#Louis review

[louisupdates]

[Translated from Spanish]

Louis Tomlinson electrifies CDMX

Fernando Del Angel | June 2, 2024

Saturday night at the Autódromo Hermanos Rodríguez was a celebration of music and community. With the punctuality that characterizes great events, at 9:00 PM, Louis Tomlinson took the stage, and the voices of the fans rose in a perfect chorus, chanting each lyric of his favorite songs.

The set design left no one out; Large screens allowed even those in the most distant part of the venue to see the artist's every gesture and smile, feeling as close as those in the front row. The pyrotechnics exploded in the night sky, adding a dramatic touch to the evening, while the fans, in a moment of collective spontaneity, cheered: “Louis hermano, ya eres mexicano!” [Louis brother, you are now Mexican!], thus sealing the brotherhood between the singer and his audience in Mexico.

Entire families gathered to enjoy the show, with parents accompanying their sons and daughters, sharing the joy of live music. The light from the cell phones shone like fireflies in a night field, each one adding to the atmosphere of unity and celebration.

Louis Tomlinson, with his charisma and talent, achieved more than a concert: he created an experience of connection and joy. Attendees not only witnessed the artist's talent, but also actively participated in the creation of a collective memory, a moment of pure musical happiness that will resonate in his memories for a long time.

More photos

[zot3-flopped]

The fascinating emptiness of one Mr. Louis Tomlinson

Simone De Aurevoir

Feb 20, 2024

Four months ago I went to a concert. The exact city, venue and date doesn’t matter, and you will understand why it doesn’t matter in just a moment. The concert in question was given by Louis Tomlinson, a former member of One Direction, and what I experienced that night was so odd, so puzzling, so fascinating, that I couldn’t help but write it down. Allow me to explain.

The concert took place on a Tuesday evening. It is part of his Faith in the Future tour, and I was accompanying a close friend who is a huge “Louie”, as his fans are called. (Despite the difference in spelling, the man’s name and his fandom are actually pronounced the same way.) I joined her mostly out of solidarity and a little bit out of morbid curiosity. She had previously given me only small glimpses into the Louis Tomlinson fandom, and as a pop culture enthusiast, naturally I was intrigued by this window into an obscure cultural bubble. I remember thinking, “It might be interesting to see what she’s so obsessed with”.

Her first act of initiation had been to take me to see All of Those Voices, the documentary movie about Louis Tomlinson‘s life after One Direction, which depicted his chain smoking Northern English charm, his image of the humble underdog, and the unexpected upwards trajectory of his career over the last five years. It had also instilled in me a vague sense of fear of the fandom. Then again, the intensity of the Gospel is always off putting to atheists, so I thought nothing more of it.

Knowing that football/soccer games dictate which colors to wear and which to avoid, I had half-jokingly asked my friend about taboo colors the day before, not really expecting an answer. Immediately, she texts back — “Don’t wear green, and avoid any obvious combinations of blue and green.” If you’re feeling a sense of foreboding right now, that’s the right instinct.

On the night of the concert, we arrive at the 15,000 seat arena in the brisk evening air. To my surprise, the concrete vestibule is almost empty, save for the small crowd clustering around a merch stand. “They’re all already inside”, my friend explains confidently. We enter through the main entrance into the stuffy warmth of the lobby, through security, past another overcrowded merch stand, and through the soundproofed swinging doors into the main concert hall.

I suddenly feel very small as I enter this gigantic darkened arena space, where the air is even warmer, and buzzing with excitement. Indeed, everybody else is already here. The show won’t actually start for an hour, but the arena is already fully packed. We squeeze past a long row of excited faces to get to our seats, where the local chapter of Louis’s fan club has deposited some items for audience interaction: a blank white sheet of paper and a little snippet of red transparent tracing paper, both with instructions for how and when to hold them up.

While we’re settling in, the second of the two opening bands is already playing — a forgettable mess of clichés from Northern England. “As a white indie boy, Louis tours exclusively with other white indie boys”, my friend remarks with cheeky self awareness. While the clichés are playing, we look around the sold out arena. The two of us are only a little bit younger than Louis himself, which makes us some of the oldest people in the venue (not counting the occasional parental custodians who accompany their teen children).



Fans camping out for a spot in the first row for Louis’s show in Glasgow, 2022. Photograph by Steve Welsh

To me, it looks like we’re just two old pieces of driftwood in a sea of teeth in braces, puffy cheeks and pigtail buns, but my friend explains to me what I’m really seeing. “See that guy over there? That shirt is a Doncaster Jersey with Louis’s team number.” Or: “This girl in front of us? That’s a handmade replica of a t-shirt Louis wore on tour in 2016.” Already, I am amazed at the depth of not just her knowledge, but everybody’s knowledge of the history of this Louis Tomlinson. And then, to my delight, we actually see the forbidden combo: a girl wearing two glow-in-the-dark bracelets next to each other; one blue, one green.

