#Mariano Miranda

[jujuygrafico]

Morales con la Junta Federal de Cortes y Superiores Tribunales de Justicia

#Jujuy #Institucionales | #GerardoMorales con la #JuntaFederaldeCortes y Superiores Tribunales de Justicia

El Gobernador de la Provincia de Jujuy, Gerardo Morales, mantuvo la semana pasada un encuentro con autoridades de la Junta Federal de Cortes y Superiores Tribunales de Justicia de las Provincias Argentinas y Ciudad Autónoma de Buenos Aires y miembros del Superior Tribunal de Jujuy (JUFEJUS), con el propósito de abordar las obras ejecutadas y los proyectos en marcha en toda la geografía provincial…

[gamerbearmira]

Re8 Au person here and oh my goodness Delores, Felix and Julieta look amazing I love your art style so much! I hated finals in school hang in there and try not to get too stressed out!

Yeah Miranda has way too much time on her hands and she spends all of that time obsessing over random things that she thinks are important honestly she's pretty crazy 🤣

The Guzmáns are there! They're one of the few families that had every member taken most families only had one or two people taken. Miranda just kind of went through the village and picked random people from random families but she picked them purposely because she knew how close they were to the family.

Also I was thinking Mirabel in this AU is an adult when Ethan gets there and was an adult before he got there having stopped aging in her 20s what if she had her own child/children (triplets run in the family) that Miranda forced her to have? Or maybe not forced her to have but that she just had in general because I can't not see Mirabel as a mother when she gets fully grown. She's the type of person that has a vibe about them that you know that when they get older they're going to have kids. I don't know it was just a thought and I would love to have your feedback on it

As always any and all artwork would be appreciated!

YAYYYYAYAYAYY I'm so glad you liked the art, gonna do more of the others as soon as I get some more design ideas (pintrest is my best friend rn fr)

And. So cool. At least she took the whole family, most sane thing Miranda did (but honestly it doesn't make a difference. Let's be real 😭😭) Dolores can have her man ig <\\\\33

AS FOR KIDS ERM...idk maybe??? She met a nice guy, beats me tbh. Or maybe it's similar to Lady D, but. Not as weird?? I'm not sure about the whole making them from literal bugs or whatever, but adoption/saving them from Moranda's wrath or she just met a guy at some point would be rad 🤓🤓🤓

Also question. That I don't know if you answered before but?? Do the other family members age or do they stop as well? I mean they are infected with mold, just not as badly as Mirabel or the others ig. So maybe they do age, just a lot slower. I mean the other lords have been infected for years and barely aged, same with Alcina's daughters having stopped in about their mid 20s. So would the Madrigals be affected in the same way?? Just a question <\\33

[mosssik]

Miranda Kerr photographed by Mariano Vivanco, styled by Samuel François

“Elle US” June 2010

[igetthedisneybox]

How did you decide which concept character was who's kid in your Encanto au?

Miranda: Miranda was automatically one of Bruno's once I decided to pair him up with Alejandra. The two women look far too similar to not be related.

Amelia and Sofía: I read a fic where the twins were Bruno's daughters, and really liked the idea. Plus, they look similar enough to Alejandra, but with Bruno's skin tone, I think it's believable they could be their spawn.

Princesa: I knew for sure I wanted Isabela to have a new "golden child" burdened by their gift, and Princesa fit that role nicely. I was also having trouble fitting her due to her random blonde hair, and since Isa adopts her kids, genetics didn't really matter.

Fuega: Fuega's whole thing seemed to be her annoyance at her "perfect" sister, so I made her Isabela's daughter -Princesa's sister- to reflect that.

Mariana: I saw someone use her, and just wanted to lol. Needed a third kid for Isabela, figured she'd work just fine.

Leta: Since she was supposed to be Pepa's twin, I figured making her her granddaughter was a good way to connect the two, and explain the physical similarites. She also matches Dolores and Mariano physically fairly well.

Andrés: Needed more boys, so I dug around in the Bruno concepts. This guy looked suprisingly like Dolores, with the darker skin and the curls, so I picked him.

Carlos: Had to use the famous Carlos. Since Camilo doesn't have bio kids, I gave him to Dolores to explain why he looks so much like Camilo. And looking at him, he actually resembles Mariano a lot lol.

Avila and Amada: When I raised Dolores and Mariano's kid count to five, I needed two more, and so I picked the two older twins from the girl cousins page. They have Dolores's ears and Pepa's smile, how could I not?

Tomás and Rómulo: Knew I wanted to use these guys from the begining (thanks for the idea!) but placing twins was hard, since I was acting under a strict 'three kid' rule for myself. I gave them to Luisa, since a) she was adopting so I didn't have to worry about genetics, and b) I rationalized that she would have kids the youngest kids, and be the last to have them, because she needed to work on her self care, and having kids is just about the opposite of that.

Zoe: Same reasons as the twins pretty much.

Hugo: Also an idea from you! He was originally Mirabel and Bubo's (because of his rockin hair and 'stache combo) but Óscar ended up being a better pick for those two. Thought it'd be nice to give the loud Camilo a quiet kid for a nice challenge.

José: He needs no introduction. It's obvious, even if he's adopted, that he's Camilo's kid.

Héctor: Since both Bruno and Isabela ended up with all girls, I wanted at least one of 'em to have all boys to even things out a bit. So I found a concept of Antonio I liked, and used him as Camilo's third.

Óscar: He was originally Bruno's, but when I added Bubo in, I realized how similar they looked, with the hair and the nose, and liked the idea of Mirabel having a kid with an "odd" gift.

Beatriz: She's a beta Mirabel. They look too similar to be anything else imo

Lidia: I just loved this early Luisa concept so freaking much. Thought she looked emough like Mirabel to be hers, and also gave her Bubo's stature (they both shorties lol)

[hannahhook7744]

Encanto-Descendants Au Fancast List;

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Pedro x Alma Madrigal’s Family (Minus Their Kids):

María Conchita Alonso as Alma Madrigal (formerly Botero Molinari).

Avan Jogia as Pedro Madrigal Yatra.

Constance Wu as Alejandra Botero-Yee (aka Alejandra Madrigal, Alma’s sister-in-law). 

George Lopez as Raimi Botero Molinari (aka Raimi Madrigal, Alma’s younger brother).

Carmen Salinas as Rosa Madrigal (formerly Yatra Salinas aka Pedro's mom).

Zhang Ziyi as Miranda Botero-Yee (aka Miranda Madrigal, Alejandra and Raimi’s daughter). 

Tatyana Ali as Beatriz Botero-Yee (aka Beatrix Madrigal, Alejandra and Raimi’s daughter).

Julieta x Agustín Madrigal’s Family:

Pedro Pascal as Agustín Madrigal. 

Lorena Forteza as Julieta Madrigal.

Rafaela Cocal as Isabela Madrigal. 

Maribel Martinez as Luisa Madrigal.

Paulina Chávez as Mirabel Madrigal. 

