#Leipzig guide

[travelguidearticle]

Travel Guide Leipzig Germany

[blackswaneuroparedux]

We might know how it ends, but like all good stories it bears repetition. So here it is again, the story of a battle.

Bernard Cornwell, Waterloo: The True Story of Four Days, Three Armies and Three Battles

So I've been getting lots of questions about the significance of the Battle of Waterloo for Britain, France, and indeed Europe.

Great claims have been made as to the legacy of the Battle of Waterloo; but it is not as clear cut as many may claim; for it certainly did not crush all French opposition in a single blow; it did not augur in a century of enduring peace and prosperity across Europe; nor can it claim to have permanently re-established the monarchical system in Europe. Therefore after all the glory, the death and suffering caused on that battlefield, what were its real long term legacies?

For the people living in the vicinity of Waterloo, the utter destruction of the land and of their homes was devastating to their lives, but time soon healed the wounds on the landscape and the abandoned equipment scattered across the battlefields became a virtual treasure trove for the locals as the field of Waterloo was soon at the top of every travellers ‘must see’ list during a sojourn in Belgium. Numbers lived for years selling relics of the battle or became guides to the battlefield as the bloody fields instantly became a top tourist attraction. Every poet and writer in Europe had to visit to witness the scenes of devastation before penning their impressions and publishing to an eager audience, hungry for every new edition.

When they are examined with the benefit of hindsight, battles are rarely accorded the significance given to them. Few become venerated among a nation’s lieux de mémoire, or contribute to the foundation myths of modern nations. Of the battles of the Napoleonic Wars, it is arguable that Leipzig [the 1813 battle lost to the Allies by French troops under Napoleon] has its place in the rise of German nationalism, even if its real importance was greatly exaggerated and mythologized by 19th-century cultural nationalists. In Pierre Nora’s magisterial study of France, only Bouvines, in 1214 [which ended the 1202–14 Anglo-French War], makes the cut. Waterloo, unsurprisingly, does not figure.

Yet at the time Waterloo was hailed in Britain as a battle different in scale and import from any other of the modern era. It had, it was claimed, ushered in a century of peace in continental Europe. It had brought to a close, in Britain’s favour, the centuries-old military rivalry with France. And it had ended France’s dream of building a great continental empire in Europe, while leaving Britain’s global ambitions intact. If the Victorian age could be claimed as ‘Britain’s century’, it was her victory over Napoleon that had ushered it in. Britain, it seemed, had every reason to celebrate, every reason to claim Waterloo as its own.

To some extent Britain’s response was justified; it was a victory that positioned the country favourably, bolstering its global ambitions and helping to create the conditions for the economic success that lay ahead in the Victorian era. Having laid the final, decisive blow on Napoleon, Britain could command a leading role in the peace negotiations that followed and thus shape a settlement that suited its interests. While other coalition states claimed back sections of Europe, the Vienna Treaty gave Britain control over a number of global territories, including South Africa, Tobago, Sri Lanka, Martinique and the Dutch East Indies, something that would become instrumental in the development of the British Empire’s vast colonial command. It is not surprising then that in other parts of Europe, Waterloo - though still widely acknowledged as decisive - is generally accorded less significance than the Battle of Leipzig.

If Waterloo was Britain’s greatest military triumph, as it is often feted, it surely does not owe that status to the battle itself. Military historians generally agree that the battle was not a great showcase of either Napoleon’s or Wellington’s strategic prowess. Indeed, Napoleon is commonly believed to have made several important blunders at Waterloo, ensuring that Wellington’s task of holding firm was less challenging than it might have been. The battle was a bloodbath on an epic scale but, as an example of two great military leaders locking horns, it leaves a lot to be desired.

The short term significance in the aftermath of the Battle of Waterloo marked the end of Napoleon’s storied military career. He reportedly rode away from the battle in tears. Though he emerged victorious, the Duke of Wellington later reflected on the the horrific costs of that victory: “My heart is broken by the terrible loss I have sustained in my old friends and companions and my poor soldiers. Believe me, nothing except a battle lost can be half so melancholy as a battle won.” Wellington went on to serve as British prime minister, while Blucher, in his 70s at the time of the Waterloo battle, died a few years later.

Waterloo’s long term significance must surely be the role it played in achieving lasting peace in Europe. Wellington, who did not share Napoleon’s relish for battle, is said to have told his men, “If you survive, if you just stand there and repel the French, I’ll guarantee you a generation of peace”. Perhaps the lesson of this historic battle the nations of Europe which fought as foes that day need to forget these old sores and celebrate together; recognising that it did force Europe to acknowledge that it must find a new path of reconciliation and accord. This road has been far from smooth, but each time it has failed, a greater understanding of the need for the European states to work more closely together has emerged from the ashes.

Ultimately this is the truly significant importance of Waterloo.

[princesssarisa]

The Top 40 Most Popular Operas, Part 3 (#21 through #30)

A quick guide for newcomers to the genre, with links to online video recordings of complete performances, with English subtitles whenever possible.

Verdi's Il Trovatore

The second of Verdi's three great "middle period" tragedies (the other two being Rigoletto and La Traviata): a grand melodrama filled with famous melodies.

Studio film, 1957 (Mario del Monaco, Leyla Gencer, Ettore Bastianini, Fedora Barbieri; conducted by Fernando Previtali) (no subtitles; read the libretto in English translation here)

Donizetti's Lucia di Lammermoor

The most famous tragic opera in the bel canto style, based on Sir Walter Scott's novel The Bride of Lammermoor, and featuring opera's most famous "mad scene."

Studio film, 1971 (Anna Moffo, Lajos Kozma, Giulio Fioravanti, Paolo Washington; conducted by Carlo Felice Cillario)

Leoncavallo's Pagliacci

The most famous example of verismo opera: brutal Italian realism from the turn of the 20th century. Jealousy, adultery, and violence among a troupe of traveling clowns.

Feature film, 1983 (Plácido Domingo, Teresa Stratas, Juan Pons, Alberto Rinaldi; conducted by Georges Prêtre)

Part I, Part II, Part III, Part IV, Part V, Part VI

Mozart's Die Entführung aus dem Serail (The Abduction from the Seraglio)

Mozart's comic Singspiel (German opera with spoken dialogue) set amid a Turkish harem. What it lacks in political correctness it makes up for in outstanding music.

Royal Opera House, Covent Garden, 1988 (Deon van der Walt, Inga Nielsen, Lillian Watson, Lars Magnusson, Kurt Moll, Oliver Tobias; conducted by Georg Solti) (click CC for subtitles)

Verdi's Un Ballo in Maschera

A Verdi tragedy of forbidden love and political intrigue, inspired by the assassination of King Gustav III of Sweden.

