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#March 2025 Books
bargainsleuthbooks · 19 days
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Book Reviews Children's Edition: Manga Biographies: Charles M. Schulz; Halfway There: A Memoir; The Terrifying Tales of Vivian Vance; How to Explain Climate Science to a Grown-Up #GraphicNovels #Manga #NetGalley #ChildrensBooks
Time for another round-up of book reviews: this time I tackled some manga, graphic novels, and a children's book about climate science. Read about the history of the Peanuts comic book, a memoir about being mixed-race, and a YA horror story. #ARCReviews
I have been connecting to my kids more with their reading. The two youngest adore manga books and the reason I have a Barnes & Noble membership is because the county library and school library do not carry the series’ they are interested in. I’ve also been picking up some graphic novels and manga, including some ARCs. Here are some reviews of my most recent finds: Most books can be found at the…
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guess-i-do-art · 2 months
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*throws book accurate Haymitch at you* whoops
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whocanbelieve · 3 months
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FIFTH HUNGER GAMES BOOK
FIFTH HUNGER GAMES BOOK
FIFTH HUNGER GAMES BOOK
FIFTH HUNGER GAMES BOOK
FIFTH HUNGER GAMES BOOK
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I’m already a disorganized MESS with all my thoughts about SotR (or SOTR—yes we get a fantastic acronym) but the current one that is rattling in my brain is that we TECHNICALLY didn’t get a confirmation about who the protagonist is. Correct me if I’m wrong but all the announcement posts simply confirm it takes place on the morning of the 50th games.
We could be following Katniss’s Mom for all we know—she was alive to witness it, lost her best friend to it.
This Hunger Games novel could do something completely different to what we’ve seen: follow a character who doesn’t survive past the games themselves. Maybe we could be getting a first person novel about the district 2 career, or Maysilee herself.
Maybe it’s third person, or first person by someone other than Haymitch.
Maybe we get a rotating perspective (doubt it but still!!)
Maybe it’s Haymitch’s mother, brother, a girlfriend. So many possibilities
Do I hope it’s Haymitch centered? …yes absolutely lmao he’s literally my favorite character in the series. (Which I’m ngl, I hope the novel doesn’t shatter that 💀 I know Haymitch isn’t exactly likeable and I fear maybe my “rose colored glasses” have a chance to be shattered lol)
But just to raise the idea that Haymitch isn’t the only person Sunrise on the Reaping could focus on
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maryse127 · 4 months
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I don't want to wait until March. I want Hunger Games book right now
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arielries · 24 days
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So excited to finally reveal the cover for my graphic novel Strange Bedfellows and announce that it's open for pre-orders! Releasing March 4th, 2025.
Oberon must choose between fantasy and reality when he develops the ability to conjure his dreams in real life--including the facsimile of the boy who got away.
To order it from a local seller and support a small business, you can do so through this link on bookshop.
It's also currently cheaper to order it here than major retailers!
you can also find it at major retailers here, though I always suggest ordering locally when you can!
These are just North American links so far--I will be following up when and where it will be available to order internationally shortly.
Pre-ordering makes a huge difference to a book's success. Enough pre-orders can mean a book ends up on a best-sellers in its week of release, which is huge for visibility!
If you don't have the financial means to preorder, you can still help by sharing with your friends or requesting the book at your local library. Most libraries have online request forms these days, making the process super easy.
I put a lot of love and hard work into this book, I can't wait to share it with you all.
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encyclopediacr · 1 month
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A new Critical Role short story collection!
To celebrate ten years, Critical Role and Penguin Random House will publish Vox Machina: Stories Untold in March 2025.
This collection features a foreword by Liam O'Brien and ten short stories by Jess Barber, Martin Cahill, Rebecca Coffindaffer, Aabria Iyengar, Sam Maggs, Sarah Glenn Marsh, Rory Power, Nibedita Sen, Izzy Wasserstein, and Kendra Wells.
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These stories include, quoting from Penguin Random House:
Shaun Gilmore reflects on the life he has chosen, as told by Aabria Iyengar.
Raishan, racked by a pestilent curse, plots to release the Cinder King from his fiery prison, as told by Rory Power.
Trinket the Wonder Bear accompanies the next generation of Vox Machina on their first adventure, as told by Sarah Glenn Marsh.
You can learn more at Penguin Random House's website for Critical Role books.
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imaginespazzi · 2 months
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Part 4: Warning Bells
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Masterlist - Part 1 - Part 2 - Part 3 - Part 5 - Part 6 - Part 7 - Part 8 - Part 9
I don't think I can do this again (do you remember it too?)
(In which a self-admittedly all over the place writer takes you on a bit of a rollercoaster)
Pairing: Paige Bueckers X Azzi Fudd
Themes: Fluff, Angst, Pining (the usuals)
Words: 6.1K
TW: Swearing, Mentions of Divorce
A/N: Hi lovelies :) Guess who made a deadline again? I'm as shocked as y'all are but I do wanna just warn y'all that August is gonna be really busy for me so as much as I'm gonna try to stick to schedule, there's a pretty good chance I won't. I really appreciate y'alls feedback with live-reacts/long reviews and it's truly the motivating factor behind my writing so pretty please keep sending them. I did edit (as usual) but please let me know the most likely existent typos anyway. As always, let me know what you liked, disliked and what you wanna see next. Have a lovely rest of your week my loves <3
March 2033 
Here’s what Azzi has learned about motherhood: having kids means that there will come many times in your life, when you will look around you and wonder how the hell did I get here. It’s that thought that’s currently plaguing her as she finishes hanging up the WELCOME HOME banner on the living room wall in her ex-girlfriend’s new apartment. And when she’s talking about kids, she’s not talking about her five year old who’s currently sticking purple hearts on every surface she can find. No, she’s talking about her 6’5 teammate who she’d once “adopted” as a joke in college, but who’s basically become her surrogate child ever since they’d ended up on the same WNBA team. 
It had started as a casual conversation when Jana, as she often did, had shown up for an impromptu lunch. The topic of Paige was hard to avoid considering it was Stephie’s favorite subject, heightened by the fact that Paige was coming back soon and Stephie was far too excited to finally have her Miss Buecks back. Jana was more than happy to indulge the little girl in conversation about what Paige had been like at UConn. And if Azzi had lost herself in those memories for a moment, transported back in time to a world that had once been blooming with promise before wilting in a darkness she’d created herself, well, she’d done an excellent job not letting it show on her face. 
