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xlillyle · 5 months ago

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Why in my humble opinion MHA's ending regarding Midoriya Izuku is good and fitting and completes his storyline beautifully 🧵

Or: On what it means to be a hero.

I'm having a slight déjà-vu... oh well. There are lots of opinions on MHA and its ending, now that it is here, so after seeing some I felt compelled to shove my own to the board.

While it's impossible to disregard all other aspects of the ending as MHA is a rich story with many factors and subplots additionally to the main story, I will do my best to focus on my main point, which is: Midoriya Izuku's story is a good one and has been brought to a beautiful and very fitting ending that I like a lot. Here's why:

I have three (four) main points I will go through that are related to Izuku's story that imo were ended well:

One For All & what the quirk did for Izuku & how it ended.

Izuku's on-going career, resulting in him as a teacher.

Izuku's future career with the hero suit.

2 and 3 also both pick up one of MHA's main themes: What it means to be a hero.

So, let me start with One For All (OFA).

OFA is the quirk that kicks off this series because it's the quirk given by the Symbol of Peace All Might to our protagonist Midoriya Izuku, who has been quirkless but dreamt of being a hero. There are a few important things to note about OFA:

OFA is very strong; so strong that All Might, even after agreeing to give Izuku the quirk, makes him train. A lot. And hard. Because a regular body would not be able to handle OFA due to its nature.

We learn later that not only does it cultivate the raw strength of all its previous users, but that it holds their quirks too. And that these quirks got stronger with each generation of OFA user as well.

In fact, the major reason why OFA is so insanely strong when Izuku receives it, is the fact that All Might had been quirkless himself and therefore is the longest holder of OFA as the other users could not handle having their own quirk and OFA as additional one, passing away rather early.

OFA is also the quirk of Yoichi who is All For One's (AFO) brother who, in very simplified terms, have a long history and complicated, but hostile relationship with each other. Yoichi wants to stop his brother.

And, to make a very, over 400 chapters long story short: Izuku defeats All For One and he does so after countless of training and battles where he learned to make the best use of OFA and in the end by transferring OFA to Shigaraki/AFO.

Izuku has always understood OFA as a borrowed power and ultimately as one he'd be the last user of—OFA was a power used to defeat AFO and the fact that transferring it, ultimately what AFO had always desired, is part of what destroys him is very fitting.

OFA has given Izuku the chance to enter the world of heroes—and to help change it in the long run. He was able to open the people's eyes about society, he has shown that even after he gave OFA away, he would still fight and he has animated people to be heroic even if they aren't employed as heroes. He has added more meaning to the word "hero".

Izuku as teacher, part 1 of what it means to be a hero.

Now, I have seen a lot of criticism to Izuku ending up as a teacher and I am here to tell you—it's perfect for him! Izuku is someone who loves learning, he is genuinely enthusiastic about it, and especially about quirks—he loves geeking out about them, he spends his free time analyzing them and drawing out their potential, he is an amazing supporting character for children that need assistance in finding their footing in the world of heroes. Who can you learn better from than from someone who loves learning itself? He's got a contagious kind of excitement that sparks over to you.

And, he knows better than anyone how chasing after this dream of being a hero feels like, knows better than anyone how important people supporting you on the way is—because this is what he has received, back then, when he was in high school himself. Izuku has learned and experienced himself how important support from the people around you is, so he now wants to provide exactly that to the future generation of heroes. He wants to guide them on their path.

This career path also opens a new perspective that MHA has been trying to tell us for so long now: "Hero" isn't just who goes up and picks up this nice certificate and runs around the city with the "hero badge". "Hero" is more than that. Helping people, in any little way, is being heroic and makes you a hero. Teachers are heroes too. Izuku is being a hero, even now that he doesn't do "pro hero" work, because he is helping children—a teacher doesn't only educate, a teacher provides mental support to some extent too, and that goes even moreso for UA and other hero school teachers. Teachers protect their students as well. Izuku is, by all means, still a hero, just not a "pro" hero. He is a guidance to children and is dedicating his life to extend a helping hand to them and their dreams.

