#Masayoshi Son

[radioshiga]

SoftBank prevê 'super' IA em harmonia com humanos em breve

Tóquio, Japão, 4 de outubro de 2024 – Agência de Notícias Kyodo – O presidente do SoftBank Group, Masayoshi Son, afirmou que a inteligência artificial superará significativamente a inteligência humana dentro de uma década, operando em harmonia com as pessoas e compreendendo seus sentimentos. As declarações foram feitas durante um discurso em Tóquio na quinta-feira (2), reforçando os planos do…

[takmiblog]

　株主総会では、「本業をころころ変えているとよく言われるが、変えたつもりは一度もない。情報革命で人々を幸せにするのが本業で、手段を進化させてきた」と主張。「投資家なのか、事業家なのかという質問は愚問。僕は両方だ」とも述べた。

2024/06/22　朝日新聞(奈良部健)

孫氏 AIシフト宣言

SBG株主総会

10年以内に人類の１万倍賢くなる

[rdsolenodonte]

SoftBank prevé que la inteligencia artificial "general" llegue en los próximos 10 años

Masayoshi Son, consejero delegado de SoftBank, cree que la inteligencia artificial general (AGI, por sus siglas en inglés), que supera a la inteligencia humana en casi todos los ámbitos, se hará realidad dentro de 10 años. En su intervención en la conferencia corporativa SoftBank World, Son afirmó que cree que la AGI será diez veces más inteligente que la suma total de toda la inteligencia…

[afterthelambs]

This is how Shido's bossfight went down, trust me

[icespur]

You know what I love that I don't see enough of?

AU fanart and fanfics where Shido raises Goro.

There's one that I love called Ruin or Glory, where Shido is a doting single Dad, which is precious, but might I suggest an alternate scenario?

Begrudging DadShido who got forced into the father role after Goro's mom dies in childbirth. The Doctors tracked him down and went "Hey, Prime Minister deadbeat, come get your fucking newborn." leaving Shido no choice but to drive to the hospital to take custody of his "consequences of his fucking actions, maybe this'll make you think twice before refusing a condom before calling over your favorite Health Maid" child.

At first, Shido considers this baby a nuisance, an obstacle. Because juggling a baby while working on a Political Career was not part of the damn plan! But, very slowly--he starts to warm up to his son. It takes a long while, it's practically a character arc because Shido is so damn stubborn and stoic, but it eventually happens.

Which is fine, because reluctant DadShido is the funny part.

If he isn't bald already, Goro is going to make him bald from the stress.

For the most part, Shido hires Nannies to watch and care for Goro so he doesn't have to deal with him. But what about when there's no Nanny available leaving Shido little choice but to interact and cater to Baby Goro?

I think it's safe to say this man has no experience with babies, so he's struggling.

The hospital staff did give him a quick crash course on the basics when he first claimed Goro, so he's not completely incompetent.

He didn't pick up on the secret cry language of infants, though. So he's often irritated, struggling on how to get his screeching infant to shut up, and tries everything until he gets it right after the fifth try that Goro was screaming his little lungs out just trying to communicate to Dad that he's fucking starving.

When he gets a little older, Goro's cry translations update from:

"Father, I require food"

"Father, I am in agony, my butt feels icky and I don't like it, change me! (I may or may not take the opportunity to piss on you)"

To:

"I have decided I hate my crib. I will not stand for sleeping in this thing. I require human warmth to slumber, specifically your warmth." Where Shido has to lie down and hold Goro against his chest to get the clingy brat to fall asleep while Shido, dead tired, just stares up at the ceiling questioning his life decisions that lead to this moment.

When Goro becomes old enough to become mobile, he gets into everything. Anything and everything he can reach or get his little pudgy hands on. Shido better start baby-proofing, and fast!

Even though Shido isn't the most affectionate father, Baby Goro adores him and Shido has no idea why. Goro's practically Shido's little shadow, where Papa goes, he must go, whether Papa wants him to or not! Shido soon learns that one of the prices of being a parent to a curious clingy infant is "privacy and personal space is dead." Because God forbid he closes the bathroom door to take a shower or take a piss, or leave Goro in another room while he locks himself in his office to do important business stuff.

Goro will sit outside the closed Bathroom, lightly shoving and hitting the door with his tiny hands, confused and frustrated as to why this darn wooden blockage won't let him pass when he can hear Papa doing things in there without him!

For working at home, Shido makes the stupid mistake of leaving Goro in a playpen, so he can go to his office to work.

Shido greatly underestimates his little troublemaker's intelligence though, because after witnessing Shido close and lock the playpen gate enough times, Goro figures out how to open it, leaving him with free unattended reign to the Apartment!

As you can imagine, he does what any infant would do, get into shit.

That keeps him occupied for a good while, but eventually, he gets bored, misses Papa, and waddles his way to Shido's closed Office door. He tries pounding and pushing on the door, but to no avail, and he's too small to reach the doorknob yet. He toddles off to fetch a stool and drags it to the Office door to help him reach the doorknob.

Shido is typing on his computer, enjoying the calm, when he hears the doorknob followed by a thud of the door being roughly pushed open.

"Papa!" A very happy Goro squeals from the now open doorway on top of his stool upon spotting Shido.

Shido lets out a resigned sigh as his toddler cheerfully waddles over to him, most likely to demand uppies.

