#LIKE HE WAS SUPPOSED TO >:((((((

[teaboot]

Sometimes I think a lot about my mom's cat

My mom's cat is a common domestic shorthair we found on the side of the road as a kitten

Regular cat, not a maine coon or one of those massive breeds. His mom was smaller than a loaf of bread

But in a sort of a Clifford The Big Red Dog situation, he grew super fast, and really really big, and took a super long time to stop growing

Worried that she was overfeeding him, she eased back his portions, but he stayed a massive round baby

When he started having kidney problems, she took him to the vet.

The vet took a look at him and said, "holy fuck, what are you feeding him", checked the nutritional listings on his chow, and told her "Yeah, maybe he's reacting badly to the amount of grain in this, try a meatier diet"

So my mom wound up special-ordering this specific high-protein prescription cat food made of like. Kangaroo meat or some shit that cost like sixty bucks a bag

And, as typical act two in an episode of House, he somehow got worse on the fancy specialized stuff that was supposed to be Primo Athlete Olympic Feline Blend

Like. WAY worse. His guts were inflamed and his kidneys were shutting down and he was all sore and HE WAS STILL HUGE, just miserable and sad

So shetook him back to the vet, where they had to help him pee (he was apparently close to bursting and had some kind of blockage too) and went "Yeah no this is NOT normal and we don't know what's going on, we're gonna do some tests but in the meantime you should go back to what he was eating before, at least that wasn't actively killing him" so she did

And he still wasn't great, but he also improved

And so they take his blood and do an ultrasound and a couple g's later she gets a call back like "this is gonna sound crazy, but we want you to put him on a low-meat diet. Just the least amount of protein and iron and shit. We need you to find the grainiest, filler-iest dollar tree kibble available and give him some of that bad bad shit"

And my mother is a woman of science. So she did

And he GOT BETTER

His energy picked back up, inflammation went down, he started drinking normally again, got back to pissing like a fuckin champion

And so it turns out that out of all the random ass freeway bonus cats we possibly could have scooped out of a ditch, WE got the one-in-a-million freak of nature with a SPECIFIC genetic defect that means a paleo protein free range diet is essentially poison and he THRIVES on cheap ass garbage

Like. He medically NEEDS junk food

I dont really understand how that works, but i cant argue with results.

If we had four of him, they'd outweigh my mom. And he's FINE

Also blind, but that's unrelated

Im not using him as a symbol or a metaphor or anything. I just keep catching myself thinking about my mom's Big Fucking Cat

[kuronekoartsblog]

I offer you: Tim Drake being absolutely demolished in a way or another for being good at videogames, both by his opponent and his own teammate

Recently this is the only thing capable of pumping some dopamine in my ADHD brain so this is what u get lol

More to come!

[lazylittledragon]

some beach babes i started while i was on holiday <3

[magentasnail]

I'm absolutely obsessed with the book of bill, best thing i've ever read and it no joke gave me actual nightmares !! 100/10

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[gin-juice-tonic]

remembering one of the times i was getting evaluated by a therapist to determine if i was "really trans" or not or whatever and he was like "so if you transitioned to male, how would you dress differently?"

and i was like "i.. dont know. I wouldnt?"

and he looked at me blankly and wrote something down and said "really? you wouldnt wear anything more masculine?"

and i realized i'd given the wrong answer so I just said "I would... wear... suits?"

and he smiled and wrote something else down like "ah! yes"

[chloesimaginationthings]

Gregory knows he looks LIKE HIM in FNAF..

[endrae]

sketching the edgiest shit of the most polite and kind man ever? more likely than you think

[lotus-pear]

he's so crazy we can't take him anywhere 😭🤣

[bluegiragi]

i drew johnny "soap" mactavish as phreak (the original design) from overwatch.

bonus (just for fun):

[musubiki]

my favorite fields of mistria boys 🥰

[egophiliac]

everyone out of the way, this is the only thing I'm going to be thinking about from now on.

(okay, there is one more thing)

[brainrotcharacters]

the next time Logan does this, wade is going to keel over CACKLING

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[kabumisun]

read left - > right

she ace on my trap til i pola

[radiance1]

"You fight against a god!" Said the eldritch, nearly undecipherable being that's body twinkled with stars that the JL/YJ (Your choice) had found themselves fighting against after having been sucked into a world not their own. "Do you truly believe yourselves capable of-"

A green sticky note appeared in front of the figure's... Face? They honestly didn't know, seeing as they couldn't tell where exactly this being began and ended.

"Oh- Oh uh." The figure said as its voice lost that booming, echoing quality as it started to shrink. "I gotta, like. Uh." Said the boy that took the being's place, sticky note in hand as he rubbed the back of his neck with a sheepish expression. "Sorry, can we, uh. Continue this later? I gotta walk my dog-"

A moment later, a loud bark broke the new atmosphere, and the child beamed. "Cujo!" He said, holding out his arms as the dog barreled into him. "Okay so I'll just, uh. I'll be right back, okay? Just stay there!" He said, before falling through a portal and leaving.

"So does this mean we technically won-"