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veronicawildest · 8 months ago

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Nakshatra series: Observations from different Nakshatras

Disclaimer: These observations are based on my personal experiences with individuals I know (including celebrities).

Ashwini:

The Ashwini girls I know have youthful, baby faces (e.g., India Eisley, Kim Chiu, my classmate). They are much softer and more likable compared to other Nakshatras ruling under vimshottari lord Ketu due to the Laghu Nakshatra quality.

Ashwini men are more impulsive compared to the women. I must add that the men of this Nakshatra are also quite cocky.

Ashwini individuals are smarter than they are often given credit for, especially in academics. They are usually overachievers and can accomplish anything they set their minds to.

Bharani:

If you have a Bharani friend, they are dedicated and loyal friends.

The romantic and sensual traits often associated with Western astrology Taurus actually belong to Bharani. While Aries are typically assertive and action-oriented, they are not usually associated with laziness. It is beacuse of the individuation and selfishness correlated to the first sign of the zodiac, Aries.

It is true that Bharani individuals love ancient mythology and history, particularly about Egypt and themes related to death.

Bharani individuals often have a resting stern expression on their faces.

Krittika:

Krittika doesn't get credit for how funny they are.

They're also fashionable, and both genders of Krittika natives are able to attract the opposite gender (sex appeal to them).

The Krittika symbol is a knife, so there's no wonder why they're blunt and cut-to-the-throat. That's why some of them have a reputation for being "rude".

Krittikas also love politics. The ones (that I know) who are actually interested in helping some people.

Rohini:

Most of the Rohini individuals are actually physically GORGEOUS. Their charm is because of their looks and style.

The reputation of "Geminis (western astrology) are opinionated and talkative" actually applies directly to Rohini natives. They like to troll people and have the last thing to say on things. (Azalea Banks)

Rohinis are actually humorous too. They have this vibe of not taking anything seriously and being innocent.

Rohini and the connection to possessiveness/obsessiveness of their partner or someone romantically. (My mom has this placement, Most of my parents' arguments stem from the fact about jealousy of my dad because of some random man)

Mrigashira:

The Mrigashira men are actually very reactive to humor if you get what I mean. It's connected to their expression and body language (Ishowspeed).

Mrigashira have actual sex appeal oozing from them, and the natives of this nakshatra have many admirers.

If a woman has this nakshatra (despite the fact that some of them are villainized by women), they actually advocate for things like "women's equality, women's rights."

Mrigashira doesn't have any problem being with the opposite gender than any other nakshatra.

They don't like to admit this, but they love drama.

Arda:

Arda natives are underestimated in that they can adapt to such social cues and reach heights despite many people hating them. Taylor Swift and Drake are Arda natives who are some of the most influential people (as of when I'm writing this observation), yet other people tend to hate them because they don't take them seriously. The backlash stems from the fact that "Taylor only writes breakup songs from her teenage years when she's 30" or "Drake is too mainstream compared to his peers in the rap/hip-hop community." Something like that. (The ones I quote are the ones I've seen on Twitter.)

Their words can actually hurt a lot. Ardas are actually good roasters. Many comedians are Arda natives, and their comedy often comes from criticism and humiliation of others (pointing out insecurities, etc.). Claire Nakti has a survey about comedians, and this nakshatra is one of the prominent ones in comedy.

The Arda natives that I observe personally have thick eyebrows. The deity has a correlation to eyebrows (I usually can't remember, I'm sorry).

(PART 2 WILL BE SOON!!!!)

#astrology notes #vedic astro notes #astrology observations #vedic astro observations #vedic astrology #claire nakti #pick a card #Arda nakshatra #Mrigashira nakshatra #nakshatras #ashwini #Krittika #Bharani #Rohini

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krishnaart · 7 months ago

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☀ RADHA KRISHNA ☀

"The Maha-mantra is the only real friend of the living entity. By the chanting of the Hare Krishna Maha-mantra, one very easily uproots all sinful reactions that have been accumulated not only in this lifetime but also for many past lives and which are yet to mature into fruitation."~Laghu Bhagavatamrita

Hare Krishna Hare Krishna Krishna Krishna Hare Hare Hare Rama Hare Rama Rama Rama Hare Hare

#krishna #radha #govinda #gopal #radha krishna #hare #rama

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proudhinduforever · 2 months ago

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Sanatani Saints

Part 3

Shri Samartha Ramdas

We will look into the life of Shri Samartha Ramdas who was a prominent Sanatani saint, poet, and spiritual leader in Maharashtra.

