#Light Goes Out

[filmjunky-99]

a l i e n s, 1986 🎬 dir. james cameron

'They learned. They cut the power and avoided the guns. They must have found another way in, something we missed.' - ripley

'We didn't miss anything.' - hicks

'Fifteen meters.' - hudson

[forgottenflickr]

“Tom” 1970s

[notdysfunk]

I have a vision....

[existingillusion]

[twinkpeaked]

thank god Morrissey was miserable now i have a song for every sad minor inconvenience in my life

[quakiebaka]

// II2 Ep17 spoilers!!!

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To die by your side is such a heavenly way to die 🔪💼

so glad I have Monday off because i need this weekend to recover from this episode. anyway! more dramatic redraw of one of my favorite frames! I saw clouds and purple and I love them both! it was love at first sight

Speedpaint and non-glitched version under the cut!

you can't really tell in the glitched version, but bonus note!

I gave Knife mainly bruises since in the fight scene, suitcase mainly beat the shit out of him. veeeeery small detail: there's a bite mark on his wrist from when suitcase closed herself on his hand also, but we went with a bite mark for the gijinka haha.

and Suitcase has mainly slashes because Knife is a knife so it felt fitting. he would bring a knife to a fist fight haha

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[werrrrrrrrrrrrrrrcat]

there is a light that never goes out (and it's conductor of cource)

Rip john and sherlock you would loved the smiths

[rocketbirdie]

i feel like i failed you.

[bunjywunjy]

spotted a tiny moving line on the basement wall from the treadmill just now and hopped off to investigate, peered closely at it for a second only to realize it was a millipede and I could leave it alone, got back on the treadmill and went about my business. this was probably really funny from the millipede's perspective

[forgottenflickr]

“Ginger and Sam” 2003

[ruporas]

good mornings throughout the travel

[ID: Two comics of Vash and Wolfwood from Trigun Maximum. The second is underneath the read more.

The first is in four panels and follows Vash and Wolfwood through hotel rooms. First, Vash and Wolfwood exit adjacent rooms, and Wolfwood has sparkles floating around him as he exclaims, “Rise and shine! Ready to go?” Vash frowns, displeased, and says, Urk— Good morning to you too.”

Next, they’re in a room with two beds. Wolfwood is awake and fully dressed. He’s sitting on the bed and smoking, back turned away from the viewer and he says, “Wake up already, sleepyhead.” Vash sits up with his eyes still closed and yawns before saying good morning. After that, they’re sharing a bed, and Wolfwood gets up and says, “Morning, sunshine. Time to get up.” His body shadows Vash from the sunlight. Vash is still lying down with a blanket draped over him as he mumbles good morning.

Finally, they’re embracing in bed, both shirtless. Sunlight shines on them, but their contact allows their shadows to drape over their faces. Vash smiles, kisses the top of Wolfwood’s head, and says, “Good morning, Wolfwood.” Wolfwood sleepily says, “Mph, g’morning, needle-noggin’,” snuggling into on Vash’s shoulder. End ID] ID CREDIT

TRIMAX Vol. 10 Spoilers under read more // bonus comic

[ID: The bonus comic starts with Vash asleep in bed, fully clothed with his hair half-black. Someone says “Good morning,” and Vash says, “Morning, Wolf—w...” He trails off as Livio, holding a plate of food, stares with abject shock.

Livio says, “I’m sorry.” Vash, smiling but sweating, says, “No, it’s my bad...” Livio repeats, “I’m sorry.” Vash says, “Geez, stop apologizing,” and cuts off Livio’s “I—” with a “Good morning, Livio.” Livio quietly mumbles, “... Good morning...”

Vash sits up from the couch he was sleeping on and looks down, thinking, “... That’s right. I won’t wake up to you anymore... I have to get used to that...” End ID]

[violent138]

Bruce has a habit of randomly worrying about his kids and silently lurking in their room until he's done being insane. This usually happens mid prolonged argument or after an incident on patrol that he thinks could've gone much worse.

It would be sweet, if he hadn't raised his kids to be just as paranoid as he is, making them shoot awake every time to see to their Batdad sleep paralysis demon.

[carrotsofthepirabbean]

Well I haven't stopped thinking about my fossil hunters AU. So there.

[technikki]

christ you are extremely fucking friendly, die

[rainbow-sunshine-unicorn]

Deeply obsessed with how Anthony Bridgerton will do anything and everything for the vibes, the ambience and to set the mood for his wife

Why did he lift Kate up halfway to the ceiling just to simply set her down on the desk? THE MOOD, THE AMBIENCE, THE VIBES

Why did he scatter the papers after setting her down as opposed to clearing the desk beforehand? THE MOOD, THE AMBIENCE, THE VIBES

Because of course scattered papers are an essential aspect to heir-making on a desk!!!