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pair-annoyed · 4 years ago

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Anime I Watched This Fall

My first semester of college is officially over and the December holidays are upon us! I hoped to make one of these posts sooner, but I have been incredibly busy with schoolwork. Now that things have slowed down, let’s take sometime to reflect on things I’ve watched.

These anime are listed in chronological order and encompass everything I’ve watched from 9/1/2020 - 12/15/2020

Like always, they will be rated on a 1-10 scale; 1 meaning complete garbage, 10 meaning masterpiece. I will offer my thoughts on what I did/didn’t like about each show!

1. The God of High School - 6/10

Despite the stellar animation from MAPPA and my high expectations, I was really disappointed by how this series was treated. Most of the story’s crucial elements were handled poorly. I finished this series feeling more confused about the plot than when I first began. The power system is really cool, but poorly explained. More time should have been spent on exposition and world building for this series, instead the fights were given the most screen time.

2. Doukyuusei - 7/10

I really liked the style of Doukyuusei. Granted, this was another movie I chose to watch primarily because of the hype surrounding it. The dynamic between Kusakabe and Sajou is an interesting one, and I also enjoy how the movies different acts were separated by the seasons. However, there's nothing that really sets Doukyuusei apart from other romance movies, its a little generic. Still, I enjoyed it nonetheless.

3. Re:Zero kara Hajimeru Isekai Seikatsu 2nd Season - 8/10

My opinions on Re:Zero’s second season are biased. This was, by far, the sequel I was most hyped for during the summer/fall anime season. I was so happy to see the story’s continuation and I’m looking forward to the season’s second part coming sometime in January. Re:Zero is one of my all time favorite series because of the way it handles it characters and power dynamics. I also really enjoy the show’s psychological aspects. If you haven’t already, give Re:Zero a try!

4. Saint☆Oniisan (Movie + OVA) - 8/10

This was a wonderful comedy. I wasn’t sure how the subject of Jesus and Buddha living together would be tackled, but it was handled wonderfully. I was laughing for pretty much the entire movie. I love the art style and little references to both Buddhism and Christianity, plus the incorporation of Japanese culture. Saint Oniisan is a bright comedy, with two eccentric main characters. If you like a show that doesn’t take itself too seriously, and need a good laugh, I can’t recommend this more.

5. Clannad: After Story - 10/10

Never, while watching anime, did I cry as much as I did while watching Clannad: After Story. I didn’t realize how much I related to Okazaki until I saw him grow up in After Story. I was left sobbing, especially after episode 18. I still, to this day, cannot listen to the Dango song without tearing up. The original Clannad is nothing special, but the continuation of its story its something heartfelt, emotional, and down-to-earth. I love Kyoto Animation with all my heart, and Clannad made me appreciate everything the studio has done just a little bit more. Thank you Clannad, for reminding me about the kind of person I strive to be.

6. Nakitai Watashi wa Neko wo Kaburu - 5.5/10

The art in A Whisker Away was beautiful. The story itself, however, is nothing too enjoyable. I found it difficult to like our protagonist or her love interest. Nothing about this movie is inherently memorable. The emotional climax came far too early which made the second half of the film seem long and drawn out. All in all, the movie has a wonderful concept, I just believe it could have been so much more emotional than it was. When I watch a move, I like to empathize with the characters. It’s difficult to do when the characters aren’t given the proper exposition to be empathized with.

7. Shikioriori - 6/10

This is less of a movie and more of a collection of short stories. Flavors of Youth is something you shouldn’t watch on an empty stomach, all of the food looks incredible. The same cannot beside for the rest of this feature. The stories themselves seems heavily clichéd. Much like A Whisker Away, the initial premise is intriguing, but the execution results in something that comes across as trying too hard and carries no emotional weight with the viewer. If you plan on watching, pay more attention to the artwork and animation than the actual plot. You won’t be missing anything.

8. Vinland Saga - 7/10

Vinland Saga helped me get out of the rut that Clannad: After Story. Not only does this show have a great story, its action packed with lots of interesting fights. I especially enjoyed all the Nordic history embedded within the show. Its really unlike any of the other historical anime I’ve watched. I will say, it’s gory. But, compared to all the other things I watched this time around, I finished this series the quickest. Its good, its graphic, its fast paced!

9. Mononoke Hime - 7/10

It’s ironic considering how much anime I’ve watched that I have yet to watch all of the most classic Studio Ghibli films. Princess Mononoke is grittier than most other Ghibli films I’ve seen, but it’s message is positive and its characters are wonderful. I can’t really speak ill towards classics like these. I guess maybe my one complaint is that this movie could’ve been a faster pace. Other than that... I really enjoyed everything Princess Mononoke offered! I understand why it’s so popular.

10. Howl no Ugoku Shiro - 8.5/10

Can you believe it took me this long to finally watch Howl’s Moving Castle? Me neither!! This movie is so endearingly beautiful. I loved every second of it, from the characters to the soundtrack. So many iconic things come from just this one movie. I would like to take this time to thank my best friend for reminding me that Studio Ghibli films are wonderful! Thank you for watching this with me, I loved it! All in all, I regret not watching this sooner!

11. Toradora! - 6.5/10

Toradora took me a while to finish, just because I lost interest about halfway through. But, I powered through it, and ended up really enjoying the show! I’m not the biggest fan of the ending, but that’s just a personal preference. Somehow, this show also made me cry? I’m not entirely sure why because Toradora! is probably the thing farthest from sad. Apart from the show’s dull slice of life moments, it was super cute! A much needed light-hearted romance.

12. New Initial D Movie: Legend 1 - 5/10

Full disclosure, this is the only thing related to Initial D that I’ve ever watched. My band and I watched this expecting to hear some of that iconic Initial D music, itself all we got was a mildly confusing story about different types of cars. It was cliché and frankly a little boring. Although, I am still considering watching the original Initial D just so I can hear the music in the way it was original intended. I’ve got no other opinions on this movie. It’s best not to watch these movies without the context from the rest of the franchise.

13. Uchuu Patrol Luluco - 7.5/10

I didn’t really understand why people enjoy studio Trigger so much until I watched Space Patrol Luluco. I loved all the fun references to other studio Trigger works. I loved the humor, and I loved all the bright colors. The animation was extremely high energy, and the art style fits the show’s premise. Each episode was only 12 minutes long so it was a super quick binge. If you’re looking for something quick, light-hearted and comical, this is the perfect show to watch.

14. Orange - 7/10

I owe a big thanks to a tumblr mutual for recommending this show to me! This holds the honor of making me cry by episode 3! I honestly did not expect the subject matter of this show to be as dark as it was. Usually when I see the genre ‘shoujo’ I do not associate it with a love story like that of Orange. The heavy subject matter made it a little too close to home for me, but I still really enjoyed this series. It reminds me off all the good times I had with my friends in high school, and of all the regrets I carry with myself to this day.

15. 3-gatsu no Lion - 7.5/10

March Comes in Like a Lion is another show that was a bit of a slow burn for me. Each episode left me feeling emotionally drained, so I had to take a lot of breaks while I was working on watching this series. Shaft, the studio behind this anime, holds a special place in my heart because I loved their work on the Monogatari Series. March Comes in Like a Lion is a little different. It’s driving force it is characters, and it was cathartic to watch our main character transform through the entire duration of the first season. I know the show’s second season is much better, so I’ll be starting that soon!

16. Yojouhan Shinwa Taikei - 8/10

I loved how artsy and smart The Tatami Galaxy is, but honestly I couldn’t watch too much at once cause it would hurt my head. I also couldn’t watch this show while I was tired because the speaking rate is much faster than typical anime. The Tatami Galaxy is so unique for its medium. I loved the different time loops and the crazy animation. The characters were fascinating. The dialogue, although very fast, it also fantastic. There’s an element of humor to this unique story telling, and I enjoyed ever minute of it!

Currently Watching:

Hunter x Hunter - 6.5/10 (As of Episode 30)

I pride myself in having watched a lot of shounen anime, but I was reluctant to start Hunter x Hunter for years because I thought I would find it boring. I was oh so very wrong. Considering great shows like Naruto and Fairy Tail that fall under the same category, I expected Hunter x Hunter to be subpar in comparison. It gets a low score for two reasons. One, the power system was introduced a little too late and now I’m wondering if all the fights post episode 30 will involved nen in some way, shape, or form. Two, its still on hiatus.

Two Cursed Additions For This List

Please to do not let these be representative of my anime taste.

1. Yarichin☆B*tch-bu - 4/10

I am a CLOWN for not knowing this was 18+. The only reason I watched this was to see why everyone was talking about the pink-haired boy with the glasses and tongue piecing. I know why now, and I regret it. This was a massive mistake on my part. But hey, at the least the art and ending song kinda slap?

2. Euphoria (Dropped After 1 Episode) - 2/10

If you know what I’m talking about when I say Euphoria, I am so sorry. And no, I am not talking about the HBO series. Seriously, don’t google this. Don’t watch this. Don’t interact with anything related to this. You’re probably wondering, “Then why did you watch it?” I did not watch this willingly. You see, I have a very bad habit of starting anime and then taking months to finish them. I made an ultimatum with a friend, lost, and then was forced to watch this a punishment. Not a fun experience. I’m very glad there are no GIFs of this on tumblr...

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rosemary-is-in-pesterquest · 4 years ago

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HS2's themes are fuckin wack crap cuz like... idk it all starts with the epilogues, right? the thing that the epilogues are trying to say is that all conflict that the characters face within the narrative is there because the audience cast their gaze upon this story and demanded entertainment. something has to happen on the stage to keep us watching, thus, it is the audience's fault that the characters suffer. but that's bullshit for so many reasons. for one thing, it ignores the role of the author. audience demand doesn't force an author's hands to write... that's a decision that the author made. we could've lived with nothing at all.

and conflict comes in many flavors. some stories hardly have any conflict at all. the whole iyashikei genre exists, like, I think we're well past understanding that cynicism, tragedy, and destruction are not the only forces that can drive a narrative. "conflict" is not the only reason for a story to be told. once again, stories tell us as much about the author as their audience. the kind of story an author deems worthy of telling is just as relevant to consider as the kind of story an audience deems worthy of attention.

and even in conflict driven stories... it matters what the conflict is, who wins, how, and why. as a simple example, when the conflict is a battle between good and evil, good wins, it does so by way of the power of friendship, and the reason it is presented this way is to promote the idea that you should be kind and help others... that's a story with a purpose. obviously this is like, children's cartoon level simple, and a story can be written to say different or more complex things, but I should always be able to ask those questions and come up with an answer.

if, as an author, Hussie wanted to accuse his audience of being culpable in the suffering of his characters, he would at least have to present the reader with a meaningful choice. and at first glance, it would almost seem like he did. meat and candy, even by their naming convention, seem as though they are giving you the option to consume a light or dark tale. but even in the names, there is a seed of judgement. Hussie has described the concept of a narrative containing both "meat" and "candy" in terms of story content, wherein meat is anything heavy in terms of plot or drama, and candy is anything that provides levity as a counterbalance, such as jokes or feel good fluff. these categories are already identified as "substance" vs. "a lack of substance" which places value on the cynical, dark route as being more truthful... conflating cynicism with realism.

and already I can see making a case for the idea that neither route is legitimate, because no story should subsist on just one or the other... both need to be at play for the story to be balanced. and you could even argue that the lampooning of the epilogues' legitimacy was the point... that they were supposed to be outside of canon and regarded as illegitimate all along. but then not only does that negate the author's ability to let the audience choose the kind of story they're participating in, but the story itself doesn't play by its own rules.

does candy truly read like some fluffy pandering fanservice filler, the way one might expect it to? and is meat totally devoid of any levity, while focusing only on plot machinations and/or the characters' dramatic downward spiral? I would argue that, even though the consensus seems to be that both routes are equally dismal, neither even gets dark enough to live up to that end of the bargain either. the execution is messy... the concept doesn't hold up.

and what of the initial concept? that the audience's observation of a story forces the characters to enact a conflict for the sake of our entertainment? is that really what's going on here? from the initial pitch, you could already tell that the answer was no. nobody asked for this. and so we cast our apparently destructive audience gaze onto Homestuck 2.

but there, we find another curveball. the story is... almost becoming self aware? in that it casts a character in the role of the author, and also identifies him firmly as the villain. but see, this is still a blame shift. and maybe that would've been less obvious if Andrew Hussie had not introduced himself as a character inside of his own web comic throughout the original narrative. the true author is already here.

the villain of homestuck was never the audience, and it was never a fictional character. if we're really shattering the 4th wall... if we're really ceasing our suspension of disbelief, pulling back the curtain, and acknowledging that these characters are fabricated, manipulated entities with real people behind the wheel, then there is only one conclusion we can possibly come to. the author has control over the narrative... no one else. and the things the author chooses to say with the platform they've made for themselves? those things are on them. what are we to understand about the author, as his audience?

this is why people are looking past the story entirely and engaging with the creative team, for better or for worse. if you break your story enough, it won't work anymore. and when the audience finds it in shambles, completely unusable as a story... you know, the thing it was intended to be? they might actually look to the people who broke it and ask them why they did that. it was a nice story. it performed several functions that people actually enjoyed. was dismantling it like this really the most fulfilling thing they could've done with it?

and I'll tell you another thing. part of why people take it so personally is because, just like how Andrew Hussie, the homestuck character, was a stand-in for Andrew Hussie, the human being... many of the characters in homestuck were stand-ins for us. John Egbert was for people who had an obsessive nerdy interest in movies, Rose was for people who wrote fanfiction, Nepeta was for people who ship characters a lot, she and Terezi were for people who RP, and also... Dave was for people who were trying to act cooler than they felt, Jade was for people who were lonely, Kanaya was for people who wanted to help people and be accepted, Vriska was for people who were hard to love and felt judged for that.

who do these writers think they're messing with?

and I just want to make it clear that I'm not condoning any kind of harassment of them, or anything like that. ultimately, my point here is that we are not our effigies. and in the same way that an author can't blame shift onto a fictional character, a person cannot claim the direction of a fictional story as a reason to do real harm.

but homestuck was always unique in that it spoke very directly to its audience. when Hussie added real pieces of us to his fake people, he had a powerful vehicle for the messages that he wanted us to hear. lots of stories have characters that are written to be relatable, but you'd be hard pressed to find ones that feel quite so specific as the cast of homestuck. to our era. to our humor. to the values of people growing up in our online cultural circumstances.

if this specific author is going to choose to act like a villain, at least in the small-scale context of this comic, then what is that setting us up to be? maybe nothing so presumptuous as a hero... maybe just like, Dave of Guy, y'know? but Dave made normal a pretty heroic thing to be... I think it's up to us to just be normal and have normal fun, in spite of the shit show. regular old homestuck already said all the valuable stuff it was gonna. for my part, I'm just gonna take that and run off with it. ignoring HS2 doesn't make it go away, but paying attention to it doesn't make it good either... so I guess whatever.

that's the themes. the themes are just a big "so what" shrug. most complicated way to say "who cares" I've ever seen.