Pepa x Félix Madrigal’s Family:

Maria Canals-Barrera as Pepa Madrigal. 

Mauro Castillo as Félix Madrigal. 

Ron Stallworth as Gabriel Espinosa Castillo (aka Gabriel Madrigal, Félix’s younger brother). 

Samantha Logan as Dolores Madrigal.

Neighborhoodcrackelf as Camilo Madrigal.

Aldis Alexander Basil Hodge as (adult) Antonio Madrigal.

Raphael Alejandro as Giovanni Madrigal (aka Antonio’s son). 

Bruno Madrigal's Family:

David Castañeda as Bruno Madrigal (with Dev Patel as a younger version if need be).

Christian Slater as Rick Madrigal (Formerly Ratcliffe). 

Unknown Extra as Rachel Madrigal (Formerly Ratcliffe). 

Unknown Extra as Rory Madrigal (Formerly Ratcliffe). 

Louis Garrel as Cesare Madrigal (Formerly Frollo). 

Jan Cina as Cornel Madrigal (Formerly Frollo). 

Robert Sheen as Cyriacus Madrigal (Formerly Frollo). 

Holland Roden as Claudine Madrigal (Formerly Frollo). 

Unknown Extra as Mason Gothel (Gigi Gothel’s brother. His and his twin’s father is unknown).

Unknown Extra as Glenn Gothel (Gigi Gothel’s brother. His and his twin’s father is unknown).

Fiona Frills as Gigi Gothel (Claudine Frollo’s half sister via Frollo). 

Isabela Madrigal x Bubo Marquez’s Family:

Tony Revolori as Bubo Marquez-Madrigal.

Unknown Extra as Miguel Melchor Marquez-Madrigal Jr.

Unknown Extra as Zoey Alejandra Marquez-Madrigal.

Luisa Madrigal x Ryder Nattura’s Family:

Forrest Goodluck as Ryder Nattura-Madrigal.

Jenna Ortega as Belinda Nattura-Madrigal.

Ariana Greenblatt as Silvia Nattura- Madrigal.

Mirabel Madrigal x Miguel Rivera’s Family:

Omar Rudberg as Miguel Rivera-Madrigal.

Sasha Pieterse as Vera Rivera-Madrigal.

Julianna Gamiz as Renata Rivera-Madrigal.

Dolores Madrigal x Mariano Guzmán’s Family:

Michele Morrone as Mariano Guzmán.

Julia Rehwald as Princesa Guzmán-Madrigal.

Sofia Wylie as Fuega Guzmán-Madrigal.

Dafne Keen Fernández as Leta Guzmán-Madrigal.

Aiden Fernandes as Javier Guzmán-Madrigal and Juan Guzmán-Madrigal.

Camilo Madrigal and Mina Madrigal-Prepon's Family:

Shoba Narayan as Mina Madrigal-Prepon.

Isabela Merced as Amelia and Sofia Madrigal-Prepon.

Marcel Ruiz as Hugo Madrigal-Prepon.

Jake T. Austin as José Madrigal-Prepon.

Love Interests of Bruno’s Kids:

Ashley Nicolette Frangipane/Halsey as Mad Maddy Mim (Rick Madrigal's girlfriend).

Colin Morgan as LeFou Deux (aka Lee, Claudine Madrigal's boyfriend).

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More to be added.

This is for my au.

[inscrutable-shadow]

Augusnippets Day 24 - Path of Whumperless Whump - Land Mine

mil au again hee hee

rex engelhart @cyberwhumper vic montez @bxtterflystxtches mariano ortiz and bastian miranda @crash-bump-bring-the-whump cal bjornson @write-kin

"Okayyy. Engelhart? I need you to stay very still for me. Very, very still."

"Still" had probably been a challenge for Rex before the chrome, now, with all the work they'd done to get him pacing instead of punching when he was agitated, it was like asking a dog with a bone not to wag its tail. Still, lights darkened on the chrome as nonessential systems were powered down, out of use.

"You should run, doc." They'd both heard the click as the landmine armed itself. Rex was heavy, no way they could switch out the weight like Indiana Jones, as if that could ever work on a pressure-activated explosive.

One thing about Thanatos, though, was that he never gave up. "No. Bjornson, get me Montez now. We've got a mine."

Cal's voice filtered through his earpiece. "No good, he's dark on comms. I'll keep trying to raise him."

Shit. If Vic was dark, he might have run into the same problem. He and Mariano were on the other side of the outpost running final checks. This area was supposed to be safe, the war mages had already cleared it, Thanatos was only here providing secondary support and aid to any remaining civilians, as someone with field training and who wouldn't be expected to do any fighting when paired with Rex. Thanatos thought that "lack of manpower" was an excuse to put him in harm's way, but who was he to dispute the general's orders? "And Miranda? Does he have a read on Ortiz?"

Bastian cut in. "No bad feelings, but no comms either. They might have found a deadzone. Hold tight, you two. I'm scrambling backup." His voice was as confident and sure as ever, but there was no way that wasn't a front.

Fuck. He just needed to think. There had to be a way to get out of here. They didn't know how many other active mines could be around, and no matter how light-footed Thanatos was, he wouldn't fool one. He just needed a solution, a way to get them both out of there unharmed—

"Don't worry, doc. I won't let you get hurt," said Rex, the lights on his cybernetics flaring to life again.

"Rex, what are you—"

A huge metal frame wrapped around Thanatos, shielding him from the force of the explosion that knocked them both to the ground and made his ears ring and light flash behind his eyes. He curled himself into a ball in Engelhart's arms, the way he always did when something went wrong. When his vision cleared and his ears stopped ringing, he lifted his head. "Rex?"

It took a moment, but he was answered with a cough. "Ow." Thank the gods. Engelhart was a fucking tank. Now just to do that however many more times it took to get back. Thanatos wasn't looking forward to it.

[jacarandaaaas]

Here’s some revisions I did after seeing some of the ideas (there are obviously some flaws but I tried). Also, these ideas you guys had are amazing and my brain is BRAINING!!!

Season one - Centering the triplets as they grow up and Alma nearly losing her mind. The full season would be 20+ episodes and 20 minutes long. Also includes young Agustin and Felix. 

Season two - First ten episodes ending with the triplets (Pepa’s wedding) and the last ten with the grandchildren growing up. (And expanding on the changes that happened after Mirabel’s ceremony.)

This season and mid season three would expand on how some relationships dwindled and just different dynamics and such. Maybe some post-movie bonding.

Season three - First ten episodes ending with post-movie grandkids/ before Antonio’s birth month. The last ten centering on the actual healing through Casita’s collapse. Mirabel’s parents, sisters, and Primo's reaction to Mirabel’s disappearance. And the reaction to Bruno coming back and how they all felt. 

And more bonding among family members and an introduction to extended ones on Agustin and Felix’s side of the family. Like honestly, what about their other cousins? grandparents? Tias & Tios? Nephews and nieces? We need more of them too.

