#Lol this was way longer than I expected it to be

[lowkeyerror]

Always There

Agatha Harkness x Vampire!Reader x Rio Vidal

Word count: 4.9k

Notes: Non-major character death, depictions of violence, graphic violent content (blood, mob violence/torture, detailed wounds), angst, hurt/comfort, fluff, small mention of suicial tendencies, italics=past

Summary: Vampire reader has had a casual relationship with Agatha and Rio, but eventually too many years pass since their last encounter, the vampire starts to wonder if they still cared for her.

An: Posting this immediately after I finished writing it. Hope you enjoy. Likes, replies, reblogs, and all of that are appreciated 🙂‍↕️🙂‍↕️🙂‍↕️ Edit: Not me saying itallics and forgetting to actually put them lol

Masterlist

You’ve had a casual fling with Agatha and Rio for as long as you can recall. There’s a stereotype about witches coming and going as they please, and you find it to be frustratingly true.

It's easier to get ahold of Rio than Agatha, which is ironic considering that Rio is literally Death. With the title comes the job, so all you truly needed to get a glimpse of her was a body. Perhaps you could arrange the carcasses in a way that said ‘stay with me forever’.

As a vampire, you had time to wait. There was no rush, which is how you believe things got so casual. You could never forget how you met the pair.

At the time angry mobs were running rampant, looking for anyone to persecute. You were a known vampire living not to far from a village. They hunted you for sport. There were many of them that you killed, but eventually they were able to ambush you. When they did, they used wooden spikes to pin you to a large ‘X’ that they built. The scars from were they impaled your flesh still present today.

They tortured you; punching, spitting, stabbing, you had eventually lost track of time after a few hours. The need for blood weakening you enough to where breaking free was nearly impossible.

They’d come in shifts for the torture and leave only one person to watch you in the night. That was their only flaw. You didn’t expect anyone outside of the village to come across you, but someone did.

Your head was hung low, when you heard the unmistakable sound of a body hitting the ground. You raised it slightly, to see the guard that was supposed to be watching you, dead on the floor.

“You don’t look too well.”

It had been days since you had tried to speak, so your voice was hoarse, “I wouldn’t think so.”

“What are you? Only someone different, is worth all of this trouble,” a different voice spoke.

Your eyes look to where the voices are coming from, but you only see shadows. Your tongue is dry as it passes over your bloody chapped lips.

“Vampire,” you mumbled.

“Help me get her down.”

When they approached, you finally got a good look at them. You couldn’t help but stare at their features. Both youthful with rosy cheeks. Rio’s large brown eyes caught your attention immediately, warm yet hiding something. Agatha’s features were sharper, her cheekbones, her jawline, even her eyes.

“This will hurt,” Rio examined the wood embedded into your skin.

“I know,” you spoke weakly.

You expected them to pull the spikes out with their hands. Instead your eyebrows furrowed when purple and green tendrils of magic worked around the spikes. Instead of 4, painfully slow, agonizing moments, there was only one rough pull, before your body fell off of the ‘X’. Only your knees hit ground as Agatha and Rio held up the rest of your body.

Your full weight pushed against them as your head rested in between their shoulders, “Thank you.”

“Hungry?”

Your eyes glowed a dim red, “I could drain a village.”

“Bloodthirsty, even in this state?” Agatha teased.

“Especially in this state,” you corrected.

You could hardly move, but you attempted to stand on your unstable legs. You grunted in pain as you put one foot in front of the other. Your focus was on the dead guard. His heart was no longer beating, but blood still filled his veins. It was calling to you, it had been too long since you had fed.

Your fangs snack into the man’s neck viciously. You had no remorse for the corpse as his body began to lose color as you drank. He wasn’t a large man, which was unfortunate, but he sufficed for the moment.

Harsh breaths and clearing of your throat, were indicators of how much you needed that. You wiped the blood off of your mouth with the back of your hand.

Your wounds were slowly closing, but it was taking all of the energy you had just gained.

“I can heal you faster,” Rio said tentatively grabbing your forearm.

She extended it so that it’s flat, before quickly running her tongue over the spot. You looked at her as if she was crazy, but then back at your wrist. The hole from the stake was gone, in its place was only a scar.

If you had a pulse, you were sure that it would be beating wildly.

You glanced at Agatha, who watched on, “Do you do that too?”

She shook her head, “Earth witch specialty.”

“How long did they have you like that?” Rio’s eyes have examined your body, noticing the extensive damage. Her finger trailed one of the nastier slashes across your stomach.

“I don't recall,” you spoke honestly.

Rio was careful as she healed the larger wounds on your body, you told her not to worry about the less significant ones. Even when she was done you were still caked in dirt and mostly your own blood.

“Let me help you out doll,” Agatha waved her fingers swiftly, and soon you were clean as a whistle.

Your tattered clothes replaced as if they were new, dirt and blood alike removed from your body. Ugly scars, now covered except for the few that littered your face.

“Why help me? We are only strangers, I don’t even know your names.”

“Abominations to humanity must stick together lest we want them to wipe every one of us out . You can call me Rio.”

“Agatha Harkness, pleasure to save you beautiful.”

One of your eyebrows raised, “Witch killer, Agatha Harkness?”

The woman chuckled, “I see my reputation supersedes my community. Does my aura scare you…”

“Y/n, and it does not. There are no rules when it comes to preservation of self. I’ve killed my own kind for good reasons and some not so good reasons. Bodies just seem to pile up when I’m around.”

“That why they nail you up like that?” Rio questioned.

You shrugged, “I suppose, a mixture of that and fear.”

“People fear death,” she spoke.

You shook your head as you corrected her, “Mortals fear death. I know people who are thousands of years old, who run from ailments of morality. They are foolish, death cannot be outran. Though it may take longer for her to come, she will eventually get all of us.”

“You aren’t afraid to die?” Agatha questioned you.

“No, there’s no point. She’ll come for me when it’s my time, but until then what is there to fear besides a wasted life.”

Rio had a small smile on her face, “Quite the philosophy you’ve fostered. Just one question, if you feel that way, then why kill anyone in the first place?”

It was your turn to chuckle, “If someone was meant to live, they simply would. I’m not stealing life, simply gifting death to those who have decided that it is their time.”

“How do you know that they’ve decided?” Agatha counters.

“Well you see, many people are weary of vampires and they should be. They let their guard down, they get comfortable, they play with their food instead of finishing the job. Those actions have consequences and I like to deal with those consequences personally. So I suppose when they choose to wrong me, they’ve chosen to die.”

“And the villagers who did this to you?” Rio pondered aloud.

You eyed her cautiously, “Do you stand to stop me?”

Rio shook her head, “I keep a witch killer in my company, you think I’m above a rightfully earned massacre?”

“Well you spoke of solidarity amongst-”

“Think of it this way, we can do what we want amongst each other, as it is our business. The humans have no right, to do what we do.”

You nod, “I agree.”

“So, you’re going to destroy the village?” Agatha questioned.

“My goal is to drain every last one.”

After that first encounter you were drunk on the thought alone of Agatha and Rio. Finding out Rio's true identity only made you lust for her even more. You knew that both had bonded with each other in ways you hadn’t understood, but that didn't stop your feelings from developing.

It didn't take long for them to fold you into their relationship, at least partially. They weren’t always around, but when they were everything seemed to fall back into place.

However, you’d be lying if you said you hadn't been getting restless these last few years. It was feeling like you saw less of them, especially Agatha. It felt like a game of cat and mouse. Somehow you had ended up chasing after them.

