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popculturebuffet · 6 months ago

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4th of July 2024 Special: An American Carol Review (Comission for WeirdKev27)

Happy forth all you happy people! It's that time of year again to fire up Le Grill, spend time with your loved ones and blow shit up constantly and for those of you who want some explodey boom boom pow sticks I have a friend who might be able to help you with that

For me though this fourth is a special occasoin: See for the last two years Kev has pitched reviewing An American Carol, a career destroying right wing comedy from David Zucker, the guy who co directed such classics as Airplane! and Naked Gun, and who became an old man yelling at clouds for being peace loving commies apparnetly and had this film not come out in 2008 , i'm sure it would've been stuffed with jokes about how "COMEDY IS DEADDDDDDDDDDDDD". I swear every time a comedian I respected says something like that I die a little on the inside.

So naturally I put this off as long as I could as it sounded bad and worst like something that'd give me maybe just a little to riff on but mostly a cloud of "that's not funny". I eventually caved as Kev.. is a good guy. He's paid for a LOT of reviews, helped me in tight spots, and a LOT of his ideas for projects were straight fire, like covering the blue beetle episodes of brave and the bold, the various duck retrospectives or most recently footing the bill so I could finally finish my life and times retrospective. So while he is also a greasy motherfucker for putting me through this movie and I will not let him live it down, I couldn't say no.

Good news, this film DOES give me a lot to talk about. It's not the xerox of a xerox of zucker I was expecting: i'ts a full on zucker film and I credit the about five jokes that worked to that style. The bad news... is this film is the worst movie i've ever seen and every moment of it was pain to sit through. And I fact checked that to make sure it wasn't just recency bias: I looked at the films i've seen on letterboxd, where I spent my early days marking down EVERY film i've seen. I thought about it against films I truly HATED and coudl've held the crown at one point: Anger Management, Are We There Yet?, Little Fockers, Let's Be Cops, License To Wed, Biodome, Scooby Doo Return to Zombie Island, Muppet Wizard of Oz, Star Wars: The Rise of Skywalker, and MANNNY more I don't necessarily hate with a good chunk of my being but still aren't GOOD. All of these.. and none is as painful to watch, as execrutiating, as insulting as this film. This film is bad, Kev should feel bad, and David Zucker should feel godawful for making this film. Not for being conservative, I mean i'm not a huge fan of being conservative but it's his right, just for making a film this insulting, one sided, petty, gross.

An American Carol is one long dig at Micheal Moore portraying him as a slovenly egotistical asshole who no one likes because David Zucker has a hate boner for documentaries, while also shoving down your throat the message that

But without any of that charm and irony: it's just a long screed that says "well if you don't support the war the terrorists win" and makes up the argument liberals think the war in afghantistan was fake and the taliban isn't real which.. no... no we do not. We think the Iraq War was a mistake and done soley for Bush's ego and own agenda. It's like if you were trapped in a twitter argument with a conservative for an hour and couldn't just.. block his ass and move on with your day, you HAD to engage. It's like if one of my surlier conservative uncles wrote a movie. This film.. is terrible. It sucks dirty ass in thunderstorms. It is not good and what few good jokes it has are drowned out by his bullshit. If it were an ice cream flavor it would be pralines and dick. So unfortunately, we have ot break down WHY under the cut. And trust me if nothing else this film is FAR more batshit than you could ever fathom featuring patton's ghost mowing down the aclu who are zombies, songs on liberal indocrination, and Kevin McDonald playing with micheal moore's literal dead ass. Follow me under the cut. .you've been warned.

The movie follows Micheal Moore. For those who weren't around when he was a big name, Michael Moore is a doctumentary film maker, mostly known for being loud, bold and for getting huge success and acclaim for his 2004 documentary Farenheight 9/11, a documentary I haven't seen but now really want to, partly because it was a such a big deal even me, a children at the time, knew it existed so it's curious. And partly because it pissed off David Zucker SO badly he made this entire film as a rebuttal, and this film is such a pissy and petty attempt at a comeback I almost feel obligated to watch the thing that pissed him off out of pure spite.

