#Jin Temple

[chinesehanfu]

[Hanfu · 漢服]Chinese Song Dynasty (960–1279 AD)Traditional Clothing Hanfu Reference to Song Dynasty Sculpture

【Historical Reference Artifacts】:

China Song Dynasty Painted Sculpture from【Jin Temple】晋祠宋代彩塑

▶️【About Hairstyle“包髻/Bao Ji”】: It is one of the hairstyles of ancient Han women.

包髻/Bao Ji is a hairstyles that use rectangular headscarf to cover the hair. When worn, it is folded diagonally, wrapped from the front to the back, and then wrapped around the corner of the scarf to the front of the forehead to tie a knot.

As early as the Tang Dynasty(618-907 AD), there was a prototype of this hairstyle, and it became popular in the Song Dynasty.

Women in the Ming Dynasty(1368-1644 AD) liked to use black gauze to make this hairstyle and this kind of hairstyle survived until the last dynasty of China: the Qing Dynasty.

[marshmallowwitharubberband]

The Guanyin temple confession is maybe my favorite scene of any piece of media I've ever consumed because it's so unpredictable.

You got the villain just halting his evil plot, full stop, in the middle of his gloating speech, no less, because "What do you MEAN you guys aren't even together?! What?! No, no, no, there won't be any romantic misunderstanding in my hostage situation! Honey, tell him!"

And then the calmest, most polite character alive procceeds to go his version of apeshit on this punk like "my brother like-likes you, you fucking pinecone! You useless twink! We all thought you were a hoe but you are just an imbecile!" (Which is a nice parallel to the Jiang brothers' hatred for the peacock, but I digress)

And THEN, when it's the perfect moment for a climatic love confession, homeboy goes and screams for everyone to hear that he... really wanted that dick, Hanguang-jun! Where's love? Who cares? WWX wants to ride you like a carnival ride: sticky and filthy and multiple times.

It's a wonder that Xichen didn't yank that string from Jing GuangYao to strangle WWX himself.

This has been my favorite addition, I cackled like a seal irl lol

[lei-llustrations]

舅舅在…

Jiu jiu with some baby Jin Ling! And also sad Jin Ling post stabby😬

[benevolenterrancy]

finally in the process of reading the Guanyin Temple scene and holy shit if WWX isn't the protagonist of all time. We're in the Big Final Confrontation and so far my man has done fuck all except cuddle in LWJ's lap while everyone else is losing their shit and when he DOES finally do something he summons an army of naked, writhing, moaning sex corpses that even his allies just desperately wish Were Not There. stupendous, no notes

[withthewindinherfootsteps]

I love how the faux-politeness of MDZS' climax takes its themes to its logical conclusion. All throughout, we've seem how sects and cultivators prioritise their reputations, seeking glory and status even when real lives are at danger, keeping up their appearances. We see that in the unwritten rule that major sects won't intervene in problems unless the prey is dangerous; we see it in how Lan Wangji is unique in the way he prioritises helping others over seeking glory; we see that in how the Wen situation plays out, with Wei Wuxian confronting the Jins about a concentration camp while they're focused on having a banquet.

So of course in the Guanyin Temple, even when Jin Guangyao is directly threatening people's lives, the interactions are polite! We're seeing what has always been present – the absolute disconnect between the actions and world of the Jianghu, and the real harm that real people are suffering through (both intentionally and not) as a result.

[hysieme]

[yebreed]

Mythological Realism: Elemental Dragons

Four-color coiled dragons on the pillars of the Supreme Talisman (Taifu) Temple (太符觀).

The dragons are painted in the colors of the primary elements, embodying the archetypal creative forces. In Chinese religious art, almost any concept can be expressed in the language of dragons.) Their children, descendants and relatives frolic on the temple walls among curly clouds.

In view of the striking liveliness, I would classify these images as mythological realism.)

Since its construction in the fifth year of the Jin dynasty (1200), the temple has been repeatedly expanded and supplemented with new buildings over the centuries. Most of the surviving statues are from the Ming dynasty.

The Supreme Talisman Temple is located in Fenyang (汾陽), Shanxi.