This is a really good analysis

#long post /#I should probably start using that tag just in case it clogs up people's feeds

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jcmorrigan · 3 years ago

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What movie or tv show scared you the most?

OH HEEHEEHEEEEEE MY TIME HAS COME

I think this was probably the sign I was meant to be a horror fan, because I'm gonna talk about two movies here and neither one is a standard horror film. Now, I avoided horror films like the plague, but I now realize that's because of my aversion to jumpscares and gore, which have very little to do with actual scary stuff. I feared actual horror imagery as a small child, but basically once I read Coraline it all just turned around because that book gave me nightmares but I actually WANTED those nightmares and kept going back to the book. So what are the movies I just COULD NOT contend with?

First up, I have found that a lot of people have said this one, but really and truly, fuck Chicken Run.

I was...maybe ten when I watched it. Signed up for a goofy claymation adventure. What did I get? First of all, a whole lot of bleak color palette that warned me that this was not going to be a happy story. We are then shown the stakes right away: our entire main cast lives in a dystopian prison and if they do not find a way to escape, they will die. One DOES die. This is where a lot of people say they noped out right away, but actually, the execution of the dinner chicken in the first scene was tame for me compared to what would come next.

The pie machine. It's assembled, it's talked about, and eventually our two leads fall into it in a way that is designed to be fatal. Look, there are a ton of horror tropes in this scene alone. I haven't seen it SINCE THE ONE AIRING and I can still vividly tell you a lot of this. And if I walked into a horror film and asked for this, I'd come out super satisfied, but I was not expecting horror from this. First of all, I remember vividly the shot where you're looking from Ginger's POV falling down the shaft and the divider comes up to shunt her into the "meat" line. It's incredibly claustrophobic and you just get this almost jumpscare reminder that the character through whose eyes you see is regarded as nothing more than meat to be consumed. There is then an array of blades designed for close calls, and dough that essentially glues the lead characters down to a conveyor belt so they have to helplessly watch the death machines that are coming. Sticky stuff that roots you to one spot; that's another thing that just REALLY unnerves me and I love it if I'm reading CreepyPasta but I was not reading CreepyPasta; I was watching a children's film. The leads escape certain death by jamming the gravy system, causing the machine to overload on pressure, and here I feel like I should've been relieved that they escaped but instead I was the most unsettled of all when the pressure meter started climbing. I don't know if this film *gave* me a phobia of industrial accidents or if it just awakened what was already in my OCD little brain, but suffice to say that after this movie, I was hyper-aware of my own fear of things like hissing steam, rising pressure meters, and being in a room where large metal things were clanking. (I'm since over it; I've been exposed to it in enough things.)

Now, I was no quitter. I should have just noped out. But I didn't. I continued to traumatize myself. The next part of the film until the climax I don't remember so well - it wasn't as traumatizing - EXCEPT for the part where Ginger finds and rebuilds Rocky's circus poster. And now, as an adult, I can see how that was kinda supposed to be funny, like, "The goddamn chicken padded his résumé and the way they found this out was a circus poster." But little me was invested in these chickens, I wanted them to be happy, and what I saw was basically their death notice being signed with that scrap of paper with a cannon on it. I FELT that in my bones.

STILL NOT HAVING THE GOOD SENSE TO JUST EJECT THE TAPE ALREADY, I proceeded to the climax, in which what happens to Tweedy might be one of the most fucking awful things I've seen ever? Pinned upside-down in a superheated, confined space with rising liquid from below as the pressure meter starts climbing again. And her husband arrives just in time to see her like this but not in time to actually stop the explosion. Thank God it didn't actually kill her because even though I was already traumatized, that would've absolutely made it worse.

Thing is, ever since this movie scared the absolute shit out of me - and was probably the cause of the weird stomachaches I had for A WEEK after - I've kinda had this thing about reclaiming the scary parts and stomping on them while laughing maniacally. I feel like every time I've done a crossover project, there's been a temptation to write in an arc where the mains go up against THE PIE MACHINE and fucking win. And also there's whump with tons of comfort in my version to mitigate it all. I haven't done any such thing for TBTC...YET. But I know what I must do. I know who must destroy the machine and the Tweedys along with it. Buckle your seatbelts.

My final word before I move on is that as I ascend into adulthood, I think that for the most part, a rewatch of this film wouldn't traumatize me so badly. It'd still be gross and creepy in a way I think shouldn't be sent to children without warning, but I could deal with the imagery, maybe enjoy using it as whump fuel even more, maybe my horror side would really get into the peril this time. But the one thing I've realized is that this premise is fucked EVEN MORE if you're a grown-up, because as a child, you're sympathizing with the chickens. You want them to get free of this death camp environment. But as an adult, you start to realize that all Tweedy wanted to do was be a chicken farmer who sold pie, and her supposedly nonsentient animals ganged up on her in a display of unheard-of intellect among farm stock. This would then lead to her undergoing at least one near-death fate. Think about being a farmer in our world and the animals you keep GANG UP ON YOU LIKE PEOPLE because you're killing them for food. No thank you, no THANK you.

But surely this was a one-of-a-kind phenomenon. Surely, after this...after so many other people agreed with me; "Fuck Chicken Run"...no animation studio would ever pull shit like this again.

I had hoped that was the case until Cloudy With a Chance of Meatballs.

This is one I don't actually see lambasted as often. Maybe because the Chicken Run trauma crew grew thicker skins before this movie. I only sort of did. Maybe because no one ever actually invested in this film, having already predicted how much it would be garbage from the dumb humor in the trailers. Oh, but not me. I was a fool. Also my family picked it for a movie night so my fate was sealed anyway.

The original book is actually pretty frightening on its own. Food falls from the sky in such great numbers that it starts to destroy the world. Okay, that's terrifying. But kind of in the alluring way. I would keep coming back to the one page about the giant pancake on the school because the way it was drawn unsettled me so, with something huge and immovable blocking off the way to a building that usually has hundreds of innocent children inside. The film built on this and made it a thousand times worse.

Let's start with the goddamn Spray-On Shoe. Our main character is a mad scientist (but the good kind, apparently) whose list of bumbling failed experiments dates back to when he was a child and invented a spray you could put on your feet to coat them in shoes. He then gets laughed at because he didn't engineer a way to get the shoes off, and runs home in humiliation. Guys, the teasing/bullying factor is...not the most worrying thing about this story. There's a throwaway line about how Flint wears THE SAME SHOES into adulthood because to that day they simply cannot be removed. This seems like an incredibly urgent medical problem? Having your feet encased in the same rubber for years? The same rubber as when you're a kid? I just found myself thinking "What if my shoes never came off one day" and that terrifies me, okay? It's stupid and it's silly and it scares me. Even more than that, though, is the canonization of a polymer in this universe that can be sprayed on sticky and will literally never break no matter what you do to it, because that goes back to the pie machine dough principle. Being glued to a surface permanently is inherently terrifying and we'll go over this later because this is not the last fuckin time the glue shoes get brought up.

Flint invents a food-spewing machine. It ends up in the sky. He rides his popularity as it rains larger and larger food down upon the town and also the world. Most of this film up until the climax is unsettling but not AWFUL. Where it starts to go to shit is when Flint realizes his machine is too dangerous and shuts it off, only for the town's local greedy politician to switch it back on into an apocalyptic mode. So can we start with "Local town finds out its elected official is willing to sabotage their well-being in order to capitalize on the fame of a disaster-causing object?". Like, the whole film would've been solved so much sooner if there hadn't been a saboteur in the works - not a fun campy villain, mind you, but a saboteur who exists to drive the plot to the scary place. But I guess we need that narrative tension to justify having a film in the first place, so fine, I'll ride it out.

The main crew saddles up to fly out to the machine, which is now encased in a FLESH LABYRINTH of food, and...I'm just gonna rapid-fire the shit that happens at this part:

-The food turns sentient in order to defend itself. The cute animal sidekick brutally dismembers an army of gummy bears that is fully sentient and rips them apart to devour them.

-We enter the flesh labyrinth and it's exactly as much a horror RPG setting as you think it is.

-Now sentient cooked chickens besiege the party. The comic relief character is consumed by one, only to kill it from the inside and decide to WEAR ITS SKIN in what is seen as his defining character arc's conclusion. Wearing the skin of a dead monster allows him to forge his new identity.

-One of our party has to go back because of a tight passage lined with her deadly allergen, causing her to undergo anaphylaxis after an accidental mild nick. In the flesh labyrinth.

-The entire horrific journey is instantly INVALIDATED when it turns out that instead of the kill code for the machine, all Flint has is a file of a cat video. Which he finds out as the town is about to be obliterated off the face of the earth.

-So he solves it by jamming the works with the spray-on shoe and DID I NOT JUST GO OVER HOW HORRIFIC INDUSTRIAL EXPLOSIONS ARE IN KIDS' MOVIES? DID I NOT? ARE WE REALLY DOING THIS AGAIN? Anyway it's canonical proof that NOTHING can break the shoe glue and I should be happy for the town and happy that there's no more flesh labyrinth of living meat but instead I'm just terrified because of the door we have opened. We have imparted the existence of an indestructible sticky polymer upon the world.

-It's later seen used in a credits sequence to repair damaged houses. Which, first of all, given its flexible nature, is fuckin stupid. It won't serve as an actual wall. Second, that got me thinking about construction accidents involving the fuckin shoe glue. If that stuff gets dripped on a person's face -

-So then cue me sitting awake in bed later thinking wide-eyed about Cloudy with a Chance of Fucking Meatballs and realizing that this compound that is essentially a chemical weapon in the making is now in the hands of the mayor who deliberately caused an apocalyptic event over the town because he wanted the food rain. And THAT'S not going to lead to pretty circumstances.

I think you'll see that a lot of my fears with these two movies is "THINK OF THE IMPLICATIONS!" and I think that just shows how my mind works and why I'm drawn to fanfic so much. I'm all about diving into a universe, exploring its corners, analyzing it to death.

And with the industrial horror stuff, I kinda wanna bring it around to two other films that actually really subverted my expectations and made it fun. 102 Dalmatians was a fave of mine through middle school, but I remember when the climax took us to a big ol' factory and I got plumb nervous. After the usual blades and ovens of horror, the fact that it concludes with Cruella basically wearing a cake and a lengthy montage of the dogs kicking toppings onto her is just one of the most wholesome imageries. She survived the thing and now you get to watch her be decorated Lisa Frank style by her victims who are more interested in humiliation than murder, and I love that.

But maybe more prevalent is that I'm well aware that if certain filmography or plot points had been handled in different ways, The Boxtrolls might've actually frightened the ever-loving fuck out of me what with all the industrial stuff and medical horror, but I just...felt like that film was holding my hand the whole way through going "It's okay." The industrial stuff was framed in a way that was just campy enough and yet also taken seriously. Putting a really charismatic villain - ACTUAL VILLAIN, NOT CHICKEN FARMER OR CORRUPT POLITICIAN SABOTEUR - at the wheel was just such a mitigating factor that it gelled the whole thing together and I ended up LOVING what was done with giant machines and garbage crushers and explosions. And as for the medical body horror, I really appreciate how it was so baked in that Snatcher did that to himself - that everyone, EVERYONE warned him "Do not do this, you will probably die, I'm serious, bad fucking idea" up to the point of Eggs trying to plead him during an anaphylaxis attack, one last time, DO NOT continue down this path, we can find a way to heal you psychologically and get you some self-fulfillment. And Snatcher fully chooses hubris over the many, many opportunities offered him to be able to step down onto a safer path and that removes the fear and pulls it more into a tragedy for the villain. Not at all the same thing as "Sam the reporter is trying to save the world and doing her best until a fixture of the landscape accidentally sends her into anaphylaxis."

(Oh, and by the way, can I just - when I do see CWACOM brought up these days, it's always in the context of "This is the one movie where the guy tells the girl it's okay to look nerdy!". Well, no, not the way I remember it. The way I remember it, Sam basically tells Flint "I used to have really tacky style but have since changed it up of my own volition" and Flint is just like "NOOOOO YOU NEED TO WEAR GLASSES AND A SCRUNCHIE. I WANT A HOT NERD GIRL." This could've been pulled off right with some more introspection into female beauty standards, even in a tongue-in-cheek way, but right now it really looks like Sam just wanted to make herself more glam for a new image and Flint bullied her into regressing her style. Which I've also realized meant he bullied her into dressing more like she did as a teenager and normally I think that kind of shit is just "You're overthinking it" but since it's CWACOM and I spelled it out on paper like that, I'm just now realizing how that can be seen as pretty...icky.)

The one saving grace of CWACOM is that I was older by that time, and so it didn't affect me as hard as Chicken Run. But I still hold it dearly to my heart as one of the MOST DISTURBING movies I know, and by "dearly" I mean "fuck this movie, really and truly." I want to extend my thanks to 102D and Boxtrolls for giving me industrial-horror-based climaxes that were actually really comfortable, and again, probably what drove both of these was the fact that we had a campy diva villain in the lead for the potential scary stuff to surround and radiate off. Not a fuckin...ordinary chicken farmer who is just trying to make bank but is somehow passed as a Nazi allegory for trying to live her life as a farmer? I dunno, maybe if I rewatched that film I'd see she has a thirst for human blood too, and if I could fix fic Chicken Run my first order of business would be to give her a thirst for human blood instead of/in addition to chickens.

Anyway. Fuck both these films, EXCEPT for the fact that traumatizing scenarios can always be recast as whump material, and the next time I wanna do some crossover aftercare from a physically and psychologically damaging mission, I have a pie machine and a flesh labyrinth to exploit. REALLY HEAVY ON THAT AFTERCARE COMFORT THOUGH!

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bnha-scenarios · 4 years ago

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☕️ Special Thanks ☕️

As always, thank you so much for the coffee! Your kindness are very much appreciated! ♡

Emilija | Regan | Nela Kovaříková | 1 Anon

Onwards to the progress update.

I had. So. Many. Things. That I actually wanted to complete.

… Alas, work decided to be a bitch and swamp me with things to take care of. To put it simply, there were a lot of issues that caused a lot of overtime work even on weekends, so I had to step away from coding most of the time so I won’t burn myself out.

So yeah, I didn’t manage to complete a lot of features, though I did dabble on some stuff here and there. I’m not happy with the rather small progress either. But life happens, and there are just other things that are more important sometimes. So we just have to let it go and look forward to the next month!