Over the course of the series a trading & transport system is created for people to safely get in and out of the Encanto to the nearest town. They do explore outside The Encanto/see how far the gifts go. Culture shock. 

Obligatory "the oldest granddaughters go out and shenanigans happen." also Camilo and Mirabel spy/tag along.

Season four - first twelve episodes are going to be character-centric and full of shenanigans. In every episode Luisa tries a new hobby in the B/C plot and it goes a different direction each time. 

Obligatory halloween episode where the grandchildren tell each other scary stories of the outside world. 

Episodes 18  could possibly surround the Triplets birthday. Episode 19 could be the Valentine's day episode with the yellow couple, blue couple, and Dolores’ relationship with Mariano.  Could also involve the other grandkids talking to their crushes or asking them out. Just a full day of wholesome love. 

Episode 20 could be a BIG family game night with extended family involved. 

Season five - Finale season (A few years into the future maybe?)

Mariano goes with the other granddaughters out of the Encanto to get the best engagement ring for Dolores (because only the best of the best is good for her). Camilo and Antonio tag along and they get into trouble. Dolores hears everything and goes to bail her boyfriend and cousins/brothers out.

Day of little candles themed ep where alma and the family go to the river and alma tells them all about pedro. Also flashbacks of before dos oruguitas and Alma telling her family how proud she is of them all. 

Mirabel (possibly seventeen or eighteen) looks back on how far the family has come while working on Dolores’ wedding dress. 

Season ends with Dolores and Mariano getting married! 

Notes: Yes, the theme song would be like the family madrigal, new outfits every other episode, in each episode a part of the diverse Colombian culture could/should be explored. (food, music, dancing, fashion, history, etc).  Songs are a must and Lin Manuel Miranda will be the one who worked on them. I won’t let anyone else attempt to mimic his style of music when he can just be hired. I’m sure he would like to work on the story anyway. 

I think 24 episodes instead of 20 would be a bit better plot and story wise. Maybe each could be 25 minutes each too? Also, if Disney is willing to not have a stick up their ass, I would like the series to be animated in Disney’s renaissance era style. Like the Hunchback of Notre dame, Brother bear, Lion king, Treasure planet, and Tarzan. I’m NOT accepting anything less. 

It could also be a Tradigital (both computer and hand drawn) style like Tarzan/Hunchback of Notre dame! 3D backgrounds painted to look 2D with the characters actually being traditionally drawn. This would especially be cool to look at in Antonio’s room and just Encanto in general. 

TONS OF DISNEY  EASTER EGGS! “Wish” kind of didn’t do it right at all so I think Encanto can do it better.  Honestly I should’ve just asked the Encanto community for help instead of just struggling by myself. YOU GUYS ARE AMAZING!!! If I’m ever able to pitch this to Disney and actually make this become true I will credit ALL OF YOU!!!

Also, I’ve noticed how poorly Disney marketed Treasure planet, Princess and the frog, and strange world (most are allegedly poorly marketed) and by god I WILL NOT let them poorly market this. 

Lastly, I think the series could have a full six seasons because there are so many ideas that I want to add and don’t want anyone’s idea left out. Plus, there’s just so much one can do...

thanks to @midcanto @mirabels-miracle @droppingdonkeys @slayyyysworld @teawizard and you of course for the ideas!

mirabel😭making😭dolores😭wedding😭dress😭

I love these ideas so much!!! in a better universe this exists and in the Number 1 fan!!! I love when this fandom is creative and all come together!!

[elartedeseryo]

" EL ARTE DE SER YO "

Por: Xair Nevado

Editorial: Urban Elf Universe

Especial agradecimiento a: Leonardo Merard, Melani Garcia, Iosef Neuta, Polly, Carlos Robles, Jeffr3y, Juan One, Torrente, Maria Jose Jaramillo, Bionic Sleep, CRRD, CXXB, Gato Q'Ladra, Diana Gonzales, Noé, Ébano, Jean Pier, Lea, Nadie 33, Andy Dreads, Solanyi, Oscar, Reinaldo Torres, BioPunks, Adailton, Oz, Mariano, Mos J. Brown y Louis Miranda, Discgirl. (Por ayudarme de cualquier forma a construir este proyecto)

Gracias a estos culos malos por enseñarme a ser quien soy:

Dante Alighieri, David Bowie, Marilyn Mason, H.P Lovecraft, Edgar Allan Poe, Tim Burton & The Residents.

[ginnyrules27]

Do you think that Encanto and Coco exists within the Descendants world? If so, how do you imagine it's all worked out (what happened to the characters in Auradon, if anyone was sent to the Isle, etc)?

Yep, I totally think they exist in Descendants. Now, in all honesty, I've not seen Coco so I'm going to stick to Encanto for this (sorry not sorry, Encanto has music by Lin Manuel Miranda, I see his name and I see the movie.)

I don't think anyone was sent to the Isle per se (because there is no villain of Encanto other than intergenerational trauma). However, I think if given the choice, Bruno would have gone if the barrier could suppress his visions (if the family was in their 'We Don't Talk About Bruno' stage) and then Mirabel might have gone if it was D1/D2 (where it was 'the barrier suppresses all magic, not only evil magic) and she wouldn't be the only person without a gift. I mean the barrier even blocked Maleficent and Hades' magic so you know it's powerful.

Plus I can almost see a little Dizzy following Mirabel like a duckling if Mirabel elected to go. Again though that would have to be pre-or-mid movie Mirabel. Post-movie Mirabel wouldn't leave her family.

Okay then to the other characters:

Isabella would have been almost like an older sister to Audrey, two kindred spirits in a way since they both had to be 'perfect' for an older member of their family who never properly dealt with the trauma that happened to them before they were born (if this is Canon/WAL Audrey. Choosing Audrey...well she's beyond help but ToF Audrey might be savable).

That being said, I'd love to see a post-movie Alma smacking Leah for that 'Our family status gone, you were supposed to be his queen and you let him slip through your fingers. Your mother could hold on to a prince in her sleep' line.

Luisa would 100% hang out with Hercules in her downtime and maybe even work with Herkie on his strength since I'm sure she has some tips from getting her strength at five. Also, she'd pal around with Ginny if this is in the Choosing universe because Ginny took care of the Coachman's donkeys and Luisa has donkeys as backup dancers.

Dolores went to work in a library (either the school's, assisting Slyvia Goof in LotusQuil's universe or one of the many libraries I'm sure the capital city of a kingdom run by Belle would have).

Antonio would make friends with the Smee twins/Carlos and probably has an internship in his teens with Carlos since he can explain what's going on to the animals.

Julietta would have become a therapist, finding ways to help people heal from more than just her cooking. Plus she's seen what can happen to people when they hold in their issues and wouldn't want to see others go through that.

Pepa, Camilo, Augustin, Felix, Alma, and Mariano are harder to place but I have a feeling that as long as they were with their loved ones, they'd be happy!