Photo: ©故尔耳

[adhdo5]

So you know how MDZS is a book about cycles

[niobefurens]

Shixiong.

In MDZS shīxiōng (elder shì brother) is used exclusively for Wèi Wúxiàn (21 times); once, Wèi Wúxiàn is called called Dà-shīxiōng (first elder shì brother).

Wèi Wúxiàn is born on October 31st and Jiāng Chéng on November 5th; making Wèi Wúxiàn five days older.

Age alone, however, would not make Wei Wúxiàn automatically Jiāng Chéng’s shīxiōng.

Normally, in cultivation sects, the one who joined first, would be considered the eldest disciple.

In MDZS, instead of cultivation sects, we have cultivation families; the bloodlines.

Jiāng Chéng, being a Jiāng by blood, should, by rights, be considered member of his shì by default; and Wèi Wúxiàn would anyways be his shīdì.

In MDZS, Wèi Wúxiàn is usually called shīxiōng only by younger Jiāng-shīdì (who are younger than Jiāng Chéng as well, and thus would also refer to him as shīxiōng).

Jiāng Chéng never calls him shīxiōng.

Unless MXTX is using the word only as an age marker, this should mean the junior shīdì joined the Jiàng-shì after Wèi Wúxiàn did.

Which is possible.

In the scene when Wèi Wuxian runs away, Jiāng Yànlí says her brother is always home playing by himself; she blames that on his bad temper; but we see no juniors at all until the boys are fifteen; nor does Jiāng Yànlí have any shījiě or shīmèi that we know of.

We can think that, up until Wèi Wuxian's arrival, Lotus Pier didn't have any junior disciples.

After that, since he already had two to train, Jiāng Fēngmián accepted more of them.

By the time of the Indoctrination Conference, we know there are at least twenty juniors, since that is the number that go to Qishan.

The only other person to use this term for Wèi Wúxiàn is Jīn Guāngyáo.

This happens at the Guanyin Temple showdown, when Jīn Guāngyáo is talking visciously to Jiāng Chéng to annoy and distract him.

"Ever since we started, your eyes have been so shifty, almost like you’re scared of looking that way. Is anything over there ... Nothing is over there except for your shixiong."

Jin GuangYao, “Fine. Mr. Wei, you see? Your shidi didn’t come looking for you. He doesn’t even want to spare you a single glance.” Wei WuXian smiled, “Now those are strange words. It’s not the first day Sect Leader Jiang treats me like this. Do I need you to keep on reminding me?” Hearing this, Jiang Cheng’s lips twisted slightly. Veins popped from the back of the hand with which he held Zidian. Jin GuangYao turned to him again, sighing, “Sect Leader Jiang, look—it’s just so difficult being your shixiong, isn’t it?”

(CH. 101)

Is Jīn Guāngyáo here suggesting that somehow Wèi Wúxiàn joined the shì before Jiāng Chéng did?

In that case, he would be implying that Wèi Wúxiàn is really Jiāng Fēngmián’s son.

As far as I understand, in ancient China there is no concept of illegittimate children; only that of unrecognised ones (like Jīn Guāngyáo himself had been ).

As the eldest son of Jiāng Fēngmián, Wèi Wúxiàn should also have been Zōngzhǔ after him.

Imagine how annoying this bit of gossip cropping up again can be to Jiāng Chéng (and to Wèi Wúxiàn).

[lonelynight13]

Panda invades the Shaolin 🐼

this one is a stress-out doodle two days ago

[thatswhatsushesaid]

quick, a-ling, fetch your jiujiu's karaoke copy of celine dion's classic hit "all by myself," i think he's going to need it

[jcs-singular-slut-strand]

People in this fandom grossly over estimate how much influence w*ngxian would most likely have on Jin Ling's life post-canon

[yebreed]

Extreme Baroque: Iron Temple On The Rice Mountain

Grotesque images from the Buddhist Iron Temple (鐵佛寺).

