool to see some greats of Aussie cricket come into the camp and assist Coach Langer and his staff. Ricky Ponting was Assistant Coach for the World Cup campaign and Steve Waugh joined the team for the Ashes tour. Their interactions with the players and comments and expressions during key moments during the match, caught real time, are fascinating.
But to me, the one person I will watch the series for - again - is Steve Smith. The docu-series begins with Steve Smith being disgraced, deservingly, for his involvement in the scandal. There is a scene where Smith is being escorted by a team of about ten odd security people in the airport - the narrator says, like a common criminal. Of course, we have all seen Smith cry on national and international TV in his oft-repeat-telecast press conference admitting his guilt. I cannot imagine what this man must have gone through. It could have crushed him. Infact, there is a scene where he says he almost decided to hang his boots. But he didn't. He came back.
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In the World Cup in England, everywhere he went, he was booed and heckled. There is a scene where Justin Langer is caught making a remark about the booing crowd, "These guys behave as if they have not made a single mistake in their lives." Maybe they have, maybe it is just Karmic justice. The Aussie crowds have been bigger assholes in the past. But this is not about the crowd. This is about Smith. He played out of his skin. He was never the greatest ODI batsman. But he was the pillar of the Aussie batting during that campaign. His was the prize wicket. The match was not over till he was out. He was one of the key players who were instrumental in Australia going to the semis, second on the league table, just below India. And for a team rocking just about an year back, that was not bad. Of course, the semi finals against England was forgettable.
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Then came the Ashes in England. More intense booing. Everytime he came in to bat, tens of thousands welcomed him with booes. But that Ashes series, Smith was para-normal. He says, he was in a bubble. He says, the levels of concentration he achieved were super-human. The results show. Two hundreds on his return test, one each in both innings, a double hundred in the fourth test, 774 in a five test series in which he didn't play in one of the tests because of an injury, 300 plus more runs than the second best batter in the series (Ben Stokes, another Superman) and 400 plus runs more than the second best Aussie batter (Marcus Labuschagne).
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What will forever be etched in my heart's mind is - When Steve Smith got out for 25 odd runs in the rain-shortened last test (his last innings of the Ashes) and started his walk back to the dressing room, the erstwhile hostile English crowd at The Oval stood on its feet and applauded its adversary all the way back to the pavilion. Steve Smith lifted his bat, acknowledged the ovation, went into the dressing room, acknowledged the pats-on-his-back from his team mates and sat in a corner of the dressing room, a satisfied smile on his lips. It was redemption. He had earned back his lost respect. The world had acknowledged him to be the best again. I could feel that moment for him.
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The story of the comebacks of Smith, Warner, Bancroft and Australia is an extraordinary story, but in no way unique. Australia themselves have gone through a similar rebuilding phase in the 1980s post the World Series Cup turmoil. South Africa came back stronger after the Hansie Cronje scandal. India became a world beating side under Saurav Ganguly after the match fixing scandals of 2000. There are other such instances.
What caught my imagination is the story of the indomitable human spirit. A human being can be down in the dumps one day, and comeback the next. Nothing is permanently gone. Lost wealth can be regained, lost respect can be re-earned, the mistakes can be pardoned if they are owned and accepted. Life doesn't judge. Life offers second chances, third chances, multiple chances. Infact, every moment of life is an opportunity - to scale new heights or comeback from behind!
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glenngaylord · 4 years ago
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OUTFEST 2020 FILM REVIEWS:  The Rest Of The Fest
As the curtain closes on another Outfest, this one presented under extremely unusual circumstances, I sit in awe of the filmmakers and of the staff who put together not only a great group of films, but managed to creatively bring them to its audience online and at drive-in screenings.  Typically, you find yourself having to choose one film over several others, but with this new format, you have a great chance of seeing everything you want.  In past years, I found myself lucky if I saw 15 films.  This year I saw 23 features and 4 shorts programs out of the 160 on the schedule.  
As it’s impossible to get full reviews submitted for everything while the festival is still chugging along, I wanted to write capsules of the remaining films not covered at TheQueerReview.com .  Please visit the website for all the other reviews I wrote as well as those by my colleagues.
