#Lucinda dickey

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On September 27, 1984, Ninja III: The Domination debuted in Australia.

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No, not the Charles Band / Tim Thomerson joint but the Italian poster for Ninja III: The Domination. (1984)

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Ninja III: The Domination (1984) // Dir. Sam Firstenberg

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Special K

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Cheerleader Camp (1988) Review

A group of spirited cheerleaders finds themselves in the crosshairs of an enigmatic killer amidst the isolation of a remote summer camp. Cheerleader Camp, also known as Bloody Pom Pom, is a spirited romp through the realm of slasher cinema. Director John Quinn offers a competent mishmash of horror elements, drawing inspiration from A Nightmare on Elm Street with its many dream sequences, Friday…

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BREAKIN’:

A young jazz dancer

Forms a team with break dancers

Shake up the dance world

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Regency Fashion: Veils

Regency era portraits and fashion plates show many examples of how sheer veils, sometimes of lace, were worn as fashionable accessories. For mourning, Regency and Victorian women wore black semi-opaque scarves. And, of course, veils were and continue to be fashionable as bridal wear.

Here are some of my favorite examples of veils in portrait paintings of the Neoclassical/Regency era:

Gilbert Stuart (American, 1755-1828) • Lucinda Smith • 1809

Solely a beautiful lacework veil arranged atop the head, framing the curls on the forehead. No other head accessory here or in the portraits below.

Thomas Lawrence (British, 1769-1830) • Lady Manners • 1794 • Cleveland Museum of Art, Cleveland, Ohio

In the Lawrence portrait, the veil (or perhaps less of a veil and more of a long scrarf) appears to be worn wrapped around the head, leaving some space for curls to show through, and flowing down gracefully past the waist.

Right: John Wesley Jarvis (British, 1780-1839) • Anne Brown Dickey • c. 1807-10

(Veil pinned to the the head with a lovely, pearl-studded comb.)

Left: Elizabeth Vigée Le Brun (French, 1755-1842) • Luise von Mecklenburg-Strelitz, Queen of Prussia • 1802

(A lace-edged scarf of the same material as the dress sleeves is worn with a bandeau and wrapped around a bundle of curls, flowing down the back. There's enough length that the woman can wrap a section of fabric around her lower arm.)

Below are fashion plate examples of hat veils.

These veils are likely worn to shield the face from damaging sun and/or to allow the wearer a certain amount of privacy, especially to hide crying eyes due a death or broken love affair.

[tiger316]

40 Years of BREAKIN' ft. Lucinda Dickey, Michael 'Boogaloo Shrimp' Chamb...

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"Breakin'" (1984) is a hip-hop breakdance movie that brought mainstream attention to the style. Directed by Joel Silberg, the writers based the story and setting of the movie on the 1983 documentary "Breakin' 'n' Enterin.'" The film stars Adolfo Quinones (Shabba Doo), Lucinda Dickey, Michael Chambers, Christopher McDonald, and Ben Lokey.

Rap, graffiti, and breakdancing were staple characteristics of the hip-hop culture during its conception and evolution into the mid-80s. "Breakin'" highlighted aspects of the style, but there was a slight contrast to a rival film released a month later called "Beat Street." "Breakin'" was out of California, and "Beat Street" was out of NYC. Since there were regional cultural differences, elements of the dance styles were different. Ice-T was also in the film rapping during his career's early stages.

Nevertheless, the film's star breakdancers were Adolfo Quinones and Michael Chambers. Both performers were showstoppers and carried the movie's epic dance battles along with the Electric Rock Crew. There isn't much story to the movie, and the acting is very cheesy, but this was the 80s, and cheesy is what gives that decade its charm. "Breakin'" is a reflective film that is memorable for many.

Director: Joel Silberg Writers: Charles Parker, Allen DeBevoise, Gerald Scaife

Starring Lucinda Dickey, Adolfo Quinones, Michael Chambers, Ben Lokey, Christopher McDonald, Phineas Newborn III, Bruno Falcon, Timothy Solomon, Ana Sánchez, Ice-T

Storyline Kelly (Lucinda Dickey) is a classically trained jazz dancer tired of warding off her amorous teacher and hungry for a new outlet. When she befriends street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), she's blown away by their unique and original moves. She soon volunteers to help them defeat a rival group of street dancers, learning breakdancing skills along the way and sharing her own moves.

Available on Blu-ray (out-of-print) and streaming services

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Nezumi Edo wo Hashiru 2 Episode 5

Ninja Vigilante Nezumi (Takizawa Hideaki) investigates a case of random slashing incidents involving a mysterious sword which is said to be haunted.

Probably the most interesting episode thus far. It reminds me of the western film of the 80s starring Lucinda Dickey and Sho Kosugi, titled, Ninja III The Domination which is about a girl being possessed by a sword with the spirit of a fallen Ninja, which causes her to go on a killing rampage with the sword.

Sho Kosugi was basically the Hiroyuki Sanada of the 80s in Hollywood.

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On October 23, 2020, Ninja III: The Domination and Heavenly Bodies were screened as a double-feature on TCM Underground.

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Ninja III: The Domination (1984)

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The Last Movie I Watched...

Breakin' 2: Electric Boogaloo (1984, Dir.: Sam Firstenberg)

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Ninja III: The Domination (1984)

“Only a Ninja can kill a Ninja.”

Christie Ryder (Lucinda Dickey), is possessed by the evil spirit of a fallen ninja and goes on a killing rampage. The only one who can save her and kill the evil spirit is another Ninja, Goro Yamada (Sho Kosugi).

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My favorite movie 🍿🍿🖤🖤🖤

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