#Like i get the ... appeal of a fictional guy who treats you better than everyone else

[funkytoesart]

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[raisedbythetv89]

I just started watching White Collar for the first time and a realization about most male written and directed media smacked me DIRECTLY in the face which is that SO MUCH media written by a for men is genuinely just male nerd self insert, non-canon compliant, AU fan fiction??????

Like them writing and creating stories is just “ok so these guys are soooo smooth and well dressed and women just flock to them at every turn and they can get away with anything and everyone believes and supports them when they do mess up and everyone thinks they’re sooooo brilliant”

This media isn’t just portraying women “for the male gaze” it’s EVERYTHING. Everything in these stories is supporting and uplifting mens’ delusions about who they are, how they’re perceived, and how they should expect to be treated. Which is incredibly ironic because anytime media portrays women or the world in the female gaze in a more “in my ideal world things would be like this” instead of portraying us as nothing but weak, broken, unloved, traumatized, victims OR one dimensional sex symbols with no needs or emotions they’re screaming, crying, throwing up about how stupid and unrealistic the story is….

This explains SO MUCH about how male characters are handled in shows like Veronica Mars and Buffy. Even though they’re shows staring women all the “good guys” get the delusional self insert, y/n, AU fan fic treatment (Buffy still wants Angel in season 3 and Riley in season 6 even after everything they did and Xander is CONSTANTLY forgiven for all the atrocious shit he says and does and is wanted by all women besides Buffy. Veronica forgiving Duncan and getting back together with him and even CONSIDERING Piz could truly only be born from men being delusional AS FUCK. Writing how they want men to be treated by women rather than being based in reality and the woman having even an ounce of self respect.)

Which is why the “bad boys”, Logan and Spike are such better characters. They’re so much more realistic, they get held accountable by the women in their lives, have better growth and are just way more appealing and attractive because they’re not the walking embodiment of what MEN want men to be treated and act like.

Oh god this feels like such cursed knowledge to have like it’s important to see this media for what it really is but now watching it feels that much yuckier like finding the porn of someone you DO NOT LIKE but like their emotional porn “this is what life would be like in my fantasies” and they’re the fantasies of the grossest men alive 😭😭😭😭😭

Also it shows their emotional maturity like all of these things are what 13 year old boys fantasize about not actual mature, grown men….

Also just realized this is why the Star Wars sequels were so hated. It wasn’t just Rey being powerful and loved by her found family and Kylo. It was that the movies showed the reality of men like Kylo. They destroyed the male fantasy Darth Vader created. They aren’t super cool, powerful badasses. They’re extremely sad, broken, temper tantrum throwing lost little boys who just want love and acceptance but have lost the ability to accept it because of the dark side (aka the patriarchy) which is the reality and that made me SOOOOO ANGRY lololololololol and this is why Joss Whedon THOUGHT making Spike into a sad pathetic mama’s boy of a poet would make the audience not like him because that DOES work on misogynistic men who enjoy the male gaze but does NOT work and only humanizes and makes Spike even more complex and lovable to the female gaze 💀💀💀💀 oh good lord

[chaifootsteps]

I'm very passionate about world-building, I absolutely love characters who are sympathetic yet horrible people, but regardless still people, and just because they were abused and have abused others, doesn't mean they can't redeem themselves, but that doesn't mean everyone will forgive them either

I'm pretty sure I have a noncon kink, though the sexiest part to me is the hurt/comfort aspect of it, its the pain and grief that follows it, those are so important to me, having a fantasy of saving yourself or being saved, and receiving true love and care that is needed and deserved, that's my appeal (although I will admit sometimes it is a depressing "end" but that's likely cause I'm feeling angsty — I suffer from graphic nightmares of getting SA'ed :( )

writing and drawing these things are difficult and I'm afraid they'll be inconsistent, though I know ultimately I want everything to be rounded off to satisfy myself and be happy with what I create to express and explore fictionally, which feels safe and comforting. character flanderisation saddens me, and for all the depth and potential and complexities they have that not even the author can truly fully understand they deserve to be treated like real people within the context of their worlds/stories if you want to portray very real pain, which would make the pleasure all that more catharic

I guess what I want to say is thanks to all the anons and to you Chai, for all the amazing ideas and observations and criticisms that really gets a guy thinking. good thinking! from simple changes to mature understandings despite the baffling blind side, I'm positive it will get better after it's gotten much, much worse than we could ever predict, and eventually, we'll get to be at peace with these shitshows

stay safe everyone <3

Here's to that! One day this will all be a view from the rear view mirror, and I'll go back to bitching about something much less consequential. Gotta say, it can't come soon enough!

[jinkicake]

Sigh, tighnari despite my best efforts has wormed his way into my heart and your thing didn’t help🤧 I am not immune to assholes unfortunately. IK he would oh so subtly but weird plants around for me to eat like oh nooo how on earth did that get there??? Sigh its an Aphrodisiac so unfortunately I have to rail you🙄 like he’s so annoying but also 5”4 so he shouldn’t get to cocky. He just has the vibe of someone who knows exactly what they’re doing you think your just hanging out w him for the day but by the morning when your picking your clothes up off the floor you realize he had it planned all along, alike of course were not far away enough from people so i can fuck you out of your mind, why would you even think that!?😣 motherfucker would destroy you and not feel bad at all, like your gunna be in a sex pollen situation there’s no getting around it it’s just gunna happen and when it does he completely loses all rational thought, he’s this is near a popular trail but who cares when he’s balls deep inside you? Will regain consciousness looking like you were hit by a train, bruises and bite marks everywhere, hair a mess and he has the audacity to be like “ I’m gunna patch you up” I HATE HIM!! Only way I will feel better is if I can suck him off while he’s tied to a hair unable to move; would like to see him squirming bc I refuse to let him get the upper hand ever, feels like most sex w him is like argument or angry bc he’s constantly testing the patience of everyone in his vicinity

omggg why were you refusing tighnari in the first place??? LMFAOOOOO nawr literally he is so sassy and so snide, i love it. There's just something abt mean guys, ya know?

okay.... you didnt have to bring up his height. you did that to hurt me, didn't you? he's my short king and oddly enough i feel like his height gives him a reason to be so rude LOL

but, yes, yes, yandere!tighnari is crazy and would drug you w an aphrodisiac just so then he gets to fuck you! i love it..... he'd be so obsessive, i want it!

His brain is so big, he's canonically smart so like he'd def know how to get into your pants without you even realizing it.... tbh talking about shitty!tighnari kinda makes me want him even more than if we were talking about nice!tighnari.... hmmm

NAURRR SEE FOR ALL THE REASONS YOUD HATE HIM, I LOVE HIMMMM like him being a complete dick and using you for his own pleasure time and time again makes him more appealing like??? yes tighnari i will help you get through any sex pollen or aphrodisiac or h34t that you encounter!!! i feel like if you tied tighnari down to a chair, he'd be a bitch and break his way out of the restraints hehehe ohmgeeeeee frustrated tighnari holding you down and fucking you with no hesitation, too good!!!!

i am currently jotting down angry sex w tighnari into my thoughts..... argument turns into sex... disagreement turns into tighnari cock..... hmmm yeah, that's perfect!!!!

it's kinda funny how much i enjoy fictional yandere and shitty!men topics bc if a m*n ever dared to treat me in a similar way irl i would not hesitate to k!ll him LOL

[thevindicativevordan]

Why isn't Nightwing a bigger deal? He has all of Batman's skills and Superman's faith in humanity and is arguably the most beloved hero in the DCU, but most people seem to know him either as the leader of the N̶o̶t̶ ̶J̶L̶ Teen Ttians or just Robin.

Thank you for asking me about Nightwing, I've been wanting to write a piece about him for a while now. The short version is that everyone who claims Dick becoming Nightwing was him "moving out of Batman's shadow and becoming his own man" is completely wrong.

Dick Grayson is a fantastic character, someone who saved Bruce Wayne in-universe both by forcing Batman to grow up a bit, and the countless times he saved Batman's life as his partner whether as Robin or Nightwing. Dick saved Batman in the real world as well, hard to believe but Batman was actually in danger of being cancelled due to poor sales early on. Enter Robin, a young daredevil audience stand in the creators hoped would get kids interested in reading Batman. And it worked! Sales on Batman doubled once Robin showed up which is crazy to think about, but Dick Grayson has always been a popular character. Cartoons like Teen Titans, Batman: The Animated Series, and The Batman only helped grow his audience.

Character-wise, Dick Grayson really does fill a number of crucial roles in the DCU. For Batman, Dick is proof that Batman is a positive force. Meeting Batman helped change Dick for the better, helped him heal after his parents died. With Dick, Batman can take comfort in knowing that yes, he has made a difference in the world for at least one orphan boy, which is all he wanted when he lost his parents himself. To the wider DCU, Dick is a friendly face who convinces others that Batman is competent and not a complete asshole. He took this kid in, trained him to be one of the best heroes the DCU has seen, and did it all out of the kindness of his heart. That someone like Dick can confront the evils of Gotham and not break means there's still hope for that city. As Robin, Dick has led the Titans and is an icon in his own right as The Sidekick, the original, the one every other Robin is built around copying or contrasting. The one all other superhero sidekicks are drawing on as a basis. As Robin Dick Grayson is very much on Batman's level.

Just not as Nightwing. As Nightwing, Dick has been a second rate Daredevil which means he's a third rate Batman (fully prepared to get hate for this but I've read and enjoyed the Miller and Bendis DD runs so I feel entitled to my opinion). A typical Nightwing run tends to go like this: Moving to Bludhaven (which is Gotham... but WORSE!), Dick Grayson usually enrolls in a pointless job we don't care about in order to provide some meaningless soap opera drama that doesn't go anywhere. Patrolling the city as Nightwing, he fights a variety of bad guys who are usually rather lame and unthreatening, with his big bad being a Kingpin knockoff called Blockbuster. Villains are fought, long running plotlines are set up, then everything is abandoned because it's Batfamily event time, and Dick has to run back to Gotham in order to play sidekick again. Usually his involvement is completely superfluous and it would've been better if the writer had gotten to opt out. By the time we finally get back to Nightwing's solo plotlines, the audience has usually ceased to care and the run gets cut short.

That's how Nightwing has been since the New 52 at least. Anyone who thinks that's "becoming their own man" is out of their mind. Dick is so thoroughly in Batman's shadow that he got shot in the head and spent a longer time as "Ric" which everyone fucking hated and sold like shit, than he did as Agent Grayson which was extremely well-received. Reiterating: Ric went on longer than Grayson because of a fucking Batman plotpoint Tom King wanted where Bruce was sad and cut off from the Batfamily because of Dick getting shot. Not just calling out King either, how many times was Kyle Higgins Nightwing run derailed because of Scott Snyder's crossovers? Or how about that entire run getting dumped to the side because Johns wanted to out Dick during Forever Evil, a Justice League/Lex Luthor story? DC has repeatedly made their contempt for Nightwing clear, he's Batman's sidekick still in their eyes, and he serves whatever story role the Batman writer wants.

Hell his best stories tend to have been the ones where he's not Nightwing. He was Robin in a good chunk of the Wolfman/Perez New Teen Titans run. Morrison really showcased his depth as a character when they wrote him as Batman, their time with Dick under the cowl was actually one of the first Batman runs I ever read, and no Nightwing run has ever matched it in terms of quality in my humble opinion. Scott Snyder's work with DickBats also was a high point for the character, showing Dick as competent and examining his relationship with Gotham and the Gordons. King and Seeley gave him one of the best comic runs with Grayson, a series where he wasn't even a "superhero" technically! When it comes to actual pre-New 52 Nightwing runs that are highly recommended where he *is* Nightwing, there's Chuck Dixon and uhhhhhhh... Tomasi's brief run before Dick became Batman? It's not exactly an overwhelming list.

Look there has been good work done with Nightwing, I'm not claiming there hasn't been. Tim Seeley wrote a great run with Nightwing Rebirth. Seeley fleshed out Dick's Rogues Gallery with cool new ones like Raptor, he brought back old foes like Dr. Hurt (why oh why couldn't you have brought back Flamingo too?), he gave Dick's world some character it solely needed. Bludhaven under Seeley is pretty much the only time I've really felt like it lived up to being Dick's city.

