#Kate & Sarah

[fuckyeahgoodomens]

Jon Hamm: I've worn everything on this show, from nothing to a rug wrapped around me to a beautiful bespoke suit.

Kate Carin (Costume Designer): When we see him at the bookshop for the ball, we thought it would be hilarious that Aziraphale had asked him to get really dressed up for it. So we did a bit of a homage to Liberace. So he's got a powder blue dinner suit that's encrusted with rhinestones. And then Douglas asked if we could do some sort of coat to go on top of it for one of the scenes when he leaves. So, of course, we didn't do just a coat. We did a huge ostrich feather coat, which we made from scratch.The girls did all the ombre on the feathers so it matches the dinner suit, gets lighter and lighter blue as it comes to the top, and then he's kind of surrounded by this halo of white feathers.

Sarah-Kate Fenelon (Producer): There is a shot when he emerges from the bookshop to meet all of the demons and say, like, I am who you're looking for, where he looks a little bit like an angel. And the silhouette of him kind of emerging in the light is very epic and is then just completely undercut by sort of, move out of the way. (video)

[hamishlinklaters]

MIDNIGHT MASS + TAROT MAJOR ARCANA (insp.)

[the-witch-of-woods-beyond]

idk what it is but canon couples are always slightly less appealing to me than the ones that aren’t explicity canon. it’s something about picking two characters because you love their dynamic and rooting for them even though you know it probably won’t happen.

[giddyaunt425]

I lied. I made more.

And I won't stop with the Adric ones.

[notyoujamie]

The Curse of Clyde Langer || 73 Yards

[evertomorrowart]

Best of YouTube 2023

Yes, I did spend the first week and change of January on this. I wish I could have had it done for New Years, but too many people came out with incredible work in December, so waiting turned out for the best.

What these creators do are a huge influence on my life, I would honestly have difficulty doing what I do without them. That isn't to say that my favorites of the year are *only* on this image--It was almost impossible to narrow down my favorites. Many creators I wanted to include couldn't fit on a single page, and too many of them made more than one video I wished I could draw too!

But, to all of you, thank you for what you do. You're an inspiration.

For those who don't know, further is an explanation.

At the bottom center is an artistic masterpiece by Defunctland: "Journey to EPCOT Center: A Symphonic History." Over the last several years, Defunctland has risen from delightfully-entertaining commentary on decommissioned theme park attractions to occasionally dropping profound statements on the creation of art itself. "Journey to EPCOT Center: A Symphonic History" is worth treating like the cinematic experience it is: No second screen, you sit your ass down in front of a TV, set down the phone, and then you *watch it.* Any Disney, theme park, or independent film fan needs to pay attention to this one.

Bottom left is Caelan Conrad with their piece "Drop the T - The Deadly Consequences of Gay Respectability Politics." While I do think they've done more visually or artistically-daring pieces before, "Drop the T" is one of the most important videos released on YouTube in today's current climate of hate. We as queer folk (and our allies) need to understand how integral every identity of the queer experience has been since the start of the Civil Rights movement (and before!). While we are not identical, we *are* inseparable, and we deserve having our real history easily accessible.

TERFs and other conservative mouthpieces need not reply. Your opinions are trash. 😘

I cannot stop watching and rewatching this video by @patricia-taxxon, "On the Ethics of Boinking Animal People." It's not just a defense of furry fandom and its eccentricities, it's a thoughtful and passionate analysis of what the artform achieves that purely human representation can't. Patricia goes outside of her usual essay format to directly speak to the viewer about the elements that define furry media (the most succinct definition I've ever heard) and just how *human* an act loving animal cartoons really is.

As an artist who can draw furry characters, but never really got into erotic furry art, this video is a treasure. Why did I choose to have her drawn as a Ghibli character, hanging out with one of the tanukis from "Pom Poko?" Guess you'll have to watch, bruh.

Philosophy Tube continuously puts out videos that I would put on this list--I'm not even sure that "A Man Plagiarised my Work: Women, Money, and the Nation" is the best work she released in 2023. However, this video got many conversations going between myself and my partner, and the twist on the tail end of the video shocked us both to such a degree that I had no choice.