Tonight you walk the streets bored, part of you looking for trouble. Rumblings of new age vampire hunters in the area had piqued your interest. So you’d have a chance to have some fun or at minimum find your next meal.

Your fingers play with the rings they had gifted you, centuries ago. In the past you could feel both of them signaling you through the jewelry. It was a faint buzz, something like a hum, through the ring. A feeling that you hadn’t felt in ages. You longed to feel it again, to feel them.

Alleyways didn’t scare you, hardly anything scared you these days. Yet as you take a step into this alley, you sense something immediately. You feel eyes on you, as you walk.

“Has anyone ever told you to be mindful of where you settle demon?”

You continue walking, the empty threat meant nothing to you.

“I know what you are, I can smell it on you,” the voice echoes against the walls.

Your ears twitch, and soon you’re holding a frail man against one of the concrete walls in the alley.

“If you know what I am, you should be more mindful of how you approach me,” your strength speaks for itself.

You don’t give him the pleasure of seeing your fangs or glowing red eyes.

“Ah, you’re one of the older ones. This will be quite fun,” he says gleefully.

“What are you-" the question dies on your lips as you feel a needle being jabbed into your neck.

Your hand instinctively shoots over the spot, and your growl in frustration. You drop the man against the wall, turning your attention to the person who stuck you from behind with the needle.

This man was much bigger than the other. He was about twice your size, but it did not matter. You bare your fangs, hissing at the muscular man.

“Why isn’t she dropping?” He yells, fear laced through his voice.

You take the moment to pounce on him. Your teeth wasting no time, sinking into his neck. The man convulses under you, but you’re stronger than him. Even when he grabs your neck you don’t relent.

“Impossible,” the frail man, whispers from his spot against the wall.

“Nice try, but-”

The sensation hits you like a truck. You feel your vision get blurry and your muscles weaken. You blink a few times trying to will yourself against the late acting sedative.

The frail man nods excessively as you begin to lose consciousness, “Slower than usual, but captured nonetheless.”

You’re jolted back into consciousness when you feel the stake being driven into your skin. You attempt to shoot out of whatever position you are in, but it only causes you a familiar pain. Unlike the first time you were nailed to something, this time it was straight up rather than ‘X’ formation. Your arms hung up straight above your head and your feet were slightly spread underneath.

One spike was used to pierce both of your hands in place while you had one for each foot. Your breathing only quickens even more upon noticing you are in a forest. This couldn’t be happening.

“Glad you could finally join us,” the frail man from earlier want alone this time. He had a group of people with him.

“Let me go, and I’ll consider sparing you one I'm free,” you say, yet no one moves.

“You hold no power here, demon,” the man walks around you. “I am doctor Helsing, you may be familiar with my ancestors.”

Your jaw twitches, “ Van Helsing.”

He chuckles, “What a smart creature you are?”

“What do you want from me?”

His chuckle turns into a boisterous laughter, “ You can't offer me anything that I don't have the ability to take.”

You glare at the people in front of you, eyes turning a vicious shade of red, “The last group of people that tried something like this, paid for their sins with their lives. I hope you’re prepared to do the same.”

“They did quite a number on you, I can tell by your markings. Their only mistake was letting such a beautiful thing like you go,” Helsing says, his hand sliding across the scar on your abdomen.

“They didn’t let me go. I got out.”

His eyes had a glint as he leaned in, “And then you killed them all, how sad.”

He stabs you in the scar. Carving harder and deeper than the previous person. You grunt, but try to steel yourself under the knife. Yet you squirm finding the sensation to be more unpleasant than you had recalled.

“Silver cuts a little different doesn’t it?” He says watching the cut pour blood.

“You’re going to regret this.”

He turns his attention to the people, “Empty threats mean nothing when a beast is tied up. Would anyone else like a turn?”

People in his crowd begin to circle around you. Some with weapons, others cracking their knuckles. You're being attacked from all sides. The pain makes you tear up, but you avoid crying.

Instead you left out a bitter laugh, “That’s all you’ve got. Come on if you're gong to torture me at least put some passion behind it.”

“Oh, we’re just getting started. I want to hear you beg for your life, I want to see you broken, beaten, defeated. I want you to ask for death and then I'll award it to you.”

You spit at Helsing, “I’m not scared of death.”

He wipes your spit off of his face, a scowl now present, “For centuries my family has been driving your species to extinction. The failures may eclipse the successes, but don't think that we were never successful. You will fall at the hands of Van Helsing, creature.”

He has a device in his hand, he shoves it into your mouth. It forces your mouth open and your fangs out. He stares at them in awe. You try to clamp your mouth shut or retract your fangs, but you are unable to. You start to panic.

“Just like a snake, de-fang the vampire and a lot of that fear is gone,” his smile is sadistic.

You feel your adrenaline sky rocket as you shake violently. Your eyes wide in terror. The wood stake ripping your skin, but the pain was nothing akin to the fright.

You don’t remember the last time you were truly this scared.

He laughs and some of the crowd laugh along with him, “Are you afraid now, demon?”

Tears fall from your eyes and he coos. You flinch at his hand touching your face. His fingers were rough and callused against the swollen skin. You move your head as if to attack him and he stumbles back.

He grabs your jaw roughly, “This is the power of man.”

“Looks like someone is having a party and forgot to invite us.”

You know that voice. It makes you close your eyes in relief. The panic you felt in the moment begins to dissipate.

Everyone looks to the sky following the sound of the voice. It’s there that they see Agatha and Rio floating in the sky. Most of the crowd has their mouths agape, not believing what they are seeing.

“Should we offer them mercy, Agatha? Maybe our invites got lost in the mail?”

“This matter does not concern you foul wenches, be gone,” Helsing says, his voice trembles a bit at the end.

It’s Agatha that cackles looking down at the man, “See that’s where your wrong because…”

Rio appears behind the man, her skeletal form on her face, “If it concerns her, then it concerns us.”

Her dagger lays on his neck and he looses his composure.

“Anyone want to be brave?” Agatha questions the crowd, who screams when she shoots her magic at a nearby tree exploding it.

“What happened? A second ago you were lining up to torture her, but now you’re scared,” Rio adds pressure to her dagger.

“Don’t get shy now, doctor. Nothing to say?” Agatha gets closer to him.

The group tries to scatter but she traps them in a circle full of fire. They’re forced to gather close to each other. Their screams make you smile.

Agatha pulls the device out of your mouth carefully. Her hand caresses your face gently. You lean into her touch.

“We have to stop meeting like this doll,” Agatha mumbles only for you to hear.

“We wouldn’t have to meet again if you stopped leaving,” you shoot back.

Agatha casts her gaze away from you and over to Helsing. She and Rio switch places. The Green Witch, uses her vines to pull the spikes out of your body. It’s a feeling that never gets easier to experience.

You land on your feet ignoring the burning sensation. With your back tall you walk over to Helsing. You crouch in front of him, despite your own agony.

You hold his eyes, “Funny, I recall you telling me I’d beg for death. Well now she’s here for me, just not in the way you expected is it?”

Rio wiggles her fingers at the doctor, “I loved dragging the souls of your family to eternal damnation, can’t wait to reunite you with them.”

“Humans are all the same, always playing with food that’s not yours,” you stand towering over the man.

“Hey I like to play with my food,” Agatha pouts.

You smile, “When you have power you can do what you want.”

You open your hand and Rio drops her dagger into your grasp. The crowd watches in panic behind the flames as you approach the man.

