#Kid!Emile

[j-liz]

HEADCANON: Becky 100% gets her first Tonitrus Bolt when she snaps and publicly cusses out a teacher for being a jerk.

You think so, huh?

[evorathesylvurr]

Sinners as programs:

Yi Sang – Cortana/Siri/similar “AI”-that-follows-specific-rules programs. I don’t think poetry generators exist.

Faust – Any calculator game. Look. I love girlfail Faust as much as the next person, but she would be a calculator.

Don Quixote – Shimeji. Ok that’s the post.

Ryoshu – Either comedic malware like Reisenware, actual malware, or mspaint.

Meursault – Windows explorer/non-windows equivalent. He is your file explorer.

Hong Lu – Any digital pet, OR he is a collection of PNGs kept solely on your second monitor for a digital pet rock. I don’t know how to explain this one.

Heathcliff – It’d be far too easy (and a misinterpretation) to go with the malware route. Heathcliff has game engine energy and I am specifically referring to Ren’Py. he’s a Visual Novel engine.

Ishmael – Ishmael is specifically placid plastic duck simulator. No, but actually, Ishmael is any casual game like stardew valley or minecraft. she is never subnautica.

Rodya – Rodya is one of those email websites that boomers adore ❤️ /pos

Sinclair – Sinclair is a book library, like a kindle fire type thing.

Dante – Too easy to say a clock. Dante is an emulator.

Outis – Too easy to say a Trojan virus. She’s honestly a scheduling app.

Gregor – Again, far too easy to say malware (because bugs, get it? I’ll see myself out). He’s notepad.

Bonus:

Charon – An email that glitched out and was sent in like 1786 or whatever the earliest year a computer can claim

Vergilius – Far too easy to say tasque task manager. He’s an antivirus. Scares the viruses into not doing that shit.

Erlking(?) Heathcliff – Yeah he’s malware. He infects your computer, and spreads to other computers.

[peanutseagle]

Guys please show more enthusiasm !!

[beelittle]

Trying out brushes on adobe fresco with sketches of the kids ^-^

[mostlysignssomeportents]

The art of Daniel Danger

[Image ID: Daniel Danger's art print, 'To all who home to this happy place,' depicting a ruined Disneyland castle in a post-apocalyptic landscape with a statue of Walt and Mickey in the rubble.]

There’s this behavioral economics study that completely changed the way i thought about art, teaching, and critique: it’s a 1993 study called “Introspecting about Reasons can Reduce Post-Choice Satisfaction” by Timothy D Wilson, Douglas J Lisle, Jonathan Schooler, Sara Hodges, Kristen Klaaren and Suzanne LaFleur:

https://www.researchgate.net/publication/240281868_Introspecting_about_Reasons_can_Reduce_Post-Choice_Satisfaction

The experimenters asked subjects to preference-rank some art posters; half the posters were cute cartoony posters, and the other half were fine art posters. One group of subjects assigned a simple numeric rank to the posters, and the other had to rank them and explain their ranking. Once they were done, they got to keep their posters.

There was a stark difference in the two groups’ preferences: the group that had to explain their choices picked the cartoony images, while the group that basically got to point at their favorite and say, “Ooh, I like that!” chose the fine art posters.

Then, months later, the experimenters followed up and asked the subjects what they’d done with the poster they got to take home. The ones who’d had to explain their choices and had brought home cartoony images had thrown those posters away. The ones who didn’t have to explain what they liked about their choice, who’d chosen fine art, had hung them up at home and kept them there.

The implication is that it’s hard to explain what makes art good, and the better art is, the harder it is to put your finger on what makes it so good. More: the obvious, easy-to-articulate virtues of art are the less important virtues. Art’s virtues are easy to spot and hard to explain.