Early Life and Renunciation:

Shri Ramdas or previously Narayan was born into a Marathi Deshastha Rigvedi Brahmin family to Suryajipant and Ranubai Thosar. His father was thought to have been a devotee of the Vedic deity, Surya. Ramdas had an elder brother named Gangadhar. His father died when Narayan was only seven years of age. He turned into a sadhaka after the demise of his father and would often be noticed to be engrossed in thoughts about the divine.

As per legend, Narayan fled his wedding ceremony in Asangao near Jamb, at age 12, upon hearing a pandit (Hindu priest) chant the word 'Saawadhaana!' (Beware!) during a customary Hindu wedding ritual. He is believed to have walked over 200 km along the banks of Godavari river to Panchavati, a Hindu pilgrimage town near Nashik. He later moved to Taakli near Nashik at the confluence of Godavari and Nandini river. At Taakli, he spent the next twelve years as an ascetic in complete devotion to Rama. During this period, he adhered to a rigorous daily routine and devoted most of his time to meditation, worship and exercise. As per legend, he once blessed a widow lady of a long married life, without knowing that her husband has just died. It is said that he was able to give life back to the dead body of her husband and this act of miracle made him very famous in Nashik. He is thought to have attained enlightenment at the age of 24. He adopted the name Ramdas around this period. He later had an idol of Hanuman made from cowdung installed at Taakli.

His contribution to Freedom movement and literary works:

Unlike the saints subscribing to Warkari tradition, Ramdas is not considered to embrace pacifism. His writings include strong expressions encouraging militant means to counter the barbaric Islamic invaders. He endorsed significance of physical strength and knowledge towards individual development. He expressed his admiration for warriors and highlighted their role in safeguarding the society. He was of the opinion that saints must not withdraw from society but instead actively engage towards social and moral transformation. He aimed to resuscitate the Hindu culture after its disintegration over several centuries owing to consistent foreign occupation. He also called for unity among the Marathas to preserve and promote the local culture. Samartha Ramdas Swami served an inspiration for a number of Indian thinkers, historians and social reformers such as Bal Gangadhar Tilak, Keshav Hedgewar, Vishwanath Rajwade ,Ramchandra Ranade, and Vinayak Damodar Savarkar. Tilak derived inspiration from Ramdas when devising aggressive strategies to counter the British colonial rule. Ramdas had a profound influence on Keshav Hedgewar, the founder of Hindu nationalist organization Rashtriya Swayamsevak Sangh. He is also recognized for his role as a Guru to the Maratha king Shivaji Maharaj, inspiring him with principles of governance, spirituality, and valor.

Below are some of his notable literary works:

Manache Shlok (co-written by Kalyan Swami)

Dasbodh

Shree Maruti Stotra

Aatmaaram

11-Laghu Kavita

Shadripu Nirupan

Maan Panchak

Chaturthmaan

Raamayan (Marathi-Teeka)

His Teachings:

Ramdas was an exponent of Bhakti Yoga or the path of devotion. According to him, total devotion to Rama brings about spiritual evolution. His definition of "Bhakti" was in accordance with the philosophy of Advait Vedant. In Chapter 4 of his literary work Dasbodh, he describes Nice levels of devotion / communion - starting from listening / comprehending (श्रवण) to Surrender of oneself or being One with Self (आत्मनिवेदन) - the later being the core tenet of Advait Vedant - where the sense of separate "I" dissolves into non-duality. He encouraged the participation of women in religious work and offered them positions of authority.

Ramdas Swami is a revered spiritual figure in Maharashtra and remains relevant to contemporary society in Maharashtra.

🙏🙏 jai jai Raghuveera Samartha 🙏🙏

#hinduism #hindublr #bhakti #saint #samartha #freedom

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pearlgisa · 1 year ago

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qala and the style over substance argument

so, i watched qala (dir. by anvita dutt) immediately when it came out - a story that exposed the music industry and the position of women in it, especially focusing on the toxic nature of indian classical music? it was like they made the film for me (someone who's spent a good chunk of their life trained in hindustani classical music). however, i was sorely disappointed.

in essence, qala, along with other films that did commercially well that came out in bollywood last year, solidified my understanding that the audience of today's generation of movie-watchers genuinely puts style over substance and in fact, uses it as a way to defend their favourite movies from criticism. the recent resurgence of praise for om shanti om of all films, only strengthened this opinion.