It’s at this point that I finally get an explanation of the meaning behind the colors: Back when the band was still active, all five members of One Direction had a color assigned to them, based on their mic colors at live shows. Harry Styles was green, Zayn Malik was yellow, Liam Payne was red, Louis Tomlinson was blue, and Niall Horan was white. Therefore, wearing blue would symbolize fandom of Louis; wearing, say, red would be an indicator of favoring Liam, and green would symbolize fandom of Harry Styles. And wearing blue and green together would… well, we’ll get to that in a moment.

Since this is Louis’s concert, you might think that the audience would be a sea of exclusively blue clothing, but there is actually a notable amount of rainbow accessories — capes, earrings, fans, etc. — that make for an overall colorful impression.

I wonder out loud how it is possible that somebody who was big with teenagers in the early 2010s has so many teenage fans in 2023. After all, when I was a teenager myself in the late 2000s, it would have seemed unspeakably ridiculous if I had stanned, let’s say, the Spice Girls. (I’m not even sure I was aware of the Spice Girls back then.)

My friend, ever helpful, explains to me that most younger fans came across the fandom in 2020, facilitated by YouTube, Twitter, Tumblr, and pandemic-induced boredom.

Tumblr especially is infamous for its ability to grow and nurture expansive fandoms of pop culture items for years on end, even if the source material is long past its relevance peak (see Supernatural), its quality peak (see Doctor Who) or both (see Sherlock).

The momentum of Louis’ fandom on social media even led to the unusual phenomenon of venues getting bigger every time his concerts were rescheduled due to the pandemic. And this is when it starts to dawn on me. I am not attending a concert; I am witnessing a Tumblr dashboard come to life.

I’m just about to share this thought with my friend when the background music cuts off mid-song, the lights drop, and the sudden darkness comes with a piercing collective shriek that makes the earplugs flutter in my ear canal.

The band comes in first, taking their places. After barely a beat of pause, Louis walks onstage, with messy hair, wearing a tank top and designer sweatpants, walking at a matter-of-fact pace. I assume the shrieking got even louder, but at this noise level it was hard to tell.

Louis takes his place behind the mic stand in the middle and immediately launches into the first song, The Greatest — a stadium anthem basically written explicitly for this spot on the setlist. Not wasting any time on greetings or announcements, he immediately follows up with the other big hit, Kill My Mind. From there, directly onto Bigger Than Me, another stadium-ready rock pop number.

I’m alarmed as I suddenly realize that the only catchy, recognizable songs have come and gone, ushering in the phase of uninterrupted filler songs. (I had dutifully listened to the tour setlist multiple times in preparation for the concert, but my brain just wouldn’t latch on to anything beyond the first three songs.)

At this point, I’m worried this will be a repeat of that time when I went to see P!nk live in concert and noticed too late that I knew none of her songs from after 2005. However, P!nk is a charismatic person and a great live singer who was doing somersaults on a bungee rope as 10 dancers were trampolining and performing aerial acrobatics around her.

Louis is not on a bungee rope. There are no dancers, there is no set piece, there is no stage show, no performance, no outfit changes, no real interaction with the band, and no traditional crowd work. He simply stands behind the mic, singing his songs, the screens above him showing live closeups of his face in black and white, and I’m not sure he smiles even once. For a teen heartthrob, he’s… not very throbby.

(His outfit, by the way, will already have been documented and analyzed by a dedicated Instagram account, @fashionlouist, the owners of which can somehow identify the exact brand and name of each piece he’s wearing within the first 20 minutes of every show. His sweatpants today cost £380.)



Louis on the same tour, earlier in the year. Photograph by Amber Patrick

After the fourth song, Louis finally addresses the audience. “(City), make some noise!” He thanks the two opening acts, and points out that this is one of the loudest crowds he has ever had. That’s it. I’m amused at how his lines are almost comically generic, but my friend explains what I’m not getting: “He always thanks the band, and he always says this wouldn’t be possible without the fans. And he wouldn’t say that if he didn’t mean it. And he only says something about the venue when it’s a really special one.”

She doesn’t see his boilerplate statements as him being uninterested or uninteresting. She sees consistency and authenticity, and judging by the beaming smiles all around me, so does everybody else.

Similarly, his outfit may look to me like he tried to make the least amount of effort, but the fandom like that he is “finally getting more comfortable wearing what he wants”.