The reason this stuck with me is that I learned to be a writer through writing workshops where we would go around in a circle and explain what we liked and didn’t like about someone’s story, and suggest ways to make it better. I started as a teenager in workshops organized by Judith Merril in Toronto, then through my high-school workshop (which Judy had actually founded a decade-plus earlier through a writer in the schools grant), and then at the Clarion workshop in 1992. I went on to teach many of these workshops: Clarion, Clarion West and Viable Paradise.

So I’ve spent a lot of time trying to explain what was and wasn’t good about other peoples’ art (and my own!), and how to make it better. There’s a kind of checklist to help with this: when a story is falling short in some way, writers roll out these “rules” for what makes for good and bad prose. There are a bunch of these rulesets (think of Strunk & White’s Elements of Style), including some genre-specific ones like the Turkey City Lexicon:

https://www.sfwa.org/2009/06/18/turkey-city-lexicon-a-primer-for-sf-workshops/

A few years ago, I was teaching on the Writing Excuses cruise and a student said something like, “Hey, I know all these rules for writing good stories, but I keep reading these stories I really like and they break the rules. When can I break the rules?”

There’s a stock answer a writing teacher is supposed to give here: “Well, first you have to master the rules, then you can break them. You can’t improvise a jazz solo without first learning your scales.”

But in that moment, I thought back to the study with the posters and I had a revelation. These weren’t “rules” at all — they were just things that are hard and therefore easy to screw up. No one really knows why a story isn’t working, but they absolutely know when it doesn’t, and so, like the experimental subject called upon to explain their preferences, they reach for simple answers: “there’s too much exposition,” or “you don’t foreshadow the ending enough.”

There are lots of amazing stories that are full of exposition (readers of mine will not be shocked to learn I hold this view). There are lots of twist endings that are incredible — and not despite coming out of left field, but because of it.

The thing is, if you can’t say what’s wrong, but you know something is wrong, it’s perfectly reasonable to say, “Well, why don’t you try to replace or polish the things that are hardest to do right. Whatever it is that isn’t working here, chances are it’s the thing that’s hardest to make work”:

https://locusmag.com/2020/05/cory-doctorow-rules-for-writers/

But if I could change one thing about how we talk about writing and its “rules,” it would be to draw this distinction, characterizing certain literary feats as easier to screw up than others, having the humility to admit that we just don’t know what’s wrong with a story, and then helping the writer create probabilistically ranked lists of the things they could tinker with to try and improve their execution.

Which is all a very, very long-winded way to explain why I bought a giant, gorgeous art-print at Comic-Con this weekend, even though I have nowhere to hang it and had sworn I would absolutely not buy any art at the con.

I was walking the floor, peeking into booths, when I happened on Daniel Danger’s booth (#5034, if you’re at the con today), and I was just fuckin’ poleaxed by his work.

http://www.tinymediaempire.com/

[Image ID: Daniel Danger’s ‘It stopped being about the panic,’ depicting a ruined mansion interwoven with the skeletal branches of a tree, with a weeping statue and two human figures]

Now, see above. I can’t tell you why I loved this work so much (and that’s OK!), but boy oh boy did it speak to me. I just kind of stood there with my mouth open, slowly moving from print to print, admiring works like “It stopped being about the panic.”

https://tinymediaempire.myshopify.com/products/2022-sdcc-it-stopped-being-about-the-panic-v4

[Image ID: Daniel Danger’s ‘headlight in the path of,’ depicting a ruined mall with a pair of stags standing at the top of the escalator.]

On the surface, this is moody, post-apocalyptic stuff, heavily influenced by classic monster/haunter tropes, but it’s shot through with hope and renewal and the sense of something beautiful growing out of the ashes of something that has toppled. There’s real “(Nothing But) Flowers” energy in “Headlight in the path of”:

https://tinymediaempire.myshopify.com/products/sdcc2023-headlight-in-the-path-of-v2

[Image ID: Daniel Danger’s ‘We are no longer able to protect you,’ depicting a ruined factory with a coming-apart sign reading ‘We can no longer protect you forever,’ and a statue of a sword-bearing angel.]