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THE OBITUARY OF TUNDE JOHNSON ★★★★★
Melding a Groundhog Day-style concept with police violence against black people, this stunning film could not be more prescient and emotionally overpowering.  A black gay teenager relives his moment of murder over and over again, with slight shifts in the narrative taking us to someplace unexpected and earned.  Director Ali LeRoi directs his first feature as if he’s been doing it all of his life and has interpreted Stanley Kalu’s ingenious script with a great cinematic approach.  Gorgeously framed, beautifully acted, written, and directed, this is one of the most powerful films of 2020.
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TWO EYES ★★★★★
I can’t form sentences here so I’m gonna vomit out words:  Instant classic. Glorious. Set over three centuries seamlessly melding a triptych of stories about gender identity.  I’m a blubbering mess.  Fantastic and very funny last line.  Travis Fine is a very gifted filmmaker who screams love child of Terrence Malick and Kelly Reichardt.  Heartbreaking. Inspiring. Unforgettable.  Montana is so beautiful.  Barstow is not.  A perfect film for anyone who wants to find their place in the world. I wouldn’t complain if TUNDE and TWO EYES both received Best Picture Oscar nominations.  
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DRAMARAMA  ★★★★
Theater nerds rule in this incredibly endearing, early 90s set film about a group of high schoolers discovering themselves in one night at a ridiculous Murder Mystery-themed party.  Hilarious script, vivid and wonderful performances, and the opposite of a “Coming Out” movie in the best possible way.  Jonathan Wysocki has given us The Breakfast Club for air-kissing, mid-Atlantic accented freaks and geeks. 
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CICADA ★★★★
What happens when a traumatized, bisexual man who has more sex partners than any standard montage can contain slows things down to concentrate on one kind but also traumatized young man?  This elliptically told film has a fun, flirty side but carries its heaviness with great ease.  A terrific feature debut for director/writer/editor/lead actor Matthew Fifer. 
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THE STRONG ONES (LOS FUERTES) ★★★★
From Chile comes this sexy, moving story of two men at cross purposes who form a beautiful bond.  Set against some stunning scenery and mining the chemistry between its two leads for everything it has, I am half-jokingly calling it Brokeback Andes.  It’s so much more than that trite, hackneyed comparison.  
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MONSOON ★★★1/2
Director Hong Khaou’s followup to Lilting sets its sights on modern day Vietnam as Henry Golding’s character visits to find a suitable place to distribute his mother’s ashes.  It’s a terrific mediation on a gay man finding a sense of belonging in a place he’s never been and Golding proves himself to be a subtle, compelling actor.  Perhaps a little too quiet and reflective, the film makes up for what it lacks in narrative drive with its awe-inspiring cinematography and immersive qualities.  
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P.S. BURN THIS LETTER PLEASE ★★★★1/2
What an unexpected surprise.  Michael Seligman and Jennifer  Tiexiera’s documentary about a treasure trove of letters dating back to the 1950s brings us into the world of drag queens from almost 70 years ago.  With many of its subjects not only alive but in fine form telling their stories and the dishiest voiceover readings ever to grace a film, I was not only thoroughly entertained, but I didn’t expect to weep like Laura Dern at the end.  Oh, this is so so so so good. 
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MINYAN ★★★★
Eric Steel’s feature debut has its own unique tone and a star making performance by Samuel H. Levine, a spitting image of a young Al Pacino/Sylvester Stallone hybrid.  With its 1980s Jewish Brighton Beach backdrop, this powerful yet subtle film about a young man coming to terms with his sexuality as well as his place within his religion, it’s a stunning debut.  Ron Rifkin is stellar as Levine’s charming grandfather and Alex Hurt (William Hurt’s son) has his father’s intensity.  Fantastic, lived-in production design which feels like its decade without resorting to the usual candy colored tropes and a evocative score makes this a memorable experience.  Reminiscent at times of On The Waterfront, this film puts a fresh new spin on a coming of age tale and finds so many moving moments from first sex to an elderly gay couple hiding in plain sight.  A must-see. 
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SHIVA BABY ★★★★
Writer/Director Emma Seligman must have studied Rosemary’s Baby quite a bit with this angsty story set mostly at a memorial service.  Rachel Sennott is fantastic as a young lesbian who moves from one cringe-worthy moment to the next in an attempt to avoid as much conflict as possible.  The great supporting cast includes Polly Draper, Fred Melamed, Dianna Agron, Molly Gordon, and Jackie Hoffman, all note perfect.  Less a comedy and more of an emotional horror story, Seligman knows how to make the best of a cramped space and throw up an endless variety of obstacles.  You just want Sennott’s Danielle to get her goddamned bagel with lox and cream cheese, but the fates have something else, something better, in store. 