Leipzig Opera House, 2006 (Massimiliano Pisapia, Chiara Taigi, Franco Vassallo, Annamaria Chiuri, Eun Yee You; conducted by Riccardo Chailly) (click CC for subtitles)

Part I, Part II

Offenbach's Les Contes d'Hoffmann (The Tales of Hoffmann)

A half-comic, half-tragic fantasy opera based on the writings of E.T.A. Hoffmann, in which the author becomes the protagonist of his own stories of ill-fated love.

Opéra de Monte-Carlo, 2018 (Juan Diego Flórez, Olga Peretyatko, Nicolas Courjal, Sophie Marilley; conducted by Jacques Lacombe) (click CC and choose English in "Auto-translate" under "Settings" for subtitles)

Wagner's Der Fliegende Holländer (The Flying Dutchman)

An early and particularly accessible work of Wagner, based on the legend of a phantom ship doomed to sail the seas until its captain finds a faithful bride.

Savolinna Opera, 1989 (Franz Grundheber, Hildegard Behrens, Ramiro Sirkiä, Matti Salminen; conducted by Leif Segerstam) (click CC for subtitles)

Mascagni's Cavalleria Rusticana

A one-act drama of adultery and scorned love among Sicilian peasants, second only to Pagliacci (with which it's often paired in a double bill) as the most famous verismo opera.

St. Petersburg Opera, 2012 (Fyodor Ataskevich, Iréne Theorin, Nikolay Kopylov, Ekaterina Egorova, Nina Romanova; conducted by Mikhail Tatarnikov)

Verdi's Falstaff

Verdi's final opera, a "mighty burst of laughter" based on Shakespeare's comedy The Merry Wives of Windsor.

Studio film, 1979 (Gabriel Bacquier, Karan Armstrong, Richard Stilwell, Marta Szirmay, Jutta Renate Ihloff, Max René Cosotti; conducted by Georg Solti) (click CC for subtitles)

Verdi's Otello (Othello)

Verdi's second-to-last great Shakespearean opera, based on the tragedy of the Moor of Venice.

Teatro alla Scala, 2001 (Plácido Domingo, Leo Nucci, Barbara Frittoli; conducted by Riccardo Muti)

[theflyingfeeling]

I saw you talking in the tags about maybe coming to a show in Germany or Amsterdam. I can't promise anything right now but if you do and I got time I would gladly offer myself as your travel guide and concert buddy 💞😊 (in case you are looking for someone 🙈)

aawwwww yayyy!! 🤗 as I said, the Amsterdam one is more unsure since there's a bunch of stuff I'd love to do in Amsterdam (or rather in the Netherlands in general) if/when I go there, so I'd prefer to spend more than just a weekend there, but I'd love to meet you in Germany if you have the chance to go to Berlin or Leipzig 😄 I've been to both a couple of times but I'd still be very much a tourist so I'd appreciate the company 😌

[ifidiedinadream]

I was reminded of the video where aleksi says "Leipzig, bring it on" or something and all I need in this time of month is for aleksi to look like that with a paddle in his hand after he tied me down and put one of those rotating vibrators inside me, and for him to make me tell him about all the things I'd want samy to do to me and get rewarded with a good spanking of my thighs and clit and the reveal that aleksi had samy listening from behind the door the whole time

in fact, if you still take requests, could I request something roughly like that?

for context 🥵🥵🥵

here you are, sorry it took this long! 💕

also on ao3

“Damn, baby… fuck, you look so good.” 

Has Aleksi seen himself? The long-ish black hair frames his face beautifully, the heavy eye make up, red and black, makes the bright blue in his irises pop up; the total black outfit is the only thing you’d change (meaning, you’d like to tear it off of him, for he’s too overdressed for your liking). The paddle in his hand only adds to your lust, and the way he’s looking at you, cold fire in his eyes - there’s nothing you wouldn’t do to please him right now. Nothing. 

Aleksi reaches to run his hand along your naked body, dodging all the spots you wish he’d touch. You squirm and agitate, only to be reminded of how your wrists and ankles are tied to the bed. Aleksi snorts. 

“Impatient, are we? Be a good girl and I’ll reward you. You know I can be generous.” 

You suppress a moan. You watch as Aleksi goes to rummage in a drawer, but he only comes back with a vibrator. You clench around nothing at the sight of it, yet it’s not what you were hoping for. 

“But baby… it’s you I want inside me.” 

“Shh, I know, angel,” Aleksi turns on the vibrator and runs it down your stomach, from your belly button downwards. You writhe when it touches your clit, however it doesn’t stop there. “But you don’t have only one hole. I’m gonna take your mouth.” 

Aleksi easily slides the vibrator inside you, making you yelp. He leaves it there; its gentle hum is not enough to make you come, but still it feels fucking good, exacerbating your need. As you groan, Aleksi gently guides your head to his cock (he’s only pulled his zip down, taking himself out but he’s otherwise fully dressed still), and you take him in avidly, eager to taste his skin and arousal. He’s gentle, not pushing, stroking your hair as you hollow your cheeks around him. His moans and short words of praise make you roll your hips, and you hum around him when your movement causes the toy to feel better. 

Aleksi cups your cheek, feels your lips stretched around his cock with his thumb. He groans low, which prompts you to take him deeper, down your throat. You make to bob your head but he stops you, keeping your head still, fucking into your mouth. It stops before he gets rough. 

“We’re gonna play a game now,” Aleksi pants out, pulling out. There’s spit running down your chin and your neck hurts from the weird angle. “I’m gonna ask you some questions. If I like the way you answer, I’ll use this,” he brandishes the paddle. “Giving you pretty marks so you don’t forget who you belong to.” 

You squirm some more, wishing he’d turn the vibrator to a higher setting. “What kind of questions?” 

Aleksi snorts. “Questions about my dear friend Samy.” 

Your breath hitches. What? 

“Don’t look at me like that. You think I didn’t notice the way you look at him? The way you smile at him or how you touch him when you two talk? The touches are so unnecessary. You just can’t keep your hands to yourself, huh?” 

You’re speechless. Sure, Samy is hot, and maybe you’ve been acting a little flirty, but you didn’t really intend for your boyfriend to notice. 

“It’s okay, babygirl. Just answer these questions.” 

You nod. Aleksi runs his paddle along your thigh, figuring how to word his questions. 

“What would you wanna do with him?” 

You shake your head. “No, baby. You, I only want you.” 

Aleksi tuts at you, taking the vibrator out of you. You whine, having got used to the intrusion; you hate how empty it feels now. “I need you to be honest, baby. Can you do that for me? I won’t get mad. But don’t lie to me.” 

You turn your head to the side, avoiding his gaze. If telling him about your fantasies regarding his colleague is what it takes him to let you get off, then so be it. 

“I’ve been dreaming of riding his dick,” you say truthfully, “looking at all his pretty tattoos as he guides my pace with his hands on my hips. Telling me I’m a slut for letting another man other than you take me. Him sitting up and taking my nipple into his mouth as I pull him closer with my hands in his long hair.” 