The real issue had started when Jana had casually let slip her idea of surprising Paige with a little welcome party. And as Stephie had started reciting all the different things they could do -because of course me and Mama will help you Aunty J, Azzi had glared at Jana, only to receive an innocent smile in return that told her everything she needed to know. She’d been set up. 
That’s how, instead of spending her Saturday curled up on her comfortable couch with a book in her hands, Azzi is here instead and in true fashion, she’s the only one actually getting anything done. Jana, who had just left about twenty minutes ago to pick Paige up, had invited some of the other girls on the team to come help out yet, something about more hands on deck. Those supposed helpful hands had spent the last hour blowing up and popping balloons and getting nothing else done.
“I can’t believe y’all have me decorating for the woman who cost me my first national championship,” Joyce laments, “I still have nightmares from that game.”
“You gotta let that hurt go Aunty Joy,” Stephie says impishly, mimicking what Jana would normally say whenever the infamous 2025 South Carolina vs UConn national championship got brought up. 
“Don’t sass me Miss Stephanie,” Joyce sticks out her tongue at the little girl, throwing a purple balloon at Stephie’s head, “hasn’t your Mama taught you that we don’t mock people’s pain.”
“Ignore her Steph,” Tessa says, bumping her former Gamecock teammate as she shares a devilish grin with Azzi’s daughter, “she’s just upset she only won one. Some of us have two.”
Joyce guffaws, throwing another balloon, this time aimed at Tessa, “dude we’re supposed to be on the same team. What would Coach Staley say to you teaming with UConn people of all things to bully me?”
“She’d thank me for making sure you didn’t get a big head,” Tessa snipes back. 
Whatever response Joyce has to that quip is cut short by the doorbell ringing and Azzi feels her heartbeat quicken as Stephie lets out a squeal, dropping everything to go answer it. Things had been different since the facetime call almost two weeks ago. They’d accidentally on purpose settled into a routine where Stephie would call Paige at exactly 7 p.m. and Paige would answer on the first ring, promising to stay on the phone till the little girl fell asleep. And it would’ve been fine if that’s all it was. But then Paige started staying on the phone till after Stephie fell asleep and suddenly it was like they were back to their teenage selves, talking about everything and nothing, trying to learn every page of each other’s story all over again. 
Azzi had missed so much about Paige in the last couple of years but there was nothing she’d missed more than just talking to her best friend. She’d missed the way Paige would tell a story, going off on a million tangents in between. She’d missed the way her eyes would light up when she got to a particularly exciting part of the story, specks of gold shimmering in the blue like sunlight hitting the ocean. She’d missed the way Paige’s hands would be flying animatedly all over the place, even when she was whispering. She’d missed the way the blonde would pause halfway through to observe if Azzi was still listening, making sure all of the attention was still on her. And she’d missed the way that when it was Azzi’s turn to speak, Paige would hang onto every word like it was gospel, intently listening like she’d never forgive herself if she couldn’t recite everything Azzi had just said from memory. She’d missed the way Paige would let her emotions freely flicker across her face, because whatever happened to Azzi, Paige felt it too. 
She’d missed and missed, convinced the pain would be the end of her, until she’d tricked her mind into forgetting. And now Azzi’s beginning to realize that remembering it all again, might just be the thing that kills her. 
“Nevermind,” Stephie walks back to the room, sulking slightly, “it’s just Aunty Liyah.”
“Oh thanks Stephie babe. That makes me feel so wonderful,” Aaliyah says, walking in behind Stephie with an offended expression on her face, “and here I thought bringing cupcakes would make me popular.”
“Tell me those are store-bought Chavez. I ain’t trusting them if you made them yourselves,” Joyce says, side-eyeing the cupcakes. 
“Trust me I would never waste my precious time baking for y’all ungrateful ass-”
“Aaliyah,” Azzi shoots her younger teammate a sharp look.
“-ungrateful people,” Aaliyah corrects sheepishly, “cupcakes because y’all clearly don’t appreciate me.”
“I pre-ciate you Aunty Liyah,” Stephie says innocently, trying to get a better look at the aforementioned cupcakes, “you got the pu-ple ones right? They have to be pu-ple for Miss Buecks.”
Aaliyah bends down to Stephie’s level to show her the box of sweet treats “the perfect purple cupcakes for your Miss Buecks. How come you never wanna do nice things like this for us Stephie?”
“Because Miss Buecks is special,” Stephie retorts matter-of-factly.
“Oh so we’re not special?” Tessa asks, raising an eyebrow at Stephie.
“‘Course you are but Miss Buecks is special-er.”
And while her teammates all pretend to dramatically gasp at that, shaking their heads at Stephie, Azzi feels like someone’s squeezing her heart, twisting and twisting but never fully breaking it. She wonders if that might hurt less.
It’s another 10 minutes later when the doorbell rings again and Azzi watches her daughter’s face break into an incandescent grin, filled with hope, as she rushes to open the door because it has to be Paige this time. Azzi follows after her, trying to keep her breathing under control as anticipation clings to her nerves. Azzi’s gotten so spectacularly good at lying to herself that she tells herself this next one with ease: there’s not a single part of her that’s eager to see Paige again. 
“SURPRISE,” Stephie screams, flinging the front door open with as much strength as she can muster. She doesn’t give Paige a chance to react before she’s throwing herself against the blonde’s legs, hugging her thighs. 
It takes a second for Paige to register what’s happening, but when she does, it’s Azzi she’s looking at. Everything seems to move in slow motion as they stare at each other, the reality of the moment suddenly settling in. Paige is here. In Oakland. They’re going to be teammates; they’re going to see each other almost every day. Just like they used to. Except nothing is like it used to be and as that bitter truth comes up like bile in Azzi’s throat, she has to force herself to look away. 
“Miss Buecks,” Stephie calls out, tugging at the hem of Paige’s white shirt to get her attention, “do you like my surprise?”
Paige tears her eyes away from Azzi, leaning down to pick Stephie up before peppering her faces with kisses and making the younger girl squeal in delight, “best surprise ever.”
And Azzi really, really, can’t watch this. Not when it makes her want to walk over and cocoon herself in with the two of them, makes her want to pretend that she’s living in another life, one where she hadn’t thrown away the chance of a happily ever after with the girl she’d fallen in love with at fourteen, 
“Oh yeah Stephie, your surprise. Take all the credit. Not like the rest of us did anything,” Joyce rolls her eyes goodnaturedly, before pulling Paige into a one-armed hug, “welcome to the Bay Area Bueckers.”