On days Shido goes to the Official Office, what if he's put into a situation where once again there are no available sitters, so Shido has to take Goro to work with him?

Shido sitting at a conference table, talking about important matters, while at the same time, Goro is chilling in a baby carrier strapped to Shido's chest.

Unfortunately for Shido, Goro is in his babbling phase and seems to want to contribute to whatever he and his associates are currently discussing because between his monologue Goro chimes in with incomprehensible babbles and gurgles.

Give me cute Baby Goro and Dad Shido fanart and fanfics. I need more, gimme!

[miru-p]

Half-body commission for dear @unclemimibags ! ♥

Feauturing their OC Momoka and @burukaji's Okita 💕

[kathaynesart]

REPLICA PLAYLIST

MUSIC UNDER CUT

I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).

Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills

I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.

I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!

[samasmith23]

How Goro Akechi effectively serves as a dark foil to the Phantom Thieves' brand of rehabilitative justice

So... I understand that Goro Akechi is a pretty divisive character within the Persona 5 fanbase (especially his pre-Royal incarnation), but I have to admit that I honestly found his backstory and role as a sinister foil to the Phantom Thieves to be legitimately intriguing. Elements which are revealed during his boss fight in the game’s “Cruiser of Pride” arc!

When the Phantom Thieves infiltrate the Meta-Verse to confront the Shadow of the corrupt ultra-nationalist politician, Masayoshi Shido, who’s palace takes the form of a gigantic yacht sailing through the ruins of a sunken Japan, they are suddenly confronted by Akechi in the ship’s engine room. Having just betrayed the team during the previous arc, Akechi is revealed to not only be the true culprit behind the mysterious wave of mental shutdowns & psychotic breakdowns (which included the deaths of two Phantom Thieves’ member’s parents, Futaba Sakura’s mother Wakaba Isshiki & Haru Okumura’s father Kunikazu Okumura respectively…) that have occurred throughout the game’s narrative as part of Shido’s conspiracy to get elected as Prime Minister, but that he is also Shido’s illegitimate child. Essentially, Akechi was the product of a dubious affair between Shido and a sex worker whom the former later discarded when he discovered that she was pregnant, driving her to depression and suicide shortly after Akechi's birth. Akechi spent his entire childhood being passed around as a “problem child” between various foster homes (highlighting Japan’s problems with how the country treats its orphaned children) before later being granted the power of a "wildcard" persona-user, as well as knowledge about the existence of the Meta-Verse by the false god of control, Yaldabaoth.

While Akechi was a societal outcast similar to the members of the Phantom Thieves, he took the wrong message from his experiences. Akechi misguidedly believes that the only way to truly oppose the status quo that looked down upon him is to not only become a part of it (i.e. caring only about his good grades & celebrity status) but to destroy everything that he hates by reducing himself to Shido's right-hand assassin in the Meta-Verse, perpetuating mental shutdowns & psychotic breakdowns on Shido’s political enemies simply to get some semblance of recognition & validation from his abusive father before exacting revenge on him (whilst exploiting his "ace-detective" celebrity status to "solve" the crimes that he himself committed).

Essentially, once Shido finally became prime minister Akechi planned to whisper the truth about being the former’s illegitimate child, telling Shido that he was only able to get where he was due to the son he abandoned and labeled as a potential “political scandal” before murdering him.

Despite Akechi and the Phantom Thieves' mutual dislike of Shido, the former is so fixated on vengeance that he does not care about the innocent lives he ruins and destroys in the crossfire to satisfy his own personal bloodlust. Instead of legitimately trying to reform society like the Phantom Thieves do, Akechi becomes a pawn of the very same systemic corruption that was responsible for his initial suffering. Akechi cares only about his own hatred & jealousy instead of empathizing with others who were also victimized by society’s ills. This contrast is visually reflected through the juxtaposition between Akechi and the Phantom Thieves’ leader, Joker, when they confront each other in the engine room of Shido’s yacht. While Joker is portrayed as standing strong alongside his teammates & friends, Akechi stands alone in the opposite end of the room, confused & angry. While there is a part of Akechi that regrets his horrible actions and even recognizes the potential for him & Joker to be friends due to their similar backgrounds, he's too far gone into his obsessive vendetta against Shido that he refuses to turn back and now desires to kill the Phantom Thieves in a misguided attempt to ease his internal conflict.

During the boss fight with Akechi in Shido's Palace, the detective prince repeatedly dismisses the Phantom Thieves' efforts to appeal to his common senses, believing that concepts like friendship and teamwork are foolish "cliched bullish*t... in this eat or be eaten world."

While this attitude of Akechi's might seem unrealistically cartoonish on the surface, it actually makes sense when considering his background of being unfairly labeled as a "throw-away child" by Japan's foster care institutions. YouTuber LadyVirgilia goes into far greater detail about this in her excellent The Truth About Goro Akechi analysis video. There, she states that an overwhelming number of Japanese orphans are incapable of being legally adopted due to impoverished parents voluntarily relinquishing them from their care while still maintaining legal guardianship over them. Additionally, LadyVirgilia discusses how violent hierarchical power structures often form among the children within these foster homes, with younger orphans sadly being subject to bullying & abuse by their older peers.