And he's happy with it.

Yes, it's also said that he misses the work of a pro hero—but that doesn't mean that what he is doing now is bad or "settling". He could have done SO many other things, but he CHOSE to pursue a career as a teacher—because this, too, is something he enjoys and finds happiness in. Both statements can be true. You can miss something you used to dream of all your life—it's very natural, even, but you can still be happy about where you ended in life right now.

Moreover, even if you don't agree with my take as "teachers" being heroes too, we see just a few panels later Izuku being a hero:

Which further emphasizes the point I and MHA have been trying to make: You can be a hero even if your job title isn't "hero". That's why civilians got statues too, that's why they are considered for the heroes ranking too. You can have a diverging opinion on how effective it is, but that is the point that is being made and the characters in-universe try to bring across too.

The hero suit and the conclusion on what it means to be a hero.

Truthfully, I don't know why people keep acting like MHA ended after Izuku's teacher career, because we have a conclusion that even traces back and argues back against anyone who doesn't agree with my points about him being a teacher and still a hero. And, more importantly, it brings the full manga into a perfect circle:

Because remember what the manga opened with: Can you be a quirkless hero?

And in so many ways across all these 430 chapters, but now even in the most literal sense of itself, MHA is telling you: YES. Yes you can! It shows us that you can be a hero without a quirk because anyone can lend someone freezing or wounded a t-shirt and anyone can reach out their hand to someone who is lost and anyone can sprint to catch a stumbling child.

But, also, our protagonist Midoriya Izuku, who is quirkless and had lived his dream at the age of 15-17 after borrowing a quirk, now is only starting his dream again at the age of 25: He can be a (pro) hero again and that although he doesn't have a quirk.

Yeah, it's expensive and not yet affordable for the average quirkless guy. But that's not the point of the story, because we started with asking "Is it possible at all?" and were first deluded into thinking the answer is "No.", but MHA is here to tell you: Yes, you can be a hero. There is most certainly an argument to made that now that the first one has done it, more might be able to follow in the long run.

So, what does it mean to be a hero?

I think MHA's message on that is: A hero is someone who steps up because they can, who helps people achieve a part of happiness because they have the chance to. You don't have to have a quirk or do grand gestures, you don't have to rely on the "professionals" to take care of it, at least not if you can make a difference already. There is no shame in a little heroic act because it doesn't make the act less heroic. There even is beauty in everyone being a little hero to each other every day.

Some last words about my feelings on MHA's ending.

This isn't really part of the thread anymore, but I still wanted to say this. This is purely personal, but, to me, what was really beautiful was: Midoriya Izuku didn't "peak" in high school, he had one peak in high school, but life is made of multiple "peaks".

Izuku is 25 and hasn't even seen all of the world yet and now he gets to live his dream again. Because you never know where life takes you and even if you may feel hopeless or lost and like you already experienced all the highs of lives, Horikoshi and MHA are here to tell you: There's always another peak yet to come.

MHA has this really beautiful ending that tries to reassure you that even though your teen years feel so intense and like the world is about to end and even though so many others your age may be so much "higher" on the "life achievements" scale, it doesn't mean that you are a failure or should lose hope because you can always catch up later, in your own pace, with your own wishes. Life isn't over at 17. Life isn't even over at 25. Your new dream might only just become true later than you expected.

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briebysabs · 7 months ago

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Vnc OP 1 - Sora to Utsuro

We are here again! I’ll be taking the time to talk of VnC’s first opening and breaking down the lyrics. Specifically in regards to what I will refer to as the dream loop theory. If you don’t know what I mean by that, the base summary is that the VnC universe is a story. Noé is the narrator, the character, the archiver and the creator. Noé is writing the memoires to manifest his memories. Let’s call it a memory world. He does this either to escape his regret-filled reality or to save Vanitas. However, when he “loops”, he doesn’t remember why he’s there so everything plays out the way it was written in the memoires.