my criticisms for qala are in plenty, yet i will choose to expand on the ones that strike out the most to me, all of which range from the lightest to the harshest criticism:

the choice of music

the acting

the direction + writing

the handling of the serious issues that are the main theme of the film

before you read ahead, please know that there are spoilers.

in indian classical music, there are two distinct forms: hindustani (or, north indian) and carnatic (or south indian) music. each have their differences and similarities and even someone who hasn't trained can tell them apart upon listening. within hindustani music - which is the genre of music that qala learns from her mother - you have many different styles of singing, ranging from shastriya sangeet (classical form of singing) to laghu sangeet (semi-classical and sometimes, light music). of course, this categorization also has its roots in religion and caste. shastriya sangeet has forms of singing like dhrupad (the oldest form and a strictly devotional medium), khyal (the most common one, telling tales or speaking of human emotions), bhajan (also a devotional medium), etc.

laghu sangeet has forms of classical music like the thumri, a form of singing popularized and invented by courtesans. the lyrics were sensual, romantic and more explicit. of course, owing to these, they were looked down upon. even the british had a huge role in diminishing the status of indian women performers. the "other woman" concept was specifically one that they propagated and the rise of the "perfect housewife" phenomena began since the seventeenth century. the extreme effect of that? the courtesans lost out on their patrons and were forced into prostitution.

hence, that was the primary history behind qala's mother, urmila, shaming her into never being a performer, i.e, in a more derogatory term, a "singing girl". a courtesan, essentially. which is accurate, considering the film is set in the 1940s. if a girl was too "out there in the world", i.e, her achievements being publicised in newspapers or her getting recognition for her academics, her future marital prospects were ruined. and the "shame" that befell the family if she was learning music or dance was worse. a significant number of the prominent female musicians that emerged from this era of pre-independence to post-independence were unmarried. or they had many patrons and salacious rumours regarding their love life were in plenty. the film pakeezah (1972) explores such themes quite well. and the many renditions and retellings of devdas also serve as a good example of the stature of performing women.

however, it's the music itself where it goes wrong for me. the choice of songs as well as qala's singing (of course, all of qala's songs are sung by the amazing sireesha bhagavatula), is in a style all too similar to laghu singing. the years of egregious training, no matter how much her mother dismissed her, would've developed a voice which would've sounded a lot more like what a lot of classical singers would sound like, unless they were singing a lighter form of singing. and it isn't a matter of pitch or using falsetto. qala's mom is referred to as a master of qawallis, which is a sufi form of devotional singing (and comes well under hindustani music too). even the lyrics of qala's songs, while full of very obvious foreshadowing, do not match the overall orthodox classical upbringing that the film portrays.

while bhagavatula has an amazing voice well versed in classical music (especially since she sings bhajans so often), considering the time that qala was set in, you would've expected a sound similar to something along the lines of noor jehan or even roshan ara begum. instead, it sounds a lot like a mix of semi-classical instrumental with a more pop-based voice. which is easier for our generation to digest and consume, however, it comes at the cost of a sound which is very typical of the 50s-70s era of bollywood.

one that qala does right are the costumes. they do their job well. not the sets as much, which i will get into later. at some points, they are well in line with the rest of the era of the film, other times it just sticks out like a sore thumb. here's where the "symbolism" comes in.

one of the most jarring examples is the song qala sings at the first performance, a very light classical song just by the sound of the vocals. even the song jagan sings is very contemporary at its core. despite the characters having an allegedly strict, traditional schooling of music (jagan's voice is devoid of the typical heavy accent or dialects that those who are from underprivileged backgrounds tends to have), the songs at hand present a very modern take on qawallis, despite bollywood being a flourishing ground for many iconic qawallis. therefore, the compositions sometimes falter at some points specifically because of the vocal choices. choosing to do away with alaaps, especially in qala's part, less aakar and more bariki, are all signficant details that feel jarring to someone who's lived in the world of classical music as long as qala. otherwise, there are some signature sounds retained from the era that the film is set in.

and while still on the topic of singing, a very important issue that i find least addressed is the acting of it. despite there being little vocal variations in the compositions, the actors don't show that they are singing. and in the film specifically revolving around music, that's an extremely important detail that i find amiss. hardly opening the mouth, the movement of the lips, the posture as well as the hand gestures (yes, a very important detail!), are all obvious flaws. a recent film that does that does those details well is the disciple (2020). the first scene of urmila teaching qala singing displays urmila wearing an elaborate piece of nose jewellery that covers half of her mouth, and that's when they're doing rehyaas (practice), not a performance. it's huge details like these that don't sell the film to me.