While these facts are not explicitly stated about Akechi's backstory within P5 Royal itself, they can easily be heavily inferred due to the game's heavy emphasis on exploring themes related to Japanese sociocultural issues. It’s implied that the institutional failings of Japan's foster care system (combined with Shido's abandonment of his son while he was still in the womb), ultimately contributed to the development of Akechi's warped perception of the rest of the world. Due to being dismissed as a "throw-away child" and being forced to grow up in an institution that is unfortunately subject to high rates of systemic abuse & neglect, Akechi spent his entire life feeling unwanted & loved. Ideals such as friendship & companionship became foreign and unrealistic concepts to him due to having experienced nothing but society's cold & uncaring apathy.

Essentially, Akechi became deeply jealous & hateful toward the rest of the world, misguidedly compelling him to want to prove his superiority over the rest of society by manufacturing his status as "the celebrity ace-detective and honors student who ultimately brought down Shido." But when Akechi encounters the Phantom Thieves and befriends their leader Joker, he begins to experience his first genuine bond of companionship. Despite developing a legitimate appreciation towards Joker, Akechi is simultaneously confused & unable to fully process these newfound feelings. Akechi becomes envious of Joker's ability to rise above his similar status as a societal outcast by befriending & protecting others like himself. Consequently, Akechi projects his own failings & inability to legitimately rise above his tragic upbringing beyond his false celebrity status onto Joker & the Phantom Thieves, cruely dismissing them as "the trash of society" and blaming them for interfering with his revenge plot against Shido. This empty & hollow existence that Akechi chooses to live is further reflected by the sole two personas that he utilizes during his boss fight: Robin Hood, who represents Akechi's false celebrity & justice-abiding gentleman facade, and Loki, who embodies Akechi’s true personality as a deceitful trickster & psychotic murderer.

I personally couldn’t help but find all of these elements to be rather interesting & insightful about Akechi’s role as an antagonist/rival to the Phantom Thieves. It honestly highlights the tragic nature of Akechi's situation, since while he had the potential to utilize his deductive knowledge & skills as a "wildcard" Persona-user similar to Joker, he instead allowed himself to be consumed by his own hatred & madness.

The parallels between Akechi & Joker are further evident through the latter also being a victim of Shido’s abuse. Specifically, the corrupt politician wrongfully sued Joker for “assault” when he tried to stop Shido from drunkenly forcing himself upon a woman. In contrast to Akechi however, Joker is motivated by his negative experiences to fight against the unjust status quo that figures like Shido represent to prevent similar abuses of power from ever occurring again to others. Additionally, we also see dualistic parallels between Akechi and other members of the Phantom Thieves, such as Makoto Nijima who similarly previously upheld the misconception that “good grades and following orders are all that truly matters to be a worthwhile member of society.” Whereas Makoto outgrows this mentality by instead choosing to utilize her status as student council president to help her suffering peers rather than for her own academic career, Akechi conversely exploits his intellect as an “ace-detective” to perpetuate societal injustices for his self-centered vendetta against Shido.

In essence, if the Phantom Thieves embody the potential benefits of rehabilitative justice then Goro Akechi embodies the dangers of retributive justice (aka, revenge). To reference two of my favorite movies, Batman Begins and Star Wars Episode VIII: The Last Jedi, not only is there a strong difference between justice and revenge (one is about altruistic harmony whereas the other is about personal satisfaction), but the most surefire way to victory is by fighting to protect what you love rather than fighting to destroy what you hate...

The distinction between justice & revenge is made abundantly clear at the end of Akechi's storyline in the baseline game (i.e. before the Royal exclusive Third Semester new content), where following his defeat at the hands of the Phantom Thieves Akechi is suddenly approached by a cognitive duplicate of himself that dwells within Shido's palace. In addition to the Cognitive Akechi emphasizing the futility of Akechi's quest for acknowledgment & vengeance against Shido by revealing that the latter always intended to dispose of his right-hand assassin once he was elected prime minister, the cognitive duplicate also reveals the true depths of Shido's depravity when he states that he only ever viewed Akechi as a puppet to fulfill his own ambitions. While it is true that Akechi was so obsessed with revenge that he allowed himself to become a pawn of the corrupt status quo, it is exceptionally cruel to learn that this is how Shido has always viewed his own son (which is further punctuated by Shido later revealing to the Phantom Thieves that he secretly always suspected that Akechi was his illegitimate child due to how much he reminded him of his mother). It is this revelation in particular that allows the Phantom Thieves to better empathize with Akechi's tragic upbringing & circumstances. Even though they still seek to hold Akechi accountable for the murders that he committed at Shido's behest, the Phantom Thieves simultaneously recognize that in a sense, Akechi was also a victim of both Shido's cruelty and the systemic injustices of larger Japanese society.

This effectively culminates in the bittersweet resolution to Akechi's storyline in the base Persona 5 game. When the Cognitive Akechi duplicate offers his real-world counterpart one last chance to "redeem" himself in Shido's eyes by killing the Phantom Thieves in his stead, Akechi for the first time in his life decides to be his own person instead of being defined by the labels Shido and society had imposed upon him since birth. Choosing to no longer be a puppet of Shido's corrupt machinations, Akechi rejects his cognitive duplicate's hollow offer by instead turning his gun on the duplicate and his Shadow minions before sealing the engine room's watertight doors between himself and the Phantom Thieves. At the very end, Akechi was finally able to acknowledge that his desire for false appreciation from both his abusive father and larger society was ultimately worthless. Akechi ultimately sacrifices himself to allow the Phantom Thieves to escape, recognizing their true justice while entrusting them to do what he was incapable of by holding Shido accountable for his crimes & reforming society.