The problem with fictional cities is you have to put in the work to give them the character of real cities. You have to make the cities feel like characters in their own right. Gotham is the best example of this, it's a character all it's own, one that tells you a lot about Batman and his cast. In contrast Bludhaven is usually one of the worst. Any place that wants to claim to be worse than the city that is built over the gate to hell and gets wrecked every other month by the Arkham freaks has to really put in the work to compete. Simply put, Bludhaven typically fails utterly. There's nothing about it that makes you really buy it's worse than Gotham, I mean does anyone really think Nightwing's Rogues wouldn't get their lunches eaten by Batman's? No, no one genuinely buys that. When Bludhaven claims to be worse, it just comes across as tryhard, an attribute that does end up telling you about Nightwing in unintentional ways.

So Seeley didn't do that. Instead he created a city built for a hero like Dick Grayson. Someone who is bright and flashy, but does have an element of darkness to him. Someone who loves the spotlight, but often uses it to obscure. Seeley turned Bludhaven into Las Vegas, and that was the fucking best concept for Bludhaven I have ever seen, it makes so much sense. Las Vegas is the "Entertainment Capital of the World" and isn't that the perfect city for a hero who got their start working in the circus? Isn't the aesthetics of the gleaming casinos, the glamorous sex appeal of the performers, and the spectacle of the shows, all being used to cover up the seediness of mob bosses meeting backstage perfect for Nightwing? It's so utterly unlike New York City, yet Las Vegas is still dangerous, it's got a crime culture all it's own. Seeley used it to great effect, as did Humphries during his brief run, and I will always be pissed that DC didn't continue to use it. That should have stuck around and been the definitive look for Bludhaven.

How Seeley's take on Bludhaven was treated feels like a small scale version of how Nightwing in general gets treated. Whenever creators pitched ideas for him, if editorial thought there was potential to break big, they asked for those ideas to be repurposed for Batman instead. Anything big or good gets repurposed for Batman or tossed to the side so Nightwing can go back to his default: having irrelevant adventures in a city that is supposedly worse than Gotham but can't live up to it. Just like how Nightwing is supposedly better than Batman but never gets to show it. Goddamn it's so frustrating seeing his potential get wasted like that.

The Nightwing book should be one of DC's most ambitious books in terms of storytelling. You can go from traditional superhero stories, to romantic soap opera, to spy stories, to crime noir, to horror, to cosmic adventures, and ALL of them would fit because Nightwing is someone who has a foot in both Gotham and Metropolis. He's got friends everywhere on every team, and has been a hero longer than most Leaguers have at this point. No reason DC should still be afraid to let him loose and insisting on hewing close to what Dixon established almost over 30 years ago is only holding him back. At the very least get him some better Rogues, why the hell didn't he get to keep Professor Pyg? That's Dick's villain not Bruce's! Bullshit that they didn't let Dick keep him. Hopefully Flamingo comes back, with a slight revamp I think he'd make a great reoccurring Nightwing Rogue.

Luckily it does look somewhat like Nightwing fans have reason to be optimistic. While Taylor isn't to my taste, DC clearly views him as a "big" writer, and that they put him on Nightwing says a lot. Taylor has been selling well so far, so hopefully he gets to tell his story, hilarious that even he lampshaded having to write Dick running over to Gotham for another tie-in after Taylor's big opening arc was all about Dick committing himself and his money to Bludhaven. Scott Snyder is apparently working on a Black Label Nightwing book which will explore how he's a different detective than Bruce. The Gotham Knights video game has him as one of the main stars, and while Titans is... controversial, it's one of the most popular streaming shows and Dick is the main character. There's a lot of content coming that features him in the starring role, and that will only help his star rise further.

For the first time in, well, ever it feels like DC may be serious about elevating him. Time will tell if it pays off, but I for one choose to be optimistic that the 2020s will be a turning point for Dick Grayson where Nightwing becomes hugely popular in his own right. Not just as Batman's sidekick.

[andhumanslovedstories]

I’ve been working on this theory lately about my own media consumption that I’ll call representational contrarianism because I’m tickled at giving it a fancy sounding name. And it’s like this: given the choice between media with canonical queer characters and media that has characters you could argue are queer, I’ll default to the latter nine times out of ten.

And it’s like. Why?

(And yeah, this is a post about Supernatural, but it’s not ABOUT Supernatural, you know? Also everything is about Supernatural except Supernatural which is about umm truly who fucking knows.) 

So, for me (and consider that the big disclaimer for this post) queer characters created by queer people either cut too close to the truth, or they’re disappointing. If they’re truthful, then the truth, through the warped lens of my own insecurities and uncertainties, becomes “yes Sarah this is who you are” or “no Sarah you ain’t this.” If they’re disappointing, if I don’t like them or I don’t like the romance or I like some other character better, I feel like I’m letting someone down--not always sure who, just someone, maybe it’s myself, maybe it’s the Community, maybe it’s this fictional person--and further, this becomes another tick in a column labeled “you’re straight and you’ve always been straight, you hurt gay people by thinking otherwise, and also everyone’s laughing at you.” Which is a lot of pressure to put on kindle lesbian romance novels I picked up for $1.99, but that’s what I feel. 

The important thing is, these characters and stories are tests I’m very capable of failing.  

And queer people created by straight people--look, it’s not universally true, but look at the shitty way explicit homosexuality is treated on Supernatural (a joke! flat! background! nothing!) versus the absolutely inadvertent queer-coding they did with Dean, Sam, and Cas. They wrote three distinct queer masculine allegories by complete fucking accident. They couldn’t have done that on purpose. They don’t think gay people are people in the same way that straight people are people. They think that they’re Gay and then a little later that they are people. (And does my hyperfixation on this issue mean that I approach gay characters the same way as shitty straight writers? Hahahahaha shut the fuck up I’m almost in therapy again, this is all on the docket.) 

Queer characters created by queer people are a litmus test, and queer characters created by straight people are pandering. And you don’t really know about the creators that often, and they shouldn’t have to list their identities on the back of the book (although catch me scanning acknowledgements for the words wife, partner, people thanked with love but identified only as an initial, like deciphering how this book might make me feel is a test I can cheat on, but what do you do with a writers room? Memorize the gay ones if you can, cross-reference who wrote what eps?). So I’m comparing myself against these characters (bad choice) in the hopes of learning about myself while also hyperanalyzing these characters in a way that would be insanely unfair to do to a real person (are they Truly Gay? are they Truly Good Representation? if I don’t like them, is it their fault or my fault or their story’s fault or God’s fault or or or or or or or). So I end up evaluating this central question about myself--literally the question Who Am I--against characters (again, a bad choice) that I swivel wildly between believing they are better at being gay than me (because they might have been written by queer people) or are worse at being gay than me (because they might have been written by straight people). 

(I know this is horribly reductive in regards to representation and own voices and good writing. You don’t want to see how long this post was with nuance.) 

And let’s do the ultimate thought experiment: let’s say they did Supernatural good. And now Dean is bisexual! Yay! Canonically! They decide this in season four and he comes out and maybe he always knew or maybe this is all new to him, whatever, it’s all handled fantastically. GLAAD awards for everyone. 

If Dean was gay, canonically gay, if he had what I do not--a cast of writers, a voice of God saying definitely, yes, yes, he is sexually and romantically attracted to multiple genders, he is Canon now, there was an interview in Entertainment Weekly about it and everything--then he is gayer by default than me--no writers, no God, no all hands meeting when everyone nods solemnly and concludes, let’s give the people what they want: this one’s a dyke. And he slips somewhere I can’t follow, into that tantalizing paradise called Certainty, and he learns the gay lingo, and he learns the hidden stereotypes only gay people get to know about other gay people, and he unlocks the Shared History and the Inside Jokes, and he speaks to the other people in the club with the knowledge that all of them deserve to be there because they know that they deserve to be there.  

(Meanwhile, I am not in the club, I am instead down at the courthouse where I get called forward before the Gender Judges who reviewed the emergency application I made in the middle of the night, and they ask, “It says here you want to change your name?” and I say, “Actually no, I thought about it but the idea of being called anything other than Sarah genuinely horrifies me,” and they ask, “But you did say you were considering experimenting with your pronouns?” and I say, “Again, no, I’ve toyed with the thought but the idea of me being referred to as anything other than she/her viscerally disgusts me,” and they ask, “Okay but what is it that horrifies and disgusts you: the thought of being identified as someone you aren’t, or making a fuss about your identity in a way that draws attention to it?” and being unable to come up with an answer, I throw myself out the nearest window and start running, also causing me to miss my scheduled meeting with the Sexuality forum where we were going to litigate whether I was allowed to use dyke like that a paragraph back.)

(We don’t have time to get into gender. Just assume this all applies to gender stuff as well, and we’ll move on.)

But. If he’s not canonically anything, then he is as gay as I make him. In this daydream or that fanfic, we make the subtext text and here is a queer story, a gay story, a story about me as I would like to be seen and would like to be, and when I am done, I spray him off with some windex and wipe him down to factory settings. And then tomorrow there’s a different fantasy where he’s gay in a different way, a nuance, a tweak, a thousand variations on the same basic premise (what if this guy liked guys), and if I don’t like one, it doesn’t matter, it doesn’t stick. It’s a novel written in sand. The appeal is that it’ll wash away. Why should he be any more sure than me? 

Anyway, that’s why queerbaiting is good actually (joke). 

[zaffrenotes]

[TRR: WD106] Avoiding A Blunder

Summary: Prince Liam has to fill in for Crown Prince Leo, and Murphy’s Law is put into motion at the end of his trip. Chaos ensues, condensed Wacky Drabble style. Fic Rating/Warning: M; alcohol consumption, minor health/medical emergency, anxiety/angst Author’s Note: All main characters belong to Pixelberry/The Royal Romance, I’m just borrowing them * Fictional versions of IRL individuals are included with affection; any other characters mentioned in this piece are my creation * This is my submission for @wackydrabbles Prompt 106: You’re gonna get us busted! * You have @the-soot-sprite and @ao719 to thank for this ridiculousness, lol - Soot reblogged a photo, Betsy sent me this request

and...this is what my brain came up with (PS - thank you both for the movie discussion) * For the purposes of this story, Triydalia is a fictional country that shares a border with Thailand * Word Count: 1999 😅 (7 minutes reading time)

Taglist (if your name is crossed out, I'll tag you in the comments): @/ao719 @burnsoslow @gkittylove99 @neotericthemis @ofpixelsandscribbles @rainbowsinthestorm @superharriet @/the-soot-sprite @choiceskatie @jaqren @aestheticartsx @bbrandy2002 @dcbbw @gnatbrain @jared2612 @kingliam2019 @ladyangel70 @lovingchoices14 @nestledonthaveone @princessleac1 @queenjilian @sfb123 @texaskitten30 @theroyalheirshadowhunter @yourmajesty09

Liam was used to filling in for Leo at a moment’s notice; participating in conference calls with ambassadors for early morning updates when Leo overslept, and attending meetings with ministers when Leo went AWOL. He’d grown accustomed to his brother’s antics, but he wondered how Bastien managed to keep his position, when he’d lost track of Leo’s whereabouts countless times.

While Leo spent more time avoiding his duties as Crown Prince of Cordonia, Liam dutifully took on the extra responsibilities in stride. It often meant partitioning his already packed schedule to sit in on vital cabinet meetings or dining with visiting dignitaries, but sometimes Leo’s vanishing acts gave Liam the opportunity to travel.

Though their ambassadors handled the majority of day-to-day relations with other countries for trade, Constantine preferred to meet face-to-face when he could. One such time, a lingering cough turned to walking pneumonia, restricting Constantine to as much bed rest as possible. It also meant sending Leo to Japan for a meeting with the Prime Minister in his stead.

It would have been fine, if Leo hadn’t pulled another one of his disappearing acts.

--

A week later, Liam was seated on the royal jet on his way back from Tokyo, navy attache with espresso brown leather trim in the chair next to him. Across from him, Maxwell chatted with Anya over various Thai dishes. On the other side of the plane, Drake was in a heated discussion with leggy blonde Anitah while the ladies’ petite friend Donna observed in silence, fighting back a grin. “You’re an imbecile if that’s your opinion,” Anitah declared, raising her hands up in the air. “Are you sure that’s the hill you wanna die on?”

Drake smugly sipped from the crystal tumbler in his hand. “I’m right and you know it.”

“What are you two talking about?” Liam asked, relieved to think about anything other than what was in the bag and why it was so important he hand deliver it to his father.

“Fight Club being a better cinematic masterpiece than The Princess Bride,” Drake replied. “You guys agree, right? If you could only watch one movie for the rest of your life, you’d want to watch Tyler Durden fight the system instead of some…” he paused to sneer at Anitah, who crossed her arms and stuck out her tongue at him, “...story about a swashbuckler rescuing a princess? She’s not even a real princess!”