Part of that spite comes out of how spiteful the film comes off towards Moore: The film depicts Moore as a documentary film maker with a massive ego who most of the world ignores because no one gives a shit about documentaries. Zucker comes off as REALLY fucking despising documentaries, taking every opportunity to make a joke about how no one watches them and no one likes documentary film makers and gives Moore a desire to break into features because of this. Now taking shots at how little america cares about documentaries? That's fine. It's added by the fact Moore DID want a best picture nomination and didn't get it, so I get trying to go that way.. but he instead does it so damn often, acting like fucking everyone hates documentaries and liberals only watch them because their teachers assign them, that I'm convinced David Zucker really just hates fucking documentaries and wanted to vent about it.

The problem is that he's using a real person to do this. Michael Malone's only diffrences from Moore is that he's a giant asshole, he's not married, and his films are all about hating america instead of systemic issues with it. By making your mouthpiece for what you hate about liberals "A real person but he sucks more because I hates him", it makes you come off like a whiny bitch who is mad this guy said mean things about the party you work for and thus is making every mean spirited joke you can.

Zucker spends the bulk of the film's run time taking shots at moore: His stand in can't get women, wants to direct a feature because no one likes documentaries, his only fans are liberals who are portrayed as sheepish assholes, and in the gag he repeats the most

Scott Steiner is less subtle with his fat jokes and he spent a good two minutes talking about the Dudley Boys FATTTTTT ASSSSSESSSS. The whole film has Moore eating constantly, being kinda gross with it and always obsessed with food. The fat shaming in this film is incredible. And i'm not against fat jokes: i'm chubby myself and if made in good enough faith or in bizzare enough instances they can work. But there's a line between "Making fat jokes because your fat or making them so cartooniishly nuts" and "a school yar bully picking on someone for being overweight" and this film is about 50% that.

Also just for the record: moore was married and had been since 1991 when the film came out and only divorced 5 years after this film, and is clearly just horny so Zucker can insert fanservice in slot b. As for the feature thing i'ts very clear Moore is happy doing them and got good success: Farenheight 9/11 was a MASSIVE success despite Micheal Esiner not wanting to release it and Moore and sex monster Harvey Weinstien having to reveal Touchstone was being petty about it. Moore was a known quantity and a minor celebrity. People knew who he was and saw his film. not every doc is going to be this big cultural thing but enough have been for him to come off as tone deaf. It's one thing to make a joke about something you know is true or distort it for the funny it's another to just.. lie for the whole film for a joke tha'ts nonexistent. Not only that MOORE MADE A FEATURE FILM. Canadian Bacon, a satire of the us and John Candy's last film. It didn't do well and he clearly decided he preferred documentaries. If you wanted to take a pot shot at him take a pot shot at him wanting an oscar because commercial success means nothing or something. When you start making up shit to make your point, you've already lost. Moore as far as I can tell at least tried backing up HIS points.

And you CAN make a statment with political comedy. John Oliver does it every week, 30 Rock once did a whole episode making a children's baseball team a metaphor for Iraq, and the Boondocks was full of clever satire, both of the rich that run the country and even of things most wouldn't tackle, like the massive hype train around obama that was overblown a bit. South Park makes a sport of it and while it dosen't ALWAYS work, some things like Douche and Turd hold up brilliantly. Doonesbury, one of my faviorite comic strips, does great satire. It may not be why i'm there (I love the large cast) but he weaves it in well using great character work.

Those shows though.. make an actual point. Oliver uses comedy to lighten the moon, the boondocks usually had a thesis for it's episodes and what it was targeting, south park always does. They think it out, make a point, while still making jokes along the way. Here it's clear Zucker didn't really think out his points or what his opponent had actually said. Gary Trudeau clearly thinks through his stuff, what who he's going after has done and gloms on it.

Zucker.. zucker just has the very broad point of "WE NEED TO FIGHT WAR BECAUSE TERRORISTS ARE A THREAT EVEN IF YOU BASTARDS DON'T THINK SO" and that Moore is HELPING them by objecting to the war.

He dosen't have any nuance to his take. The Zucker Brothers best comedies had some nuance: Airplane is a zany farce but there's an art to the joke. And while some of that art IS present here, it's drowned out by constantly trying to scream at the left and make conservatives feel better about their opinions. It's hard to enjoy Leslie Neilsen casually coming back from running after two people with a sword with blood on his blade when it's followed by General Patton killing a bunch of zombies from the ACLU who are demonized for... wanting to make sure we don't cross lines when torturing prisoners, imprison people indefinitely or by accident, or put the ten commandments in public court houses.

