#John Williams is a genius

[darth-jess]

The Foreshadowing Hidden in Across the Stars

I'm sure people have noticed this before, but this is something that has given me chills ever since I was a little kid.

If you didn't know, Across the Stars is the love theme John Williams wrote for Anakin and Padmé. But there is one single version of Across the Stars that plays in the 10 minute long end-credit song of Attack of the Clones. If you don't watch all the credits (or listen to soundtrack scores like me), you will never hear it. And yet, John Williams decided to add in this terribly, horrifically beautiful bit of foreshadowing to the fucking song.

I urge you to listen to the entire 10 minute song to feel the buildup, but if you're impatient, just listen from the 9:00 mark to 10:30.

At the very end of the love song, in low tones beneath the melody, the Darth Vader/Imperial march song plays menacingly in the background.

And I think this is an absolute stroke of genius.

John Williams, at the end credits of Attack of the Clones, is basically telling you what happens in the next movie.

That love creates the monster.

That this love will be the catalyst, and darkness will follow.

There is no other version of Across the Stars that has this, because it is only meant to be heard right before Revenge of the Sith.

I don't think I've ever heard foreshadowing in music before, at least not quite like this, and it drives me absolutely insane that he did this. How is anyone allowed to be such a genius?

[thesobsister]

William Blake, “Satan, Sin, and Death: Satan Comes to the Gates of Hell” (illustration for John Milton’s Paradise Lost)

“The Rout of the Rebel Angels”

“The Temptation and Fall of Eve”

[melhekhelmurkun]

said it before and will say it again, Padme and Anakin’s love theme is one of the best songs in the entire series

[goblinpussy]

Shakespeare stage directions:

exit, pursued by a bear!! 🤪

Critics for the last 500 years: "wow, truly a masterpiece, the Bard has done it again, how eccentric,"

John Waters script:

Ok in this scene Divine will have sex with a giant lobster

Critics, somehow:

[shandidellamorte]

You can totally tell which movies John Williams scored. He has a very distinctive style~

[underthewingsofthblackeagle]

@supreme-leader-stoat Those two are for you :)

I-I'm sorry but I can't stop thinking about this

[lunaticamic]

everyday i get angrier about carlos situation. the fact that next year i’ll have to see him in midfield (or worse) teams makes me hate elkann even more. why the fuck this guy can’t have a nice life???? one of the top drivers fucked over by their team………. god i hate every single one of them

[magicruned]

i know nothing technical about music but god i love music. i love you orchestral music and stories told through instruments and i love you duel of the fates

[blogcherryblossomthings]

Totally forgot John Williams did ET too.

[ineedtogointhesea]

I absolutely adore this so have a couple of fun lil headcanons of my own;

Johns videos are entirely just “smash or pass” videos where he says smash for everything and apology videos where he gives a half hearted apology about the smash or pass videos and only adds in the last minute “oh yeah and i apologise for the mass murder that happened last week too”

Ianto’s are a mix of emotional ranting about work and guides on the most efficient ways to archive different information and items

Owen’s is him being a total biology nerd over alien anatomy with his behavioural studies on the Weevils being his most popular videos (most of the comments are just people spamming “WEEVIL KING” and Owen looks at them whenever he needs an ego boost)

Tosh I imagine would be hesitant to talk about anything tech related due to her fear of UNIT so I think she’d talk more philosophically about alien languages and cultures and similarities to our own and about the wonders of the universe that we’ve yet to imagine, let alone discover!

Gwen does the more interactive content like Q&A’s and reacting to the weird things her coworkers find (and do) and telling stories about her job. I like to imagine she also does a side series of unsolved cold cases that could have an alien connection, in the hopes of finding any answers from the public

Jack would have his own series called Stupid Deaths (with the Horrible Histories stupid deaths song playing as his intro) about all the times he died in a weird or stupid way (Ianto absolutely hates it) and there’s hundreds of different conspiracy theories about him ranging from “he comes from a weird family where they all look the same and have the same name over 200 years” to “he’s a vampire, he’s even got a cape!” And he likes to drop tiny hints in his videos to keep the theorists guessing as to if he’s lying or not

The Torchwood 3 channel I like to think is a girls project run by Gwen and Tosh where they do stuff like Q&A’s and public information announcements like “if you see what looks like someone in a fish costume call this number immediately and evacuate the area” and sillier one’s like “if you see a Weevil, call Owen the Weevil King to collect his lost subject”

I like to think Rhys has absolutely no idea these channels exist and is basically the only person in Cardiff that still thinks that Torchwood is a well kept secret

torchwood youtube (GAY BOSS?!?)

