#John-Throne
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clearlyaginger · 10 months ago
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Demisexual? No, you misheard. I said Dummysexual. I'm attracted to that moron over there. Look at them. They just tripped over nothing and set the house on fire. I'm in love.
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kudriaken · 1 year ago
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House Stark. New fanart family portrait from ASOIAF. My favorite cute beans.
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sictransitgloriamvndi · 6 months ago
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bigbaddie45 · 30 days ago
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Y’all ever read such a good fic with a nice plot just with so many spelling errors?!? Like TF you mean he was “grinong” in her ear or “taiek” her by the waist??
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dedalvs · 2 months ago
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Valyrian is impressively complicated and difficult to learn, is it so complicated on purpose or did it surprise you with how complicated it turned out?
When it comes to complexity and language, any complexity you add to the morphology is complexity you take away from the syntax, and vice-versa. For example, when you learn all the noun cases of Finnish, it buys you having to remember fewer constructions with adpositions—or fewer verb augmentations, if the language went that way.
Syntactically, Valyrian is usually (MODIFIER) NOMINATIVE-NOUN (MODIFIER) OTHER-CASE-NOUN* (ADVERB) VERB. It's quite simple. There's not a lot you have to remember, and things can move around a little bit, if it feels right. You don't have to remember a ton of auxiliaries with different applications and slightly different usages. For the most part the heavy hitters (the nouns and verbs themselves) take care of things rather nicely. This is what complexity within the words themselves buys you: simplicity elsewhere.
The reason you get this is because all languages are doing the same thing: describing human experience. And humans are the same language to language. The other small tidbit is that when creating a naturalistic language—and it doesn't matter what method you use—you are, unconsciously or not, aiming for the lowest common denominator in terms of grammatical complexity. You don't have to do that, but generally if you're trying to create a language for humans with no other goals, you do. With a language like Ithkuil, John was intentionally pushing away from what is standard in human languages, and so there are needless levels of complexity that push beyond the boundaries of ordinary human language.
Now, when I say "needless", this is what I mean.
In Turkish, if you want to say "The girl is reading a book", you say:
Kız kitap okuyor.
Turkish is a language with noun cases, but you only see the nominative here. Why? Because the girl is reading A book. When the object is indefinite in Turksih you don't need to use the accusative case—in fact, you shouldn't. If you wanted to say "The girl is reading the book", that's when the accusative case pops up:
Kız kitabı okuyor.
Okay, with this in mind, you've introduced—just in the nouns—four possibilities:
Nominative + indefinite
Nominative + definite
Accusative + indefinite
Accusative + definite
In a maximally complex language, all of this would be marked. In Turkish, only one of these is marked. (Well, maybe two, if you were to say Bir kız for nominative + indefinite. Turkish has an indefinite article that pops up sometimes.) Certainly there are languages where all of these have some sort of marking, but then those very same languages will have other situations where maximal marking is possible but not present.
Human languages all have this in common. There are areas in the language where more categories could be marked but are not. It doesn't matter what the language is. This is because humans have limits for how much junk they'll tolerate in the language they're using. It isn't long before something that could be inferred from context is inferred from context. It collapses every so often (i.e. too little is marked and so marking pops up), but the unconscious goal is for the language to have a balance between morphological and syntactic complexity and also explicitness and implicitness.
A language doesn't have to do this, though, and so conlangs can be more or less explicit/implicit. Can they work? Certainly, but they may be more than humans will comfortably tolerate, and so humans may not want to use them.
Take Láadan, for example. Had Láadan been created later it might have had a better shot at being used, but this was 1982 before conlangers had started getting together. Láadan primary flaw is that it's trying to be a deep philosophical experiment while also trying to be a language a lot of people speak. That was never going to work. Suzette Haden Elgin lamented that maybe women didn't want a language of their own to use, and so the experiment was doomed from the start. A simpler explanation is she saw an ocean and built a train to cross it.
In Láadan, every sentence begins with one of six speech act particles (copied from Wikipedia):
Bíi: Indicates a declarative sentence (usually optional)
Báa: ndicates a question
Bó: Indicates a command; very rare, except to small children
Bóo: Indicates a request; this is the usual imperative/"command" form
Bé: Indicates a promise
Bée: Indicates a warning
And then in addition to that, every sentence ends with one of the following (also copied from Wikipedia):
wa: Known to speaker because perceived by speaker, externally or internally
wi: Known to speaker because self-evident
we: Perceived by speaker in a dream
wáa: Assumed true by speaker because speaker trusts source
waá: Assumed false by speaker because speaker distrusts source; if evil intent by the source is also assumed, the form is waálh
wo: Imagined or invented by speaker, hypothetical
wóo: Used to indicate that the speaker states a total lack of knowledge as to the validity of the matter
This is too much! Evidential systems in language exist, but they are so much smaller than this, and usually the markers pull double duty—and there's often a null marker.
