#Let me know if you have any thoughts

[ceiling-karasu]

Three New Chapters of The Rod That Blocks The Lightning

[egcdeath]

reality tv star patrick zweig…. walk with me

[klainegifs]

Sorry for the impromptu break! Real life has been extra busy 💕 But rest assured that this lil corner of the internet is always on my mind

[red-sea-itinerary]

a lot of the fun of this blog for me is being able to organize the posts and see them together, but I haven't been sure how to do this for locations and place/country names

posts this would affect:

landscape photos/art

objects/art/history from specific places relevant to the books

maps

quotes tied to specific places

[demaparbat-hp]

Golden Boy (and Silver Girl) for the Kintsugi AU.

[poorly-drawn-mdzs]

Call that a Cave Story.

[First] Prev <–-> Next

[annymaght]

Something I wanna talk about with Kenji's character in Chaos Theory is the recurring theme of Claustrophobia.

Mickieart, who designed the interior of Kenji's trailer, said that they designed it to feel minimalist but also claustrophobic.

(By mickieart on Instagram)

When Kenji has his panic attack after losing his dad, he tries to open the door despite the car not having even stopped yet.

Claustrophobia is a really strong way to convey Kenji's emotional state.

He feels trapped in his current life, having lost Brooklynn, then Darius when he hid from everyone, and his dad is in a halfway house. Not only does he feel isolated, conveyed geographically, but he can't escape that mindset that everyone around him is disappearing and he can't reach them, either because of death or resentment.

He must also feel trapped in the feelings he still has for his father, that he still loves him even after everything, which is why he lives so close to him. But of course these feelings haven't quite risen to the surface yet.

So when he dies, those feelings boil up and he becomes even more claustrophobic than before.

Kenji trying to open the door in that scene is a small action that speaks volumes. Amazing.

[singerorpheus]

Hadestown - West End - 26/05/2024 Dónal Finn (Orpheus), Melanie La Barrie (Hermes), Lauren Azania (Worker), Tiago Dhondt Bamberger (Worker), Lucinda Buckley (Worker Swing), Waylon Jacobs (Worker), Christopher Short (Worker) Do not share outside of Tumblr. This is the very song that sent me 16 hours to London. Dónal plays Orpheus so hurt and angry here, it is genuinely as life changing as I thought it would be in real life, it's all you could ask for in an Orpheus. Also, we get changed lines after 'So I ask you...', instead of 'If it's true what they say, I'll be on my way. Tell me what to do!' , we get 'Brother, look around today. Is this how the world will stay? There must be another way!' which i think is very fitting for his Orpheus and also means we get Orpheus saying 'brother' in IIT again!! Melanie carries this production for the entire 2 and a half hours powerfully and I loved all the workers I watched that day, they were all so great. Feel free to yap at me about literally anything Hadestown West End related <3.

[luna-loveboop]

Ok ok so Time and Winds relationship

If you look at their progression of interactions through the comic, their relationship has a very distinct storyline/character arc and it's really really cool ok

So starting at the beginning (their first and early interactions).

Time likes Wind (I mean who doesn't) they have the hero connection, and there's a lot for Time to see himself in him.

Time doesn't underestimate Wind like some of the others, he knows perfectly well what's it's like to be a young hero (way too young like geez) and still be perfectly capable.

And then everyone splits up. They enter their new timeline/era thing through the portal and they separate into groups to try and find information, and Time and Wind go together. (why is that? Maybe Wind went with who he knew wouldn't underestimate him, and maybe Time wanted to get to know him a little more. Many possibilities.)

With the group split they end up fighting a bunch of monsters (of course). And the scene after the battle is just... Time takes Wind’s sword and compliments it, the art is so soft, it's just... it's the start of them have a really caring connection

ALSO- TIME QUOTING SHADE TO WIND TIME QUOTING SHADE TO WIND

Look of a hero, discipline with the blade... those were phrases used in twilight princess by Hero's Shade (Time's skeleton ghost thingy?) when he’s teaching Twilight how to fight and become the hero he needs to be. And the fact that Time is quoting that to be Wind's mentor and guide him as a young hero is so cool. (So. Cool.)

