#Kathleen Hanna icons

[skyferreirastan]

kathleen hanna

[xxx-ang3l-w1th-a-sh0tgun-xxx]

Kathleen Hanna of Bikini Kill/Le Tigre/Julie Ruin

[triumph-of-adaptation]

[clearheartzgreyflowerz]

first tumblr post, dont mind the tags pls </3

[rebel-girl-queen-of-my-world]

Bikini Kill frontwoman Kathleen Hanna tells this story in the documentary The Punk Singer. Before either of them were famous, they were friends in Olympia WA’s punk scene and Kurt was Bikini Kill drummer Tobi Vail’s boyfriend. Kathleen said he was one of the only people who believed and stood up for her when an ex started stalking her.

She said of this night that they got “fucking wasted” and he spray painted “God is Gay” on the outside of one of those fake abortion clinics. That was the same night she sharpied “Kurt smells like Teen Spirit” on the wall of his rental. She tells this story here and beautifully covers the song her drunken scrawl gave life to.

he did nothing wrong

[bikinikillarchives]

KATHLEEN HANNA ANNOUNCES MEMOIR, REBEL GIRL: MY LIFE AS A FEMINIST PUNK

7/13/23: Kathleen Hanna has announced that she’s releasing a memoir in May of next year: Rebel Girl: My Life as a Feminist Punk is out Tuesday, May 14, 2024, via Ecco (a HarperCollins imprint). The book will follow Hanna’s story from childhood to her college years in Olympia, Washington.

Kathleen Hanna's rallying cry to feminists echoed far and wide through the punk scene of the 90s and beyond. Her band, Bikini Kill, embodies this iconic time, and today her personal yet feminist lyrics on anthems like "Rebel Girl" and "Double Dare Ya" are more powerful than ever. But where did this transformative voice come from? In Rebel Girl, Hanna's raw and insightful new memoir, she takes us from her tumultuous childhood home to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes clear, being in a "girl band," especially a punk girl band, in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightening rod for controversy took limitless amounts of determination. But the relationships she developed during those years buoyed her--including with her bandmates, Tobi Vail, Kathi Wilcox, and Johanna Fateman; her friendships with Kurt Cobain and Ian MacKaye; and her introduction to Joan Jett-- were all a testament to how the punk world could nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands, Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its later exclusivity. In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful--and how it continues to fuel her revolutionary art and music.

you can pre-order Rebel Girl now though bookshop.org!

[poppletonink]

BOOK REVIEW: Rebel Girl - Kathleen Hanna

★★★★★ - 5 stars

"Maybe that was what third wave girls were about: speaking back to power with sounds that didn't always make sense."

Kathleen Hanna: a feminist punk icon and the lead singer of three quintessential riot grrrl bands. Her memoir Rebel Girl, named in honour of the feminist anthem by Bikini Kill, is a true account of the riot grrrl era from one of the founding mothers of it. It's also a raw and brutally honest tale of trauma, loss and illness, detailing the ups and downs of feminism and considering the nature of the human condition. Kathleen tells her story in her own words - comedic and witty, as always, whilst still packing a punchy message.

Detailed and not holding back on even the most painful of specifics, Kathleen Hanna's first book is a powerful tale of female empowerment and the impact of the punk movement on women. Kathleen tells all: from her childhood to Bikini Kill to living life with her husband, Adam, and son Julius, and every part of her life story is just as interesting and important as the rest.

Alongside the book disclosing truths about Kathleen's life, it sheds light on the problems of the original riot grrrl concept. This includes a lack of intersectionality and a 'cisterhood' mindset (which excluded trans people from the movement). These issues are gracefully addressed and suggestions are made as to how we can remove these issues from the feminist movement today.

A must read for all feminists - Rebel Girl is the compelling and candid story of one woman and the impact she had on so many others.

[macaronienthusiast]

TERFs aren't allowed to fucking TOUCH Kathleen Hanna or claim her as their female icon GET AWAY FROM HER

[sleaterkinnie]

She's literally real. It's so crazy to me because Kathleen hanna and bikini kill are like these icons of the 90s but we came in so late and it was so easy to get up close to barrier bc there were so many empty spots and then I remembered that this was not a Beyonce moment for everyone and that bikini kill isn't actually super famous. ITS SUPER FAMOUS TO ME. Cult classic of a band if you WILL. INVENTED A WHOLE GENRE.