Danger isn’t just a

very

talented artist, he’s also an

extremely

talented craftsman. As a recovering pre-press geek, I was (nearly) as impressed by the wild use of spot color and foils as I was by the art, like in “We are no longer able to protect you”:

https://tinymediaempire.myshopify.com/products/sdcc-2022-we-can-no-longer-protect-you-forever-v3

[Image  ID: Daniel Danger’s ‘made of smoke and chains,’ depicting a ruined landscape with a pair of derelict subway trains at the foot of a hill on whose peak is a rotting mansion. A pair of human figures, holding hands, are approaching the mansion.]

Danger himself calls this work “weird sad hyper-detailed artwork of dreamy buildings of ghosts and trees,” which is a very apt description of this work, as you can see in “Made of smoke and chains”:

https://tinymediaempire.myshopify.com/products/made-of-smoke-and-chains-mist-preorder

So I looked at this stuff and sternly reminded myself that there was no way I was going to buy any art at the con. Then I walked away. I got about two aisles over when I realized I had to go back and ask permission to take some pictures so I could put a little link to Danger in my blog’s linkdump, which he graciously permitted:

https://www.flickr.com/search/?sort=interestingness-desc&safe_search=1&tags=danieldanger&min_taken_date=1687478400&max_taken_date=1690156799&view_all=1

[Image ID: Daniel Danger’s art print, ‘To all who home to this happy place,’ depicting a ruined Disneyland castle in a post-apocalyptic landscape with a statue of Walt and Mickey in the rubble.]

But then I got all the way ass over to the other ass end of the convention center and I realized I had to go back and buy one of these prints. Which I did, “To all who come to this happy place,” because fuckin’ wow:

https://tinymediaempire.myshopify.com/products/sdcc2023-this-happy-place-v6-foil

This was unequivocally the best thing I saw at this year’s SDCC, but I also got some very good news while there, namely, that Emil Ferris’s long, long-awaited My Favorite Thing Is Monsters Vol 2 is finally on the schedule from Fantagraphics:

https://www.fantagraphics.com/collections/emil-ferris/products/my-favorite-thing-is-monsters-book-two

It’s coming out in April, which gives you plenty of time to read volume one, which I called, “a haunting diary of a young girl as a dazzling graphic novel”:

https://memex.craphound.com/2017/06/20/my-favorite-thing-is-monsters-a-haunting-diary-of-a-young-girl-as-a-dazzling-graphic-novel/

If you are or were a monster kid or a haunter, this is your goddamned must-read of the summer. It’s a fully queered, stunning memoir for anyone whose erotic imagination intersected with Famous Monsters of Filmland.

(Also, if you’re that kind of person and you’re in the region, you should know about Midsummer Scream, a giant haunter show in Long Beach; I’ll be there on Sunday, July 30, for a panel about the Ghost Post, the legendary Haunted Mansion puzzle-boxes I helped make:

https://midsummerscream.org/

Now Favorite Thing book two was the best news, but the best experience was watching Felicia Day get her Inkpot Award and give a moving speech:

https://en.wikipedia.org/wiki/Inkpot_Award

And then learning that Raina Telgemeier also got an Inkpot; I love Raina’s work so much:

https://memex.craphound.com/2016/10/04/ghosts-raina-telgemeiers-upbeat-tale-of-death-assimilation-and-cystic-fibrosis/

[Image ID: A photo of me with Chuck Tingle, who wears a pink bag over his head on which he has written ‘Love is Real.’]

To cap yesterday off, I also ran into @ChuckTingle, which is as fine a capstone to a successful con as anyone could ask for:

https://www.flickr.com/photos/doctorow/53065500076/in/dateposted/

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/23/but-i-know-what-i-like/#daniel-danger

[shiuefha]

Nothing special. Just a bunch of best friends in black suits.