And at the end, after the battle, Wind asks him that question, “I was wondering... about your original journey” And Time actually answers Wind's question. He tells him about his journey, and this starts a whole new chapter in their relationship. Because guess who went into detective mode? Wind.

He starts theorizing, and actually tries to get a chance to bring it up at first (“speaking of history-”), but eventually finds (makes) a moment to explain his findings.

And Time's skeptical, of course he is.

There's a few reasons why, but here's the main one: Twilight. In this scene where Wind is explaining why he believes he is the hero after Time, his descendant, Twilight, makes two appearances.

But Twilight is not part of the conversation. He's sitting a distance away, and we have no indication that he even knows they’re talking. Yet Time still looks over to him, because Twilight is his descendant. He KNOWS Twilight is his successor, but in this conversation they puzzle out a bit more of the timeline split.

And Time realizes... he has two hero's that came after him. Twilight in the main path, the one that Time previously believed was the only timeline, but there's actually more...

And at the end of that section, Time’s a little overwhelmed (who wouldn't be when you're figuring out you broke the flow of time...)

But, this is the start of Time and Wind’s relationship with Time knowing Wind's one of his successors

Yet even though he's overwhelmed, he touches Wind and acknowledges the facts he's puzzled out (and it's so so sweet)

Buuuuuut this starts a whole new chapter in their relationship. For the section where they’re puzzling out the timeline, and the next, look at their faces. You can see it in those conversations, they're uncertain. Time is trying to reshape his understanding of the world (he’s shaken and looks pretty tired, probably because he found out he left a whole timeline without a hero whoopsies)- but he also cares about Wind and wants to be there for him as well. And Wind looks very nervous around Time. He's excited that he knows he's the hero he heard about before him, but he's nervous about getting closer to him like he wants to.

Then Time goes into detective mode.

And there’s one thing Time really starts wondering: how the hell did Wind’s hyrule get flooded? It was not, in fact, a giant ocean when he left that timeline. So he asks, and Wind answers, but they don’t really start timeline talk with the rest of the group yet.

And I would like to point out that apparently Time and Wind have like. Half the brain cells of the entire group. Because we see literally no one else (at this point) has had whole sections where they’re puzzling out the timeline, but these two are over here obsessing over it lol.

After they have those talks about timelines and kingdoms, they don’t have all the answers yet, but what they have established is this: in Wind’s timeline, he is Time’s successor, and they both want to be close because of that.

And then Time just like!! Adopts Wind :)

With all this build up and conversations, we now see Time and Wind spending so much more time together.

In the group they start ending up walking near each other more often, and they start fighting closer together in battles a bit more

But it’s not one sided- we see Time keeping an eye on and watching out for Wind during battle, as well as Wind defending Time when a skeleton was like. Falling on them. And they’re just working and fighting for each other and it’s awesome.

And it’s cool because through the storyline we see the progression: Time’s the hero dad for everybody, but then he and Wind fight together, and start talking about their journeys to each other, then puzzling out the timeline, then acknowledging that Wind is a successor to Time, and asking questions, and then we see them get so much closer throughout the storyline.

(And Time is still so close to Twilight obviously, he’s his descendant and they have such a special bond but then he’s also developed this unique relationship with Wind too and it’s great)

And so it’s just evolved into a really sweet relationship because Wind looks up to Time, and Time is kind of his mentor, but at the same time he respects Wind’s strength.

And the fact that in the first place Time was willing to tell Wind about his journey simply because he asked, leading to all these discussions and getting closer… well. They care for each other, and it shows.