“Fight Club is such a guy movie though,” Anya argued, turning in her seat to face Drake. “Princess Bride appeals to men and women, with a much larger audience.”

“Okay, that’s two for Buttercup,” Drake sighed. “Maxwell? Li?” He looked at his friends expectantly.

“Fight Club, definitely,” Maxwell said, nodding his head. He’d spent the better part of the trip doing everything to get into Drake’s good graces after the octopus incident on the first night in Tokyo.

Before Liam could respond, a commotion from the front of the plane made everyone’s heads turn, where a pair of Kings Guards and two flight attendants were seated near the galley. One of the guards slipped into the cockpit, rushing out a moment later in Liam’s direction, as the jet slowly tilted to the right. “Apologies, Your Highness. Do you or any of your guests happen to speak Triydalian?”

Anya slowly raised her hand. “I knew a bit when I was a kid, but I haven’t used it in years.”

The guard motioned for her to join him. “Please come with us, miss. The pilots need a translator.”

“Is everything alright, Remy?” Liam peered past the guard, eyes widening at the sight of the other guard and one attendant hovering in front of the other attendant in a chair.

“We need to land the plane, Sir,” Remy answered, ushering Anya up from her seat. “Ramona passed out. She’s breathing but unresponsive.”

--

Twenty minutes later and after a jarring landing, they’d arrived at a small airport in the Republic of Triydalia, at the edge of one of the country’s many jungle forests. Calling it an airport was generous - it was more of a cleared dirt path in the middle of the jungle with a shack for an airport tower, and a man that looked like more of a hunter than an air traffic controller. After a choppy conversation that required pantomiming and hand signals, Anya left with Remy and the man from the tower to fetch a tribal doctor, while Anitah and Donna assisted the other member of the cabin crew to look after Ramona. They were warned to remain as quiet as possible and to stay inside the jet.

Minutes passed by in tense observation; Anitah and Drake continued their debate in low whispers, growing louder as they defended their choices. Liam could see the pilots discussing something pointedly as they checked readings on the instrument panel and worked on calculations. One of them stepped out, claiming that he needed to stretch his legs, and walked cautiously down the runway. When he returned, the other pilot joined him outside, despite the original warning to stay inside. Liam peered out the windows and checked his watch, worrying about Anya and Remy, along with his father’s instructions to avoid delaying their return.

While the remaining guard headed towards the back of the plane to pace back and forth for the eighth time, Liam took it upon himself to speak with the pilots. The air was thick and stifling the moment he stepped outside. Around them, there was nothing but green, green, and more green from the wilderness that surrounded them, abuzz with tropical birds and insects. At his side he carried the blue attache, remembering the promise to his father that the bag wouldn’t leave his sight. He spoke in a hushed tone when he approached the pilots. “You’re doing more than just stretching your legs, aren’t you, Captain?”

Both men grimaced slightly. “Yes, Your Highness. Even if we pulled back to one end of the runway, we’re still at least five hundred feet short of clearing takeoff.”

“What if we worked to try and clear the brush on either end?” Liam offered, looking off into the distance.

“There’s no way to clear out the trees, even the young ones,” the co-captain answered. “We might be able to take off if we could drop some weight, but the larger concern is the longer we wait, we increase the risk of encountering someone who doesn’t want us here.”

Liam nodded gravely; months of civil unrest in Triydalia meant rebel groups assembled faster than the government could contain them. There was no guarantee of anyone’s safety, stranded on a remote runway. There was no telling what was wrong with Ramona while she was unconscious, and therefore no way to treat her without the aid of a doctor. Ensuring the safety of the crew and his friends could have been avoided altogether if Leo didn’t constantly opt out of handling the duties of his station. In that moment, Liam abhorred the never-ending list of responsibilities thrust at him as a result of having to pick up the slack for his brother, knowing if their roles were reversed, Leo would manage to find a way to leave Liam to solve problems on his own.

“Could you excuse me for a moment?”

He’d barely finished asking the question before walking into the tall grass by the edge of the runway. Ignoring the pilots’ calls to return, Liam sprinted into the dense greenery, dodging between vines and scanning the ground for tripwires until he could no longer see the plane over his shoulder. When he finally stopped running, he bent over, hands on his knees as he gulped in air. Liam looked down at the blue bag in his hand, wondering what on earth was so precious to reduce him to a courier.

Shaking the bag did nothing; it felt practically empty, though he could tell something was inside. He couldn’t open the bag to check, since Prime Minister Abe and his father were the only ones with keys, and PM Abe handed him the sealed bag when they parted ways. Liam wanted to throw the infernal “murse” the ladies had good-naturedly teased him for into the bushes. Perspiration dotted his hairline, and he let out a primal scream, before taking slow, deep breaths to quiet the worrisome thoughts racing in his head and bring his heartbeat down to normal.

Cursed courier bag in his right hand, Liam braced his arm against his torso, pinning it in place with his elbow when he bent his other arm up towards his face. Curling his fingers into a relaxed fist, he pressed his lips against his thumb, thick brows furrowing in thought. All around him, wild birds called to one another amidst the chittering clamor of insects hidden in the foliage. He was so busy running through scenarios in his head that he didn’t hear the quiet click of a camera, turning to look up only when he heard a branch snap in the distance.

“Watch it! You’re gonna get us busted!” Donna hissed to Drake. She pocketed her phone, elbowing Drake in the ribs as they crouched behind large leaves. She ticked her head in Liam’s direction. “Go get your boy, none of us are safe out here.”

After some coaxing, Liam headed back to the plane with Donna and Drake, walking briskly through the jungle, eyes trained to look for anything out of the ordinary. Liam was alarmed when he heard and then saw the engines running, until Drake explained the pilots were burning off fuel to lighten the plane. They’d begun to walk up the steps, when Maxwell popped out above them. “Whoo!” Maxwell exclaimed, digging for another snack from the container he cradled in his arm. “Feels like a sauna out here!”

“Lower your voice, Maxwell! Please!” Liam seethed. His features pinched together in disbelief. “Are you...eating? Now?”

“You know I stress snack,” Maxwell replied, shrugging his shoulders. He shoved another cookie into his mouth.

Liam’s eyes lit up and he took the stairs two by two, knocking on the cockpit door before swinging it open. “What if we unloaded whatever’s not bolted down? The decor, dinnerware, the food and drink?”

“That...would certainly help,” the captain replied, looking back over his shoulder. He turned to his co-pilot. “It could be enough to get in the air after burning off the excess fuel.”

“You heard the man, Maxwell,” Liam said, offering his friend a nervous grin. “Get Drake to help you start unloading the plane. Has Ramona’s status changed?”

“Donna found the first aid kit just before she took off with Drake to go after you. Anitah found some smelling salts that gave her a rude wakeup call. Turns out her insulin pump shorted and she just needed some juice.”

Several more minutes passed as the group removed whatever they could from the plane, leaving piles of cookware, food, throw pillows, and even seat cushions to lighten the load. Drake whined when they gathered up the liquor, but he stuffed a bottle of whiskey in a cabinet by his seat. They’d nearly finished when Anya and Remy returned, running on foot. “That thing better be ready to take off!” Anya hollered, motioning for everyone to board. “Rebels on our tail! Time to go!”

Everyone scrambled back onto the plane; Liam relayed the urgency to depart to the pilots, who rapidly went through their flight checklist. Remy pulled Anya up onto the steps and they all clamored to buckle into their seats, the sound of gunfire in the air as the jet rolled forward and lurched up into the air, barely clearing the canopy.

Adrenaline pumping and breaths shallow, Liam looked around at his friends and the crew, thankful they were safely in the air again.

--

Liam thought he was having a stroke at twenty-four when he saw the contents of the bag. Constantine smiled with glee at the small gold cat, one paw raised.

[lovee-infected]

hi hi!!! i love your vil analysis post!! just wondering though...why does vil force epel to do traditionally “cute, feminine” things. i get that it’s, like, to counter neige for the vdc, but it kind of goes against vil’s ideology? like, how i see it, vil advocates for people to express themselves how they want without being bound by gender roles. i feel like if epel tried forcing his manliness ideology onto other people, he’d be justified in his “forcing epel to do cute things” plan, but i don’t think epel has ever shamed feminine guys? he just wants to be manly himself. could this be an allusion to how the evil queen turned ugly just to fulfill her goals? vil going against his core ideals and becoming “ugly” just to win?

Glad you enjoyed it dear! As for your question, I believe that'll be better if I go into details because I've seen many asking similar questions regarding chapter 5, and I guess that's causing some misunderstandings towards both Vil and Epel. Well, we're soon getting the rest of the Pomefiore Chapter, so I guess it's the best time for an analysis on Epel and Vil's relationship and how Chapter 5 has been going so far

First off, let me state something really really important about the Pomefiore chapter, this arc has got pretty wild spirits that are quite new compared to the previous chapters. We've got Neige, the first RSA character to appear as a real rival of a NRC student, Vil and Epel's rough relationship, Ace and Deuce joining MC on the new adventure once again and finally, the VDC: an event with is potentially important to not only the whole NRC but also Twisted Wonderland!

While all fans are surely excited to see what we'll be going through next, there are quite a few of misunderstandings and wrong interpretations that are considerably important regarding the Pomefiore chapter. In order to avoid possible dramas and more misinterpretions between the fans, let's try to take a better look at this Chapter and important Pomefiore hints that we've got so far:

(1)Epel's feelings; the most important element of chapter 5

One of the quite brilliant facts about Chapter 5, is the unique presence of characters and their roles in the story. This might seem quite unrecognizable, but right now Epel's appearance is effecting the audience way more than Vil's! This arc is mainly focusing on making the audience feel his pain and hard time, and I can say that they're doing it pretty well! We'll talk about how his feelings are being presented in part (6). Now, you may wonder why his feelings are so important in the Pomefiore arc? Isn't it supposed to be mostly about Vil? Well of course, the story is most likely leading us to Vil's overblot so he's the heart of this chapter, but the important thing is too see how crucial Epel's role is here. Watching how Epel is in pain, silenty crying and forced into doing something that he doesn't want to by Vil is savagely effecting this fandom's interpretation of Vil, some are commenting on how he's the worst or how horrible he is or hundreds of not really friendly critiques which is awfully frustrating... We'd continue to talk about this point in part (5)!

(2) Epel's relationship with Vil

Let's review what we've got through the side stories. To begin with, Epel obviously doesn't really like Vil, (I'm trying to cooperate and not say that he hates him) he didn't appreciate having him as the dorm leader from the very beginning. But he's got some strong reasons to dislike Vil so we can't really blame him:

1)Vil slapped him all of a sudden just because of his poor posture at the dinner table 2)Vil almost crashed Epels head between his hands while teaching him some manners 3)Vil's idealistic are just the opposite of Epel's 4)Vil is trying to change Epel, especially during chaptet 5. It sometimes feels like Vil is treating Epel like his puppet and Epel doesn't appreciate this all.

At the end of his SR lab story Epel stated how he's going to study his hardest in magic and potions, so maybe at some point he'd beat Vil, which goes to prove that he considers Vil a rival.

"Why is it so though? Isn't this pretty risky for Epel to challenge Vil, especially as Vil is a dorm leader and Epel's just a first year who's still an amateur at magic?"

Farewell, let me mention something about Epel, he's got a really strong will to the point of not giving up until proving everyone wrong. He's often looked down on, is called to be useless and dumb, and is sometimes insulted for being innocent and naïve. True, he still has a lot he needs to learn and he's aware, but he won't take being underestimated easily.

Just look at him! He's been raised in a farm and he still found his way to this school filled with stunning students coming from noble families while Epel is a simple country boy! He proved the point to us once again in his lab coat story where Crewel gave him an impossible task just to push him into giving up and coming to apologize afterwards. When Epel realized that he was just tricked by Crewel, he felt quite frustrated and started to cry, yet he didn't give up and used his personal experiments and what he'd learned back in his farm life and paved his road to success and impressing everyone including Crewel!

This is why he isn't backing up now, he doesn't want and isn't going to lose to Vil. Another important reason might be how Vil seems to have control over Epel, his manners, his attitude, the way he looks and basically, the person Epel is. Epel has indirectly said that Vil may be currently bounding his actions and life, but someday this will change. He mentioned similar lines several times and you can see he really has a strong will to prove everyone, especially Vil, that he's not a cute apple boy to sit still and look pretty. And if he's been waiting for the right time to stand against Vil, chapter 5 has got it. In part (7) you'll see why.