From a certain point of view, one could argue that the Phantom Thieves indirectly inspired a change of heart in Akechi by proving to him the validity of their sense of justice.

Overall, while I was initially indifferent towards Goro Akechi at the start of my playthrough of Persona 5 (and even outright skeptical & suspicious of his motives given his vocal opposition to the Phantom Thieves), by the time I got to his boss battle in Shido's palace I ended gained a deeper understanding and appreciation for what the developers at Atlus were attempting to convey with his character. Akechi effectively functions as both a cautionary tale about the dangers of allowing oneself to be consumed with thoughts of revenge, as well as a dark parallel to the Phantom Thieves who seek to legitimately reform society for altruistic rather than self-centered reasons. It was these elements that ultimately elevated Akechi into becoming one of my personal favorite members of P5's cast (right behind Makoto, Futaba & Ann...) from both a narrative and character writing perspective (especially with the Royal edition's overhauled confidant line for Akechi, which better fleshes out the latter's rivalry with Joker, and the player now has to progress manually instead of it being automatic)! And I am definitely curious to see how Royal's exclusive "Third Semester" content further fleshes out Akechi's character since I'm aware that he plays a major role in the new story content.

[matsutoyayumi]

💕Yumi Arai Roleplay account💕

Scenario (EN): Yumi was informed about Tumblr by a fan in a grocery store, so she joins due to her interest peaking in the site💕

Scenario (JP): ユミ は、小売店のファンからTumblrについて知られていたので、彼女はサイトへの興味のピークのために彼女に加わります💕

💕 Warnings!💕

Age warning (En): Please be 15+ to interact with this account, due to the mature themes this account will use (Smoking, Drinking, Ect)

Age warning (Jp): このアカウントでコミュニケーションするには15歳以上になることをお勧めします。 (Smoking, Drinking, Ect)

Genuine Warning (En): I am Not Miss Yuming, I am just a fan from the us, I don't know how to speak English I am using a accurate japanese Translator until I learn Japanese myself.

Genuine Warning (Jp): 俺はミス・ユミンじゃない 私はアメリカからのファンで、私は英語を話す方法を知らない私は私が日本語を自分で学ぶまで正確な日本語翻訳機を使用しています。

Harassment/Not Interested (EN): If you aren't a fan of the account just block it, no one really gives a damn harassing is for weaklings anyways so don't harass this account or any other Musician Roleplay because they put lots of work and energy into making their account and don't need some annoying pricks ruining the fun.

Harassment/Not Interested (JP): あなたがアカウントのファンでない場合は、それをブロックするだけで、誰も本当に悪魔の嫌がらせを与えることは、いずれにせよ弱い人々のためにありますので、彼らは彼らの口座を作成するために多くの仕事とエネルギーを投入し、楽しみを台無しにいくつかのイライラするピックを必要としません。

💕Solo Career💕

Yumi Matsutoya (松任谷 由実, Matsutōya Yumi, born January 19, 1954), nicknamed Yuming (ユーミン, Yūmin),is a Japanese singer, composer, lyricist and pianist. Generally the writer of both the lyrics and the music in her songs,she is renowned for her idiosyncratic voice and live performances, and is one of the most prominent figures in the history of Japanese popular music.

Her recording career has been commercially successful with more than 42 million records sold. In 1990, her album The Gates of Heaven became the first album to be certified "2x million" by the RIAJ, and she has had twenty-one No. 1 albums listed on the Oricon charts.

 She is the only artist to have at least one number-one album every year on the Oricon charts for 18 consecutive years.

After gaining several years of experience as a session musician, she debuted as a singer-songwriter in 1972. During her early career, she worked under her birth name Yumi Arai (荒井 由実, Arai Yumi). In 1975, Arai became known as a composer for "Ichigo Hakusho wo Mou Ichido", a commercially successful song recorded by the folk duo BanBan. She also gained popularity as a vocalist in the same year through the success of "Ano Hi ni Kaeritai", which became her first number-one hit on Japan's Oricon Charts. Other famous songs include "Haru-yo, Koi" and "Sweet, Bitter Sweet".

She also uses the name Kureta Karuho (呉田軽穂), which is derived from the Swedish film star Greta Garbo, when offering her work to other musicians. 

In The Encyclopedia of Contemporary Japanese Culture, it is written that "Yuming incorporated influences from progressive rock and European pop to produce a sophisticated, upper-middle-class female Japanese voice and sound in a contemporary musical and journalistic world dominated by discussions of folk music and social critique. This musical idiom is generally thought to have been first realised on [...] Cobalt Hour".

The album The 14th Moon and the three albums that ranked in the top 10 of the Japanese charts in 1976 (Cobalt Hour, Yuming Brand, and Hikōki-gumo) "contained several songs which are considered to be early classics of the J-pop genre."

After marrying her musical collaborator Masataka Matsutoya in 1976, Arai began recording under her married name and has continued to do so. Throughout the 1980s, Matsutoya's music was prominently featured in advertisements for Mitsubishi Motors in her native Japan and her image was used to promote their vehicles. In addition to multiple hit singles, she has obtained enormous commercial success on the Japanese Albums Chart, particularly during the late 1980s and the first half of the 1990s.