Then Noé will live on, write the memoires again, and the cycle continues. And because he’s done this countless times, the memoirs gradually stray away from the original story. I’ll elaborate further when talking about OP 1. Right about now!

This was the main translation I could find for the full song (not including English covers but I could reach the same conclusions for those as well) If anyone has other translations for the whole thing, I’d love to see it. https://youtu.be/G_bJwB1YePw?si=xPVlV3_Fd57S-Bo1

youtube

/You’re pondering the simple things, pretty much human emotions and love/

/I hope one day you’ll understand/

/Too many wounds have left you patched together, a miserable sight/

/That doesn’t even know the definition of alive/

It is confirmed that this opening is from Noe’s POV. But keep in mind for the rest of this thread, it’s future Noé speaking. There are two main readings for the song; for the most part it’s Noé talking to or about Vanitas. And then there’s Noé talking to himself. This part has both interpretations.

Noé to Vanitas: Vanitas does struggle to understand his emotions throughout the story, that includes love. Vanitas is a broken individual, has too many wounds/trauma Noé cannot ignore and for a long time, was fueled by getting his “revenge”. Thus he’s forgotten what it means to live. You can also read into “doesn’t know the definition of alive” in a meta sense, from the beginning of the story he’s already dead.

And the very name ‘Vanitas’ is surrounded with the imagery of death, futility and mortality. So yes, Vanitas as a concept doesn’t know what ‘alive’ is.

Noé to himself: Noé as well is trying to figure out human emotions. This is a case study of a human after all. The memoirs follow Noe’s journey in understanding Vanitas’ thinking. And we’ve had Noé blatantly ask Vanitas what love means. But we can read this as Noé , sort of telling his past self that one day he will understand and feel this pain. Take note of “many wounds have left you patched together”. As I said, he could be talking about how “fragile” Vanitas is but what if this is about himself?

/No need to say “just the two of us” or anything/

/I have a feeling we can understand each other/

/And that’s fine for now/

This is calling to the Catacombs Arc, where Vanitas repeats Noe’s line of being able to do anything together. Interesting enough, it’s that arc where we see a bit of Vanitas’ backstory and it ends with the two sitting against each other. An understanding has been reached. Of course we all know that’s what VnC is about but of course he adds the ‘for now’ because what would this show be without its looming doom.

/I love this world and the light only you give me/

/Makes the world I see through these fractured eyes/

/Look gleaming and bright/

It’s these verses that made me want to spend more time on this. First of all, ‘I love this world’, a little weird right? I can only hope this translation is the most accurate but we’re saying ‘this’ instead of ‘the world’. Makes it sound like “I like this one. I prefer this one.” And ‘the light only you give me’ is very odd if we’re saying this is from Noe’s POV. Emphasis on ONLY.

Another reason why I believe it’s future Noé singing because why would present Noé say Vanitas is the only light he has? Vanitas is the only thing keeping him from falling apart. Vanitas being the sole reason Noé loves the world…doesn’t line up with the Noé we’re seeing now. Now it could be Vanitas is a “special” light. But that kinda raises more alarms because Vanitas is very admired in this song guys. And present Noé I feel wouldn’t be so sure in proclaiming this. The world being seen through fractured eyes could be multiple things. We know Noé sustained an injury on his left eye when Teacher bought him.

This could feed into a theory that has been speculated over the years that Noe’s vision was permanently altered and he sees things from that eye differently. Of course, it could refer to future Noe’s perception of life being broken due to the events of the series. Thus why Vanitas is the one thing that makes it gleaming and bright. You could then ask “But Vanitas is gone in the future so how is that possible?” In comes my theory. It’s interesting how Noé is often associated with light, the sun etc. but here we see him give those characteristics to Vanitas’ presence.