(3)What is happening in chapter 5?

Okay before we continue, let's just focus on what we've got in Pomefiore chapter: This year's vocal and dance championship has an unbelievable amount of media focused on it , because two of the world-famous influencers,Vil Schoenheit & Neige Leblanche, are joining. Both are great influencers and talented designers, but recently Neige has been getting really popular through the social media and TV, thus Vil realizes that the time to face his well-known rival, Neige, has come.

The VDC is no joke to him because hundreds of people are coming to watch this competition between two Celebrities, and his career is surely at risk. If the VDC doesn't go as well as he's planned, that'll be an end to his fame and clout, possibly his whole career! Therefore he has to make sure that nothing is going to ruin his plans for the big day, and that's why he is going to use his ultimate weapon, the red poisoned apple. Note that this isn't just about Vil, it's about protecting NRC's clout against RSA as well, so losing the VDC would seriously effect NRC's picture throughout the whole twisted wonderland. So a really important part of NRC's future is relying on Vil's hands right now.

Look, unlike the previous chapters, Vil's story is about nothing fictional or exaggerated; it's something that's pretty normal to see in real life! Two famous fashion designers joining a competition, both are giving in their best, aren't planning to lose, are going to be awfully strict towards training their models and making sure that nothing would be messed up, and are SERIOUS about winning because losing it to the other side would end in losing their clout and having the reports of their unfortunate fall-down spread worldwide.

Unlike the previous overblots, Vil's strictness and seriousness has NOTHING to do with being evil or crazy, he's just doing what he's supposed to be doing, working his hardest to defend his career. Anyone else who were in Vil's shoes would've done the same, and nothing about it chaotic, heartless or mad. His being pretty strict towards Epel because he's his main hope, Epel is the perfect beauty material and is definitely capable of achieving all the best through the VDC, that's why Vil's counting on him. Just as a fashion designer is strict with training their model, Vil is all serious with his way of couching Epel. And it's just about being professional, not being evil!

(4) It's not about Vil, it's about Epel

This is more of a continuation to part (3), but let's talk seriously about how wrong chapter 5 is being interpreted. "Vil is the worst! Can't he see that Epel doesn't want this?" or "Ew gross! People like Vil who use others for their very own benefits are just horrible" are some of the aggressive comments I've recently heard about how Vil is doing in Chapter 5, which is mainly because of Epel. I mentioned that Epel's feelings are most important element of chapter 5 and this is why!! Vil isn't doing anything that savage or mean but his actions seem to be a lot more appealing to fans due to how Epel's frustration and pain is being focused on. It's not because of Vil, it's because of Epel. Vil had been just the same with Leona back in the fairy gala event and most of the fans considered the story to be much of a comedy, but when Vil's treating Epel just the same way it sounds mean, cruel, harsh and heartless. See what I meant? Epel's presence was crucial to give Vil an evil perspective and make him seem just as bad as Azul or Leona.

I'm not defending his action since Epel as well is surely under a serious pressure. He doesn't even want to be joining the VDC, let alone having to follow all these strict rules that Vil's been teaching him so far. But since Epel forcedly made the deal with Vil and promised to help him for the VDC, there's no turning back now. Vil is counting on him as his very last hope and is putting his hardest of work and effort into training Epel, just like any professional fashion designer would've done.

(5)Vil is NOT the Evil Queen!

As for Vil's biggest difference with the Evil Queen, I must say that Vil does really work his hardest for what he desires. Evil Queen simply wanted Snow White dead while we've got Vil, working his ass off preparing everything for the VDC. He isn't just going to get mad and envies of Neige because his becoming popular, he doesn't want Neige dead either. All Vil has been doing so far was working and working and working and getting to be called cruel and heartless in return, I mean can't you just feel the amount of effort and nerve he's giving into work?

See, a considerable majority of the fandom is exaggerating the story of chapter 5 while Vil hasn't even shown a simple sign of having any ill intentions or evil plans in mind! We don't know what is going to happen i the next episodes but let's say that he hasn't done a single evil thing so far.

Just take a look at previous chapters! Leona was openly planning to unfairly harm and injure other students and Azul fooled nearly 200 students, took away their magic and forced them to work for him in Mostrolounge until they graduate from the very beginning. Heartslabyul and Scarabia weren't as severe as these two but they still did have some sort of a visibly unhealthy aura. Vil's current impression as the villain of chapter 5 is high-kay normal and chill compared to the previous chapters as he literally has done nothing evil so far, NOTHING. Most of the fandom is currently giving him the malicious aura that he doesn't have, or at least he doesn't yet have. Look, Vil's just doing his job. This doesn't even have anything to do with the Evil Queen! Also, Vil's rival ship with Neige has nothing to do with beauty, it's about fame, net-worth and popularity.

We don't know if he'd come up with any ill plans or serious intentions to harm Neige or anyone else in the new episodes, but his current impression in nothing more than going hard on Epel as his coach which is just being overly exaggerated by the fandom. A real life fashion designer would've done JUST the same thing! I know that this story is most likely going to end in Vil's overblot and him revealing his inner villain but come on, he hasn't done anything horrible so far!

(6)How Epel is being presented through Chapter 5

This point is the cause of many misunderstandings and confusions regarding Chapter 5, many find the context of Epel being forced to do what he doesn't like so cruel, some on the other hand are confused becaused Vil has clearly stated that his terms of beauty are gender neutral, so why would he force Epel to do these in the first place? As I said before, it's because of Epel, not Vil.

When it comes to perspectives on beauty, Epel's idealistics are just the opposite of Vil's. Look, Epel hates being mistaken with a girl or being considered soft and cute, this is something that has been bothering him for quite a long time. Being misgendered because of his appearance all over his life has had some negative effects on his perspective toward anything cute or feminine, as it just reminds him as how he often gets misunderstood because of his unwanted appearance and cuteness. Epel is awfully similar to Deuce and wants nothing more than getting to reveal the manliness he's holding within, through not only tastes but also abilities.

This is why he's been feeling quite uncomfortable in chapter 5 because Vil's basically pushing him into doing what he hates the most, looking cute and, well, something that Epel would consider feminine. The thing is, Vil does not consider stuff like 'Being able to sing beautifully, performing eye-catching movements voice, wearing stunning clothes and applying makeup' feminine at all, to Vil these are gender neutral terms of beauty and he doesn't get why Epel might consider them girlish or feminine either. Epel's comment on not wanting to do girlish things sounded naïve and low key rude to Vil because beauty isn't bound to being male or female, and he doesn't appreciate the idea of these works being called girlish at all.

This is neither Epel nor Vil's fault, it's just the difference in idealistics.

(7) Vil's on thin ice right now

Let me tell you a secret, 'choosing Epel to become the red poisoned apple wasn't an accidental act AT ALL'. Vil has been watching over Epel ever since he entered NRC and this is why he was so strict about changing this "Mudded potato" into a well-behaved Pomefiore student. Vil knew Epel's name and had discussed his case with Rook right at Epel's first day, and this is why he treated Epel so harshly at the dinner table because his plan to turn Epel into his red poisoned apple had already begun. He was preparing Epel from the very beginning and was just expecting the big day to arrive, the day he'd need Epel to defeat his rival, Neige.

Remember that I said how Epel's been waiting for a chance to stand against Vil and how Chapter 5 would be his BEST opportunity to do this? Before we explain this point, let's have a review on how Vil has been effecting and changing him so far. During his first days in NRC, Epel was more comfortable with shouting, fighting and opposing to other students including Vil. He used to disagree until Vil slapped him but now in Chapter 5, he doesn't even say a word when Vil tells him to do something, he just silently obeys as tears fall from his eyes. He no longer fights back as much as he used to.

But right now, Vil's career, status and future is bound to Epel. Vil has been working harder than ever trying to turn him into the Red poisoned Apple he's been expecting him to become, and if Epel backs up or decides to ruin the show and stop letting Vil have control over him, that'll seriously make Vil explode. And if you think that Vil deserves to be hurt like this, I gotta say that he doesn't, he seriously doesn't deserve this after all he's been going through. Just imagine being on Gil's shoes, how would you feel about having the result of all that hard work and effort you've given into work for YEARS ruined like this? Look, we need to judge this situation nonetheless, even is you don't really like Vil it's important to realize the unfairness of this possible future to the story.

Epel now has the opportunity to BREAK Vil like no one has ever done, after all Vil has been going through to coach Epel, teach him manners, change his nature and prepare him for the VDC this would certainly be the worst thing that may happen to him and it'll make him mad, like really really mad. The Vil we've seen through the story so far was nothing more than Vil's normal calm self so we can't even imagine how it might be to see him mad. At this point he won't be bound to any manners or consderations, and keep this in mind: "We won't like it when Vil is evil, and we can't imagine how evil he can be,"

I'm honestly so excited and terrified at the same time to see what we'll get to see in the rest of the Pomefiore chapter, the atmosphere is so nerve-wrecking right now and I can't help but to pray that the rest of this story doesn't traumatize us as much as it can- “Yana please, have mercy on us”

[i-did]

I would like to hear more of your opinions on fandom depictions of Neil, if you don't mind! Your post made me realize some things I wasn't even aware of when reading aftg fic!!

Yeah sure I have a lot of thoughts on this. I think this is an overall fandom issue and not just an aftg fandom issue, but the feminization of neil as well as the ironing out of his personality to make it more palatable is definitely a thing.

I've noticed in a lot of fics hes a lot friendlier, a lot less distrusting, and a lot more oblivious. I also noticed the amount of demand for vixen neil, and neil in dresses and skirts and crop tops, neil crying and being vulnerable isn't a challenge on traditional masculinity because andrew and the other guy foxes don't receive nearly the same amount of demand.

There is heavy emphasis on people wanting not just neil but andrew to be softer, and while that's okay, it's important to remember the moral of aftg is that trauma makes some people hard, and intense and not traditionally likeable, and that those people aren't broken and don't need to be fixed. So when people just, ignore that and make andrew and neil a lot softer, neil always sitting in andrews lap and other things, lots of expressions of PDA, and other out of charter moments, it erases the idea nora was trying to convey.

I've stated before about how the fandom also often doesn't mention body hair but when it does its andrew having facial hair and neil having less typically, but also there is usually emphasis on andrew having a deeper voice than neil, who sometimes gets written almost as whiney and petulant or pouty.

-nsft text below-

I also think there is an overall lack of understanding of mlm culture in fandom which is largely a women's space. I won't go into detail here but how pwp is written (especially a lot of the trans andrew or neil ones) are not with a mlm gaze in mind, after all if it was proper gay porn then only mlm would be turned on by it, but the consumer in mind isn't mlm at all, both because the authors are almost always not mlm, but the readers aren't as well. There is emphasis on neil being more vocal and whining, mewling, whimpering, and moaning, all common in how straight porn treats the woman, while andrew is emphasized in being a lot more quiet, maybe grunting and groaning.

Lingerie is not common in gay porn outside of fanfiction, jock straps?? Thats a thing thats a huge thing, but in all the pwp I've seen of them in their exy gear I haven't seen it mentioned before, not a cup or jock strap or anything like that.

Neil is also the one being put into the lingerie and there is emphasis on him feeling pretty rather than handsome and him being petite and slim rather than a bulky athlete

There is also an overall lack in realism in preparation and dynamics that are physically impossible or unsafe but thats a whole other thing.

This is just off of the top of my head, I can get into the fetishization of trans andrew fics another time thats a whole other thing, but yeah this is just my unprepared thoughts and observations I've noticed.

Fanart also tends to lack the men having bulges, i respect trans hc but i have possibly never seen a flaccid penis in running shorts neil is wearing. They don't go away they sit there and take up space.

-end nsft text-

I have more to say when it comes to the dealings with trauma in fanfiction but for another time. I also have a huge rant about how fanon deals with the race in fics, both nickys canon race as well as the fanon everyone else's race

Overall, people can write what they want to write, and fiction is fiction and i cannot stop anyone from doing anything, and people can interpret the characters how they want. But when writing fiction, the authors own biases can slip though, the charters are written by them after all. An author who writes a torture scene isnt someone who has done that, but an author who writes let's say nicky as even more predatory, slutty, stereotypically gay and "ayeyeyye" in fanfic is unknowingly being racist and homophobic.