Aleksi puts the vibrator back inside you. The vibration is stronger than before, making you groan. His index finger presses lightly on your clit, moving slowly in circular motion. 

“Good girl. Is there anything specific you’d want him to do to you?” 

The fingering has stopped; now the paddle is hovering over your cunt as Aleksi waits for an answer. 

“I want him to be rough. I’d let him bend me over a table and tear my clothes off… tearing my tights apart if I’m wearing a skirt, forcing his cock deep inside me with no preparation.” 

Aleksi spanks you with the paddle and it hits you right on the clit, pulling a loud moan out of you. He’s smiling down at you, proud. 

“Tell me more.” 

“I want him to call me degrading names, telling me I’m everyone’s property and everyone should treat me like the whore I am. Need him to invite you over to watch him fuck me, and then you’d start a competition to see who can make me moan louder.” 

A series of shallow hits lands on your clit as you keep talking, they’re light and fast, making your orgasm build faster than the vibrator. You groan and your gaze lands on Aleksi’s cock, still hard as hell, glistening, and hanging out of his pants. God, if you want it back inside you... 

“I need him to force me to sink to the floor, on my knees for him, choking me with his cock and then coming all over my face. Maybe he could write disgusting shit on my face with lipstick. Maybe he could slap me with his cock, or with his hand.” 

Aleksi slaps you in the thigh then, and it’s a forceful blow. You hiss at the pain, yet you love it so much. He changes the angle slightly and hits you again, on the same spot. The bruise will look like a heart tomorrow. 

“But you’re mine, remember?” 

“Yes, Aleksi, of course. I’m your doll.” 

“My doll, yeah,” he slaps you again, on the other thigh. “But as I said, I can be generous. So I prepared a gift for you tonight.” 

You look up at him with expectant eyes, meeting his intense, lively stare underlined in black and red. He smiles smugly. 

“Come on in.” 

The door opens. You freak out, because you’re naked, tied to a bed with a vibrator inside you, and only Aleksi should be seeing you like this. 

A head of purple hair. 

You swallow. 

“Did you hear?” Aleksi asks Samy. “I’m sure you’ll have fun with us tonight.” 

“I’m sure I will,” Samy says and you can’t help but notice the boner inside his DIY pants. 

The anticipation almost makes you come on the spot. 

[oldshowbiz]

Three yellowface movies were released in 1980-81.

The Fiendish Plot of Dr. Fu Manchu starring Peter Sellers, Charlie Chan and the Curse of the Dragon Queen starring Peter Ustinov, and Hardly Working starring Jerry Lewis. 

All were subjected to protest and condemnation from Asian American activist groups. 

A full-page ad ran in Variety in February 1981: 

“If Blackface is intolerable, why does Yellowface still exist? Orientalized eyes, stilted demeanors, inscrutable souls, trite expressions, sexless auras and idiotic accents destroy the self-image of our young people and perpetrate an unjust distortion. THIS MEDIA BONDAGE MUST STOP. 

“In real life Asian/Pacifics are in the mainstream of America … legislators, professionals, teachers, athletes, parents, students, heroes, villains, and next door neighbors. We dare other producers to be creative. Portray Asian/Pacific Americans realistically as they exist in today’s society.” 

Warner Brothers executive Lloyd Leipzig met with an activist group called Asian Americans Against Stereotypes for “a very meaningful discussion.” But in the end he dismissed their concerns and insisted the Fiendish Plot of Fu Manchu was “just an old-fashioned, cartoon-like romp.”  

Asian Americans Against Stereotypes, frustrated by that response, stormed the set and shut the Peter Sellers film while it was doing location shooting in San Francisco. 

“The largest of the groups is the 3,000-member Organization of Chinese-Americans, but about a dozen smaller groups representing Japanese, Vietnamese, Koreans and others also have been involved in the protests,” reported Reuters. “Marching against the Sellers film [they demand] the movie be withdrawn.” 

One of the many characters Jerry Lewis portrayed in Hardly Working (1981) was a crazed sushi chef with buckteeth and glasses. The image was used for the film’s poster and subsequent VHS cover. When it made its way to weekend television, TV Guide described it simply: “Hardly Working (PG). Racist stereotypes.”

[miroslavcloset]

Even now, you remain my light [Neuller +18 Fic] Chapter 2

~Manu used to be in Thomas' presence almost 24/7, between being at home with him and training with Bayern, is rare to not have his comforting aura around him, but with an injury, their routines have to be separated. Today Thomas will be home a little earlier than usual and Manu is feeling a little clingier than usual, so his boyfriend will make sure to take care of him and make him feel as loved as possible.~

A/N: So, yesterday we almost lost against Leipzig, and to get my anger out I wrote smut and felt better. Btw first time writing (and actually publishing) smut. I tend to first write everything in my native language and then manually translate everything, here I had to write everything straight in English bc I was having a crisis finding words that didn't sound like shit. Anyways, enjoy c: I'm a hoe for this two dorks in love.

Warning: Smut under the cut, read at your own risk.

Somehow, the bathroom was the coldest room in the house, but this time it wasn't the reason why Manuel's skin was standing on end. With Thomas' help, he sat on the chair that served as support for him in the shower. Suddenly he felt Thomas's hands going up his back under his shirt, startled, he turned and tried unsuccessfully to grab his lover's wrists. -What are you doing…?- Asked shyly. -Well, we'll take a shower, honey. I hope you don't plan to do it with our clothes on.- He said in a comical tone, then leaned towards Manuel until he barely touched his ear with his lips and whispered, -Also, remember that I came here to take care of you… - Without waiting for any reply, he continued with the upward movement of his hands on Manuel's back, while he brought his mouth closer and gently bit his ear, proceeding to go down and plant a wet kiss on his neck. He traced a short line with the tip of his tongue to the back of his neck where he moved away for a moment to remove Manuel's shirt altogether, placed it on the bathroom floor without paying too much attention, and went to stand in front of his partner. Careful not to move the place of the injury, he took a spot between Manuel's legs, knelt there, and placed a hand on each of the knees in front of him, spreading them further apart with a delicate push. He stopped for a moment without removing his hands and looked up until his blue-green met Manuel's deep blue, he observed how his boyfriend's breathing was more accelerated and the blush on his cheeks did not give any sign of disappearing anytime soon. That was enough to remember why he had fallen in love with that exceptional person in front of him. He put his thumbs inside the corner of both Manuel's pants and boxers and began to pull them down. Supporting his hands on the armrests of the chair, he raised his hips enough for Thomas to remove both items of clothing from him in a single movement and discard them, placing them on the floor behind him. With one hand Manuel caressed Thomas's cheek, brushing his thumb over his lips, touching them from one side to the other, prompting him to open his mouth, Thomas licked it just as he knew he wanted and took it into his mouth, closing his lips around them.

