#Love how he's portrayed!!!

[egophiliac]

roll out the red carpet guys we're going to the SHAFTLANDS

[ventique18]

Lilia: "This voice... Levan?! You, when did you return... No, but those horns are Meleanor's..."

Lilia for a while confuses Malleus for Levan... He only doubted himself because of the horns... Do y'all remember who has a similar build/hair color/skin tone/lip shade as Malleus...

"Those old fools of a senate... How dare they..."

"AND GRANDMOTHER AS WELL! Why have they kept the truth from me all this time?!"

OMG! He didn't know that Lilia hatched him... Lilia tries to calm him down and says that it was him who told them not to say tell. Because if he knew the truth, then he might feel guilty.

At this point Lilia begins to mix up reality and memory. He's questioning why he's calling this person Malleus when Malleus still isn't supposed to know how to walk on two legs. Malleus soothes him, saying that it's alright, Lilia doesn't have to think, and he doesn't have to suffer anymore.

Malleus: "What dream would you like to have? A dream where both father and mother are alive? Or would you prefer a dream where you and your son live peaceful lives?

"I will give you anything and everything you wish for. Now, Lilia, take my..."

Silver: "FATHER---!!!!!"

Lilia is still confused and mixes up things, and Malleus looks at Silver and Sebek exasperatedly, as if they're pests that keep on popping up. That they being awake is bad, and that they should go back to sleep. Silver objects and Sebek tells him that there's no way a man born from so much love should grow up to be villainous and hated by the entire world.

Silver: "And that's why we will definitely defeat you. Lord Malleus... YOUR "BLESSING"!"

Because of that keyword, Lilia finally remembers everything that happened.

Lilia: "Well said. That's my disciples for you."

Lilia: "I must have taken a very long nap. Now you've done it, Malleus!"

Malleus: "Tsk. You've truly woken up, Lilia! But you need not worry. I will tuck you back to bed very soon."

Lilia: "Ha! Did you just say you will tuck me to bed? You've grown cocky, haven't you? Then do your worst!"

Lilia: "Everyone, after me!"

LILIA: "IT'S TIME TO RUN--!!"

OMFG LOL LILIA???? Malleus laughs "Are we playing tag? It's been far too long since we've played like this."

"We have all the time in the world. Why don't we have a bit of fun, Lilia!" *CUE UNHINGED FUCKING LAUGHTER HOLY SHIT THAT WAS CREEPY AS HELL

[pretty-weird-ideas]

Episode Seven and White Tears

The trial's allegory is not just a lynching, it is a lynching for a Black person entering a relationship with a respected White man, and proceeding to leave him. It's not a murder case, as seen through the show, there's actually very little emphasis on the murder in the episode in regards to Louis. The emphasis is on his "seduction", his "ungiving nature", and "refusing to give his body". It is a public humiliation and lynching for turning a respected white man down. The crime isn't hurting Lestat, it's hurting his feelings.

Lestat doesn't speak to the audience about the pain of his throat being slit. He speaks of loneliness, the audience chants and jeers about how cheating was justified if Louis isn't putting out. Santiago isn't talking about the murder, he's talking about how much of a sexual deviant Louis is the second he is introduced. The show is telling us what's important to the case, and what language hurt and stuck out to Louis the most. The deciding factor in the eyes of the audience, the story that Sam and Santiago are trying to tell, is that the crime is heinous because Louis turned down Lestat.

The audience isn't mad about the murder, they're mad about Lestat's emotions, they're mad about the betrayal, and they are mad that Louis and Claudia didn't put up with things. The case built against the two of them isn't based on violence, it's based on white tears. Louis isn't called a monster for slitting Lestat's throat, the audience member calls him a monster for turning down Lestat's advances.

The show is clear that the trial isn't really about the murder, it is about Louis not "giving enough" for Lestat. It's about Louis asking Lestat to turn Claudia and literally bargaining his happiness where he literally gets on his knees and says "I'll be happy for you, I will never leave you if you do this for me". It's never been about the murder, it's quite literally just shaming Louis for not "loving a good man who might be abusive".