the acting is quite underwhelming and here is where disagreements with my opinions might enter. i find trupti dimri's rendition of qala extremely, for lack of politer words, exasperating. she tends to show the same expressions for all of her problems, i.e., there is no great difference between her feeling anger or feeling despair or feeling depressed or feeling cheated or just plain exhaustion. qala's character is a complex one and difficult to act, which is a concession i will give, however, the hype around her is a little unnerving when the audience is given such an unremarkable delivery of dialogues and emotion. it comes off as school-play acting at times. swastika mukherjee, who plays urmila, is quite two-note with her acting, which sometimes suits her character and sometimes just feels very low-effort. babil khan has his moments, yet there is such less versatility. you'd think the babil of qala's hallucinations and the one who existed in real life would have some distinct characteristics (which they do), but they never come off as that. it feels so half-hearted at times.

the whole point of symbolism is that it's subtle at heart and not on the face. qala has on-the-face symbolism, which is an irony in itself. the black swan scene, the frosty room in the beginning, the ghostly jagan, etc. almost made me bump my nose into a wall. it comes off as pretentious at best, as if the viewer is stupid. it is also very off-putting in some scenes. for example, the black swan scene - there is very little buildup and it feels very predictable in the sense that "it all goes downhill from here". however, there is one scene which i like, which is the gargoyle one (a very traumatic scene, for those who recall, it is the one right before ghodey pe sawaar gets recorded for the final time). i think that is the most effective filmmaking in the entire film. the best thing about symbolism is always the subtlety. it makes the viewer keep coming back to pick up on something they might have missed in the first watch, it helps them pick up the pieces along the way instead of being able to tell the twists thirty minutes before they are revealed.

and one of the most egregious crimes of the entire film is the direction. here is where we get a little more technical (but just briefly, do not worry). the way it cuts from one scene to the next is like watching a poorly edited reel put out by the team of an out-of-touch marketing firm. the editing could have been better at many places. the writing falls flat specifically when it comes to the characters. i'm pretty sure on paper, the script must've been a delight to read. the story has so much potential - considering that it's based on two books, where there might've been even more depth given to the characters - it isn't new in any way but it offers a different, feminist perspective of the indian music industry. yet, the characters are paper thin on screen - in their ambitions, psychology and sociology. hence, urmila suddenly turning a new leaf in the last ten minutes of the film is something that feels wrong, because all along, she has been portrayed as a heartless mother. qala's actions make sense because her character has nearly always been rooted in self pity and rage. jagan is nothing without music. there is very little dimension to them apart from me summarizing their characters in one sentence with less than thirty words each.

that is why, the film feels even more half-hearted when it speaks of the issues that it centers around. all of these elements add up and make for a tiring watch. i gave qala a second chance, to be fair and omitted some of my pettier criticisms, yet the more serious ones remain. to a certain extent, it does aestheticize depression, which i have a huge issue with. however, baby steps as always with bollywood. it's no dear zindagi considering it is set in a different period with a different ending. however, the writing of the characters could've been so much better. a little more exploration of urmila's intentions would've given her so much depth. a few more interactions between qala and jagan might've given qala the chance to befriend him and not just see him a rival, thus intensifying the decision she took. the characters do not feel human, they are strictly white or black and qala being the anti-hero feels very off since it requires better writing and a stronger plot. and of course, much better acting.

however, qala re-opened up discussion of a nearly-always forgotten discourse - that of the position of women in music. and for achieving that bare minimum, i give it full credit. however, when there have been films with much better writing, characterization and cinematography in bollywood itself, with a similar theme, qala needs to be seen for what it contains than what it displays. just because it glitters, doesn't mean it's gold.

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miabebe · 18 days ago

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Hi love,

I'm here to rant about 3 of your recent works and how absolutely feral I've been thanks to them. The cheol and hanie Halloween fics and then camp seventeen ch3? Oh, you have fed us with so much content, I'm losing my mind.

Starting with anything and always, where do I begin? I absolutely loved how dark it was, the way they're both psycho, they really are made for each other. The possessiveness they feel for each other, the obsession they have for each other, it was pure madness. I honestly loved that he knew it all but pretended not to, that detail was what made the ending perfect for me.