He never took his eyes off Manuel's, delighting in every reaction that this simple action was generating in him and now that there was no cloth to hide it, he could trust the honesty of Manuel's naked body. After releasing the digits, Thomas put a hand under Manuel's left knee, lifting it up and exposing him further, then guided his leg onto one of the chair's armrests and moved closer until Manuel could feel Thomas's breath on his half-hard dick, which only made his blush deepen. -Just look at you, Manu, I wish you could see yourself as I do, you're so beautiful.- He stuck out his tongue and passed it under the erection in front of him, obtaining a sweet moan from Manuel. He began to lick it, drawing broad strokes with his tongue over his skin and occasionally licking up the drops that formed on the tip of it. He caressed Manuel's abdomen with his hands, using his nails to lightly scratch his hips.

When he felt that Manu was already hard enough, he moved away and in a quick movement stood up, took off his shirt pulling it over his head, lowered his pants, and discarded the clothes along with the others behind him, leaving himself only in his underwear. He looked at Manu with lust in his eyes, appreciating his work, Manuel sitting in front of him with a deep blush and rapid breathing, his legs open and a drop slipping down Manuel's penis. His mouth was watering and he felt that the eroticism of that sight made his own member react instantly; he made a conscious effort to retain this image in his mind as long as possible… Manuel was too beautiful for his own good. He approached Manu and gently held his chin upwards, placing his index and middle fingers on his lips. -Lick them for me, love…- Breathed Thomas. Manuel obeyed and opened his mouth, letting him introduce the digits. He began to circle each other with his tongue, staring at Thomas at all times and the reaction he caused in him, delighting himself in how Thomas saw him with lust and a mischievous smile. Manuel put his hand in front of his partner's boxers, feeling how his penis reacted instantly, he caressed it with the palm of his hand as he continued with the requested task, then, wanting more contact, he began to insert his hand into the last remaining piece of fabric, finally touching the warm skin of Thomas' dick.

Thomas sighed and with ragged breaths he made an effort not to get carried away by the delicious touch, he took his fingers out of Manuel's mouth slowly and knelt down again, not even leaving Manu time to react, he took the goalkeeper's wet member with one hand and this time he fully put it into his mouth, feeling the tip touch the back of his throat. Manuel let out a moan that sent vibrations directly to Thomas's penis, who felt the fabric of his boxers tightening more and more around his growing erection. He began to move his head up and down, at first in a slow rhythm, making sure that his tongue went through all the areas that he knew would turn on Manuel even more. At this point, Manuel tried to hide the sounds that this pleasure generated in him by covering his mouth with the back of his hand, but the more Thomas licked, the more difficult the task became for him. With his other hand, he caressed Thomas's face, running his fingers over his cheeks and finally threading his fingers through his blond hair. Involuntarily his hips began to move, half-fucking his face looking for more friction from his partner's mouth. He tried to control himself since he did not want to hurt him in any way, but Thomas knew exactly how to move his mouth, moving and circling his tongue at the tip. He could feel his breath on his skin, the hot air over his lower abdomen only adding to the stimulation.

Taking advantage of how immersed Manu was in the movements of his mouth on him, he brought his index finger still wet with saliva and introduced it into Manu's entrance. The entrance of the slightly cold digit made him let out a gasp, holding Thomas' hair even tighter. He was always so careful with him, starting with only a finger and caressing his insides in soft but constant motions just enough for Manu to get used to it.

When he felt him loose, he added a second digit, twisting his hand and curling his fingers to try and find exactly that place he knew would make him climax in no time. Manu was moving alongside his erratic breaths and Thomas had to hold his left leg in place to keep him open. He felt how an almost melodic moan left Manu's mouth effortlessly and suddenly his fingers were being held inside even tighter. Found it.

-T…Thomas, Thommy, please… Wait, wait.- He moaned in a desperate tone. But he felt Thomas did quite the opposite, touching and pressing the sensitive spot even more, this alongside the tongue in his dick was about to make him finish there, inside his lover's mouth.

-Babe… Stop, please, I'm gonna…- Manuel kept begging, being more vocal than he usually was, turning Thomas on even more, his boyfriend haven't even laid a finger on him, and just pleasuring him and hearing those delightful mewls got him hard enough to enter Manuel right away if he wanted to. But for now, that wasn't on his plans, at least not right here. There was a slight chance he might hurt Manu, taking on count he was just recovering from an injury that got him out of the whole season and the last thing he wanted was to put the person he loved the most in even more physical pain.

Instead, he made sure Manu's leg was in a safe position over the armrest and lowered his hand to touch himself, matching the rhythm of moving his hand up and down his dick with the pace at which he was stimulating his lover. Manuel curved his back and hold Thomas' head if possible even closer to his hips and this accompanied by short-breathed pleads were the right warnings Thomas had before feeling the taste of the hot liquid spread into his mouth. The feeling made him fasten the pace at which he was masturbating wanting to cum at the sensation of Manu's orgasm. The taste of Manuel was addictive, and without thinking twice he swallowed everything… He waited until the last squirt of semen left Manu to slowly slide his lips from the base to the tip, releasing him. -Sorry, baby I'm so sorry.- Manuel purred, his voice softened with the intensity of the afterglow. Thomas looked up at hearing those words, and the view before him was enough to make him cum on the spot. Manuel Neuer completely naked, delicate drops of sweat distributed over his frame, spread open, with an adorable blush from ears to neck and whining after cumming, everything for him and him only. Thomas clenched his teeth feeling the wave of his own climax taking over his body, soon after the hot drops of his cum escaped his fingers, most of the liquid falling onto the shower's floor. He sighed deeply at the feeling and finally gave Manu a delicate kiss on his inner thigh. Manuel's breaths became steadier, finally opening his eyes to see Thomas giving him a loving look. -Thomas?- -Yes, love?- He doubted before giving up, -Will you just…hold me? Please?- Thomas smiled softly at the request, feeling a warmth in his chest. -I’m not going anywhere, baby.- He got up and placed himself behind Manuel, placing a kiss on the top of his head and another on his cheek. -I love you.- -But I love you even more.- He heard the sound of the shower faucet followed by the pleasant sensation of hot water falling on his back, accompanied by Thomas' caresses relaxed his muscles giving him comfort that lately with his injury was quite difficult to find. -Nope, this time it's my turn.- Manuel laughed at the answer. -So when will it be my turn?- He played along. -Let me think about it, I'll try to give you an answer one of these days. Maybe.- It was the first time that Manuel had taken a shower with Thomas. He had always had a somewhat reserved attitude about it, insisting that he would be fine on his own. This time, having missed his boyfriend made him lower his defenses, allowing himself to be vulnerable and share this moment with him. He had to admit that he felt a little embarrassed about it, but after a while, it was even comfortable being able to trust him even with things like this.