I’d say that this month I was quite productive in terms of organization and planning instead of the actual coding. I have at least identified what I need to write for the ‘free activity’ time of the game, which makes about 30-40% of the gameplay itself. However, actually writing the scenes and executing it is a different effort altogether, which I have only started to embark on.

Still, it’s crazy to think that the development for the full game has been actively going for around three and a half months now. Whew. Knowing that I have a tendency to hyperfocus and then get tired of something after a short time frame, I’m going to at the very least give myself a pat on the back for still keeping this project up and running until now.

More details below ↓

Added Route: Kirishima

Let me preface this first with a declaration: I won’t be adding any more love interest after this. Please please please don’t make me do it 😅 Going through all the plans and re-setting up things to figure out how to add him in was such a painful experience…

But anyway. I will be adding this boy’s route to the full game, because a lot of people seem to want to have him in the game. He does seem like a fun character to write, so I thought I’ll give him a chance.

Gameplay

Places, Schedules, and Hanging Out with the Boys

I think you would have noticed from the last two devlogs, but there are several activities you can do in-game. One of them is to visit a place of your choice at a certain time in a day.

Some places can be unlocked when you reach a certain threshold in a specific stat, and there are others which will be unlocked when you reach a specific threshold in a character’s affection meter. Nai will message you whenever you manage to unlock a new place to visit, so keep a lookout for that!

But what happens when you visit a place?

Well, each character has their own schedules -- which you should be able to figure out either by coincidence or by talking to them at school when prompted to do so. Your Quirk will allow you to see the unlocked schedule of each of the characters, so my advice would be to check it out before deciding where to go! If you manage to come to a specific place at the correct time, you will bump into them. Normally, this will trigger a set of actions you can perform: Talk, Action, and Skinship.

Talking is a safe way to increase your love interest’s affection meter, especially in the first half of the game. More topics can be unlocked under some requirements. Generally, it doesn’t matter where you are, the topics you can talk about will be the same. There are topics which might trigger different reactions depending on how high your love interest’s affection is, so have fun finding them! However, be warned that most topics can be selected only once!

Action is another safe way to further increase your love interest’s affection meter. Unlike talking, different places have a different set of actions you could select from. More actions can also be unlocked under some requirements. Responses to this doesn’t exactly change based on the character’s current affection level, and it’s not limited to one time only.

Skinship is a riskier way to boost the affection meter: simply put, it’s a high gain with a high risk. Consider the character’s current affection level when you’re selecting from this list! He might not like it if you go touchy-feely when you’re not that close yet.

On the other hand, when his affection is high enough, you’ll find that you can have a lot of fun choosing the various options here. So be smart, bide your time, and have fun ;)

And that’s not all! Interaction is a two-way street, so depending on how your love interest views the main character, he will initiate Talk, Action, or even Skinship. There’s a lot of variations in here, and I hope you’ll have fun with this mechanic! I certainly am having fun while also pulling out my hair out of frustration designing this and trying to put the mechanism to control this into code…

Progress-wise, I think at the very least the functions for controlling this specific mechanic have been 80% completed. The actual writing however, is another story. There are still hundreds that I still haven’t had the time to write yet, and most of them are not yet coded in. Those who have been coded in still don't have sprites and music, so really, I’ll just say that the writing progress for this part is less than 1% completed….

On the left is the currently WIP full game project, with what I would say around 2-4% dialogue scripted in. And on the right side is the completed demo project.

…. Can you see how much effort the whole game is going to take me now? I did say to strap in and relax, cause this is going to be a long ride. And I wasn’t kidding lol

"Nai"

Although throughout the first week, the story will flow as your environment / characters around you teaches you on how the game works, I’m aware that the game mechanics might be hard to understand for casual players who aren’t too used to playing otome games (or games in general). Which is pretty much why I’m giving you a ‘helpline’ of some sort, in the form of another character.

Why a character? Because I can and I want to. Shush 😆

If you’ve played the demo, chances are, you’ve encountered a name which you had no recollection of existing in the canon My Hero Academia universe. Well, you’re right. Like the player’s character, Nai (full name: Namae Nai / 名前ない) doesn’t exactly exist in the canon universe, but she’s here to help you throughout the game. (She’s also there because if she wasn’t, 1-A class members becomes odd number in total and that just feels weird to me -- plus, the team exercise system in Heroics wouldn’t exactly make sense if the class has odd number of students)

For those of you who hate Original Characters with a passion (why tho), you don’t need to worry too much. She won’t be an intrusive character in the plot and will mainly not contact you unless she really has to (seriously, her full name literally means ‘no name’, so give her a break, ok?). And if, even then, you still hate her, well.... Too bad you won’t be able to enjoy the game, I guess.

For those of you who don't mind her existence: I hope you’ll take a liking to her dark sense of humor and appreciate her helping you get through the game!

Others

Fixed some bugs regarding unlocking Special Moves from certain activities and games.

Played around and customized the ‘input name’ for a little bit, so it wouldn’t awkwardly sit on the bottom of the screen. I have 0 talent in designing UI though, so the background still stays as a black screen -- but at least it looks more prominent now.

Added a little sign to indicate which route the player has entered. I think it’s pretty cute! Hopefully you’ll like it.

Assets

Those who follow me on Twitter would have seen this coming, but anyway, I’ll be using TMGS OSTs as the main character theme for the four love interests. Hush hush, okay?

Other than that, unfortunately I didn’t have time to do any assets gathering this month.

Writing

Nothing much to say here. I think I managed to script around 50% of the events in the first day, but honestly I’m not completely satisfied with it so I might go back and tweak them a bit. Still a lot of scenes to be written!

Plans for December

I'm not too sure whether there would be much progress for the next two months, since there are so many things happening and deadlines to be met at work, which is making me really unmotivated to do other side projects in my free time lately. I also feel like I haven't been taking care of my health enough ever since quarantine started, so I'm trying to get back into doing more exercises and looking for healthier food options, which also cuts into my free time and motivation I guess.

With that said, I'll still at least aim for getting some scripts coded in -- particularly for the events in day 1. Other than that, maybe hopefully some assets gathering for supporting Kirishima's newly added route, and finishing up the coding parts that I was unable to finish this month.

I'll see y'all again at the end of next month!

#my hero academia #boku no hero academia #mha #bnha #heroaka #midoriya izuku #bakugou katsuki #todoroki shouto #otomegameproject #wnha

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garazza · 5 years ago

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Action Comics #1023 Review

“The House of Kent: Part 2″

Action Comics #1022 “House of Kent: Part 1″ Review

Hoo-boy.

I actually appreciate this recap page, I really do, but it just rubs me the wrong way. I’m not sure if it’s the content of the recap that pisses me off or if it’s for the fact that they literally just took a page from the previous issue and slapped in some new dialogue (see Bendis’ Man of Steel mini for this to be taken to the extreme).

Most likely the latter, but there’s a good argument for the former because reading objective statements about what Bendis has done tends to do that. I guess what they could be going for is for something similar to when Svengoolie comes back from commercial break and it’s a still from the movie with Sven’s face superimposed somewhere and he makes a quip about the movie before it starts back up again.

But I digress. It fills me in on what’s been happening in the book and that’s what I needed it to do.

The art really goes down in quality since last issue. Romita, Jr.’s pencils aren’t as good, Janson’s inks are heavier and a lot more boring, and Anderson’s colors are bland and flat and not as lively. There are a few good spots and I’ll point them out, but they’re infrequent, and overall, the quality of the art is much more similar to the art in the Metropolis Doom arc than it is to last issue. This leads me to believe that editorial only gave the art team enough time over the pandemic-induced break in publishing to produce one good issue before forcing them back into a deadline where Romita, Jr.’s work is not as good and tends to suffer.

Red Cloud attacks and attempts to kill Jimmy Olsen instead of Lois Lane to send an even greater message to her and Clark.

For those of you that don’t know, the Invisible Mafia speak in code to avoid detection by Superman’s super-hearing and meet in areas surround by lead to hide from his supervision. In the beginning of this confrontation, no one says anything that Superman would respond to if he hasn’t already tuned it out, which is why Lois says out loud her nickname for her husband to get his attention.

It’s a sign of affection for them and could be utilized for such a scenario, but I don’t see why she had to say his nickname over anything else to get his attention. Maybe because since he revealed his identity to the world his real name is being said a lot more often in non-criminal ways, so he doesn’t respond to it as much as he has in the past. I’m not sure if I’m trying to come up with a rational excuse for what is actually a writer’s weird and out-of-character creative choice or if it’s what an actually competent writer intended for a discerning reader to infer and get joy from a successful analysis.

Regardless, it’s what got Superman’s attention at the end of Superman segment in the last issue. I don’t think what was supposed to be conveyed with those panels last issue was accurately conveyed by the art. Either Romita, Jr. didn’t sufficiently depict (but still beautifully rendered) what Bendis had directed him to draw, or Bendis had poorly directed Romita, Jr. in what he wanted him to draw. With this added context, however, these panels do make a lot more sense, but only with the added context. Without it, the scene is a little unclear.

You can clearly see the change in art with the two issues side by side like this. This issue, the art just doesn’t look as good. It’s just kinda blegh. It accomplishes what it needs to convey the story, but in a very boring and unspectacular way.

Also, this panel is very Harry Potter to me. Superman’s more subdued face is similar to that of book!Dumbledore in Goblet of Fire, but the almost hyperbolic dialogue is more akin to that of movie!Dumbledore. It’s very dissonant.

I really want to hate the humor of this panel, but it’s just so fun, so I won’t.

This is a really cool panel, one of the few standout moments, but I have issues.

First, I may have enjoyed the humor in the last panel, but Bendis’ attempt at humor with Jon here just makes me want to cringe. Whenever Bendis makes Jon talk, it just pisses me off and makes me want to stop reading.

Second, I see what they were going for with the glowing eyes, but this is some more of that dissonance between the art and the writing. It actually looks quite menacing, but the dialogue has a more humorous tone. Also, the actual effect for the glow is just two red circles, making their eyes look more like flashlights than radiating energy. I also want you to keep this moment in the back of your minds, I’ll refer back to it in a second.

I think the dissonance is the result of the Bendis-speak, where some of the characters are quippy, but other characters are playing the situation straight and are reacting accordingly to the incorrect behavior. There’s nothing wrong with a superhero comic being light-hearted, but it just doesn’t quite fit here. All the right ingredients are present, but they’re not all in the right proportions.

Another panel I really like. The smoke and its color are really well done, especially in contrast to the all black silhouettes except for their back logos of the Supers.

The eye glow effect looks much better here. It’s simple yet powerful.

I don’t know how important this revelation is actually supposed to be, so I’ll defer to the depiction of the comic instead of playing the fool and acting upset about something I’m ignorant about simply because I’m not a fan of the writer.

This moment is cool and all, but I don’t think Conner has super-breath. He doesn’t actually have the powers of Superman, he uses his tactile telekinesis to mimic some of the powers of Superman.

The “extreme high-velocity super-speed” was this issue’s first indication that Bendis might not know anything about this character he has stewardship over, but that can just be chalked up to Superman not remembering the powers of Conner. We don’t know the upper limit of Conner’s tactile telekinetic flight, nor should we care, it’s supposed to be a fun line.

The second indication is that Conner is shown to have heat vision when his eyes glow alongside Clark and Jon’s. He only has heat vision when he wears special goggles or a visor. Again, he doesn’t have all the powers of Superman. Tactile telekinesis only covers so much of Superman’s powers. But this can be forgiven because it is a pretty cool image.

“Once Is Chance, Twice is Coincidence, Third Time Is A Pattern.” This panel is the third instance of Bendis’ lack of understanding of Conner’s character. If this was the only instance, this would be fine, but it’s not. The moment is cool, but it’s a bridge too far.

Refer to my review of the first issue for more of Bendis not knowing anything about Conner.

EDIT: Thanks to @thebartallenblog for pointing out to me that Conner does in fact start developing more Kryptonian powers outside of his tactile telekinesis in the 2003 Teen Titans book by Geoff Johns, so Bendis does in fact know more about the character than I give him credit for, which is more than I can say for myself in this instance.

Also, this moment goes on for way too long, almost two entire pages. Beautiful, the art of decompression and wasting reader’s time and money.

“Should I super-inhale?” Shut up, Bendis.

Also, why is Red Cloud is so fixated on Superman’s family instead of just Superman. Does the Invisible Mafia have something against his family as well? It was my understanding that they have it out for him specifically, anything that is ancillary to him is extraneous and not worth their time.

“Hey! It’s not my favorite super-move on a good day.” Then why the fuck did you even make him suggest it, Bendis?

I don’t know if loved ones referring to Lois as Ma is something Bendis has been trying to push as a character quirk or if it’s some sort of weird one-off. Either way, I don’t like it. It’s not bad in of itself, don’t get me wrong, it’s just not my thing and there’s nothing wrong with that.

Again, I’m not sure how significant Jimmy figuring out Red Cloud's identity is supposed to be to the plot and the narrative, but this seems to be a bit of lampshading from a writer who literally has no right to be lampshading.

Couldn’t give a shit about the plot, I’m just here to nitpick. Next.

Feels a bit janky in the art department, but the dialogue is surprisingly in character. They all feel like they have their actual voices. It’s a nice little moment.

I would address all the instances of Bendis making Jon talk, but that would make this longer than it already is, so I’ll only do it when it’s particularly egregious.

Red Cloud comes back and attacks not!Jon and I couldn’t care less. Kill the bitch. Please.

The next two pages are a lot of nothing, just a boat load of Bendis-speak.

I’m pretty sure this played out a lot differently and more humorously in Bendis’ head when he wrote it down and Romita, Jr.’s art makes it all the more funny but for all the wrong reasons.

Who’s his partner? Officer Tomasi?

You know when I said that one panel with Lois, Clark, and Jimmy was written really in-character? This panel with Conner and Jon is the exact opposite of that.

Red Cloud and Ms. Leone have a fun back and forth for two pages. It’s a good example of Bendis-speak working well.

“Black Label Club?” One meta-reference is enough, but two is stupid. I actaully feel a little conflicted nitpicking this, but Black Label is in such a weird place right now, so why reference it?

But “Clark Kent walked into a bar...” is a pretty bad ass line, very John Wick.

A very cool sequence, but it’s full of Bendis-speak and very decompressed.

Why the fake-out of the Superfamily executing a gangland-style shooting with Jon being the one pulling the trigger? I get it’s a story beat the narrative is supposed to hit, but still.

The reveal is pretty funny, shrinking the club, so it’s a little forgivable, but the set up and the pay off don’t quite match. It’s just another example of that dissonance I’ve been mentioning.

I know that “supersons” line was put there by Bendis as a deliberate dig at his detractors, so I’m not going to take the bait and get pissed. Nice try, big guy.