The intruder's eye was something else, it was perfectly creepy and eerie. The backstory for her situation, the way it seemed like he was the suspicious one in the beginning, only for it to be her who's the psycho, it was soooo good. Her being obsessed with him to the point where she made her house look exactly like his? Him finding out and trying to get away only to be caught by her? The story ending with her asking him if he wanted to see her garage? Holy shit, her character was written so well, it gave me the chills. I love love loved it.

Now last but definitely not the least, camp seventeen chapter 3. Okay, to start off, camp was attacked by geese? Man I laghued when I first read that but when they started talking about how serious it might actually be, I was very much intrigued. Now, why was she drinking the drinks from the party again when she just had a taste of what it contains? Cheol clearly told her not to but that just fueled her instinct to go against him,goodness gracious, she is a mess. Lol, not soonyoung whispering to her that it's a sex potion, girl, you should have known better. Also, Hao telling her to fight it, he was so amused, it was hilarious. Cheol mentioning that he asked for the message to be delivered to soonyoung only and them realising that aphrodite's children were messing with them? Oh, I wonder just how much of a menace shua is. The way cheol knew she was with soonyoung and hao knew cheol came for her, damn, we have a lot of complicated emotions here, don't we?

Her and cheol avoiding each other like the plague, ugh, they really need to talk. Her conversation with wonwoo though, omg, he clearly knows way too much abt her and I'm so curious about how he knows so much,and the way he doesn't hesitate to call her out on it? Damn, man sure has a way with his words. When reading her pov, I understood why she is the she way she is, the betrayal, the disappointed thanks to her mother, it can certainly be overwhelming and clearly, her conversation with seokmin was her last straw. Her powers are something I'm very intrigued by, especially with the monster chasing her. Her rushing to find jihoon to ask him how she can meet her mother, the whole sacrifices theory was so interesting to read, oh and the Hi Cow was so funny, idk, just calling his pet cow cow is absolutely hilarious. Also, she literally just thought to herself that the previous night was a mistake and that sleeping with multiple members of the camp is fucked up and then proceeds to sleep with jihoon because she needs a distraction, girl, I totally get you, we're all the same. I mean, I guess she managed to not sleep with mingyu and fight it like hao told her to, which imo, makes her quite strong. Like, if I were in her place, I probably would have been no better, like, jihoon is so goddamn attractive, it makes sense that all logic disappears. Also, thank you so much for so much of jihoon content, like I said, I'm currently in my jihoon simp era and I can tell you, I absolutely ate that up. Also, I totally understand her frustration because why the hell do they have so many code colours? Lol, I wonder how many more we're going to find out throughout the story. Moving on, the Chimaera story was another key point of this chapter that I found so fascinating, especially with it chasing her for her powers I'm assuming? Jeonghan assigning them roles and putting cheol with her and arguing that she will be safer with their strongest warrior? My heart fluttered at that moment, but yeah, those two really need to talk. Her proceeding to spill everything to jeonghan the next day and jeonghan telling her about cheol being the only one willing to take her in? Him knowing all along and choosing to protect her, oh goodness, how is anyone supposed to stay away from a man like that? Idk what to do with these two though, it's like repeating cycle of who avoids who and they seriously need to get their shit together. I have to say, when they're leaving for the mission, wonwoo's warning seemingly implies he knows about her powers, atleast I'm assuming so, and once again, I'm curious how. I have absolutely no idea how to process the ending, that was so unexpected? This man has been avoiding her and suddenly they're alone in the forest of nyx and he wants to fuck her? Man, I lost it when I read that part, I genuinely wish these two will talk it all out like they should and clear all misunderstandings during their little trip. I also have a feeling this trip will end up revealing her powers so I'm very much excited for the next chapter. Thank you soooooooooo sooooo soo much for yet another chapter. You've really given us so much content in the past few weeks and I truly appreciate that. Please take your time with everything you have planned, whenever you decide to post, I would be glad to read your works.

This is irrelevant to your writing but dk for allure? Man woke up and chose violence because what was that? I was not expecting to be attacked like that but hey, I ain't complaining. I re-read where you're convenient dk part because of it.

Oh, I am also very excited for the shua Halloween fic because I love dark shua works, for some reason, they just hit different.

Umm, I did not expect this ask to be so long but I couldn't help it. Anyway, thank you again for writing chapter 3 and the Halloween fics. They were all delightful to read.