At the end of the day, the trial as framed and written by Sam is building a case off of Lestat's tears, not actual physical harm.

Like my skin is crawling but also the show is so chilling with how it portrayed the "He's a good man so hold your tongue and endure! Lest you read as ungrateful".

Anyways someone take the laptop from me before this becomes my life.

[wishesofeternity]

The thing about HotD is that it while it absolutely minimizes the agency and ambition of both Rhaenyra and Alicent, this is specifically used to glorify Rhaenyra and frame her as righteous while condemning Alicent and framing her lacking. That's the key difference in both their textual portrayals that has directly led to 90% of the fandom hailing Rhaenyra as the second coming of Christ while spewing the most hateful vitriol at Alicent just for existing. But y'all are not prepared for that conversation.

[julicity]

... Eh?

x OVERBLOT x

[to-be-a-dreamer]

No, because I've already talked about this to the Discord besties but I'm still vibrating over the fact that Percy didn't just sacrifice himself for Annabeth, he outsmarted her. He tricked her into letting him be the one to stay behind that's such an amazing detail

[georgeplantagenet]

"Both Oakes and Grainger have always done well when given the right material, and each has some terrifically frightening silent moments: an uncontrollable clenching of fists from Juan as he is exiled to Spain, a subtle grin from Lucrezia as she hears her brother's groans of pleasure shift to agony." — The A.V club

[doctorsiren]

Consider: I repackage another ace attorney au (split phoenix au) into mp100 for the sillies

[littlelightfish]

I see NOBODY talking about out local dwarf.

Look at him. He looks so terrified about the sole thought of his new friends meeting the one creature that ate all his friends before. He doesn't want to loose this guys. They're far too young. He himself was around their ages [relatively, Chil's out of this but he doesnt get it] when it all happened.

Oooh he panicking. He terrified now. His friends are going to die eaten alive. He just knows it. He can't see that happen. He doesn't... he can't. He's going to get killed. They're all going to get killed. Just like last time. PTSD hitting hard here.

OH THE SCREAMS. THE FUCKING SCREAMS. *cheffkiss*

He sounds so blinded by fear. SO TERRIFIED.

Listen to it in English and japaneese, i heard all the others, not as good. The English VA left his lungs in the studio I just know it. Same for japaneese.

This is the face of a man that knows he's met his fate.

[gayspacemonk]

the thing is, the "I would eat my arms and legs for zoro" scene wasn't just for shits and giggles. yes, it was to show just how devoted luffy is to his friends, but it also shows how he's naturally an great captain that he immediately understands zeff and says without hesitation "oh yeah I would do that and beyond for my crew"

[messiahzzz]

as much as i dislike the dialogue option that leads to this scene, i genuinely appreciate gale's response. it is easy to overlook what he is actually trying to convey here and is instead commonly dismissed as him being "overdramatic" or as a display of his bruised ego.

player: it was fine. gale: i see. gale: well, fine is... fine. nobody weeps because the weather is fine. no monarchs were overthrown because their ruling was fine. no artworks were burned because they were not masterpieces, but merely fine. player: would you have rather i lied? gale: the dignified thing for me to say is 'no. of course not. forthrightness before all.' but honestly? yes... i would have rather you lied. gale: i'm just a man. an imperfect one, with needs, wants, and flaws by the bushel. a fragile vessel in which to place potentially world-ending power. gale: perhaps it would be better to not shake such a vessel. gale: forgive me. these were already trying times before elminster delivered his missive. now, for me at least, they are potentially end times.

gale is no stranger to introspection. despite having his natural blindspots, he is fully aware of his flaws and imperfections. he lacks an inherent sense of self-preservation, displays impatience on occasion, can be hypocritical, has trouble handling pointed criticism well, and has a tendency to respond in passive aggression if he feels his competence is brought into question. he seeks admiration and is known to not honor his limitations and own safety for the sake of receiving praise.

gale: [...] people have always commented on my confidence, sometimes my over-confidence, and in one particularly cut throat assessment at university - my 'abject and incorrigible self-delusion.'