[xxx-ang3l-w1th-a-sh0tgun-xxx]

"Kathleen Hanna - the feminist punk icon" - a digital zine made by me!

this is my first digital zine - i have printed it and i love how it looks so I'll probably make more digital ones and it's just so much easier than printing out each individual image

[bikinikillhanna]

Kathleen Hanna Roleplay Account Introduction

Scenario: Kathleen heard all her other music friends talk about blogging on Tumblr and she wanted to try it out for herself💕

Please be 15 or Older to Look at this account, Riot GRRL is a very Mature and adult movement but for the kiddy winks who are interested go watch Moxie on Netflix.

If you don't like the account then block it, simple as that but don't go harassing me or any other rock roleplay accounts because of your hatred.

This Account is all Parody, I do not know Kathleen Hanna own the rights to any bikini kill/Le Tigre/Julie Ruin songs and am only a harmless fan.

Bands

BIKINI KILL

LE TIGRE

Bikini Kill is an American punk rock band formed in Olympia, Washington, in October 1990. The group originally consisted of singer and songwriter Kathleen Hanna, guitarist Billy Karren, bassist Kathi Wilcox, and drummer Tobi Vail. The band pioneered the riot grrrl movement, with feminist lyrics and fiery performances. Their music is characteristically abrasive and hardcore-influenced. After two full-length albums, several EPs and two compilations, they disbanded in 1997. The band reunited for tours in 2019 and 2022, with Erica Dawn Lyle on guitar in place of Karren.

Le Tigre (/lə ˈtiːɡrə/, French pronunciation: [lə tiɡʁ]; French for "The Tiger") is an American electronic rock and riot grrrl band formed by Kathleen Hanna (of Bikini Kill), Johanna Fateman and Sadie Benning in 1998 in New York City. Benning left in 2000 and was replaced by JD Samson. They mixed punk's directness and politics with playful samples, eclectic pop, and lo-fi electronics. Like with many bands in and from the riot grrrl movement, many of the lyrics addressed feminist themes and ideas. The group also added multimedia and performance art elements to their live shows, which often featured support from like-minded acts such as the Need.

Bio on Kathleen

Kathleen Hanna (born November 12, 1968) is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s, she was the lead singer of feminist punk band Bikini Kill,and then fronted the electronic rock band Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as The Julie Ruin.

In 2009, Hanna made her zines, art pieces, photography, video, music, journals, and other material which focus on the early formation of the Riot Grrrl movement available at the Fales Library at New York University. A documentary film about Hanna was released in 2013 by director Sini Anderson, titled The Punk Singer, detailing Hanna's life and career, as well as revealing her years-long battle with Lyme disease. Hanna is married to Adam Horovitz of the Beastie Boys.

1968–1988: Early life and feminism

Hanna was born November 12, 1968, in Portland, Oregon.

At age three, her family moved to Calverton, Maryland; as Hanna's father changed occupations, the family moved several more times.Hanna first became interested in feminism around the age of nine, after her mother took her to a rally in Washington, D.C. where feminist icon Gloria Steinem spoke.

In a 2000 interview with BUST magazine, Hanna recalled: "My mom was a housewife and wasn't somebody that people would think of as a feminist, and when Ms. magazine came out we were incredibly inspired by it.

I used to cut pictures out of it and make posters that said 'Girls can do anything', and stuff like that, and my mom was inspired to work at a basement of a church doing anti-domestic violence work. Then she took me to the Solidarity Day thing, and it was the first time I had ever been in a big crowd of women yelling, and it really made me want to do it forever."

Hanna's interest grew when her mother checked out a copy of Betty Friedan's The Feminine Mystique from the library.

Their involvement in the women's rights movement was done quietly during Hanna's childhood, due to her father's disapproval.

Upon her parents' divorce, Hanna returned to Portland and attended Lincoln High School and Grant High School.

After high school, she relocated from Portland to Olympia, Washington, to attend The Evergreen State College in the late 1980s.

During this time she worked as a stripper to pay her tuition.

"My parents didn't go to college. I felt lucky [to attend]." While at Evergreen, with fellow student and photographer Aaron Baush-Greene, she set up a photo exhibit featuring the pair's photography, which dealt with sexism, violence against women, and AIDS – issues that were heightened for Hanna when she volunteered for SafePlace, a domestic violence organization.

However, the school administrators took the photos down before they had the chance to be viewed, an act of censorship that prompted what Hanna refers to as her "first foray into activism": the creation of Reko Muse, an independent feminist art gallery, with friends Heidi Arbogast and Tammy Rae Carland.