I swear, every time I put something out, I'm so eager to hear what you think because you genuinely make my day ❤️

Oh I have thrown myself into writing a lot for the past few days, Halloween season was particularly inspiring 🤭 I really wanted to get Shua's out too but I felt it had been quite a while since camp seventeen so I wanted to get another chapter out for everyone firsttt

Ahhh I'm glad you enjoyed Anything and Always - I don't usually find myself capable of writing shorter, less plot intensive pieces so that was truly a challenge for and I'm glad it worked out! Something about crossing the line in love is interesting to me and Halloween was the perfect time to try my hand at it hehe

The Intruder's Eye gave me the creeps too omg, I could not bring myself to write it at night hahaha I used to only work on it during day time 😅 I wanted to do a plot twist that was unexpected but also make it seem like something was off since the start? It was one of my more experimental pieces for sure 🤭

And camp seventeen yes, ahhhh, I've been waiting for you to read this one particularly because of your Jihoon phase heheheh I hope you enjoyed it!

I knew camp being attacked by geese would seem stupid but according to greek mythology, Zeus and geese really don't get along? and geese are also used for vigilance so I thought it would be the perfect element to add! Oh she's a mess for sure, Cheol has his hands full with her ahhaha and ah, yeah, aphrodite's children - quite the troublemakers huh? Cheol and her really do need to talk yeahhh, they will when the time is right! Wonwoo though, surely a well informed man, but how and why, that's still a mystery 🤷

Ahh I did want the chapter to give more insight into her character since we've only focused on the fact that she's a mess but not why she's a mess 😅 Her thinking she made a mistake the previous night and still going ahead with Jihoon, sorry, that was a given, its Lee Jihoon after all!

Chimaera will makes it appearance next chapter, that's an interesting aspect for sure! And we will also see more of Cheol, especially this new side of him we've discovered! I think the key point about the ending though is what Cheol says, that no one can see them there - that's all I'll reveal for now, more in chapter 4 heheh 🤭

Thank you sooooo much for reading and sending your thoughts as always and being so patient with me, I truly truly appreciate you ❤️

OH NO NOT DK FOR ALLURE - I was expecting a sliver of skin at the waist but I woke up to a whole ass half naked man??? Just no regards for our sanity I tell you but when dks turn comes in camp seventeen, thank god I have great inspiration already hahahah

#Naming jihoon's cow Cow was so funny to me too hahaha but it just felt so apt #I thought the sacrifices bit was too lengthy but its important #it'll make sense in the next chapter #Thank you so much for reading all those works and sending me your thoughts #I hope chapter 4 will be equally intriguing!#3lilredroses #favs #camp seventeen #lee jihoon

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lovingninjablaze · 1 year ago

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laghu udyog list in hindi | लघु उद्योग की जानकारी तथा सूची

भारत में, लगु उडियोग या छोटे पैमाने के उद्योग��ं की अवधारणा काफी समय से चर्चा का विषय रही है. छोटे पैमाने के उद्योगों की सटीक परिभाषा के बारे में लोगों में जागरूकता की कमी प्रतीत होती है, यही वजह है कि गलत धारणाएं और प्रचलित चर्चाएं उत्पन्न होती हैं. यहां तक कि इंटरनेट पर, कोई भी हिंदी में लगु उदीग सूची से संबंधित कई खोजें पा सकता है. हालांकि, सच्चाई यह है कि छोटे पैमाने के उद्योगों के लिए एक अलग…

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#| लघु उद्योग की जानकारी तथा सूची #laghu udyog list in hindi #laghu udyog list in hindi | लघु उद्योग की जानकारी तथा सूची

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bestspaindia · 1 year ago

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“Sharad Ritu,” synonymous with the enchanting Autumn season, unveils nature’s breathtaking transformation—a time when landscapes donning warm hues and shift their color palettes. In Ayurvedic tradition, this season is marked by the delicate interplay of Vata and Pitta doshas, where the elements of air and fire manifest in vibrant harmony. Trees gracefully shed their leaves, birds embark on migratory journeys, and creatures seek solace in winter’s embrace. From mid-September to mid-November, India experiences the grace of Autumn, symbolizing renewal and offering an opportunity to express gratitude for nature’s captivating marvels. Festivals like Janmashtami and Ganesh Chaturthi further enhance the festive spirit during this season, aligning with Ayurvedic principles of holistic well-being and harmony with nature.