At the very tail end of the year, Big Joel released "Fear of Death." On his Little Joel channel, he described it as the singularly best video he's ever done, and I'm inclined to agree. However, for this illustration, I ended up repeatedly going back to a mini-series he did earlier in the year: "Three Stories at the End of the World." All three videos are deeply moving and haunting, and I was brought to tears by "We Must Destroy What the Bomb Cannot." While it may be relatively-common knowledge that the original Gojira (Godzilla) film is horror grappling with the devastation America's rush to atomic dominance inflicted on Japan, Big Joel still manages to bring new words to the discussion. Please watch all three of the videos, but if, for some reason, you must have only one, let it be "We Must Destroy What the Bomb Cannot."

Y'all. Let me confess something. I hate football. I hate watching it, I associate seeing it from the stadiums with some of my worst childhood experiences, I despise collegiate and professional football (as institutions that destroy bodies and offer up children at the feet of its alter as a pillar of American culture)--

I. L o a t h e. Football.

But.

F.D. Signifier could get me to watch an entire hour-plus essay on why I should at least give a passing care. AND HE DID IT. I might think "F*ck the Police," the two-parter on Black conservatism, or his essay on Black men's connection to anime might be "better" videos, but this writer did the impossible and held my limited attention span towards football long enough to make a sincere case for NFL players--and reminds us that millionaires can *in fact* be workers. That alone is testament to his skill.

Sit down and watch "The REAL Reason NFL Running Backs Aren't Getting Paid." Any good anti-capitalist owes it to themselves.

CJ the X continuously puts out stunning, emotional videos, and can do it with the most seemingly-inconsequential starting points. A 30 second song? An incestuous commercial? Five minutes of Tangled? Sure, why not. Go destroy yourself emotionally by watching them. I'm serious. Do it.

Their video Stranger Things and the Meaning of Life manages to to remind us all why the way we react to media does, in fact, matter. Yes, even nostalgia-driven, mass-media schlock. Yes, how we interact with media matters, what it says about us matters, and we all deserve to seek out the whys.

Folding Ideas has spent the last few years articulating exactly why so much of our modern world feels broken, and because of that his voice continuously lives rent-free in my brain. While the tricks that scam artists and grifters use to try to swindle us are never new, the advancement of technology changes the aesthetics of their performances. Portions of Folding Ideas' explanations might seem dry when going into detail of how stocks work in This is Financial Advice, but every bit of it is necessary to peel back the layers of techno-babble and jargon and make sense of the results of "Meme Stocks."

Jessie Gender puts out nothing but bangers, her absolute unit of a video about Star Wars might be my new favorite thing ever, but none of her work hit so profoundly in 2023 than the two-parter "The Myth of 'Male Socialization'" and "The Trauma of Masculinity." There's so much about modern life that isolates and traumatizes us, and so much of it is just shrugged off as "normal." We owe it to ourselves to see the world in more vivid a color palette than we're initially given.

Panels drawn after Kate Beaton and "Ducks: Two Years in the Oil Sands."

"This is Not a Video Essay" is one of the most intense and beautiful pieces of art I've ever put into my eyeballs. Why do we create? What drives us to connect?

I don't even know what else to say about the Leftist Cooks' work, it repeatedly transcends the medium and platform. Watch every single one of their videos, but especially this one.

The likelihood you are terminally online and yet haven't heard of Hbomberguy's yearly forrays into destroying the careers of awful people is pretty slim. Just because it has millions of views doesn't mean that Hbomberguy's "Plagiarism and You(Tube)" isn't worth the hype. Too long? Shut up, it has chapters and YouTube holds your place, anyway. You think a deep dive into a handful of creators is only meaningless drama? Well, you're wrong, you wrong-opinion-haver. Plagiarism is an *everyone* problem because of the actual harm it creates--the history it erases, the labor it devalues, the art it marginalizes--which you would know if you watched "Plagiarism and You(Tube)".

Watch. The damn. Video.

In fact, watch all of them!

Thanks for reading this if you did.

[heatherfield]

@giftober 2024 | Day 20: crowded

You're going to have a trove of celebrated authors down here soon if we don't nab the culprit.