/There’s no such thing as a sure thing/

/But you can see me can’t you?/

Things get a little fuzzy here. Obviously, nothing is sure, nothing lasts forever. This period of happiness will pass. But “you can see me”. Assuming this world is a memory, this could be Noé being elated from seeing Vanitas. That his plan has worked. But you can also interpret this, I forgot who pointed it out but ty whoever you are, that this is the one moment Vanitas interjects in the song. Essentially saying, “you can see me, so this is not real.” As if trying to wake Noé up. And if you look at the OP itself, for most of it Vanitas is following or lagging behind Noé like a ghost. There’s even a part where Noé is looking at a drawing of a view instead a real one, Vanitas is yelling at him, trying to get his attention and Noé ignores him completely. Not to mention the OP starts and ends with Noé sleeping, Vanitas nor his belongings ever in the room almost as if it was all a dream hmmm.

You can see this also as Noé acknowledging the world he has created is only temporary. Noé knows this isn’t real, isn’t a sure thing. But then Vanitas comes in to be like “you can see me, can’t you. So is it that bad?”

/I’m pondering the simple things, pretty much emptiness and frigidity/

/One by one lies have increased/

/Playing with a simple puppet/

/My rusted head is shaking/

We’ve contrasted “human emotions and love” with “emptiness and frigidity” here. Frigid here means the bitter cold, stiff, lacking in warmth. The opposite of what Noé says this world gives him so safe guess, he’s talking about the reality he is escaping. Where Vanitas is dead as well as a lot of his friends. The lies have built upon each other, adding to my theory where the numerous times Noé has done this has created layers upon layers of worlds. And each one has more inaccuracies than the last. This is his story, a play, he is the writer and the puppeteer of everyone’s roles. When they appear, what they say and do is decided by what Noé writes in the memoires. But by all the loops he’s made himself a puppet too. His head being rusted could hint at many, many years passing since everything happened. What’s even more interesting is remember, Vanitas is the one usually associated with cold and emptiness. So why is Noé assigning those things to his thoughts? It really shows how future Noé has come to view Vanitas vs himself. Because ignoring any theories or whatever for a second, future Noé is clearly burdened with regrets and hate towards himself.

/Your laughing was reflected by a daydream/

/Without knowing yet we just want to laugh/

/Throw away the answer, whatever you want is fine for now/

We circle back to the dream thing again. What is a daydream? It’s something you fantasize about when you are bored or in need of a distraction. A reflection looks and behaves exactly like you, copies your movements, but is it real? We all know mirrors and reflections play a major role in the story. Whether having mirrors or frames in official art or volume covers. Characters reflecting each other like Vanitas/Astolfo, Domi/Louis, Ruthven/Noé etc. I think the “throw away the answer” is interesting, it could be Noé again knowing what the “right” thing to do is but is desperate to see Vanitas laugh. Feels very much like a “oh forget about all that, what do you wanna do?” Noé putting other people before himself and being selfless to a fault.

/I love this world that lacks everything/

/If the mechanical echoes/

/Everything seems to be laughable/

/I can’t be proud of it/

/But isn’t the burning dream beautiful/

Why would you love a hollow world? This is Noé saying this. How can a world lack everything if it’s meant to be real? Unless it isn’t. Unless it lacks what you truly desire even if you claim to love it regardless. Echoes fall into the same vein as reflections I brought up previously. ‘Mechanical’ implies it’s a machine, tying back to it being empty and hollow. Lacking realness. And it’s funny, Noé says he’s not proud of it. His world, his creation if you will. That it’s laughable even but then goes on to call it beautiful. Think about that for a minute. The dream is burning because Vanitas will always die no matter what Noé does. Everything will go up in flames, it’s only temporary but guess what? To Noé, this fleeting period of happiness is far better than whatever he has left when he wakes up.

/When the sky and the void meet look back because the dreams will come later/

/When the sky and the void meet look back be still in bloom/

/When the sky and the void meet born and die repeatedly/

/The future and lies break and laugh/

We’ll stop here because the song then goes back to the first chorus “I love this world and the light you give me” stuff. This part of the OP I would say is the most vague, you can read this a lot of ways. However you want to interpret it, there is a clear loop going on. We can see “sky and void” as metaphors for Vanitas and Noé. Personally I’d say Noé is the void because of that official art that has Vanitas with a clear sky in the background and Noé is sinking into the darkness. Similar to when he drinks someone’s blood and sees their memories.