[sunflowerrboyy]

JOHN WILLIAMS I AM GIVING YOU A BIG KISS MWAH

[cosmicalls]

if you like dead poets society, you may like these!

just for fun: a little list of movies, shows, and books i like that i feel have something in common with dps. hopefully you'll find something you'd like, too!

not in any particular order. just the order that i thought of them in really

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A Separate Peace

by John Knowles - published 1959

a coming-of-age novel set at an all-boys new england boarding school. follows two boys, Gene and Finny, and their experiences during the summer and winter sessions of 1942. talks a bit about WWII and what role the boys may have to play in that, but it stays pretty focused on the school and the emotions involved during this time in one's life. all the growth and transformation and oddly homoerotic, perhaps very codependent, friendship of a bildungsroman that we love to look for.

one of my personal favorite books, even considering that it was assigned reading. i truly believe many of you would like it and i know for a fact some of you can vouch for me

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The Perks of Being a Wallflower

by Stephen Chbosky - published 1999 movie adaptation: dir. Stephen Chbosky - released 2012

follows Charlie and his general struggles of high school and with being, well, a wallflower. from goodreads: "Caught between trying to live his life and trying to run from it puts him on a strange course through uncharted territory. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and The Rocky Horror Picture Show, when all one requires is that the perfect song on that perfect drive to feel infinite."

very emotional. that's all! i preferred the movie, but i liked the format of the book being completely in letters that Charlie was writing. they're both good! (if you watch the movie, the english teacher's name is Mr. Anderson. so do with that information what you will...!)

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Matilda

by Roald Dahl - published 1988 movie adaptation: dir. Danny DeVito - released 1996 musical adaptation: dir. Matthew Warchus - released 2022

a young girl with an aptitude for reading discovers she has telekinetic abilities at the same time she begins attending school. unfortunately, the principal is an extremely harsh woman, and none of the students seem to enjoy it there. Matilda uses her courage and newfound powers to change her environment for the better, both at school and in her abrasive home.

such a good movie, a childhood favorite. the musical has a great soundtrack too!

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Good Will Hunting

dir. Gus Van Sant - released 1997

a janitor is recognized as a mathematical genius by an MIT professor, and he goes on an emotional journey to embrace his intellect. starring Robin Williams, our dearly beloved inspiration, as the therapist Will goes to see for much of the film.

i only saw it once and my description is lacking but ooh it hurt...... just trust me on this one

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A Series of Unfortunate Events

by Lemony Snicket - published 1999-2006 tv series adaptation: aired 2017-2019

JUST HEAR ME OUT ON THIS ONE okay. it's about a trio of siblings, orphaned, who are shuttled from one parental unit to another while being followed by a man after their immense wealth. they quickly discover they are in the midst of an intellectual conflict in a secret organization. they must rely on only each other, seeing as all the adults around them are wildly incompetent and/or unhelpful. and it is filled to the brim with literary references!!

both versions have really fun and witty narration, and the tv adaptation is extremely faithful. i don't know how else to describe it without going overboard so i'll settle for not descriptive enough! just trust me. yes it is a kids' series and yes it is one of my favorites ever. it's the vibes of it all

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If We Were Villains

by M.L. Rio - published 2017

about a group of Shakespeare theater students at a very pretentious arts school who find themselves in a very high-tension dynamic following a disaster that occurs after their halloween performance of Macbeth. lots and lots of Shakespeare, lots of dramatics, and the book itself is divided into five acts.