Balancing Your Doshas: Pitta Dosha during Sharad Ritu

During Sharad Ritu, the transition between seasons can significantly impact our body’s doshas, or bioenergetic forces. Pitta dosha, characterized by fire and water elements, can be influenced by the changing environmental conditions. It’s essential to adopt specific diet and lifestyle practices to maintain its equilibrium. Moreover, the shift in weather can affect our digestive fire, Agni, potentially leading to digestive concerns. Ayurveda places a strong emphasis on nurturing a healthy digestive system during this period to ensure overall well-being.

In Sharad Ritu, focusing on balancing Pitta dosha becomes crucial, as this season can provoke its tendencies. Pitta dosha governs qualities of heat and transformation, and an excess can manifest as irritability, inflammation, and digestive issues.

The Influence of Sharad Ritu on Your Body

As the radiant Autumn season, Sharad Ritu, graces us with its presence, it brings with it a unique set of effects on our physical well-being. The sultry and humid climate characteristic of this period can disrupt the delicate equilibrium of Agni, our digestive fire, potentially triggering an imbalance in Pitta Dosha. This imbalance may manifest as weakened digestion, irregular blood pressure, and the unwelcome emergence of troublesome acne. While the skies clear and the Earth undergoes a transformation, adorning itself with moistened soil, Autumn assumes its rightful spotlight. However, amidst this picturesque transition, the persistently hot and humid climate has the potential to further aggravate an imbalance in Vata Dosha. It’s imperative to be attuned to these nuances and take measures to maintain harmony within your body during this dynamic season.

Nutritional Guidelines for Sharad Ritu: Cultivating Balance through Diet

Amidst the tapestry of flavors that Sharad Ritu unfurls, nurturing your body with the right foods is paramount. Embrace a symphony of tastes, harmonizing Madhura (sweet), Tikta (sharp), and Laghu (light) elements, each graced with Sheetal (cold) attributes. Mindfully navigate the prevalent Pitta phase by steering clear of Katu (bitter), Amla (acidic), and Ushna (hot) tastes.

Savor the Lavana (salty) essence of the season, extending a warm welcome to wheat, green grams, and the essence of terrestrial creatures (Jangala Mamsa). Elevate your vitality with an array of nature’s treasures: relish the crunch of broccoli, indulge in nourishing cow milk, and savor the golden richness of jaggery and liquid gold honey. Treat your senses to the creaminess of avocado, the sweetness of sun-kissed ripe banana, and the succulence of pear and dates. By aligning your diet with the rhythms of Sharad Ritu, you embark on a journey of holistic well-being and culinary delight.

Harmonizing with Autumn: Sharad Ritu Dinacharya

Embrace the serene charm of Sharad Ritu, the Autumn season, by aligning your daily routine, or dinacharya, with its essence. Here’s a concise guide to cultivating well-being during this transformative phase:

Early Morning Serenity: Rise early to witness the beauty of Sharad Ritu’s dawn-to-daylight transition. Allow the tranquility of the season to envelop your mornings.

Breath and Balance: Engage in pranayama and yoga to sync with Autumn’s rhythm, fostering inner calm and mental serenity.

Warm Cleansing: Refresh yourself with a warm bath, washing away accumulated humidity for a sense of cleanliness and well-being with Vilasa’s Just Love Aromatherapy Body Wash.

Abhyanga Bliss: Experience Abhyanga, a self-massage with warm oils, enhancing circulation and rejuvenation.

Elemental Attire: Wear natural fabrics in lightweight, breathable clothing reflecting the vibrant hues of Autumn.

Nourishing Balance: Opt for warm, nourishing foods like seasonal vegetables, light soups, and herbal teas.

By integrating these mindful dinacharya rituals, you can harmonize with Sharad Ritu’s essence and nurture balance, vitality, and holistic well-being.

Nurturing Balance During Sharad Ritu: Herbal Harmony and Yoga’s Embrace

As the enchanting Sharad Ritu embraces us, it’s a perfect opportunity to embrace lifestyle changes that resonate with this season’s essence. Let’s delve into the art of harmonious living:

Herbal Harmony: Discover the abundant potential of Amla, Chandan, and Shatavari—gentle healers that alleviate excessive heat and invoke inner harmony. Infuse your days with the balancing influence of saffron-infused elements, perfectly attuned to Sharad Ritu’s rhythm. Elevate your self-care rituals with nature’s rich offerings: Vetiver, Saffron, Aloe vera, timeless Sandalwood, and the tender embrace of Rose. These treasures not only soothe Pitta dosha’s fervor but also provide respite for any skin sensitivities.