All in all, this issue was not as bad as I initially thought. It’s series of some really big highs and lows.

#superman #superboy #conner kent #jon kent #lois lane #jimmy olsen #red cloud #robinson goode #ms. leone #invisible mafia #brainiac 5 #clark kent #action comics #brian michael bendis

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ordinaryschmuck · 4 years ago

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What I Thought About the MCU (Phase Three Part One)

...I’m gonna have to split this one into two parts. Because Phase three is when these movies start getting good, and which in turn results in my have a LOT to talk about. So, here’s the first half of this phase.

10th place: Captian Marvel (6/10)

This is not the worst MCU movie. This isn't even close to the worst thing in the MCU. THAT honor goes to Inhumans, which might just be the most boring TV show that I ever had the displeasure of watching. And if you're a person who only counts the movies as part of the MCU, then there is no way you can look me in the eye and tell me that Captain Marvel is worse than Thor: The Dark World. Because this movie actually has better action, a handful of funny moments, a decent (albeit predictable) story, a fantastic tribute to Stan Lee, and Goose the Cat. Who is free from any criticism due to being equal parts adorable, hilarious, and awesome.

However, there is one major issue that this movie has, and that is Brie Larson's Captain Marvel. Before you say anything, no, it's not because she barely smiles (shut it, if you think that's actually the problem). The problem is that I just don't know what they want her character to be. Is she meant to be playful yet mysterious, like Marceline from Adventure Time? Is she meant to be a stoic badass with a deadpan sense of humor like Garnet from Steven Universe? Or is she supposed to be this perfect hero with witty remarks like Kim Possible from Kim Possible? Because at times, it feels like the people behind this movie are trying to do all three personalities at once, which makes the character feel disjointed. Plus, it's probably not a good thing that I listed three female characters in children's shows better than this character in this movie for teens and adults. Nor is it a good thing that every actor, including the males, act circles around Brie Larson, who is known for giving Oscar-worthy performances. Still, I'm willing to allow the benefit of the doubt that this issue will be solved in time for Captain Marvel 2, as it took both Captain America and Thor a while before they finally became fan favorites. For now, while Captain Marvel is nowhere near the worst, I wouldn't exactly jump the gun and call it the best, either.

9th place: Doctor Strange (6/10)

This movie is somehow both memorable and forgettable at the same time. The visuals alone help make Doctor Strange memorable, seeing the world bend and morph in a way that is best experienced on the most gigantic screen you can find. The visuals even lend to making the fight scenes unforgetable, resulting in action that's hard to forget. It's still just punching and kicking, but the way this movie uses punching and kicking that makes it fun to watch. Such as having Strange fight wizards as astral projections, or while the world is reversing in on itself, dodging debris as it puts itself back into place. Plus, that ending is not only the most unique defeat of a bad guy that any MCU movie has done, but it also proves how selfless Doctor Strange can be as a hero. So I won't be able to forget bits and pieces of this movie...but I can easily forget everything else. The jokes, plot, characters, and especially the villain are things I tend to lose track of on each rewatch. Which might honestly be worse than it sounds. Because while it's still a fun movie that I recommend, it's not a good thing that I constantly forget it, even as I'm writing this.

8th place: Ant-Man and the Wasp (7.5/10)

How is Ant-Man and the Wasp a dividing movie for MCU fans? People either really hate it or just think it's ok, and I don't get that. Because personally, I think this movie is really good. Yeah, there are leaps in logic, and the ending is a huge cop-out, especially since this movie came after Avengers: Infinity War. But I think Ant-Man and the Wasp incredibly improve upon the original with a tighter story and better-written characters, who all have great personalities and fantastic chemistry. Sure, these characters fall flat during certain dramatic moments, but really succeed when written for comedy. My personal favorite is Cassie, who might just be my favorite little girl character in fiction. She admires her father for everything he does, going so far as to smile with glee as he's wreaking shop in the finale.

Speaking of her father, I really love how Ant-Man and the Wasp differentiate Scott Lang from the rest of the Avengers. In a world of gods and supersoldiers, you have Ant-Man, who's basically just a regular guy. The best example that shows how it that montage of him doing stuff while under house arrest. If any of our other heroes were in this situation, they would take advantage of the time to train, build cool s**t, and maybe even meditate. But for Scott? He wastes time singing karaoke, practicing close-up magic, and crying himself to sleep while reading The Fault in our Stars. It's a great way of showing how he's a little fish in the world's biggest pond. And I like that.

This movie may not be perfect, but every now and again, it's nice to get something small-scale (get it) and personal within the grand adventures in the MCU.

7th Place: Captain America: Civil War (8/10)

There are three camps of people who argue about this movie. The first camp is the people who fight about whether this is a Captain America movie or an Avengers movie. The second camp is the people who disagree on how Captain America: Civil War is the same as Batman v. Superman-Dawn of Justice. The third and final camp argues whether or not the movie is better than the comics. And I'm about to address each and every one of these camps.

First off, this is an Avengers movie. Captain America may take a more primary role, but consider that Thanos is easily the main character in Avengers: Infinity War, and how that movie isn't called Thanos: Infinity War. The fact that Cap barely takes center stage kind of ruins this being his movie, which is why it's arguably the worst Captain America movie by default, but that doesn't change how good this is. Mostly because it's easily a better Avengers movie than Age of Ultron.

As for how this movie is the same as Batman v. Superman, I can tell you right now that it isn't. They're similar in concept, I'll give you that, but their differences meet with the execution of said concepts. Yes, both movies have two people with different ideas fighting it out due to heroes causing collateral damage while inadvertently doing what an evil mastermind, with a tediously complicated plan, expects them to do. But you wanna know what Civil War has that BvS doesn't? Comedy. Marvel's ability to laugh at itself, to realize that what they're making shouldn't be taken too seriously, is what makes it worth the watch. Every. Time. Plus, I find it hilarious that a movie with four times the amount of superheroes manages to give each character a proper story and subplot than the film with just three.

This leads me to my third point: The movie is much better than the comics. Would it have been more awesome to see the number of characters we have now battle it out than seeing the relatively small one in this movie? Maybe. But look at Infinity War and Endgame. As good as those movies are, there were still many characters that got the short end of the stick. By keeping the cast small, Civil War gives each hero time to have an understandable motivation to pick one side or the other while giving each of their stories a proper conclusion. Even Black Panther and Spider-Man, introduced in this movie as sequel bait, still somehow manage to have clear motives and satisfying stories. Plus, where the comics make it hard to pick a side between Captain America and Iron Man because both made awful decisions after awful decisions, the movie makes it hard to pick and choose because both have to make hard decisions. Both Cap and Iron Man have clear reasons for their choices as well as hesitations. But they still see the point of view of the opposing side and try to talk things out. Which makes things all the more heartbreaking when they finally disagree. Something that never happened in the comics even once.

Overall, Captain America: Civil War is a great movie. It may not entirely be a Captain America movie, and the villain's plan is, again, tediously complicated. But it's still good because it understands the importance of characters and even a sense of humor. Which is something that I wish I could say about Batman v. Superman: Dawn of Justice.

6th place: Guardians of the Galaxy Vol 2 (9/10)

It's not every day that the sequel is better than the original, let alone being equally good. And yet, Guardians of the Galaxy Vol 2 is just as fun as its predecessor, if not a smidge better. Everything that I love about the first movie is here in spades, with a few improvements added to the appeal. Like the visuals, which not only have the colors and gradient turned up to thousand, but there are also some spectacular shots that at times look like they could be panels in a comic book. Plus, Ego the Living Planet is a much better villain than Ronan ever could be. Ego's motivations are typical, but his charming personality creates a character that's fun to watch while also showing how dangerous a person like Ego could be when his true motivations are revealed. Although, despite improvements, there are still some elements that Guardians of the Galaxy Vol 2 takes away. Because while most of the jokes are funny, there are some scenes where it's hard to tell if I'm supposed to be laughing or feeling emotional. Also, I just hate what they did to Drax in this movie. In the first one, he was a stoic badass with a deadpan sense of humor. Here, he's written as a dumb a**hole who gets one emotional scene. And it's a powerful one, sure, but it's not enough. Still, I love this movie. If I had to pick which one is better, I would probably say it's Vol 2, but even then, it's a close race, in my opinion.

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And that’s all for now. Here’s part two.

#marvel cinematic universe #mcu review #captain america #doctor strange #ant-man #the wasp #gaurdians of the galaxy #captain marvel #what i thought about

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serenlyss · 6 years ago

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Mob Psycho Fic Recs

I've been keeping track of some of my favorite finished and in-progress mp100 fics as I find them and figured I'd show them some love by linking them here! They come in no particular order or genre, just whichever I bookmarked last haha. If you"re looking for good mp100 fics be sure to check these out!

To Strike A Chord Author: Hino Rating: Teen Archive Warnings: None Completion Status: Complete Tags: platonic ritshou, mutual trauma, post world domination arc Summary: Ritsu visits Shou, feeling uneasy about his past. But he's not the only one. My Notes: Short and sweet, it touches on Shou and Ritsu’s mutual trauma from the World Domination arc and gives insight in the Suzuki family relationship before Touichirou decided to take over the world. Also Shou plays the guitar.

Of Cold Hands Reaching Author: UncannyCookie Rating: G Archive Warnings: None Completion Status: Complete Tags: terumob (can be read as platonic), angst, ptsd, trauma recovery, hurt/comfort, dissociation, miscommunication, post-mogami arc, slow burn Summary: After six months in Mogami's mind world that weren't even real anyway, Mob returns to his old life. Everything is fine. My Notes: A really interesting take on what Mob’s mind looks like after spending six months in Mogami’s fake world. It gets pretty real when discussing Mob’s dissociation and apathy about the whole thing but gets sweet at the end and has a happy ending. It’s introspective, which I really like, but has enough lighter moments in between that it doesn’t feel heavy constantly.

Delirium Author: Janekfan Rating: G Archive Warnings: None Completion Status: Complete Tags: serirei, pneumonia, hospitalization, guilt, smoking, depression, sel-harm, panic attacks, fever, sickfic, love, kissing, caretaking, misunderstandings, mental instability, flashbacks, unconsciousness Summary: Reigen questions himself. My Notes: Reigen decides to pick up smoking again as a coping mechanism and hides it from Serizawa. It goes into Reigen’s feelings of self-loathing and depressive tendencies that the manga only really touches on. It’s dreary pretty much throughout but does have a happy ending to end on a high note!

April Fools Author: SparkyFrootloops Rating: G Archive Warnings: None Completion Status: Complete Tags: dad reigen, good parent reigen, teru is reigen’s son, hijinks & shenanigans, pranks Summary: Teruki gets to celebrate April Fools Day at his new home with Reigen. My Notes: This fic is short but so so funny and full of heart. Teru trying to prank Reigen, who he lives with in the context of the story, is hilarious and all the dialogue is just gold. I also really love Mob’s cameo in the second half. Just a solid found family comedy one-shot to lighten your mood and make you smile.

Broken, Repaired, New Author: GalacticConfectionist Rating: T Archive Warnings: None Completion Status: In Progress Tags: serirei, abuse, child abuse, domestic violence (all abuse is only implied/referenced, never shown), light angst, hurt/comfort, pining, good parent reigen, good brother reigen, original character but she’s really good Summary: “You’re a good kid” He said, ruffling his student’s hair. There’s a moment of quiet and Reigen sighs, “Mob, remember this. Guys who hit women are the biggest losers in the world.” Reigen’s sister comes to visit, shenanigans ensue. My Notes: I don’t usually go for fics with ocs in them since I don’t typically end up connecting with them but this is one of the rare exceptions! Reigen’s sister escapes her abusive husband with her daughter and goes to Reigen for help. She ends up staying with Serizawa and trying to set him up with her brother. Despite the references to abuse it’s actually a very lighthearted fic about wanting to make your friends happy and taking care of those you consider to be family. Misaki and Reigen’s sibling relationship is well-written and she has enough personality and motivation to make me invested in her situation. Just an all-around good read if you want to smile and feel happy.

aaaaaaaaaaaaaaaaaaaaah! lol Author: marnies Rating: Not Rated Archive Warnings: None Completion Status: In Progress Tags: serirei, good parent reigen, good parent serizawa, sickfic, fluff, epic family moments Summary: reigen and serizawa adopt teru and shou and move in together asmr My Notes: This fic is just a good time. It’s not too far in but still has enough content to be worth a read. It doesn’t take itself too seriously, but that’s the charm of it, and it comes across as humorous and lighthearted with its found family dynamics. Reigen and Serizawa are both clueless parents of their adopted sick kids and are just trying to help each other out.

The Space Between Author: sofia-estrella Rating: M (nsfw content in later chapters) Archive Warnings: None Completion Status: In Progress Tags: serirei, reigen pov, slow burn, coworkers to friends to lovers Summary: Reigen never expected Serizawa to stay. My Notes: A really nice fic about how Reigen and Serizawa’s relationship grows and evolves slowly as they spend more than a year together over the course of the narrative. Both Reigen and Serizawa are very in character and their relationship is approached with care and concern from both sides, which I think is very fitting for them! It does a good job of balancing soft character interaction with personal squabbles and drama, which makes for an interesting and entertaining read.

The Joy of Cooking (for a Family You Didn’t Know You Had) Author: pepperfield Rating: G Archive Warnings: None Completion Status: In Progress Tags: good parent reigen, background serirei, found family, unintentional parenthood, cooking, meddling kids, family fluff, food as a metaphor for love, getting together, light pining, 5+1 Summary: At first, it's easy. Mob likes takoyaki. This, Reigen can remember. When Teru moves in, things get a little more complex, but it's fine. He only has to feed one kid on a regular basis; he can handle this. But before he knows it, he's memorized all of Tome's favorite restaurants and he's keeping a stash of snacks in the office just in case Shou visits. This whole "family" business has gotten out of hand. My Notes: Good old dad Reigen taking care of his five unruly children. In this fic Teru lives with Reigen and everyone else is just along for the collective ride. It’s a 5+1 fic about Reigen cooking/buying food for the kids as a way to show he cares about them. It’s really cute and shows how much Reigen cares about the esper boys and Tome after all is said and done in the manga.

On Revelations and Renovations Author: mustdang100 Rating: G Archive Warnings: None Completion Status: In Progress Tags: good parent reigen, reigen adopts teru, background serirei, hurt/comfort, adoption, fluff and humor, 5+1 Summary: “I’m really sorry to bother you, but, ah, I don’t suppose that offer to stay at your place for the night was still an option?” Five times Reigen got called a 'dad,' and one time he called himself one - a vignette-style fic on how Teruki grows up and Reigen acquires a family in the days, months, and years following the World Domination arc. My Notes: Teru decides to stay with Reigen after all following the world domination arc, and then never leaves. It’s a super cute and fun fic about found family dynamics between all the main cast, but specifically Reigen and Teru. Teru and Reigen’s banter is well-written and funny, and the whole concept and execution is really charming and fun to ready.