i finished this in about two nights and it was extremely creatively inspiring. it was a bit predictable, but that's not a bad thing. it still had me clutching my pearls and dropping my jaw

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"The Artist of the Beautiful"

by Nathaniel Hawthorne - published 1844

a romantic era short story about a man who feels utterly trapped by his occupation. he would rather concern himself with the delicate beauty of nature, and he attempts to realize this in his passion project - much to the disdain of the people around him.

a bit of a sneak sorry. i just think it's just in line with neil's whole thing you know. it's a lot of long and flowery sentences but it works really well i promise

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The Breakfast Club

dir. John Hughes - released 1985

the letterboxd synopsis really says it all: "They only met once, but it changed their lives forever. | Five high school students from different walks of life endure a Saturday detention under a power-hungry principal. The disparate group includes rebel John, princess Claire, outcast Allison, brainy Brian and Andrew, the jock. Each has a chance to tell his or her story, making the others see them a little differently – and when the day ends, they question whether school will ever be the same."

i don't have much to add and to be honest! kind of a stretch for this list! but i have faith

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obviously there are other shows and movies with the dead poets society leads, but i wanted to sort of branch out a bit for the bulk of this list. i will still list the ones i had in mind though

House M.D. (2004-2012) - tv series about genius diagnostician Dr. Gregory House and his team at a hospital in new jersey. Robert Sean Leonard stars as House's best friend and head of oncology Dr. James Wilson. very comedic but also very heartwrenching.

Tape (2001) - three friends meet at a motel room and dredge up and argue over unpleasant events of the past. starring Ethan Hawke and Robert Sean Leonard.

Before Sunrise (1995) - from letterboxd: "A young man and woman meet on a train in Europe, and wind up spending one evening together in Vienna. Unfortunately, both know that this will probably be their only night together." Ethan Hawke plays one half of the lead duo.

and yeah there's a LOT more but those are the ones i've seen and sincerely recommend. not to say others aren't good but this is a (very) curated list you see.

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phew that's not as many as i thought i had in my back pocket but it's still pretty good. plus, there's some things i havent read/watched yet that perhaps would have made it but alas! such is life

absolutely add to the list if you'd like!! let's all share our favorite stories

[fairy-writes]

Would it be too much to ask for a William James Moriarty x Holmes sister reader? Like she's a travelling archaeologist/anthropologist who's a genius in the field and has found many artifacts and lost cities and can be a bit of an eccentric looney like her older brother Sherly but she's also incredibly kind to those in need and often donates her treasures to the less fortunate and even helps Sherly from time to time which is how he meets her and is impressed by her smarts and sarcastic wits. Also, a bit of a parkour junky likes to wear mens clothes tailored for her measurements and often wears her hair in loose buns or ponytails and loves riding horseback much to Mycroft's displeasure🤭

A BUSINESS PROPOSAL

Reblogs and Comments are greatly appreciated!!

__________________________________________________________________________

Fandom(s): Moriarty the Patriot

Pairing(s): William James Moriarty x Reader

Word Count: 3k

Genre(s)/Tag(s): Female!Reader, Holmes!Reader, Mildly sexist behavior from Mycroft? It is the 1800s after all.

Notes: So this was super fun to write! 

Fun fact! I took an archaeology class for my associate’s degree in criminal justice and highly recommend taking one to anyone in college! 

I actually took several anthropology classes (intro to anthro, bio anthro, and archaeology). I even considered switching my major to anthropology at some point! (I switched it to English lol)

PART TWO HERE

PART THREE HERE

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Otis whinnies, and you reach forward from your place in the saddle to pat his neck.

“Easy, Otie, almost there.” You whisper to him and gently nudge him to turn down the familiar road of Baker Street. You could spot your brother’s flat from where you were at, an unfamiliar carriage parked in front. You frown briefly and then shrug. Sherlock could have whoever he liked over. 

But… he did promise to take you out on the town in celebration of your latest discovery. Did he forget?

No… He wasn’t the type to forget something like that. You had been exchanging letters for weeks about your coming home. 