[schoje]

Após o fim das modalidades individuais dos Jogos Escolares de Santa Catarina (Jesc) que se encerraram neste domingo (14), foram definidos todos os classificados para os Jogos Escolares Brasileiros (Jebs), que acontecem entre os dias 20 de setembro a 03 de outubro, em Recife (PE). As competições individuais em disputa no Jesc 2024 foram judô, karatê, luta olímpica, tênis de mesa, ginástica artística, ginástica rítmica, badminton, xadrez e ciclismo e se classificam os atletas que disputam as respectivas modalidades previstas no regulamento dos Jogos Escolares Brasileiros (Jebs) 2024. Ainda no primeiro dia de competições, o atleta de karatê, Mayco Lucas Mariano, de Indaial, foi campeão em sua respectiva categoria e celebrou a conquista da vaga para os Jogos Escolares Brasileiros. “Eu comecei no karatê com apenas cinco anos por influência dos meus irmãos que treinavam e me incentivaram e desde que eu entrei no esporte eu adorei. O karatê me ensinou muitas coisas, o principal de tudo foi respeitar as pessoas. Estou muito feliz com essa classificação para os Jebs e vou dar o meu melhor para representar bem o estado de Santa Catarina”, celebra o atleta. Neste domingo (14), segundo dia de disputas das competições individuais, a ginástica rítmica de Santa Catarina também formou a sua equipe que estará em Recife (PE), representando o estado. Estão classificadas as atletas Pietra da Luz, Isabela Miranda Nogueira Silva, de Florianópolis e Eduarda Zimmerman e Sara Fidencio, de Joinville. As técnicas da equipe serão Evelise Garofolo e Letícia Maria Uisdeck. “A gente vem de uma seletiva em Joinville e na preparação para os Jesc, a gente ainda estava estreando algumas séries e agora para a competição nacional ainda vamos fazer alguns ajustes. A gente trabalha com essas meninas desde que elas tem apenas cinco anos de idade e realizamos também o trabalho mental com atividades de Yoga para que elas se preparem bem, tecnicamente, fisicamente e mentalmente e estejam muito preparadas no momento da competição”, detalha Letícia Maria Uisdeck. As modalidades coletivas dos Jogos Escolares de Santa Catarina que iniciam nesta segunda-feira (15), também valem classificação para os Jogos Escolares Brasileiros. Assessoria de Comunicação da Fesporte Guilherme BrazzalleE-mail: guilherme@fesporte.sc.gov.brTelefone: (48) 99190-9994 Delamare de Oliveira Filho E-mail: professordelamare@hotmail.comTelefone: (48) 98831-0796 Fonte: Governo SC

[jgmail]

Cuando la figura de Abd-el-Krim sobrevoló América Latina

Por Leandro Albani 

Fuentes: El Salto

A lo largo del siglo XX, las relaciones entre el pueblo rifeño del norte de África y América Latina fueron escasas, pero estuvieron marcadas por las luchas de liberación nacional y los intentos de derrotar al colonialismo en ambos continentes.

“Os hablo como hermanos, porque la sangre española que corre en vuestras venas es en gran parte sangre árabe, como la de todos los españoles del sur de la península que salieron de Palos, de Sevilla, de Cádiz, para sembrar en vuestra América el alma árabe que resucitó en los gauchos y en los llaneros, aunque encubierta por los signos de otra religión”

A principios del siglo XX, la lucha del pueblo rifeño, la fundación de su República después de derrotar a la España que colonizaba esas tierra del norte del actual Marruecos y la figura de un desconocido Abd-el-Krim, cruzaron el océano Atlántico y repercutieron en América Latina. Varias décadas después, la guerra de guerrillas desarrollada por las tribus al mando de el-Krim se convirtió en una de las técnicas que aprendieron los hombres liderados por Fidel Castro antes de desembarcar en Cuba, en diciembre de 1956. En poco más de dos años, desde la Sierra Maestra, en el oriente cubano, el Ejército Rebelde desató una guerra de guerrillas que hizo morder el polvo a la dictadura de Fulguencio Batista. El 1 de enero de 1959, Fidel y sus guerrilleros tomaron el poder e iniciaron una revolución que impacta hasta el día de hoy.

Para España, el año 1921 significó su principal derrota militar en su larga historia. El denominado “Desastre de Annual” se produjo en el Rif. La población amazigh de ese territorio, bañado por el mar Mediterráneo, donde la aridez y las montañas conforman un paisaje que a finales del siglo XIX se consideraba inhóspito, encabezó una guerra demoledora para el reino español. Encabezado por Abd-el-Krim, el pueblo rifeño le dio un golpe mortal al ejército ocupante, encargado de la colonización del territorio desde 1912.

La ocupación de las tropas españolas en el Rif no fue bien recibida, sobre todo porque lo primero que hicieron fue construir iglesias y sobornar a jefes tribales para que aceptaran el plan colonizador. Como si fuera poco, España no desarrolló industrias ni creó nuevas infraestructuras en la región. La colonización fue puramente militar. Y el pueblo rifeño fue anotando los sufrimientos que España multiplicó por sus tierras. Abd-el-Krim, que se desempeñaba dentro de la administración española ocupante, también registró las injusticias contra su pueblo. Luego de conocer la prisión en 1915, el futuro líder rifeño comprendió que sus coterráneos tenían derecho a ser libres y su tierra a convertirse en una República libre y soberana.

El mensaje a los pueblos latinoamericanos

En diciembre de 1924, la revista Renovación, editada en Argentina, publicó un mensaje de Abd-el-Krim a los pueblos de América Latina, donde el líder rifeño mostró un conocimiento profundo sobre la realidad del continente y en un puñado de párrafos convocó a luchar por la independencia. Además, reflexionó sobre la presencia del Islam en Europa y los vasos comunicantes entre los pueblos de África y América Latina.

El mensaje se dio en el marco del centenario de la Batalla de Ayacucho, una de las confrontaciones bélicas más importantes de las guerras de independencia en América del Sur (que transcurrieron entre 1809 y 1826). El también conocido como “Grito de Ayacucho” permitió la consolidación de la independencia de la República de Perú.

En ese texto, Abd-el-Krim escribió que no existe nada “más sagrado y respetable que el derecho de los pueblos a regir sus propios destinos, dándose las leyes y las formas de gobierno”.

El-Krim aseguró que el pueblo de Marruecos, en plena década de 1920, luchaba con los mismos ideales que los venezolanos Francisco Miranda y Simón Bolívar, y los argentinos Mariano Moreno y José de San Martín. También manifestó que “ayer no más nuestros corazones seguían emocionados por la última gesta de los Maceo y los Martí” en Cuba, quienes bregaban por la independencia total de la isla. “Así como vosotros hace un siglo luchasteis por formaros una nacionalidad propia, nosotros estamos dispuestos a sacrificar vida y haciendas para constituirnos en pueblos libres”, resumió el entonces Regente Provisional de la República del Rif.