:)

[doriana-gray-games]

A little poll to help me with a thing 💖✨

Imagine a game:

a small-scale 3D, third-person, unreal engine RPG that focuses on immersion, player choices, and romance. 💖

Magic school sim (+persona like). 👩‍🏫

Gothic fairytale coded. 🥀

Villainess Femc. 👸

Which tone and aesthetic style would you be drawn to then:

Gothic Romance ❤️

Rose red, Moonlight white, and coal black.

1800s Historical.

Low-mid fantasy.

More grounded – in world and humour.

The school is old and haunted, by both spirits of good and ill will.

Classic Villainess 💜

Royal purple, midnight blue, and blushing pink.

Fantasy historical.

Mid-high fantasy.

More fantastical and surreal. Lighter writing tone.

The school is more elegant, shiny, safe. With a hidden darkness.

Grimpunk 💚

Pallid green, dusky black, and greying white.

Steampunk-esque victorian.

Low fantasy, higher tech.

Darker in tone. Stylised, and surreal.

The school is dusty and creaking. Dangerous and alive.

FURTHER DETAILS BELOW:

Colours (gothic):

3D art style (gothic):

Inspo (gothic):

Colours (classic):

3D art style (classic):

Inspo (classic):

Colours (grimpunk):

3D art style (grimpunk):

Inspo (grimpunk):

[moeblob]

You know. I have Thoughts now about Olric.

I originally wanted him added as a romance option (as do many others) and I think I changed my mind! I love him and he's amazing and supportive and he likes rocks but what I think so far that I really super love for him? Is how friendly he is and so far (I'm not far) he has zero romance related lines. Like he's not a romance option, but looking at the other NPCs (the innkeeper/wife, the general store owner/wife, the retired socialite who talks about past flings) I think Olric stands out as possibly the only one I can hope for aroace representation.

Let this guy just exist with the most positive vibes ever because he's just a good guy with positive vibes for everyone.

[front-facing-pokemon]

[whathappeninglestappen]

I have a question. When the drivers do the fan stages before a race, F1 usually has two teams go at the same time (for example, I’ve seen Alpine and Ferrari go together before). Why don’t Ferrari and Red Bull ever go together?

Can you imagine Charles and Max on the stage together. Laughing when asked silly questions or blushing when they look at each other.

Lestappen interacting during a fan stage would be simply lovely. 😊

[impsandstars]

Some thoughts on Stolas's growth from the early days vs. Mastermind

I recently saw on twitter someone bring up the parallels between the interaction between Stolas and Blitz in truth seekers and their interaction during the court scene. The tone and Stolas’s demeanor is very similar but with one crucial difference. In mastermind Stolas was putting on an act, pretending to be this elitist, bigoted Goetia, and although I don’t believe Stolas has ever felt or been at the same level as Andrealphus in his distaste and seeing imps as lesser beings, the Stolas in truth seekers feels like a different person. So I wanted to go back to the beginning, now that we have this arc of the book coming to a close and see how Stolas has changed.

The Stolas we meet in season 1 episode 1 is utterly infatuated with Blitz. Blitz (from The Circus episode) was this rugged, no nonsense, pleasure seeking, suave motherfucker that swept Stolas off his feet. Who showed him, for possibly the first time in his life, what real, mutual, consensual pleasure with a man was like and he was hooked. Blitz was also someone that Stolas chose himself, and we also know now how devastatingly lonely Stolas has been.

The man, literally the morning after their first meeting after 25 years, finally finally had the nerve to be like ‘that’s the sound of a fucking divorce!’ to the wife he hates. (I cheer every time. The absolute relief and crazed laughter after he just realized what he had done)

Look at what that lizard did to the man just after one night, no wonder Stolas reached out wanting to keep Blitz in his life.