A tall man was at the front of the carriage, tending to the horses. He had spiked black hair and a glove on one hand. He looks at you with skeptical eyes as you draw near and dismount your horse. The Cleveland Bay snorts, ruffling your hair as you smooth your hand up his snout and between his eyes. Then, you promptly tied his reins to the post outside 221B Baker Street and went up to the front door. 

The door knocker was more worn than you last remembered, with the shiny brass turning a glimmering gold color from all the hands touching it. You rap the door once, twice, then a third time, and wait, stuffing your hands in your trouser pockets. 

A young man opens the door, sandy blond hair combed neatly and brown eyes alight with curiosity. A grin breaks your face, and you step forward into his arms as he realizes just who is at the door.

“My dear John!” You shriek, and he chuckles, lifting you off your feet and spinning once in a circle before setting you down. 

“I thought you weren’t due back for another two weeks!” He replies excitedly, and you laugh gleefully. 

“We finished early! Anyhow, how’s Mary? Sherlock said you two were expecting!” You say and slap his shoulder good-naturedly. He ducks his head, a pink flush on his cheeks as he nods.

“She’s home at the mo. But yes, we’re expecting. The midwife thinks it’ll be a girl based on how she’s carrying.” He said, and before you could say any more, there was a noise at the top of the stairs. 

You turn, and your grin widens even more until your cheeks hurt. 

“Sherly!” You crow, and he bounds down the stairs to sweep you up in a bear hug. His boisterous laugh made your heart sing, and you buried your nose in his hair. He smelled like cigarette smoke and whiskey. He must have been on a case. He squeezes you tight and sets you down. 

“I thought you were coming back in two weeks!” He exclaims, and you roll your eyes,

“So John said, I told you we finished early!” You tease, and it is then that you notice that there is someone else in the flat. 

He was tall, probably around your brother’s height. He had blond hair and deep scarlet eyes that studied you with interest. He was dressed in a brown suit with a crimson tie. A lord. That much is obvious.

Sherlock notices that you notice his friend and gestures to the man at the top of the stairs. 

“This is Liam! A mathematics professor at Durham University and a friend of mine who helps me on my cases.” He says proudly as “Liam” descends the stairs and approaches you. 

You stick out a hand and introduce yourself. His hand is smooth like you expected, as opposed to your calloused one. You had bandages littering your fingertips from blisters from shovels and tools. 

“William James Moriarty. I’ve heard stories about you.” His British lilt is proper and endearing. You feel your heart flutter and your ears burn. But you smile warmly nonetheless and give his hand a firm shake.

“As much as I’d like to say the same, Sherly has yet to tell me about you in his letters.” You direct the last sentence to your older brother in the same teasing tone as before. 

Sherlock rolls his eyes and punches your shoulder lightly while William watches on in amusement. 

“I got distracted!” Sherlock complains, and you break out into giggles. 

“I would love to hear some stories if you’re up to it.” William cut in gently before you, and Sherlock could start bickering. You brighten. A chance to tell stories of your work and not have someone get bored? It sounded like heaven!

That was how you got to where you were at the current moment. 

You were seated next to Sherlock at the Moriarty dining table, regaling them with a story of the most current dig you had been on.

“—and Egypt was absolutely smashing! It was so beautiful!” You say, waving your hands excitedly as you describe the tomb that had been uncovered. It had taken weeks to uncover everything, almost months. But oh so worth it. 

“Might I ask what you did with all the artifacts you found?” William inquires, and you hum as you sip at your wine. 

“Donated it all back to the locals. It’s the least I can do. Plenty of archaeologists steal their finds and bring them back to England to show in museums. I try and do the opposite.” You say and were pleased to see William nod in approval. 

At least someone shared your sentiment. 

You got a letter to your very old and very dusty flat a week after your return to England, summoning you to your eldest brother’s estate. You had been dusting and cleaning your furniture when the postman knocked on your door. You frown, brushing your pants on the seat of your trousers, and answer the door. 

The letter was short. 

Dearest sister, 

I have received news of your return to Egypt. I would like to have your company at the family estate for dinner to discuss business and your adventures. 