Tessa and Aaliyah are next, both sharing warm hugs with their new teammate. Once they’ve had their turn, all eyes seem to turn to Azzi expectantly and the brunette blanches under their gaze. Other than Jana, who suddenly seems pretty heavily interested in the doorframe, the rest of her teammates don’t know about her past with Paige. So it’s only natural they’d expect her to greet Paige with all the cordiality of an old friend. 
“Y’all good?” Joyce asks slowly, looking between the two of them, “do you want me to introduce y’all or?”
“Shut up,” Azzi murmurs before drawing in a deep breath and stepping towards Paige. She tries not to fixate on the way Paige’s jaw flexes when the blonde swallows, tries not to think about all the patterns she’d once carved against that little patch of skin because she knew it drove Paige insane. The thing is Azzi can’t even really remember the last time they hugged beyond a for-the-cameras one at a game. But as she wraps her arms around Paige, the older woman’s breath tickling against her ear as she grips Azzi’s waist, it doesn’t feel that much different from how it used to be. Paige’s arms are still safe and strong and Azzi still wants to melt into them. But what’s different is that Stephie’s in between them now, tiny hands securely fastened around both of their necks. And Azzi almost, almost gives into the feeling of belonging as she whispers two simple words that mean just a little too much.
“Welcome home.”
***
Seven pairs of eyes watch as the movers move box after box after box into Paige’s apartment, until there’s more cardboard than floor visible. The three non-UConn girlies are wide-eyed as they watch the pile grow endlessly. Meanwhile Jana is laughing while Azzi tries to hide a smile behind her hands as the realization that she’d have to unpack all of her stuff hits Paige in waves, and her expression grows more and more somber. Once the movers are finally done, it’s Stephie, whose hand is still firmly clasped in Paige’s, who breaks the silence. 
“You have a lot of things Miss Buecks,” the little girl crinkles her nose, as she points out the obvious, “do you really need all of this stuff.”
“Of course I do Stephie,” Paige says indignantly and Azzi scoffs, earning her a withering glare from the blond. 
“Aight well it was nice to meet you-” Joyce starts, slowly backing away from the mess until Jana blocks her way. 
“Oh no you don’t. I told y’all we were all gonna help her move in. Call it team bonding,” the Egyptian says, her voice vaguely threatening. 
“Most of the team isn’t even here,” Aaliyah points out cautiously. 
“That’s not the point,” Jana rebukes, “alright team listen up. Here’s how this is going to go-”
“Maybe Paige should take charge. It is her apartment,” Tessa says slowly. 
“If we put Paige in charge she’ll tell us all to go home and procrastinate doing anything until after the season,” Azzi says, a knowing smirk playing on her lips. 
Paige pouts, “hey! I’m not that bad.”
“Oh you absolutely are.”
“Am not.”
“Are too.”
“O-kay,” Jana claps, breaking apart the bickering, “it’s good to see the two of you are apparently younger than Stephie,” she holds up a hands a both Paige and Azzi start to splutter in their defense, “now as I was saying before being rudely interrupted. We’re gonna split this up. Joyce and I are gonna do the living room. Aaliyah and Tessa, y’all are gonna fix the guest room. Which leaves,” Jana smiles, and it’s only because Azzi knows her so well that she can read the menacing sparkle behind it, “Paige and Azzi to tackle the master bedroom.”
They both open their mouths to protest but are quick to get cut off by an excited Stephie, “I’mma help Mama and Miss Buecks!”
“Of course you are, why would you ever help anybody else? Clearly you don’t love us anymore. Not since your precious Miss Buecks got here,” Joyce says dramatically and while Paige smirks and the rest of the girls pretend to act mock offended, Azzi uses the distraction to sidle up to Jana. 
“What the fuck are you playing at El-Alfy,” she hisses under hear breath.
Jana shrugs innocently, “the master bedroom is the hardest because Paige has so many fucking clothes so I’m letting y’all old heads do it. Some of us are below 30 ya know.”
“Cut the bullshit,” Azzi snaps. 
“I have absolutely no idea what you’re talking about Fudd,” Jana says airily as she starts to unpack a box, leaving Azzi muttering curses under her breath. 
“Hey-”
Azzi spins around at the soft voice, only to find herself crashing against a solid body. It’s instinct, the way Paige’s hands immediately reach out to steady her and it’s instinct, the way Azzi’s hands grab at the lapels of the blond’s shirt. Goosebumps trails up her skin as Paige's breath, hot and heavy, fans across her face. They’re too close; way too close and yet the idea of stepping away feels like a sin. Azzi gulps as her thumb accidentally brushes Paige’s collarbone and the other woman shivers under her touch. She thinks she could probably get drunk off the feeling of knowing that she can still affect Paige like that. 
“You uh-” Paige swallows, fingers squeezing involuntarily against Azzi’s hip, “you don’t have to listen to Jana. I can- I can figure it out myself.”
“N-no,” Azzi stutters and she wonders if Paige feels a high from the way she still affects Azzi too, “there’s um- you have- uh- you have a lot of stuff. I can-,” she sucks in a deep breath, “I’ll help.”
“You sure?” there’s a vulnerable edge to Paige’s tone and any resolve Azzi could ever have melts immediately. 
“I want to help,” she says softly, letting a small smile slip onto her lips. 
The smile she gets in return is bright and sparkling, just like Paige herself and Azzi’s heart lurches, pleased to be the one receiving it, pleased to be the one who’d elicited it, “Good, cause I really wanted your help.”
Azzi shakes her head, trying to ignore the warning bells blazing in her head at the fact that they’re still holding each other, “why’d you pretend you didn’t?”
“I just wanted to hear you say it first,” Paige says, biting at her bottom lip. It leaves a light mark and Azzi finds herself wanting to soothe it over with her own tongue.
She thinks it might have been easier if it was just a little harder to fall back into Paige. It shouldn’t be so simple to fall back into late night conversations, so simple to fall back into easy teasing, so simple to fall back into feeling at peace in Paige’s arms. But it is. 
“Mama, Miss Buecks,” it’s Stephie who breaks their bubble but instead of jumping away from each other like they should, they step apart only enough to let the little girl into the space between them, so she can lace her hands through both of theirs, “are you ready?”
“Before you go Paige,” Tessa calls out, holding up a clear bag of corner guards and edge protectors, “what are we doing with these?”
Paige shuffles her feet nervously, “you um- you put them on the edge of like tables and stuff.”