A Real (Psychic) Conman Author: Trinz Rating: T Archive Warnings: None Completion Status: In Progress Tags: esper!reigen, empath!reigen, swearing, reigen centric Summary: An AU where Reigen actually is the 21st century's greatest psychic- or at least the second, or third, or maybe fourth- the point is that he’s an esper and his "I'm so powerful I can hide my aura" thing is... actually true. My Notes: This is one of my current favorite fics. I read it all over the course of like two days up to its current chapter and I’m in love with the author’s psychic Reigen concept. It follows the canon storyline with some divergence to account for Reigen actually having powers, and really paints him in a different light. It also has an air of mystery with its over-arching plot that, seventeen chapters in, still has only been hinted at, but the real star of the fic is the way a psychically powered Reigen interacts with Mob, Ritsu, and Dimple and the creative ways the author incorporates his powers of telepathy and empathy. Really creative and a super fun long read if you want a longer story!

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quu-kii · 5 years ago

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Jake Gyllenhaal Filmography Ranking

My personal ranking of all Jake Gyllenhaal movies from October Sky onwards with some brief thoughts on each of the movies. Honestly the exact number ranking of these movies is probably not super accurate and could be liable to changes, but I tried my best with the ordering.

Amazing Tier (My favorites)

1. Brokeback Mountain - This is such an emotional and heartbreaking movie. I knew it was going to have a sad ending going into it, but still I was not prepared for how strongly it hit me in the feels. And it’s not just the ending that is sad; you can tell that the love between the two leads is doomed from less than the midpoint of the movie, and it keeps going downhill from there. Overall, I think the movie is a perfect tragic love story. As well, there’s this very subtle and natural feeling to the whole movie that is difficult to describe but works really well. There’s just something truly special about this movie that makes me want to place it as the #1 best of Jake’s movies.

2. Nightcrawler - A highly suspenseful movie with an amazing lead performance by Jake as the sociopathic lead character Lou Bloom. Jake is really a big part of what makes the movie great, as he is such a strong focus of it. Lou acts so off, but it’s just impossible to take your eyes off him, and he is so interesting to watch since you keep wondering what he will do next. The other part of what makes this movie great is the writing and dialogue. There are just so many memorable and great lines, especially for Lou. Along with these factors, the subject matter of the movie, that of the career of selling violent news footage to news stations, is pretty unique, and there are some interesting ideas and themes in the movie as well relating to success and the news media. Overall I really love this movie. If there’s one thing I would say I might not like about the movie, it is the music. It can have an uplifting and hopeful vibe in dark scenes, which lessens the tense mood of some scenes. But I understand that the music was made to reflect Lou’s mood in the scene, which is a very interesting decision in itself and helps add to Lou’s character, since you can notice the contrast between how disturbing the scenarios he is in are and how Lou himself feels in such scenarios. So I at least admire the music for this aspect.

3. Enemy - A tense and psychological movie. I really love the heavy and surreal atmosphere of this movie, added to by the yellowish filter which is present throughout the whole movie as well as the score, which is ominous and used to amazing effect in the movie to enhance the dark mood. Also, I think this movie is both enjoyable when taken in at face value, being about a man who finds that there is a doppelganger of himself, and when looking deeper at what the “real” story is, taking into account the symbolism and various small details placed throughout the movie. It’s an interesting movie to think about due to its openness to interpretation. And lastly, Jake does a great job playing the two lead characters in the movie; despite the characters looking the same, they give off quite a very different vibe.

4. Spider-Man: Far from Home - My favorite MCU movie. I love so many things about this movie: how it deals with the aftermath of the Blip in a light way, how it deals with Peter Parker’s character after Endgame and his desire to just be able to have a normal life, the overall story, the setting being Europe and having this fresh vacation feeling, the fight scenes, and of course Mysterio. Along with this, it has great music (especially Mysterio’s theme) and probably the best mid credits and post credits scenes in the MCU due to their plot relevance. All of the characters are very likeable too, from Peter and all his classmates and teachers to others like Nick Fury and Mysterio, which is important to me since likable characters is one of the most important aspects to me in any kind of story. This movie was such a pleasant surprise after Endgame, which was a great disappointment to me. Also, this movie is special to me because it’s how I discovered the awesomeness of Jake and thus indirectly the reason why I watched all his movies and made this list in the first place. I’m not sure if a future MCU movie can top this for me, but who knows.

Great Tier

5. Nocturnal Animals - A harsh movie with an interesting structure of having two main stories, with one of the stories being a story within the main story (I will call this story the 2nd story for brevity). I think the 2nd story is where the movie really shines. This story was so tense and much more interesting to follow compared to the main story, and Jake portrayed the emotions of anguish and despair so well in it. It’s also interesting to think about how the 2nd story links with the main story, which gives more depth to the overall story of the movie. I find this and Brokeback Mountain to be the most emotionally harrowing of Jake’s movies, which is definitely a compliment since I admire when a work is able to make me feel so strongly. Also, I have to note that I disliked that there was a random jumpscare in the middle of the movie. It doesn’t lower my opinion of the movie, but I really don’t like jumpscares and did not expect one in this movie.

6. Source Code - A really solid sci-fi movie about Jake’s character repeating through a time loop. It is the only Jake movie to make me cry due to me being a sucker for tragic scenarios involving time loops/parallel worlds. It was just a very engaging movie to watch due to the intriguing premise and the very good execution of said premise.

7. Zodiac - I didn’t know that this movie was based off true events until almost the end of it. So the whole time, I was expecting there to be a conclusive ending when there was no way this would be the case, since the Zodiac killer case to this day hasn’t been solved. Because of this, I felt initially disappointed about this movie from a story perspective, since all the clues from the movie seemed to lead to nothing. This is my biggest “flaw” about the movie (and it’s not really the movie’s fault), but this factor aside I really liked this movie. Jake, RDJ, and Mark Ruffalo are all great in it, and I love murder mysteries so much, so the story had me hooked on this alone. It’s so interesting to watch the characters piece together clues for the case and try to unravel the mystery, as well as seeing how the case progresses (or well, doesn’t progress at times) over the years. Also, this movie just feels really good to watch; as in, the scenes and shots flow together so well. It’s a great movie overall I think.

8. The Sisters Brothers - A western with a kind of laid back feel to it. Also supposedly it is a comedy, but I found it not funny at all. It’s not that I see the movie attempting jokes and find that they don’t work; it’s more like I don’t see the attempt at humor at all, unless maybe it’s kind of a weird dark humor thing. Anyways, I really like this movie, and it’s mostly because I really like the main four characters and their dynamics with each other. Jake does a great job playing his character John Morris and has an accent which is pleasant to my ears, though I was sad that he (as well as Riz Ahmed) wasn’t in the movie more. Even though I was watching the movie for Jake, I found myself liking John C. Reilly’s and Joaquin Phoenix’s characters, the two leads, a lot as well. It’s a movie that shines because of the characters for me.

Very Good Tier

9. Donnie Darko - A pretty unique coming of age story with sci-fi elements. I’m still not sure what to think of this movie, though I think I liked it. Some of my favorite scenes are where Donnie goes off on these rants about what he believes to be the truth. These scenes are amazing to me.

10. Prisoners - I actually find the story of this movie to be not that great. However, what elevates the movie is Hugh Jackman and Jake and their amazing performances. Funnily enough, I found myself siding with Hugh’s character and against Jake’s as they both simultaneously tried to solve the case. Also, this movie is just really exciting and engaging to watch and is maybe one of the easiest to recommend movies on this list due to these factors.

11. The Day After Tomorrow - This isn’t a very deep movie or anything, but it’s a really solid disaster flick in my opinion. I love the visuals, and Jake is such a cutie in this movie, a factor that really elevates it for me.

12. The Good Girl - It looked like a comedy or something from the outside, but actually this is a rather bleak movie. It’s one of the duology of the Jake-being-into-older-married-women movies (and the much better of the two for me). I find this movie pretty underrated.

13. October Sky - It’s an uplifting and inspiring movie, and I love how Homer’s relationship with his father is portrayed here.

14. Okja - I love the stylized vibe of this movie. Jake isn’t in the movie that much, but I really like every time he shows up. He goes full wacky here and it’s fun to watch.

15. Brothers - Tobey Maguire is the real star here. I think he was great in the movie and I could really feel the emotions of his character, especially after he comes back from the war and is in a troubled state of mind.

16. Stronger - A good based on real life movie about a survivor of the Boston Marathon Bombing. Jake does a great job as usual, and I think the emotions of the story came through well.

17. Wildlife - A really simple and subdued story about a family, but I think it works well in the movie. It has a very quiet and natural feeling to it.

Ok Tier

18. Demolition - A quirky feeling movie about a guy trying to deal with the death of his wife. The scene with Jake dancing in the city is my favorite part. Also I thought Jake’s friendship with the kid in the movie was a highlight.

19. Bubble Boy - It's kind of a dumb movie with some maybe offensive humor, but I thought it was pretty enjoyable regardless. Jake is so adorable as the main character Jimmy, and it was fun to follow his journey across the country and seeing all the interesting characters he meets.

20. Proof - I thought it was pretty good, but then the movie ended just when I thought it was starting to ramp up the story to the conclusion. This factor brought the movie down for me.

21. Life - The monster design for this movie was pretty cool, and I liked the ending and the general space horror vibe. However, I didn’t feel much for any of the characters.

22. Everest - It was ok, but I wasn’t really into any of the characters here.

23. Southpaw - I think this movie is very impressive for Jake’s resume, considering how he trained a lot and learned boxing for it. However as a movie itself, I didn’t really feel much for it and felt like it wasn’t doing much special in the story department. I liked some of the parts in the earlier half though.

24. End of Watch - I just wasn’t feeling this movie. Maybe it was the found footage style or something. I feel a bit sad about not digging this movie since I see it is generally one of the more well liked ones in Jake’s filmography.

25. Jarhead - I really don’t like the vulgar tone throughout this movie, but I do like the general story and message. Also the movie looks really good.

Not That Great Tier

26. Velvet Buzzsaw - I love Jake’s character Morf so much as well as the general premise. However the movie itself wasn’t too great: I found most of the characters besides Jake’s to be unlikable, and also the movie felt cheap. It’s very disappointing since the concept for the movie (horror in an art gallery) seems so promising.

27. Prince of Persia - This was the first Jake movie I saw back in the day around the time of its theater release. I have to say I find this to be Jake’s weakest acting performance out of all his movies. For me, good acting is when the actor feels very natural as the character and is somehow magnetizing to watch. But for some reason I did not get a very natural vibe from Jake as Dastan in this movie. I do think he looks very beautiful in this movie though with his long hair, so that’s a big plus. The story of this movie feels pretty cliché and kind of lifeless in a way, but I still liked it alright.

28. Highway - I don’t really like the sleazy tone of this movie. However, I think Jake is very adorable in this movie and has this pure wide-eyed vibe about him (despite him being a drug dealer and sleeping with prostitutes and such).

29. Rendition - I found this movie to be aggressively boring for the most part. There’s this subplot which I was unsure why I should even care about until a reveal near the end of the movie, when it was too late to start caring at all. However Jake in a bloody shirt towards the beginning of the movie makes for some good screencaps and gifs, and I learned about the term extraordinary rendition through searching about it after the movie.

30. Moonlight Mile - I guess this movie might be considered technically good because it tells the story it sets out to do fairly well, but I just found it very boring. There is a part towards the end with Jake’s character being very emotional which I really liked.

31. Lovely & Amazing - It's actually decent, but really not my type of movie. It’s the 2nd of the duology of the Jake-being-into-older-married-women movies.

Just No Tier

32. Accidental Love - I actually enjoyed the beginning parts of this movie (though what’s with the constant dutch angles in the earlier parts?), and ironically it is around the point of the introduction of Jake’s character where I felt like it started to nosedive. I felt my soul slipping away and my IQ dropping by the end of the movie.

33. Love & Other Drugs – I really, really don’t like this kind of raunchy sex comedy movie. That’s all.

#jake gyllenhaal #text #brokeback mountain #nightcrawler #enemy #spiderman far from home #nocturnal animals #source code #zodiac #the sisters brothers #donnie darko #prisoners

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raeynbowboi · 6 years ago

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Top 10 Disney Villains

10. King Candy Wreck-It Ralph (2012)

Although he’s newer to the villain roster, King Candy was a well-written villain who served as a perfect blend of humorous and genuinely threatening. He also tied very nicely into the themes of the film, which makes him stand out in my memory as a good villain, because I take more than just personality and actions into account when judging characters, but also role in the narrative, and how they support the themes and ideas of the story. King Candy is the perfect villain for a story like this, which is why I consider him good enough to be on this list, even if as a villain himself, he might not be the most memorable among the Disney canon.

9. Gaston Beauty and the Beast (1991)

Perhaps the Disney villain we’re most likely to meet in real life, Gaston is the perfect example of toxic masculinity on full display. He’s a great anthithesis to the Beast, though I never saw him all that handsome, which sort of detracts just a little bit from the story. But in a story about how looks don’t matter, but actions do, he’s a great foil to the love interest. He’s a selfish hateful man who is handed everything he wants, and when he doesn’t get his way, he strongarms people until they meet his demands. Yet, despite his personality, he retains a legion of followers who are more-so admirers than actual friends. He never once considers anyone to be his equal or of sufficient worth unless it was helpful in his own endeavors. And anyone who has ever had a friend who basically used them and then ditched them at the soonest convenience can probably recognize that kind of so-called “friend” in Gaston. He’s a great villain to dissect as an analysis of our current culture, but I don’t want to write a five page essay on Gaston for a top 10 list.

8. Yzma Emperor’s New Groove (2000)

Inarguably Disney’s best comedic villain (not counting her henchman Kronk), Yzma is a brilliantly funny character whose exaggurated appearance and over-the-top personality blend well with the fast-paced slapstick comedy that fills the movie. Yet, despite being a funny villainess, she avoids a major pitfall of many comedic villains by also being legitimately threatening and dangerous to our heroes. That, combined with the excellent writing in the movie makes Yzma so memorable and likable.

7. Mother Gothel Tangled (2010)

Although her actual villainous actions in the movie are surprsingly few and far between, I genuinely love Mother Gothel as a villainess. Her motivations are well-established, and she’s the sole reason the story has any plot at all. Comparisons have been made to the living conditions of both Quasimodo and Rapunzel, and I would genuinely agree that Mother Gothel is akin to a diet version of Frollo without all the genocide and religious superiority. She has to be more discreet and pretend to be kind in order to keep her little flower content to remain obedient locked away from the outside world. It makes total sense the way she treats Rapunzel, and her entire character, personality, and role all fit together to enhance the narrative of the story.

