#Luis Martin

[b-enthere]

"But the people so often undervalue their real talents, wouldn't you say? The dream of being something they can never be"

From "Killing Eve – Codename Villanelle" by Luke Jennings

[diioonysus]

witches + art

[gwydpolls]

Lucian's Library 2

Feel free to suggest never written books you wish you could read.

[dance-world]

MODELS: Paolo Bellucci, Luis Beltran, and Martin Ivanov

PHOTOGRAPHER: Joan Crisol

UNDERWEAR: MODUS VIVENDI 

[liverpool-enjoyer]

hey lads at the request of absolutely no one its uefa high as tweets part two

part one

[yudgefudge]

what I think my footy ships would dress up as for halloween!

kylian and trent: a turtle and dinosaur, with rusty as a little lizard

ibou and robbo: jekyll and hyde or one of those atrocious plug and socket costumes

jude and erling: miles and gwen

julian and enzo: spider-man and mary jane watson

martin and aaron: a prince and his knight in shining armor

luis and stevie: cowboy and sheriff

griezmann and de paul: rapunzel and flynn

kai and julian: harry potter and draco malfoy, they've actually done it before

mo and dejan: barbie and ken

kostas and thiago: shaggy and velma

pedri and gavi: mario and luigi (iffy incestual implications and all!)

josko and dominik: angel and devil

ben and christian: linguini and remy

modric and ramos: officer and convict

jordan and jack: this absolutely atrocious colonel sanders and chicken costume I found (jack is the chicken)

saka and martinelli: spongebob and patrick

virgil and alisson: woody and buzz lightyear

brahim and theo: finn and jake

rodri and bernardo: doctor and nurse

[ultrameganicolaokay]

DC Finest: Team-Ups - Chase to the End of Time by Bob Haney, Jim Aparo, Martin Pasko, Jerry Serpe, Len Wein and others. Cover by José Luis García-López and Dan Adkins. Out in March 2025.

"The Man of Steel and the Flash! The Caped Crusader and Black Canary! See the World’s Finest duo of Superman and Batman join forces with other DC superheroes in DC Finest: Team-Ups: Chase to the End of Time, collecting some of the most exciting team-up stories from the Bronze Age of comics from May 1978 to October 1979. Featuring the works of some of the greatest artists and writers in comics, this volume contains stories from DC Comics Presents #1-14 and The Brave and the Bold #141-155."

[gatutor]

Martine Carol-Antonio Vilar "El deseo y el amor" (Le désir et l´amour) 1951, de Henri Decoin, Luis María Delgado.

[teenagedirtstache]

[crimsonclad]

once upon a time there was an insane soap opera called Passions with an insane character named Theresa Lopez-Fitzgerald and she was in the hospital for a motorcycle accident (no damage to her heart) and she asked the man she was in love with if he loved her back and he said no I’m in love with my fiancée Gwen and Theresa Lopez-Fitzgerald immediately flatlined and he was like “noooo! I love you!!!” and she woke back up and then they repeated this process a few more times (“I mean I love you…like a friend—” BEEEEEEEEEP “NO COME BACK I AM IN LOVE WITH YOU”).

The first time I saw these episodes I was obviously impressed with her extremely rational powers of self-actualization and the ability to stop her own heart to make a point, and last night I remembered this incident as I wondered “is Buck actually being cursed by a cowboy ghost or is he manifesting boils all over his face and body to get back at everyone for calling him melodramatic?”

anyway the characters on Passions often had to do battle with actual demons and ghosts, and a living doll animated by a witch was a main character, so either way: welcome back to tv Theresa Lopez-Fitzgerald, your legend lives on

[joe-zone]

Joey vs Arsenal 😍

[yorgunherakles]

büyük iskender'in yastığının altında hep iki şey dururdu: bir hançer ve homeros'un, bizzat aristoteles tarafından gözden geçirilen ilyada'sı.

horst blanck - antikçağda kitap

[unachicaeneldesierto]

[dance-world]

Photographer: Joan Crisol Models: Alexis Abreu, Paolo Bellucci, Luis Beltran Avila, Martin Ivanov, and Alessio Benini

[aschenblumen]

Puedo entender la escritura en general, en relación a su efecto, como poética, profética, objetiva, pero en cualquier caso solo en tanto mágica, esto es, in-mediata (un-mittelbar). Todo efecto saludable, de hecho todo efecto no inherentemente devastador, que cualquier escritura puede tener reside en su (del mundo, del lenguaje) misterio (Geheimnis). Por muchas formas en que el lenguaje pueda probar ser eficaz, no lo será a través de la transmisión de un contenido, sino más bien a través de la pura apertura (Erschliessen) de su dignidad y de su naturaleza. Y si aquí prescindo de otras formas de eficacia –como poesía o profecía–, entonces me parece una y otra vez que la pura y cristalina (kristallreine) eliminación de lo indecible en el lenguaje es la forma que nos es dada, y la más próxima, para tener un efecto en el lenguaje y, por lo tanto, a través de él. Esta eliminación de lo indecible me parece que coincide con el modo de escritura propiamente objetivo y sobrio, y que anuncia la relación entre el conocimiento y la acción justamente dentro de la magia del lenguaje. Mi concepto de estilo y de escritura objetivos y al mismo tiempo altamente políticos es el siguiente: conducir a aquello que fue negado a la palabra; solo donde esta esfera de lo carente de palabra (des Wortlosen) se abre en indecible poder puro (reiner Macht), pueden saltar las chispas mágicas (magische Funken) entre la palabra y la acción movilizadora, donde reside la unidad de estas dos entidades igualmente efectivas. Solo la concentración intensiva de las palabras en el núcleo del más íntimo enmudecimiento llega al verdadero efecto.

—Walter Benjamin, carta de Martin Buber en respuesta al ofrecimiento de este último a publicar en Der Jude, fechada en julio de 1916 y originalmente recogida en Briefe I. Traducción de Luis Ignacio García, disponible en su perfil de academia.edu.

[spicysix]

play | cw: hallucinations, blood, murder, el's and kali's powers | masterlist

He never saw them coming.

He supposed it was 008- Kali’s work. He suddenly feared what had been real or not in the last few weeks, as he felt more and more that something was wrong.

They were contrasting, his children. The only two left after his biggest pride and mistake had painted the walls and floors and ceilings of their home in crimson. With the help of 011 and her empathetic soul, 001- Henry had breached through all security walls built specifically around him, to protect him and to protect others.

No one was safe.

They were contrasting, his children, as they came for him. The only two left, and Jane was wearing all white in opposition to Kali’s all black. The only two left, and Jane showed him forgiveness more than one time while Kali showed him hatred. The only two left, and Jane’s heart has always been filled with hope, and love, and kindness despite of it all; and Kali’s heart had been filled with scorn, and disdain, and fury because of it all.

“Jane told me she saw you dying, but I never trusted you to be gone until I was the one to send you to hell personally,” Kali snarled at him, and he felt the invisible force of Jane’s powers keeping him stuck to the ground.

He wasn’t safe.

“Took you long enough.” His words were biting, he could never show he was afraid. He had to be the one feared.

“I’m not afraid of you anymore, Papa,” Kali retorted. “I’ll show you fear.”

He felt immense pain, but he wasn’t sure if the blood around him was real or a product of Kali’s doing. He might have screamed before he mercifully passed out. She showed him pain, and Jane showed no remorse, and he took what he earned.

He should’ve seen them coming.