A person existing in real life fitting steryotypes is one thing, I've been told like once a week that im stereotypically gay since I've been alive, and have been under a lot of fire for being both "too mexican" and "not mexican enough" but an author who is not mlm and is white can still fall into these pre conceived notions they don't realize they have. There is no such thing as a real life queer couple being heteronormative, but someone else writing one can be because they're not real people, they're characters.

Why does this dynamic appeal to you? Are you projecting? In what way? Why do you think x character is more passive and y is more aggressive? Are they like that in canon ?

When quarantine started I threw myself into aftg even more, but quickly became depressed and felt gross and watched, I felt lonely as an mlm and isnt white in a dominantly white wlw/wlm fandom. Most of tumblr is queer white women dominant tbh, in the same way its American dominant, and fandom is like that too. I still have a hard time talking to my friends who aren't mlm about fandom stuff sometimes because I will tell them something bothers me and I'm not sure they understand or take it seriously. I was so depressed because my personal escapism was making me feel worse.

My depression has gotten better since then, but I still get very uncomfortable with the word "twink" being applied to not just neil, but now any queer man, especially when not said by someone mlm.

Okay I'm gonna stop here lol this was a longer ramble than planned. Ah. Don't cancel me don't twist my words I swear I don't care what others do this is just my observations

[theres-an-impulstor-among-us]

Vaunna, my beloved. Are you aware that we now need some kind of Rendog fan fiction to celebrate the important news that are his dog ears?

Ahh Oca my beloved, of course I am aware. Here you go! 

(also pls don’t tag this as shipping, it’s just friendship)

…

  One hot afternoon, Ren is at his log farm, trying to stock up for his shop. Bigger Logz has seen a lot of traffic recently so he hopes he can restock quickly so as to not lose any business. But his long hair is causing him to sweat heavily in the hot sun and he’s not sure how much longer he can stay out here for. 

  “Yo, Ren!” Iskall unexpectedly appears on top of the tree he’s just about to chop down. “How’s it going?”

  “Hey!” Ren smiles up at his friend. “What’s up, Iskall?”

  “Nothing much, just coming over to check on the weirdo who’s chopping logs in the middle of a heatwave.”

  Ren laughs. “If I don’t get it done now, I’ll keep procrastinating until I hate everything. Now that you’re here, you wanna help?”

  “No, dude, I wanna go to the beach or something!” Iskall reaches down and tugs at Ren’s shoulder. “C’mon, let’s go do something fun. Aren’t you sweltering out here?”

  Their best friend considers this. “I mean, I AM really hot.”

  Iskall winks. “In more ways than one.”

  “Stop!” Ren giggles, swatting his best friend’s hand away. 

  “Yo, you’re so hot cuz you’ve got a whole mane covering your whole head and neck.” Iskall takes hold of a few strands of Ren’s hair and tugs gently at them. “Look at this. You gotta be sweating like a… um… whatever sweats a lot. Why don’t you get a haircut?”

  Ren’s smile falls and he takes a step back, tugging his hair out of Iskall’s grip. “I don’t need a haircut, I’m fine like this.” 

  Iskall raises an eyebrow. “Okay, what’s wrong?”

  “N-Nothing.”

  “Bro, I know you better than you know yourself. I heard the change in your voice just now so I know something’s wrong. You can talk to me about anything, you know.”

  Ren hesitates. He’s been best friends with Iskall for so long that maybe it IS time to tell them his secret. 

  “Okay. Here it is.”

  He lifts his long hair out of the way, revealing two furry dog ears on either side of his head. 

  Iskall stares at him, their eyes wide. “Ren… How long have you had those?”

  “My whole life,” Ren admits. “I’m just not confident enough to show them to everyone else.” 

  “You?” Iskall says in disbelief. “NOT confident?! You’re like the most confident guy I know.”

  Ren gives a slightly awkward chuckle. “Yeah. Not about this, though.”

  “But… how come? It’s not that bad, surely? You know the hermits would never judge you based on your appearance.”

  “I know, it’s just… it’s hard to shake old trauma. Know what I mean?”

  Iskall pauses. They know exactly what Ren means. Nobody likes talking about their lives before Hermitcraft, and this is the only time they’ve ever heard Ren mention anything about his. 

  Finally, they jump down beside Ren and link arms with him. “C’mon, bro. Let’s go get you a haircut. It’s time you get to show the world your full self.”

  Ren starts to protest but cuts himself off. For some reason, the idea of finally letting his ears show appeals to him. Even though he’s nervous at the idea, he knows deep down that the other hermits won’t treat him any differently. They already love him for who he is. 

  “O-Okay,” he says, nodding. “I’ll do it.”

…

  “-so we’d really like a style that shows off his ears but still encapsulates his rugged good looks,” Iskall finishes. “Can you do it?”

  Bdubs expertly twirls his shears. “What a silly question. You ready, Ren?”

  Ren squirms in the barber’s chair. “I don’t know. Y-You’ll be gentle, right…?”

  “Oh, of course!” Bdubs beams and flicks a piece of cloth over the mirror in front of him. “But no mirrors during the process, ‘kay? Gonna be a nice surprise at the end.”

  “I-I’m not gonna lose my ears altogether, am I?”

  Bdubs shakes his head confidently. “Nah, that hasn’t happened in ages! Okay, on we go!”

  Ren closes his eyes and leans back, forcing himself to relax. He trusts his friends; if Iskall and Bdubs say this is a good idea, he trusts their word. 

  Soon, he begins to relax for real, listening to Iskall and Bdubs chatter to each other about nothing in particular as the latter works. As much as he likes to talk, he also enjoys just listening to other people chat about building ideas and plans for the future. It helps distract him from his nerves.

  “Right! All done!”

  Ren opens his eyes. “That was quick.”

  “That was fifteen minutes,” Bdubs responds amusedly. “I think you fell asleep or something. Anyway, are you ready for the reveal?”

  Immediately, Ren’s heartrate skyrockets as he remembers where he is and what has just happened. “Y-Yeah.” 

  Grinning, Bdubs whips off the material covering the mirror. 

  Ren’s eyes widen. 

  Not for the first time in his life, he can’t stop staring at his reflection in the mirror. But this time, it’s different. This is the first time in so long that he can actually see his dog ears. He always thought he would hate any hairstyle where his ears are on show, but Bdubs has done such a good job keeping his hair long enough to still look good but short enough to show off the furry ears on either side of his head. 

  “Bro…!” Iskall circles Ren, unable to take their eyes off their best friend’s head. “You look amazing. Seriously. Your ears look so good with that haircut.”

  “Th-Thank you…” Ren reaches up to stroke his ears. He’s only ever touched them to sweep his hair over them or hide them from someone else; the feeling of touching them so gently is foreign to him. “Gosh… Y-You’ve done an amazing job, Dubadubs.” 

  Bdubs beams, placing both his hands on Ren’s shoulders from behind. “Dude, I can’t believe you’ve never shown off your ears before. You look great! Do you feel any different?”

  Ren simply nods, unable to put his feelings into words. Thankfully, Bdubs and Iskall can see the expression of pure joy on his face and they don’t press him to answer aloud. 

  A few minutes later, he steps out into the sunshine and closes his eyes, taking a deep breath. The breeze blows gently through his hair and ears. It’s amazing to Ren how this simple act has made him feel so free.   Iskall appears next to him, offering him his sunglasses. “You wanna go show off your new look?”

  “Heck yeah.” Ren grins and puts his sunglasses on. “How do I look?”

  “Niiiiice.” Iskall gives him an approving smirk. “Ladies get in line, huh?”

  Ren laughs at his own catchphrase being quoted back to him. He lets out a contented sigh, leaning casually on his shorter best friend’s shoulder. He’s never been happier in his whole life.

  “Ladies, gentlemen, and everybody in between.”

[loxxxlay]

@maidenofmidguard tagged me to do the Tap Game :D

Tap game by @bad-behavior

1. List your top three whump tropes and tag people.

2. Whoever gets tagged gets to say how they feel about your top three tropes.

3. After finishing that, they can list their top three tropes, and the tagging cycle goes on!

So here are @maidenofmidguard's top 3 tropes and my thoughts on each:

1) big strong guy getting put in a cage abd getting touched .. taken around on aleash .. the whumper exhibiting him, where everyone can touch and inspect the goods of our gut fights but he cant because he has secrets to keep and people to protect. So he is tsken advantage of. He is the party favor being passed around.

um..... -looks self-incriminatingly at the hints of this trope in my fic on our terms- im not turned on right now, UR turned on right now alsd;khg;lashdglaskhg

2) sick fic sick fic. Big strong dude who never gefs sick is now sick. People realizing belatedly that he is seriously sick and are surprised to see that he needs help. People fanning pver him .. kissing him on his head while he burns up in fever.

i likeeeee this, for sure. i def prefer the "weaker" dude getting sick with this exact trope moreeeeee, but i'm not one to complain about my strong bae getting sick either. * _ * (also you can always make them both sick mwahahaha)

3) the strong-willed whumpee made submissive in front of his old friends and family. Better yet the family has given up whumpee to the whumper as a last ditch resort to keep thier kingdom safe.

"being made submissive in front of his old friends and family" is literally The Shit and i will die for it. like the absolute humiliation and embarrassment. While this is very much not a Walking Dead blog (yet.... >.>), I will say that when Daryl literally was "the help" when Negan first visited Alexandria, and Rick had to silently watch Daryl be treated like a total fucking slave in order to keep Alexandria safe, like.... Daryl/Rick is not usually sexy to me, but I definitely had a Thing happen in that moment lmfao. so this trope? yeah. Please. Yes.

Alright now it's time for my top 3 favorites:

And good fucking lord I'm already struggling, so we are going to just... name 3 favorites, and not necessarily top favorites, because let's be honest, my whims change daily if not hourly.

Mutual noncon/dubcon.

Shocking, right? It's hilarious because back in my wee fandom days in 2014ish, I would never read mutual noncon "fuck-or-die" scenarios because they didn't do it for me. And now look at me.

I think that it works best for me when there is still a semblance of a choice. Like where full-tilt death is not magically imminent, but the consequences are still implicit and severe. Even if they are rushed, panicking, etc, they still need to make a deliberate conscious clear-headed choice at some point to have sex with each other, even though the situation is nonconsensual. (As opposed to like... being in heat/mindless or whatever.)

I espeeeeecially like it if One of them makes the choice moreso than the other. Like, for example, the Character A can't stand to see Character B face the consequences, so Character A chooses for them both, even though Character B might have preferred the consequences. It's still mutual noncon/dubcon -- neither of the characters wanted it -- but one character is still consenting more than the other, and that fucking kills me guys, it really really does.

Caretaker is an accidentally (or perhaps overprotectively) bad caretaker and makes things (temporarily) worse.

This is a Big Thing I do in my original fiction, but I've only touched on it very briefly in fanfiction I think. I could definitely do that more... For example in "Forget Me Not, Remember Still" (or whatever i called that shit lol), the first chapter where Thor and Loki receive a note from the Grandmaster, Thor is so angry and upset (and scared) that he starts yelling--and since Loki is nearby, he feels himself to be the target for the anger. Not in an abusive way, of course, because Thor is trying his absolute best, but in a way that isolates Loki when he really, truly needs affection. Which, unfortunately, makes this trope the inciting incident of this fic lmfao. Sorry, Thor~~

In an original fiction of mine, one of the characters is trying to help a rape survivor recover, but one of his strategies is to forbid her from leaving the house (because she might get raped again, who knows). Which is like ... re-traumatizing ... because even while the overprotection is well-intentioned, it strips her of her choices and agency again.

I also would like to recommend @veliseraptor 's Will to Live because I always do when I get a chance, and it has so much of this trope in it. I feel like "caretaker learns through trial and error how to be a good caretaker" is literally the thematic element of this fic which is what makes it so appealing to me. :')

Brain fucked-uppery resulting from some kind of abuse.

Um, so first of all, Moment of Peace is this. All because Thor, in Infinity War, had his head literally start to be melted by Thanos, like.... the aftermath of that whump was ROBBED from me, and I am angry.

I especially like this when it is a character who has never experienced whump in their life lmfao, because they're so Tough... Because it terrifies them, they don't know what to expect, they don't know if it will get better, and they're just in a primal state of panic and paranoia and it's great. (aka Thor).

But then again, I also especially like this trope when it is a repeated pattern of behavior that is always constantly on their mind and causing them a long-term dimmer state of panic and paranoia which is also great (aka Loki).

I also like this trope when it causes kinda... a distortion of reliability/an unreliable narrator kinda deal. Like again, in The Walking Dead, a recent episode explored this trope with the character Princess, and I'm just like * _ * More more more.