“Bro but they’re for people who have children?” Joyce says, giving Paige a weird look, “you have a kid we don’t know about?”
Paige’s eyes flicker to Stephie for a brief second and Azzi freezes, a warm realization tickling up her spine. Butterflies erupt in her stomach, their wings fluttering to the beat of what’s mine could have been ours. 
“Of course not. I’m just super clumsy so precautions and all that,” the blond explains, shooting Jana a glare when the taller woman barely masks a giggle, “quit procrastinating by asking all these questions and get to work.”
“Has anyone ever told you the importance of first impressions? Because I’m telling you Bueckers, using your teammates as unpaid labor the first time you meet them is not it,” Aaliyah gives Paige a pointed look. 
“This wasn’t even my idea in the first place,” Paige defends. 
“True,” Tessa nods with a sickly sweet smile, “but you’re gonna pay for the pizza anyways.”
“I’m not pay-”
“PIZZA,” Stephie squeals, “Miss Buecks you’re gonna get us Pizza?”
“Yeah Miss Buecks,” Azzi smickers, crossing her arms as Paige’s stubborn retort dies on her lips, “you gonna get us pizza?”
Paige glares at her before she’s swinging Stephie up onto her lap again. And she really needs to stop doing things like that because it’s not remotely good for Azzi’s mental health to watch the way Stephie seems to fit perfectly in Paige’s arms, “of course I am Steph, what do you want?”
The two of them are lost in their own world discussing pizza toppings as Paige starts walking over to the master bedroom, until suddenly they're both turning around, looking at Azzi with identical expressions. And the brunette feels her heart tap out this could be my everything against her ribcage. 
“You coming Azzi?”
“Mama, are you coming?”
I’d go anywhere with the two of you, Azzi thinks as she nods her head, a light skip in her step as she moves to catch up with the two of them. 
“Of course I’m coming.”
***
Less than 10 minutes into trying to unpack, Azzi realizes that she’s the only one trying to unpack anything when she looks up from where she’s been folding t-shirts -trying and failing at not breathing in their familiar scent- to find Stephie decked in a colorful cardigan that goes all the way down to her toes, her feet clad in a pair of PB4’s that must be three times the size of her own shoes. A pair of Louis Vuitton sunglasses hide almost her entire face as she strikes pose after pose and Paige diligently takes pictures of her. 
“YES Stephie,” the blond indulges, “work it girl. There you go babe, hold that pose for me. You’re a natural in front of the camera.”
Stephie giggles and Azzi feels her heart constrict. Her favorite sound in the whole world has never sounded more like a signal for danger. 
“Ahem ahem,” she coughs, narrowing her eyes at the two people in front of her, “doesn’t look like y’all are unpacking to me.”
“Mama Miss Buecks has so many pretty clothes,” Stephie gushes, completely ignoring what her mother just said. 
“They’d look even prettier folded in her closet,” Azzi says pointedly. 
Stephie pouts, “you don’t think I look pretty?”
“You look really pretty in my clothes Stephie,” Paige cuts in, tapping the little girl on the nose before she turns her gaze towards Azzi, “just like your Mama used to.”
The silk material shirt slips out of Azzi’s hand as Paige’s words drizzle around her, like the rain after a drought. It takes every little bit of strength she can muster to force herself to ignore Paige’s words and pick up another shirt to fold even if she can’t stop the rouge tint that colors her face. There’s this part of her that’s been dormant for years but every little interaction with Paige threatens to awaken it and Azzi’s scared that if she lets that happen, she’ll never be able to put it to sleep again. 
“Just- just focus on unpacking,” Azzi mutters darkly. 
She spends the next hour or so, keeping her eyes downcast, her complete focus on the task at hand. Because if she looks up, if she lets herself see the way Stephie and Paige are folding clothes together while giggling about something, if she lets herself see the way Stephie climbs onto Paige’s back so the woman can give her a piggyback to the closet to deposit the folded clothes, she thinks she could fall in love with this moment, capture it behind her eyelids and let it live there forever. But this moment doesn’t belong to Azzi. Because Paige doesn’t belong to Azzi. Not anymore. 
Azzi’s taken away from her thoughts when she feels a tiny hand wrapping around her neck from behind, Stephie’s warm body pressing against her back and just like that, all the tension in her muscles seem to dissipate. 
“What’s up sweetheart,” she asks, turning her head to press her lips against her daughter’s temple. 
“Nothing Mama,” Stephie says sweetly, “just wanted to give you a hug.”
“Sure you’re not just trying to get out of helping Miss Buecks unpack?” Azzi asks slyly, pulling Stephie from behind her, so the little girl’s lying on her lap instead. She can feel Paige’s eyes focused on the two of them and even without looking, she thinks she knows what she’d find in them if she did. 
“Of course not Mama,” Stephie grins and then squeals as Azzi begins to tickle her. 
“I think you are,” Azzi sings-songs as she continues to poke at her daughter’s stomach, reveling in the way it makes the child laugh. 
“N-no Mama stop, stop,” Stephie manages to wrench herself out from Azzi’s grip, darting to hide behind Paige’s legs, “Miss Buecks save me.”
“There’s no saving you now Stephie-bear,” Azzi roars dramatically as she picks herself off the floor, smirking at her daughter as she wriggles her fingers menacingly. 
“You know what the best way to stop someone from tickling you is Stephie?” Paige says slowly, sending the little girl a conspiratorial wink.
“Don’t you dare-” 
“You tickle them back,” Paige yells and Stephie eyes widen with excitement, “did you know your Mama’s extremely ticklish?”
“Paige no,” Azzi starts moving back, hands held in surrender. 
“You started it.”
“Yeah Mama, you started it.”
“Paige. Stephie. Ple-” Azzi cuts herself off with squeal as two sets of hands start mercilessly prodding at her ribcage. She can’t get away, not when Paige has her securely wrapped from the back and Stephie’s pressed against her front, both of them laughing maniacally. They’re a mess of limbs that’s becoming harder and harder to tell apart as the three of them topple onto Paige’s bed. And Azzi thinks maybe she doesn’t want to escape it at all. She thinks she’d like to freeze them in this moment instead. Forever. 
“Pizza’s here,” someone yells from the living room and it’s Stephie who stops first, immediately jumping off the bed at the mention of food, leaving Paige and Azzi alone. On Paige’s bed. Barely an inch of distance between them as they try to catch their breath. It’s Azzi who sits up first, smoothening the wrinkles on her shirt. And just as she’s about to stand up fully, she feels a hand circling around her wrist. 