But while Vanitas has a few purple butterflies, Noé is given that distinct glowing blue butterfly. Vanitas is Noe’s light. We talk about that art for hours but that's for another day. Plus given how Noé talks in this song, it’s safe to say he sees himself as the void. And once they meet the dreams will come later, to be born and die repeatedly. Meeting could be their actual meeting from chapter one and the cycle/memory world begins from there. It could be wherever fuck they were when Noé failed to grab Vanitas’ hand. The future and lies….what lies? Who my dear readers would be lying to us :000. But eventually that mountain of lies will come tumbling down.

And, no theory just pure delulu I’ve always headcanoned that when Vanitas dies Noé is going to break out laughing. So if that happens the op spoiled it.

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oasisdew · 8 months ago

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~~Given sequel and what we've got so far~~

We've gotten only two(2) chapters of the sequel so far and I personally think, the stage for the next arc is already set.

Given does follow a pattern in story-telling if you pay attention to it. And it does address one issue a couple (the main two couples) at a time meticulously.

The first arc was about RitsuMafu, and the plot was Mafuyu falling in love with Ritsuka and being forced to face his trauma from his ex's suicide and doing whatever was needed to move on from it, taking first steps towards healing.

Likewise the second arc was about AkiHaru, and the plot was Akihiko realising the extent of his feelings for Haruki and being forced to face his trauma of being in a longterm abusive relationship and doing whatever was needed to break free from the toxic cycle he was stuck in.

The third arc got a bit complicated with Hiiragi being mixed in the equation of RitsuMafu. Hiiragi introduced the problem that RitsuMafu were to face and got a subplot of his own (that's also still ongoing).

But essentially the third arc can be seen as divided in two parts the two parts that the two movies are covering. 1) 'Hiiragi_mix' as in the first part where Hiiragi (and Shizusumi) successfully did recreate the traumatic experience for Mafuyu again to face knowingly or unknowingly. And 2) 'to the sea' where RitsuMafu had to face that situation and prove the strength of their love and mettle of their characters to overcome the challenge.

But more importantly the main objective of that arc was Mafuyu getting full closure, not only from Yuki, but from the effects of trauma and grieving and the guilt that comes with it. As well as having to face the issues that traumatic experience gave him, as in his doubts about expressing himself, his doubts about his own worth as opposed to what he brings to table musically for Ritsuka, his hesitation of letting go of Yuki fully etc. These were all the issues that his previous relationship gave him. The unsurity of it all and the persistent feeling of fear of doing something wrong again with the everpresent feeling of perpetual shame and guilt for forgetting a person who for sure for a period of time he thought of as essential for his own existence. There's also been hints of his complex regarding Hiiragi specifically. Hiiragi is always being described as charismatic. Everyone thinks so. He has 'star quality' which Mafuyu probably fears(feared) he lacks. Yuki forming a band with Hiiragi wasn't easy for Mafuyu to take. Not in a toxic way, but in a deeply insecure way. We see him reacting oddly to Ritsuka praising Hiiragi in any capacity. Trying to not feel pressured by it, wanting more of Ritsuka's attention to himself. Literally fidgeting.

Then the same Hiiragi's band won CAC against 'given' and right after that Ritsuka joined 'syh'.

To Mafuyu it probably felt like Ritsuka leaving the loser band and vocalist Mafuyu for the winner Hiiragi. Ritsuka admitted it himself, Hiiragi was cooler than he imagined. Hiiragi successfully intrigued Ritsuka too. And Ritsuka was won over by him because Mafuyu wasn't enough. He needed to sing, and he couldn't.