Hanna began doing spoken word performances that addressed sexism and violence against women. Eventually, she abandoned spoken word in favor of music after a conversation with one of her favorite writers, countercultural icon Kathy Acker. Hanna recalled,

Acker asked me why writing was important to me, and I said, 'Because I felt like I'd never been listened to and I had a lot to say,' and she said, 'Then why are you doing spoken word—no one goes to spoken word shows! You should get in a band.'

Hanna then formed a band with Arbogast and Carland, called Amy Carter, which put on shows before the art exhibitions.

1989–1999: Bikini Kill

Later, Hanna started another band called Viva Knievel that toured the United States for two months before disbanding.

Upon returning to Olympia in 1990, Hanna began collaborating with Evergreen student, drummer and punk zinester Tobi Vail after seeing a performance of the Go Team (a band made up of Vail, Billy Karren, and Calvin Johnson) and recognizing Vail as the mastermind behind the fanzine Jigsaw that Hanna greatly admired and loved.

In October 1990, Hanna and Vail joined with Karren and bassist Kathi Wilcox to form Bikini Kill, which soon became part of the seminal early-1990s Olympia, Washington music scene. One goal of the band was to inspire more women to join the male-dominated punk scene.

While Bikini Kill were in Washington, D.C. during summer 1991, Kathleen recorded with two side projects, featured on the compilation cassette A Wonderful Treat: Suture (with Sharon Cheslow and Dug E. Bird), and Wondertwins (with Tim Green of Nation of Ulysses). Bikini Kill, Suture, and Wondertwins all performed at the International Pop Underground Convention in August 1991.

Bikini Kill's first release for the Kill Rock Stars label was a self-titled EP produced by Ian MacKaye of Fugazi.

Bikini Kill then toured the UK, recording a split LP with UK band Huggy Bear. This tour was filmed and the band was interviewed by Lucy Thane for her documentary, It Changed My Life: Bikini Kill in the UK. Upon returning to the U.S.

the band began working with Joan Jett, who produced their single "New Radio/Rebel Girl". After the single's release, Hanna began co-writing songs with Jett for her new album.

At the same time, Hanna recorded her spoken-word "Rockstar", released on a 7-inch single in the Kill Rock Stars "Wordcore" series; and "I Wish I Was Him", which appears on the KRS compilation Rock Stars Kill. The song, written by Ben Lee about alternative rock heartthrob Evan Dando,was originally recorded by Lee's band Noise Addict.

The first two Bikini Kill EPs were released on CD as The C.D. Version of the First Two Records in 1993.

The band released two more full-length albums, Pussy Whipped in 1994 and Reject All American in 1996, and in 1998, Kill Rock Stars released Bikini Kill: The Singles, a collection of the group's seven-inch and compilation tracks. Bikini Kill amicably disbanded in mid-1998.

2000–present: Le Tigre and the Julie Ruin

After Bikini Kill's breakup, Hanna began working on a solo project called Julie Ruin. The project was created entirely in Hanna's bedroom using a $40 drum machine. One self-titled album was released under the Julie Ruin pseudonym, and was partially inspired by the work of feminist theorist Julia Kristeva.

Hanna said of the project:

Girls' bedrooms sometimes can be this space of real creativity. The problem is that these bedrooms are all cut off from each other. I wanted the Julie Ruin record to sound like a girl from her bedroom made this record but then didn't just throw it away or it wasn't just in her diary but she took it out and shared it with people.

While in Portland, Oregon, Hanna began working with friend and then-zine editor Johanna Fateman on a live show for Julie Ruin. The collaboration resulted in the two briefly forming a band called the Troublemakers, named after a G. B. Jones film, which ended when Fateman relocated to New York City to attend art school.

Hanna soon moved to New York City, and with the addition of filmmaker Sadie Benning, they started another band called Le Tigre based upon a more electronic style of music, similar to the sampler-driven sound Hanna had begun to explore with Julie Ruin. (She later revealed to Bust magazine that she was "totally broke" at this time and ate oatmeal daily.)

Hanna refers to it as part of a "Punk Feminist Electronic genre".

The band recorded for the Mr. Lady Records label, its first recording being an eponymous album which included the singles "Hot Topic" and "Deceptacon." Benning then left the band and was replaced by JD Samson for their second album, Feminist Sweepstakes.