“It’s gonna be weird being alone tonight,” Paige confesses softly and Azzi feels her breath hitch.
“Didn’t you live alone in Dallas? At least after the divorce?” she tries to keep the bitterness out of her voice at the last word, a bitterness she knows she has absolutely no right to feel. 
Paige shrugs, her shoulders brushing against Azzi’s, “I did but I knew Dallas. I don’t know this place.”
“What exactly are you asking me?” Azzi asks even though she knows. 
“I’m not asking you anything. I don’t know if I have that right anymore” Paige says softly, letting go of Azzi’s wrist as she starts to walk towards the living room, turning her head back slightly once she gets to the door, “I’m just telling you I don’t wanna be alone tonight.”
***
Damn Paige Bueckers and her vulnerable eyes and her earnest tone because Azzi would, really, really like to be enjoying her slice of pizza right now. Instead everything tastes like ashes as Paige’s unsaid plea rings in her head. There are so many reasons why Azzi absolutely shouldn’t give in, why she should grab Stephie, get into her car, drive home and never look back. This involuntary dance the two of them are starting is far too familiar to what they’d done when they were teenagers and the vivid memories of the day the music stopped and they’re feet stopped moving still haunt Azzi every time she lets herself think of it for a little too long. And she shouldn’t push herself into this fire again, not when there’s Stephie to think about, but there’s a tiny little problem. She thinks she might be addicted to burning in Paige’s flames. 
So when the pizza’s done and the house is more or less in order, and her teammates are ready to leave, looking expectantly at Azzi, she finds herself leaping into lava, “um- I think Stephie and I are gonna stay for a little bit longer.”
“We are?” Stephie asks, a huge smile stretching the length of her face as she looks up at her mother. 
“Yeah. Um- Paige’s bedroom still um- still needs some work,” Azzi tries to justify her decision, ignoring the heat of the blond’s eyes that seem to be perpetually stuck staring at her. 
Joyce raises a perplexed eyebrow, “it looked done to me.”
Paige clears her throat, “there’s definitely uh- a couple more things that need to be handled.”
“It’s almost Stephie’s bedtime. I could stay and help-” Jana begins, eyeing the two of them suspiciously.
“No,” Paige says, a little louder than necessary, “I mean you’ve already done so much for me today Jana,” she manages a smirk, “let Azzi pull her weight a little bit too ya know.”
Janna narrows her eyes but doesn’t push it. It’s oddly domestic, standing side by side with Paige bidding goodbye to their teammates, Stephie in between them happily waving at the people that are leaving. The warning bells get louder and louder; Azzi continues to do nothing to stop them. 
“Mama, how long are we staying?” Stephie asks innocently. 
“We um-” Azzi chews at her lip, finally giving into the temptation to look at Paige, “we’re gonna stay with Miss Buecks tonight so she doesn’t feel alone.”
The shrill scream that escapes Stephie’s mouth could probably break glass as she turns herself around to grab at Paige’s waist, “Miss Buecks I’m gonna stay with you! We’re gonna have a sleep-over.”
Paige laughs, kneeling down so she’s face to face with the little girl, “yeah we are.”
“Are you scared to sleep alone too Miss Buecks?” Stephie asks cautiously, cupping Paige’s face with tiny hands. 
“Just a little bit,” Paige admits, leaning into Stephie’s touch. 
“Me too,” Stephie whispers shyly, “that’s why I sneak into Mama's bed and she gives me lots and lots and lots of cuddles. Mama’s cuddles are the best,” she turns to Azzi, “Mama will you give Miss Buecks cuddles tonight too?”
“I uh-” Azzi swallows, taken aback by the question, “I thought you didn’t like sharing Mama’s cuddles?”
“I don’t,” Stephie agrees, “but I’d be okay sharing them with Miss Buecks.”
***
Azzi had planned -a loose term because really she hadn’t planned on any of this- for her and Stephie to take the guest room. Paige had been ready to give up her own room on the grounds of politeness. And Stephie was insistent that she needed to sleep in between both Mama and Miss Buecks tonight because it’s a sleepover we all have to stay together. Obviously out of the three of them, only one of them was going their way and it didn’t take a genius to figure out who that would be.  That’s how they’d ended up here, dragging chairs and pillows and blankets into the middle of the living room to create a makeshift fort. 
Azzi’s putting on the finishing touches, stringing purple fairy lights Paige had produced out of nowhere, when Stephie emerges from Paige’s bedroom where she’d gone looking for something to wear in lieu of pajamas. 
“Mama look what I found,” Stephie beams, proudly pointing at the black t-shirt she’s found that covers her whole body, “it’s you and Miss Buecks when you were littler.”
It’s their SLAM cover t-shirt and Azzi feels tears prickling at her waterline as she’s met with the picture of a younger version of the two of them. Back when they’d been so hopeful and carefree, ready to take on the world as long as they could do it together. Back when they’d been 2 in a million.
“I can’t believe you still have this,” Azzi whispers, unable to stop herself from running her fingers across the version of who they used to be. She wonders what those girls would think of them now; those girls who’d laid and bed and pinky promised forever. She thinks they’d probably be appalled at the fact that Paige and Azzi had spent eight years barely speaking. She thinks maybe they’d hate her for what she’d done. She thinks maybe she hates herself a little bit for what she’s done to them. 
Paige is leaning against the wall, her voice quiet when she speaks, “I couldn’t let it go.”
And they both know she’s not talking about the shirt. 
“Can we watch a movie?” Stephie asks, diving into the fort and peering up at the two adults. 
Paige recovers first, “yeah- yeah of course Steph,” she looks at Azzi, “do you- do you want something else to sleep in?”
“I’m good,” Azzi says, trying to inconspicuously brush away a rebellious tear. The shirt she’s wearing feels itchy against her skin but she doesn’t think she could handle wearing something of Paige’s. She scooches into the fort, leaning back against one of the pillows and Stephie’s quick to curl into her and Azzi absentmindedly rubs her hands down her daughter’s back. Paige switches on the TV, letting Stephie dictate a movie choice before letting herself into the fort, laying down on Stephie’s other side. 
“Miss Buecks come cuddle,” Stephie demands from where her head is laying on Azzi’s chest. When Paige hesitates, the younger girl takes it upon herself to pull Paige’s arms over her, making the older woman lie on her side so she can drape her hands over Stephie's stomach, accidentally brushing against Azzi’s ribcage. Stephie lets out a satisfied sigh, lying back down against Azzi, crossing her arms so she can hold Paige’s hand with one and latch onto her mother with the other. 