“However, I’ve never been one to play with my food,” in a swift motion you slit his throat.

The gasps and screams of his followers sounds like music to your ears. He gargles his own blood reaching for his neck.

“Your blood isn’t worth drinking,” you watch as he collapses. You turn to address the crowd, “None of you have worthy blood. Cowards, followers, miscreants, I hope it was worth it. The price is your life, now burn.”

Agatha waves her hand dismissively and the crowd of people are quickly evaporated. Ash and burnt grass the only remnants of the aggressors.

Upon their destruction you crumble to the floor. Your body screaming at you for the abuse you endured.

Rio starts with the wound on your stomach before healing the spiked points. Your body still aches when she’s finished, but it’s substantially less than before.

“Déjà vu isn’t it bunny?” Agatha opens the floor for conversation.

“Now isn’t the time Agatha,” Rio scolds the woman, who raises her hands in defense.

“I was just reminiscing, is that a crime?”

You stand, “Well, good seeing you. Same time… in the next few centuries or…”

“You’re hurt,” Rio argues.

“You healed me enough,” you shrug.

Agatha rolls her eyes, “What’s with the attitude princess?”

You place a hand on your hip, “When was the last time we saw each other, Agatha? Rio, you only come when I leave bodies in my wake. So sorry if I’m not thrilled it takes me being captured and tortured to get some time together.”

“It’s always been this way,” Agatha argues back.

Your voice takes on an uncharacteristically soft tone, “I know and I’m tired. I don’t want whatever this is. I need something more, something tangible. It’s fine if you don't want to give that to me, but I can't keep waiting.”

You try to keep calm as you pull the rings off of your fingers, hand out stretched to give them back to their original owners.

“Y/n…”

“Take them… please. Free me, from whatever this is. I’m grateful that you saved me on our first day and maybe the same thing happening again is fate telling me that this is our last day,” you get the courage to look at them with teary eyes.

“You don't even believe in fate,” Agatha tries to reason with you.

“How would you know, you haven't been around. Things change, people change,” you tell her.

Agatha looks to Rio for help, but The Green Witch, just keeps her eyes on you.

“That’s bullshit! If change is so real, how’d we end up right back where we started hmm? Poor little hung up bat, in need of saving and here we are like always,” Agatha’s theatrics peak through her words.

“Like always?” You repeat, in disbelief.

“Look sweetheart, I know that-"

You ball your fists at your side, “What could you possibly know Agatha? Tell me, I’m interested in hearing. Did you know I spend all my time waiting for either of you to tell me if you want me or not? I don’t sleep, I just think and think and think about finding a way to end it all without having to see either of you. Hard to kill yourself with Death keeping tabs on you, even without a heartbeat. I knew this guy was tracking me, I knew what he wanted to do, and I said fuck it. I don’t care, what’s there to live for anyway?”

“You can't be serious?” Rio doesn’t want to believe what you’re saying.

“Of course I’m serious, part of me thought that after all these years humans would be over torture, but that was foolish of me. Why would I think that you'd come to save me? I still don’t understand why you did.”

“Because we love you, you fucking idiot!” Agatha shouts at you.

You scoff, “Do you really? I couldn’t tell by the hundreds of years apart.”

“We were protecting you,” Agatha gets in your space.

“What could have possibly been protecting me? Oh no, a loving and caring environment? How ever could I have managed such domestic delights and pleasures,” your voice drips sarcasm.

“You do realize that Rio is Death, right? Her job is literally to reap souls, you aren’t the only one that doesn’t get to see her often. And me… I’m all trouble, doll. There’s not a pleasant bone in my body.”

You roll your eyes and cross your arms over your chest, “Did you forget who I am? Have you had a head trauma recently, or maybe you need a refresher? I’m not the greatest either, cupcake. I just slit a man’s throat and had his followers executed.”

“By me,” Agatha points out.

“Ok and you want credit for the villages I killed too? The vampires I murdered? The people I lied to? The whores I fucked? I’m not some sweet innocent thing you picked up off of the side of the road. My ledger has had blood on it since before you killed your original coven.”

Your eyes are red as they stare into her blue ones.

“We were scared,” Rio interrupts the rising tensions between you and Agatha.

“Scared of what?” You glance at her.

“Of committing to you. Hell, Agatha and I can’t even fully commit to each other. This game of cat and mouse, it’s all we know. You’re right, you deserve more, so much more, but we don’t know how to give it. We don’t know what a domestic life looks like, we aren’t domestic people. I didn't think there would be any doubt in your head that we loved you, and maybe that just shows how fucked up we really are,” Rio monologues.

Her words hit you harshly. They make you want to start crying all over again. You cast your gaze to the floor.

“I guess that brings us back to the original point then, doesn’t it? Maybe it’s better if we just, end it here,” you can’t look at them.

“If that’s what you want?” Rio nods solemnly.

Agatha looks between the two of you, “Are you two stupid or something? You have to be if you think I’m just going to agree to this.”

“Agatha-”

“Don’t. I love you, both of you. I don’t want this to end and if that means changing the way things operate, then I guess things just have to change,” Agatha speaks seriously.

“What are yo-”

You startle when Agatha grabs your hands in both of hers. Her eyes locking fiercely onto yours. She doesn’t blink as she speaks, “Move in with me.”

“What?”

“You want time together, we can have time together. We’ve basically been together for centuries, come live with me.”

“Agatha, I think you've lost the plot,” Rio says, cautiously.

“You too Dr. Green Thumb. Let’s all move in together,” Agatha nods her head.

“That doesn’t fix everything,” you focus on her hands over yours.

She doesn’t hesitate to raise her hands to cup your face, “There’s obviously a lot to fix, but you can’t tell me this isn’t a step in the right direction. Y/n, I don’t want to- I can’t lose you. I’m not willing to let you go without a fight.”

Your face heats in her hands. Her eyes are ablaze with passion as they keep contact with yours.

You sigh and rest your forehead against hers, “I don’t know Agatha.”

Rio joins the moment, carefully wrapping her arms around your torso, “I don’t think any of us really know, but I think we’re supposed to find out together.”

“Please,” Agatha’s breath hits your lips. “Just a chance to make up for lost time. If it doesn’t work, then it doesn’t, but please don’t give up on us yet.”

Hearing Agatha beg like this tugs at your heart. You don’t want to give in this easily, but you’ve already wasted so much time.

“Ok.”

As the word falls from your lips, Agatha surges forward. You can recall the last time her lips were on yours. The warmth that they were able to send through your body. How firm she was in her kiss, not scared or uncertain as your lips moved together. She knew what she wanted and it was hard to picture a world in which she’d kiss someone she wasn’t interested in the way she was kissing you. You were the one she wanted.

Your legs grow weak, but Rio holds you steady. Her shifting grip, makes you turn to face her. Unlike Agatha she hesitates. She takes a moment to admire your features, she wasn’t in a rush. Neither were you. Rio’s kiss is softer than Agatha’s, her plush lips, move experimentally against yours. It’s not like she’s forgotten, more like she’s re-exploring. She's playful, as her teeth nibble on your bottom lip. You laugh at the sensation.

Rio rests her head on your shoulder. She extends her hands, motioning for the other witch to get closer. Agatha wraps her arms around the both of you. Her front to your back while her hands rest on Rio’s back. You’re encased by them, a feeling that is welcomed yet foreign to you.

“Promise that you'll keep me close” you say to both of them.

“Until the road ends, my love,” Agatha kisses the top of your head.