6. Long John Silver Treasure Planet (2002)

Arguably one of the most human villains from Disney, Silver is a beautiful complexity as he juggles the duality of being a father-figure to the impressionable young Jim, while also betraying Jim’s trust. Since Jim’s father left when he was a child, Jim closes himself off from people and seems adrift in the world. Silver, who has no need to trick the boy for his mutiny to succeed, still takes the time to take Jim under his wing, nurture the boy’s abilities, and form a bond. Heck, with how relatively apathetic Jim was, he could have manipulated Jim into hating being on the ship, and thus have him be happy when the mutiny sets him free. But instead, he chose to teach the boy and boost his confidence. In the end, Silver is a compelling Anti-Villain where it’s hard to really define him as a good or wicked person. That is honestly more interesting than just being a straight deceitful villain.

5. Bill Sykes Oliver & Company (1988)

Perhaps the most surprising choice on my list, Sykes was a villain from Oliver & Company, a retelling of Oliver Twist with stray dogs and a kitten. However, despite Disney’s family friendly brand, Sykes is a surprisingly menacing character. A loan shark and a cut-throat business man, he spends most of the movie threatening to kill Fagin which is far darker than Disney tends to get. While many Disney villains want to kill people, those desires were driven by personal grievances with that person or people. With Sykes, it’s cold, ruthless business. He doesn’t care about Fagin’s life. All he cares about is getting his money, and Fagin’s life just happens to be the collateral. It’s the purest form of cold-blooded murder, and that’s not a common thing among Disney villains.

4. Ursula The Little Mermaid (1989)

There’s a good reason Ursula is one of the flagship villains of this franchise. She has a strong personality, is a great antagonist, and directly plays off the protagonist’s weaknesses to win. Second only to Scar, and possibly Jafar, Ursula is the classic hand-drawn animated Disney villain to get closest to winning. The fact that she’s based on a drag queen is kind of perfect, since the fairytale was written by Hans Christian Andersen to express his love for Edvard Collin discreetly. He intended to give it to Edvard as a wedding gift, but Edvard and his wife purposefully “forgot” to tell him when the wedding was out of fear that he’d make a scene or announce his love for Edvard in front of everyone. Thus, the mermaid’s taboo love of someone she shouldn’t who comes from an entirely different way of living is a direct parallel to Hans’ feelings for the young Gentleman, and the mermaid being unable to speak and suffering greatly to be near her love is a clear metaphor for Hans’ own feelings of torture. So the inclusion of a drag queen in a movie adaptation of a covert metaphorical gay romantic tragedy is just deliciously fitting.

3. The Horned King The Black Cauldron (1984)

Sykes got a place on this list for being genuinely intimidating, but this villain is living nightmare fuel. One of the best things a genuinely threatening villain can do is successfully scare you, and this villain scared the living daylights out of me as a child. In fact, he was the only Disney villain to truly and completely scare me as a child. The rest of the villains were pretty much just bad characters, but the Horned King was far more terrifying than anything else I’d seen as a kid. Though his movie bombed and the story itself was a bit lacking, the Horned King was a genuinely horrifying presence, and to this day, I can’t think Disney Villains without this guy clawing his way into my mind. Maybe as a villain himself, he’s a bit flat, but he’s a horrific undead murderous monster trying to snuff out all life. He doesn’t need to be that complex for what he is, and that works with the type of villain that he was created to be.

2. Claude Frollo The Hunchback of Notre-Dame (1996)

If Sykes made it to number 5 for the cold-blooded attempt at murder on one person, Frollo strolls into 2nd place for his cold-blooded successful mass racial/ethnic genocide of multiple people over a long reign of tyranny. Although we don’t see his treats on-screen, he very verbally implies that he has been executing people one by one for at least twenty years as he crushes ants. We even see him barricade a family with children inside of their house and then proceed to burn it down. This man is not messing around, and I love it. When it coems to dark, twisted, and messed up villains, Frollo takes the cake. He is hands down one of the greatest and most horrible villains out there. And the fact that he does this all in the name of God is a hauntingly dark reminder of the true cruelty of the medieval Christian church. Frollo was written in the original book to be a deliberate critique of the Catholic church, and I for one am grateful that Disney decided to be faithful to Frollo’s horrible nature when adapting to film.

1. Maleficent Sleeping Beauty (1959)

Finally, we reach the leader of the Disney Villains. How could I not put her at the top of this list? She literally fights with all the powers of Hell. But what I like most about her is what you can piece together from the narrative. Out of all the fairies, only Fauna thinks that Maleficent could be reasoned with, and she feels sad at the idea that Maleficent may not even grasp the concept of happiness, or what it feels like to be loved. This opens Maleficent up to being a product of abuse, abandonment, and bitterness. Her hatred for the world and her actions of spite and envy come into a new light with the idea that it’s kindled from neglect and exclusion from others. It offers the question of what would happen if someone did try to just talk to her, and offers a possibly sympathetic reading of her character. But, the true crux of what Maleficent stands for is that she’s evil, and she takes great pleasure in her evil ways. She cursed a baby because she wasn’t invited to a party. When it comes to pure, unfiltered evil, Maleficent has that in spades. So, Maleficent is a perfect character no matter which type you prefer as a villain: the tormented outcast lashing out, or the heartless monster lighting the world on fire for fun. No matter what kind of villain you prefer, there’s a way of reading her narrative to satisfy you.

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arcaneranger · 5 years ago

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Final Thoughts - Summer 2019

Hey, look who finished the season perfectly on time, even if he did so by dropping a bunch of stuff last minute! (Technically, as of writing, I haven’t finished Re:Stage Dream Days, but you can rest assured that it’s bad.)

I thought I was going to do a first impressions rundown video for the entire season at once, since my impression posts don’t tend to get a lot of engagement anyway, but since I didn’t end up going through with it, I’ll summarize my point - summer started strong, and even here at the end, I can easily say it’s the best season thus far in what’s largely been a letdown year for seasonal anime (and a god damn renaissance for long shows, thanks to My Hero Academia, so if I seem down on a season that had Dororo, or Vinland Saga, or Fruits Basket, remember that I exclude those shows from my considerations until the end of the year).

This season saw several high-profile continuations like A Certain Scientific Accelerator, Is It Wrong to Try to Pick Up Girls In a Dungeon II, and Symphogear XV, but also new works by creators like Mari Okada, and anticipated adaptations of Astra: Lost in Space and Arifureta: From Commonplace to World’s Strongest, and in the end, well...a lot of those were mixed bags at best, but the biggest drawback I will remember Summer 2019 for is that it was drowning in bad isekai shows. The aforementioned Arifureta, the basically-counts Danmachi, and also Isekai Cheat Magician, Do You Love Your Mom and Her Two-Hit Multi-Target Attacks, The Lost Ones, Demon Lord Retry!...it just never ended, and that’s not even counting If It’s For My Daughter, I’d Even Defeat a Demon Lord.

Speaking of all that stuff, let’s get right into it, yeah?

28 shows were simulcast this season, and of those, I…

Skipped 4:

Yami Shibai 7, Starmyu Season 3, A Certain Scientific Accelerator, and Lord El-Melloi II Case Files: Rail Zeppelin Grace Note were all skipped because I have not watched the previous series.

Dropped 15:

Worst of the Season: If It’s For My Daughter, I’d Even Defeat a Demon Lord!

I dropped this after one episode because I found the aesthetic and tone to be aggressively boring and I found even the cute daugheroo character to be utterly generic in execution...and then later found out oh boy was I right to drop it, based on how many people compared it to the Bunny Drop manga that we don’t talk about. *shudders*

Arifureta: From Commonplace to World’s Strongest

Wins the “biggest tryhard” award for being just the most straightforward an SAO award gets, right up to being grimdark for dumb reasons. The first episode alone had inconsistent animation, and that just did not bode well for the future...and the plot instantly reminded me of Slime, which soured on me over time. I let this one go sour after one shot.

Demon Lord, Retry!

The blandest of beige this season, Demon Lord had neither the story nor the production values to reel me in or convince me it was anything but the Overlord wannabe it so clearly was.

Isekai Cheat Magician

This show was a pretty transparent attempt to have an isekai story with a childhood friend romance plot, and while I’m fine with one and a half of those things, it couldn’t execute them in any decent way by the end of the first episode, and just wound up being largely boring.

Wasteful Days of High School Girls

Speaking of boring, what if Nichijou wasn’t funny? You’d get something like this.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?

So the tone this one ultimately ended up having was pretty much exactly what I expected after the premiere - it leaned too hard on jokes that weren’t as funny as it thought they were, and too hard on the dumb hentai mom trope, and neither of those things interested me in the slightest. Pretty okay with having left this off the watchlist.

The Ones Within

I have stated multiple times in the last few weeks that Symphogear is great because it can convince you that it’s a work of genius. The Ones Within has, unfortunately, convinced itself that it’s deep social commentary of some kind, rather than a bargain-bin Danganronpa with no real thought put into it.

Are You Lost?

I’m amazed that we got another Eromanga Sensei this season and it flew entirely under the radar. For God’s sake, the first episode featured a young teenage girl eating a bug and drinking her own urine. I just didn’t see myself being particularly entertained by the shock value longer than the premiere.

Ensemble Stars (4/10)

I can’t tell if this one is actually over, but Funimation’s site doesn’t list any new episode premieres coming up, so I’m gonna assume it is? I gave this one a shot and hung onto it because it took UtaPri’s premise and gave it the slightly more serious tone I was looking for, but dropped it after the second episode started to drown us in side characters with no hint that the floodgates were closing, rather than giving ample screentime to a select cast so they could actually become at least two-dimensional before throwing in more people we’re supposed to care about.

BEM

BEM suffered from an unfortunate lack of distinct personality, which sucks when it seems to have had a decent story to tell. Nothing else about the show wound up sticking out to me, though, which has me fully convinced that Production I.G.’s name is only on this to boost recognition, and the second-billed LandQ studios did the majority of the work. And their best-known other show is Swordgai. So...

To The Abandoned Sacred Beasts (5/10)

I have gotten absolutely no pushback so far for my decision to tear into this show because it should have been a different show, so I’m gonna take that as a general agreement of my earlier statement. What a waste of a concept.

Cop Craft (5/10)

This one I still think I was not crazy to pick up after the first episode, because it wasn’t until the third that the animation tanked hard and the pacing went absolutely nuts, and apparently stayed that way. Did they write a thirty-nine-episode story that had to be condensed into twelve or something?

Magical Sempai

This one I probably would have kept watching if the majority of its humor wasn’t just the title character embarrassing herself in lewd ways. It was funny, but I didn’t see myself enjoying anything more than one episode of it.

GRANBELM (6/10)

This one I got halfway through before realizing that, during my end-of-season catchup, I had absolutely no desire to return to. The plot didn’t really start moving until the fifth episode, and in that time I had not gotten particularly invested in the characters, especially since the show makes fun of the viewer for thinking that the big mecha dream battles actually had stakes beyond “you don’t get to be The Thing”. At least it looked nice and the mecha designs were very original.

Are you willing to fall in love with a pervert, as long as she’s a cutie?

There were four shows this season with questions for titles. Just saying! This one actually had me hooked right up until the end, revealing that not only is it a fanservice show, but a fetish pandering one. That being said, if I were attracted to women, I could have seen myself getting something out of it, what with the decently moody tone and good production values.

I put 2 On Hold:

Is It Wrong to Try To Pick Up Girls In A Dungeon? II

I’ll probably come back to this when the third series comes around, just to give it one more chance to pull me back in, but ditching my favorite character for harem antics and character shilling just did not endear me to this long-awaited sequel.

Re:Stage Dream Days!!

This one’s not actually on hold, but I don’t have any other good place to mention it. This one I’m gonna make it through just on willpower, not because it’s good, but because it starts out as the most shameless rip-off I’ve ever seen in anime, specifically of Love Live!.

And I Finished 7:

Kochoki (5/10)

I thought I was gonna give this one a 7 at least, for nearly the whole season, for being a decently-told and somewhat new telling of Nobunaga’s early life with great production values for Studio Deen...right up until the structure fell completely apart at the end, almost completely out of nowhere. I’m still in awe of the gall this show had to literally skip over the final battle.

How Heavy Are The Dumbbells You Lift? (8/10)

This one came right the fuck out of nowhere and totally blew my expectations out of the way from the very first episode. Looking at the summary, I was convinced I was gonna drop this after the premiere...and found myself totally hooked by its cheery visual presentation and excellent sense of meta-comedy, not to mention its genuine educational value.

Astra: Lost In Space (8/10)

One of two adaptations I was really looking forward to this season (along with Fire Force), Astra was pretty much what I expected - a very good translation of a very good manga that ran for the perfect amount of time to be divided into twelve-ish episodes. A fantastic and memorable cast of characters enhanced a surprisingly twisty story, and Lerche made it all look just as good as I’d hoped.

The Demon Girl Next Door (8/10)

Speaking of defying my expectations, another show I was expecting pretty much nothing from, maybe one I could compare to Gabriel Dropout or something, that was instead an incredibly charming story of a girl trying to save her family by defeating a magical girl...with a very, very loose definition of the word “defeat” in play. I couldn’t have asked for much more from this one, aside from maybe a sequel?

Given (9/10)

Speaking of “Lerche” and “gorgeous”, this profoundly gripping story of a spacecase and a loner hesitantly making music together blossomed further and further as it went on, and became my new go-to reference point for explicit gay relationships in anime. It went where even Yuri On Ice!!! couldn’t, and left me desperate for a Part Two.

O Maidens In Your Savage Season (9/10)

My write up for this show was one of my longest in recent memory, and I stand by it - even if Okada had to write a few plot contrivances in to get where she’s going, at least she presented her cast in an incredibly thoughtful way and gave them a satisfying payoff, with the knowledge that they’re teenagers and all of their problems can’t be solved in one semester. The high water mark for discussions of sexuality in this medium.

BEST OF THE SEASON: Symphogear XV (9/10)

Anime is wonderful, and so am I.

So that wraps up summer! We’ve got a lot to look forward to in fall, even if My Hero Academia and Food Wars’ fourth series will both ultimately end up on a list in the distant future next year. Will Psycho-Pass 3 redeem the series? Will Azur Lane be better than Kantai Collection? Will Beastars beat Aggretsuko as the biggest furry panderer of the year? Only time will tell. And then I’ll tell you all what I think it said.