“Perfect.”
And it is. The sound of Stephie’s chatter slowly fading away mixed with Paige’s quiet breathing is the perfect lullaby and Azzi finds herself drifting off into the best sleep she’s had in years. 
***
Sunlight peeks in through the window and Azzi groans at the interruption. Her whole body feels a little stiff, not used to sleeping on the floor like this. A quick glance at her phone tells her it’s 7 a.m. and Azzi’s just about to let herself fall back asleep when her eyes land on the two sleeping figures next to her. Stephie’s face is buried in Paige’s neck, one arm slung over her waist. Paige, mouth slightly ajar as she sleeps, has both hands fastened on the younger, holding her tightly against her chest like she’d fight the world if someone tried to steal her from her grip. They look happy, content, at peace. And Azzi can’t breathe. 
The warning bells in her head create a cacophonous commotion that she can no longer escape. It hits her like whiplash that she can’t do this. She doesn’t know what had gotten into her last night, why she’d agreed to this, to any of this. But she can’t do this. 
“Stephie,” Azzi whispers urgently, trying to pull her daughter out of Paige’s grasp, “Stephie wake up.”
“Az?” Paige asks groggily, stirring in her sleep, “what’s going on?”
“We need to go home,” Azzi says and she can’t bear to look at Paige. 
“What?” Paige is far more awake now as she glances at her phone, “it’s 7 am Azzi. What’s the rush?"
Azzi ignores her, still trying to wake Stephie up who groans, “Mama too early.”
“Steph-”
“Azzi,” Paige’s voice is firm as she wraps her hand around Azzi’s wrist, slipping Stephie off of her, “what is going on.”
Azzi grits her teeth, “nothing’s going on. We just need to go home.”
“Azzi-”
“We shouldn’t have stayed last night Paige,” Azzi bursts out and Paige freezes. 
“Come out of the fort Azzi,” the blond says, her voice eerily calm as she stands up. Azzi follows after her, heart beating rapidly against her chest as she tries to keep the tears at bay. 
“We need to go home,” the brunette repeats, struggling to breathe, “this was a mistake,” Paige flinches and Azzi feels a knife turn in her own hurt, “we can’t do this.”
“Do what Azzi?” Paige asks exasperatedly, still trying to keep her voice low for Stephie’s sake. 
“This,” Azzi all but shrieks, throwing her hands up, “it’s too much, too quick and Stephie- Stephie’s getting attached and I can’t- I can’t let that happen.”
“Why not?” Paige argues stubbornly. 
“Because these last two weeks she couldn’t fall asleep without you on the phone. Because you’re all she talks about sometimes. Because she’s gonna want you forever,” Azzi’s voice breaks, “and she can’t have you forever.”
“Az-”
“And you’re getting attached too. I see the way you look at her and it’s amazing but it’s not- it’s not sustainable Paige. For either of you. Because you’re gonna find someone soon,” the words taste sour on Azzi’s tongue, “and you’re not gonna have time for her and missing you is going to kill her and the guilt of that is going to hurt you. I’m trying to pro-”
“Don’t you fucking dare,” Paige’s voice is hard now, eyes gleaming with fire, “you’re basing all of this on a hypothetical that might not even come true. You’re not protecting anybody. You’re projecting.”
Azzi reels back, “I am not projecting.”
“Yes you are,” Paige hisses, “you’re not scared of Stephie or me getting too attached. You’re scared of yourself getting too attached.”
“Mama? Miss Buecks,” Stephie’s tired eyes look warily between the two of them, “what’s going on?”
Azzi plasters a smile on her face as she picks up her little girl, trying to pretend that the truth in Paige’s words haven’t just made her feel hollow, “we’re going home Stephie.”
“I don’t wanna go home,” Stephie fights against Azzi’s grip, looking helplessly at Paige, “Miss Buecks I wanna stay. Can I please stay?”
“You have to listen to your Mama sweetheart” Paige says softly, heartbreak written over her face as she moves to press a kiss against Stephie’s knuckles, “but I’ll see you soon okay. I promise.”
“Miss Buecks,” Stephie whimpers and Azzi has never hated herself more as she rushes out of Paige’s new house, willing herself to not look back. She buckles Stephie in the back, pretending she doesn’t see the way Paige is watching them leave from the porch, like she’d do anything to stop it. And then she drives away. 
It isn’t until she’s safely in the confines over her own room, that Azzi finally lets the tears fall. And she consoles herself with the fact that it’s okay to crack her daughter's heart, to crack Paige’s heart, to crack her own heart, if that’s the only way she can stop their hearts from breaking altogether.
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cassandraclare · 5 months
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A bit of publishing stuff (if you get my newsletter you've already seen this)
So by now you lovely people have all seen the announcement about what books I have coming up next. Ragpicker King is coming March 4, 2025, and The Last King of Faerie is coming early 2026.
I know a lot of you were hoping for LKOF to come earlier. It’s going to be a big gap between the last Shadowhunter book and the next — three years. Previously the longest gap between Shadowhunter books was two years, between Mortal Instruments and the Dark Artifices.
I announced last year that I was taking time off — six months. It was the first time I’d taken any real time off since 2005. The pandemic had just happened and I was wiped out physically and mentally. I also needed to take stock of where I was in my publishing journey and really think about what I wanted — it had been years since I’d had time to consider whether I was happy, because I always had another deadline and that was always more important.
  When I came to the end of The Last Hours, I was “out of contract” — meaning I didn’t have any further Shadowhunter books that were owned by or owed to a publisher.  it was the first time that had happened since, again, 2005. Being out of contract is your one chance to change anything you want to change about your career, and I knew I was going to leave my longtime US publisher of the Shadowhunter books and move to Random House, who published Sword Catcher.
This isn’t a small decision for any writer to make. It sometimes happens when a writer has been at a publisher for a very long time that the nature of the publisher changes. Maybe all the people you worked with when you first came to that publisher have gone elsewhere, so your team has inherited you rather than having chosen you. Maybe your publisher has been sold to another company whose vision for that publisher doesn’t fit with yours. Maybe your publisher isn’t interested in your genre anymore. 
I spent a lot of time agonizing over the decision—I certainly could have stayed where I was, but I knew that was no longer the best decision for the books. So those of you who pay attention to these kinds of details will note that where the other Shadowhunter books have all been published by McElderry Books, these next ones will be published by Knopf. (Who are an amazing imprint. They make great books.)