The magazine Shūkan Gendai ranked Matsutoya third (behind only Miyuki Nakajima and Masayoshi Son) in a list of the smartest Japanese figures that was determined based on the criteria of "intelligence, determination, sensibility and capability".

💕Information On Yumi Arai💕

Early years

Yumi Arai was born in 1954 in Hachiōji, Tokyo. She had three brothers and one sister, and her family ran a draper shop called Arai Gofukuten, established in 1912. When she was a junior high school student, she used to go to an Italian restaurant called Chianti, which had opened in 1960. In those days, many celebrities went to the restaurant; Akira Kurosawa, Yukio Mishima, Kōbō Abe, Seiji Ozawa, Ryu Murakami, Taro Okamoto, Kishin Shinoyama, and Hiroshi "Monsieur" Kamayatsu, who eventually became her first record producer.

Alfa Music, the publishing company to which she belonged early her in career (later to become a full-fledged record label in 1977), was founded by people who were regular customers at Chianti.

Her nickname "Yuming" was given to her by Sy Chen (シー・ユー・チェン), a Chinese bassist she had a crush on when she was 13 years old. She began her music career when she was still young. At the age of 14, she worked as a musician for the first time. Having worked as a studio musician, she also wrote many original songs. When she was 17 years old, her first original song titled "Ai wa Totsuzen ni" was released. It was sung by Katsumi Kahashi, the former guitarist of the influential 1960s Japanese band The Tigers.

In April 1972, Arai entered Tama Art University. At the same time, she signed with then-publishing company Alfa as a music artist. At first, she wanted to be a songwriter. However, the founder of the publishing company, Kunihiko Murai, encouraged her to work as a singer-songwriter.

Early career; works as Yumi Arai

On July 5, 1972, Arai released her debut single "Henji wa Iranai". It was produced by Hiroshi "Monsieur" Kamayatsu, the former vocalist of The Spiders. Released by Toshiba EMI, the label to which she would be affiliated and release all her albums throughout her career, under its Liberty sublabel (with Alfa acting as publishing company), her first single sold only 300 copies. (It would later feature in re-recorded form on her debut LP, Hikō-ki Gumo.)

She recorded her first full album, Hikō-ki Gumo, with the band Caramel Mama, better known as Tin Pan Alley, which consisted of Haruomi Hosono, Shigeru Suzuki, Tateo Hayashi and Masataka Matsutoya, and it was released by Toshiba EMI under its Express sublabel in November 1973; the title track (and lead-off track) was later used as the theme song for the movie The Wind Rises (2013). For her next album, MISSLIM, (1974), Masataka Matsutoya, who was the keyboardist of Tin Pan Alley, arranged all of her songs. Her third studio album, Cobalt Hour (1975), features her early famous song "Sotsugyō Shashin". The same year, it was covered by the chorus group Hi-Fi Set (who also performed on the original song) on their first album with the same name. That cover version also succeeded as a single. In later years, it was covered by many Japanese artists and became one of Japan's classic pop songs. The same year, the male folk duo BanBan recorded her song "Ichigo Hakusho o Mou Ichido" and reached number one on the Oricon chart. Because of the commercial success of other artists, she became famous as a songwriter.

Yumi achieved moderate success with her fifth single, Rouge no Dengon ("Rouge Message"), an up-tempo song considered to be a proto J-Pop classic. She gained a television appearance singing this song with the top Japanese girl group of the time, Candies, and the song has been covered by a number of artists over the years.

Her first top hit as a singer-songwriter was her sixth single "Ano Hi ni Kaeritai". In August 1975, it was used as the theme song for the TBS TV drama Katei no Himitsu. Two months later, it was released as a single and reached the top of the Oricon chart. The 14th Moon (1976), her final album as Yumi Arai, featured Leland Sklar on bass and Mike Baird on drums. Since this album, Masataka Matsutoya has produced all her albums himself. She considers her nickname "Yuming" to also mean the name of the union with her husband. Following the success with "Ano Hi ni Kaeritai", it became her first album to reach number one on the Oricon chart. Besides, in the end of the year chart in 1976, three of her albums (Cobalt Hour, Yuming Brand, and Hikō-ki Gumo) ranked in the top 10.

 Four years after her debut, she dominated the Japanese album charts. This astonishing record has never been broken by anyone since.

In 1989, her fifth single, "Rouge no Dengon" (from her third album), and third single, "Yasashisa ni Tsutsumaretanara" (the version used was from her second album), were featured as the theme songs of the film Kiki's Delivery Service. Nowadays, those tunes are known as her early notable songs.

Some of her songs were deeply influenced by many American and European musicians, such as Joni Mitchell and Carole King. As a pioneering singer-songwriter who mixed Western culture and Japanese pop, she left a strong impression on Japanese popular music.

Works as Yumi Matsutoya

After marrying Masataka Matsutoya on November 29, 1976, she had considered retirement. But eventually she decided to continue to work as a musician, performing under her married name. In 1978, her memorable first album as Yumi Matsutoya, entitled Benisuzume was released. In the late 1970s and early 80s, she released two albums every year. However, those albums were less successful than the ones she released when she was single. Nevertheless, she wrote several of her well-known songs during those years, and her albums reached the top 10 on the Oricon chart.

Before the release of Benisuzume, a compilation named Album was released by Toshiba EMI. It mainly contained songs she had released as Yumi Arai, and two songs released as singles only. Matsutoya didn't want to release this compilation; in her autobiography released in 1982, she writes about this album and calls it "The biggest stain on my music career."