(And then they metaphorically did throw him in the sea too. It was awful but I digress 😑)

But anyway, all these issues, insecurities, the culmination of it ALL as well as all the stages of grieving for Mafuyu, they were all masterfully handled in the last arc. Or second RitsuMafu arc.

Now that brings us to the second AkiHaru arc and like it or not, just like how Mafuyu had to grieve properly and find closure from all his remnant issues from his previous relationship and childhood, Akihiko will also have to face the issues he is still carrying from his last relationship. The gaslighting that he endured, the misplaced guilt that he probably still feels, the fear of doing something wrong again to fuck it all up for himself and Haruki and probably the band too.

And believe it or not, we have already seen the seeds of it. Also, I personally think Ritsuka will be the catalyst of Akihiko's arc this time and we are gonna get the Ritsuka arc either mixed with Akihiko's one this time or right after.

Now let's see what we got thus far.

1) AkiHaru LDR. Akihiko's ring and them living separately even in Tokyo as well as Akihiko's little show of flirtation to get Haruki flustered.

All of these point to something that I'm sure most of the fandom is vaguely aware of but can't put their finger on surely.

I personally think these point to the issues Akihiko brought from his experience of being the victim in an abusive relationship.

LDR is simply him choosing to not sacrifice his music for the sake of his relationship. He learnt from his previous relationship that that's not the way he gets to retain himself much less his relationship.

The ring is the symbol of his clinginess, or his innate urge to belong. To belong to someone. But with that also comes his fear of binding Haruki unfairly to himself. His need to be clingy to Haruki is constantly at odds with his fear of somehow being codependent or worse still, making Haruki codependent on him. So he himself is donning a ring and showing it off but he doesn't want Haruki to, especially if Haruki doesn't by his own accord. Haruki didn't show him his own need to belong to Akihiko, he simply asked, (with a strange look on his face too if I may add) if he should also wear a ring, and Akihiko declined. No matter how dramatic he tried to make himself sound to Mafuyu that's the root cause of it.

Akihiko living separately even when in Tokyo too also probably comes from the same fear and deep rooted issues. He was at the receiving end of such a relationship once and it was excruciatingly painful for him. His ex leaving the country for months and then coming back to only have sex for a few days with him(and then kicking him out but he had been gaslighted to think all of those as his faults so we no talk about it yet) while he was stuck in a place full of memories and yearning for those times to come back again and feel the love and happiness...he doesn't want any of those to happen to Haruki. He knows living alone is better than living with memories.

So on one hand he is desperate to bind himself to Haruki, donning the ring, going broke just to see Haruki every week, still bringing Haruki coffee, on the other hand, he is trying to set Haruki as free as he possibly can. Living separately, not making him wear the ring.

He is also still an insecure jealous mess when it comes to Haruki. It started with the second chapter of given and it's still going on. Akihiko wants Haruki's attention to himself all the time. He also needs to know that he still is desirable to Haruki and that comes from his abandonment issues. His parents as far as he is concerned didn't want him the moment he became a liability and don't even let me start on his ex. So being able to make Haruki flustered still is important to him. the assurance that he is still needed and desired and it's not all been just a whim on Haruki's part, or if it were indeed a whim, it's still there as strong as it was the first day, Akihiko needs to be reassured of it from time to time.

In contrast, I know that most of the fandom will disagree with me but, Haruki's issues are nonconsequential at this point. Is he probably sad to see Aki go? He obviously is. He also is possessive with his 'insect repellent' comment and seeing Akihiko instantly changes his whole demeanor. But Haruki is essentially in his essence this chapter. Thinking and planning and working. Missing Akihiko is inevitable but I don't think it's death sentence for Haruki. A large part of what Haruki possibly feels in this situation we see from Ritsuka's POV which is a trick Kizu uses frequently to mislead readers. Ritsuka is projecting high key. He and Haruki are fundamentally different. So he should be treated as an unreliable narrator here.

I think the difference between how Ritsuka and Haruki work is that Ritsuka can be at ease knowing that Mafuyu is at home safe and he himself has Mafuyu to come back to while he goes work outside forgetting everything in the world.