The casual intimacy of taking a bath together and the little gestures that made him feel like he would melt at any moment, like when Thomas put a hand on his forehead as he washed his hair to keep any drops of shampoo from getting into his eyes. Manu smiled to himself, wanting to take Thomas by the arm and throw him over himself to kiss him until he expressed without words the gratitude he felt for having him by his side. He made a mental note to do it later when there was no risk of slipping and falling as they were both wet now, giving himself the task of explaining the whole situation to his doctor afterward and obviously not going into details like 'I wanted to kiss to Thomas Muller while we were showering together'. When he finished, Thomas turned off the shower and reached for the towels hanging on the side, drying himself with quick movements and tying it around his waist, then with the remaining towel he proceeded to dry Manu, who tried to help him do it by putting his hands on top of his. He finally helped him to his feet and tied the towel the same way around his partner's body. As he walked out of the bathroom, leaning on Thomas's shoulder, night had fallen over the city, leaving the room with nothing but the light of a bedside lamp that gave the place an air of rest and privacy. It wasn't the first time that Thomas helped him get dressed, so they didn't take further time in it, and giving a natural course to the night, they raised the covers on the bed and let the night cover them while, as close as they were able to hug each other, they let the feeling of sleep and comfort of being together take over them.

[enibas22]

from presseportal.de - 24th November 2022

Bildrechte: MDRFotograf: MDR Mitteldeutscher Rundfunk

„Die Abenteuer der kleinen Trompete“: MDR und Hollywood-Star Tom Wlaschiha legen Klassiker neu auf

Die klingende Instrumentenkunde „Die Abenteuer der kleinen Trompete“ von Hans Sandig ist ein Klassiker unter den Kinderschallplatten der DDR und zugleich eng mit der Geschichte der MDR-Klangkörper verbunden. Der Musiker Hans Sandig war Gründer und bis zu seinem Tod Leiter des Rundfunk-Kinderchors Leipzig (heute MDR-Kinderchor). MDR KLASSIK schickt jetzt in einem neuproduzierten Film den internationalen Schauspielstar Tom Wlaschiha mit der kleinen frechen Trompete wieder auf Reisen, um die Instrumente des MDR-Sinfonieorchesters spielerisch zu entdecken – zu sehen ab 25. November in der ARD Mediathek sowie am 24. Dezember, 7.00 Uhr, im MDR-Fernsehen.  

Nach fast 60 Jahren hat der MDR die kleine Trompete und ihre Geschichte in einer audiovisuellen Produktion mit animierten grafischen Elementen zu neuem Leben erweckt. Die nicht mehr vollständig erhaltene Originalpartitur wurde dafür aufwändig rekonstruiert und behutsam an heutige Bedürfnisse angepasst. Als Sprecher konnte MDR KLASSIK mit dem international renommierten Schauspieler Tom Wlaschiha (geb. in Dohna bei Dresden) eine prominente Persönlichkeit aus Sachsen gewinnen.

Hans Sandigs „Die Abenteuer der kleinen Trompete“ galt als das DDR-Pendant zu Benjamin Brittens „A Young Person´s Guide to the Orchestra“ aus dem Jahr 1946. Sandigs Neuschöpfung lädt auf spielerische Weise in die Welt des Orchesters ein. Die Geschichte folgt den Spuren der frechen kleinen Trompete, die eines Morgens aus der engen Turmstube ausbricht, und auf ihrem Weg in die Stadt zahlreiche Instrumente kennenlernt. Bevor am Ende alle gemeinsam ein großes Konzert geben, gilt es einige Herausforderungen zu meistern. Die erste Einspielung des Werks mit dem damaligen Leipziger Rundfunk-Sinfonieorchester und dem populären Schauspieler Rolf Ludwig als Sprecher erschien 1964 als Schallplatte. Die klingende Instrumentenkunde wurde schnell ein Klassiker in ostdeutschen Kinderzimmern: Die gelungene Kombination von didaktischer Wirkung und Beliebtheit war so erfolgreich, dass es bis in die frühen 1980er Jahre mehrere Nachauflagen gab.

Hintergrund zur Zusammenarbeit mit Tom Wlaschiha

Bereits in den 1990er Jahren gab es eine Zusammenarbeit des jungen Schauspielstudenten Tom Wlaschiha mit den Klangkörpern des MDR. Tom Wlaschiha stammt aus einer musikalischen Familie: Sein Onkel Ekkehard war ein bekannter Bariton und Wagner-Interpret, der vor allem in seiner Paraderolle als Alberich im „Ring der Nibelungen“ international glänzte. Durch ihn erhielt Wlaschiha früh einen Zugang zur klassischen Musik und eine starke Affinität zur Bühne.

Hinweis an die Journalistinnen und Journalisten:

Ein aktuelles Interview mit Tom Wlaschiha kann unter mdr-klassik.de abgerufen werden.

[wilsweb-asientour]

Tag 29. 01.08.2023

Kunstausstellung bei Nacht. Nach 2 vollgepackten Tagen in Kyoto machten wir uns auf den Weg nach Osaka. Mit insgesamt 6 Gepäckstücken fuhren wir mit dem JR-Zug die halbe Stunde Richtung Süden und kamen ca. 11:30 verschwitzt im Hotel an. Nach einer kurzen Erfrischungspause liefen wir zu 7/11, um was anzubeißen (u.a. köstliche Curry Buns), und anschließend setzten wir uns in ein Café, um die Unterkünfte in Hiroshima und Seoul zu buchen.

Nach der Kaffeepause ging’s zurück in die Hitze in die Einkaufsviertel von Dotonbori, Shinsaibashi und Amerikamura. Wir kauften zuerst bei Rikuro den berühmten Käsekuchen und beäugten danach sporadisch verschiedenste Schaufensterpuppen. Wilson kaufte sich die 3. Billig-Sonnenbrille des Urlaubs nachdem die letzte Kyoto nicht überlebte; Webster sammelte währenddessen japanische Song-Empfehlungen der Verkäufer. Zum Abendessen ging’s erneut zum Förderband-Sushi (dieses Mal Kura Sushi), wo wir 30 Teller verputzten und genauso viel zahlten wie einmal Mittagessen bei Zhaka in Leipzig - not bad.

Mit vollen Bäuchen legten wir unseren Käsekuchen im Hotelzimmer ab und fuhren Richtung Süden zu einer Kunstausstellung. Es handelte sich um den Botanischen Garten im Nagai Park. Hier stellten Künstler verschiedene Lichtkonstellationen zusammen, die die Bäume beleuchteten und bei Berührung ihre Farbe änderten. Dazu wurde hypnotisierende Musik gespielt. Die selbstgeführte Tour war ungewöhnlich jedoch extrem nett. Nach einem von Webster eingeleiteten 2km-Umweg über den Supermarkt, schafften wir es schließlich nach Hause, schnitten den mittelmäßig-schmeckenden Kuchen an und schauten ein paar Folgen der britischen Comedy-Series „The Inbetweeners” mit Bier und Reis-Crackers. Morgen haben wir wiederum Osaka im Visier, an den Folgetagen jeweils Nara und Kobe. Gute Nacht!