Mr. Lady Records folded, and the group switched to Universal Records for the 2004 release of This Island. Hanna left the band in 2005 due to illness; she was later diagnosed with late-stage Lyme disease.

According to the Le Tigre website, during her time off from the band, Hanna volunteered as a band coach for the Willie Mae Rock and Roll Camp for Girls. She also taught an art class at NYU's grad school in the Fall 2007 semester and attended interior design classes.

In 2010, Hanna DJed at the Museum of Modern Art, later joining the Raincoats on stage to cover the Slits' Vindictive.

Also in 2010, Hanna announced she was rebuilding her 1997 act Julie Ruin, turning it into a full band called the Julie Ruin with Kenny Mellman and Kathi Wilcox, and that they would be creating a new record.

The band played their first show at Knitting Factory in New York City which included songs from Bikini Kill and Le Tigre, and one new composition.

 From 2010 to 2013, director Sini Anderson worked on a documentary on Kathleen Hanna titled The Punk Singer, documenting her works from Bikini Kill to the Julie Ruin.

It premiered at SXSW in 2013.

 In June 2013, Julie Ruin released its first single, "Oh Come On". An album, Run Fast was released in September 2013 with the band going on tour.

The band cancelled the tour planned for May to September 2014 due to Hanna's Lyme disease condition deteriorating.

DISCOGRAPHY

 She has since recovered and begun performing again. The Julie Ruin's second album, Hit Reset, was published in July 2016 by Hardly Art.

Bikini Kill

Revolution Girl Style Now! self-released cassette (1991)

Bikini Kill  EP, Kill Rock Stars (1991)

Yeah Yeah Yeah Yeah split LP with Huggy Bear, Catcall Records (UK), Kill Rock Stars (US) (1993)

Pussy Whipped, Kill Rock Stars (1993)

The C.D. Version of the First Two Records (compilation of the Bikini Kill EP and their half of the Yeah Yeah Yeah Yeah split LP), Kill Rock Stars (1994)

Reject All American, Kill Rock Stars (1996)

The Singles, Kill Rock Stars (1998)

Julie Ruin/The Julie Ruin

Julie Ruin, Kill Rock Stars (1998)

Run Fast, TJR Records (2013)

Hit Reset, Hardly Art (2016)

Le Tigre

Le Tigre, Mr. Lady (1999)

Feminist Sweepstakes, Mr. Lady (2001)

This Island, Universal (2004)

(Other RP Accounts)

@gardengrampa

@theeverglades

@gwenstefoubt

[queer-musician-tournament]

Hi Poll-runner (if that’s the right way to refer to you),

Are bands/duos allowed?

I submitted Tegan and Sara as a single submission but I thought that would be okay as they are both gay, identical twin sisters and iconic Canadian gay pop icons!

I did submit an individual singer from a band as she is the only confirmed queer member of the band: Kathleen Hanna from Bikini Kill (iconic riot grrl band!)(please correct me if I am wrong about the other two members, I thought they were all queer but couldn’t find proof of the other two!)

So I guess either option works but just wanted to confirm with you (and hopefully that any of my submissions made it into the last 10 slots haha

Thank you for doing this, looking forward to seeing who are in this poll (I have full trust that Janelle Monáe and SOPHIE is represented but submitted them in case!) and to expanding my music knowledge/find new bops <3

yes, if multiple members of a band are queer i will be putting them as a band in the bracket!

[lilithsaintcrow]

"This all bodes very ill for those of us who like real books written by human beings. But it’s nice to see Hanna pick up a sword for authors—not least because our “Punk Feminist Queen,” has fought the Terminator before."

[the-90s-music-colosseum]

Round 4 Match 16

propaganda below the cut!

Lisa Lopes:

"she's got the prettiest eyes of any woman ever. I love her. she deserves to win."

Kathleen Hanna:

"if you don't think kathleen hanna is the coolest person ever you're WRONG she's better than everyone and more gorgeous than everyone"

"i think if she was my age and we went to middle school together she would've been my queer awakening. she would've been who i considered my "first girl crush" and ii'm so in love with her she's kathleen fucking hanna <3"

"IS PROPAGANDA EVEN NEEDED!!!! She fronted a whole genre, bagged arguerably the best beastie boy, got into a fight with courtney love, invented the phrase girl power, helped nirvana to its success, and looked like a god while doing all this."