Alright, it's been a long time, but hopefully you all remember how this goes. I hate tagging people. It makes me feel bad. So instead of handpicking usernames, I'm just going to tag all of you.

And when I say I am tagging all of you, I literally mean ALL OF YOU. If you have eyeballs reading this shit, you are fucking tagged. If you have eardrums vibrating with this shit, you are fucking tagged. I am unsure of how else you could be perceiving this shit, but if you are, you are fucking tagged. There's no "technically" about it. This is a fully legitimate tag, and it includes you. Go, be free, and do the meme if you'd like to.

[funkymbtifiction]

Thanks a lot for answering! I wonder could you please give examples of everyday deeds/types of behavior of different primaries and secondaries? Like what are they like when there's a school test or when they need to visit a doctor? The more the better. Something more down-to-earth than the situations from the fantasy movies listed on the website that may never take place in the real world, something found in everyday life that will help someone identify themselves and mb others around them

I’m not sure I can do that, because frankly, your Primary House is a state of mind. It’s what you want and how you feel about things (or do not feel, in the case of Ravenclaws, ahem). But I can talk about a few things, particularly in response to Harry Potter, that can shed light on the state of mind of the Primary.

What I have most noticed about people in general is that we all have a built-in bias, and in order to find our true type—whether that is our MBTI type, our Enneagram core and tritype, or our Hogwarts House combination—we must abandon our ego defenses. What does that mean? We have to overcome our biases and want to know our true self, and own it, more than we want to fight against an answer that might not please us. In the Enneagram, I’ve noticed particular biases against being a 2 or a 6. Everyone wants to be the more “glamorous” 4 or the elusive, bookworm 5.

Harry Potter, for better or worse, introduced us to the concept of Hogwarts Houses, but also introduced us to a bias, because it made Gryffindor the most glamorous House, due to all the main characters (however unrealistically) hailing from that House. Or, at least, all the main characters we like. Ravenclaw is full of wise weirdos like Luna Lovegood, who irrationally believes in things no one can prove. Slytherin is host to mostly back-stabbing, snobbish cheaters. And Hufflepuff is an “afterthought” where all “the boring, nice people are.”

What I like about Sorting Hat Chats is… they made the entire system more interesting and a lot fairer. Now, Slytherin isn’t the only House with villains automatically placed in it: their villains have to be specific in their love (and not betray their family, because it is the house of My Family is My Life). This also means people, fictional or real, who prioritize their loved ones, are Slytherins. Such as Mr. Darcy, or Katniss Everdeen. Suddenly, being a Slytherin doesn’t seem so bad, right? Not if you are loyal to the ones you love! That alone will appeal to the mindset of a Slytherin, because they will think, “Of COURSE I am. Of COURSE my loved ones come first! They SHOULD!”

I have friends in all four Primary Houses, but I will use myself as an example of the Ravenclaw. When I was reading the books, having all the main characters in Gryffindor bothered me, because not only did it show a bias, but I felt some of the main characters ‘belonged’ in other Houses—such as Remus Lupin being a Hufflepuff rather than a Gryffindor. I also felt like Hermione belonged in Ravenclaw. But that is neither here nor there… my objections to the system came from the logical flaws in how she arranged it. It wasn’t realistic to have everyone ‘important’ or ‘admirable’ within the story come from Gryffindor. It was easier to have them share Common Rooms, but people don’t isolate like that and only befriend someone from their House. They look for like-minded friends who share interests, and would make them all over the place. It was my little Ravenclaw brain, pulling away at her system and finding flaws in its logic, but reacting from a place of logical reasoning rather than moral indignation.

When I took the SHC test, it placed me in Slytherin. And I was not opposed to that. In fact, I explored it for a long time, as I thought about how I respond in various situations. Slytherin appealed to me, because… I wish I could stand up for my family automatically. I wish I could prioritize my loved ones all the time. But I kept hitting upon the fact that – I like to think about things in a detached manner, and come to what I feel is a rational consensus. It’s more clinical and less emotional than Slytherins are—and it helped at the time that I knew a Slytherin, and could easily see both how possessive she was of people (they are “mine to protect” – she always reminded me of Slytherin Sam Gamgee in The Lord of the Rings, with his “MY MR. FRODO”) and how, without fail, her sister came before even me, her best friend. Through comparison, I knew I had to be something else. So in typical Ravenclaw fashion, I went through and considered them all. Because, as a Ravenclaw, I want to be RIGHT more than protect my ego. I am always looking for the truth, even when it hurts. And I am always measuring the world against an ideal in my head, built up of my belief system. I do not go against my beliefs; I mold myself to them. And it shocks me to find others who do not, but who claim to be the same as I am. I take, for example, my Christian faith seriously—so what do you mean you are ignoring what your faith says, and doing whatever you want??? YOU MOLD TO YOUR BELIEFS, DON’T YOU? Well, yes, if you are a Ravenclaw, you do. If you are any other House, you do not.

The Hufflepuff Primary I know has a far more ‘felt’ opinion of the books and their sorting system. She got livid reading them, and thinking about how constantly unfair it all was, how biased Rowling was, and how Dumbledore was clearly playing favorites constantly with Gryffindor House. She developed a bad attitude about him as a result… which, of course, is coming from her being a Hufflepuff. To a Hufflepuff, people come first. They are all treated fairly and seen as equals. You do not discriminate, you do not alienate, you do not give unfair favors to Harry and his friends, just so Gryffindor can win the House Cup over and over again. She was actually so angry about this, from a Hufflepuff perspective, that she was willing to be a Slytherin in defiance of ‘The System’ until she realized that kind of mindset is… pure Hufflepuff. “You are not being fair about this, I will oppose you.” It’s all instinctual, it’s all emotional, and it’s all loyalty to the human race, which includes Slytherins. (This caused us some friction for awhile, until I realized it was “just a Hufflepuff” objection, because... how can you be mad at Dumbledore for that? It’s just a convenient plot device in the book! ... says the Ravenclaw who isn’t getting too emotionally involved. ;)

The Slytherin I know, by the way, denied being a Slytherin at first, because she felt ashamed of it. She has been taught to act like a Hufflepuff, that she SHOULD care about everyone all the time, but… she does not. She cares about her loved ones the most, and she would protect them above other people, every time. I pointed out to her that Hufflepuff fits her less than Slytherin, because “You ARE Katniss. You told me that once. That you identified so heavily with her, because you would go into the arena for your Prim.” And then she admitted it, and saw the gloriousness that is being a loyal Slytherin.

The Gryffindor I know is always looking for a Cause, and… as a Ravenclaw, I find that exhausting. She wants to be mad about things, because that anger gives her the fire she needs to do something about it. She has taken on big Causes by financially supporting the Causes she cares about, and done physical things about smaller Causes. For example, as a teenager, she came upon three guys tormenting a dog. It made her so livid, she charged straight at them, swearing and screaming at them to leave the animal alone, and it scared them all so much, they turned tail and ran. She just knew it was the right thing to do, and she and I often butt heads a lot, because she expects everyone else (meaning me) to be as passionate as she is about doing the ‘right thing.’ My more detached ��well, let’s look at both sides of this issue” has no place in her black and white Gryffindor mind (no, that is WRONG).

Secondary Houses are… something that may take a little more time to figure out, as you think about how you handle the ‘unexpected.’

Gryffindors… have to speak up if they see an injustice, or hear something they disagree with. They are they person who cannot keep their mouth shut, they need to voice their opinion. They don’t care if you don’t like it or don’t agree, to not state their views would be antagonistic to their central self. My Hufflepuff friend is a Gryffindor Secondary. Not only did she get mad about the biases in Harry Potter, she complained loudly about it, to me, and to other people, and even in a blog post, because the injustice of it needed drawn-attention to, and dealt with, and she doesn’t really care if you disagree. That’s just how she rolls, about EVERYTHING. Because Gryffindor Secondaries state their views. They see an injustice, and they rush toward it. (My Gryffindor friend is also a Gryffindor Secondary: see dog being abused, rush in to do something about it!)

Ravenclaws… want to prepare for everything, and then rely on their own skill set to handle problems as they arise. They are the person who, when their bike breaks down halfway home, consider what they know about bikes (can they fix this easily?), and what they know about public transportation (am I going to be able to catch a bus home?), and make decisions from there. Or who study for a test in advance and show up, only to panic because they found out they read the wrong chapter in the book and know nothing about it. My father is a Gryffindor with a Ravenclaw Secondary, and he over-prepares himself with any useful knowledge he thinks he might need to combat a wide variety of situations—and then is stumped if confronted by something he did not prepare for, and knows nothing about. He is always trying to think ahead and prepare so that he doesn’t have to improvise anything at the last second—because he sucks at it.

It was a comparison with him that actually shifted me away from assuming I had a Ravenclaw Secondary, because… I don’t suck at improvising. I’m actually quite good at it. And I don’t over-prepare, because in true Hufflepuff Secondary position, I figure I can ask someone for help. And they always give it to me. But what really cemented the deal for me, in terms of recognizing my Puff Secondary House, were two—no, make that three, truths from my life. 1) Ravenpuffs distill complex information and put it back out into the world for others to enjoy (hello, Funky!). 2) Puff Secondaries show up and do the tireless work, clock the hours, and are highly reliable, which is… me. I have run this site day in and day out for years. I am punctual, fastidious, I put my responsibilities ahead of all else (even turning down fun occasions because I need to work), and I will painstakingly work on perfecting something, finishing something, improving something, or polishing something (even when I’m bored). In short, I show up and do the work. And 3) the truth that Puff Secondaries have friends to stand up for them, because they have proven themselves reliable and trustworthy, is no joke. A few years ago, I had trouble with someone online and, without being asked, three of our mutual friends came to my defense. Proof of the Puff.

Lastly, Slytherin Secondaries are highly adaptable. It’s no problem for them to shift their approach given the needs of the situation. It’s the equivalent of a friend you admire, but who puzzles you (if you don’t share their Slytherin Secondary trait) because… it seems like they are a different person everywhere you go, because whatever is needed, they can become it. They are the person who has no trouble with change and no need to plan, because they just trust that it’s all going to work out fine, based on their ability to adapt. It’s the person who shows up at a friend’s birthday party expecting it to be formal, finds out it’s casual, sneaks into the bathroom to rearrange their attire, and emerges ready to play Twister. Or who will be serious with you, joke constantly with your brother, and behave like a saint around your mom, according to whatever works and appeals to you the best.

Hope some of that helps, though it wasn’t explicitly what you asked for. Best this ENFP can do, since in-depth sensory specific examples require a heck of a lot more Si than I’ve got. :P

[valkyrieelysia18]

My Thoughts on Reboots, Remakes, Sequels, and Spinoffs

Hey there everybody! I know that everyone and their mother have an opinion on this topic, but I just wanted to added my two cents on to to something that wasn’t going to be that long.

Part of the reason I’m doing this post is because two series I loved dearly when I was younger, Winx Club and Inuyasha, have gotten a live action remake series and a sequel series. Now I’m not here to talk on the many MANY wrongs of Fate The Winx Saga or the issues of Yashahime because other people have already went into detail on that stuff. Instead I’m going to talk about what I feel like adapting old properties as whole.

As we fully know and acknowledge, nostalgia is a powerful force with an iron grip and Hollywood and other film/tv makers are doing their best to exploit our nostalgia for as much cash as they can get from us. It’s considered less work and less risky to adapt an older project with a ready fanbase than it is come up with an original property. Most of the time these things aren’t made because there is more to expand on in either the work’s world or characters or bring a new fresh take to it, but because it would make money. Manipulative as it is, its sound business logic.

That being said: remakes, reboots, spinoffs, and sequels aren’t inherently bad. When done well, they don’t just keep to the heart and soul of the original work, they SURPASS it. There’s nothing wrong with changing things from the source material, especially if it’s to add more diversity to the line up or correct a problematic element found in the original series. Even if an interpretation doesn’t hold a candle to the original, it’s still fun to see what creators can dream up for a franchise. For example, Batman the Animated Series will always be the definitive Batman experience for me, but that doesn’t mean I don’t enjoy Batman Beyond, Batman the Brave and the Bold, the Dark Knight, Arkham Asylum, or other adaptations of the character.