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COWBOYS ★★★★
Steve Zahn gives a career best performance in this moving story of a father with mental health issues and his trans son escaping into the Montana wilderness.  Sasha Knight makes an impressive debut as Zahn’s son and Jillian Bell expertly walks that fine line between villain and empathetic character.  Its comparisons to Butch Cassidy And The Sundance Kid are not coincidental.  Not perfect by any stretch, it may feel fairly conventional, but it’s tackling a vibrant subject matter.  Extra points for giving Ann Dowd a role where we don’t hiss at her. 
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BREAKING FAST ★★★
Solid romcom with a Muslim backdrop, this very tight, deceptively simple script provides just the right amount of sparks between its charming leads, Haaz Sleiman and Michael Cassidy.  While structurally not breaking new ground, the entry point into a world we don’t see enough of on screen coupled with food porn for days makes this a fun, funny, goes down easy delight.
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ASK ANY BUDDY ★★★1/2
Q: Daddy!  Daddy!  What were the 70s like down at the Piers in NYC?   A: Oh shut up and watch this movie.  
An experimental collage of vintage gay porn and archival footage from the disco, pre-AIDS heyday gives this film a mesmerizing, museum installation quality.  While technically without a story, you feel like you’ve gone on a journey nonetheless.  Would pair well with William Friedkin’s Cruising. 
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DRY WIND ★★★1/2
Slow cinema meets voyeuristic gay porn in this one of a kind Brazilian exploration an arid small town, a workers’ union crisis, and a man obsessed with the Tom Of Finland drawing come to life who motors into his life.  Overlong and a little too obtuse as it goes along, it’s worth watching this Alice In Wonderland takes a quaalude, gets a very hairy back, and has a lot of sex in the dirt. 
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NO HARD FEELINGS ★★★★
This year’s Teddy Award Winner at the Berlin Film Festival, Faraz Shariat’s film uses its backdrop of a refugee camp in Germany to tell the story of Iranians and Irani-Germans searching for a better life.  Its three leads bring a spark and youthful energy to a story with devastating undercurrents.  A wrenching glimpse into the emotional effects an oppressive culture has on its people, yet told with a driving pulse. 
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LILY TOMLIN: THE FILM BEHIND THE SHOW ★★★
A look behind the scenes as Lily Tomlin and wife Jane Wagner workshop their legendary 1980s Broadway show, The Search For Signs Of Intelligent Life In The Universe.  It’s great to see these two at the top of their game and get a glimpse of their creative process, but this documentary is almost devoid of incident and feels more like a sweet gift to the fans than a fully realized film. 
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SHORTS: WHAT A BOY NEEDS ★★★1/2
A mixed bag here of people searching for excitement, I found a couple of gems here nonetheless.  Not to take away from the shorts I don’t mention, I want to single out two exceptional films. Ruben Navarro’s Of Hearts And Castles looks great, has a beautiful vibe, and shows us a lovely connection forming right before our eyes.  Kiko’s Saints proves highly original as we follow a female Japanese artist on assignment in France become obsessed with a gay couple who have a lot of sex on the beach.  Combining animation with fairly explicit sex, I loved seeing the male gaze from a female perspective. 
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THE CAPOTE TAPES ★★1/2
I love Truman Capote. I grew up at a time when smart authors found themselves on talk shows and were treated like superstars.  I’ve read his books and always have been in awe of his ability to be himself.  Featuring never-before-heard tapes of Capote’s friends being interviewed by George Plimpton, unfortunately, I don’t think this repetitive documentary gave me anything all that new.  It’s still touching at times and for the uninitiated, this is a great overview of his life, but I was watching the clock. 
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OUT LOUD ★★★1/2
A moving look at the Trans Chorus of Los Angeles as they prepare for their first public performance.  With its ticking clock storyline, director Gail Willumsen expertly interweaves storylines of its founder and members.  As such, you really learn what’s a stake and what it means to them.  I was lucky enough to see the chorus perform David Bowie’s Ziggy Stardust a few years ago and basked in the power of its mere existence…and was also ridiculously entertained. 
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TWILIGHT’S KISS (SUK SUK)  ★★★1/2
This quiet charmer form Hong Kong shows us something we almost never get to see on film - two elderly gay men meeting and falling in love.  The fact that both have been married to women doesn’t stop them from exploring their feelings.  A little to gentle by half, I still was in awe of this rarity.
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