And so the natural conclusion he came to was to find a way to get the imp back, and to do so permanently, or at least for as long as possible. So was born their transaction. I personally don’t believe Stolas set this up with the understanding of the power dynamic issue. I think it’s a problem that it never crossed his mind, and I’m not saying he gets a pass, but I do understand where it came from. He had a problem: I want to have sex with Blitz more, I don't want to feel so lonely, I want to see more of the man that sparked something to life in me and so he came up with a solution that he felt made the most sense. He gets what he wants and Blitz is able to continue his work. I also have always been intrigued if the main reason Stolas didn’t immediately go get his book back when he realized it was lost was because he wanted it to be a reason to get Blitz back into his life. Which can be romantic….and a bit manipulative too (‘I’ve allowed you to use my book even though it is illegal so do me this favor.’ Oh no Stolas.). There wouldn’t be growth if he didn’t start out with things that needed to be addressed.

As stated by others many times, both of these idiots (affectionate) placed the other on a pedestal (“Where is my knight in shining armor”). Seeing what they wanted to see on a surface level and not really going any deeper. Blitz to Stolas was just this embodiment of freedom and choice, an idea (a prince come to save me), rather than Stolas looking at Blitz as a whole person. We see this in the way that he talks to Blitz in the Loo Loo Land and the Harvest Moon Festival. He pays Blitz to essentially have the chance to flirt with him all day and when Blitz says things like, “save it bitch I’m working,” and “this is work and work only…not here to satisfy your perverted bird needs,” I don’t think Stolas is actually paying attention to his tone or his words and is just like, ‘oooo blitzy is being flirty, hard to get, pushing me away but wanting me.’ Remember this guy lives and breathes soap operas and romance novels which idealize actual relationships and so is reading it how he wants it to be perceived, not how it actually is. Blitz sees this as a job he has to do and Stolas sees this as an opportunity to spend time together. In the Harvest Moon Festival Stolas’s comments of “that sexy one there” and “my darling Blitzyyyyy”, again have negative reactions from Blitz of embarrassment which Stolas seems to not really be aware of, or again reads it as him being “cute”.

It’s not great but personally I do not read it as Stolas intentionally ignoring the way Blitz is responding, I think he is just reacting to everything Blitz does with some very rose tinted glasses.

I believe over time though, after spending time with Blitz during their full moon meetings and on other occasions where they were together, I think Stolas’s feelings began to grow slowly into something real when he allowed himself to actually notice who Blitz was as a person (and realized that he liked these things about him). 

Maybe Blitz wore horse boxers and Stolas got to see them every time he took his pants off, charmed by this little detail. He would see the picture of Loona, Moxxie and Millie as his phone background, realizing that they weren’t just colleagues to him but closer. They would probably talk about random things after they finished for the night. Stolas asking him how his day was and Blitz going into a tangent about their latest client. Blitz would flirt and make corny jokes that would have Stolas rolling over in laughter. Blitz was eager to try new things in the bedroom with him and would (speculating here) clean him up after a long session, hands gentle, eyes averted.

Unfortunately he still didn’t see that the transactional relationship was an issue and was something that was preventing Blitz from seeing what was forming between them as anything different. It kept them together, kept them seeing each other, and Stolas wished to keep that for as long as he could. 

You see more distinctly a change in Stolas at Ozzie’s. He isn’t parading Blitz around, flirting shamelessly with him or making overly sexual comments; he thinks this is a real date. An encounter that people do to get to know each other better, to spend time with someone that they like. His view and feelings for Blitz have changed into something a little more real. He asks about his day, trying to make this suddenly awkward situation better, genuinely wanting to take this seriously. 

Then we get Blitz’s admission and a much needed reality check from Stolas that the consequence of setting this whole thing up without thinking of the implications it had had was coming to fruition. Blitz is setting up a boundary (‘don’t read into this more, it’s only about the book’).

And what does Stolas not do? He doesn’t agree with Blitz that yea this is just transactional, or wave it off as Blitz being ‘cute’ again, or that the only reason they’re still doing this is because he just wants Blitz to fuck him. Because at one point in time it absolutely was. But now? Stolas doesn’t see it that way anymore. (He had heart eyes when he realized Blitz was asking him on a date and put on his best outfit. The boy was falling for him).