Located on the Rice Mountain (米山), Mixi (米西村) village, Jincheng, Shanxi, the temple is of an unknown construction date. The earliest record on the stone pillar in the main hall dates back to the seventh year of the Dading (大定) period of the Yuan or Jin dynasties. There is evidence that the temple was reconstructed in the third year of Wanli (1575). However, in the county annals, it is mentioned no earlier than the Qing dynasty.

These astonishing, presumably Ming statues owe their creation to the proximity of an iron ore. Iron frames made it possible to give the clay figures intricate poses and frilly decor.

Photo: ©大关沿路拍

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Two

For Xiantober Day Three: Conviction (of a sort)... in which the author temporarily forgets to focus on narrative agency or on Wei Wuxian, in favour of analysing relevant themes and characters that relate to Wei Wuxian. But he does get focus, and again, contextualising him is why i’m exploring these other things, so no harm done.

(Part One | Part Three | Full version on AO3)

It’s Not Just Optimism: Resentment and Self-Definition 

Before we discuss the narrative again, let’s take a break to discuss one of my other favourite aspects of Wei Wuxian. We’ve seen how the narrative treats tragedy, and we’ll soon explore how it reflects Wei Wuxian’s views on tragedy. But what actually are these views? 

Because the thing is – the narrative and plot can emphasise agency and choice all it likes, but focusing solely on that leaves out the character. And it’s Wei Wuxian’s character that deserves the credit for how he defines himself (…in-universe). If someone had gone through everything he had, who could blame them for being unable to keep going, unable to let go of resentment, unable to see anything that was still worth living for, to see any value in altruism?

(Also, I do have to emphasise this: you can have perfectly healthy coping mechanisms, but still get extremely traumatised. Everyone has a limit to what they can take, that limit differs, and that isn’t your fault. It just so happens that Wei Wuxian’s limit is extremely high (and even he reaches it when everything falls apart in such quick succession near the end of his first life!))

This isn’t something that’s ignored in MDZS. We see multiple characters who have gone through similar levels of suffering as Wei Wuxian, or even less suffering than him*, who do react in some of the ways mentioned above. Whether or not the narrative condemns them depends on if they hold onto resentment from their tragedies and use it to harm others – Xiao Xingchen and Qin Su, for example, aren’t condemned for their suicides (nor should they be, suicide/suicidal ideation isn’t anything anyone should be blamed for), because nobody was intentionally hurt as a result. But people like Xue Yang, who was treated cruelly and senselessly lost his finger, but went on to murder an entire clan as a result; or Jin Guangyao, who remembered the slights against him and his mother down to the exact wording of Jin Guangshan’s dismissal of her freedom, which may have justly hurt him but also unjustly lead him to both burn down a brothel and (separately) kill or imprison multiple innocent prostitutes; or Jiang Cheng, whose resentment for Wei Wuxian due to the latter’s actions lead him to harm many others after his death simply because they were similar**, are condemned.

Why mention this? Well, these different reactions show it isn’t just a quirk of the universe that people are more tolerant to pain – Wei Wuxian’s reactions are a deliberate choice on the part of MXTX, not a writing flaw stemming from misunderstanding the severity of trauma***. But more importantly, many of these characters deliberately foil Wei Wuxian, and so they can give us a good insight into what sets him apart from them (or rather, from the characters who aren’t completely broken by their pain, because that way we know it isn’t simply a difference in tolerance but rather one in attitude). And as I’ve discussed, this has to do with accepting events and letting them go, rather than holding onto resentment.

Part of this may come from differences in personality (though that’s never an excuse for hurting others) – but, though Jiang Yanli may claim Wei Wuxian was someone “born with a smiling look” (Chapter 24, EXR), there are two philosophies Wei Wuxian consciously holds onto that have to do with this attitude:

“Let the self judge the right and wrongs, let others decide whether to praise or blame, let gains and losses remain uncommented on.” Chapter 75, EXR translation

“Remember the things others do for you, not the things you do for others. Only when people don't hold so much in their hearts would they finally feel free.” Chapter 113, EXR translation 