In case you’re wondering, Louis’s appeal doesn’t lie in his singing skills either — his pitch gets shaky when the melody dips below the falsetto range, but he is clearly making a great effort in this department. Live singing is hard, and for the most part he’s doing a good job at it.

The interchangeable songs go on for a while, and still the elated fans around me seem to know every syllable. It is very warm, very loud, and for an outsider like me, very boring.

I go outside multiple times to have water, to get another beer, to go to the bathroom. I can’t help but notice that I am the only one in my row leaving her seat during the show. Everybody smiles politely as they let me squeeze past, but every time I do it I’m keenly aware of how inappropriate my behavior is. No one else seems to need or want a break.

In the ghostly emptiness outside I overhear a member of the bar staff complaining about the awful evening. At first I don’t understand what they could possibly find offensive about this quintessentially inoffensive music, but it later dawns on me that they were probably referring to the complete lack of beer and concessions sales. Most attendees are either too young to drink legally or too young to want to spend 6,50€ on a beer. Most of them seem to be sharing one cup of water, and no one is leaving during the concert to go to the bar for a refill.

Down the hall, I hear yelling and commotion which turns out to be paramedics on their way outside, transporting a passed-out teenage fan on a stretcher, accompanied by their panicked friend.

When I return to my seat, everybody around me is still scream-singing along to every single word of every single song, including my friend. They are having a great time. It looks like I missed out on “She Is Beauty We Are World Class“, which, as I had learned earlier that evening, is the song his fans collectively take as an opportunity to show off their rainbow flags and create a queer-accepting atmosphere at the show. Though Louis is, by all accounts, a cishet man, the One Direction fandom has a very, let’s say, specific relationship to queerness and queer symbols. More on that in just a moment.

My ears perk up for a bit when Louis gets to Back to You, a label-mandated collab with Digital Farm Animals and Bebe Rexha from 2017. He plays an altered version of the song with more of a rock sound, but it still stands out to me simply for using different chord progressions than all his other songs.

Funnily enough, in the lyrics of another song (We Made It), he directly addresses this qualm of mine: “Singing something poppy on the same four chords, used to worry about it but I don‘t no more“. To his credit, he really doesn’t pretend to be more than he is — that’s all other people‘s doing. Let me explain.

Not counting parents or outsiders like myself, there are three groups of people in this room: former fans of One Direction, Underdog Cheerleaders, and Larry Stylinson conspiracy theorists.

The first group is easy to explain and even easier to relate to: they were big fans of One Direction (or “1D”), and since that band doesn’t exist anymore, the closest thing to it are the concerts by its former members, all of whom have embarked on solo careers. These fans are the ones who visibly come to life during the two 1D songs that Louis plays this evening; and the ones waving the huge rainbow flag with all five 1D members printed on it. (Again, more on that in a second.)

The second group, whom I call the Underdog Cheerleaders, are the group that my friend belongs to. These are the people who are convinced that there was a grand plan by 1D’s management to make Harry Styles the breakout star of the group, and to suppress the careers of all other members for that reason.

But because they, the true fans, appreciate Louis for exactly what he is, they will do anything they can to support this underdog millionaire, whether by making his songs chart by listening at the same time, buying tickets to his livestream performance during Covid, or writing to the BBC to beg them to stop blacklisting his music. (Whether that was ever actually the case is unconfirmed.)

For them, the appeal lies not in his singing, his performance, or songwriting skills. The qualities that are always repeated when people praise Louis Tomlinson are that he is humble and down to earth; a simple lad from a working class family in northern England.

This is pointed out in every single write up about this man. His humanity is further compounded by the untimely deaths of his mother and sister within a few years of each other while he was ascending to solo fame. For the Underdog Cheerleaders, it’s not about music so much as it is about identifying with, celebrating and uplifting the least memorable person in a lineup of five.

And the third group… they are the ones who would purposely pair blue with green. These are the so-called Larries, the people who ship Harry Styles and Louis Tomlinson as a couple.

You can find a great deep dive on the topic here, but the long and short of it is this: While there were ships for almost all possible combinations between the five members of One Direction (resulting in droll ship names such as Nouis or Ziall), the Larry ship was by far the most popular.

The ideological overlap between the Underdog Cheerleaders and the Larries is not zero, but while the cheerleaders just want to see the nice guy win, the Larries also want the nice guy (and Harry Styles) to come out as gay.

They are willing to accept any explanation, however flawed or implausible, for why Louis and Harry have yet to come out as a couple even though they have definitely secretly been together for a decade now and their respective heterosexual partners are absolutely paid actors and they even totally have a secret baby together.

The lack of evidence, the repeated denials by the two men in question and their polite but increasingly desperate requests to stop the madness have only fueled the fire.