“El glorioso día de Ayacucho existe para todos los pueblos oprimidos —dijo el líder rifeño—. Estamos seguros de ello y millones de nuestras vidas serán pocas, si es menester, para pagar el precio de nuestra libertad”.

En el mensaje, Abd-el-Krim apuntó contra la “Europa corrompida” en tiempos de la Primera Guerra Mundial, desencadenada, según la máxima autoridad del Rif, “por el imperialismo propio de su régimen capitalista”.

El líder rifeño también posicionó a los pueblos de Egipto y Marruecos a la vanguardia de la lucha por la liberación en África, y en toda su escritura sobrevolaba la necesidad urgente de la unidad para alcanzar la independencia. El-Krim llamó a “a sacudir el yugo de Inglaterra y de Francia, de Italia y de España”, lo cual desembocará en procesos independentistas en Argelia, Túnez y Libia.

“Nuestra causa es tan justa como antes lo fue la vuestra. No nos mueve particularmente odio a España, que en otro tiempo fue patria nuestra y cuna de nuestros abuelos”, reflexionó el dirigente, que a su vez defendió la influencia árabe en España, la cual, según su visión, fue truncada en “la hora fatal en que una guerra religiosa causó nuestra expulsión de la península hermoseada por nuestras artes y enriquecida por nuestras industrias”. El-Krim además criticó a “las castas militares y católicas de España” que arrastraron a su pueblo “a una guerra insensata y desastrosa que ha hecho de Marruecos el cementerio de sus hijos y el pozo sin fondo de sus presupuestos bélicos”. Como sucede en cualquier guerra hasta nuestros días, el líder rifeño remarcó que al norte de África se enviaba a “morir a los pobres españoles como hace cien años se los mandaba a morir en los valles de los Andes y hace treinta años en las maniguas de Cuba”. Frente al colonialismo español en el Rif, Abd-el-Krim manifestó que en su pueblo estaban “repugnados por tanta matanza y deseamos que los españoles desistan de su inútil heroísmo, evacuando Marruecos como evacuaron vuestra América, para dejarnos emprender la obra de paz, de trabajo y de enseñanza que nos permitirá formar naciones tan dignas como las que vosotros habéis formado”.

En el último fragmento del mensaje, el líder rifeño lamentó no poder enviar a América Latina una “embajada especial a las fiestas de Ayacucho glorioso”. Antes de que su firma como “Regente Provisional de la República del Rif” concluya la carta, el-Krim expresó su deseo de establecer con los pueblos del continente “unas firmes relaciones fundadas en el amor y la fraternidad, antes que la hipocresía convencional de la presente diplomacia del imperialismo capitalista”.

“El hombre de férrea voluntad”

En esas páginas, la lucha del pueblo rifeño y la figura de Abd-el-Krim aparecieron en tres ocasiones. En la primera edición de la revista, en un recuadro en la portada, se rescató que el “primer resultado que ha tenido el avance de Abd-el-Krim en la zona francesa, es el de que los obreros indígenas exigieron la jornada de ocho horas, y en verdad todo el movimiento en Marruecos tiene más carácter de lucha proletaria que de guerra imperialista”. A continuación se señaló: “Por eso la Francia llena de cañones y elementos de guerra sus protectorados, porque para ella es preferible todo, antes que los obreros indígenas tengan jornadas de ocho horas y salarios humanos”.

Con un tono crítico y duro, desde Revista de Oriente afirmaron que un “pueblo que no ha podido ser imbecilizado por el clericalismo español, ni por la brutalidad militar, es un pueblo de ideales y de cultura propios dignos de triunfar. Esta vez tenemos fe en las fuerzas del derecho y esperamos que los pueblos de Europa pidan maestros a Abd-el-Krim para civilizar a sus gobiernos”.

En el número 3, de agosto de 1925, la revista publicó un artículo a doble página bajo el título de “Marruecos” donde se presentaba un análisis de la crisis del capitalismo en Europa después de la Primera Guerra Mundial. Después se refirió a Marruecos y los descubrimientos de minas que atrajeron “las codiciosas miradas del capitalismo europeo”, tras lo cual “la garra imperialista europea se dejó sentir en todo el norte africano”. También se remarcó que pese al coste humano y económico de España y Francia, “la parte central y norte (de Marruecos), nunca fue dominada”.

A su vez, se describió la constitución de la “Compañía Española de Minas del Riff”, que tenía “entre sus más fuertes accionistas a Romanones, los jesuitas y el Rey”. Sobre la ocupación española del Rif se mostró el siguiente ejemplo: “España tiene unos 22.000 kilómetros cuadrados con Melilla, Ceuta y las minas de Beni-Tex-Ifrur”.

Al referirse al líder rifeño, se describió la historia de Abd-el-Krim como burócrata de la administración española que ocupaba el Rif, de quien se dijo que comprendió que “para vencer a los opresores de su pueblo, era necesario algo más que bravura y heroicidad, que era indispensable una constante y consciente labor de estudio, y una preparación orgánica lo suficientemente hábil y adecuada que le permitiera utilizar las más modernas invenciones y métodos, sin los cuales sabía que era utópico pensar en el éxito”. “Para eso sacrificó largos años de su vida —remarcaron en el artículo—, los que le permitieron ver todo el mecanismo, estudiar todas sus fallas, y llegar al convencimiento de que a esos ejércitos que les faltaba la columna vertebral de un ideal popular, no podían resistir a un puñado de los suyos que además de modernos fusiles y abundantes cartuchos llevaban el firme propósito de vencer y libertarse”.

Desde la revista también apuntaron que frente a la liberación del Rif “los ‘izquierdistas’ franceses no trepidan en lanzarse contra Abd-el-Krim en una nueva guerra de ‘defensa y de justicia’. Sin duda es esta la primera guerra típicamente colonial que ha debido emprender Francia, después del Tratado de Versalles y ante la cual, los socialistas franceses han tomado la más alta defensa del belicoso capitalismo nacional, votando la declaración favorable a la continuación de la lucha y manifestando que ‘saludan agradecidos a las valerosas tropas francesas e indígenas que están defendiendo la obra de Francia’”.

En el número 4 de la Revista de Oriente, de octubre de 1925, en una doble página utilizada para fotogalerías, apareció el líder rifeño, con un epígrafe que lo describió como el “que manda a las fuerzas marroquíes y tiene en jaque a los potentes imperialismos, francés y español”. Al lado, más pequeña, se ve una foto del hermano de Abd-el-Krim, al que se señaló como el jefe “al frente actualmente de las tropas que tomaron Xauen y Tetuán”.