Day 29. August 1st, 2023

Art exhibition at night. After 2 packed days in Kyoto, we headed to Osaka. With a total of 6 pieces of luggage, we took the JR train for half an hour south and arrived at the hotel around 11:30, sweaty. After a short break, we went to 7/11 to grab a bite (including delicious curry buns), and then we sat in a café to book accommodations in Hiroshima and Seoul.

After the coffee break, we returned to the heat in the shopping districts of Dotonbori, Shinsaibashi, and Amerikamura. First, we bought the famous cheesecake from Rikuro and then casually looked at various mannequins. Wilson bought the 3rd cheap pair of sunglasses of the trip after the last one didn't survive Kyoto, while Webster collected Japanese song recommendations from the sellers. For dinner, we went back to a conveyor belt sushi place (this time Kura Sushi), where we devoured 30 plates and paid just as much as one lunch at Zhaka in Leipzig - not bad.

With full bellies, we left our cheesecake in the hotel room and went south to an art exhibition. It was the Botanical Garden in Nagai Park, where artists created various light installations that illuminated the trees and changed colour when touched, accompanied by hypnotic music. The self-guided tour was unusual but extremely enjoyable. After a 2km detour to the supermarket initiated by Webster, we finally made it back home, cut the mediocre-tasting cake, and watched a few episodes of the British comedy series "The Inbetweeners" with beer and red pepper rice crackers. Tomorrow, we'll focus on Osaka again, followed by Nara and Kobe in the coming days. Good night!

[soccerdailyuk]

Dominik Szoboszlai posts 'wrong' Liverpool photo in message to Erling Haaland

Dominik Szoboszlai posts 'wrong' Liverpool photo in message to Erling Haaland Liverpool's recent acquisition, Dominik Szoboszlai, used social media to extend birthday wishes to his former teammate Erling Haaland, who turned 23. However, Szoboszlai's gesture backfired when he posted a picture that sparked reactions from Liverpool fans on social media. Both Szoboszlai and Haaland had previously played together at RB Salzburg before moving on to the Premier League. Haaland opted for Borussia Dortmund before later joining Manchester City, while Szoboszlai followed a similar path, going to RB Leipzig before eventually signing with Liverpool. Despite now being opponents in the Premier League, Szoboszlai and Haaland share a strong friendship. Nevertheless, before they face off on the pitch as rivals in the Liverpool vs. Manchester City match, Szoboszlai wanted to express his gratitude and best wishes for Haaland on his special day. On his Instagram story, Szoboszlai shared a picture of Haaland celebrating a goal against Liverpool, with the Reds' winger perched on his shoulders. The photo was taken during an exciting match between Salzburg and Liverpool, which ended with a thrilling 4-3 victory in favor of Liverpool. However, Liverpool fans were quick to notice that the picture was from that particular game, leading to some amusing reactions. Many comments playfully pointed out that it might not have been the best choice of picture to post. Despite the mix-up, it was evident that Szoboszlai's intention was to convey his best wishes to Haaland, his former teammate and close friend. He may have even picked the Anfield picture intentionally following his move to Liverpool, though the Reds' fans would prefer not to be reminded of a goal being scored against their team. Szoboszlai had previously mentioned that he sought advice from Haaland before making his move to England. In an interview with Hungarian outlet Nemzeti Sport, the 22-year-old midfielder shared that Haaland had guided him on choosing a place to live, showing the camaraderie between the two players. Not the Anfield picture Szobo 😭 pic.twitter.com/2kEMlhWRie— LFC Transfer Room (@LFCTransferRoom) July 21, 2023 "We've talked. So much so that Erling Haaland has also advised on finding real estate, and it could very well be that we become neighbors," Szoboszlai said. "I learned from him that several players live halfway between Manchester and Liverpool in a quiet area where privacy can be preserved, and on Monday I will see what he was talking about. I am very curious." Despite their close friendship off the pitch, Szoboszlai acknowledged that once they step onto the field for Liverpool-Manchester City matches, their camaraderie would be set aside. However, he expressed genuine excitement about the prospect of competing against his friend.  The friendly rivalry between the two would surely add an extra dimension to their encounters in the Premier League, and Szoboszlai seemed eager to embrace the challenge of facing Haaland as a competitor while cherishing the opportunity to share the pitch with him. "And of course, putting our friendship aside during the Liverpool-Manchester City matches, it will surely be a fantastic experience to play against each other," Szoboszlai added. The eagerly awaited first clash between Liverpool and Manchester City is set to take place at the Etihad Stadium, likely towards the end of November, although the exact date has not been confirmed yet. Football fans are eagerly anticipating this match, given the talent and competitiveness of both teams. The reverse fixture, where Liverpool will host Manchester City at Anfield, is scheduled for early March. This match will likely be another thrilling encounter between two of the top teams in the Premier League. Football enthusiasts and supporters of both clubs will mark their calendars for these exciting fixtures that could potentially have a significant impact on the title race. Dominik Szoboszlai posts 'wrong' Liverpool photo in message to Erling Haaland Read the full article

[cavedwellermusic]

Radagast - Yavanna (2023)

Tolkien inspired dungeon synth from Leipzig, Germany

Yavanna, the second full album by Radagast, guides us through the lush forests of Middle-Earth and erodes our sense of time through the use of mesmerizing Berlin School melodies and haunting orchestral synth. Josua Karlson's meticulously crafted compositions pay homage to the mysticism and hypnotic allure of Tolkien’s world through the perspective of a furtive, forest-dwelling wizard.

[fundgruber]

Shelly Silver, Girls / Museum. 2020, 71 min

"Museums are institutions that are entrusted to preserve – they are a repository of highly selective views of history and civilization. The artwork presented under the guise of education and expertise, has, in fact, been historically made, collected, curated and contextualized, by men. There is no lack of depictions of women on display, mothers, prostitutes, artist’s models and muses – contemporary, classical and religious figures are all seen through the eyes of male artists.Taking into account this imbalance, through what lens should this work be viewed today?

Girls / Museum is a voyage through the historical art collection of the MdbK/Museum der bildenden Künste Leipzig, guided by the expertise and insights of a group of girls, ages 7 to 19. Moving from artwork to artwork, century to century, they tell us what they see."