#summer 2019 anime #anime #symphogear #symphogear xv #o maidens in your savage season #astra lost in space #kanata no astra #given #the demon girl next door #machikado mazoku #how heavy are the dumbbells you lift?#dumbbell nan kilo moteru?

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fyrapartnersearch · 5 years ago

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looking for a writing partner

a bit about me -20something who RPs to unwind. I try to reply as many times a day as I can, but of course, real life comes up. If anything major crops up, I would inform my partner ASAP. I live in the US, in the eastern timezone. I am searching for a long term writing partner. -As I am over 18, I would like my partners to be too. This is a non-negotiable, since I enjoy have mature content (sex, drugs, rock and roll, along with language and violence). -In relation to the above, I am fine with smut, but it can't dominate the story. I prefer plot above all else. A good story is the fun part of RP for me and too much smut drags the story down. I do have my limits and things I'm fine with but that can be discussed when we connect. -As for my writing style: paragraph/novel style, 3rd person. I try to put in at least two decent sized paragraphs a post. One liners are not my thing, so no worries about that from me! -I prefer to play female main characters. All of them are over 18 and range in personality, color, beliefs, etc... Side/secondary characters are whatever they need to be and I can play as many as required. A good cast is important! But I don't double, at least in the traditional sense. -well rounded characters are life. I love figuring them out, crafting backstories and personalities for them, seeing how they react to situations. -Romance is always fun. I prefer to play out m/f relationships, with me as the female. -As for where I prefer to RP: email ([email protected]), skype, googledocs, Discord. I have Hangouts, but that is for planning and ooc chatter. plot related matters -original characters and settings are my jam. While I do take inspiration from fandoms (Harvest Moon, Shameless, Grey's Anatomy, AHS Coven and Freak Show, Clerks and all films in that universe, It's Always Sunny in Philadelphia. Community ), I only use original characters and settings. So, all of the above are things I am only open to using as inspiration, either a little or a lot. The genres I prefer are mainly slice of life, 'historical' (for lack of a better term) and urban fantasy. We can also just do a thing where we make characters and have sort of a TV show structure: smaller plots with an overarching plot/theme/whatnot (ie the adventures of two friends as they fall in love, with supporting cast members being family and friends). That is mainly because there are ideas I would be open that don't seem like they would work long term and it would just be fun to throw our characters into a variety of adventures. now, onto less vague plot ideas! Best Friends: basically the idea above. That seems like it would be fun, jumping from story to story as two best friends fall for each other. Hooker/Client: which explains itself, now that I think about it. A hooker and her client get too close when they should not be. The client can be anything but a married man, since infidelity is a no-go. Maybe he's a doctor, lawyer or business executive. Or a literal superhero or supervillain, which could be a fun twist. Online: Our characters are YouTube famous, making videos and those Benjamins. So they have to deal with that unique brand of fame and a budding relationship. Knocked Up: again, it explains itself. Two people have an unplanned pregnancy. It could be two friends, two strangers, the world is open! I would love to combine this with the Shameless inspired plot aka slice of life with a heavy dash of dysfunction, chaos and drama in case you have not seen the show. Or maybe she's pregnant by a guy who is no longer around but is vibing with someone else (so no cheating here), which could add more drama. Could be combined with the best friends plot, or even the freak show idea! Related to the above: not quite accidental pregnancy. A single man decides to hire a surrogate so he can have an heir. Feelings crop up, shenanagins ensue. Maybe there are Jane the Virgin-esque shenangins, to varying degrees depending on what you want. And of course, the RP continues after the kid is born. A slow burn is preferred with this plot. Homecoming: Something like the above would be the backstory. A couple has a thing and have to part ways, for whatever reasons. He could have gone into the military, maybe it was work or school, something happened to break them apart. And some time later, they reunite and surprise, she has a kid. Now they must navigate parenthood, old and new feelings and general drama RJ/BB: Romeo and Juliet meets Breaking Bad. Two people from rival drug dealing cliques meet and there is a spark. But their crews are dicks, to be concise. Or maybe only one of them is dealing. Arranged Marriage: Can take place in modern day or a historical setting. For the modern day, it could be a business deal on the parent's end that includes a wedding of some sort. As for a historical setting, it could be a few things. Maybe it is how they end a war. Or it is a business deal of some sort. For those two or something similar, I like the idea of them sniping, having hate sex, generally being snippy and then, thing progress and they learn to work together. Or...Maybe it's like what Dany and Drogo from Game of Thrones had, but with a happier ending (I would love this one). Or it is just an outright kidnapping sort of deal. Which could tie into the Beauty and the Beast dynamic. Maybe one of them is like a prize to the other (ie a warrior/gladiator being gifted a prize for winning a tournament or battle in the form of a bride or a warrior is taken hostage and is given as a prize to the ruler's daughter?) But I am open to ideas of course! Related to the above, kinda. A cruel, tyrant of a king takes a bride for reasons that are not all that genuine. Someone who is either part of the rebel forces or maybe a lone wolf kidnaps her and they wind up on the run, first as captor and captive and then as something more. Untitled: Set in the classic pseudo medieval time period, a person of noble or royal blood has either fled or been cast out of their home (the latter could tie into a beauty and the beast ish plot). They cross paths with a person of common blood and things develop. Untitled 2: A princess/noble woman and a knight (or other kind of castle worker) become close, but their stations in life and maybe a few other things make it complicated. Untitled 3: Something with pirates could be fun! Untitled 4: This idea is a cracky one but hey, lets throw it out there. It's a fusion of Grey's Anatomy and Buffy. Basically my character is a Slayer who decided to go into medicine instead of slaying since due to the events of the finale, she is not the one girl in all the world. But this is still the Buffy-verse and with the soapy dramatics of GA thrown in, life is not simple. So there will be romance, action, adventure and so much more. Note: I have only seen the shows and have not read the comics. And of course, original stories inspired by the fandoms listed above. Something Shameless, AHS Freak Show, Dany/Drogo or IASIP inspired would be amazing right now. It could be combined with a plot of course. As I have said, I deal in originals only. misc: There are some relationship dynamics I would like to explore: love to hate, age gaps (older man, younger woman, up to 15 years), best friends falling for each other, werewolves or werewolf/human, vampire/human, artist and their muse, opposites attract, boss/employee, co-workers or partners. The three shows I would use to sum up my sense of humor are: It's Always Sunny in Philadelphia, The Most Popular Girls in School and Community.

-I use face claims, but only if my partner does as well. So it is not mandatory at all.

-Also, OOC chatter is fine with me. I like to geek out over characters as well, chatter about them, talk headcanons, maybe do little AU sidestories and whatnot. I love pinterest, polyvore and even making playlists on spotify.

I am open to ideas and plots can always be combined. Don't just send a message saying 'hey wanna rp?'. Tell me about yourself and what you want to write. I am fine with drama and angst in the story, but not all the time. RP is supposed to be fun!

#oc rp #long term #email #submission

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desperatelyseekingroleplay · 5 years ago

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-I use face claims, but only if my partner does as well. So it is not mandatory at all.

#Desperately Seeking Roleplay #Writing Partner Wanted #Roleplay Partner Wanted #Roleplay Partner Ad #Long Term Roleplay Wanted #submission

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ngame989 · 6 years ago

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SVTFOE 4A Prediction/Analysis Master Post

So we just had the first two episodes come out, and overall I enjoyed them. There’s been a lot of mixed reactions to the details, from myself included, so let’s dive in a bit. Apologies for when this becomes a giant wall of text in the back half, I'm not digging through promos for images.

Butterfly Follies

In the first episode, 98% of it is focused on Star feeling like shit because Moon is missing and nothing she does to try and find her works, and other people keep telling her she is screwing it up. Yeah, many of us thought this theme of “Star screwing up” would extend a bit more concretely to stuff with Marco and Tom, and it was present but only a tiny bit as a reminder. Her interaction with Tom was basically just a reminder that the situation from after Booth Buddies hadn’t budged - Star still was barely paying attention to him, Tom was still not really a companion to her at all, it just isn’t working, but they haven’t talked about it yet.

Tomstar has always had the candy coating of a romantic relationship (nicknames, handholding, occasional smooching, gossip and drama, etc) with virtually nothing underneath. We see this over and over - Demoncism has a genuine emotional connection between them in that moment, but once their relationship starts up again, it takes until Is Another Mystery for even a hint of true, genuine support between them, and it still doesn’t extend to either of them considering the other as a life companion at all. Most of it is going through the motions for both of them. When everyone’s lives were on the line, Tom stepped up, but this doesn’t immediately make him Marco 2 - the issues that existed before, the lack of commitment and drive between them (still candy-coated by nicknames and whatnot) is as present as ever, and arguably more so, now that Star has the events of the end of S3 dwelling somewhere in the recesses of her mind. Plus we get a moment of Tom checking in with Marco about Star’s comment, showing once again that Marco is the one Tom actually turns to for genuine support.

Contrast that with Starco in these episodes. Yes, it’s not magically perfect, there’s still lots of stuff to resolve and many people (myself included) have felt that it was a bit “off” (more on that soon). But there’s still a genuine sense of progression, where Marco is comfortable being close with Star again, being emotional support, even if he doesn’t always know how to help.

As predicted, Eclipsa’s style of ruling has mostly been “make disliking monsters entirely illegal because that’s Equality™” and it’s not working out so well for true social change. I expect this to be a major plot point moving forward.

Honestly, I dunno what all to make of the details of Glossy’s lines here. Considering the situation with Toffee was pretty explicitly Glossaryck’s intentional method of teaching Star how to do things her own way, this definitely isn’t literal. Maybe he’s playing 4D chess, and Star questioning whether Glossaryck was misleading her is all part of how he leads her. There’s a... nonzero chance, I suppose, that there is some more direct connection here and trying to fix past mistakes (since time travel is brought up very shortly) but I’d be incredibly shocked and largely appalled if that’s where things actually head.

(Skipping around on photos a bit here to just get the point across)

So let’s talk about this for a moment, shall we? I’ve seen a lot of talk about this photo and how it’s really sketchy that Star apparently knew it was from the future the whole time, given its past importance in Starcrushed. Granted, we don’t know exactly how it’s going to pay off yet, but I’ll take a strong educated guess - it’s basically a gag because the writers thought it would be fun. A relevant gag and kind of an asspull, yes, but still just a gag. Yes, the photo is now factually from the future and will be relevant again in that capacity, but I’m entirely convinced that the point of it wasn’t to intentionally retcon something about Starcrushed or anything like that - a meaningful photo of Star and Marco was used in Season 2 to generically remind her of their “good times” and their relationship as a whole, and that same photo was used here as a promise of happiness to come, and the primary purpose of the photo in each case is how it was written for that case.

I know it’s not a satisfying explanation, but it is entirely consistent with this show to have details occur that are largely arbitrary and inconsistent, and there’s a consistency to that inconsistency. Adult Marco is another example, Janna implying Kelly maybe had feelings for Marco in Stump Day is another, any time Star yeeted a high school student into some pit of horrors is another. All of these are situations where, if you examine them thoroughly as a whole and consider all the possible implications, they get kind of sketchy really fast. Yes, it is frustrating at times, but I think you just have to roll with it - Marco has memories of a 30 year old when the boarders want to make a cool reference before Marco does a bunch of fancy weapon tricks, but it never affects his normal existence unless it’s needed for a joke/reference. Janna says something that implies complicated romance drama incoming when the boarders want girly banter to accompany dudes fighting, but it doesn’t go anywhere beyond that. Star has a body count on Earth but she’s not a wanted criminal, probably. The consistency here is that if the show kind of glosses over some sort of possible implication and plays it off for a gag, then that’s what you should take it as.

Again, I don’t know exactly how this will pay itself off, but I have an incredibly strong suspicion that the answer to “what were the boarders thinking when they did this??? It screws up a core moment in Starcrushed!!!” is that they weren’t thinking about that. COULD they actually do something more in-depth with the time travel aspect? I guess, but “throwing organic core moments of character/relationship growth under the bus for the sake of wacky over-the-top plot” sounds like the opposite of this show. I’ll cover more about how I think this might actually work later.

A lot of people said Star and Marco felt like acquaintances this episode, and not best friends. I understand where they’re coming from - there weren’t all kinds of hugs and affection flying around, their talks were awkward. But this honestly makes a lot of sense for where we’re at now. We’re completely over the hump where they they're hesitant to even think of themselves as best buddies, where they’re struggling with their feelings just to spend time with the other. Marco is back to making all attempts to be her close friend and companion and support, Star is comfortable around him... but, there’s still some lingering “OK we moved forward from here, what now?” We saw in Divide that a simple hug between them brought out strong feelings for both of them. I think a lot of the awkwardness remaining could be attributed to the strong sour mood of the situation overall, but part of it could also be a subconscious “OK, Marco confessing his feelings made things better, and we’re OK being close, but...” lingering, waiting to be addressed. And given pancake and cereal clips, it will be soon.

Escape from the Pie Folk

I have less to say about this episode, it was fairly straightforward, honestly. It was 22 minutes of adventure and fights while trying to find and steal away Moon - lot of really fun and well-executed humor, it definitely was a strong showing for pretty much all the parts of the show besides “focus on the relationship growth of Star and Marco”.

More Marco trying to be constantly supportive, but still maybe having a bit of lingering tension in the how.

And sweet family moments.

Overall, a very isolated situation, honestly. The actions and interactions of the characters were put in a very specific, very focused situation where “finding Moon” overrode anything else, and didn’t allow for much other special elements to shine through. I liked the episodes, but some part of me was disappointed that most developments besides Moon were put on pause for the premiere. Still, resolving this in its entirety straight away sets up for some pretty strong coverage of the rest...

INTERMISSION

Let’s take a moment to talk about compartmentalization and the rules of TV pacing. I love Star vs the Forces of Evil, and I’m sure many of you do, even if its infuriating and painful at times. A lot of times. But I definitely think the show is special and does things differently than many others, to an extent. And that extent is key - I like to think of it as content vs structure. Content-wise, it is rather different from what you might expect (especially with character/relationship development). Characters come first, always, and there isn’t a sense of outside drama pushing characters around like ragdolls, changing their relationships and emotions in ways that they aren’t already naturally primed to at that moment. Romance isn’t handled as a drama-fest love triangle, with Star and Jackie or Tom and Marco directly vying for the affection of their love interest, nor do those love triangles ever damage the development of the main dynamic, Starco. Basically every shift in Star and Marco’s relationship, the ebbs and flows of it, can be entirely explained by just the two of them. Yes, seeing the other be romantic with someone else was a partial catalyst to individual moments of growth, but by and large Star and Marco themselves have been their own biggest obstacles, their own insecurities and missteps guiding the path of Starco 1000x more than Jarco or Tomstar or plot.