With best regards, 

Mycroft Holmes

A summons to the Holmes family estate that your oldest brother had inherited after your parents retired to the country. You look at the ceiling and groan, eliciting a funny look from the postman. 

This was going to be fun.

As soon as Otis realizes where you are, he tosses his head and tries to turn around. You tug the reins so he faces the right direction and nudge him into a walk down the road.

“Otie, I don’t want to do this either. But I’d rather not have Mikey send special forces after us or something.” You say to Otis, and when you reach the stables, Mycroft’s hired stable hand takes your beloved horse’s reins. “Take good care of him!” You nearly reprimand the stable hand who agrees and welcomes you back with ease. 

The maids welcome you in excitedly when you rap on the massive double doors, and you are ushered upstairs into the dining room. 

Mycroft was seated at the head of the table, where your father would be if he were here, and he stood to greet you. He offers a handshake, but you simply smile warmly and hug him tightly. He may have grated on your nerves, but he was still your brother. Mycroft stiffens and pats your shoulders awkwardly when you step back.

“As awkward as always, I see Mikey.” You said and took a seat at the table next to him like you did when you were kids. He clears his throat and calls for the kitchen staff to bring in the food. 

It wasn’t much, considering there were only two of you. But it was as extravagant as Mycroft always demanded it to be. 

“Would you like to change into dinner attire before we eat, sister dearest?” Mycroft says suddenly, just as you are about to dig into the delicious roast prepared by the staff of the household. You put your fork down and scowl.

“Don’t start with this, Mikey. You know I hate dresses.” You snap, and he raises an eyebrow but doesn’t push the issue. 

At least… he doesn’t until you are done with your meal and in his study, talking about your travels to Egypt. 

You down the rest of your whiskey and set the glass whiskey tumbler on the table between you two. 

“More whiskey?” He offers, and you shake your head.

“I want to be able to ride home after this.” You say and hold in a yawn. The excellent food combined with the fireplace blazing with a crackling fire is lulling you to sleep. 

Suddenly, Mycroft stands and walks in front of the fire, setting his own glass down on the mantle and turning to face you. 

“Might we talk some business?” He inquires, and immediately, your mood sours. 

So this was his end goal? Get you sleepy and drunk so you couldn’t ride home and were subject to his pleadings?

“I don’t want to hear it, Mikey.” You say and stand, holding onto the back of the wingback chair for a moment as the dizziness sets in. 

He scowls, 

“You are of perfect age. The season is just starting. You could still join in and find a potential suitor!” He tries, and you scrub at your face.

“I already told you I wasn’t interested in courting! I’m interested in—”

“Your work, I know. But what happens when the digs dry up and there’s nothing else for you to do? What will you do when you get too old for this?!” He snaps, and you whirl, steadying yourself with the chair as your anger flares. 

“It won’t dry up! There are thousands of years of history still to be discovered! Hundreds of thousands of cities and archaeological finds!” Your voice rises to a shout, and you hear distant footsteps as maids scurry away from you and your brother’s anger. 

This goes on for several minutes until Mycroft a bomb on you. 

“Mother and Father have decided. If you don’t find someone to court, they will no longer fund your excavations, and you’ll be stuck here with me.” 

You freeze, hands wound tightly in your hair, and argument dying on your tongue. 

“B—But that would mean—” Mycroft cuts you off gently and approaches, putting his hands on your shoulders. 

“You’d be stuck here until you find a husband—no more digs. No more artifacts. Not until you do as they and I ask.” Tears well up in your eyes, and you shrug off his hands violently and flee. 

Your boots pound against the hardwood floors, and you run outside where it has started pouring rain. Instantly, your clothes are soaked as you make it to the stables, dress Otis in his saddle and bridle, and swiftly mount his back. He tears out of the stables at a thundering gallop, and the stable hand barely dives out of the way to save himself from being trampled. 

Otis’s hooves dash against the cobblestone roads. You cling to his reins and hunch over his back as tears stream down your face and sobs wrack your body. 

Stupid, stupid, stupid!

Taking away your funding? 

No one wanted to fund a woman on an archaeological dig! 

Much less one as young as yourself! 