Del Rif a Cuba

“Bayo no rebasaba las enseñanzas de cómo debe actuar una guerrilla para romper un cerco, a partir de las veces que los marroquíes de Abd-el-Krim, en la guerra del Rif, rompieron los cercos españoles”. La anécdota la relató Fidel Castro al periodista Ignacio Ramonet para su libro Cien horas con Fidel, publicado en 2006. Fidel había conocido a Alberto Bayo en México, cuando el dirigente cubano reunía y preparaba al grupo que luego desembarcó en las costas de la isla caribeña. En tierras mexicanas, el ex militar español se había sumado al proyecto de Fidel como instructor militar. La guerra de guerrillas era la especialidad de ese hombre que, entre 1916 y 1927, participó en diferentes momentos junto a las tropas españolas en el Rif y luego se encolumnó en la defensa de la República durante la Guerra Civil en España.

“Che era un alumno asiduo en todas las clases tácticas —contó Fidel—. Bayo decía que era su ‘mejor alumno���. Los dos eran ajedrecistas y, allí en el campamento, echaban todas las noches grandes partidas de ajedrez”.

El encuentro entre Fidel y Bayo fue en la capital mexicana. El veterano español tenía 60 años, el futuro líder cubano todavía no llegaba a los 30. En 1955, el ex militar había publicado 150 preguntas a un guerrillero, un libro fundamental para el futuro de las insurgencias latinoamericanas, inspirado en la lucha encabezada por Abd-el-Krim. En un artículo aparecido en Le Monde Diplomatique en 2013, Antonio Palerm escribió: “Bayo fue uno de los pocos militares españoles que simpatizó con los resistentes rifeños, a quienes amparaba, según su criterio, la razón histórica. Por ello, de vuelta a España, se afilió a la UMRA (Unión Militar Republicana Antifascista). Cuando estalla la Guerra Civil, el 18 de julio de 1936, le encontramos destinado en el Prat de Llobregat”.

Para Ernesto Guevara, las enseñanzas de Bayo no fueron menores. En el prólogo que escribió al libro Mi aporte a la revolución cubana, publicado por el ex militar en 1960, el Che afirmó: “Del general Bayo, quijote moderno que sólo teme de la muerte el que no le deje ver su patria liberada, puedo decir que es mi maestro”. En esas enseñanzas resplandece la figura del Abd-el-Krim.

Entre junio y septiembre de 1959, luego del triunfo de la revolución cubana, el Che viajó por Asia, el norte de África y Yugoslavia. El proceso encabezado por Fidel Castro necesitaba tender puentes para lograr un respaldo sólido a sus propuestas incipientes de socialismo. Por esos años, el liderazgo de Gamal Abdel Nasser iluminaba desde Egipto a todos los países de mayoría arabe. El gobierno nasserista enfrentaba a Israel y a Estados Unidos sin dobleces. A ese país en ebullición había llegado exiliado Abd-el-Krim luego de conocer —una vez más— la persecución, y sufrir la caída de la República del Rif debido a la campaña militar de España y Francia contra la joven nación.

Según diversas fuentes, cuando el Che llegó a Egipto solicitó reunirse con el líder rifeño. Algunos apuntaron que el propio Bayo fue quien facilitó el contacto para ese encuentro. En el artículo de Le Monde se indicó que ambos dirigentes pasaron toda una tarde juntos: “Sus intercambios eran en español, idioma que Abdelkrim dominaba a la perfección, además del amazigh, su lengua materna, el árabe, e incluso el francés y el inglés”.

En 2017, en un artículo firmado por Luis Agüero Wagner y publicado en el diario Siglo XXI, el autor sostuvo que el 14 de junio de 1959, el mismo día que cumplía 31 años, el Che “decidió hacerse a sí mismo un obsequio en El Cairo”. Agüero Wagner explicó que el facilitador del encuentro fue Abdallah Ibrahim, quien gobernaba en ese entonces en Marruecos, a través del embajador marroquí en Egipto, Abdelkhalek Torres. Otras fuentes indicaron que el propio Ibrahim le contó sobre la reunión entre el Che y El-Krim a Mohamed Louma, compañero de lucha del dirigente político marroquí Mohammed Basri. Según esta versión, el comandante argentino-cubano y el líder rifeño departieron en el jardín de la embajada de Marruecos en la capital egipcia. Al crecer el mito de esta reunión, algunos dicen que los encuentros se repitieron al menos en dos ocasiones más. Otros apuntan que el Che le regaló un bolígrafo a El-Krim. En el documental Het verhaal van Abdelkrim, Ahmed Morabit cuenta que existe una foto en el que se ve al Che sentado en el piso, escribiendo, y a su lado, sentado en una silla, a Abd-El-Krim. “Como un maestro con su alumno”, sentencia Morabit.

El líder rifeño, nacido en 1882, falleció en 1963 en El Cairo, donde el gobierno organizó un funeral nacional para despedirlo, debido a su compromiso con las luchas independentistas de África. Cuatro años después, caía en combate Ernesto Guevara en Bolivia, donde impulsaba una nueva guerrilla para expandir la revolución por toda Latinoamérica. Abd-el-Krim y el Che soñaron con un mundo donde las cadenas del colonialismo fueran pulverizadas por los pueblos oprimidos. Ambos dejaron sus vidas en esa empresa.

Fuente: https://www.elsaltodiario.com/historia/cuando-figura-abd-krim-sobrevolo-america-latina

[igetthedisneybox]

The Future of the Family Madrigal

Inspired by @hannahhook7744's AU, here's what my new Madrigal family tree looks like, roughly twenty-six years after the events of the movie.

I used the scrapped characters from the Encanto Artbook, as well as some early versions of existing characters to round things out.

EDIT: Added two additional kids, to bring Dolores and Mariano's kid count up to five.

First Row: Pedro Madrigal and Alma Cadenza

Second Row: Félix Castillo, Pepa Madrigal, Alejandra Delgado, Bruno Madrigal, Julieta Madrigal, and Augustín Rojas

Third Row: Antonio Madrigal, Camilo Madrigal, Dolores Madrigal, Miranda Madrigal, Amelia Madrigal, Sofía Madrigal, Isabela Madrigal, Luisa Madrigal, and Mirabel Madrigal

Fourth Row: Marcos Vasquez, Mariano Guzmán, Juana Aguado, Bubo Marquez

Fifth Row (and the one slightly above it): Hugo Madrigal, José Madrigal, Héctor Madrigal, Princesa Madrigal, Fuega Madrigal, Mariana Madrigal, Óscar Madrigal, Beatriz Madrigal, Lidia Madrigal

Sixth Row: Leta Madrigal, Andrés Madrigal, Carlos Madrigal, Avila Madrigal, Amada Madrigal, Tomás Madrigal, Rómulo Madrigal, and Zoe Madrigal

Putting a character and familial guide under the cut, because the tree is m e s s y

Alejandra is Bruno's wife, and Miranda, Amelia, and Sofía are their daughters.

Alejandra is a scrapped character who I think was supposed to be the original founder, and the Julieta Character's mother. She appears to be dead in the version of the story she's in, as we see her statue, but not her. I decided to make her Bruno's wife, as I think he deserves a scary sword wife who loves him and their daughters very much.