However, this doesn’t mean the show is magically free of the confines of episodic story pacing, and that’s where people often find faults in it. Many, including myself, went into the premiere thinking/hoping that it would include some relationship payoff, or skip some steps and just have Tom and Star break it off right away. And while anyone is free to disagree with the general concept of the premiere being entirely focused on Moon and plot setup, it’s completely logical for the show to take its development in concrete, compartmentalized chunks. An episode dedicating itself to a theme, to a concrete piece of plot, is likely going to focus on that. And this can be nuanced - I don’t think it was wrong of people to think that Follies could have had a theme of “Star confronted with her screwups” in a broader way that included multiple aspects of that, but it doubled down on Moon and it’s totally understandable that she didn’t take time during her hunt to figure out her feelings, etc. Still, it included reminders of the current situation, and we’ll see those pay off very soon. It’s not so reasonable to expect the show to bend over backwards to steamroll through Starco development right away, but it’s also unreasonable to expect no chunks of development at all, or for them to stop randomly.

More specifically, the way the episodic structure handles these chunks is to follow up underlying buildup with inevitable realizations. It’s very, very rare for an episode that confronts a character with a specific question (e.g. “How do I feel about my Earth life” - Marco in Sophomore Slump, or “How do I feel about Marco” - Star in Starcrushed) to actually have the emotional development required to understand it occur within that episode. Star isn’t confronted with her crush on Marco until it’s developed enough to be ready to burst out. Marco isn’t confronted with his priorities in life until he’s experience enough of a bold, adventurous life with Star that his heart has already decided, and in both cases it’s a matter of a climactic wake-up call to what’s already there. On that note, onto predictions.

Moon Remembers

Well, I dunno much specific to say about this. Seems like this will be the episode dedicated to trying to get Moon her memory back - we have scenes from the promos of them riding warnicorns and Eclipsa playing guitar with her, maybe just trying to jog it. Could lead to some type of plot revelation (”I remember something big I saw in the Realm of Magic!” etc) but who knows. Seems likely that it’s entirely plot/Moon-focused, maybe with some more tie-ins to magic lore.

Swim Suit

This is a big one. So from the synopsis, we know that this is when Star and Marco attempt to have their beach day (which we now know is a celebration of things being “back to normal”, with Moon being back) but get interrupted by Eclipsa. I don’t know specifics of it, but in general, I think this is going to be the episode where Star truly settles in to an understanding of how she feels.

Quick tangent about the photo and how I think it’ll be used: in Follies, it was primarily encouragement for finding her mom. It’s still definitely interesting, and intentional, that the particular reminder of future happiness is a time with Marco, but it wasn’t relevant immediately - I think it will be used that way moving forward. Basically like this - “I kept this photo as encouragement to think positively and know I’d find my Mom. We found Mom, so now I can be happy like in the photo. It feels really good being happy with Marco like I am in the photo. Huh, I wonder why it is that my ideal of happiness is having fun with Marco...” Clearly the underlying feelings are already there, this is just bringing them to the forefront, actually giving Star a chance to reflect on how her heart feels after recent weeks/months and big events. As for specifics, I think they won’t actually take the photo here. They’ll try to have a beach day, get interrupted, and throughout the course of Eclipsa shenanigans, the episodic plot will tie in towards thinking about her feelings, with the end result being a “well, we didn’t achieve Beach Happiness™, but it was still nice.” We already know that an Earth beach is in episode 16, so maybe the photo comes full circle then (and at that point, they’re completely together already, and the photo is spontaneous). Or maybe I’m wrong, but who knows, this is a level of specificity I can’t predict with any confidence.

Also note here that, provided animation studio order stays consistent as expected, the cereal/pancake/babysitting Meteora scenes aren’t actually from Swim Suit, so who knows where those end up.

Overall, my general expectations for this episode are to set the stage for Starco developments, to start the ball rolling on payoff from last season and to start characters recognizing those changes and truly moving forward. Of course Tomstar is likely not going away officially until Lake House Fever, so I don’t exactly expect Star and Marco to talk about their feelings in depth here, but it’ll still be an important episode for Starco regardless.

Ransomgram

Alright, let’s just make something clear here. Yes, we already know Star is going to be fawning over adult Marco’s hot bod here, and very likely before breaking up with Tom. I know a lot of people are gonna find that sketchy, and I don’t entirely disagree, but adult Marco (and Star thirsting after hot dudes in general) has always been a gag never treated with any real serious weight. Both Jarco and Tomstar overall, but especially Tomstar, never really ever are treated with any true weight in the story. Like, yes, it’s acknowledged that Marco and Star kissing while she’s dating Tom are bad, but none of the moments of Marco abandoning Jackie to be with Star, or Star ignoring Tom to be with Marco, or Tom being a really unhelpful/unsupportive boyfriend, are ever treated with any real gravity. In the real world, perhaps these would be frowned upon much more even in weaker relationships, but in the show, “Star and Tom are dating” is taken as a given in the background, and none of the actions that characters take are really ever truly treated seriously as hurtful. So yes, on some level it’s weird and questionable that Star will be drooling over Marco (again) while STILL not talking to Tom, but Compartmentalization™ and the general lack of concern for treating the possible implications of situations like this seriously add up to explain it. Feel however you want about it, but this is how I expect it to work, because it’s how it’s worked in the past.

MHC is gonna come back here, and there might be a connection to the monster side of the plot, figuring out where the old guard fits in with the new regime and how politics are moving forward. Also, as far as Starco goes, I think this will be a sort of emotional payoff to Swim Suit. Not that anything tangible will result within the episode, but showing the differences in how Star acts around Marco when she’s actually admitting to herself that she loves him. Just like how Marco Jr., for instance, showed a very clear and different Starco interaction than 3A episodes, as a result of the concrete development moments in Deep Dive. Or how their interactions in Divide were very clearly the result of changes in Booth Buddies. So on and so forth.

All of this, then, leads into...

Lake House Fever

So this is where Tomstar finally rots. We have all-but-confirmation from animation studios, hints in the title, and background/SFX “leaks” that this is where the Tom and Star clips in the promos are from. So how exactly might this work? I can’t even say for sure, but I think it’s going to follow the usual trend of Tomstar episodes and basically be a vehicle for Tom development. Let’s face it, Star basically got nothing out of Tomstar besides a general passive armor against having to contemplate heartbreak/feelings since Tom filled the checkbox of “romance” in her life. She initially at least did truly fulfill the role of “normal teenage girlfriend” by spending time with him, dates, etc, but that started to wane after Lava Lake Beach and kept doing so more and more, and it’s now basically at the point of Tomstar being a couple in name only, with 0 effort between either of them put into actually... being anything.

Let’s compare to Sophomore Slump for a minute, shall we? So in that episode, we had Marco who had undergone a ton of previous developments in how much he cared about adventure and a greater purpose in life and Star, and his heart had already basically made up its mind (Scent of a Hoodie’s ending and wearing the cape in Rest in Pudding, as clear signs of this). Sophomore Slump was the direct reality check, the final piece of the puzzle slotting into place, at least with regards to specifically “where he’d rather be” (even if the why still needed a bit more). So we could say, in effect, that Marco had fully developed everything underneath to answer the question of what mattered more to him, the old safe kid Marco’s ideal Earth life, or the new Marco’s life, and the breakup was simply everything that was already there clicking into place - he moves to Mewni immediately afterwards.

So how does this fit into Lake House Fever? I think the positioning of the episode is going to revolve around Star’s “growth” from it to work like Marco’s. In the Jarco case, the breakup wasn’t about Starco specifically, but Marco’s overall goals and focuses in life (Star was a part of that too, of course). It’s fairly clear that the Tomstar breakup will be different - the tension in their relationship is FAR more directly related to Starco itself (and also a much greater overall dysfunction within Tomstar compared to Jarco). It’s not a case of “this is a perfectly working relationship but it’ll eventually have issues, so let’s end it before we both become miserable”, it’s “this relationship isn’t working at all right now, for multiple reasons, among which are that Star prioritizes/loves someone else, but also general incompatibilities between them for committed companionship”.

I think on Star’s end of things, we’re going to enter the episode with her knowing, very close to the surface if not on the surface already, that she has feelings for Marco and they need to talk, but will just have the one last hesitation holding her back. Not a “I genuinely don’t know who I like/whether I want to keep going longterm with Tom”, but a “this overall situation needs resolved and I just don’t know exactly how to handle it”. From the very limited info we have from the title/promo (no synopsis yet), it seems like Star might be helping Tom with something - he kind of looked ill in the promos. Regardless, I still sort of predict a semi-arbitrary episodic plot leads them to meet up in the episode. Give em a reason to interact that isn’t directly related to awkward and complex feelings, and let the handling of those naturally evolve from there.

So as for Tom, I think the bulk of the change in this episode will be on his end. I think he’s going to sort of have an attitude not too dissimilar to Star - knowing they should talk at some point, but not really knowing how. I think the bulk of the episode’s plot, whatever it may be, will lead up towards Tom getting the wakeup call that it 100% won’t work and that he needs to pull the trigger on it. It would give Tom a really solid moment to follow up on some of his initial moments in Season 3, would give him some critical agency when he honestly hasn’t had much of it for a while (Starco developments just kind of happen around him, although of course his general lack of presence in Star’s life contributes to this as well - Star’s a fairly absentee girlfriend, but Tom’s no angel either). Getting over that initial hump of awkwardness would still accomplish things for both of them, but Tom being the one to first make the leap of faith into starting the uncomfortable conversation would fit best imo.

As for afterwards, much like how I said Jarco was the final puzzle piece for Marco decisively figuring out his priorities, I think this will be the same for Star’s feelings. She’ll be aware, nearly-consciously, that she has feelings for Marco ahead of time, but will just be stuck on inaction, not being confident enough to take a bold step forward on her own. So I think the breakup for Star’s feelings will do what the breakup did for Marco’s sense of accomplishment - the final domino will not only help her realize that she has feelings for Marco, but prime her to actually act on them.

Now if this breakup occurred earlier, I’d say it could have a major impact on Star’s own growth and understanding, and it still could, but I don’t think it’ll be so likely. There are certainly situations where the breakup would serve as a shakeup for her to consider her feelings, which would then take some more time afterwards to solidify, but I can’t help but assume that’s what the purpose of multiple Starco episodes beforehand is. The situation is too much of a powderkeg for Star to have any downtime with either of them that doesn’t start turning the gears in her brain. Anyway, that’s all for this.

Eps 5-7

Yada Yada Berries/Down by the River

The Ponyhead Show!/Surviving the Spiderbites

Out of Business/Kelly’s World

These, I have no clue on specifics, to be honest. There’s an RDK Ludo episode coming up, so that would be part of episode 5 most likely. Second half of that seems like a River episode contender, but who knows. The first half of episode 6 is some type of variety show involving Eclipsa in part - this may be part of the plot of Eclipsa trying to find her place as Queen. Spiderbites is a possible contender for the babysitting Meteora clip, the first half of episode 7 is Quest Buy with the Ocrams, and Kelly’s World is something with Marco and Kelly. We’ll circle back to these, but let’s look at broader strokes first.

Curse of the Blood Moon

I’m entirely confident that by the end of this episode (at the latest) Starco will be 100% canon, ready to move forward into Season 4 as a couple, romantic uncertainties behind them. It’s the only possible next “big” step in their development, one that was set up very directly in Booth Buddies with the idea that things were different now and they could no longer ignore their friendship meaning more than friendship. I’m sure it will be tied in to Starco relationship progress, but as I’ve said many times before, it’s entirely out of the realm of how this show handles development as a whole to actually prioritize plot over characters and obstruct character development with plot. The “Curse”, whatever it may be, could very well be activated by Starco itself, but it’s entirely out of line with everything the show has ever done with characterization to actually claim plot is “forcing” feelings, capisce?

Now how could this be accomplished? Well, given the pacing of the show in general, concrete chunks of development along the way seem most likely. And Star and Marco acknowledging the stronger nature of their relationship and stepping over the edge towards mutual romance, to me, seems like a different piece of the puzzle than something so strong as becoming 100% canon forever. After all, Bonbon for Jarco still had a Naysaya before it, a setup with clear and direct Jarco moments nudging it over the edge of romantic before going the whole way. Similarly, Tomstar had Demoncism before they officially confirmed they were a couple a few episodes later.

Curse is definitely going to be a big episode, but I don’t see it being very likely that we entire the episode with the entire prospect of Star and Marco talking about their feelings still completely looming over them. Another major reason I have to believe this, which is in some ways related to the above point, is that the show doesn’t overly fetishize romance. It’s all-too-common in media, especially family-friendly/kid media with romance, to warp the whole concept and make the “confession + big kiss + happily ever after” one monolithic moment at the very end, as the pinnacle of romance, often going so far as to delay natural developments and put roadblocks of misunderstanding in the way to keep the pair apart until both could have this moment. SVTFOE, on the other hand, historically hasn’t done this. It has always, thus far, recognized the ebbs and flows and slower progression of natural relationships, with steps in between “I guess we might like each other” to “yup we’re 100% dating”. So I can’t guarantee anything about the specific pacing along the way, but I’d wager that Starco has already crossed the threshold into mutual romance before Curse begins.

I have genuinely no idea what the plot will be here overall. We have a shot from the promo which is a newly animated version of the Blood Moon Waltz... flashback? Recreating the event? Time travel? I hope not the last one, but I have no clue.

So circling back around, we have the cereal, pancake, and babysitting Meteora scenes which (as far as I can tell, assuming animation studio order holds) are unaccounted for. There’s... I suppose a nonzero chance for a huge curveball, with some of them being Lake House Fever? Star wears the new S4 outfit in cereal/pancake as well as then, and they’re all Sugarcube. Another option I’d been considering was for Surviving the Spiderbites to be their attempt to spend time together, either resulting in feelingstalk or being the result of feelingstalk and tiptoeing into romance, with the cereal/pancake scenes being about trying to have a good “date” but getting interrupted... which is now the plot of Swim Suit, so I don’t know. Quest Buy has always, historically, involved heavy Starco importance, so perhaps that episode is a leadin to Curse on that front. Note that either everyone actually thinking Kelly’s World (and their baking scene in Ponyhead Show) is actually implying more love triangles is wrong, or the writers officially gave up and we can all go home.

As a note, I’m of course not really making any bold claims of confidence in the minutiae of these predictions: there’s so many options for curveballs that I can’t say anything for sure! But I think, in a general sense, the path of Starco buildup towards and through Curse is a sure thing, one way or another, because there’s basically nothing else meaningful that could happen!

Hope you enjoyed the read, and stay tuned for any new updates we get on future episodes.

#svtfoe #star vs the forces of evil #svtfoe spoilers #starco #tomstar

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