Yeah we'll come back to that, trust me, but you see my point: every bit of doofy absurdist glory.. is drowned out by a one sided argument with no empathy for the other side: Leftists in this film are portrayed as either attention seeking fuckwits, naive students, professors whose heads are still in the 60's, or literal zombies. They even dunk on George Clooney. First they have him played by Kevin Sorbo, then they imply they only cover topics that are "in the past" said topics are the nazis, mcathrisim, and racisim... all things that either still exist in some form (Racisim and Nazi Doctrune) or are still relevant as things like them still happen (Mcathrisim). The whole reason we have films covering the issues of the past... is because we keep repeating it. Trump plans to go after all his enmies if he wins again, is a white suprmacist and is extremley prejudiced. All of this is relevant and was at the time too: Racisim was still a thing in 2008, white supremacy existed. You can hopefully see at this point WHY watching this film is so agonizing: it's having a billgerent far right a hole scream in your ear for 93 minutes about how much you suck without being able to rebut because it's a movie, all while every point he makes is somehow dumber than the last and what points he does are drowned out by stupid, all while he calls you the biggest most naive son of a bitch who ever lived for daring to questoin war.

And the neccesity of war.. is the core of the film. Moorelone is hosting a "Ban 4th of July" rally. His nephew, whose in the military, objects to this when he finds out but was only coming to invite him to his fourth of july party. Moore is depectied as hating the troops.. which... is so factually inacurate, just going to the wikipedia page for Farenheit 9/11, something that took me all of a minute, shows Moore not only supports the troops but had the mother of a soldier who died in the doc and dedicated it to those who died in the september 11th attacks and the war.

Something the film dosen't grasp is you can hate war.. AND still be sympathetic to our troops. Our troops are not war mongering jackasses. Their, for the most part (As no group is perfect), well meaning people who want to help protect the country. Being military is something I can get behind. The comic strip doonesbury is what helped me get this view, and not only is it mostly liberal, it has tons of military as characters from one of the main cast BD who served from the Vietnam war to iraq before loosing a leg, to his best friend Ray, to Melissa, a vet overcoming the trauma of command rape and now a senator. Trudeau is liberal.. but isn't above showing opposing view points or showing the military.. as people. BD is a conservative, if thankfully the pre-trump kind, and a bit of an asshole, but his service is honored and the effects of coming home wounded on him are one of the series best character arcs.

People like me and Gary Trudeau objected to the war.. because it was for the wrong reasons. The Afghanistan war was just.. ineveitble. Al-Queda killed millions and were not going to stop and did it on us soil. We had to act. But Iraq.. is just bush using a horrible attack on our soil to justify a war he wanted his dad didn't finish. I'm not against proudly serving our country, but I am against an old man and the older man with a hand up his ass and thier various cronies sending those patroitc men and women to possibly die for a war that caused more problems than it solved. Afghanistan was necessary.. Iraq was the real problem.

Unsurprisingly, Zucker never brings up Iraq because it'd mean his argument would have to have "gasp" nuance! Oh the tribulation. His argument relies on the idea that the war on terror was necessary, but ignores the fact it could've been fought diffrent. That torture isn't necessary. That it's okay to not want a war against a country that was no threat to us (If still fucking awful), so civillians and our own military personnel don't die. It's something the right keeps horrifically forgetting: there are civilians. Civllians exist. It's how we got translators over there. War has a high bloody cost and has to be done only when necessary. I would LIKE for things to be settled peacefully, but in a world where most are out for their own self interest, that's not always an option. Sometimes war is a necessary evil.. but it's never a GOOD thing and it's okay to want it to end at some point. It's not okay to scream at people who don't want to just throw wave after wave of our own men at them.

So Kevin accidently walks into rock bottom as some comedy terrorists offer to bankroll his film and in this films eyes he's too stupid to realize the obvious. This terrorism subplot is tacked on as hell, both to hammer home the message that "terrorism is real" which

And opens the film with some antics the only one of which is funny is a workplace accident video about suicide bombing, which is such a dark concept it works. it's not the best, but it almost convinced me the film was good before it spent the next ten minutes screeching "GET IT I DON'T LIKE THAT MICHAEL MOORE GUY VERY MUCH. YA GET IT. YA GET IT YET. YA GET I DON'T LIKE MICHAEL MOORE"

The terrorists just feel kinda jammed into this movie, which is the feeling of a LOT of set pieces in this film. The film is trying to be a takeoff of a christmas carol.. but crams in a lot of shit besides it. Which in most films Zucker did worked. The plot was a thin framework to cram in jokes. Here this somehow has both too much plot, with the christmas carol a plot and the terroism b plot that crash together at the end that are only linked thematically, with tons of side trips and some ACLU zombie hunting. We'll circle back to that, trust me it's somehow even more nonsensical than it sounds. Yes that's possible.