The one thing that all three groups share is that for all of them, Louis’s public perception is forever tied up with the existence of Harry Styles. Whether he wants to or not, Louis is forever defined against his more popular former band mate, whether as his colleague, competitor, villain, or lover.

It’s about an hour and a half into the show as I allow myself a peek at the set list on my phone. We’re finally nearing the end. Watching the unsmiling face of Louis Tomlinson, I’m wondering — is he enjoying himself? Who even is this person?



By seeing this image, you have experienced the complete stage show of the “Faith in the Future” tour. Photograph by Steve Jennings

The encore consists of three songs. When Louis gets to the last one, he descends into the pit. Still singing, he walks up to the first row who have been camping outside since the day before in order to get this spot. He touches a few of the outstretched hands, walks along the front row to the left, bends into the crowd for a few seconds, and when he reappears he no longer has his tank top on. His fans have ripped it off his body. He retreats back onto the stage, says a few polite words of thanks, and disappears.

And then, the magic is over as quickly as it began. The lights turn on, background music plays, and people immediately start filing out in an orderly manner. Some are clasping the red confetti bands that rained over the audience during the last song, and their faces look like they will treasure this souvenir forever. In the chilly darkness outside, a well-informed busker with a guitar sings songs by Louis and 1D, and a small crowd gathers around him to sing along while waiting for the shuttle bus back to the city.

At the end of the night, I’m left wondering what all these thousands of young fans really care about. Even though everybody knows all the music by heart, it doesn’t really seem to be about the music. And even though there’s a throng of fans crowded around the stage exit for a chance to wave at the tour bus with Louis in it, I don’t know whether this really has anything to do with him personally.

Because at its innermost core, this fandom is about itself. Not in the sense of its specific members — I didn’t see many fans interacting and making new friends — but rather, the fandom as an abstract entity.

It’s the joy of belonging to an in-group; of sending and receiving signals that only the initiated will understand. The firm belief that you’re backing the right horse, that you’re part of something “Bigger Than Me”, that there is a purpose to your music listening.

Who is Louis Tomlinson? I still have no idea, and neither does it really matter. Nobody else cares. They will make Louis Tomlinson into whatever they need him to be.

[burningvelvet]

black sails created an 18th century legendary pirate captain who is canonically queer, ginger, depressed, repressed, polyamorous, murderous, morally gray, downright insane, thoughtful, contradictive, manipulative, funny, strong, idealistic, proto-feminist, utopian, kind, proto-anarchist, anti-colonization, controlling, obsessive, stoic, strategic, intelligent, quiet, delusional, traumatized, filled with uncontrollable rage, consumed by grief and shame, a literary nerd obsessed with greek mythology and classics, a proto-romantic in the philosophical sense - whose whole story is the prequel story of a character from a classic novel who was dead from the very beginning of said novel - and they expected us to be normal about all this and to get over all this and move on from all this?????????

[heliza24]

I want to talk a little bit about Daniel in the Interview with the Vampire show, because the new trailer material has me stuck thinking about him, and also I’ve never written about how meaningful he is as disabled character to me before.

I don’t see many people thinking about show!Daniel in these terms, but he’s a canon disabled character. And I think the way he is written is just SO good. The acerbic wit, his relationship to doctors and his medication, his rueful acceptance of the way his disability has changed him. It is all so correct!! It’s really incredibly rare to have not only a disabled character written this well but specifically a chronically ill character written this well. His illness is always present; it doesn’t get forgotten about by the story. It gives Daniel insight into the vampires (more on this in a min), but it also gives Louis and Armand leverage over him. When Louis triggers his Parkinson’s symptoms? Deeply not ok. But that’s what made it such a great scene, and really made Louis feel dangerous and threateningin that moment. Armand and Louis arranging Daniel’s meds is a sign of great care and also great power over Daniel. It’s the perfect way to communicate the complicated power dynamic in their relationship.

I also just fucking love that this show takes place in 2022 and doesn’t erase the pandemic. Covid is a very present concern for Daniel and I cannot describe how validating that is for me as someone who is clinically vulnerable to Covid and who has had to really limit my life and take a lot of precautions because everyone else has decided to stop caring whether they pass on Covid or not. The fact that Daniel gets on a plane to Dubai is a BIG DEAL. He’s risking his life to talk to Louis and Armand before he’s even in the room with them. He really wants to be there. I have to make a similar calculation every time I travel, and trust me, getting on that plane knowing getting sick could spiral you into even worse health or kill you is really hard.