Again, though, it's about the goals! This is fine for a philosophical language. And if it was simply a philosophical language, then how many people "speak" it is irrelevant. For example, John Quijada doesn't lament that after twenty years there isn't a community of Ithkuil speakers—indeed, he's baffled whenever he hears of someone who wants to try to "speak" Ithkuil. It's not designed for that, and so the metric isn't a fair one. Based on the structure of Láadan, I'd argue the same: the number of speakers/users isn't a fair metric, and shouldn't have been a design goal. Because while a language like High Valyrian looks more complex, with its declension classes and conjugations, Láadan is more complex in that it exceeds the expectations of explicitness a human user expects from a language.
Long answer to the question, but no, High Valyrian ended up as complex as I intended, and I don't think it's more complex than one would expect from either a natural or naturalistic language.
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vertigoartgore · 3 months ago
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1982's Fantastic Four Vol.1 #247 page 1 by writer/artist/inker John Byrne, colorist Glynis Wein and letterer Jim Novak. Source Source
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cinematic-phosphenes · 25 days ago
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Otto Hightower and his wife, Alyrie Florent ASOIAF as historical paintings (26/∞)
Peace Concluded, 1856 John Everett Millais
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Characters, book, and author names under the cut
Damianos (“Damen”) of Akielos/Laurent of Vere - Captive Prince by C.S. Pacat
Rhy Maresh/Alucard Emery - Shades of Magic by V. E. Schwab
Addam Saint Nicholas/Rune Saint John - The Tarot Sequence by K. D. Edwards
Neil Josten/Andrew Minyard - All For The Game by Nora Sakavic
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leupagus · 11 months ago
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Me before writing this GOT fic: this will mostly be about Sansa, my main squeeze, my best girl and beloved
Me while writing this GOT fic: so instead of the whole dumb shit that happens to Daenerys in seasons 5 & 6 what if instead she’s presiding over Meereen while it invents democracy so it can vote her out of the city. Along the way Meereen invents journalism and soccer.
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soncee · 1 year ago
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My versions of the Starks. I might redraw Robb one day and i was to lazy to draw Rickon.
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This took abaut 5 hours on Kritta.
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foudreika · 3 months ago
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Day 14 - Frost ❄️👨‍👩‍👧
In the frost of the North, two souls found warmth 🫶
Needed to draw something cute for this one!! (I have more angst planned......) And I wasn't feeling drawing the Night King 🥸
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cappulcino · 2 months ago
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Taglist
With my first fanfic completed and more requests as well as personal projects in the works, I think it's time to start a taglist.
To be added, please comment with the emoji(s) corresponding to what you would like to be tagged in. Likes and reblogs are appreciated to spread the word but do not count as a request to be added.
Note: this post might evolve as this blog does and I get more requests or have more projects of my own.
All fanfictions 📚
All Gwendoline Christie characters 🌻
The Sandman
All 🔮
Lucifer 😈
Morpheus ⏳
Wednesday
All 🕸️
Larissa 💄
Wednesday 🦂
Brienne of Tarth ⚔️
Jane Murdstone 🕯️
The Devil Wears Prada 👠
Good Omens 🕊️
Sherlock BBC
All 🔍
Johnlock 💻
Adlock 🎻
All Eva Green characters 🚬
Note 2: you may comment with something more specific (say you're a minor, add ships, etc.)
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moris-ferrando · 10 months ago
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ladies and gentlemen we are back in the north
the north remembers
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multific · 2 years ago
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His Queen
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Jon Snow x Reader
Warnings: murder, blood, witchcraft
Summary: As a last attempt to defeat Jon Snow, the Kings and Lords gather for a meeting, during the meeting an idea comes up in order to defeat Snow. 
A/N: This story doesn't follow the story of the series/books.
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“The King in the North has started to reach our borders. He is a threat to us.”
The Kings and Lords looked between one another. 
"Jon Snow is nothing but a bastard. We can crush him easily." said one.
"I think you forget that the last party you sent to kill him, he easily defeated." replied another.
Everyone began to murmur between themselves when a Lord came up with the idea.
"Let us kill his wife. He holds her so near and dear if he was to lose her, he would surely crumble." everyone stayed quiet.
"His wife... is a witch. My men had seen her, while she is a beauty, she holds powers, powers not even a dragon could win against."
"I will send my men, my best, to kill her. We will come up with a plan which for sure will work. Witch or not."
"Didn't someone try to poison her before?" another King spoke up as a Lord nodded.
"Yes, she drank the poison and wasn't even phased by it. I'm telling you all, it is a bad idea to go after her."
But of course, no one listened.
Ten men were sent for Jon Snow's wife.
At the time they didn't know, but none would return.
---
Mornings like these were always your absolute favourites. With your husband still in bed next to you, you played with the ends of his hair.
You smiled to yourself as he moved just a little in his sleep.
Soon, Jon woke up as he moved to lay on his back, you moved to his chest as he let out a soft sigh. The fur now pooled around his waist as your hand ran up his chest.
"Good morning." you said with a soft voice, not quite ready to get up just yet.
"Morning, My Goddess." you smirked as his fingers began to roam your naked back.
He never opened his eyes as you just kept staring at him.
"Our Kingdom is growing, this will come with many enemies." you said.
"More than what we already have?" came his reply with a yawn.
"If they only knew that the King of the North is this lazy. It is almost mid-morning and you still refuse to wake."