So after half an hour in which micheal also meets with his agent whose played by James Woods who dosen't show up in the rest of the film for understandable reasons

And goes to an award show where he meets the terroists we get to his hotel room, where he idolizes Kennedy. The real Moore was an FDR fan, but at this point we can assume the only facts Zucker knew about Moore were "he's a liberal, I don't likes him, he's from michigan and

So John F Kennedy comes out of the screen to berate moore for forgetting the part of his "ask not what you can do" speech that advocated for war and decides he'll be visited over the next day or so by three spirits. Well in theory. In practice he's stalked by the Ghost of Patton for several days and the other two come in at the very end. Honestly.. you could've just done one. I woudln't of blamed you: while the three spirits thing is neat, if you just wanted one guy for both budget reasons and because he already fit as narrator, and because you could afford Kelsey Grammar more than you could John Voight or Country Music Man, there's no shame in that. There's a LOT of shame in this film, but simply wanting to do one spirit because the character fits the various scenarios better is fine by me.

So Moore spends the next day or so being haunted by Patton's ghost. He's played by Kelsey Grammar as I said, who dosen't really fit patton physically.. but he was conservative and agreed to be in this thing, so he was good enough and he DOES honestly give this film his best. Most of the acting is pretty meh and whoever they could get. Kelsey really is trying.. and that's with the fact he thought the film was too broad. The guy is fucked politically, but I give him credit for being one of the only two people who gave a shit.

Our lead... really dose'nt. Kevin Farley is the brother of chris farley and agreed to do this because "leading paycheck" and "he probably conservative." i'd assume. He is just .. loud. obnoxious and I don't fully blame him as he has nothing to work with, he dosen't do anything to convince me he'd be BETTER with less garbage material. Leslie Neilsen, likely doing a favor to and old friend and Kelsey Grammar kinda throw that into tier and Kelsey's role is crap, but he's at least trying as if the film wasn't and Nielsen is funny as always if not given enough to do.

So Patton takes Micheal to various set pieces, which i'll break down as we go as this is really just the film: Micheal goes to a set piece, ocasinally interacts with the b plot, goe sto another set piece. It FITS the formula of a christmas carol.. but also feels like that framework didn't fill the film enough so Zucker sticks in some random bs.

So we start with Malone at a war protest, with Malone declaring all war bad and advocating for peace talks, something that dosen't really work, but SHOULD be tried first. Patton takes him to see Neville Chamberlain... who is portrayed as a boot licking sycophant bending over to the nazi's who have plans to invade. All Kev had to do was show me Chamberlains' tv tropes page to call bullshit, all Zucker had to do to rethink this gag was go to wikipedia but at this point i'm not convinced he knew it existed and fi he did assumed it had some ancient curse that would turn him into a newt.

They also have Moore NOT KNOW WHAT A NAZI IS, as pointed out before but bears repearting. HE DOSEN'T KNOW WHAT A NAZI IS.

Patton takes him to see protests of world war II, using it because Pattonw as in that war.. and because Zucker dosen't want to use Vietnam, where we fucked up, or the Gulf War, which directly lead to the iraq war, so he uses the one where we yes, indeed HAD to fight because Hitler was indeed pure evil and a genocidal racist, homophobic, anti semetic and so many other things monster who was thankfully too dumb to actually win.

So when Micheal holds to his view no war is justified

Patton takes him to the present... where he now has slaves because the civil war never happened. SO we get a very UNCOMFORTABLE scene of David Alan Greir talking about how Micheal Moore rarely beats him. Slavery is bad, the civil war was necessary..

You also didn't have to embarss david alan grier with this bullshit. The guy did read the script I assume, but i'm sure he also assumed it'd get edited.. right.. right.. only to come to set dressed up as a slave and having to use a sterotype voice. Also Gary Coleman is here. He sure was here.

Patton next follows MIcheal to a campus rally claming they only watch his films because "their teachers told them too" and "he's the only liberal who can't get laid on a college campus"

He was popular and young idealistic liberals would eat that shit up. On the second part.. this film has weird obession with getting Michael Moore laid and i'm not here fo rit.