[tare-anime]

SxF Mission 95

(Beware spoilers)

The Eden ball is heeereeee!!!

But we don't get any TwiYor dancing at all 😭😭😭

Darn it, Endo!! I just want to see TwiYor dancing!

Ahem. Anyway, we got a lovely Eden kids shenanigans.

Aside from the maximum DamiAnya content we have from this chapter ....

(on a side note DamiAnya will be canon even before TwiYor at this rate. Not that I'm complaining, but they are kids!! How can adults be any slower than these kids??? 😭😭😭 yea, I know it's because the kids are more honest with their feelings and all, but still???? Ok, let's get back to the chapter.)

... my most favorite parts of this chapter are this:

Anya has a real fanboys. The boys are here because they see Anya as herself. Not under the shadow of her parents' fame nor they try to gain any advantages.

This is very important to me. Anya gain recognizes that she so much deserves!!! Yes!! Way to go girl!! I am so proud of you 🥰🥰🥰🥰

Don't stop to always be yourself, Anya!

The other highlight of this chapter is:

Becky being the awesome BFF as always

And Ewen and Emile being the awesome friends with all boyish friend pranks

🤣🤣🤣🤣👏👏👏👏👏

I love this kids so much. Don't grow too fast kids. 🥰🥰🥰🥰

[mewnia]

Today’s Tales of Sunday character goes to Emil Castagnier from Tales of Symphonia: Dawn of the New World! Second to last Sunday, I figured I should draw the character that got me into this franchise in the first place :P

[hythlodaes]

junelezen day four - departure

[thosetrollkids]

2024 Monster Kids AU sketch dump!

[butt-wizard]

I NEED more pony Iceland and Norway, they're so cute! (Also pony Hong Kong maybe? 👀)

You asked for it, more pony whale brothers AND some pony hongice 🐎 i feel like theyd listen to radiohead, edgy teens idk

[emile-hides]

With the release of Chapter 4 I was once again tossing around my Poppy Playtime but the Protagonist is a Child AU and thought it was about time I drew out some of my monster death scenes

And then I realized CatNap is ridiculously hard to draw and quit so. Here's what I had done before the Cat struggle. I'll be back eventually though.

[nonokoko13]

SPOILERS SXF CHAPTER 93 ❗❗❗

So, chapter 93. Starting with Anya scores...

THAT'S MY GIRL!!!! CONGRATULATIONS BABY!!! 🎉🎊🥳

(Let's take a moment to appreciate what a good and supportive friend Becky is too 💖)

As I expected Anya passed classical language (with a huge improvement!) but in the large, tedious walk on Hell that is school not everyone can get exceptional grades in every subject unless you're a Desmond apparently and Anya, as many people who preceded her and will come after her, failed math.

I have seen many people make theories about how certain older student who we shall discuss next could be her tutor. However, my theory is that she will receive help from Bill in the future

It makes more sense: both already know each other, Anya has more chances of Bill accepting or suggesting to help her than the-one-I-shall-name-later and overall Bill seems more communicative and better at socialising and explaining himself. Let's not forget he received a stella in math after all. So for me Bill seems like the most plausible option (maybe we will get jealous Damian with this friendship?)

Back at the Forgers residence the Authens pay a visit to congratulate Anya as well. When I read Sigmund's sentence about how rewarding is to have a payment for your hard work my mind automatically thought "But sometimes no matter how hard you try you don't get a reward. Sometimes the result is just not worth the effort" (I think many people has a canon event that reveals them that, specially when you're in highschool, middle school or college)

And right after thinking that he agreed with me lol. My mind really anticipates things before finishing a panel

Speaking of hard work and grades, I'm taking this chance to give my opinion: a system based on giving stars to those who have the highest grades while those who fail face the possibility of being expelled is awful. Not getting a star and comparing yourself to your peers already make horrors to your self esteem, imagine a child getting expelled for repeatedly fail a exam that may not be adapted to their needs (or getting many tonitrus for things your teachers disapprove of you but you didn't know it was wrong or for something about yourself you cannot control. For example a kid with ADHD unintentionally interrupting someone, disconnecting in the middle of a conversation or making noise with their leg when they stay still for too long. No need to go as far as talking about neurodivergent kids, look at that chapter where Anya got a tonitrus for not having a handkerchief. Who the fuck is punished for that when you're an adult anyway)

Enough of that, back to the chapter. Let's talk about what hyped me the most: Demetrius finally appearing on screen!