[higherstudy]

What’s the Average Salary in Germany After an MS? A Comprehensive Guide

Germany has long been a sought-after destination for international students looking to pursue higher education, thanks to its world-class universities, thriving economy, and vibrant job market. If you're considering an MS (Master of Science) degree in Germany, one of the most important aspects you'll want to explore is the potential salary you can earn after graduation. This guide will provide a detailed overview of the average salary in Germany after completing an MS, the factors influencing these salaries, and tips for maximizing your earning potential.

Overview: Average Salary After MS in Germany

The average salary in Germany after completing an MS can vary significantly based on factors such as your field of study, industry, location, and experience level. On average, fresh MS graduates in Germany can expect to earn between €45,000 to €60,000 per year. This number can increase substantially with experience, specialization, and skill development.

Let's break down the average salaries for different fields:

Engineering: €50,000 to €70,000 per year

Computer Science & IT: €48,000 to €65,000 per year

Business & Management: €45,000 to €60,000 per year

Data Science & Analytics: €50,000 to €70,000 per year

Finance & Accounting: €45,000 to €60,000 per year

Life Sciences & Biotechnology: €42,000 to €55,000 per year

Mechanical Engineering: €50,000 to €65,000 per year

Electrical Engineering: €48,000 to €63,000 per year

These figures represent average starting salaries and can vary depending on other influencing factors, which we’ll discuss next.

 Key Factors Influencing Your Salary After an MS in Germany

Several factors determine how much you can earn after completing your MS in Germany:

a) Field of Study

Certain fields tend to offer higher salaries than others. For example, graduates with degrees in engineering, computer science, data analytics, and finance typically earn more than those in the humanities, social sciences, or education.

b) Industry

The industry you work in plays a significant role in your earning potential. For instance, industries like automotive, finance, IT, and pharmaceuticals tend to offer higher salaries than sectors like education or non-profit organizations.

c) Location

Salaries can vary widely based on where you work  in Germany. Larger cities like Munich, Frankfurt, and Stuttgart often offer higher salaries but come with a higher cost of living. Smaller cities like Leipzig and Dresden may have lower salaries but also have a more affordable lifestyle.

d) Experience and Skill Level

Experience is one of the most critical factors influencing salary. Fresh graduates may start with entry-level salaries, but as you gain more experience, develop your skills, and take on additional responsibilities, your earning potential can increase significantly.

e) Language Proficiency

While many international companies in Germany operate in English, being proficient in German can significantly improve your job prospects and salary potential. It opens doors to more job opportunities and makes you a more attractive candidate to employers.

f) Company Size

Large multinational corporations typically offer higher salaries and benefits compared to smaller or mid-sized companies. These larger companies are also more likely to have structured career advancement opportunities.

Average Salary Based on Popular Industries in Germany

Germany has a robust economy with several high-paying industries for MS graduates. Here’s a closer look at the average salaries across some of the most popular industries:

Automotive Industry: €55,000 to €75,000 per year (Companies like BMW, Audi, and Daimler)

Information Technology (IT): €50,000 to €70,000 per year (Companies like SAP, Siemens, and IBM)

Finance & Banking: €48,000 to €65,000 per year (Companies like Deutsche Bank, Allianz, and Commerzbank)

Pharmaceuticals & Biotechnology: €50,000 to €70,000 per year (Companies like Bayer, Merck, and Boehringer Ingelheim)

Consulting: €55,000 to €80,000 per year (Companies like Deloitte, PwC, EY, and KPMG)

Manufacturing & Engineering: €50,000 to €70,000 per year (Companies like Bosch, Siemens, and Volkswagen)

How to Maximise Your Salary Potential After an MS in Germany

If you want to maximise your earning potential after completing your MS, consider these strategies:

a) Learn the German Language

While many companies in Germany operate in English, knowing German can significantly increase your job prospects and salary. It demonstrates your commitment to integrating into the local culture and opens doors to opportunities in German-speaking workplaces.

b) Gain Work Experience

Internships, part-time jobs, or research projects during your MS studies can provide you with practical experience, making you more attractive to potential employers and helping you command a higher salary.

c) Network Actively

Networking is crucial in Germany’s job market. Attend career fairs, industry events, and seminars, and connect with professionals in your field to build a strong network. LinkedIn is a valuable tool for this purpose.

d) Target High-Paying Industries

Focus your job search on industries known for offering higher salaries, such as IT, finance, consulting, and pharmaceuticals. Specializing in these areas can lead to higher-paying roles.

Conclusion

Germany offers excellent opportunities for MS graduates, with competitive salaries and a thriving job market. The average salary after an MS in Germany can vary based on your field, industry, location, experience, and language skills. By strategically choosing your field of study, gaining relevant experience, building your network, and continuously improving your skills, you can maximize your earning potential and build a successful career in Germany.

[umzugsunternehmen]

🚛#ButlerUmzügeGmbH 💶günstig Umzug nach Berlin-Wilmersdorf mit Kostenüber...

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[yesgermany-manish]

How to Financially Plan Your Study Abroad Journey in Germany

Embarking on a study abroad journey in Germany is an exciting opportunity filled with the promise of academic excellence and cultural immersion. However, like any significant venture, it requires thorough financial planning to ensure a smooth experience. Here’s a guide to help you financially plan your study abroad journey in Germany.

1. Estimate the Total Cost

Before diving into the specifics, it's essential to understand the total cost of studying in Germany. This includes tuition fees (if any), accommodation, daily living expenses, health insurance, and travel. Most public universities in Germany offer low or no tuition fees, making it an attractive destination for international students. However, living expenses can vary depending on the city. For example, Munich and Frankfurt are known for their higher living costs compared to cities like Leipzig or Freiburg.

2. Create a Budget

Once you have a rough estimate of the total costs, the next step is to create a detailed budget. This budget should include monthly expenses such as rent, groceries, transportation, and entertainment. Allocating funds for unexpected expenses is also wise. Having a well-planned budget will help you manage your finances efficiently and avoid any financial stress during your stay in Germany.

3. Explore Scholarships and Financial Aid

Germany offers a wide range of scholarships to international students. Organizations like DAAD (German Academic Exchange Service) provide scholarships that can cover your tuition fees and living expenses. Additionally, some universities and private institutions offer scholarships based on merit or financial need. Research thoroughly and apply early to maximize your chances of receiving financial aid.

For personalized guidance on scholarship opportunities and application processes, consider consulting with German Education Consultants. Their expertise can help you navigate the complexities of securing financial aid.

4. Consider Part-Time Work

Germany allows international students to work part-time during their studies. This can be a great way to supplement your income and gain work experience. Students are allowed to work up to 20 hours per week during the semester and full-time during semester breaks. It’s important to balance work and study to ensure academic success.

To explore potential job opportunities and understand the work regulations for international students, you might want to consult with Study Abroad Consultantswho can provide insights into the job market and help you connect with employers.