I think making Daniel disabled and including the pandemic is kind of a genius level decision on a thematic level. Of course Daniel is now facing down his mortality, which gives him a whole new lens on the vampires and the fact that he once asked them to turn him. And the pandemic further highlights his fragility, and is also possibly being used as a cover for drama that’s happening in the vampire world. But I think it also really sets Daniel up as a foil to Louis.

There’s a lot of analysis of the vampire chronicles that reads vampirism as a metaphor for queerness. But I would actually propose that it’s a much neater parallel for disability and illness in a lot of ways. So many of Louis’s initial experiences after being turned resonated with me, as someone who became chronically ill in my 20s. My appetite and relationship to food completely changed, much like Louis. My relationship with the outdoors and the sun changed, because of dysautonomia and allergy reasons. I was very mad, and very depressed, and I too have missed out on birthday parties and big life events like Louis did because I was too sick to go. Hell, you can even say that the way that Louis is treated as evil by his family, that the way vampires literally can’t be a part of society during the day, is reminiscent of ableist exclusion and ugly laws. (Ugly laws were laws that forbid disabled people, especially those with visible differences, from being out in public, and they were on the books in many American municipalities until the 1970s.) You can look at Lestat being an out and proud vampire in the first few episodes on the season and imploring Louis to leave his shame behind as a queer thing, but you can also view it as a disabled thing. Disabled people are portrayed as monstrous so often (and in a way that has gone relatively unexamined compared to say, the queer coded villain trope) that sometimes it’s just easier to embrace that label: I’m the monstrous Crip, but at least I’m not ashamed of or disgusted by who I am anymore.

I do think the real strength of this adaptation is that while you can find parallels between queerness or disability or other forms of marginalization with vampirism, ultimately it’s not a one-to-one parallel. It speaks to the real world but ultimately it is a gothic horror story about supernatural monsters. So I don’t mean to say that vampirism directly equals disability, because it does not. But I do think that making Daniel disabled was an intentional choice to help draw out some of those parallels, and I think the text is richer for it.

So Louis and Daniel have had these kind of parallel experiences of uncontrollable and difficult things happening to their bodies. It sets them up perfectly as foils, and even, I would argue, as the A plot and B Plot protagonists. This is one of my favorite ways of kind of examining the structure of a TV show (or maybe it’s that most of my favorite shows seem to be structured this way?). When TV was all episodic, it would be common to refer to the A plot (mystery of the week), B plot (interpersonal drama happening as the mystery gets solved) and C plot (any overarching plot tying the season together) in an episode. Now that stuff is serialized, there’s often a main protagonist, who has the main dramatic question and the most agency, and then there is often a secondary B plot that explores similar themes and mirrors the A plot, or presents a second main character who is the ldifferent side of the same coin” to the main protagonist. (My favorite example of this is Flint and Max in Black Sails, and I’ve also made the argument that Wilhelm and Sara fit this pattern in Young Royals.) In IwtV, Louis is obviously the main protagonist of the show, especially in the A Plot, which is the stuff taking place in New Orleans/Paris. But I would argue that Daniel is the protagonist of the B Plot set in Dubai. At the very least they’re intentionally set up as mirrors of each other:

They are both unreliable narrators, who are struggling with the way memory contorts (through memory erasure, illness, deliberate obfuscations, and just the passage of time). The most recent teaser trailer, where we hear Louis saying “I don’t remember that”, with panic in his voice, further underlined this similarity between Louis and Daniel to me. I don’t know if it means that Louis has also had his memory tampered with, as I’m assuming Daniel has, but I do think it means that Louis is going to be struggling with feeling out of control of his own narrative more in season 2, a thing that was already starting for Daniel in season 1.

They are also both locked into power struggles with people more powerful than they are. The fact that Louis is under Lestat in the flashbacks and above Daniel in the Dubai scenes in terms of power/status makes it all the more interesting. And, if we want to go ahead and assume that the Devils Minion’s years have happened in the past by the time we get to Dubai— it’s possible that both Daniel and Louis are united in being the less powerful partner in their own respective fucked up gothic romances.

They’re also both the audience’s entry point into their respective stories. Louis’s narration guides us into the world of vampires. Daniel’s questioning satisfies our human curiosity in Dubai.

I think one of the things that makes the show so special is the way that these two protagonists interact. In a lot of shows the a plot and the b plot stay pretty separate. I love talking about Black Sails for this because I think it’s such a good example; Flint and Max never exchange dialogue the entire show, even though they’re so clearly affecting each other the whole time. But the way that Louis and Daniel clash in Dubai is so exciting. We see them both wrestling for control of the narrative. It’s thrilling to watch and it just hammers home the theme of how complicated and changeable stories can be.