“I’ll hold you even after the road ends,” Rio kisses the base of your neck.

“Do you always have to one up me?” Agatha says to Rio.

Rio chuckles, “Sounds like a skill issue sweetheart.”

“Oh, we’ll see who has a skill issue later, when you’re begging me for help because my fingers are longer than yours,” Agatha says smugly.

Rio pulls back from you to glare at Agatha, “If you don’t want to ‘help’ me, I’ll just ask Y/n. Isn’t that right sweetheart?”

You blush at the innuendo.

“Nuh uh, bunny. I think I recall you liking my treats better, because someone has a skill issue,” Agatha sticks her tongue at Rio.

You turn an even deeper shade of red.

“You can never let an emotional moment be,” Rio says.

“Well you’re always trying to out ‘emotional’ me,” Agatha replies.

“It’s not my fault you’re not as smooth as me, mi vida,” Rio counters again.

Agatha throws her hands up, “I know Spanish and Latin too, you’re not special Vidal.”

Rio raises an eyebrow, “And who taught you?”

The back and forth makes you laugh, “Are you sure you don’t do domestic, because you bicker like an old married couple?”

They both huff at your statement.

“We’ll continue this at home,” Agatha points at Rio.

The brown eyed woman puts her hand over her heart in faux-fear, “Oooo, I’m terrified.”

Agatha opens a portal to her house and both women step through. Not stopping their bickering for a second. You smile as you watch them, feeling hopeful for the first time in a long time.

“The portal isn’t going to stay open forever, bunny, come on,” Agatha reaches her hand to pull you through.

You take it, stepping into your new beginning.

[burntheedges]

Pas de Deux Chapter 6

Din Djarin x f!reader | 2.5k | fic masterlist | main masterlist | ao3

chapter summary: You can't avoid it any longer -- it's time for you and Din to talk.

a/n: I feel like this is the moment many of you have been waiting for, lol. I'm very excited to see your reactions! See my notes at the end and on the masterlist about reader in this fic and ballet in general. Thank you @katareyoudrilling for being the best beta, as always!!

chapter tags/warnings: gen, ballet terms (see end notes and the masterlist for definitions and videos), a bit more angst (sorry), but they are going to talk!

Chapter 6

You thought about your conversation with Kuiil as you walked to your rehearsal with Adrian, as you stretched and practiced in your morning classes, and as you took the stage over the weekend in Vince’s piece in the mixed program. You thought about it as you watched Din and Yuna in the Balanchine ballet and as you did your PT for your ankles and as you talked with Talia about your role in Midsummer. You thought about it as you sat on the bus home at night, so tired and achy that you needed something to think about to keep you awake.

You thought about it so much you barely had time to think about anything else.

Was Kuiil right? Was Din more uncertain than frustrated? Was he finding it difficult to communicate and connect in a way he hadn’t before, at CBC? You thought about seeing him on stage with Yuna, and how effortless that had seemed. But Balanchine’s choreography, more than so many others, was so technical, so focused on precision. There was so much less room for the dancer in a ballet where all of the space was taken up by striving for technical perfection. 

In class, you let your eyes stray to Din for the first time in two weeks. You watched as he stretched and jumped and wondered if perhaps you had just been talking past each other.

What if he’s trying, and you simply haven’t realized it? What if he just doesn’t know how?

He’s never done this before, you reminded yourself. 

Your mind was swimming as you stepped into the studio for your fourth rehearsal with Kuiil. You found Din was already there, as usual, and tried not to stare as you worried over your questions. You resolved to be more observant, this time.

And this time, because you were looking for it, you finally saw what Kuiil was talking about.

More than once, as you danced, Din reached for you, literally and figuratively. You leapt past and he oriented his body towards yours, echoing your movement. He turned, but kept his eyes on you as he did. You could see him trying in the ways he knew, to shape his movements around yours, to showcase his partner on stage, but his discomfort with improvisation shone through. The problem was that all of his movements were so stylistically different from yours, that there was little for you to hold on to. And so the two of you struggled to react to each other, as Kuiil had asked.

You tried. You tried to respond to him, to react, but it threw both of you off. He clearly wasn’t expecting you to improvise so drastically. Suddenly the dance was disjointed, and you fell so badly out of step in trying to turn towards him when he moved away from you that you stumbled. 

The music stopped.

Din turned to look at Kuiil and you spun around to do the same. 

Kuiil simply looked at you both for a moment, and then sighed. “I have pushed you too much, I think, and forgotten the basics of partnership. And you will need to work together, to connect more deeply, as we begin the second movement.” You started to shake your head, but Kuiil held up his hand. “No. Here is what we will do, as you prepare for Midsummer and Swan Lake.”

And then he gave you homework.

…

“So, what, is Kuiil going to lock you in a room until you talk to each other?” Adrian’s voice was teasing, but you could tell he meant it.

“Not quite,” you said. “But instead of rehearsal next week we’re supposed to try to get to know each other. To talk.”

He smirked at you. “Ooooh, to talk.” 

You rolled your eyes. “Yes?” You poked him in the side and he yelped. “Stop teasing me and help me figure out what to talk to him about.”

He laughed. “I think you know what to talk about. You just have to figure out how to get him to talk at all.”

You shook your head. “He’s talked to me. Just not about… this.” You waved your arm at all of the problems you’d been having in rehearsal.

Adrian seemed to consider that for a moment. “You know, you’re right. He does talk to you, in a way he doesn’t talk to anyone else.” He furrowed his brow. “Maybe all you need to do is ask.”

…

You followed Adrian’s advice and started with simply asking Din to meet you at the rehearsal studio, without Kuiil, to talk. He agreed readily and you decided to take that as a good sign.

It was the week of Midsummer’s debut, and you were focused to the point of distraction on your role as Hermia. You appreciated it for taking your mind off of the disaster that was the pas de deux, though, and by the time you found yourself outside of the studio where you’d meet Din you realized you’d barely thought about the meeting at all.

(Well, not much. Not as much as the week before, at least.)

He was, as usual, already inside.

You closed the door behind you and dropped your bag and shoes before moving to join him where he sat with his back to the mirror. As you slid down beside him, he nodded in greeting. 

“So,” you said, when it became obvious Din wasn’t going to jump in first. “I think we both know what the problem is, but where do we start?”

You looked at Din and took a moment to observe him up close. He was staring straight ahead, but you didn’t think he was looking at anything in particular. He seemed too inside his own mind for that.

Just when you began to worry that you’d have to push him, that this wasn’t going to work because he wasn’t going to meet you halfway, he spoke.

“I’m sorry.” 

You blinked, startled — you weren’t sure what he was apologizing for. Did he think you meant he was the problem?

“What? Din, no—”

He shook his head and finally turned to look at you. His expression was as closed to you as always. “No, I want to say this. Let me… let me say this. I should have told you this weeks ago, but I can’t…” he trailed off, but this time you didn’t interrupt. You turned slightly towards him on the floor, extending your left leg and drawing your right knee to your chest. You gave him your full attention. He looked down at his hands and continued, softly. “I’ve never done anything like this before. I’ve been so worried that I won’t be able to… to let go of my training. To dance in any other way. To do anything else.” 

You wanted to reach out to him, but you were worried he would startle if you did. You laced your own fingers together and squeezed your hands around your knee.

“I can see the problems, but I don’t know how to fix them. I don’t know how to move like you do. I don’t know how to do anything but what I’ve always done. I don’t know…” Suddenly he looked up at you, and you sucked in a sharp breath at the sheer emotion in his eyes. “I want to dance this with you. I want to partner with you. But I can’t seem to figure out how — not because of you. Because of me.”