But for Haruki, he considers himself to be the home and can wait for Akihiko to come back to him indefinitely as long as there's a promise of him coming back.

Which brings us to the issues of RitsuMafu or more specifically Ritsuka that's been shown in this chapter.

So the issue with 2) Ritsuka is that he has no issues. I know there are many fans who want Ritsuka to breakdown or cry etc but the truth is that Ritsuka has no problem except for his own tyrant king workaholic self.

In previous arc we did get some covers that made us question about Ritsuka's mental state. 👇🏼 The main one being the left one but the right one too.

It's more been the words written on the left cover that were vaguely worrying. For the first time we saw him thinking about Yuki and the fact that he had been a big part of Mafuyu's life. And I understand some fans being disappointed that we didn't see him ponder on it again.

But the truth is, Ritsuka is 1) too healthy an individual by nature and by nurture to constantly be worrying about things that he can't control. He'll always find a way to cope healthily whatever the outside world throws at him and he did find a way to get closure from Yuki the last arc, it was to help everyone Yuki left behind get closure from him. 2) If he really indeed has to confront Yuki then it'll come after he has worked on his own issues so we'll have to wait and see if that happens ever.

Now that being said Ritsuka also does have to confront and control his own self. As they say, even the best things can be too much. And Ritsuka always had been and right now (after ten years period) especially is under the danger of being too much. For himself and for others.

To put it simply, he is too good. Thinking of everyone and how to make them reach their full potential and thus pressuring himself and occasionally others especially the ones he loves.

This started ten years ago though. The inferiority complex of 'given' being thought of as inferior to 'syh', the guilt he felt leaving his own band to play for the rival band.

As well as his need to commit himself fully to things that he has committed once and his continuous need to challenge himself which doesn't let him go easy on himself a bit. His need to fix everything, every situation and his ability to do so ends up making him cornered more and more and it's been piling up.

There's also this thing that he is biased about 'given'. He considers it his 'own' band, while he feels responsible for 'syh' and isn't one to shrink from his responsibilities. He gives his 100% to make Hiiragi shine, he specifically does so because he knows Hiiragi's potential.

But that doesn't stop him from feeling guilt towards his own band and especially mafuyu.

Now here's the thing, Hiiragi is syh's vocalist while Mafuyu is Given's. And syh's style is populist style, it's not about quality, it's about taste and syh and Hiiragi appeals to public taste more.

In Ritsuka's own words, they are 'flashier' than 'given'.

And here comes the conflict for Ritsuka. He has truly no one else to blame for but himself. He has made Hiiragi a star and now he wants the same fame for his beloved aka Mafuyu. That's what they were arguing about.

He wants Mafuyu and 'given' to become even more popular. It's literally the conflict of interest and he is fighting himself on both sides.

Which brings us to Mafuyu at last. Mafuyu isn't buying this. And that's deeply satisfying and comforting. Mafuyu who once was scared of Hiiragi 'stealing' Ritsuka's attention, or being too charismatic now wants no part in competing with him. He isn't scared of Hiiragi's brightness anymore and is deeply secured in Ritsuka's affection to the point where he actively is fighting with Ritsuka about music and says that he doesn't need to stand out simply because it's not Given's style. It'll sound fake and fabricated he says. And I agree.

I think this is what Ritsuka's arc is gonna be about, at least for now. He's been putting himself on spot too much, he once had this realisation that just because something is popular with masses, it doesn't mean it sucks contrary to pretentious intellectual beliefs. All because of syh and Hiiragi.

He'll have to come back to his senses now and realise that on the other hand popularity isn't and can never be the criteria on how you create art. Given's style is simply different from what appeals to mass but that's what makes given unique.

#given #given manga #given 10th mix #given manga spoilers #given meta #meta #my given threads #nakayama haruki #kaji akihiko #sato mafuyu #uenoyama ritsuka #akiharu #ritsumafu

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