So it's here we get the indocrination song which has the biggest "i'm mad at my grandkids" energy of any musical number in film history. Seriously he , via Patton, accuses the college professors of having never left 1968, of brainwashing kids, and of "this is what their teaching your kids" instead of maybe that college is the first time a lot of young people get out of a conservative echo chamber. The internet's lessened that, thank god, but sometimes kids are opened up to the idea that maybe just maybe a lot of america's history sucks and the country is racist or that maybe we DIDN'T need an extra war to go with our war because Bush had daddy issues. I'm just.. so baffled by this "brainwashing" narrative when i'ts really just "your grandkids don't call because your an asshole pop pop" or "No dad, marrying a cat is not the same thing as two people of the same sex marrying each other"... that last one might've been just me. The song is catchy and COULD have had a point: that sometimes young people are a bit too gung ho in their actvisim and don't see the bigger picture. They often do, but sometimes when your a teen or in college, something i've gone through, you don't see the black and white of people's pollitics, why they might've voted that way. I've had many a conservative who were nothing but kind good people who just happened to vote for bush. Being conservative dosen't make you an asshole and sometimes it's easy not to see the shades of grey. Granted sometimes it also leaves you arguing with your dad over issues that feel obviously in your corner but they just can't accept, I may have issues, but sometimes people can disagree with you and not be a douchebag and that's hard to accept when some parts of the right are so fucking awful. It's a kind of empathy zucker wholly lacks in this film, the ablility to maybe see WHY liberals object to the war instead of

So we move on to an interview Moore has that day.. with bill o'reily.

Yeah sexual harasser, right wing asshole Bill O'Reily interviews Malone and Rosie O'Donnel... who is made into a 911 truther and nut. We get a way too fucking long sketch about her film where the christians are doing everything Al'Queda did GET IT BECAUSE TERRIOISTS ARE BOMBING. ALSO I ASSUME EVERY PERSON IN AFGHANISTAN IS IN AL'QUEDA BECAUSE I'M RACIST. When really O'Donnel is just really critical of the catholic church, pointing out their sex scandal and pointing out a lot of the supreme court is catholic. It's loud and reactionary.. but she's not wrong the catholic church is fucked up. Zucker is wrong to try and blame islam as a religion for a radical terrorist group, fuck him, which shoudl go without saying at this point but I need to say it to keep my sanity. If this review's been a bit more unhinged that's because every time I get a seconds respite in this flim, Zucker would throw out MORE bullshit that was obviously wrong but would then linger for several minutes.

Oh and as insult to injury O'reily says Moore is "more dangerous" because "People buy what he's selling".

So next Moore finds out their doing auditions for his film. The main terrorist...

Wants press passes he easily gets to bomb a Trace Adkins concert. If it sounds like the terroist film bombing plot is just kinda there.. it is. It absolutely is. It's just there to fill time and give us a climax when the climax.. should be Moore realizing the "error" of his ways. Again, flexible when it comes to a christmas carol adaptations, but come the fuck on. They gave you a pretty easy outline to follow and the runtime is not that long.

So Patton takes Moore to the past for the first time, to see what may of broke him. like a christmas carol he had a failed lost romance. Unlike it... it wasn't at all his fault. He left to go to college for a semester before dropping out, and came back to find his girlfriend dating his best friend and his best friend having joind the military. This is supposed to be why he hates war, but.. in that same flashback.. he already does. He already hated war, he already was on his way to being who he is now. It's just another chance to take pot shots at Moore's character by making him look like a looser.. which dosen't work because his girlfriend cheated on him with his best friend who in his eyes betrayed their ideals.

Next is christmas july present, which is July 4th, where every one of his nephews kids hates Moore for never helping them with their medical bills.. which is fair but again WE GET IT. YOUR VERSION OF MICHEAL MOORE IS AN ASSHOLE. It's also one of the few funny jokes in the film.

Speaking of which, in the background, Leslie Neilsen has been narrating this film... to these kids... who were there. one of whom is atticus schafer from the middle and steven universe.

The narration bits.. are entirely tacked on and feel like Zucker wanted to get more Leslie in there, but couldn't convince him to do any of the henious shit. We do get a really great bit where, when the aclu song happens, everyone in the wraparound pauses in confusion but otherwise it's just kinda there. Neilsen gets a better cameo they should've just stuck to playing himself having been cast for Moores movie, running after two actors with a saber and coming back with blood on it before saying he dosen't do documentaries. We needed more of Leslie but at the same time i'm greatful they kept his hands clean. If not his sword.