You were reaching before you could stop yourself and lightly rested your hand on his forearm. He didn’t startle, but he did look down at it, brow furrowed. You forced yourself to leave it there and squeezed his arm lightly. 

“Din, I…” you weren’t sure how to reassure him. You’d seen his discomfort in rehearsals and you knew this was new to him, even if he hadn’t told you so before. You decided to share your own worries instead, since he had just been so open with his own. “This is the biggest role I’ve ever gotten. I mean, you know I’ve got Hermia, and then the spring fairy in Cinderella… but I’ve never been chosen for something like this before. I’ve never had a chance like this.” He lifted his head and met your eyes again, and this time his eyes were soft. It encouraged you to continue. “And you’re so good, I’ve been so worried that I’m not…” you bit your lip and squeezed his arm again when he opened his mouth. You shook your head and he nodded, letting you continue. “That I’m not good enough. I’ve had bad reviews before and I’m not even a principal and I know there are people out there who think I’m not good enough to be one. I—”

This time, Din cut you off. “That’s absurd.” His tone was flat, like his point was so obvious he couldn’t believe he had to say it.

You blinked. “What?”

He tilted his head, his gaze dancing over your face. He covered your hand on his left arm with his right and squeezed. “Of course you deserve to be a principal. They should have already promoted you. Karga clearly wants to, anyway. You’re a beautiful dancer.”

Your mouth dropped open. “What?”

The corner of his mouth lifted in that barely-there smile and you felt your cheeks start to heat as his praise continued. “I’m surprised you didn’t notice me watching you. It wasn’t just for our homework. You’re… amazing. I don’t know how you put so much emotion into your dancing at the same time as so much such skill and technique. Like in Midsummer, everything you bring to Hermia, it’s…” His eyes scanned your face again, and you wondered if you were gaping at him. It felt like it. “It’s so real. And connected. I feel like a robot, compared to you. I’ve been trying to find that connection for myself, but…” he trailed off again and let his hand slip from where it covered your own. You took your hand back, too.

A connection, he said. “Um, thank you. Maybe…” you started, hesitant. He looked at you again. “Maybe we can help each other. Practice together, outside of our rehearsals.”

He nodded. You nodded back, and then you both laughed, a little. You’d never seen him laugh before and couldn’t help but stare.

You felt a bit shaky after all of that honesty and decided to lighten the air a little. “Ok, well, one thing we definitely need to do is get to know each other, right? So we’re comfortable together.” He nodded, and his expression was so open you had to force yourself to keep going, rather than to simply marvel at the fact that he’d dropped his mask. For you. “So. How about we each get 10 questions, but we can pass if we need to. Ok?”

One side of his mouth lifted in a smile. “You sound like you’ve done this before.”

You shrugged. “It’s a good way to get to know someone, especially when you have to dance with someone new.”

Din nodded. “Alright. You go first.”

Over the next half hour you learned that Din’s favorite color was black (“come on, really?” “Fine, my second favorite is green.”), he hated smart technology (“I don’t want my fridge to talk to me. I want it to be a fridge.”), and his favorite ballet he’d ever been in was, surprisingly, Giselle (“it’s not in the normal repertoire there, and they didn’t like how I danced it. But I did. It was the most free I’ve ever felt on stage.”).

You wanted to ask more about why he’d left CBC, but that felt like too much for your first real conversation. You did learn, though, that he had a son.

“Grogu,” he said, “that’s his name. He’s five. He loves watching ballet.” Din smiled a little, looking off into the distance. “I don’t know if he’ll want to dance, but at least he likes watching me do it.”

You smiled. He was more open when he talked about his son, who must have been the little boy you saw him with, back in December. “Sounds like he sits through it better than my family.”

Din laughed, and shook his head. “We’ll see if it changes as he gets older.”

“Is that why you’re always in such a hurry?”

He nodded. “My friend takes care of him during the day, but I hate leaving him for so long. She lives close by so I try to go home for lunch, on the weekends, or to pick him up from school.”

That made sense. A new understanding of Din was forming in your mind — not an avoidant, aloof principal dancer, but a father who wanted to spend time with his son as much as he wanted to dance. Someone with more on his mind than fitting into this new company — you imagined the move must have been difficult on Grogu, too. 

“How’s he settling in here?”

Din looked at you, that little half smile back on his lips. “Just fine. He likes his new kindergarten, he’s made some friends. Better than I even hoped, really.”

You nodded. “That’s good. I’m glad he’s liking it. I bet that was a difficult transition for him. And you.”

Din sighed. “A bit. But it was necessary.”

Before you could even consider asking what he meant by that, you both heard commotion in the hall. You checked the time and realized you needed to get to your next rehearsal. Din stood first and offered you his hand.

You slid your hand into his, and he squeezed it as he pulled you up. 

“This was a good idea,” he said, squeezing your hand again. “Do you think next week will go better?”

You nodded. “I think so. But do you want to meet beforehand, to talk about the choreography? Maybe figure out where we can find each other instead of missing each other.”

He nodded. “I’d like that.”

…

You felt lighter after your conversation with Din. You hadn’t solved the problem, of course, but you’d at least talked to each other. It felt like the air was clearer, now that you both knew the other was struggling in some way. Neither of you was alone in it.

Over the weekend you focused on Midsummer — it was a big deal for you, getting cast as Hermia. You were excited to dance through her turmoil. She was so torn, as a character, and you wanted to portray that on stage. 

As you prepared and stretched on Friday night, you thought about what Din had said — that he couldn’t figure out how to dance in a new way, and that he felt like a robot. You shook your head. A robot? You weren’t sure what he was feeling while he danced, but Din never looked like a robot when he was performing. He’d said, too, that he loved being in Giselle, an overall more emotional performance than much of CBC’s usual repertoire. That he’d felt free. 

You thought about his face, every time you’d seen behind the mask, and you knew he could do it. You just had to help him figure out how to find that connection again, and how to lower the mask more while he was performing.

As you stepped out on stage that night, you let that certainty ground you. As you performed your variation, you’d never felt more like you were floating.

...

Prev | Next

a/n: they talked!!! what do we think?

Pas de deux & partnering -- Partnering in ballet is hard! There has to be a lot of trust and communication between partners, even though you don't necessarily need to be like best friends. These two are so advanced and have been in companies for so long that they are able to jump into something like this, but they still have to establish a partnering relationship, which is tough! To give you an idea of just some of what goes into partnering, here's a video of "beginning tips" (skip to around ~12:00 for some interesting stuff on balance). Din is used to verrrrry formal partnering, and that is some of the reason for their communication issues.

Midsummer - reader is dancing the role of Hermia in A Midsummer's Night Dream, which can go to either a principal or a soloist, just depending on the company. Here's a nice overview of the two acts and the ballet from the San Francisco Ballet. Here's a video of a dancer breaking down the role. Here's a couple examples of Hermia's famous variation (solo): one, two. Hermia has other big moments in the ballet but I've mostly been mentioning reader prepping for the solo. Companies might also spread out the roles over different nights or weekends -- in this case reader has Hermia for one weekend, like Adrian has Puck for one weekend (which isn't really mentioned in the fic because I didn't think it was relevant). (Is it a little unbelievable that reader is so unsure about her possible promotion if she got this role? Maybe. Soloists could get this role, especially a first soloist!)