I am SO excited to see how the Dubai scenes play out in season 2 because of it. I really can’t wait. I’m really hoping we’ll see Daniel and Louis’s relationship evolve in surprising ways, and I’m holding my breath that we’ll get a lot of Armandaniel material to work with. (I have a whole other post drafted that’s much less smart than this one and is just me waxing poetic about Devil Minion’s theories which I may post at some point. You have been warned.)

I do have two wishes for Daniel in the new season, and they’re 1: that he gets to have romance/sex, because disabled (and older!) characters are so often seen as unworthy of being desired, and I would like to see that challenged and 2: that he continues to refuse to be turned/is not offered a vampiric cure for Parkinson’s. The magic cure for a disability or chronic illness is probably my least favorite disability trope, because it serves to erase disabled characters and representation from the narrative, and I want to see my experiences continue to be reflected in Daniel’s. That means that whatever ending Daniel’s story has will probably have at least a bit of tragedy baked into it, but I’m ok with that.

[perseidlion]

The Interview With the Vampire TV show is a perfect example of how adaptations do not have to follow the source material closely to be an excellent adaptation.

(This is a spoiler-free commentary, but it does discuss the dynamics of the characters in general.)

I read the books back in the day, and of course, saw the original movie. Despite a laundry list of big changes, the series still feels extremely true to the books because it captures the spirit. It gets the characters and their fucked-up dynamics right. It doesn't shy away from them being melodramatic monsters. It keeps to the rules established in the source material. The show also makes sure to preserve key moments and key scenes, but always with a twist.

Since they did that, they were free to shift things in time, amp up and adapt certain dynamics, and change the race of characters in a way that deepens the story and complicates already extremely complicated power dynamics.

The original movie stuck more closely to the era and the appearance of the characters as described by Anne Rice, but I don't think the story loses anything by changing those two elements. In fact, it gives it modern relevance and room for political and social commentary.

I have never ascribed to the idea that an adaptation has to be slavishly accurate to the source material to be a good adaptation. It just has to be smart enough to identify what to keep and what can change. An adaptation adapts. Honestly, I find it boring when I see exactly what was in a book up on screen with no surprises. Where's the fun in that?

The difference between a good adaptation and a bad one is not how accurate it is to the source material, but how well the adaptation respects what made the story compelling to begin with.

What's important here?

Lestat is dramatic and powerful and a monster who is deeply charismatic, but also manipulative.

Louis is overdramatic and self-hating, but oddly drawn to Lestat.

Claudia is fierce, but bitter about her eternal childhood.

Their relationship is deeply toxic but with true affection. They are monsters, but monsters capable of intense love and devotion - to the point where it has the power to destroy them.

THAT is at the core of this story. THAT is what they keep intact. This frees up all sorts of avenues for play around a few key plot beats.

This room for play also gives opportunities to expand on thinner characters or rewrite them entirely. It's been a long time since I read the books, but I don't recall Daniel standing out as more than a framing device, especially in earlier books. But in the show, he's one of the best parts. Not only does he take a much more active role in the story, he delivers some of the most hilarious and cutting lines of the entire series. If the show had stuck closely to the source material, we wouldn't have this Daniel.

It was also smart of them to make Claudia a few years older. The eternal child element is preserved, but the layer of arrested teenaged hormones and womanhood that will never blossom adds an extra layer of angst and sadness. She is stuck forever in a state of rebellion, never allowed to settle and come into her own.

Having her be a young Black woman also deepens her attachment to Louis, visually, socially and symbolically. They are different from Lestat and they understand each other in a way he never can. She's still very much the Claudia from the book but with layers added to deepen her character and add new, fresh dynamics and complications.

It's also delightful to see the show take the homoeroticism that was subtextual in the early books with Louis and Lestat (and in the original film) and making it unapologetically text. Anne Rice's Vampire Chronicles have always been incredibly queer and subversive, but it's amazing to see that side of it fully embraced and stated plainly with no ambiguity or qualifiers or hints. It's queer and that queerness is woven into the fabric of the entire narrative. Louis and Lestat are the toxic beating heart of the Vampire Chronicles.

It's also important because we need messy, dark, fucked-up queer narratives. Sweet, coming-of-age stories and romances are of course, important - especially for younger queer people. But us older queer folk not only want to see ourselves in multiple genres, we want permission to see imperfect, messy, and yes, even evil characters. It's a way of reclaiming the monstrous queer that was villainized for so long and making it our own. We want to find something beautiful in the dark.

If we all thought about it, we could probably think of dozens of examples where a show or movie went far off-script from the source material and was still an excellent adaptation.

Interview With the Vampire is just the most recent and one of the best examples of a stellar adaptation that respects the source material but also builds and expands on it.