So then Patton bursts in with an army of soldiers. he gives moore a helmet and takes him to the courthouse to fight the "real enemy", the ACLU. The ACLU are zombies because Grammar begged for the scene to be rewritten so he wasn't mowing people down for their belivies. The ACLU's crime is wanting them not to torture terrorists, give them actual rights, and for taking down the ten commandments. Dennis Hopper shows up in his final fiml role to try and teach micheal moore war is fun.

I said all of that as plainly as I could.. so you could fully grasp what the fuck just happened. All the take that's in this film are bad, but this one is horrific. Saying the ACLU is bad.. because they wante people to have human rights and don't want cops to randomly search bags because someone is of color. Yes these are enemy combatants, but it dosen't give us the right to jack bauer them to get info or commit general war crimes, a lot of which did happen. And in general given all the good work the ACLU do and how much of it is helping people of color and queer people, it comes off mildly racist to peg them as monster sneeding to be put down. Also Patton shoots a terrioist he wasn't sure was one exploding them because Zucker apparently thinks it's okay to shoot someone if you THINk they've done something wrong or their the aclu. As for what this has to do with the plot

So Zucker took TIME out of the film to have patton mow down the ACLU because they dare to ask we not torture people.

The good news is we're almost free as this film is way shorter than it felt, not helped by me having to pause it a LOT to take in what shit i'd just witnessed.

So Patton hasn't reached Malone because none of his tactics make any sense and it's clear Malone is a selfish asshat so he fosts him on George Washington, whose there for a minute, talks about freedom and does nothing of consequences before being confronted by the angel of death, played by trace adkins who shows him the future.

It's here we get one of the film's most obnoxious sequence which in a normal film would be it's worst, but we just saw patton murder the aclu so , that bar is a bit high to clear. So Christopher McDonald is in this..

Along with Zachary Levi, which given later revelations is'nt super suprising. They are going through the remains of those who died and find Micheal Moore's ass. They then proceed to talk about how fat he is, use his hat to mock him and put his dead ass on

Michigan was nuked thanks to Moore and hollywood is now Osamaland and moore is praised as helping their cause

What do I even say at this point I haven't already? Objecting to war dosen't mean supporting terrorist groups!

So i'm almost free of this mummy's curse as Moore realizes terrosim is real, and after getting slapped by Patton, JFK and Bill O'Reily, who sadly isn't a ghost but just likes slapping Michael Moore. So he goes to his ralley where Jimmy Carter's somehow got us troops to surrender, don't ask, and Moore says turns out war is good for you ti's good for me, and gets rescued from the insuing angry mob by vetrans and taken to the Trace Adkins concert. He's informed by the two comedy terriroists their boss is going to bomb the place, they dont' want to die and Moore gets on stage and the film bungles the christmas carol thing as Moore, at least this version.. . isn't a bette rperson. he's still an ass he's just.. pro war now? He finds the terroist, he wins the day.

So Moore goes off to wish his nephew off.. and kill his children with slapstick because again, he hasn't changed. Zucker is so petty he can't do the one thing a christmas carol does best: have a person change for better. One of the most famous parts of it besides the three spirits, which you also botched. moore makes a biopic about jfk, and i'm thankfully free. FREE DAMN YOU FREE.

This film sucks. I try to see the good in most things I review: It's usually easy because I usually review good stuff, but even when ti's bad or mediocre I like to try and find what's good. All this film has.. is a few good gag. It's a hateful rant rejecing the idea not all wars are necessary, it's mildly racist, extremley stupid and EXTTTTTTREEEEMLLLLLLLY pety. And you know the funniest thing? the film... didn't provoke moore. When Jay Leno played a clip, one of the JFK bits not one of the most insulting things, he just brushed it off and said "I hope it was funny" That's it. Moore honestly didn't give a shit and if he saw the film, he never bothered to react. It's the best way to beat a bully a lot of the time: you don't give them the attention they clearly wanted. It's funnier than the whole movie: that Zucker spent an entire movie yelling in the man's ear and he just..ignored it. All of this.. was for nothing. And that at least.. makes me smile.

Thanks for reading, happy 4th and to all our men , women and nb's in the armed forces.. thank you for your service.

#right wing bullshit #right wing extremism #4th of july #michael moore #david zucker #kelsey grammer #kevin farley #bill o'reilly #film #bad films #bad movies #awful #fuck this film #politics

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