Spring fairy - reader is dancing the role of the spring fairy in Cinderella, too. This and Midsummer are big story ballets that would draw an audience. Here's another two performances of the spring fairy variation and all of the fairies in one video from a 2003 Royal Ballet production. Spring starts ~2:30. The wiki page has a nice overview of the numbers in each act, so you can see where the fairies come in. The wiki lists 4 acts, though, and most companies do it like ABT I think -- with 2 acts. And here's a full length recording.

Giselle - Din mentions this briefly and we'll learn more later, but here's an overview of the ballet. (it's one of my favs)

tag list coming in a reblog!

[liesmyth]

excellent point! To me

1) Corona is trapped in the ruse too 💅 worse than Ianthe ever was. Ianthe could give it up and live on somewhat. Corona would have been absolutely ruined. I think back in Ida she cared enough of her social status to not risk it, which is part of why she casts it off so gleefully once she joins

2) by GtN, it's become clear Ianthe will attain Lyctorhood and they'll be found out by the Emperor at worst, or Corona won't be able to follow Ianthe in her new path at best — and will have to, what? go back to Ida? no longer able to pretend? This utterly shattered their equilibrium. I don't think the relationship they had at Canaan House, where Corona looks so shocked Babs is obeying Ianthe over her, is representative of what their dynamic was like pre GtN. By then, Corona claims she wants to be Ianthe's cav. I think she even believes it. but. to me. I don't think we have a way of knowing what she wanted for herself back in Ida. I think she wanted to rule (which Ianthe hates) and the only way she has to do so in her society is to keep up being a necromancer. I headcanon that her closely held fantasy was to give it up and keep part of her position as Iantheʼs (respected) cav and advisor, but it could never have happened. (I also headcanon Ianthe wanted to give it up but she wanted Corona as her trophy slash bride ngl)

tldr I don't think they've ever actually discussed what they want with each other in a way that was wholly honest. But I think Coronaʼs canon suicide bait has to be related to her making clear how vulnerable her position is if Ianthe ever showed any doubts, because Corona-in-Ida toyed with the idea of being a cav but absolutely was not ready to actually face the gritty reality of it + the humiliation. She wanted to be a cav in the way I want to quit my job and backpack for a year, and practiced weapons in secrets in the way I longingly look at travel websites. The abandon with which she throws herself into BoE... it's the first time in her life she's free to try something else. In Ida, she was never going to do it. To me

Disclaiming that ofc I could be wrong, I wrote this half asleep and I didn't expect it to get notes lol

I think a lot about the moment where young Ianthe realised the double act wasn't fun anymore actually, and she'd rather be the only necromancer in the family, but it would absolutely destroy Corona socially... Corona who canonically threatened suicide at least multiple times to get Ianthe to change her mind. I wonder if Ianthe wasn't tired of keeping it up. I wonder how often she fantasised about telling people. because u know she had that villain monologue fired up and ready to go

[that-random-outsider]

Charming Family Head Cannons (ft. Ella's step family as well)

When Dizzy first started going to Auradon she was really excited to meet Chad! She had heard she had a step cousin in school but was worried he wouldn't consider her family so she makes a blue friendship bracelet as an olive branch and gifts it to him at one of his tourney games before he goes off to college and he immediately adopts as an honorary sister.(he looks after her with his life for the rest of the semester)

Chloe is constantly asking Dizzy for stories about the core 4 when they went to AP and before they left the Isle. Chad feels bad that Chloe never asks him anything about when he went to school with them but his most detailed stories revolve around him being kicked out of Carlos & Jay's dorm for using their 3D printer without permission.

Speaking of 3D printers Chad definitely used to beg Carlos to 3D print toys to send to Chloe while he was in school because he missed his baby sister And Chloe also hated not hated not having her brother around during the semester (such toys include, a Chloe action figure, and her first practice sword)

Chad asked Dizzy to add blue streaks in his hair for a family portrait hoping to surprise everyone and Chad ended up convincing her to dye a small streak as well because their family

Lady Tramain is pretty much reformed by the time her and Ella reunited but the two try to steer clear of each other for the most part, they'd only really spoken twice since. Once to finally apologize for what she put Ella through, and once to thank her for not taking their problems out on Dizzy and treating her as a part of her family despite everything

The Charmings never visit Ella's family because they want Ella to be the one that makes that first step to rekindling that relationship and only if she wants to.

While Lady Tremaine doesn't treat Dizzy as bad as she treated Ella she still doesn't show her affection much so when she was worried the Charmings contempt for her might was over to her daughter it came off more like banning Dizzy from getting to know them at all

Ella does regular welfare checks on Dizzy whenever she visits Chad and Chloe (checking for bruises, malnutrition, exhaustion, etc) Dizzy hates that it's needed but appreciates such open affection

Dizzy and Chloe definitely braid each others hair and talk about their rebel girlfriends at sleepovers together.

Chad and Dizzy would probably destroy the whole house and start seven different wars if Chloe took so much as a break to grab a water while they were hanging out (and probably have)

[forgettable-au]

FORGETTABLE-AU (Page 48-52)

FOUND.

[BEGINNING] [PREVIOUS] [CONTINUE]

[nerdy-hyperfixations]

“Pain is hilarious!”

C’mon guys he had to learn that his eye regenerates somehow!

So fun fact! You know that thing people, perhaps parents tell you? That if you smile it tricks your brain into being happy? Well don’t do that in traumatic moments! Because if you do, your brain mixes wires on how to process shit and when you’re under mental turmoil you might start laughing maniacally! I may or may not know from experience!!! 😃

[cantobear]

[oc] 💘

[youling-the-ghost]

Hello, sfth fandom! I've noticed that there's been a surge of sfth fanfiction lately, so here's a friendly guide to tagging on ao3.

(quick note: none of these are de facto rules as much as they are advice from someone who's been using ao3 for years; you don't have to follow these tips at all, they're just to help new ao3 users navigate the tagging system)

Rating

There are 5 different ratings that your fic can have: Not Rated, General Audiences, Teen and Up, Mature, and Explicit. The rating tag tells the readers what level of mature content is in the fic.

Not Rated

It's best to avoid this as it tells nothing about how much mature content is in the fic. If you tag your fic as Not Rated, it's probably best to go a little more in-depth in your additional tags or fic summary to prevent accidentally triggering people.

General Audiences

This rating is for fics that basically have no mature content whatsoever. Essentially, it means that the fic is suitable for anyone of any age. A rule of thumb that I use is to imagine a 10-year-old reading your work. If the thought of that makes you uncomfortable, then General Audiences is probably not the best rating for your fic.

Teen and Up

This rating is for fics that contain content that may not be suitable for readers younger than 13. This can involve swearing, discussion of mature topics (sex, mental health, etc.), or mild violence.

If you don't feel comfortable with children reading your fic, but your fic doesn't have any explicit content, then Teen and Up is probably the best rating for it.

Mature

This rating is for fics that contain adult themes, such as sex or violence. Usually, fics with this rating have heavy themes but aren't very explicit about it. A sfth-specific example would be Inside the Mysterious Cube, as it has violent themes but doesn't have any crazy brutality or gore.

Explicit

This rating is for fics that contain heavy adult themes, including explicit sex and graphic violence. Generally speaking, most (if not all) smutfics should be tagged as Explicit.

Warning(s)

Warnings are used to warn (surprise surprise) the reader for any potentially triggering content. It's good fanfiction etiquette to always tag warnings, even if you're concerned about spoilers. If you're especially worried about spoilers, you can tag your fic as Choose Not To Use Warnings and add a TW in the notes for chapters that include triggering content.