5. Plan for Health Insurance

Health insurance is mandatory for all students in Germany. Depending on your age and the duration of your stay, you may choose between public and private health insurance. Public health insurance is generally more affordable and widely accepted. Ensure that your budget includes health insurance premiums and any out-of-pocket medical expenses.

For advice on selecting the right health insurance plan, consult with Overseas Education Consultants. They can guide you through the process and help you choose a plan that fits your needs.

6. Set Up a German Bank Account

Opening a German bank account is crucial for managing your finances. It allows you to pay your rent, receive your salary, and handle daily expenses. Most banks offer accounts specifically designed for students with low or no fees. Some banks even provide additional benefits like free international transfers or discounted travel insurance.

7. Save Before You Go

Finally, it’s always a good idea to save as much as possible before you depart. Having a financial cushion will give you peace of mind and cover any initial expenses like flight tickets, visa fees, and security deposits for accommodation.

Conclusion

Financial planning is a critical step in ensuring a successful study abroad experience in Germany. By estimating your costs, creating a budget, exploring financial aid options, and seeking advice from professionals, you can navigate the financial challenges with confidence. With proper planning, you’ll be able to focus on your studies and enjoy your time in Germany without financial worries.

[dancuny]

Nova Subminiature Camera

My camera collection is very eclectic, and I am drawn to odd and unusual cameras and photo items. I did a blog posting on the Minolta Six camera a couple of weeks ago. What drew me to that particular camera was that it didn't have the standard cloth bellows system but rather a series of metal cubes that pulled out and retracted back into the camera to form the bellows. These were very similar to a camping cup, where the larger rings pull away from the smaller ones on the bottom, creating a cone-shaped cup. 

 A year or so ago, there was a pretty major auction of cameras in the United States, with hundreds, if not thousands, of cameras and other photo items sold. There were many "lots" that had several cameras, maybe as many as 25-30 grouped into similar lots. I won one of these "lots" that had several smaller and subminiature cameras, many in their cases and several in the original box. The Nova Subminiature camera was in that particular lot.

I can still remember unwrapping the camera and opening the case to a camera I had seen in McKeown's Camera price guides many times. When I pulled the bellows out to find that they had a cubed bellows system, I immediately put the camera on my display shelf because I was drawn to its look.

The Company:

Here's where it gets odd. The only thing I can find about this camera or who made it was that it was created by Erwin Adloff Apparatebau, Berlin-Wilmersdorf, in 1938. Even that is suspect, according to McKeown's guide, as they have the Nova listed separately. There is a camera called the Adloff Tex camera, which has a body similar to the telescoping box bellows but with a more elaborate shutter. 

Another oddity about this camera was that it was designed by Fritz Kaftanski, who was born in Essen, Germany, in 1899. According to the information found online, Kaftanski started designing Fotofex Kameras in Berlin in 1927. In 1932, Fotofex showed the Visorflex camera at the Leipzig fair and introduced other cameras a few months later.

 In 1934, the Sida and Extra Sida were tiny cameras produced in Germany, then later in Poland and Czechoslovakia under license in Italy. In 1937, Kaftanski moved to Czechoslovakia with the Sida patent, where production continued. Then, according to all I can find, Kaftanski moved to Paris in 1939, so sometime before moving to Czechoslovakia, he either designed the Nova for Erwin Adloff or someone else who remains unknown designed the camera.

Since little is written about this company, my best guess is that Erwin Adloff Apparatebau, Berlin-Wilmersdorf, was a small manufacturer producing one or two cameras just before World War II broke out. Many records either went missing or were possibly destroyed during the war. Fritz Kaftanski designed the Nova sometime before 1938, when it was produced. However, from what I can find online, I don't see any definitive proof or acknowledgment of Kaftanski designing the Nova, although he did create many other cameras during this timeframe.

 My Camera:

My camera is pretty small, measuring 3 5/8" wide by 2" tall by 1.5" deep with the lens retracted and 2 5/8" deep with the lens extended. The camera without the case weighs 7.1 oz, and with the case 9.9 oz. It uses paper-backed unperforated 35mm film, known as Bolta film, which was very popular during this timeframe and something I discussed in my last post.

When you first look at the camera, it looks extremely plain, yet it has some Art Deco features, like the lines around the lens and the text used for the name. Pulling the lens away from the body reveals the double box bellows, which are very ribbed silver. When the camera is flat on its back with the bellows extended, they almost give the camera a wedding cake look.

On either side of the camera is a textured finish to the metal design to help with gripping. I don't know how much gripping is needed for such a small and lightweight camera. On the back of the camera are two more grips on the sides of an exposure table explaining the shutter speed depending on the distance to the subject, shutter speed, and aperture set on the camera. There is no mention of different film speeds. Just above the exposure table is a green window, and another green window is the camera's viewfinder. Just below the exposure table is the word "FOREIGN," and on the front, below the lens, is D.R.P. ANG D.R.G.M, meaning this was made for domestic or international sales.

 The camera has three shutter speeds: 1/25, 1/50, and 1/100 sec, along with "B" for timed exposures. On the side of the lens is a lever that can be pulled out to change the aperture from wide open at f4.5 to f6.8. This is very similar to what box camera employed to change the aperture. At the 10:00 o'clock position, around the lens is the shutter release, and around the lens is the focus adjustment in meters, with the closest focus being 2 meters.

To take the back off the camera, there are two knobs you pull apart to get to loading and unloading the camera. Two films should be holding cassettes in the back of the camera, but mine only came with one. Interestingly, the film holding cassettes is Hermes Nova. Did the French company Hermes design the film holders, and how was a French company involved in this? This could be where the involvement of Fritz Kaftanski comes into play, as he did move to France in 1939, the year after the camera came out. Were there discussions between Kaftanski and Hermes during the mid-1930s?

On the top of the film holder are four bumps or knobs that need to align with the slots on the camera film advance knob, otherwise, the film cassette won't fit in or out of the camera. Once the slots and the knobs are aligned, the film hold comes out quickly, and you can take it apart to load the film into the cassette. 

Once the film is in the camera, the film moves over a geared wheel above the film chamber, rotating a wheel with a white dot and white dash. As the film transports across this wheel, you can view this movement through the green window on the back of the camera, just above the exposure table, so you can tell when your following exposure will be as there is no frame counter on the camera, nor are there numbers on the Bolta film, so this was the only way to tell when you got to the next frame.

Conclusion:

I couldn't use this camera since I didn't have Bolta film to shoot with or a second film cassette, even if I did have the film. The Nova is a beautiful little camera, and I enjoy having it in my collection. Since the camera was only made for a year, how many cameras were made is unknown. Looking at the back door, there is 1114, which may be the serial number, but not 100% positive. Due to the lack of production and not seeing many for sale, I guess it's a reasonably rare camera.

Thank you for taking time out of your busy day to review my film blog. I have another great camera picked for next week's blog, and I hope you'll look out for it.

 Until next week, please be safe.