Normally a writer wouldn’t really address switching publishers — it happens a lot, and most readers don’t care who publishes a book. I’m talking about it now because I know there will be a lot of people who are angry and don’t understand why Ragpicker King is coming out before Last King of Faerie. The short answer is: Ragpicker King has been under contract since it was sold along with Sword Catcher, years ago now, and I’m obligated to get it done when I said I was going to. The books of The Wicked Powers are only just now securely under contract enough to be announced, as you just saw! So Ragpicker King is planned to be turned in in a couple of months, and after that I will be able to focus entirely on The Last King of Faerie (which I already began, but since it was only sold to Knopf last October, I was only able to get started after that).
And it takes a a year at least to write a book and another good year or so to publish it, and that gets us to the pub dates we’ve got. I would love if I could get it to you earlier, but multiple factors have brought us to this point, and in the end, not rushing through them is the best thing for the books, and will produce the best version of those books. I always want to get you my best work — that’s what is important to me above all things.
In terms of other publishers in other countries — I’m staying with all my longterm Shadowhunter publishers. Nothing’s going to change for y’all — Walker Books is still publishing Shadowhunters in the UK, even though a different publisher is going to publish In Fire Foretold there (due to spiciness.) ;) 
For those of you who backed the Kickstarter, that will mean you do get new Shadowhunter content between now and early 2026* — which was part of the reason I did it! I’m also talking to my new publisher about bringing Better in Black out — with at least a six month gap for the Kickstarter backers to have it to themselves — so fingers crossed. There’s also Black Volume of the Dead, the final Eldest Curses book, which is still planned and which I am still excited to write, but since it is set after Last King of Faerie, it hasn’t been scheduled yet. More news on that as it develops—for now, I wanted to talk directly about the schedule in the next couple of years, since I feel confident it is set and will reliably happen this way, something I can’t yet say about 2027 and beyond. The point is, I’m really excited to bring you Wicked Powers just as soon as it is ready, and I know enough about it to say  it’s going to be quite a ride!
And also an early look at In Fire Foretold.
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oldfilmsflicker · 1 month
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Y’all I’m so excited to reveal the cover of my book CINEMA HER WAY: VISIONARY FEMALE DIRECTORS IN THEIR OWN WORDS. I’ve been working on this project for three years now — which includes career-spanning interviews with 19 filmmakers — and we’re so close! It’s out in March, 2025 from Rizzoli Books and you can pre-order it here: https://bit.ly/CinemaHerWay
I’m so tired, but I’m also so hyped to share this beautiful book and the amazing stories these women shared with me with all of you.
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ANNA BONESTEEL AND EVAN GREER at Them:
Pride Month is over. As the “LOVE IS LOVE” banners come down and companies lose the rainbow gradients from their logos, we’re faced with a painful truth: LGBTQ+ people, especially the most marginalized among us, are in the crosshairs of a queerphobic backlash that is targeting our health, our histories, and especially our youth. And things are getting worse, not better. According to NPR, half of all US states now ban gender-affirming care for people under 18. Eight states now censor LGBTQ+ issues from school curricula via “Don’t Say Gay” laws, and two more states are considering similar legislation this year. The number-one book targeted for censorship is a graphic novel memoir about gender identity.
This June, Democratic lawmakers marched in Pride parades and spoke on stages, vowing to protect our community and fight back against legislative attacks on queer youth. But some of these same lawmakers are actively pushing federal legislation that would cut LGBTQ+ youth off from resources, information, and communities that can save their lives. Currently, 38 Democratic senators support the Kids Online Safety Act (KOSA), a bill that is vocally opposed by many queer and trans youth, along with a coalition of human rights and LGBTQ+ groups. As a queer- and trans-led advocacy group focused on the ways technology impacts human rights, our organization, Fight for the Future, has seen bills like KOSA before: misguided internet bills that try to solve real problems, but ultimately throw marginalized people under the bus by expanding censorship and surveillance rather than addressing corporate abuses. KOSA’s most obvious predecessor is SESTA/FOSTA, a Trump-era bill that its supporters claimed would clamp down on online sex trafficking. Instead, the bill did almost nothing to accomplish its goal, and has actively harmed LGBTQ+ people and sex workers whose harm-reduction resources were decimated by the subsequent crackdown on online speech.
Like SESTA/FOSTA, some of KOSA’s supporters have positive intent. Many lawmakers and organizations support KOSA because they are concerned about real harms caused by Big Tech, like addictive design features and manipulative algorithms. But, also like SESTA/FOSTA, KOSA doesn’t touch the core issues with Big Tech’s extractive, exploitative business model. Instead, KOSA relies on a “duty of care” model that will pressure social platforms to suppress any speech the government is willing to argue makes kids “depressed” or “anxious.”
Under KOSA, platforms could be sued for recommending a potentially depression- or anxiety-inducing video to anyone under 18. We know from past experience that in order to protect their bottom line, social media companies will overcompensate and actively suppress posts and groups about gender identity, sexuality, abortion — anything they’re worried the Federal Trade Commission (FTC) could be willing to argue “harms” kids. How do you think a potential Trump administration’s FTC would use that kind of authority?
Other features of the bill stretch its censorship potential further. Despite language claiming that the bill does not require platforms to conduct “age verification,” to meaningfully comply with the law, platforms will have to know who is under 18. This means they’ll institute invasive age verification systems or age-gating, which can completely cut off access for LGBTQ+ youth who have unsupportive parents, and/or make it unsafe for queer people to access online resources anonymously. KOSA creates powerful new ways for the government to interfere with online speech. For this reason, the bill is like catnip to extreme right-wing groups like the Heritage Foundation, the coordinators of Project 2025, who have explicitly said they want to use it to target LGBTQ+ content. KOSA’s lead Republican sponsor, Marsha Blackburn, has also said in an interview she wants to use KOSA to protect minors “from the transgender.”
The Kids Online Safety Act (KOSA) purports to protect children, but in reality, it’s a censorship bill that would impact LGBTQ+ youth. #StopKOSA #KOSA
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guess-i-do-art · 3 months
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So I’ve been thinking about Sunrise on the Reaping, how it’s gonna play out. You know what would be really depressing?
Haymitch Abernathy, “first” victor from District 12. Winner of the fiftieth Hunger Games and the second Quarter Quell. A poor boy from the Seam who defeated twice the number of tributes. The unlikely champion.