The warnings are pretty straightforward for the most part, except for one thing.

Choose Not To Use Warnings vs No Warnings Apply

This is something that can be very confusing for new ao3 users (and even some old users). It essentially boils down to this: No Warnings Apply means that none of the warnings that ao3 provides are in your fic, while Choose Not To Use Warnings means that you don't want to explicitly tag any of the warning, either to avoid spoilers or because you're unsure about which warnings you should tag.

I personally use Choose Not To Use Warnings when my fic deals with heavy topics non-explicitly. For example, I have written a fic before that involved heavy instrusive thoughts and similar mental health issues, which I thought could trigger unwanted thoughts for the reader, so I tagged it as Choose Not To Use Archive Warnings.

Fandoms

(quick note: "common tag refers to tags that have been wrangled by an ao3 tag wrangler (you don't need to know what that is) and can be used to filter works)

This is the thing that seems to confuse most sfth fanfiction writers. The "Shoot from the Hip - fandom" tag redirects to British Comedy RPF, which is pretty common for niche RPF fandoms.

What I personally do is tag the fandom as Shoot from the Hip, along with any longforms if they apply, which should have their own common tags.

If you're writing a fic for a longform that doesn't have a common tag yet, you should format your tag like this:

[longform name] - Shoot from the Hip Improvised Sketch (e.g. The Unrelenting Aubergine - Shoot from the Hip Improvised Sketch)

I would advise for you to tag both the longform(s) and Shoot from the Hip - fandom. As an example, this is how I tagged my Unrelenting Aubergine and Wild, Wet & Worrisome fics:

(the order of the tags doesn't really matter here)

Relationships & Characters

Okay, this is probably the weirdest thing to tag for the sfth fandom since there are pretty much no common tags for these. For the characters/relationships that have no common tags (which is pretty much all of them), it's best to format the tag like this:

[character/relationship] ([longform where it originates from) (e.g. Derek (The Unrelenting Aubergine), Bubba/Jeremiah (Inside the Mysterious Cube))

The other way to go about it is to use the most common tag. For example, I tagged my Ditch fic as Derek/Titch without the (The Unrelenting Aubergine) since most of the fics were tagged as such.

Just for reference, here are the boys' common character tags for the RPF writers:

Additional Tags

Here is where you can go wild with the tags. These tags are used to give the reader a brief idea of what the fic is about, and you can feel free to add as many or as few tags as you wish. However, it is good etiquette to not add too many tags, so make sure that just the essentials are covered. For example, if your fic features a chair, there's no need to put "Chair" in your tags.

Tags You Should Probably Include

Now, these are all my personal opinion, but I feel like these tags are almost essential for any fic so that the reader can get a quick idea of what mood/genre the fic is going to be:

Fluff - cute and non-sexual things happen (cuddling, kissing, general affection, love confessions, etc.), isn't exclusive to romantic situations.

Angst - sad things happen (breaking up, crying, self-esteem issues, etc.).

Hurt/comfort - one character is physically and/or emotionally hurt, and another character helps them. There's a separate Emotional Hurt/Comfort tag for the character going through emotional struggles.

Anything sexual - do any sexual things happen in your fic? If yes, then you should probably tag it. If the sexual content is only implied (e.g. two characters waking up in the same bed naked), there's an Implied Sexual Content tag for that.

Any heavy content - things like abuse and violence should be tagged, even if you already have a warning for it. This is just to prevent anyone from reading something that might be triggering for them.

Other than that, add as many tags as you need to describe your fic.

A PSA About RPF

Finally, since this is a fandom that involves real people, here's a quick PSA for RPF writers and readers alike:

Please do not share any RPF fics with the boys. This goes for any work, explicit or not.

Also, please respect RPF writers. You may not feel comfortable with RPF, and that's totally fine! Just please don't harass RPF writers just because you believe that RPF is wrong. If there's a fic that you're uncomfortable with, just don't read it and please don't go leaving hate comments on that fic.

I know that this fandom is full of lovely people, but I feel the need to get this out of the way as it's an issue that many RPF fandoms have to deal with.

I really hope this helps!! :]

[pachimation]

an 8 page comic about childe visiting scaramouche after the sumeru archon quest

[fansids]

Meows Morales

[prosekaiuwu]

akito and minori images? preferably ones that can be used as reaction images!

[huntingrays]

Leo and Jason had been friends for ages. They had been childhood friends and grew up together.

Due to their closeness, Leo thought it was only natural that his thoughts around him strayed. He was so comfortable in his sexuality that he entertained funny thoughts about what it would be like to date his best friend. He specifically wondered what it would feel like to kiss him.

However, it wasn’t weird. They had such a close, unbreakable bond that he felt comfortable with the idea. They were both straight, so they’d never come to fruition, but they were amusing to think about. It was natural. Anyone would think about it if their best friend was as attractive and sweet as Jason.

Everyone thought that way. Right?

__

or, the five times Leo thinks it's normal to want to kiss his best friend, the one time he realizes it isn't, and the one time he gets kissed.

[faunandfloraas]

It is kinda funny seeing people talk about Seungmin lately because he definitely has gotten more bold and confident for sure. He's also just getting opportunities to be perceived as an individual on his own as well for the first time in a while but it's still jarring to see people be like Aw he was always such a quiet goodie two shoes little nerd and it's like...... he was the one to leave and seek out his own vocal coach and blatantly talk about it, which of course lead to I.N and Lee Know also doing the same, he was the one to go on bubble and tell off sasaengs who used to camp outside their old dorm for invading members privacy but also because it effected other residents and staff at the complex, something that i'm certain upper management wouldnt have been happy about, and he wasn't curt or nice about it either. like he's never actually been a wallflower, he's always had a pretty strong backbone and seems to stick to his principals, its not really new.

[berrybore]

I’m sorry but Percy would win in a battle to the death against Nico so easily. He is the most powerful demigod, as established by canon—multiple times. Like don’t get me wrong Nico is crazy powerful but we already got Percy defeating two ridiculously powerful underworld gods in their own realm why would you think he’d struggle against Nico?

Percy defeated hades in tlo and Akhlys in hoh. And no, before anyone says the curse of Achilles is the reason, it wasn’t. The curse helped him solo hades’ entire army in minutes yes, but the confrontation between them wasn’t a fight whatsoever. Percy deflected hades’ attack with his sword right back at him and it knocked him out of his chariot and onto the ground. And in hoh, Percy was literally two steps from dying when he overpowered a primordial so like that speaks for itself.

Like I’m not saying Nico would never win, only that his powers drain him a ton and he can’t sustain a long fight the way Percy can. He’s also not a remarkable swordsman, so his best bet is to land a single fatal blow immediately. Like I don’t know maybe shadow travel right up to his face and slash his throat or something, except we know form ttc that Percy’s reaction time is fast enough to deflect bullets so who knows how well that will work. Probably how he reacted fast enough to deflect hades’ attack.

And yes I’m aware Nico can turn demigods into ghosts but the demigod in question didn’t really have a power to attack Nico with. Like I’m struggling to see Nico turn Percy into a ghost while he’s chocking on his bodily fluids.

Like it would be extremely unlikely and he’d need the power of anime and god and surprise on his side to do it.

