I've been moving and navigating further departmental nonsense etc (my pseudo-dissertation got approved for defending, though! l o l). But it was interesting to see the Worst P&P Takes poll I reblogged accumulating more results and the general tenor of responses in the notes.
I mean, the results are definitely to be expected if you're familiar with the side of Austen fandom doing a lot of the reblogging etc. But still, interesting!
Many Tumblr polls specify that they're asking about personal preferences that may be irrational—favorite/least favorite, coolest/most annoying, or something like that. This one, though, asked for the worst interpretation of P&P, not the most annoying one—and the current leader is "Darcy is never really proud, he's just shy and probably has anxiety" against some very steep competition on the Bad Takes front.
I was thinking about why that seemed a kind of tediously predictable choice even though I agree that the take is wrong, and realized that while I do disagree with the shy Darcy interpretation and I particularly disagree with the specific formulation where he is never proud at all, it ultimately feels to me like a failure of nuance rather than just completely wrongheaded like some of the others. And this is probably my fundamental difference with a lot of Darcy takes I see!
In my opinion, a character who is introverted and who feels awkward in various social situations and who doesn't like common social activities and who has to work himself up to talking to his crush and who is repeatedly suggested to behave very differently in contexts where he's more comfortable being interpreted as shy and anxious is not that big of a leap.
Yes, it's important that he is actually fundamentally confident and haughty, that he makes his personal feelings of discomfort other people's problem, and that he thinks he's such a unique and special butterfly that he doesn't need to even put in an effort outside his personal social circle. But it's a misreading that is easy to follow (and long predates the 2005 P&P, as I've mentioned before!).
The additional misreading that a shy and anxious Darcy is also never proud at all is a much more drastic leap, and in my experience, condemnations of shy Darcy interpretations rarely differentiate between "Darcy is shy as well as arrogant" and "Darcy is shy rather than arrogant" as interpretations (although their basic arguments are quite different). But even that as the worst possible misreading of P&P when Darcy is not even the main character is ?????????
I mean, for one alternative (not even the one I voted for!), the idea that Elizabeth is an author avatar Mary Sue seems a far worse misreading of P&P than basically anything to do with Darcy at all. The center piece of the entire novel is Elizabeth's epiphany of self-knowledge about her own shortcomings that do not particularly resemble Austen's at all, but were ethically a concern for her, and she's a complex, interesting character in general whom Austen correctly regarded as a major achievement. Inverting that into Elizabeth as an improbably perfect, reality-warping self-insert is deeply wrong and frankly pretty misogynistic as well.
(ngl though, it's a little funny to see such a blatantly terrible reading of Elizabeth rank so far behind the shy Darcy votes. I've gotten "does anyone actually think/say that?" so many times on my posts about Austen fandom's prioritization of Darcy's character development over Elizabeth's and yet...)
And even just going with the Darcy-centric misreadings, the idea of Darcy as a "bad boy" seems easily the most absolutely wrong take on him. His pride is at least complicated and the finer points can be fairly debated and it's a quality that actually changes somewhat throughout the novel, and you can have discussion over what happened when, whose testimonies should be weighted more, etc. But there is no point at which "bad boy" isn't utterly wrong for him. However, there's definitely a tendency in some wings of the fandom to find the idea of Darcy being misread too favorably more objectionable than him being read too unfavorably, regardless of the particulars, so it's not a surprise.
I suppose you could argue about what "worst" means in the context of variously bad interpretations. Like, is an interpretation that is about a fairly trivial aspect of the book but extremely wrong about it "worse" than an interpretation that is pretty bad but at least comprehensibly so about something very important?
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In honour of finishing my hellish academic semester, I present to thee:
A Brief Introduction to 'In Pursuit of Daybreak'
First things first: What is In Pursuit of Daybreak?
A post-apocalyptic fantasy reimagining of the story of Hyacinthus and Apollo! Set in a world thrown into chaos after the sudden disappearance of The Radiant God, it follows three sons of the Radiant as they try their best to bring light back to the world.
Sons of the Radiant? Meet the leading men!
Aristaeus: A pastoral god and eldest of the brothers. Due to having a strained relationship with his venerated father, he is not exactly eager to track him down and have him return to clean up his mess. After being tricked by Asclepius however, he has only one choice: protect his brothers at all costs.
Orpheus: The grieving bard and second son; with the wounds of losing Eurydice still fresh, all his songs have become bitter sorrow. Coaxed by Asclepius to help restore the beautiful world Eurydice loved, Orpheus embarks on this journey in the hopes of rediscovering himself after his greatest loss.
Asclepius: The world's best healer and the youngest son; he is intent on healing the world of its ailment for the sake of his wife and children. Though others might curse his father for abandoning the world to the beasts of Erebus, Asclepius knows better and he will cure this malady even if it costs him his life.
(Hyacinthus: The long-dead lover. Slain by The Radiant's hand, he is a vengeful wraith brought back by Asclepius' dark medical rites. He too wishes to find the Radiant - not for love's sake but for the sake of his burning wrath.)
Genre?
In Pursuit of Daybreak is a fantasy/drama piece with strong romantic themes. It also has themes of family, sacrifice, self-discovery and death.
Production Status
I've been working on this project seriously for about two years! Despite not being historical fiction, I worked very hard on research and development of the concept and characters to retain an authentic feel of the mythology and traditions they come from. I'm still in the process of writing the novel but I also want to get in the habit of speaking openly and confidently about my work, so I definitely also want to talk more and more about my children and their adventures.
Thank you very much for reading this :D Any questions or comments about the concept or my interpretations of these characters is warmly welcomed. Have a wonderful day <33
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[ cw: death mention / family death mention / ]
Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.
I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.
Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.
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I love Tang cause like, he was definitely suspicious that his name was Tang, and that he had a friend named Pigsy, who had a friend named Sandy, and then MK and Mei (who is a descendant of the dragon of the west) came along, and you know the entire time in the back of his head he was thinking "oh my god we're the pilgrims????", but at the same time, how could they be? He's just Tang, he's not comparable to the great Monk Tang Sanzang. And Pigsy isn't Zhu Bajie, he's just Pigsy. They're just them. And besides, he met Pigsy's parents. It make absolutely no sense! (Deep down he knows it's true)
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