I look forward to seeing how they surprise me next season.

[soupy-sez]

Interview With The Vampire, S01E01

[sunkissedlouis]

louis' vodka shots with the birthday girl / fan & short review of the vodka | faith in the future world tour in riga, latvia (after show) 09.07.23

[theusernameiwantisntavailable]

It is so pivitol to me that you guys know that in my nothing goes wrong ever and everyone lives all is well grieves trio au, that Bernard becomes a chef for one singular reason. He moves away to go to a chef school (I'm gonna seperate them temporarily in every au it is vital) and when he comes back opens an Italian restaurant as physically close to the Aquista headquarters as possible. Darla does absolutely everything in her power to shut it down but it doesn't matter what she does it fails miserably each time

[pricelessreviews]

[notfeelingthyaster]

you can actually see the thoughts going through his head: "zis focking shit zis BULLSHIT book full of LIES what ze fuck, fuck louis, fuck our love, fuck arman, fuck claudia, fuck the fucking zord, fuck me, i shall zet a BIG FIRE and put zis abomination down your throat monsieur zeniel, fuck you"

[louisupdates]

[Translated from Portuguese]

Louis Tomlinson shows that he is much more than an ex-boyband

Text: Ygor Monroe May 12, 2024

British singer Louis Tomlinson, former member of the iconic band One Direction, landed in Brazil with his long-awaited "Faith In The Future World Tour", providing fans with a more mature experience on the stage of Allianz Parque, last night (11). In front of a fervent audience, the singer was acclaimed at every moment of the show, witnessing the support of his admirers.

In a moment of emotional introspection, Louis expressed his gratitude, emphasizing the lack of support in his solo journey "I don't have a radio. None of that. I don't have radio support. Look at this place! It's unbelievable. I made these albums specifically thinking about the live moments. But I've never anticipated places of this size. Listen to the FITF songs and feel your support in this huge place, I have no words. I'm trying to find them. Thank you, thank you, thank you," said the singer.

[Louis Tomlinson during a show at Allianz Parque in São Paulo | Photo: Move Concerts/Disclosure]

The "Faith In The Future World Tour" tour is one of the singer's most ambitious projects, and is part of the work explored on the album of the same name released in November 2022. Throughout the show, both the singer and his band demonstrated extreme mastery and resourcefulness, in addition to a very mature instrumental technique in relation to his last world tour.

The comparison between his previous visit to Brazil in 2022, and the recent show revealed a significant change in the composition of the audience, now more mature and aligned with the thematic depth of the singer's songs. Far from being just a teenage nostalgia, Louis now positions himself as an artist who challenges the limits of conventional pop, embracing an alternative aesthetic that manifested itself even in covers of renowned bands, such as Arctic Monkeys.

The grandeur of the show was amplified by the imposing stage structure, full of big screens and special effects, while the interactivity with the fans reached an emotional peak on the catwalk that extended as a second stage. The singer, with his usual shyness and charisma, did not hesitate to come down to hug some fans, sharing intimate moments and revealing the special connection he has with Brazil.

The show also featured the charismatic Europeans of the band Giant Rooks, from Hamm, Germany, founded in 2014. In 2019, they won the 1Live Krone Award and the Preis für Popkultur. Their debut album, "Rookery", was released on August 28, 2020. The band even did a show that left everyone impressed, and without a doubt it is one of the bands for the festivals of our circuit to keep an eye on.

In the final balance, our dear "ex-One Direction" no longer lives in the shadow of his past. Even respecting and reflecting a lot about him in his future, the singer has resourcefulness, maturity and mastery of everything he does on stage. With a more shy but charismatic tone, the "Faith In The Future World Tour" was a key change for the new era of the singer, which becomes more promising with each passing day.

Louis Tomlinson, FITFWT24: São Paulo [11.5.2024]

[world-of-wales]