gale is not blind to how he is perceived by others, nor does he dismiss their conclusions without careful consideration. instead of deflecting he simply takes what they dish out and files it away for later contemplation and inspection.

player: because you acted the idiot. and paid the price for it too. gale: as always, i endeavor to be invigorated by your candour, rather than eviscerated by it. gale: blunt as your summation is - it's correct. i dared to call myself an archmage while acting the apprentice. the hallmarks of a most excellent idiot, unfortunately.

player: i can't say i share the same high opinion of you, gale. gale: always bringing such candour to our conversations. some would think twice about mocking gale of waterdeep, but you just go straight for the gut. nodecontext: playing along, making fun of himself gale: i like that about you. it's one of your rarer qualities, though i fear my ego can take no more of it tonight. nodecontext: cheerfully accepting the brush off, not taking it personally

needs, wants, and flaws by the bushel.

gale craves as mortals do. for relevance, safety, consideration, loyalty, care, acceptance, and love. he's desperate, he's angry, he's petty and hurt and lonely. he's contradictory, and at times inconsistent. he's afraid, he stumbles, he yearns. if he loves, he does so with all his heart but forgets to extend the same love to himself. he gains understanding only to disregard it later. he is absorbed yet devoted. he expects kindness but is bewildered when it is extended to him in turn. he's neither a perfect colleague, a perfect companion, a perfect lover, nor a perfect husband. he's just another human who's trying to navigate and make sense of the world. who is silently hoping for his soul to be handled with tenderness and care, to finally be seen for who he is —no need for performance or pretense — and to be unconditionally cherished nonetheless.

a fragile vessel in which to place potentially world-ending power.

he knows the burden he carries. understanding that even a momentary lapse in judgment could spell catastrophe if he doesn't exert tight control over his emotions at all times. he knows what is at stake should he lose the composure he painstakingly had to master. a mere moment is all it takes. this self-assessment isn't an "indirect threat" intended to subject pressure on tav or solicit pity, it's a stark acknowledgment of the truth. he is a fragile human, housing powers that should've never been his in the first place.

player: unbelievable. did you ever think what would happen if the tadpole got the better of you? gale: every waking moment. every dreaming moment too. but there was no way out.

he is also keenly aware of how his (former) colleagues perceive him, following his fall from grace.

player: bold. few would dare to reduce a goddess to their 'muse.' gale: i am, after all, the villain of the tale.

this line in particular is one i often think about. it makes me wonder about the extent of information gale received from the outside world after locking himself in his tower for an entire year, setting magical wards so no one but tara would be able to enter. did he hear the whispers? ("shunned by the goddess of magic herself, of course, it was only a matter of time before he flew too close to the sun.") were his colleagues ridiculing him, applauding mystra for cutting off the rot at the source? how did he arrive at the assumption that he is perceived as "the villain" and not the victim?

player: you must have been lonely, with only tara for company.. gale: sometimes. but i imposed it upon myself, after all. i set up enough wards to keep an army at bay, never mind the few colleagues who sought to inquire about my welfare.

or is this solely his own harsh judgment of his folly? that there is no chance anyone would meet him with sympathy, kindness and understanding after what he had wrought. he was too greedy, too impatient — selfish in arrogance, ravenous in ambition. letting delusions of grandeur guide him. he brought it all upon himself with his lack of patience. entirely convinced of his success and skill, blind to the possibility of failure. now doomed to drag innocents into the abyss with him. the hallmarks of a villain, right? after all, who would truly believe him that his ambition hid no ill will?

players: by rights. i should kill you. gale: perhaps that is what i deserve, but you deserve no such thing. [...]

[vagabondjourney]

there’s smfh abt book snufkin that i love dearly , just full of sm whimsy and love for the planet . the joy he has for creatures

[arrgh-whatever]

I've seen a few people remembering me from my BPD comic, makes me so happy

yeah, it's me, hi :]

[byemambo]

JOB YOSATORN AS DEN

4MINUTES (2024) | 1.01

Bonus: I need more moments with P'Bee so bad

[sollucets]

only friends episode 3 bts x neomark talking about boston

[lunarharp]

more phoenix wright situations