And crucially, these ideas directly contrast the actions and mindsets of the antagonists above. All three focus on their ‘gains and losses’, with their suffering at the hands of others being a major motive to harm those others/those affiliated with those others (Xue Yang’s finger; the slights against Jin Guangyao and his mother due to the latter’s job; Wei Wuxian’s ‘betrayal’ and his role in Jiang Yanli’s death, as well as false blame on him for the deaths of Jiang Cheng’s parents, and Jiang Cheng’s inferiority complex). Jin Guangyao and Jiang Cheng are also very focused on their reputation, or in other words, on whether ‘others decide (…) to praise or blame’ them (according to Chapter 10 of the EXR translation, in what seems to be omniscient POV heading into Jiang Cheng’s, the latter ‘cared about maintaining his reputation above anything else’. Meanwhile, much of Jin Guangyao’s actions were taken to protect his reputation, including the brothel burning, as a part of the aim was to conceal which brothel he grew up in (Chapter 104)). 

Additionally, much of Jin Guangyao’s resentment stems from how others treat (‘blam[ing]’ him, insulting him), compared to how they treat others (‘prais[ing]’ them):

“But do you know what it was that made me lose hope completely? I’ll answer your first question now. It wasn’t that I’d never be worth a single hair on Jin ZiXuan or one of the holes in Jin ZiXun, it wasn’t that he took back Mo XuanYu, it wasn’t that he tried every possible way to make me a mere figurehead either. It was the truth he once told the maid beside me when he was out indulging himself again.” Chapter 105, EXR

Though the other points didn’t make him lose hope completely, the implication is that they did affect him too (as shown by how he speaks about them), with Jin Guangshan’s words about Meng Shi being the final straw. ‘Los[ing] hope’ here of course relates to holding onto resentment, as Jin Guangyao’s loss of hope is what led him to murder out of his hatred.

Finally, both Jin Guangyao and Jiang Cheng also hold resentment due to holding onto what they’ve done for others, or even onto who they themselves are, without being treated accordingly – and though it makes sense to be hurt by all these things and these reactions are valid, the pain from holding that in your heart and the danger from holding onto it is precisely why MDZS condemns it:

“Why is it that even if I face everyone with a smile, I might not even receive the lowest form of respect, while even though your father was extremely arrogant, people flocked to him? Could you tell me why we were born from the same person but your father could relax at home with the love of his life playing with his child, while I never even dared be alone for long with my wife, shivering out of fright at first glance of my son? And I was ordered to do such a thing by my father as if it was natural—to kill an extremely dangerous figure who could flip out and conjure up a bloody massacre with his corpses anytime! “Why is it that even though we were born on the same day, Jin GuangShan could host a grand banquet for one son, and watch with his own eyes how his subordinate kicked his other son down Koi Tower, from the first stair to the last!” Chapter 105, EXR

(He brings up his role in Wei Wuxian’s downfall due to this as well, in addition to creating any excuse he can to absolve himself of others’ blame – he’s being treated unjustly and hated for something he’s done, even though he was ordered to do that thing by his father and it made sense!)

Jiang Cheng, “Are you stupid? You only counted the time to return and not the time to go there? Let alone the fact that after I got there I had to lead people and search through the entire mountain for the old banyan tree, then dig open the hole that got blocked up by Wen Chao and his people, and rescue you within seven days. Where’s your gratitude?!” (…) He raised his voice, “You killed the Xuanwu of Slaughter together with Lan WangJi, bathing in blood! How great is that?! But what about me?!” He punched his fist into a pillar in the hall, clenching his teeth, “… I have also been running around for days, completely exhausted, with not one second of rest!” Chapter 56, EXR

(And, a bonus to show this being a part of Jiang Cheng’s mindset without stemming from being hurt by a specific event, even when he’s being encouraging:)

“So it seems that both of you killed it together. What’s yours is yours. Why would you give him all the credit?” Chapter 56, EXR

(This moment is a nice display of the contrast between Wei Wuxian’s and Jiang Cheng’s mindsets as well, with the former focusing on what Lan Wangji (‘others’) did for him instead of seeking credit for his role!)