─ •✧ CATHERINE'S YEAR IN REVIEW : 𝐌𝐀𝐑𝐂𝐇 ✧• ─

𝟒 𝐌𝐀𝐑𝐂𝐇 : Catherine was photographed accompanied by her mother, Carole by paparazzi. 𝟖 𝐌𝐀𝐑𝐂𝐇 : Kensington Palace marked International Women's Day via social media. 𝟏𝟎 𝐌𝐀𝐑𝐂𝐇 : Kensington Palace released a photograph of Catherine with her three children to mark Mother's Day. It was accompanied by a personal message from Catherine thanking people for their wishes. 𝟏𝟏 𝐌𝐀𝐑𝐂𝐇 : Catherine released another statement on social media talking about editing the Mother's Day photo before releasing it. In the afternoon, she was photographed in a car with William on the way to a private medical appointment in London. 𝟏𝟔 𝐌𝐀𝐑𝐂𝐇 : William and Catherine were seen visiting a farm shop in Windsor. 𝟏𝟕 𝐌𝐀𝐑𝐂𝐇 : Catherine put £2000 behind the Regimental bar at Aldershot for the 1st Battalion Welsh Guards's St. Patrick's Day celebrations. 𝟏𝟖 𝐌𝐀𝐑𝐂𝐇 : Catherine was spotted in Lambrook while attending her children's sports sessions. The Sun published the video of the private visit to the farm shop. 𝟐𝟏 𝐌𝐀𝐑𝐂𝐇 : Catherine had a private lunch with King Charles at Windsor. Additionally, Kensington Palace released a message of support for Alarm Distress Baby Scale (ADBB) study being conducted by the Royal Centre for Early Childhood. 𝟐𝟐 𝐌𝐀𝐑𝐂𝐇 : Catherine released a video statement confirming her cancer diagnosis & her chemotherapy treatment. 𝟐𝟑 𝐌𝐀𝐑𝐂𝐇 : William, Catherine and their children were spotted boarding a helicopter from Adelaide Cottage to Norfolk for Easter Break. 𝟐𝟒 𝐌𝐀𝐑𝐂𝐇 : Kensington Palace released a statement on behalf of the Prince and Princess of Wales expressing their gratitude over well wishes from across the world following the news of Catherine's diagnosis.

[tbslhabit]

Thank you Dork for an excellent review.

[dailytomlinson]

After this incredible concert, change of style, we had the chance to discover Louis Tomlinson (Ex One Direction) on stage. We must admit that we didn't know him too well... We were a little doubtful about seeing an ex-member of One Direction... and yet, Louis Tomlinson is definitely one of our beautiful discoveries of the day. The artist knew how to put an absolutely crazy atmosphere and made us discover his very rock repertoire with a little pop touch that manages to make the majority of the songs totally addictive. By the way, here it is now in our tracks liked on Spotify.... We advise you to go and discover this artist who, like Harry Styles, has managed to get out of this image of a boy band singer for teenage girls.

[rickchung]

Humanist Vampire Seeking Consenting Suicidal Person (Vampire humaniste cherche suicidaire consentant, dir. Ariane Louis-Seize) x VIFF 2023.

This is a surprisingly fresh take on teen vampires in the form of a low-key Quebecois coming-of-age indie comedy about trying to consume human blood and find victims ethically. Sara Montpetit and Félix-Antoine Bénard star as a 68-year-old undead woman in the body of a teenage girl and a depressed high schooler with suicidal tendencies. They form a sweet but strange bond as they try to earnestly help each other achieve their unconventional goals in life. Its exploration of the more mundane but annoying parts of vampiric life makes for an altogether humorous endeavour.

Screened at the 2023 Vancouver International Film Festival as part of the Altered States series and screening again at the VIFF Centre from Oct. 21–30.

[nalyra-dreaming]

“With Louis' memory not as reliable as the vampire had believed it to be, and Armand now present in their conversations, Daniel is forced to balance on an even more dangerous tightrope in speaking with two powerful creatures whose temperaments could turn in an instant. What makes his predicament even more convoluted is that Daniel seems to be remembering bits and pieces from his previous interview with Louis, and as the details that were previously blurred for many years finally make their way to the surface, the revelations that arise could have destructive consequences for current relationships.“

“Louis, but also through the couple's shared willingness to bury the pain of mutually inflicted wounds. When 2022's interview resumes, it's unclear whether Armand is sticking around to offer a different perspective on the story or correct Louis' version of events, but what becomes increasingly obvious is that there are some details the two are not in unison on, and the subsequent rising tension between the longtime paramours makes for some of the best moments of the season.“

“Yet, even if Louis initially presents himself as a more hostile witness at first, one has the sense that he still wants to unlock the inner recesses of his own mind — whether Armand tacitly gives his permission or not. Louis and Daniel's dynamic has been steadily moving away from that of interviewer and subject in favor of something that feels much closer to confidant and confessor, which wouldn't be possible without the actors' continually deepening rapport on-screen.“

“Even though Armand and Louis are a power couple tethered by past tragedies, and Louis continues to be tortured by Lestat's ghost, Season 2 allows for the exploration of more than one attachment within the group — and, surprising absolutely no one, these vampires are exceptionally messy when it comes to relationship drama, especially when they've had centuries to brood about their feelings. Meanwhile, Daniel somehow fits into the story's biggest triangle more unexpectedly, turning it into more of a square through connections that transcend a merely visceral hunger for blood.“

(Some parts of the) Review by Collider