 Because of this, she never allowed the release of another compilation album until 1998. However, her ex-record-label-and-publishing-company Alfa Records had, after 1977 (when Alfa finally established itself as an independent record label), released many compilations which consisted of her old tunes without her permission. Hence, in the late 1990s, she bought the copyrights of all her songs that she had written under her maiden name; helping in this decision was the fact that Toshiba EMI had by then regained control, in 1994, of the Alfa catalogue, including the albums released by Toshiba EMI while Alfa was still a publishing company, thus her early catalogue being spared of Alfa's 2001 sale to Sony after Alfa faced financial difficulties.

Her tenth album, Surf and Snow (1980), changed the negative tide for her. When the album was released, it did not sell as well as others had previously. However, in 1986, "Koibito ga Santa Claus" became popular as the theme song for the hit movie ''Take Me out to the Snowland [jp] (私をスキーに連れてって, Watashi wo Ski ni Tsuretette.) （1987）. The album eventually sold over 400,000 copies. In 1981, she returned to the top of Japanese pop music. Her husband wrote the score for the movie Nerawareta Gakuen, which was directed by Nobuhiko Obayashi and distributed by Kadokawa Pictures. She wrote "Mamotte Agetai" as the theme song for the movie. The single of this song reached number two on Oricon and sold nearly 700,000 copies. Following the success of the single, her eleventh album Sakuban Oaishimasho (1981) became her second number one album. From that year through 1997, 17 consecutive studio albums she released reached number one on the Oricon charts.

Ian Martin of The Japan Times wrote in 2016, "At the same time she was contributing to Matsuda's record-breaking run of No. 1 hit singles, Matsutoya’s own work retained an almost militant focus on albums, and the balance she struck between commercial success and artistic integrity is a source of inspiration to many aspiring musicians."

In 1982, she published an autobiography, Rouge no Dengon. In this book, she wrote about her life in an exaggerated style. She contemplated doing the artwork on her own albums. The artwork of the album Sakuban Oaishimasho (1981) was designed by Hipgnosis, and the video Compartment was produced by Storm Thorgerson, Aubrey Powell and Peter Christopherson. A logo design from the latter film also became the logo of "Yuming", and was used as the cover of the 1984 album No Side. Aubrey Powell and Richard Evans of Hipgnosis also designed the cover of the 1983 album "Voyager". Since the 1970s, she has also been famous as an artist who performs in concerts using gorgeous and novel sets. She used elaborate visual technology on the stage and it is said that they cost over a hundred million yen. She has released two live albums and several videos. In 1986, she released her first live album, Yuming Visualive DA-DI-DA,. It was released on CD and cassette tape only, and it became one of the rarest items among her fans for many years

💕Discography💕

Hikō-ki Gumo (1973) (credited to "Yumi Arai")

Misslim (1974) (credited to "Yumi Arai")

Cobalt Hour (1975) (credited to "Yumi Arai")

14-banme no Tsuki (The 14th Moon) (1976) (credited to "Yumi Arai")

Benisuzume (1978)

Ryūsenkei '80 (1978)

Olive (1979)

Kanashii Hodo Otenki (The Gallery in My Heart) (1979)

Toki no Nai Hotel (1980)

Surf and Snow Volume One (1980)

Mizu no Naka no Asia e (1981)

Sakuban Oaishimashō (1981)

Pearl Pierce (1982)

Reincarnation (1983)

Voyager (1983)

No Side (1984)

Da-Di-Da (1985)

Alarm à la mode (1986)

Diamond Dust ga Kienumani (Before the Diamond Dust Fades...) (1987)

Delight Slight Light Kiss (1988)

Love Wars (1989)

Tengoku no Door (The Gates of Heaven) (1990)

Dawn Purple (1991)

Tears and Reasons (1992)

U-miz (1993)

The Dancing Sun (1994)

Kathmandu (1995)

Cowgirl Dreamin' (1997)

Suyua no Nami (The Wave of Zuvuya) (1997)

Frozen Roses (1999)

Acacia (2001)

Wings of Winter, Shades of Summer (2002)

Yuming Compositions: Faces (2003)

Viva! 6×7 (2004)

A Girl in Summer (2006)

Soshite Mouichido Yumemiru Darou (And I Will Dream Again...) (2009)

Road Show (2011)

Pop Classico (2013)

Uchū Toshokan (Universal Library) (2016)

Shinkai no Machi (2020)

💕Other Roleplay Accounts💕

@gardengrampa

@bikinikillhanna

@theeverglades

@gwenstefoubt

💕Roleplay friends💕 (From other accounts I rp on)

George Account

@john-winston-ono-lennon

@totallypaulmccartney

@ringo-starboy

Kathleen Hana Account

@t0bi-is-cool

Gwen Account

@t8yl0r-8

@sid-0

@joeynumbr1

@mrparadisecity

Graham Coxon

@iampamelaanderson

[kroosluvr]

someone on twt asked for royal trio tennis playing styles so i will think out loud for several paragraphs under the cut:

PLAYSTYLE

GORO AKECHI. the son of masayoshi shido, one of the best players of all time, so he has big shoes to fill. however he didn't learn from shido himself and was instead passed around various intl academies before settling in at shujin tennis academy. as a lefty he uses it to his advantage: his spin serve is killer and he's a menace with backhand slices and drop shots. he's not one to rush the net and only cleans up with volleys if his opponent is basically off the court already. though not PATIENT by any means, he's very very consistent and i think he seeks to wear you down quickly at the beginning of the match: you get the feeling that "oh shit this guy's an absolute wall, i can't counter this, it's hopeless" so that he can rake in the games from there. i think you have to go into a match with REALLY high confidence otherwise he'll break you pretty fast he also does passive aggressive mind games i.e. instead of passing u the ball to serve he hits em to the corner so u have to go fetch them. doing quick water breaks or none at all if he's winning so you're forced to rush. asking "are you sure?" on linecalls where it was DEFINITELY out just to make you second-guess yourself. he doesn't cheat, though, obviously,that's leagues beneath him, but he'll do little things to break your concentration in a match so there's already a high bar to vault over if u even want a CHANCE at beating goro akechi, but if you get on his nerves somehow then you can crack him from there. someone like akira's unpredictability and flippantness on the court without much sense of planning probably gets under his skin really quick

AKIRA KURUSU. wildcard....... he played a lot of sports growing up, baseball, soccer, track, basketball, u name it basically, but picked up tennis at around age 13 and Somehow was extremely good at it, and immediately scouted and currently training at shujin tennis academy. his athletic and naturally competitive nature means he's naturally really attuned to the nature of Competitive Sport: aka, if he's down, no big deal he'll just fight like hell to get back up. one of the things in tennis is that u can spiral real easily: losing a few points can turn into losing a few games then the match, however, that doesn't phase akira which is his biggest strength. he's really good at Wiping The Slate Clean and starting from scratch if he's down. he's really good at swapping strategies: he can be the moonballer, he can be the 25-ball-rallier, he can be the serve-and-volley menace. etc. and he can do this on the fly without any reluctance. the biggest thing apart from goro and sumi is that he's having FUN. he loves being on the court no matter what, the competition part is secondhand. meanwhile goro and sumi are really really wrapped up in their issues with tennis so the kinda Mind emptiness akira has puts him a step ahead (which they're envious of slash HOW DOES HE DO IT? slash working towards it) SO YEAH hes highly adaptable and fluid in his game style. though, ofc, he tends towards Flashier stuff (which can easily surprise his opponents) so i'd say he's a big fan of cross-cross-down-the-line and such patterns. deep rallies then sudden drop shot and while ur scrambling he beats u to the net. stuff like that. second serve on the first serve. etc. another thing is that his parents are pretty absent (different than the way goro is) i.e. they just dgaf about him entirely, no matter what he does, even if hes good at tennis. (while w goro at least shido would acknowledge him since shido is so far in the limelight). so i think this adds to his adaptability - he doesn't feel constrained the same way goro and sumi do, by their family relationships akira's also one to chat up his opponent mid match LMAO he's not even trying to distract them or play them like that but he's just a friendly happy go lucky guy in the end his thinking is "i hate to lose" so he just keeps playing and keeps winning. it's simple like that

SUMIRE YOSHIZAWA. younger sister of kasumi, she started rhythmic gymnastics w her at a baby age but even from a young age she could tell kasumi was going to outshine her. because of her own timidness holding her back, her own reverence of her sister, she could tell she'd never truly have the willpower/confidence/steadfastness to reach out and be Better than kasumi. because what she really wants is to imprint her name on the world - she doesn't want to be yknow. "kasumi and sumire" she wants to stand on her own, something she doesn't feel she can do if she keeps on with gymnastics. SO SHE SWITCHES TRACKS TO TENNIS another independent sort of sport where you're also scrutinized in the limelight and etc. it'd be difficult to learn this late in the game (age 11ish maybe.) but she's steeled herself and shes determined and READY. it was a biiig decision for her but her parents+kasumi were basically like ok <3 yay<3 and she doesnt reveal how insecure she was about all of that and living in kasumi's shadow and etc. she only confides in akira abt this later down the line (and then goro) her game is really like yknow textbook GOOD like all her shots are impeccable and perfect and really technically perfect. super impressive all around. i dont think she has any specific shots/plays that make her stand out, but her game speaks for itself already in how consistent she is and how steadfast she seems on the court (though inside she's lowk nervous) i think her game might be "predictable" just because of how pristine and mechanically she learned it, but the thing is her form and aim is just so flawless that even if you do know whats coming next you cant counter it all the time actually if anything i think she'd have a killer fast first serve. like CRAZY powerful i think she's not naturally "good" at tennis the way akira and goro are so she works 10x as hard to remedy it. more than just the physical/technical component, getting her mental right is the hard and most important part. when she gets deep into a match sometimes her brain gets the better of her, so in longlong matches she oftentimes loses so that's the current thing she's working on.

PUBLICITY

as with pro tennis comes PUBLICITY and BRAND DEALS and INTERVIEWS and MODELING and ETC

goro dgaf about that but if he's more Famous then he'd be more shoved into shido's face so he goes along with sponsorships and interviews and magazine covers even tho he lowkey hates it.

He doesn't do the detective prince thing here bc he doesn't need to be. he's outwardly bitter and pissed off and snappy the way we know him

akira and sumi are his biggest fans tho always collecting his brand deals and magazines and stuff. they also help tutor him in english so he can do interviews better LMAOO though he's really eyeroll about it

akira and sumi both are good with the publicicty aspect as opposed to goro. sumi, striving to become an intl star, expects it and trains herself for it in spite of her social anxieties. akira, well, is akira and is totally made for the limelight

this causes some sort of internal distress? in goro. he can't quite place it but he feels strange standing alongside them..... something like that. like, of course he wants to take the tennis world by storm, but in the way that he can rub it in shidos face. not really this... aspect? he's not sure what to do with this.