Miranda was an early version of Julieta, and Alejandra's daughter. Since the two look near identical, they kinda ended up being a package deal. Miranda is technically Bruno's step-daughter, but that doesn't really matter.

Amelia and Sofía are characters from a very early concept. I threw them in as Bruno's daughters, as I liked the idea of one of Bruno's kids having a 'bad' power.

Marcos is Camilo's husband, and Hugo, José, and Héctor are their sons.

There are so many early concepts of Bruno, that there are no less than three in this tree, and they all look different. Marcos is one of those early concepts, back when Bruno was a skinny twink with bright blue eyes. The name Marco was chosen from a list of potential names for Bruno.

Hugo is an early version of Antonio (there are also a lot of those here), one where he's older and selectively mute.

José seems to be from the same era as the twins, although he doesn't get any notes. He seems like he'd be Camilo's kid in any timeline lol.

Héctor is yet another concept of Antonio, but I thought he looked different enough from Hugo that it worked out. I picked the name as a reference to the movie Coco.

Leta, Andrés, Carlos, Avila, and Amada are Dolores and Mariano's children.

Leta was Pepa's twin sister originally, so I thought it made sense to make her her granddaughter instead.

Andrés is another Bruno, and I thought he looked the most like Dolores out of any of the concept characters. Andre was another potential Bruno name, so I named this version of him that.

Carlos is the infamous beta Camilo. Since Cami doesn't have any bio kids, I gave Carlos to Dolores to explain the simillarites. Plus, he does kind of resemble Mariano.

Avila and Amada are two of the four concept girl cousins in the artbook. Picked them because they have Dolores' ears and Pepa's teeth. @hannahhook7744 showed me a concept character from an early script called Amada, and we discovered that Alma's name was originally going to be Avila (in the 2017 version) so I picked those names. (Thanks Hannah!)

Juana is Luisa's wife, and Tomás, Rómulo, and Zoe are their children.

Juana is an early Pepa, back when her gift was indestructability. I paired them together just because Luisa needs a laid back gf to counteract The Anxiety. Her name is actually a beta Julieta name.

Tomás and Rómulo are a pair of twins that appeared only once in a family portrait. There are very limited boy concepts, so I snagged these guys too. Tomás means "twin" and Rómulo is the Spanish form of Romulus, a very famous twin.

Zoe is from the same era as José, Amelia, and Sofía. She's basically the poster child for Scrapped Encanto Characters.

Bubo is Mirabel's husband and Óscar, Beatriz, and Lidia are their children.

Bubo is Isa's scrapped love interest, but I'd already planned on having Isa stay single when I learned about him, so I ditched the OC I gave to Mirabel, and gave Bubo to her. They both have glasses, so I think they'd be cute together.

Óscar is the third Bruno, and the one who gets the Óscar name. I was originally using a different Óscar, but figured that this one looks the most like Bubo. The name is the most widely used name for beta Bruno.

Beatriz is a beta Mirabel, so obviously I made her her daughter.

Lidia is a Luisa, and looks decently enough like canon Mirabel and Bubo. Lidia was supposedly Luisa's name before it was Luisa.

Isabela has no partner, but Princesa, Fuega, and Mariana are her daughters.

Princesa is a bit of an enigma to me. I think she was supposed to be an aunt of some kind, maybe Augustín's sister? It's never made very clear. She's shown to be dating/married to a beta Mariano, and potentially the mother of the four girl cousins? Anyway, I aged her down so I could use her as Isabela's daughter.

Fuega was supposed to be Isabela's other sister/cousin, one who was jealous of her gift and 'perfect' status.

Mariana seems to be a veeeeery early version of Mirabel. The name also stems from an early version of Mirabel.

I have bios for all the kids, I just need to post them.

[hannahhook7744]

My Encanto Next Gen Headcanons;

Set in my descendants-encanto au, ' The Invisible truth.'

Mirabel and Agustín made all the baby clothes for the next gen kids. They also made the clothes for Isabella's potato people and the taxidermied animal decorations when they came to life.

Isabella adores her little potato people and has called herself their 'mama'. (Inspired by this story).

She also loves giving sentience to her other plants (which her husband, Bubo, also loves).

Isabella and Bubo are alot like Gomez and Moritica Addams but like, the mad scientist versions.

A statue of Alma's sister law, Alejandra, does eventually get added to the house after they find out from Alma's long lost siblings and nieces that she died the same night as Pedro.

Isabella and Bubo go on to have two children— Miguel Jr (named after Miguel Rivera who helped deliver him when no one else was around) and Zoey Madrigal.

Claudine gets along most with Mirabel and Rick gets along best with Isabella. As does Rachel.

Rory favors Luisa.

Antonio is a single pringle like his uncle Bruno and like his uncle Bruno (in this au anyway) ends up adopting a kid of his own eventually (while in his mid twenties).

No one is ever really quite sure how many kids are in the Madrigal family anymore because of all the new grand kids and great grand kids. The kids themselves aren't even sure anymore.

The Madrigals still have their problems but they're much closer than before and the relationships are a little more healthy.

Out of the Frollo-Ratcliffe turned Madrigal kids, Cesare had the hardest time adjusting.

When the Frollo-Ratcliffe children are adopted, Alma's long lost siblings, her two nieces, and Felix's brother, Gabriel, have been in the Encanto for a few years already and the Madrigal Grandkids are all in their twenties (except for Antonio, who is either a preteen or a teen).

Camilo is an actor.

Isabella is a botanist selling crazy plants and an interior designer. Bubo is a costume designer. She and Bubo have a shop that they work out of.

Antonio is a zoologist and vegetarian.

Miguel Rivera, Mirabel's husband, is a musician.

Mirabel is a therapist.

Mariano is a poet.

Agustín is a tailor.

Félix is a musician and construction worker. His brother, Gabriel, is a traveler who has a thing for Pepa's cousin, Miranda.

Miranda helps heal people with Julieta.

Her sister, Beatriz/Beatriz, runs a casino.

Everyone still helps out in the village but they get breaks more often.

Camilo is a drama teacher and a small time actor and his wife, Mina, is a handyman.

That's all I got for now but I'll come back to this later.

Ryder Nattura, Luisa's husband, is a donkey herder and Luisa is a dog walker and pet sitter.

Dolores is a gossip magazine writer and a script writer.