"Kurt Cobain this, Nirvana that. IF KATHLEEN HANNA WASNT ALIVE THERE WOULD BE NO SMELLS LIKE TEEN SPIRIT. I mean- who else could be able to say that they had a whole ass movie made about them that's literally titled THE punk singer??? She's THE moment. THE icon."

"vote kathleen or you hate FEMINISM!!!!"

"A vote for Kathleen is a vote for riot girls everywhere"

[poppletonink]

TRACK REVIEW: Deceptacon - Le Tigre

★★★★★ - 5 stars

"You got what you've been asking for, you're so policy free, and your fantasy wheels, and everything you think and everything you feel is alright, alright, alright, alright, alright."

Iconic. Catchy. Politically invigorated. The first track, Deceptacon, of Le Tigre's eponymous debut album is a pop punk diatribe discussing issues of apoliticism and feminism.

Deceptacon primarily focuses on censorship of political issues and the lack of fire that people have to fight for their beliefs. Critiquing the reduction in intentional meaning behind lyrics, the song references Who Put The Bomp (In The Bomp, Bomp, Bomp) by Barry Mann with the nonsense line "who took the bomp from bompalompalomp". Additionally, she criticises people who "depoliticize my rhyme" and how people who take an apolitical stance pretend that "everything you think and everything you feel is alright, alright, alright, alright, alright".

Furthermore, the track was a way of feeding feminist politics into the mainstream by discussing the objectification of women. This chiefly focuses on the commonplace nature of sexism within people's sex lives: "You want what you want but you don't want to be on your knees". Le Tigre uses their lyrics in order to highlight how women become, as phrased by Kathleen Hanna herself, "complicit in their own dehumanisation" through sex when their partners do not give them equal treatment.

Through the use of memorable lyrics and split audio (which creates the sense of being in the middle of a necessary conversation) this riot grrrl band created an epochal track that remains popular to this day.

[mackmp3]

Gloria (In Excelsis Deo)

Today is lesbian day, and so I've decided I will share my personal favourite lesbian song - Gloria (In Excelsis Deo) by Patti Smith.

Yes, it was written by a man, yes, Patti is not queer, and yes, I am aware that there is actual lesbian music out there.

But.

I was thirteen when I discovered Patti Smith, and when I was thirteen I had just started high school and had suddenly realised that there were more queer people in the world than I thought. Gloria is the first song on Horses, which I had read about and at some point was like 'hmm yeah I'll listen to that today' - and it was the most brilliant thing I had ever heard in my life. Horses is of course one of the best rock albums ever (in popular opinion, but Radio Ethipoia is my favourite), but not only was it everything I wanted to be - cool, effortlessly androgynous, full of references to literature, other songs, an art-punk masterwork - Gloria was a love song about another woman. She was singing about wanting another woman - something unparalleled in my 13 yr old experience of average sapphic YA books and a *certain* 2008 pop song (you know the one I mean).

Here was Patti Smith, androgynous, very very cool, looking defiantly from the cover of Horses, who I had been listening to for all of about two minutes before she declares her love for another woman in the sort of song which I had previously thought only men sung. It was 1975 when that came out - I heard that and assumed that she really was queer, just cos it would have taken a lot of balls to sing that on record, why would she sing it if she wasn't?

The song is of course a cover, written by a man, and Patti has said that when writing her songs she doesn't feel like a man or a woman, and that if women can be the muse for men, why can she not also use women as a muse? Interestingly PJ Harvey has said similar things about writing from a place beyond gender, and she has many sapphic songs and is also (as far as I'm aware) not queer.

I have since found both Patti songs that I like a lot more, and sapphic songs written by actual sapphics, but this initial act of revolution (in my worldview at least) altered my 13yr old existence on every plane. Patti was (and still is) my straight woman lesbian icon (along with the aforementioned PJ Harvey).

I listened to Gloria many many times, and it is easily still one of my favourite songs of hers, because of the impact of this initial experience, the first time I ever heard this is in a song, that reflected both who I was and who I wanted to be so clearly.

a couple actually sapphic artists for you -

Amy Ray (Indigo Girls)

Courtney Barnett (she's fantastic listen to her)

Kathleen Hanna (Bikini Kill)

Patty Schemel (drummer from Hole)

Ani Di Franco (actually haven't listened to her but I know she is)

Melissa Etheridge (my english teacher tells me to listen to her every year and I still haven't sorry Miss)

happy lesbian day to all my sister sapphics (inclusive of all) <3