He’d used the Capitol’s arena against itself. He endured extreme pain and injury. He had to witness his beloved Maysilee die right before his eyes. Watched as an ax cut through a girl’s head. Remember the countless young lives he took. The horrors that could have driven him to insanity.
After being announced as the victor and being taken from the arena, he received medical attention before having to sit through countless interviews being watched by everyone in Panem. Haymitch put on a smile, saying exactly what the Capitol wanted him to. The entire time he hid his emotions, not letting anyone see through him.
All Haymitch wanted was to go home. To see his family. He caught a glimpse of them waving and cheering as he stood before the District, but the Peacekeepers wouldn’t let him go to them. His mother, who he could always confide in. His father, who never expected him to say anything but would always listen. His siblings, who he could open up to and show his weaknesses to without being judged. His pet, because he found that being around animals was healing.
He was finally allowed to return to his little home on the edge of the Seam, facing the woods. This was where he grew up. He knew the house to be noisy and warm with fire from the coals harvested by his own father. Haymitch was impatient to step through the door and be greeted by his family, surely proud of him.
But something was different.
Silence. The house was cold, empty, and dark. There was no sign of struggle; all the furniture was standing up, but nothing seemed to be in its normal place. An uncut loaf of bread rested on the kitchen countertop. Everything was clean and perfect. Perfect, except for the lingering smell of blood. Haymitch immediately dropped his things, his victor’s crown clattering to the floor. He felt tears streaming down his face. He took a step forward.
Lying on the dining room table was an ax, and a glass vase holding a singular white rose.
Yeah I write sometimes. Haymitch is my favorite character so obviously I’m going to dump more trauma than necessary on him. It’s how I show affection 🫶
I am not exaggerating when I tell you I screamed and immediately started working on fanart when I heard Sunrise on the Reaping was coming out, I’ve been waiting for this for idfk 4 years?? Which isn’t very long but I’m quite impatient
The drawings above were made by me :D there’s the full picture, then a close up of the rose + ax and another of Haymitch. Woody did an amazing job as Haymitch but my heart belongs to the book accurate POC version of him ☺️ I suggest clicking on the images to see them better
Sorry if everything looks weird :/ I’m not used to drawing stuff like this
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redgoldsparks · 3 months
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I'm very happy that my Nib comic about book bans is going to be included in this new anthology edited by Ashley Hope Pérez coming March 2025 from Holiday House!
This bold collection of fiction, memoir, poetry, graphic narratives, essays, and other genres explores book bans through various lenses, and empowers teens to fight back. From moving personal accounts to clever comebacks aimed at censorship, fifteen authors and illustrators confront the high-stakes question of what is lost when books are kept from teens.
Contributors include Elana K. Arnold, Nikki Grimes, Ellen Hopkins, Kelly Jensen, Brendan Kiely, Maia Kobabe, Bill Konigsberg, Kyle Lukoff, MariNaomi, Trung Lê Nguyễn, Ashley Hope Pérez, Isabel Quintero, Traci Sorell, Robin Stevenson, and Padma Venkatraman; the collection is a star-studded must-read that packs strength and power into every last word.
Striking illustrations from Ignatz-nominated artist Debbie Fong pair perfectly with the searing, impactful narrative. Resources include tips from the Vandegrift Banned Book Club and other teen activists, as well as extensive recommended book lists, a How to Start Your Own Little Free Library flier, and more.
Preorder here
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dduane · 4 months
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hungergamesbookclub · 4 months
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Inspired by an 18th century Scottish philosopher and the modern scourge of misinformation, Suzanne Collins is returning to the ravaged, post-apocalyptic land of Panem for a new “The Hunger Games” novel. Scholastic announced Thursday that “Sunrise on the Reaping,” the fifth volume of Collins’ blockbuster dystopian series, will be published March 18, 2025. The new book begins with the reaping of the Fiftieth Hunger Games, set 24 years before the original “Hunger Games” novel, which came out in 2008, and 40 years after Collins’ most recent book, “The Ballad of Songbirds and Snakes.” Collins has drawn upon Greek mythology and the Roman gladiator games for her earlier “Hunger Games” books. But for the upcoming novel, she cites the Scottish Enlightenment philosopher David Hume. “With ‘Sunrise on the Reaping,’ I was inspired by David Hume’s idea of implicit submission and, in his words, ‘the easiness with which the many are governed by the few,’” Collins said in a statement. “The story also lent itself to a deeper dive into the use of propaganda and the power of those who control the narrative. The question ‘Real or not real?’ seems more pressing to me every day.”
Suzanne Collins on her new Hunger Games novel, Sunrise on the Reaping
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tjalexandernyc · 14 days
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He's got a cover! May I please introduce A Gentleman's Gentleman, out March 11, 2025 from Vintage Books.
You can help support my m/m trans historical romance right now, though! Please consider preordering from your bookshop of choice, adding it to your to-read list on GoodReads or Storygraph, or requesting your local library procure a copy (that's ISBN 9780593686201 in the US, 9780008716332 in the UK).
Note to UK folks: your version will be titled The Earl Meets His Match and will have a different cover (TBD).
Synopsis:
From the acclaimed author of Chef's Kiss, a groundbreaking trans Regency romance that's both delightfully witty and refreshingly iconoclastic. The notoriously eccentric Lord Christopher Eden is a “man of unusual make” and even more unusual habits: he prefers to live far from the prying eyes and ears of the ton, and would rather have the comfortable company of his childhood cook and his aged butler than the swarm of servants and hangers-on befitting a man of his station. But Christopher’s pleasant, if occasionally lonely life is upended when he receives word from his lawyers that, according to his late father’s will, he must find a wife by the end of the Season if he intends to keep his family’s fortune and the Eden estate. Christopher cannot imagine a worse fate: as he isn’t attracted to women, his chances of making a wife happy are slim. Furthermore, if his quest to marry has any hope of succeeding, he must move to London posthaste and acquire some more suitable staff. Enter James Harding, Christopher’s new, distractingly handsome—if rigidly traditional—valet. After a rocky start, the two strike up a fragile friendship amid the throes of the London Season . . . a friendship that threatens to shatter under the looming shadow of Christopher’s impending nuptials—and the secrets both men are keeping. With its heady combination of dry wit, slow-burn romance, and a nuanced portrait of trans identity, A Gentleman’s Gentleman stands to transform the historical romance genre as we know it.
Cover design by Mark Abrams
Photography by Alun Callender
Modeling by Zack Pinsent of Pinsent Tailoring
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