(Also, small side note. Demigods aren’t meant to be stronger than gods or be able to beat them. The fact that Percy beat ares in tlt was meant to be earth shattering. It literally sets him apart from the get go. He’s compared to Hercules more than once. And yes, big three kids are different and stronger than everyone else but even among them he’s operating in a different league. In the entire series of pjo, I can’t recall another instance of any other demigod stepping up to a god and winning. Hoo screws up the entire power scale by letting other demigods do that on the fly, it makes the gods look small in comparison to their children. Mind you, Percy doesn’t always win in his series, and sometimes he only does on a technicality— like forfeiting the fight against atlas, or injuring ares. )

[danieyells]

I can also see Romeo straight up setting a glory hole, tying your knees to your chest and shoving your ass in a hole. Basically renting the mc by the 15 minutes and bc he hates the mess and it would be annoying to send someone to clean every few hours so he is strict about condoms, tho if someone paid a few hundred dollars he might look the other way

Re: Sold by Sinostra(Frostheim edition) mini headcanons because i guess i have to give these a name i can remember

Oooh absolutely. Just shove them in a box so he doesn't have to look at them crying and being a disgusting hole, plus less mess! Although as far as cleaning goes i imagine a lot of it is just like. One of his goons comes in with a hose and sprays them down. Or there's some sort of anomaly that he sends in that cleans all the mess up, like an akaname. But I think 'if you don't want to use a condom you'd better pay a lot more' would also be very in character, no matter what you're allowed to do to the pc. Mortkranken has medicine if you have problems.

And since @jadeleechsupportgroup and @dewstickynotes said who they wanted next. . .

Sinostra! As you can see I've got ADHD that's so bad that it took me damn near a month to do something as small as this, so please do not stay up all night waiting on it lol. maybe Hotarubi next since you both also said Haku.

romeo got two since he's the catalyst for this scenario--or maybe just because i had two distinct things in my head for him. i don't remember what my initial idea for taiga was which is bothering me.

As Romeo is the one selling you, the opportunities are plentiful. But if he likes you a lot, he'll treat you very well. You feel more like an oiran the way you're pampered and dressed and only sold to people Romeo doesn't think will treat you too crudely. Not to speak of the price he sells your body for--as if you're a luxury good, not an indebted whore! He dresses you himself, making you up to his standard with makeup and skin treatments. After you're bathed(whether by yourself or a trusted underling) you sit at his feet in the VIP room, bare naked, like a pet, until he's ready to tend to you. He complains about how much of his time you're taking up, but he seems to enjoy treating you like a doll. "See? This isn't so bad, right? You'll be able to pay me back in no time this way!" After an hour of sitting nude at his feet, Romeo finally acknowledges you, stroking your head. His underlings bring a selection of clothing he must have ordered them to retrieve, and he stands you up as he decides what to put you in. An expensive-looking box of make up is placed on the table, but he turns your head to face his mocking expression before you can see the branding. "It would certainly have been better if you'd only paid what you owed, but you've done a good job so far of making the money back. Of course, I'm pricing you at far more than you're worth--so how about you say 'from the bottom of my heart, thank you for making me worth something, Romeo' for me?"

On the other hand, Romeo could want you all for himself if he likes you in a different way. For you to be handled by the filth out there when you ought to be his. . .in the end he wouldn't be able to take it. Once your fate was sealed he would tell you he needs to gauge how much you're worth. He knows most of the auction room customers who're out to purchase other humans are out for sex--so he'll have to evaluate your body and your performance. "Do well, or you'll be here even longer." But this 'evaluation process' seems to take quite a while. He examined your body like you were a dog at a show, and you blew him and cockwarmed him while he worked, sitting idly by when he didn't want you to touch him. When his underlings frustrated him, he threw you down and used you until he wasn't so angry anymore. You knew he punched walls and slammed tables, but you somehow didn't expect the spankings or the rough pounding. Somehow you got scolded over the bruises he gave you. "I've made a decision." He announced after his workday seemed to be over and he'd finished counting the casino's profits. "I think you'd pay off your debt to me better personally. So you'll be my property, for me to do with as I see fit, until I've decided you've paid me back. I tell you what to do, and you say 'yes, sir' or 'yes, Fico'. Got it? No backtalk, no bitching, and no questions! . . .If we're alone, I'll even let you say 'yes, Romeo.'" He talks as he leads you through the halls and to a room--his bedroom, by the looks of it. He sits in a similarly fancy chair to the one in the VIP room, and gestures to his feet, where it seems you'll be sitting more often for a while, then lifts your chin with the tip of his shoe. "Why don't you you start with showing me how thankful you are that I'm not making you a common whore, used by the rodents outside? I think that's worth a little worship, don't you?"

You'd think Taiga wouldn't remember you well enough to get you out of this, but the way he coos "here, kitty, kitty" at you to beckon you to the bars of your cage to pet you says otherwise, as does the way he asks, more to Romeo than you, "what's my little kitty cat doing in a cage, huh?" But the cold and empty look in his eyes also tells you something important--he is hungry, and the tight grip on the back of your neck when you try and back away doesn't inspire much hope that he doesn't intend to use you to solve that. His underlings pay Romeo, and Taiga unlocks your cage himself before he parades you through the casino, despite your state of undress, to bring you all the way back to his room where his goons take their places guarding outside the door and you are shoved onto his bed and easily held down with a single hand against your chest. "You really wandered into some deep shit with your debt like that, huh! Lulu would've had you in there forever if I didn't come along and save ya! Y'know how literally you'd've been fucked if not for me?" He laughs, moving away from you to open the curtain to his torture room. "So, what should we play with today, little stray kitty? Then again, I'm gettin' pretty hungry. . . ." He takes up and admires a rather nasty looking knife. "But if I ate you right now, I wouldn't be getting my money's worth. . .you get what I mean? You weren't cheap, so you're gonna have to entertain me a little, kitten." He puts it away, retrieving his pistol and aiming it towards the ceiling. "I got an idea! How 'bout I be the cat today. . .and you be a little mouse. And all you gotta do is get off this ship before I catch you. . .I won't even have my mooks stop you from runnin' and hidin'. I'll give you a head start, too! Between that and how hungry I am, you can get out of here, right? Oh, but if I catch you. . .you cost a real pretty penny, like a real purebred kitten. . .so let's hope I can get as many meals outta you as you were worth." A click. A bang. Shattering glass and a pop and sparks before the room is shrouded in darkness. The doors slam open, Taiga's underlings bursting in in alarm at the gunshot. Your opportunity for freedom is marked only by Taiga's voice. "You've got 30 seconds."

"Vice Captain, this could easily be prosecuted as unlawful imprisonment under Article 220 of the Penal Code." Ritsu explains, gesturing towards you in your cage. "As far as this contract goes, the consent towards confinement has been retracted. I must advise that you return their clothing and allow them to leave the room." It's surprisingly easy to convince Romeo to yield under threat of law--although Ritsu only requires that you're released and ignores any other occupied cages in the room. As for your debt, Ritsu has already prepared a contract for you, allowing him to pay it off for you, subsequently making him your creditor. As you work with and are frequently paid by Ritsu, part of these paychecks will simply be withheld. . .it's a very thoroughly written contract, which you sign as it will keep you out of Romeo's 'private office'. An NDA is also procured for further discussion of this particular incident. "It would have been preferable if you had informed me of this debt of yours beforehand." Ritsu sighs in some disappointment, walking you back to his office. "For you to be burdened by such a debt reflects poorly on me as well, you know. So long as you and I continue our working relationship and you do well on your missions, I'm certain you'll be able to repay me in time. Now then, as for the fee for negotiations. . . ."

[hollys-trying2draw]

It be like that sometimes.

I couldn't decide which colors I liked better so here's both.