You were screwed! Doomed to live as a housewife because that was society’s and your parent’s expectations of you!

Otis eventually comes to a halt, and you dismount, collapsing onto a bench, breathing hard as rain pours down your body. Your shirt sticks to your skin, and your trousers swim in water as you sit in a puddle on the bench. But you can’t bring it in you to care. 

A carriage rumbles to a stop before you, and you look up as the door opens. 

“Might I interest you in some shelter?” Comes a proper and endearing accent that you recognize. 

“William?” You sniffle, and he smiles, extending a hand. 

“If you’ll let him, Fred will handle your horse. How about you step inside the carriage, and we’ll take you back to the Moriarty estate.” He says over the rain. A young man with a blue scarf wrapped around his head gets off the front of the carriage and approaches. You hiccup and nod, handing Otis’s reins to the young man and accepting William’s hand into the carriage. He sheds his overcoat and offers it. 

It’s warm and heavy as you wrap it around your shoulders and sit down. Your boots squelch against the floor, and William knocks twice against the carriage's wall, and it starts moving once again. 

The Morairty estate is even grander than you remember, looming over you as the carriage stops by the front doors. You nearly slip in your haste to get inside and are taken up the stairs to one of the many bedrooms. 

“Draw a bath and get warm. I’ll have some clothes brought by. We can have a talk after you’ve collected yourself.” William says gently, and you nod, taking off his overcoat so he can have it back. He excuses himself, and you are left alone in the suite. 

The bath is nice and hot, and you let out a sigh as you shed your clothes into a pile on the floor and sink into the warm water. Your tears are drying, but your emotions are still raging like a rabid dog inside you.

How could they? 

Didn’t your family know archaeology was your passion? Your dream?! Of course, they did! You never shut up about it when you were but a little girl learning to play the piano! You babbled on and on about fossils and artifacts in between lessons until you were blue in the face!

It wasn’t long until you were done in the bath and dried off. As William had promised, some clothes were left on the bed. A button-down that looked like it might fit you, a pair of trousers that might be a bit too long, and a pair of undergarments. You tugged on the underwear and then the trousers, having to cuff them at the bottom so you didn’t trip. The shirt fit better than you thought so you pinned your hair out of your face and left the bedroom and down the hall. Hadn’t there been a sitting room just down the stairs? 

William was inside, stoking a fire with a poker, his back to you. He stood and turned when you rapped lightly on the entryway. His lips curled in a welcoming smile, and he gestured for you to take a seat. 

“Would you like some tea? I had Louis put the kettle on.” He said, and you nodded, sitting on the couch beside the fire.

“Thank you. For the clothes and… everything else.” You mumble, and he shakes his head,

“Don’t mention it. Sherlock mentioned you hated dresses.” He says and pours you a cup of tea.

It’s delicious. It warms you from the tips of your ears to the ends of your bare toes. You scuff them on the plush carpet as William sits across from you. His scarlet eyes are illuminated like glittering rubies in the oranges and yellows of the fire. They’re alive like a torch resides inside. 

“Now, might I ask why you were out in the rain?” William asks as soon as you’ve settled into your spot. You bite your lip and wonder if you can trust him with your problems. 

Sherlock trusted him well enough… 

Perhaps…

“I got into an argument with Mycroft. He said my parents will cut off my funding for excavations if I don’t find a proper husband.” You blurt, and he hums as he takes a sip from his cup. 

“I assume they’ve been funding your past archaeological escapades?” He says, and you nod.

“Correct. But that is going to change unless I get married.” You grumble, and he cocks his head to the side, setting his cup down on the tea table next to him and seemingly mulling something over. 

“This may be a bit forward, but I have a proposal. A business proposal, if you will.” He starts, and you narrow your eyes. A business proposal? You set your own cup down and cross one leg over the other. 

“Go on…” You say hesitantly, and he clasps his hands together as if working out a problem in his head. Sherlock did say he was a mathematics professor.

“I could marry you.” You inhale sharply and proceed to choke on your saliva. William half gets out of his chair to come to your aid when you finally get your coughing under control. 