We already had crumbs of him before. Given Damian inferiority complex when comparing himself to him when he had talked about school and Twilight noticing his exams barely had any mistakes back in the chapter where Daybreak was welcomed to this world, him being a exceptional student when it comes to academics isn't surprising in the least.

Many say he's ugly and exactly like his father but I disagree. Donovan looks like a goddamn Frankenstein if Frankenstein was ugly, Demetrius take after his dead eyes look but he's pretty like Melinda. Not conventionally pretty like Damian or Melinda but kinda pretty. Like a zombie with sleep deprivation but in an endearing way. It's not his fault he's built like a Tim Burton or Don't Starve Together character... anyway I'm sure his appearance can grow up on you, hopefully (;´ ▾ `)

About the theories regarding this panel

It may be true something's going on, maybe he was really experimented on... But I can't stop thinking he was in that very moment "No thoughts, head empty" mode

I mean, he looks like a walking corpse in dire need of a proper nap, can you blame him if his thoughts are mainly focused on studies when Donovan probably spent time with him only for the sake of producing a good grades, not independent thinking machine as his heir? "He watch him study all the time."

I don't think it was necessary for a tragic incident to change Donovan and made him distant from his family. I suspect he has always been like that, perhaps even before having Demetrius, so it was less a traumatic big event and more the exhausting everyday life Demetrius has been having as far as he remembers of being supervised by his father in order to be the best at school and everything that turned him into the probably burnt out teenager he is.

Same with Melinda, being married to somebody you might not have even loved when you first got together, a man who doesn't try to understand others or seem capable of caring for anyone, a man who is not precisely publicly known for his kindness (remember Millie and Yor's boss when Donovan was brought up?)... Being married to that kind of person for years and then having kids with that person and have to keep being related to them for at least until your kids graduate sound like a miserable life indeed

The Desmond have a common theme going around that is understanding the world around them, or rather the lack of it. I can say for sure that Demetrius feeling overwhelmed simply with a bunch of kids and thinking he can't understand people have its roots in Donovan

• For Donovan is his narrow minded belief that nobody can't understand — therefore neither trust — each other because people is different; and as long as that phrase of "two people can't think the same" lives to the reality it finds itself in reaching a common ground is impossible.

• Donovan influenced Demetrius. Perhaps Demetrius doesn't share his father belief and that's not why he can't understand others, maybe it is because he was possibly deprived of a normal childhood where he could socialise with others of his age without his father expectations onto him.

Many academic gifted children reach a part of their lives where their habit is to think inside the box of "Good grades is all I'm good at or all I should care about; good grades = doing fine; it's all about what you can prove to those who expect something from you, not what you can prove to yourself to make you feel satisfied and happy".

When people who raised you condition you to act, live and think the way they wanted you to do is difficult to break and separate yourself from that. Plus he's going through the middle school phase, from personal experience that makes you x10 times angsty and complicated to understand yourself, much less everyone else.

• With Damian it is less discussed and pointed out because he's been able to have a relatively normal —if anything very neglected — childhood up to this point. He has friends, he acts like a kid of his age, his life doesn't revolve around his grades all the time... But that's the bare minimum of what a good childhood should be like.