To repeat – of course these feelings are understandable, and I’m not blaming them for feeling this way. What I am placing blame on is letting those feelings drive you to murder many innocent prostitutes, or to let this sense of a debt you’re owed (which is what the philosophy is actually warning away from, because if you hold onto what you do for others, the natural expectation is that they’re indebted to you and should do something for you as a result) turn into resentment towards someone for not acting the way you think they should, leading you to help murder them, even if your sister sacrificed herself specifically to save their life.

This is the danger of holding onto resentment. And are these actions not a choice? Would you, independent of MDZS, absolve someone of a crime because their ‘personality just leads them that way’?

The same is true for acting on these two philosophies, and letting resentment go. And it’s all the more impressive when someone has as much potential resentment to hold onto as Wei Wuxian does.

Of course, Wei Wuxian himself isn’t completely infallible – which further supports the idea that this isn’t just a natural, unalterable quirk, since we see him act contradictory to his usual self as well. But the narrative’s view of resentment in these moments doesn’t change. Importantly, the times he does let resentment drive what he’s doing, during the Sunshot Campaign and Nightless City (as well as him being quick to anger at Phoenix Mountain, etc), it isn’t presented as in the right**** — and though he still lets go of it quickly enough to protect a group related to the one that hurt him (people of the Wen sect, the cultivators who participated in the Siege), it doesn’t prevent the harm done during these times. Additionally, the times he metaphorically can’t control and reign in his resentment in the form of guidao – at Qiongqi Path and, again, at Nightless City – pain is caused to innocents (Jin Zixuan and Jiang Yanli). This is what his internal thoughts have to say when he comes across cultivators gossiping about him, shortly after Wen Qing and Wen Ning have sacrificed themselves:

No matter what he did, not a single good word would come out of these people’s mouths. When he won, others feared; when he lost, others rejoiced. Chapter 77, EXR

He’s hurt by other people praising and blaming him! Holding onto this philosophy isn’t automatic, that decision isn’t simply encoded within him somehow.

But that brings us to another relevant theme: that these characters aren’t infallible, because they’re not mythical creatures or concepts brought to life. Everyone is human.

However, although he thought that his heart was like a stone, in the end, he was still human, not some emotionless grass or plant. Chapter 8, EXR

OuYang ZiZhen, “HanGuang-Jun, why did Senior Wei collapse?” Lan WangJi, “Fatigue.” Lan JingYi was amazed, “I thought that Senior Wei would never get tired!” The other boys felt somewhat astonished as well. That the legendary YiLing Patriarch could collapse from fatigue from dealing with walking corpses—they all thought that the YiLing Patriarch should be able to settle them with just a snap of his fingers. However, Lan WangJi shook his head. He only said four words, “We are all human.” They were all human. How could a human be tireless? How could they stand forever? Chapter 84, EXR

Even with Wei Wuxian’s temperament, even with his attitude, he’s still human! Just as he’s not immune from being affected by harsh words to do with his past, just as he’s not immune from being affected by exhaustion, he’s not immune to being hurt by or angry at his circumstances. As we see in the Sunshot Campaign and at Nightless City, he’s not immune to dwelling on his misfortunes, to being driven by his hurt and anger and by resentment he holds onto (consciously! At Nightless City, Wei Wuxian deliberately accepts the curses thrown at him, because ‘anger was the only thing that could suppress the other feelings within his heart’ (Chapter 78)). 

But nearly always, he chooses not to. The Wen remnants he saved were innocent, yes, and Wen Ning and Wen Qing helped him previously – but in his second life, he could’ve easily kept holding onto his resentment and left the cultivators who besieged him, who killed him and those under his protection, to die at the Second Siege. But he didn’t! He held true to his own philosophy, to judge the right and wrongs yourself independent of what others do, and saved them.

Because this is what’s important to him, because this is how he wishes to act in the present, and because he doesn’t let himself be defined by the tragedies he went through.