“Why?!” You demand, and he shrugs, 

“I’ve done some research into you. You are spearheading the way in new archaeological techniques. You donate your finds back to the locals in need. And frankly, I find you fascinating. If we go ahead with this, you’ll have access to my brother Albert’s influence as well as the Moriarty name and fortune.” He says, and you sit back, stunned. 

“I could continue my work?” You say skeptically, and he nods. 

“Indeed. There’s no reason to stop you. I might ask for a lecture or two from you at Durham University. But that’s it. So…” He extends a hand for you to shake. “Have we reached an accord?”

You are speechless as possibilities run rampant through your brain. You’d be free from your parent’s influence as well as pleasing them. Though pleasing them was the last thing on your mind. Yes, you’d be married. But like William said… it was more of a business proposal…

You reach forward and shake his hand. His smile widens marginally as you speak,

“I accept your proposal.”

[ispeacetoomuchtoaskfor]

To be frank, I'm equally terrified. But I have hopes, frail and feeble as they may be. I suppose we shall have to see what comes of this, and if necessary the Netflix movies will be to us as the Percy Jackson movies. Pretty, but idiotic in every way that counts.

there are literally so many reasons why we don't need a third Narnia adaptation

first of all, while they might not be the most accurate, the Disney movies are actually so good and, in my opinion, still manage to capture the heart and soul of the series and what it's truly about. The characters are each perfectly portrayed; the Pevensies act like actual siblings and yet love each other dearly and would die for each other even through all the petty arguments; the music creates perfect atmosphere and emotion and never fails to make me tear up or get shivers down my spine; and the CGI is honestly just absolutely stunning.

I really do not feel like we need another adaptation by Netflix.

Especially not through Netflix.

Netflix has already been known to mess up so many shows and movies by completely changing the source material or adding in unnecessary things that completely take away from the purpose of the story. I can already see them warping Narnia into something that barely even resembles the books, that strips it of its purpose and simply makes it about a fantasy world, nothing more. I've already seen posts saying that the new movies just can't end the way the books end, that heaven must be explained away, that Susan never forgets and falls down a dark path, that the faith aspect must be taken out so as not to offend new viewers.

Here's the thing.

If you take faith out of Narnia, you remove the very heart of the series. you remove the entire purpose. Because Narnia is entirely about faith, and trust, and Someone greater than yourself who sacrifices everything to save your own traitorous soul. the Disney movies did not shy away from portraying this faith as openly as possible. if anyone was offended, I've never seen proof. I have seen many nonbelievers talk about how much they were affected by Aslan's death, which goes to show that you simply don't have to be Christian to understand what Narnia is about, and to love and enjoy it.

So if these new remakes remove the faith aspect, then what is the point? four siblings go to a magical land and save it from a witch and befriend a talking lion with nothing special about him and live there as kings and queens and return home and live happily ever after? there is no sacrifice, there is no "he's not tame, but he is good," there is no creation, there is no redemption, there is no last battle, there is no "in your world, I have another name", there is no sister straying down a dark path because she has forgotten how to hope, and then returning because her story is unfinished and the road to heaven is paved with flowers that symbolize her name.

so then, what are you left with? Aslan is just a talking lion, nothing more. the stone table never cracks, the sun never rises. "That by knowing me here for a little, you may know me better there" is forgotten entirely, because why would Aslan exist in our world if he is merely a talking lion in Narnia? Aslan's country is changed to be something else, and there is nothing about how Aslan suddenly no longer looks like a lion, and how the things that happened after are more great and beautiful than can be described. Edmund's life is never threatened because of his traitorous deeds; Aslan never offers his own life in place of a guilty boy, is never killed, is never resurrected.

the very core of Narnia is removed, and what you are left with is emptiness.

sure, it might make for a good fantasy story nonetheless. you might still have sweeping views and epic music and an intriguing plotline, but something will always feel like it is missing. like there is an empty hole, desperately needing to be filled.

of course, I don't know that all of that will happen; it's just speculation at this point. But I am fairly sure that it is safe to predict these upcoming movies as such. I highly doubt the producers will want to include the faith that shapes Narnia, because according to them, having a faith aspect means less viewers since too many people would be offended.

but if only they would look at the already wonderful existing adaptations, they would know that is simply not the case.