"It is my wife's fault. She kept me up all night." you smiled as he finally opened his eyes, looking at you with nothing but pure love and admiration. "What's wrong?" he asked, suddenly his eyes filled with worry upon seeing your expression.
"The wind came with bad news, people are brewing a plan against you."
"You and your powers, My Love... what is the worry this time? A coupe? To kill me? A trap for my armies?"
"Men had been sent to kill me. I can deal with them, once know who they are. Please, Jon, much like before, we act as we don't know."
"Of course," he nodded. "As always, oblivious. Do you know how many?" you shook your head, no.
"I hope, I pray to the Goddess that one day we won't face such dangers. That our children won't have to grow up in fear." you said as Jon sat up, you followed suit, holding the fur to your chest.
He smiled.
"You always speak of children, I like it when you do that. It gives me hope, a reason to fight for a future."
You smiled right back before kissing him.
Oh, yes, mornings like these were your favourites.
---
Staying away from Jon was something you didn't really like to do.
You prefer to stay with him at all times but you understood that he had duties and so did you.
You looked after the young wolves and cared for the pups who were left without a mother after the war. 
The feeling of dread didn't leave you.
Ever since you woke up, you had this feeling, and you knew better than to ignore your instincts.
Your life was in danger as always but now, you won't be merciful.
Last time, it was during your wedding when they tried to poison you. You drank the wine without a problem but the taste of iron never left your mouth. You chose not to speak, Jon only was told years after.
You decided not to tell him because you feared his reaction.
But now, after the wars, after the many lost lives, you were ready for anything.
Their first try came while you were taking your daily bath. One dared to barge in with a sword, trying to kill you. But the man's fate wasn't fortunate.
When Jon heard the news that you have been attacked he was furious. But the scene he saw when he entered the bath wasn't what he expected.
The man now laid, with his head by his lifeless body, his blood filled the bath which you still occupied.
"I'm almost done." you said with the calmest tone Jon had ever heard.
There was something about you, in a bath of blood that just turned Jon on beyond belief. He had seen you covered in blood before, but somehow, this was different.
That night as you two got ready for bed and he finally joined you, you just said "There are more of them." which made Jon nod, he knew you would take care of yourself, but he will also have to look out for himself. 
The second and the third man wanted to take no chances. One watched by the door while the other ran into the library to kill you.
But when everything inside went quiet the other man also emerged from the door and was met with the same fate. 
Both dead, surrounded by symbols drawn with their own blood. It scared the servants, even some knights found themselves to be scared by the drawings. 
But not Jon, never Jon.
He simply entered the room and kiss you on the lips.
Seven men were left. All of which decided to catch you at night. First, they found out that the King was occupied and they all hurried to your chambers.
But instead of meeting with a sleeping Queen, you have been waiting for them. The door locked behind them and only their screams were heard in the night. 
No one dared to approach the chambers. No one dared to open the door.
Jon arrived again, seeing the blood seeping out from behind the door, he opened it and saw a scene that almost made him throw up.
All bodies were kneeling around you in a circle. Kneeling, holding their own heads in their hands as you sat in the middle of them, he wasn't sure if you were praying.
"Darling?" he asked, knowing better than to cross any lines. Knowing the powers you were often playing with.
You looked at him, familiar eyes staring at him as he knelt down to your eye level.
"Let's go to bed in another room." he suggested and you agreed. 
Of course, your loving husband avenged the attacks against you.
In his eyes, no matter if you were never injured, he saw these attacks as an attack on him, because they were.
And Jon never took lightly to harm against you. He would never stop at anything when it came to you. Even if he wasn't king. 
Jon Snow would never let anyone take you from him, you were his.
His Love.
His Wife.
His Queen.
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DO NOT STEAL, REPOST OR TRANSLATE ANY OF MY WORKS  
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sforzesco · 3 days ago
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"In some such families, brothers practiced what is known as temporary marriages, where several brothers would marry a single wife, who would bear heirs to all of them in turn. While the Roman ideology of the univira, a woman's devotion to one husband, seems at odds with the practice of temporary marriage, the way Crassus stepped into his brother's marriage suggests that his family may have opted to allow only two sons to marry in order to secure the family's future. When his brother died, Crassus took the opportunity to move from uncle to husband, a move that may have served his own interests as well as fraternal pietas."
[The brothers of Romulus: fraternal Pietas in Roman law, literature, and society by Bannon, Cynthia Jordan]
@p-clodius-pulcher showed me this crazy quote, wherein "his family may have opted to allow only two sons to marry" made me go "so you are saying in a later era, Crassus would be a priest".
OHHHH THIS IS DELICIOUS. every discussion revolving around Crassus' marriage to his sister-in-law is so so fun. we have archaic traditions & obligations, there's the matter of keeping the dowry in the family (which in turn lends to a fun exploration of the economy at the time, wrt to crassus' father's policy making), & combined together, there's something to be said for the reasoning that the brother-sister marriage records of roman egypt may have had more to do with keeping property in the family.
but now with fraternal pietas? HELLO!! new things to think about. I'm going to unpack this with a magnifying glass.
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filmesbrazil · 6 months ago
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