Edgar Allan Poe’s Murder Mystery Dinner Party  [x]

[radiocity]

The L Word: Lookbook ↳ 2.01, Life, Loss, Leaving

[whatsfourteenupto]

Thinking about literal teenagers working at UNIT and I bet you Luke Smith is somewhere on the hiring team

[woman-actress]

Jealous character x Fem!reader pleeaaaase

It's an SOS that I'm sending to you ...I am what we can call: an addict of fanfictions.

That's why I ask anyone who can write these wonderful things ... I'm in need and I have no desire to cure this addiction.

A little list :

Natasha Romanoff :

Wanda Maximoff :

Carol Danvers :

Lena Luthor :

Literally every character played by Cate Blanchette :

Same for Sarah Paulson :

Alma peregrine :

So many women and possibilities of toxic relationships and possible jealousy, really I would be happy to be crushed by these womens....

Thanks ! Really 💕

[shipwreckedcomedy]

The Case of the Greater Gatsby will be back from hiatus with ten brand new episodes starting October 16th!

Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast... Listen on Spotify: https://open.spotify.com/show/7eYjoMx...

FEATURING Sean Persaud as Ford Phillips Sinéad Persaud as Fig Wineshine Curt Mega as Announcer Parvesh Cheena as Whitley Trufflehaus Julia Cho as Sheilah Graham Lesli Margherita as Mel Hammermeister Tommy Hobson as Barnaby Nightingale Lauren Lopez as Penny Nickelpenny Dante Swain as Bixby Crane Mary Kate Wiles as Vivian Nightingale Sarah Grace Hart as Wilhelmina Vanderjetski Krystina Arielle as Juniper Wetblossom Joanna Sotomura as Claudette Knickerbocker Gabe Greenspan as Roger Haircremé Matthew Mercer as Mo Beats Carlos Alazraqui as Leery O'Shaughnessey and Joey Richter as Dash Gunfire

Original music by Dylan Glatthorn Audio recording by Noah Hunt Audio Mixing and Sound Design by Lizzie Goldsmith

Executive Producers Paul Komoroski & Michael Walsh Produced by Sean Persaud, Sinead Persaud, and Mary Kate Wiles Special thanks to Kickstarter backers Katie Adamczyk, Ally Brown, Zainab Khan, Shao Chih Kuo, Jane Leach, Avalee Long, Lisel Perrine, Halsea Root, The Rude Mechanicals, Heather Tennant, and Justin Waterman

[fuckyeahgoodomens]

Kate Carin (Costume Designer): I was very adamant that I would need manufacturing on this job, because it gives you an opportunity to create things that you can't just find on the shelf and you can then really create worlds. I felt that Shax's, for me, from the outset, was always going to be red. In her final look when she comes back to lead the demons in the battle against the angels, I said to her, 'Will you wear a red leather catsuit?' And she said, 'Yes.' So we made her a red leather catsuit. And then I said to her, 'What about if we give you really, really great kind of animalistic shoulders?' So we made her huge leather, scaly shoulders, which she also donned, no problem at all. You'll see on the front of her armour is the stork, which is the Shax's demon's creature animal, so we had that embossed.

Sarah-Kate Fenelon (Producer): It's like the Neil Gaiman version of whata demon would wear when they were going, you know, she looks fabulous, but she also looks fierce.

Miranda Richardson (Shax): It's amazing. My many pointed armoured breastplate, which is very useful for anything that anybody wants to get rid of before a shot. I can just tuck up there. I've got my phone up there, I've got my script sides up there, coffee up there, you know. (video)

[pizzacade]

The first encounters Kate Lethbridge-Stewart had with The Doctor according to The Giggle novelization with the Third Doctor,

And a later encounter with the Fourth Doctor and Sarah Jane Smith,

The last moments she had with Alister as a child.

And the last moments she had in general with him.

And the twist revealed by The Curator in The Day of The Doctor novelization respectfully.

[maxxxines]

THE DRESSMAKER (2015) dir. Jocelyn Moorhouse

[giddyaunt425]

[youronebraincell]

Thank you for your service, Kate