The donkey seemed as if it knew that he wasn’t in a great mood [due to others bringing up what happened in his past], and for once, it wasn’t being loud out of impatience. A moment of silence passed, and it turned around to leave. Wei WuXian sat by the stream, not responding at all. It turned around to look, throwing its hooves onto the ground, but Wei WuXian still paid no attention to it. The donkey had to come back sulkily, biting and tugging on the corner of Wei WuXian’s collar. He could choose to go, and he could choose to not go. Seeing that the donkey had [gone] as far as to use his mouth, Wei WuXian decided to follow him.  Chapter 8, EXR*****

Immediately after this, he’ll continue investigating the puzzle of Dafan Mountain’s night hunt; he’ll come across a ghost, ask where it’s hurt and offer to take a look at it; he’ll rush off to save Jin Ling and the Lan juniors, figuring out the truth behind the dancing goddess and being the only one to do so. Just as it’s more important to the narrative, this – quick thinking, problem solving, compassion, doing the right thing, even seeking out excitement – is what Wei Wuxian finds more important about his own self, and what he chooses to focus on.

Some final questions to end things.

If you saw Wei Wuxian, without any knowledge of what happened in MDZS, without any work done by the narrative structure or by knowledge of tropes – would you have expected the backstory he had? Would you expect his parents to have died when he was at an age where he could barely remember them? Would you expect him to have lived on the streets until he was nine years old, or to have been taken into an unjust and extremely volatile household, or to have (chosen to) lose the source of powers he was very proud of – shortly before he was thrown, now powerless, into the equivalent of hell for three months? Would you expect his first life to have ended because protecting innocents (knowingly) led to the entire world crusading against him, because their siege resulted in him being torn apart? Or would you not think of tragedy when it comes to this person who gleefully jokes and teases, who’s so smart and competent and knows it, who doesn’t focus on the negatives, who acts so confidently on his morals, who revels in life so much?

If you only saw Wei Wuxian’s backstory with no context of his character, would you expect him to remain this way?

And, if you saw Wei Wuxian’s actions in the present day, without knowing what tragedies happened in his past, would he feel like an incomplete character?

It’s impossible to answer, of course – even in the present day, you get information about his past.

But I’m inclined to say no.

(Part One | Part Three | Full version on AO3)

—

*But again, let me emphasise – especially in real life, doing the trauma olympics is never good! As I said, everyone has limits, everyone’s limits differ, and just because one person can cope with something doesn’t mean another person can, even with the same mechanisms. And that shouldn’t lead to any judgement!

I say ‘especially in real life’ because in fiction, some characters’ experiences are often made similar or different to others’ in order to parallel or foil them  – in which case comparison is often the point. But trauma olympics (‘this person suffered x amount so the other person should be able to take it!!’) is still bad, guys (especially since, as with MDZS, those parallels or foils are often there to explore the harm they do to others as a result, not simply how much trauma they can take).

**My thoughts on rumours here. Tl;dr, if Jin Ling (someone who’d want to defend him!) is saying he did (and that he “never let anyone go” – Chapter 24), if sources like Lan Wangji and Lan Sizhui act as if this is the case (Chapter 10 – to defend, you could say personal feelings play a role, but Lan Wangji especially is someone who knows not to, and explicitly doesn’t, make judgements without conclusive evidence. Again, see my thoughts on rumours) – and if Jiang Cheng backs up this behaviour (eg by telling Jin Ling to kill every demonic cultivator he sees and feed them to his dogs in his introduction – Chapter 7), it’s probably not a simple unbased rumour. There’s enough evidence to support its veracity.

***However, do note that Wei Wuxian isn’t an outlier, either – Lan Wangji, Wen Ning and Lan Sizhui (once he learns of his heritage) are all examples of other characters who aren’t overcome or twisted by their pain, instead still aiming to make the world a better place. And this is Jin Ling’s whole arc, too!

****I delve a lot more deeply into this here!

*****The role this moment plays isn’t actually something I caught myself – it came from a post about a reread of MDZS’ earlier chapters. I can’t find it myself, but if anybody has the link, that would be great (so I can cite it)!

—

Also, a shoutout to this incredible meta by @righteousinadversity – it’s what made me want to delve into this aspect two years ago! It’s still one of my favourite metas, and you enjoyed this, you’ll definitely enjoy that, too.