The problem is more often than not, these projects are not handled well. As I said before, it’s more to make money than to actually be a good and/or faithful adaptation. I think everyone remembers the fiasco that was the live action Jem and the Holograms film from a couple years ago. That movie did the worse thing an adaptation can do for fans: used the the name for brand recognition and threw just about everything out from the original series to appeal to the modern crowd (by the way the makers of this movie didn’t even seem to understand THAT demographic), spitting in the face of the original fans. It honestly wasn’t that surprising the film was pulled from theaters so quickly. As a Winx Club fan, I can relate to Jem fans now in a way that I wasn’t able to back then.

Now some would say fans can be extremely judgmental and toxic when it comes to any changes to their beloved franchises. To an extent, I do agree. For example, I was almost five years old when the Star Wars Prequels came out and thus didn’t really get the hate for it because I didn’t have the nostalgia the older fans did. Now that I am older and have watched both trilogies, I can acknowledge that the original trilogy was better in terms of story and characters, but those films are far from perfect. And you got to give the prequel trilogy credit in that had a distinct definite vision and that it was telling its own story, not just relying on what came before. 

But in my honest opinion, I think a lot of the hate from fans of these series comes from the fact that these adaptations more often than not seem to spite the fans and butcher the things they used to love. And considering this is where the original buzz and money come from for these projects, it feels like those behind these projects are going for short term cash rather than long term gain.

I think sequel series in particular can come as off very problematic if their continuation seems to retcon or destroy a very good and satisfying ending. Part of why I can’t really get behind Yashahime is because it feels like the series kind of invalidates the really good ending of the original series and how poorly it has treated the og characters. A series’ ending is arguably the hardest thing to pull off well, it’s one thing to start strong but its another thing to carry that quality to end of the story. And even if a finale isn’t bad, it can still be controversial or divisive among fans. Ducktales 2017 is a great series, but even it stumbled in its finale. Anyone who’s seen it can probably guess what I’m talking about. 

So, how should we approach these projects? I think the best mindset to going into these continuations is cautious optimism. That way you’ll be surprised if it turns out to be good, but not too disappointed if it turns out to be the opposite.

And if nothing else there is this comfort for us who live in this time: where canon fails, there is fan fiction. Seriously, I see more passion, creativity, and quality from things I read and view for free on the internet than things that have huge production teams and tons of money poured into them.

Sorry if this just seems like a ramble to you guys, but you know sometimes that there are things you just need to get out there. And hey it turns out this my 100th post on tumblr. So yay to me.

Don’t worry for those who are here for my Rewrite post. Next time we’re going to get to Cinder....AND I HAVE THOUGHTS.

See you soon!

[runolllo-fanboygirl]

---------------------------------

I'm going to start by clarifying that these are messages I got in response to my post here /// LINK /// After this, I'm not replying to messages about this kinda thing in a long time. Talking about sexualization and such other topics is important but I'm not in a state to be made the center of it. Please, don't come to my inbox asking for discourse, go and create your own posts if you want to raise awareness or vent.

And now to answer to these new asks:

FIRST OF ALL: while I love the way Murata draws men, robotic stuff, monsters... I actually HATE the way he draws ladies! I prefer their proportions in the OPM anime and games. Murata is literally SO BAD at drawing women compared to the level of expertise he has drawing men, and it's all ‘cos he keeps drawing ladies "the h0rny way". We all know this, let's move on.

"He's drawing all the monster girls sexualized" Did the fact that Manako's genre reveal deconstructs the trope "the default is male" totally go over your head? That Psykos's reveal as a woman running the whole MA was a big deal for this same reason as well? There are a bunch of female monsters… you just assume they're all male unless you see big b00bs and then complain about that very fact. They literally made a whole point about this specifically!

"He changed Mizuki's shorts to p4nties to please fanboys" I liked the shorts better too (just because I find her whole character design a bit more balanced that way) so that change bothered me as well, but the "p4nties" are actually standard athletic wear for competition. Shorts are not. Technically, she’s drawn more accurately now.

"Sports Bras don't work that way he just wants to draw b00bs" neither do the shirts and bodysuits the guys are wearing. You can see all their muscles and manb00bs and cr0tch lines, just as much as with Fubuki and Tatsu's hero outfits and Mizuki's top.

"But when the boys are drawn that way, it's not to please the ladies, it's male power fantasy" THERE IS NO HETEROSEXUAL MALE POWER FANTASY BULLSHIT THAT CAN POSSIBLY EXPLAIN THE WAY MURATA DRAWS GAROU, FLASH, SONIC, STINGER AND SOME OF THE OTHER GUYS. The fact is that the way he draws eye candy of them appeals to other collectives other than the cis het men and he knows exactly what he's doing. Period.

"He constantly draws sexualized art of Mizuki to please the fanboys" Why exaggerate so much? This is simply not true. She's a woman in athlete wear, most of the time she's either standing up talking or fighting, no weird angles or anything. There is like 1 sexy cover of her, the back cover with all the girls in bikinis and then that infamous watermelon sequence. That's all the sexualization you are talking about.

"Mizuki only gets so much screen time because of how much p0rn of her there is" oh yeah Mizuki got a grand total of, like, *drum roll* 1 chapter and a half dedicated to her! Wow! Which is NOTHING taking into consideration how dense Garou's arc is and the fact that they will need at least 2 seasons of the anime to finish it.

But think about this: OPM desperately needed more female presence, in special with the prospect of finishing Garou's arc in the anime. Making anime is hard and COSTLY. Most of the people who is going to watch the anime haven't read the manga and they'll be like "what the heck there are no female characters in this anime for like 3 seasons?" and there is no team that's going to risk it working with such prospects. We know why.

Of all the expansion that Garou's arc got in the manga adaptation (and later in the anime), one of the most sensible and balanced decisions was to add more ladies. They put all those monster ladies for season 2, and then for season 3 we get Manako and Mizuki having some strong presence, Shadow and Kamaitachi there a bit in the back too. It benefits the pace and balance of both the manga and the future season 3 so immensely because Fubuki, Tatsumaki and Psykos take a LOOONG while to be relevant during Garou's Arc… in special with all the filler the manga put in between (but all that filler is of the S-Class boys getting development and a reality check which is kinda important too lol).

Point is: the screentime Mizuki got was VERY necessary to balance things in between of all the relentless Garou fights and the boys being boys. Sure Mizuki is beautiful and sexy and all, but really EVERYONE was waiting for a new female character that was relevant, likeable, fun… and on top of everything, it's so rare to see a strong 2m tall girl in fiction in general, not even just anime. Everyone got instantly excited about her because she's exactly what we needed AND MORE. And sure, people draw p0rn of her like they do with most other popular characters, what did you expect.

"The ladies are always more sexualized-" YES, in the OPM manga, the ladies are a little more sexualized than the men –but not by much AND not during plot stuff. By that I mean that most of the so called "sexualizing the girls" happens in the covers, back covers and promotional art very exclusively, and not during the story itself. HOWEVER, a lot of the sexy men bits do happen during the story, curiously.

 In the anime though, there is almost zero ladies fanservice (which makes sense since there is almost no female presence in the first 2 seasons anyway). Yet it's full of naked dudes, sometimes for a good reason, but mostly just so we can look at them being sexy and silly.

 I personally don't care if the man candy and ladies fanservice is not perfectly even in Murata's manga adaptation, because there is enough of both in his work, as well as other official OPM stuff like the anime and games to bring a very nice balance in the s3xy department.

 "The way the women are dressed-" Most of the background ladies are wearing skirt uniforms and shit, but all the relevant ladies primarily dress in nothing you can call "sexualized" except for maybe Tatsumaki with her strong leg game. To recall:

 Lilly wears the same as the men of the Blizzard Group; Twin Tail just dresses like a jester; Mizuki is the first to show so much skin, but she's still wearing real standard competition wear for athletes. All the other sportwomen (Hornet and Swim) and martial artists (Shadow, Suiko, Lin Lin) wear standard clothes for their respective professions too. Sure we've seen Shadow wearing some, uh, ninja bikini thing under her ACTUAL work clothes, but for actual fights she's fully dressed and surprisingly not stuffed in a tiny nylon bodysuit that rips like stocking, like all the ninja men in the series do lmao.

Fubuki and Tatsumaki are, like, the only ones wearing dresses and they can because they use psychic powers anyway. Fubuki doesn't even show ANY skin, ever! She just happens to have big b00bs! Kamaitachi is the other one wearing a "skirt" but it's similar to what Japanese martial artists would wear, too.

So, again… all this sexualization we are talking about is not even happening anywhere except in Murata's covers and some promotional art. ONE is famous for treating ladies very fairly, even if Murata tries very hard to exploit the sexy out of every single of the ladies ONE creates. All these ladies have their own agenda and personality that have nothing to do with being pretty or f*ckable. In fact, in-universe, no one ever mentions if the heroines are beautiful or sexy and no one ever talks about liking them for those reasons (except for Lilly and Erika who are gay for Fubuki and Tatsumaki respectively, amazingly enough no hetero characters mention it). I think the first time we've ever seen a relevant character talking about dating another relevant character is when Suiryu told Saitama and Suiko to date (but Suiryu is the resident h0rny fuckboy of the series, if someone was going to say something so stupid for all the wrong reasons, it was going to be him).

For being an adult series, a seinen that parodies shonen tropes and all, OPM is seriously very tame in the sexy ladies department. For this series, the sexy is just a luxurious accessory, just one more little thing. It's always pretty weird when people get so angry and disappointed about a new sexy girl cover or a couple of compromising panels, like they don't know what to expect.

 "He only draws that way to please the h0rny fanboys" Murata IS a h0rny fanboy himself and draws shit that appeals to him as much as he feels he’s allowed to insert in the series. Please remember he's the insane fanboy that reached up to ONE to beg him to continue One Punch Man and offered to make a manga adaptation to promote OPM.

From the moment Murata started drawing OPM, the tone of the manga was set and never changed: lots of blood and guts, comical and non-comical nudity, irreverence, sexy angles, Genos ripping his shirts off, ninjas in body suits that rip like they are nylons… people in shirts, tanktops and dresses so tight you can see all their muscles, boobs and even belly buttons whether they are men or women or otherwise… h0rny chapter covers, stupidly h0rny monsters…

Just reading the manga to the point where Genos and Mosquito Girl first appear, you know what you are in for with OPM. I don't know what some fans are expecting to see in OPM next, but I'm going to take a wild guess here and say: you should expect more of the same.

 At the end of the day, the manga is Murata's work with ONE, and if he likes drawing h0rny ladies more than boys, that's how things are! This is just 2 guys with their passion project. I don't expect of them the same as if there was a bigger team with a big budget behind the series, like it happens with many games and shows. In this last case, I would be a lot stricter about all this, because with more resources you're expected to do better things.

[gay-jesus-probably]

Bisexuality didn't "feel right" as a label because you're biphobic and will do anything to distance yourself from bisexuality. Get well soon, the bi community will be here when you're ready.

Are you the raging homophobe anon back for round two or a new guy? ...It doesn’t really matter, you people are all the same.

If you are the same anon, then now I’m extra pissed off at you because do you have any idea how difficult it is to make fun of your messages? You’re making this really hard for me. First you send a five word ask declaring me a homophobe with no details, and it took a lot of thinking to come up with a vaguely funny response to such a lackluster prompt. You’re a really bad improv partner.

And now you send me this shit. Sorry everybody, no jokes today, now I’m actually just fucking furious.

Let me tell you a story, anon. When I was an innocent little twelve year old back in the far of reaches of 2011, I first discovered Tumblr, and soon enough I was learning about different genders and sexualities, and began exploring my own identity. As you already know since you’re sarcastically quoting me talking about my own fucking feelings, I’d been having a minor sexuality crisis for several years at that point, since gay, straight and bisexual were the only label I’d known before then, and none of them fit me. Despite me trying all of them. Multiple times. You condescending piece of shit.All this was resolved by me stumbling across a post defining pansexuality, and that being the first and only sexual identity that’s ever actually felt right for me. It clicked instantly, and has continued to be my sexuality for literally a decade now.

But back when I first started entering the queer community, pansexuality was actually pretty controversial. So was bisexuality. The two were just lumped together actually, because according to the exclusionists back then, bi/pan people are attracted to the opposite sex, and therefor are basically just straight. Actually they rarely cared enough to bother differentiating between bisexual and pansexual people, they just lumped us all in together as a bunch of heteros pretending to be gay for attention and oppressing the real gays. What a bunch of special fucking snowflakes, pretending to be gay for attention. So there I was, a twelve year old queer kid with a brand new identity, being welcomed by a bunch of exclusionists angrily yelling about how I was definitely just a hetero faking it for attention, and being pansexual was Wrong and Bad. But it was okay, because the exclusionists knew better than me. They knew how I really felt, and what my real identity was. They could fix me. I just had to agree with everything they said and become the person they decided I was supposed to be.