OTHER NOTES

sumi and goro are both highly superstitious and have a solid routine that they ALWAYS adhere to. i.e. goro always practices vs the ball machine the night before. sumi always rewatches rio iwasaki's killer 2016 matchpoint before matches. sumi never wears tennis shoes anywhere other than the court. goro never drinks other gatorade colors besides yellow.

meanwhile u could call akira up 3 mins before and be like hey matchtime and he'd be like ok<3 yay<3

sumi and goro also both analyze their opponents before matches i.e. looking up their ranking and stats and extrapolating stuff frm there while akira is like "oh narukami? from uhhhh. gekkoukan? no. yasogami? ohhh haha thats fun i dont think i played him before :3"

to me at least sumi doesn't come off as naturally competitive the way akira and goro are, inherently: i think she wants to be GOOD, and maybe (in this au) she wants to be Better than kasumi, to gain recognition, to stand on her own two feet: etc. but maybe she doesnt have the inherent Means to get there so that's a lot of what she gains from being friends with akira and goro, to get insight into their mindsets

akira and goro are doubles partners (for better or for worse) (it works great some days and horribly the next. you never know) they dont Seriously compete in doubles though, theyre both singles players to the end.

akira and goro switch off being sumi's mixed doubles partners. she doesn't really play doubles at all i think

sumi is the one who watches pro tennis the most. goro and akira don't really keep up

they all go to shujin academy but kinda half-homeschooled bc as pro players they dont have time for full-time school. theyre also traveling a lot so yeah

goro ties his hair in a low ponytail on the court, sometimes pins his bangs back. akira's hair is too short to tie back, i imagine he pins it back or wears a headband a la rafael nadal

sumi wears a visor! and contacts. akira wears contacts too but sometimes he wears glasses when hes silly goofy

mishima is a sports reporter LMAOOO well theyre all highschool age here so he's a Wannabe sports reporter.

it's also common knowledge that goro is shido's son btw. and goro's mom is dead also. i think only akira and sumi know abt like. his hatred and resentment towards his dad tho

ALSO they all idolize rio iwasaki bc i said so. shes prob like the coolest tennis player of the decade and also woah shes from gekkoukan thats cRAZYYYY!!!!!!!!!!!! hamuko is her wife too. tennis coach ham:3 or smth

i think akira's story is then catalyzed later down the line by an injury - that he can heal from, but it forces him to seriously look at tennis and say for certain "ok this is my dream and this is something i want to devote my life to" the way sumi and goro are already devoted to

[nexvius]

Some wip of my Oc Artwork for minoru.

So i want to share some headcanons.

Minoru IS the father of Wataru and His sister Miharu. He is a single parent, since His Love Akiko died by the birth. They Bothe became with 16 parents accidentally. But they both decided to becomes These children.

Minoru IS a very lovely father. He was the rolemodel for His kids. He became a Police man with the Help of His family. And a Person His son Look Up to. Even after a accident we're He lost His arm and Job, He manged to keep going on. He Open a small antique Shop we're His kids often Help him on they free days or afternoons.

He would also Like Sato when Wataru would invite her. Cuz He know that she is a strong Woman with Character, that was his soft hearted son need.

Funfact. Minoru also now Santo's dad back in His day AS an officer. Minoru make himself a Name with His young age and Sharp mind. Masayoshi was one of the few older officers who were nice to him.

#detective connan

[toadstool32]

im coherent now heres an explanation for all the freaks on the poll

pinkie - the og girlfriend karkat - my beautiful girlfriend romano - my beautiful grlfriend karamatsu - my beautiful girlfrie- nagisa - my gay son yugi - my wife and my dad and my son and my angel the king of my heart the reason i woke up every morning for like, 3 years, my ibuprofen tablet my freak puppy dog, my silly rabbit mika - i just think hes hot tbh, my other gay son sonic - *i get shot by a sniper rifle before i get to say* bart - hes me hana - my daughter who i love very much <3

guys who didntr make the cut but i want to get pregnant - batman, kotetsu kaburagi, galo thymos

other daughters - mob, kazuki from sarazanmai, honoka from the first precure, aqua from konosuba

other gay sons - genos, popee, gon, shion from no.6, masayoshi from samflam, sal fisher, atom

and any other character with pigtails and blue hair if u find one of those freaks deliver them to my doorstep please anmd thank you

[icespur]

Shido: You’re starting to look like me more and more every day—

Akechi: *Bursts into tears*

Shido: Why are you crying?

Akechi: You’re ugly! I don’t want to look like you! *sobs*

[argumate]

Adam Neumann and capital providers including Dan Loeb’s Third Point are exploring an offer to buy WeWork Inc. out of bankruptcy, according to a letter sent to WeWork’s lawyers that was seen by Bloomberg News.

The short version of this trade is that Adam Neumann started WeWork, sold it to SoftBank Group Corp. head Masayoshi Son for $47 billion in one of the greatest feats of salesmanship ever, left, watched it collapse, and will now buy it back for $0.

exaggerated, but still hilarious