Yoga’s Embrace: Cultivate a symphony of equilibrium through a curated selection of yoga asanas and pranayama, thoughtfully designed to temper the season’s fiery energy. Seek solace in nurturing postures like Shavasana (Corpse Pose), refresh your being with the cooling breath of Shitali Pranayama, and gracefully flow through the serene rhythm of Chandra Namaskar (Moon Salutation). These practices create a haven of tranquility, allowing you to harmonize with the transformative spirit of Sharad Ritu and nurture holistic well-being at its core.

Complete Autumn Self-Care Guide: Revitalize Your Hair and Skin

As the seasons gracefully shift and the air becomes crisp, it’s essential to adjust your self-care routine to embrace the beauty of Autumn. This comprehensive guide is here to help you navigate the transition with elegance, offering expert insights and nourishing treatments for both your hair and skin. Step into the new season radiating confidence, well-being, and a renewed sense of self-care.

Hair Revival:

Nourishing Hair Oil: Elevate your hair care routine by incorporating Vilasa’s Keshvardhak Hair Care hair Oil. This natural elixir enriches your hair, taming frizz and ensuring a smooth and lustrous look during Sharad Ritu.

Trim for Health: Dedicate a moment to a DIY trim, ensuring your hair remains free from split ends. Regular trimming promotes vitality and a well-groomed appearance throughout the season.

Mindful Shampooing: Embrace a mindful approach to shampooing, reducing its frequency. By doing so, you retain your hair’s essential oils, preserving its radiance and natural shine.

Skin Rejuvenation:

Hydration Hero: Shield your skin from dryness with a potent moisturizer, providing enduring hydration and restoring suppleness throughout Autumn.

Gentle Cleansing Ritual: Embrace the year-round practice of using mild, fragrance-free foaming cleansers that cleanse without stripping your skin’s vital moisture.

Nighttime Revival: Awaken to renewed radiance with our Intense Repair Night Cream Moisturizer. Experience the transformative benefits of vilasa’s skincare cream“Age Defence Night Cream.”

Facial Oil Elixir: Elevate your skincare routine with facial oils like vilasa’s Almond Face Oil, delivering deep hydration and a luminous glow, even for those with dry and sensitive skin.

Exploring Deeper Wellness: The Sacred Abhyanga Massage at Tattva Wellness Spa

Embarking on a journey towards holistic well-being, Tattva Wellness Spa introduces you to the sacred Abhyanga massage, a practice deeply intertwined with the essence of Sharad Ritu. While self-administration is an option, the true embodiment of this ancient Ayurvedic technique comes alive through the skilled hands of our massage therapists. Let’s delve into the intricacies of the Abhyanga procedure, revealing its steps and the myriad benefits it bestows. The experience begins with the mindful selection of a personalized massage oil, chosen to harmonize with your unique skin type and body needs.

Elevating the ritual, the selected oil is gently warmed to a comforting temperature, setting the stage for a soothing and nourishing massage. Our therapists, guided by their expertise, apply rhythmic strokes that embrace your entire body, starting from the ears and flowing seamlessly to every joint, while circular motions grace the abdomen and heart. After the massage, a tranquil interlude is encouraged, allowing the oil to infuse your skin for a mindful ten minutes.

The journey concludes with a refreshing shower, washing away the oil and leaving you with a sense of rejuvenation. The Ayurvedic Abhyanga massage at Tattva Wellness Spa goes beyond its seasonal significance, resonating harmoniously with the rhythms of Sharad Ritu. It orchestrates a symphony of holistic well-being for both body and mind, fostering improved blood circulation, profound relaxation, and a lasting state of vitality that remains long after your visit.

In the unfolding of Sharad Ritu’s vibrant tapestry, Ayurveda’s timeless wisdom illuminates our path, guiding us to synchronize with nature’s intricate rhythms. Through the harmonious interplay of flavors, herbal allies, mindful yoga, and the embracing Abhyanga massage, we weave a tapestry of balance. Within Autumn’s captivating embrace, Tattva Wellness Spa extends an invitation to join this transformative odyssey, embracing the essence of grace and equilibrium that Sharad Ritu bestows. As we attune ourselves to nature’s cadence, the symphony of harmonious living unfolds, nurturing inner balance that resonates outward, enriching every facet of our being. Experience this harmonious journey at Tattva Wellness Spa, where ancient wisdom meets modern wellness.

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