I didn’t do that.

Let’s jump forward a few years. I was older, and still perfectly confident in my identity as a pansexual. I hadn’t considered any other parts of my identity. Why would I? I just never really thought much about gender. Then shortly after my fourteenth birthday, I watched a short film online about a trans boy figuring out his identity and working up the courage to come out to his mother. I don’t remember what it was called or most of the details. All I remember was the last scene where the boy and his mother got into an argument about him not feminine enough, which ended with him screaming that he wasn’t a girl. And then I unexpectedly burst into tears because neither was I.

So that was a fun surprise. Once I pulled through that unexpected sobbing breakdown in the middle of the night and re-evaluated my entire life, I realized that yeah. I really wasn’t a girl. I wasn’t a boy either. Fortunately by then I knew that nonbinary people were a thing, so I had plenty of options. I spent awhile feeling things out and experimenting with different labels and pronouns before finally settling on agender and they/them pronouns. Which was great! I felt better than ever, and was confident that I had my identity down and everything would be fine. But everything was not fine. Because I’d been so happy about the biphobia dying down that I hadn’t quite noticed the exclusionists switching targets. Now the nonbinary people were lying. What a bunch of special fucking snowflakes, pretending to be queer for attention. The ones who wanted to medically transition were declared to actually be poor confused trans people who couldn’t get over their internalized transphobia to accept their True Identities. And the rest of us... well, we were just a bunch of cishet special snowflakes playing at being trans for attention, and oppressing the real trans people. I wasn’t agender. I was a cis girl making up fake identities for attention, and calling myself nonbinary was Wrong and Bad. But it was okay, because the exclusionists knew better than me. They knew how I really felt, and what my real identity was. They could fix me. I just had to agree with everything they said and become the person they decided I was supposed to be.

I didn’t do that.

Step forward a few more years, now to eighteen year old me. There’s no dramatic revelations or long struggles this time, just a slow realization. Because I’d been single for years, and I wasn’t bothered by that. I actually enjoyed it. Marriage didn’t sound very appealing. Neither did dating. I’d dated people before, but I wasn’t sure if I actually wanted to; it was just... the thing I was supposed to do. I found people attractive, sure. But I hadn’t wanted to flirt with anyone. Actually, now that I was thinking about it, had I ever felt romantically attracted to anyone? I didn’t even want romance in fiction! So I experimented. Went on some dates just in case age made it more appealing (it didn’t). Began calling myself aromantic, and was pleasantly surprised to find that the longer I used it, the better it felt. It was right.

But once again, the exclusionists were back and even angier than ever. Because now aphobia was in full swing. After all, asexuality wasn’t really queer. It’s just not having sex! It’s basically straight! What a bunch of special fucking snowflakes, pretending to be queer for attention. And the aromantics, oh the aromantics who weren’t asexual were even worse. Because everyone knows that love is what makes us human. How could someone not feel romance? Us aro people weren’t just lying about our identities, we were pretending to not have feelings so that we could get away with using people for sex without commitment. Being aro meant I was an abusive sex crazed monster taking advantage of all the poor innocent allo’s. I wasn’t aromantic. I was a sexual predator making up a fake identity to take advantage of people, and even though I wasn’t actually sleeping around calling myself aro was Bad and Wrong. But it was okay, because the exclusionists knew better than me. They knew how I really felt, and what my real identity was. They could fix me. I just had to agree with everything they said and become the person they decided I was supposed to be.

And I didn’t fucking do that.

Look. I’ve been here for a very long time, and I have dealt with so many versions of exclusionist bullshit. Every aspect of my identity has been met with random fucking strangers online smugly informing me that I was wrong about myself and they were right. And that’s just the ones that wanted me to pretend to be something else; about half of the exclusionists didn’t make any attempts at conversion therapy, and instead skipped straight to suicide baiting. I’m not even getting into the actual homophobes I’ve had to deal with, or the TERF’s that have come after me under the assumption that I’m a trans woman. My point is, I’m pretty fucking used to this sort of thing.

This just hurts a little more, because like I said earlier, the first round of exclusionism I faced was just expanded biphobia. And the bi/pan community banded together in the face of that. We weren’t the exact same identities, but we were being treated the same, and we were similar enough that nobody really minded the difference. It was wonderful. Bi and pan people were a tightly knit group, and that was a sense of community I desperately needed when I was young. I’ve been seeing this coming for awhile. There’s been increasing amounts of bi people getting drawn in by exclusionist bullshit, and I’ve seen anti-pansexual sentiment growing. I just... really hoped it wouldn’t get this far. It’s sad, y’know? It feels like losing an old friend. I’m really disappointed that you think trying to force people out of their community is right. It’s fucking pathetic, and I hope that someday you’ll rediscover basic compassion and realize how much damage you’re doing to yourself and others. This sort of thing doesn’t help the bisexual community. It drives people away. It’s like the damage that TERF’s have done to the lesbian community; this sort of thing poisons the whole well. I hope you re-evaluate what you’re doing and find a more healthy mindset.

...But also at the same time: Who the fuck do you think you are? Take your condescending bullshit and shove it directly up your ass you fucking waste of oxygen. How the fuck dare you. Do you realize the fucking audacity it takes to claim to know someone's identity better than they do? You self centered egotistical douchebag. Your parents should feel ashamed for having raised such an utter failure of a human being. I’d tell you to go fuck yourself, but I can already tell you beat off twice a day to how fucking clever you think you are. If you ever darken my inbox again you’d better be damn sure you keep it anonymous, because if I find you I’ll kick your fucking teeth in, you smug piece of shit.

[yandere-daydreams]

I’d def love an oc concept sheet for the subjects like yes please give me some good fucking food

Behold, the Core Curriculum!!! I thought I may as well start with the most important boys and girls! (Picrews Used Here: x x x x)

Subject: Mathematics

Name: Milo Brooks

Type: Possessive and Sadistic, and whiney about both. 

~This guy. Fuck this guy.

~He probably started as your bully, or the average, every-day jerk you had to put up with. He’s not very tactful with his aggression, always cornering you or pushing you into walls, but never knowing what to say when he has you pinned. He wants to see you cry, and he wants to hear that cute little voice of yours pleading with him to stop. Milo doesn’t really think about it, beyond that.

~Milo skips feeding you, a lot. He wants you to think of being alive as a privilege, even if it’s a privilege you don’t care to have, on his worst days. You’ll have to beg for water, for a bed, for his attention when you begin to think you’ve been left in his basement to rot. He isn’t very nice about it, calling you needy, pathetic, but you weren’t the one crying into his chest last night. 

~The type of asshole to go on and on about how much smarter he is than everyone else. He probably took Calculus. Fucking Nerd. 

~You’d say he wanted to frustrate you, if you didn’t know better. There’ll always be a rule he ‘forgot’ to mention, something he wanted that you didn't give him. You’re the one who failed, the one who let him down, the one who isn’t good enough. He doesn’t take an opposing view very kindly, either.

~His punishments are as damaging mentally as they are physically. He’ll guilt you as he picks a leg to break or a patch of your skin to burn, telling you how this wouldn’t be happening if you behaved, how you should’ve done that earlier or asked for his help with something you didn’t know you were doing wrong. By the time he’s putting your newly fractured ankle into a splint, you might start to believe it, too.

Subject: Science

Name: Elizabeth Bennett

Type: Obsessive and Voyeuristic, but stolen pens will be the least of your worries.

~She’s very sweet! I mean, you might not like her, considering all the torture, but she really is very, very sweet!

~Mental Health is one of her many divisions, so you’ll only receive the up-most care. Your room is always spotless, always sunny and open, and there’s plenty of toys for you to play with! She makes sure you have the newest gaming systems, all the books your little heart could want, and something new is only a smile and a kiss away. 

~She takes you outside, too, but only under strict supervision. Usually, she’ll be happy with holding your hand or being able to see you, but if her lovely, lovely lab rat wants to make a run for it, she won’t be opposed to getting you a new leash. 

~Can’t cook. Like, at all. That being said, she would adore watching you make something for just the two of you. If you don’t want to, it’s fine! The kitchen is full of all sorts of sharp things she can use to encourage you.

~Elizabeth is the kind of girl who loves everything about you. You can’t throw anything away without asking her, just in case she treats it as a ‘keepsake’, and there will always be a camera on you. One of her favorite things to do is to take you into her ‘special room’, sit you in her lap and re-watch of her favorite moments with her favorite sweetheart! If you don’t seem happy, she’ll be very sad, so it’s better to put on a smile and act as excited as she is.

~Of course, she wants to know everything there is to know about you. She doesn’t like hurting you, but if keeping you under her scalpel as she takes you apart brings her closer to you, how is she supposed to resist? It's so... intimate, to her, how your blood stains her skin, how she'll know every part of you like the back of her hand, soon enough. Your screams are just so pretty, and she’ll take really good care of you, afterward. Just don’t blame your injuries on her. She tends to get… emotional rather quickly.

Subject: History

Name: Rin Hirota 

Types: Possessive and Jealous, but mostly annoying.

~Look at that face. He probably only reads fiction if it’s based in World War Two. He is, at the risk of repeating myself, a nerd. 

~He’s seems normal, and for the most part, he is normal. It’s just… Rin gets jealous, and he gets jealous easily. It’s who he is. You’ve known it since your first date, when he clung to your side a little tighter and spoke a little louder whenever your attention strayed, like he couldn’t stand to see you thinking about someone else. He’d never say such a thing out loud, but he isn’t all that subtle, either.

~Praise is going to be necessary, if you don’t want to deal with a temper tantrum. He wants you to comment on everything he does in that sweet, sugary tone, regardless of how honest you’re being. It’s addictive, how you treat him so highly. But, he’s willing to make everyone else seem awful, to achieve this. Sure, he’s not the best, but he’s not a monster, unlike them. Just look at how they’re eyeing you up, how disrespectful they are. Obviously, he’s the only person worth spending time with.

~Gaslighting is going to be extremely common, by the way. Whenever there’s an argument, or he says something you don’t like, he’ll let you yell and fuss for a few minutes before he walks away, only coming back hours later to go on about how wrong you were, and how he forgives you, even if he was the one being irrational. It’s not worth the energy it takes to correct him, he’s so persistant when it comes to his version of things, so just… grin and bear it. He isn’t very happy when you don’t. 

~You caught him jerking off to a picture of your ankle, once. This is an example of when he begins gaslighting you. 

~He won’t kidnap you, if you’re looking for a silver lining. He doesn't have to. You can't risk being with anyone else, you’ve heard such terrible things about them, but Rin never lets you believe the awful, awful rumors people spread about him. He never lets you go, even if there are rough spots, and you’re sure that’s more than all the people you used to talk to would do for you. Rin told you that himself

Subject: English

Name: Oliver Laurent

Type: Obsessive and Delusional, which is just another way of saying he’s clingy.

~He’s soft, he’s so soft. He’ll faint if you hold his hand too tightly, and that’ll never change.

~He doesn’t think of himself as a stalker, but he absolutely is. Oliver just thinks it so romantic to leave those hearts drawn on your hand for when you wake up, or cuddle up to you when you’re sleeping too restlessly for him to do so. He spends a lot of time with you when you’re asleep, come to think of it. You’re just so beautiful, in any state of consciousness.

~Love letters will be important, too. Oliver likes it when you read them, when he gets to watch as you experience so many different feelings, all focused on him, but as long as you touch the envelope, he’ll be happy. He’ll remember to make a spare, next time, just as loving and just as beautiful as the initial copy.  To leave on your bed, in case you’re too embarrassed to read his confessions in public and tear it up, again.

~’Reading Time’ is required and it’s never pleasent. All his favorite books are Classics, and he reads them again and again and again, to the point where you’ll have Of Mice And Men memorized by your second month with him

~You can hurt him, if you want to. Punch him, bite him, call him a freak... he doesn't like it, but craves your attention like a drug. It doesn’t matter whether it’s positive or negative, painfully of blissful, he needs something, and he needs it often. He’ll be smiling as long as your skin is on his, even if your touch leaves such nasty marks.

~I don’t think he’s ever seen the sun. He just doesn’t see the appeal. The only time he ever really gets mad is when you ask to go outside, because he’s read The Collector and he knows what you must be planning. There’s nothing outside, you don’t have to go outside. If you aren’t happy with your room, then you must not be happy with him, which means you don’t love him and I don’t think he can take that, either.