[preraphaelitepaintings]

Narcissus

Artist: John William Waterhouse (English, 1849–1917)

Date: 1912

Material: Oil on canvas

Collection: Private collection

Description

John William Waterhouse is very famous for his use of the Pre-Raphaelite style. Most of his pieces express classical mythology, historical subjects, and British poetry. He is known for his great proficiency in oils and watercolors. Narcissus was exhibited at the Royal Academy in 1912.

The exquisite oil painting on canvas displays a woman picking flowers in a field. According to the Greek mythology by Ovid, Narcissus was the son of the river god Cephissus and the nymph Liriope. Narcissus had been promised to live to an old age if only he would not look at his reflection, and so he rejected all women who fell in love with him and would not look at himself. Eventually, he was subdued by Echo, a woman who was deeply hurt by his rejection that she caused the Goddess Nemesis to strike Narcissus that he may look at his reflection in a pool and fall in love with himself. Narcissus then looked at his reflection in the pool till he died.

This story gives origin to the narcissus flower, which grew where Narcissus died. The flower grows almost anywhere but prefers well-drained soil with a sunny or light shade environment. The masterpiece of oil on canvas is set in a beautiful wooded landscape, seemingly with a stream and rocky edges. Wildflowers grow there too, and a young lady is bent picking them. Her countenance is downcast in the flowers. In her other hand, she holds a bunch of already picked flowers. She is dressed in a red dress, perhaps to symbolize love or a burning passion. The flowers she is picking are the narcissus flowers. Waterhouse was always keen to use colours, patterns, and simple objects for symbols of the old mythologies. The Narcissus would be no different. This wonderful work of art brings out his genius with the oils on canvas as he seemingly brings every aspect to life as rich in meaning.

Waterhouse was much influenced and inspired by Greek Mythology and works by Homer, Ovid, Shakespeare, and Keats, among other famous writers and poets from the time. His most common theme from these sources was femme fatale, the woman who ensnares a man. Most of Waterhouse's subjects were women from Greek Mythology, historical or literary texts. Often, he used live models, family, and friends to be his subjects, creating a great mix of the old and new as he used symbolism from the mythologies around current

[fionaapplerocks]

A wee list of musicians who are on record with their love for Fiona Apple / influence by her music:

Adia Victoria Aimee Mann Amanda Palmer Anoushka Lucas Annie Clark (St Vincent) Ariana Grande BANKS Billy Howerdel (A Perfect Circle) Caroline Polachek Christine and the Queens Corin Tucker (Sleater-Kinney) Dave Grohl Ben Weinman (Dillinger Escape Plan) Donald Glover (Childish Gambino) Emilee Petersmark (The Crane Wives) Florence Welch (Florence and the Machine) Gabriel Kahane (composer)

Halsey Hayley Kiyoko Hayley Williams (Paramore) Ingrid Laubrock (jazz saxophone) Jack Antonoff Janelle Monae Jason Isbell Jay-Z Jenny Lewis John Legend Julia Michaels Kanye West Katie Crutchfield (Waxahatchee) Katy Perry Kenny Mason Lady Gaga Lars Ulrich (Metallica) Lauren Mayberry (Chvrches) Lil Nas X Lin-Manuel Miranda Lindsey Jordan (Snail Mail) Lorde Madison Cunningham Magdalena Bay MARINA Maya Hawke Melanie Martinez Michelle Zauner (Japanese Breakfast) Natalie Maines (The Chicks) Olivia Rodrigo Mike Hadeas (Perfume Genius) Phoebe Bridgers Rina Sawayama Robin Pecknold (Fleet Foxes) Samia Sara Bareilles ('Little Voice' book) Shirley Manson (Garbage ) Sky Ferreira Solange Knowles Sondre Lerche Sophie Allison (Soccer Mommy) St. Vincent Tegan and Sarah Vanessa Carlton Yuna Zoe Kravitz