So Stolas, seeing, finally, the impact this whole situation has had on Blitz, he goes out of his way to end it, and not only that, but end it in a way that ensures Blitz can still do his job, which Stolas knows is important to not only him but his family. Because he sees Blitz now. Sees the importance of getting Blitz’s side to all of this, because he had assumed they were both on the same page. Episode 1 Stolas I don’t think would be as quick to try to end things if he had been confronted. Again not vindictively, not because he believes Blitz should be happy he gets to fuck a Goetic prince, but because he wanted it so bad. Needed it even.

Seeing Stars and Western Energy are these somewhat weird middle grounds between Ozzie’s and Oops because Stolas goes back to shameless flirting and not really seeing Blitz’s discomfort when he was about to perform on Tv in the former. But in Western Energy his texting to Blitz in the hospital, I feel, does show some of his growth. He knows they are on rocky ground and so gives Blitz the choice to come see him or not. He wants comfort after what has happened to him. He wants to see the person who makes him feel better. 

And, we do get confirmation from Blitz at the start of Full Moon that Stolas hasn’t had them doing their transaction since the night of Ozzie’s (so for a few months?), which means Stolas is taking Blitz feelings about this seriously and having a nice long look at his own side to all of this. He is trying to show Blitz that he now means more to him than just the sex. 

In Full Moon we get a Stolas who is apologetic (although doesn’t actually say sorry :/), explaining (as best he can my poor boy) that he doesn’t want this to continue. Blitz is free now from the tether that Stolas tied around them to keep him in his life. (If you love me let me goooo). He’s being (for the most part since he is kind of doing the 'if you love me you'll say' test) selfless here, allowing Blitz the chance to make up his own mind about being with Stolas (a choice he really didn’t give him in episode 1. Like Stolas, my dude, you called Blitz to set this whole thing up in the middle of being chased and shot at and we know you know that because of the bubble. Yikes, not good there. Blitz probably would have said yes though no matter what the situation he was in because he had a family to take care of). Yes it wasn’t perfect. Stolas still made the decision himself to end it and give Blitz a crystal without prefacing it with some more context, but his intentions were good. ‘I care for you and didn’t realize that what we were doing was being understood differently by the both of us so have this choice now that I didn't give you in the beginning.’

And then we have Mastermind. This is it. The one action that many a romance is built on, ‘I would do anything, even sacrifice myself, to make sure you are safe and alive.’ There is so much complexity to mastermind and Stolas’s actions here but the main one in terms of Stolas’s growth is an understanding (maybe not an entire understanding but one more than he had before) of the class issue inherent in Hell. Episode 1 Stolas would be flabbergasted by it. Stolas plays into it in this episode, acknowledging the power it has to influence the elite lining the courtroom to save Blitz’s life. 

I feel such maturity from Stolas. Going back and watching him in Loo Loo Land is like seeing a completely different person. He is naive and juvenile in the way he talks and presents himself that is so drastically different from the ‘master of my fate’ that we get in Mastermind. 

And it’s beautiful because we’re not done yet. Stolas is a baby bird just thrust into new circumstances with a Blitz fully now on board with the idea of them. Stolas is going to experience a world he has only recently started to understand and I can’t wait for his future growth because it will bring him and Blitz together with a better understanding of each other.

[mimicmerchant]

I bummed myself out thinking about how PiBE season 2 was never going to get playbills so I decided to be the change I wanted to see in the world...... then i realized graphic design is hard. Anyway, have some thumbnails of what could have been!

[demaparbat-hp]

Zuko looked up and locked eyes with his cousin, who was struck speechless. Then, ever so slowly, Lu Ten's lips twitched upwards. And then he smiled. And then he beamed. And then he nodded proudly once, just once, and vanished.

Lu Ten comes back in For the Spirits Chapter VII: Take Me South, only to leave Zuko with more questions than answers. Just how much is he truly aware of? When will he return? What is Zuko going to do now?

(What will the South bring?)