[bulacanwantedsuspects]

Criminal Surnames

Ramirez - Murder

Estabillo

Castillo

Lanuza

Reyes - Estafa

Unite - Malpractice

Bernardo - Malpractice

Pasia Torres - Malpractice, Battery, Theft, Slander

Cortes - Malpractice

Francisco - Malpractice

Hilario - Slander

Torres - Slander

Miranda -

GMA 7 / ABS-CBN / TV 5- Slander

Multitel Globe

PLDT

Meralco

Bagtas - Slander

Esperancilla

Cruz

Fernando - Death Threat, Slander, Malignment

Fernandez

Figueroa

Diosemito Gonzales - Death Threat

Tan - DTI

Sy - DTI

Abe Sobrepena - Estafa

Diosemito

Alvarez

Arceo Pascual

Aenel

Acuna

Leano Leanes Leones Leoncio

Mariano

Alvarado

Panganiban Canlas

Valencia Torres - Malignment, Slander

V. Munoz - Estafa, Child Abuse

Domingo

Martin

Bolo

Mendoza

Isidoro

Faundo

Veloso

Cortes

Reyes - Estafa

Santos - Estafa

De Leon

Pacheco

Caparas Celis

Famorca

Figueroa

Ocampo

Garcia

Galema

Senensa Paguio Bulan

Estrella Pancho Concpcion

Bacani Lopez Alonday Dela Cruz Nadolza Alday Pena Vicente Manansala Manansala Manalaysay Manalastas

Lopez Melba Bernal Lorenzo Pena Vicente

Pajaro Morales Villanueva Trinidad Marcos Aquino Del Rosario

Tanghal Isogawa Shimoda

Yco Pichay Mateo Teodoro Diolata Timoteo Benemerito Barro Bernabe Batongbacal

A. Mia

Espiritu Carandang

Batanes Escalante Esquilona

Arambulo Bugay - Child Abuse

Eusebio

Calalang

Sarmienta Caladiao

Wong - Slander

Catacutan

Cuevas

Valenzuela Javier

De Guzman - Malignment, Slander

San Migeuel Beer

Jimenez

Buhain Abuel - Malignment, Slander

Yabut Yakit

Valdes Serrano

Kobayashi

Sebastian

Dinong

Soco

Arceo Pascual

Etrata

Lopez Santiago Amarillo Barro Estinos Carandang Torres - Malignment, Slander

Sierra Bernardo - Prostitution, Human Trafficking

Cristobal

Robles

Magno - Frustrated Murder

De Luna - Frustrated Murder

Baniqued - Death Threat

Hernandez Mallari - Death Threat, CJ 2023 Marcos Admin

Bravo

Cayetano

Herrera

Del Rosario - Slander, Child Abuse, Estafa

Villanueva - Slander, Child Abuse, Estafa

SM ROBINSONS - Slander

Ayala - ?

[agendaculturaldelima]

 #ProyeccionDeVida

🌃🌛 Cine bajo las Estrellas, presenta:

🎬 “GRU. MI VILLANO FAVORITO” [Despicable Me]

🔎 Género: Animación / Comedia / Ciencia Ficción / Infanti  / Familia / Crimen  / Robos y Atracos / 3-D

⏰ Duración: 92 minutos

✍️ Guion: Ken Daurio y Cinco Paul

📘 Historia: Sergio Pablos

🎼 Música: Heitor Pereira y Pharrell Williams

📷 Fotografía: Gustavo Ríos

🗯 Argumento: Gru es un hombre deplorable que planea el acto criminal más increíble de la Historia: robar la Luna. Incitado por una madre malvada, sólo encontrará un obstáculo en su camino: tres niñas huérfanas a las que tendá que cuidar temporalmente. .

👥 Voces: Gru (Steve Carell), Vector (Jason Segel), Agnes (Elsie Fisher), Dr. Nefario (Russell Brand), Margo (Miranda Cosgrove), Edith (Dana Gaier) y Señorita Hattie (Kristen Wiig)

📢 Dirección: Pierre Coffin y Chris Renaud

© Productoras: Universal Pictures & Illumination Entertainment

🌎 Pais: Estados Unidos

📅 Año: 2010

📽 Proyección:

📆 Jueves 08 de Febrero

🕖 7:00pm.

🏡 Centro Comunal Santa Cruz (calle Mariano Melgar 247, Urbanización Santa Cruz - Miraflores)

🚶‍♀️🚶‍♂️ Ingreso libre con DNI.

🍿 Organiza: Miraflores Cultura.

[trastornadosrevista]

LOLLAPALOOZA ANUNCIA LOS SIDESHOWS PARA SU NOVENA EDICIÓN

EL FESTIVAL MÁS ESPERADO DEL CALENDARIO REVELA LOS SHOWS EN FORMATO ÍNTIMO QUE COMPLEMENTARÁN LA ACCIÓN DEL FIN DE SEMANA DEL 15, 16 y 17 DE MARZO DE 2024: Phoenix, Omar Apollo, King Gizzard & the Lizard Wizard, The Driver Era y muchos más por anunciar!

La edición 2024 de #LollaAR, la novena desde su desembarco en el país, reunirá durante tres d��as a artistas de primera –internacionales y locales, consagrados y emergentes– en el Hipódromo de San Isidro para vivir una celebración de la música actual en toda su gran diversidad. Con una grilla  rebosante de talento que encabezan Blink-182, Feid, SZA, Sam Smith, Arcade Fire y Limp Bizkit Lollapalooza también tiene una serie de shows individuales para disfrutar de la previa y del post del festival.

 A medida que se acerca el cierre de este 2023, la expectativa por la siguiente edición de Lollapalooza Argentina no para de crecer. El festival que tendrá lugar el 15, 16 y 17 de marzo de 2024 es el plato fuerte para los amantes de los festivales y de la música en vivo: ¿qué mejor forma de inaugurar los shows del año que con esta celebración que convierte durante todo un fin de semana al Hipódromo de San Isidro en la meca musical de la región? En esta edición Blink-182, Feid, SZA, Sam Smith, Arcade Fire y Limp Bizkit encabezarán una grilla que honra el compromiso del festival por reunir artistas internacionales de todo el panorama musical, cubriendo desde los géneros urbanos que tan fuerte vienen pisando en Argentina y en el mundo, a la electrónica y sus incontables subvertientes, el pop en sus infinitas mutaciones, el infaltable** rock** en su amplia gama de sonidos, para celebrar a la música en la riqueza de su diversidad. Además, la grilla vuelve a ofrecer shows de artistas venerados en todo el mundo así como de quienes están dando sus primeros y prometedores pasos. Después de todo: Lollapalooza siempre ha sido la mejor oportunidad para conocer nuevos sonidos. #LollaAR vuelve a apostar por celebrar la música argentina, con shows de YSY-A, Miranda!, Juliana Gattas, Bandalos Chinos, Peces Raros, Mariano Mellino, El Zar, Franzizca, Anita B Queen, Fermin, por dar algunos nombres de los enormes talentos que estarán representando la escena local.

Pero #LollaAR no sería todo lo que es si no fuera además por la curaduría de su oferta de sideshows, esos recitales individuales para quienes ese finde de música los deja con ganas de todavía más o quienes apuestan por ver a sus artistas favoritos en un entorno más íntimo. Para la previa del finde de la máxima celebración de la música, el jueves 14 de diciembre se podrá disfrutar de los shows de Phoenix (C Complejo Art Media), Omar Apollo (Niceto Club) y The Driver Era (Teatro Vorterix). Por su parte, el lunes 18 de marzo, posterior al festival, King Gizzard & the Lizard Wizard (Teatro Vorterix).

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