It may be because of his age, but he doesn't see the bigger picture of his family. He can't see what is wrong with them (yet) because in his eyes nothing is wrong. Sure, he feels lonely and works hard for his dad to notice him, but that happens in many families right? He's not even in denial, he doesn't phantom the idea that what his family is, how they behave towards each other or towards him, isn't normal.

Don't make me start with how his future plans is following Donovan's footsteps in politics because he's trying that hard to approach him. He works hard at school because in his mind being like Demetrius or how he believes Donovan wants him to be would bring them closer, receive an understanding relationship from his dad when we know there might not be genuine affection between them from Donovan's side to start with.

He's teaching himself that love is conditioned by your "worth" or by whether you get to the expectations your loved ones have. That reminds me of what Sigmund told Anya because it sounds like a foretelling of Damian's life: [...] And one day you'll experience the frustration of realizing that hard work is not always rewarded. He doesn't many things and his age may explain it but it doesn't justify, if he continues thinking like that he'll have his hopes crushed and may turn out like Demetrius.

• As for Melinda, is difficult to talk about the point she stands in the understanding theme. Unlike her family she does seem able to understand people, perhaps because she wasn't raised like her kids have been. She's aware that her husband party made a lot of damage to their country, she seems aware and attentive to what surrounds her.

I don't think she cannot be understanding or perceptive, I think it's the other way around: the people she's surrounded by cannot understand her. Neither Yor, Anya, Damian, surely Demetrius and Donovan neither, her "friends" of the association she's in... Not even us can't understand the reason why she's so conflictive about Damian yet.

In just one appearance Donovan made his belief clear, thus giving us an idea of what type of feelings he has towards Damian. We can get so much of his character as a person with one chapter, but Melinda has appeared more than him and her true self is unknown. Donovan is reserved in a physical way, he isolates himself by not going outside and socialising, but he's not against the idea of explaining a stranger his stance in life. Melinda surrounds herself of people and listens to them but she keeps to herself.

Anyway, I'm looking forward to see more of Demetrius and the Desmonds. Hope we get more screen time of them, unless Endo has decided to drop such episode only to give us a one-shot chapter next and not elaborate further before introducing a complete different arc 💦

Although with what we have I'm already bought and entertained enough. Our favorite family is great but hooray for secondary characters being given depth and spotlight in this manga 🥳

See you next chapter reaction! If I made another one after other 25 full moons. I'm probably forgetting to talk about something...Oh well

[the-scooby-gang]

Wait scrappy is bonded to one of the gang right?

Which one is it? Or is it all of them. Personally I hoping it's Fred.

This is a fun story actually!

Back before the gang were all romantically together the entire Rogers clan was keeping an eye on Scrapy to see who he would bond with. There were no Rogers of bonding age for him to pair with so they all thought he was destined to be a Doo by adoption (when someone gains a Doo by being adopted into the Rogers clan) or a Doo by Marriage (where a Doo bonds with a non-Roger that is destined to marry into the family).

When I tell you Shaggy was Struggling™ because it looked like he was going to bond with Fred (he even started coping his speech patterns and saying “treasure” like that) only to turn around and attach his tiny puppy self to Daphne for months only to turn around again and go with Velma to her NASA internship as emotional support…

Let’s say Shaggy was very confused and just a bit frustrated.

But it turned out to be just the curiosity and friendliness of young puppies. Scrappy has found his Rogers not that long ago in 2011 when they found Cousin Steve on that iceberg.

[starlight---starbrights]

Spy x Family [Short mission 10] Colored panel

[episims]

Julian "-since it's fundamental for all the natural sciences. But I considered astronomy, too."

Emil "Oh. You spaced out on it...?"

Julian "—No. I believe the primary focus should be on solving terrestrial phenomenons we don't yet understand-"

Sara "-okay, but did you know that bees shouldn't be able to fly??"

Aurora "No, that's a myth. You can't use the same calculations for airplanes and something that can move its wings."

Sara "Damn, are you sure...? I heard that from a pretty reliable source."