#Jean-Michel Le Gal

[godsaveforum]

TUMBLR | AMBIENTACIÓN | GRUPOS

Abrimos la lista de reservas de faceclaim. La misma será actualizada  constantemente hasta la apertura del foro.

Recordamos que la reserva será por llegada de mensaje así que les pedimos que controlen bien cuales son los PB que ya han sido reservados.

Aaron Taylor-Johnson — High

Abigail Cowen — missmyowndream

Adelaide Kane — leire

Andrea Damante — Mr T.

Agustín Bernasconi — Shishoska

Alan Ritchson — Almaespada

Alina Olesheva — Xenia

Allissa Salls — Cyro

Alycia Debnam-Carey — Galadriel

Amelie Zilber — Khaleeliz

Ana de Armas — Beth

Anabelle Wallis — acinderellastory

Andy Blossom — Perséfone

Angelina Michelle — Miel

Anna Zak — Hécate

Arthur Benedetti — shiker

Bar Zomer — Lost

Ben Barnes — Khaleeliz

Ben Dahlhaus — Shishoska

Brock O’Hurn — Thor

Carolina Moura — Elena

Charleen Weiss — Magdalena

Chris Evans — Mr.Sin

Chris Pratt — ScarletGuy

Chris Hemsworth — Lawson

Cindy Kimberly — Luna

Cole Sprouse — kattokoshmar-blog

Constance Dominik — Perséfone

Davey Fisher — Dr. C

Do KyungSoo — Carpincho

Dua Lipa — Khaleeliz

Eden Fines — Gotita

Elizabeth Olsen — Galadriel

Elliot Page — kattokoshmar-blog

Emilia Mernes — Shishoska

Emily Blunt — Moony

Emily Carey — Carpincho

Emily Ratajkowski — Ritsu

Emma Watson — El Sensei

Federico Cola — Beth

Gal Gadot — butterfly

Grey Damon — OnAir

Han So-hee — Athena

Hande Ercel — Coonie

Hanna Edwinson — Rose

Henry Cavill — Galadriel

Herman Tømmeraas — K.

Jacob Elordi — Laurificacion

Jake Gyllenhaal — Toffee

Jean Carlo León (jashlem) — Hana

Jensen Ackles — Perséfone

Jessy Hartel — Harrington

John Krasinski — Lighting

Jonathan Bailey — El Sensei

Josie Lane — withmew

Kailee Morgue — Tested

Ken Bek — Red Ranger

Kennedy Walsh — Carpincho

Kerem Bursin — Mr.Sin

Kwon Ji Yong — Piruleta

Lily Collins — Kaz

Lily Easton — Pinky

Lily James — gilmoregirl

Liza Weidmann — Elena

Lucas Jade Zumann — Hacker

Lucy Boynton — Bo Peep

Lusya Abramovskaya — Hana

Madelaine Petsch — Xenia

Maia Reficco — Clover

Maks Behr — poseidón

Margot Robbie — Laurificacion

Marissa Long — Harrington

Mathew Daddario — Blossom

Michael Yerger — Pikachu

Nicki Nicole — Beth

Nicola Porcella — Darkish

Noah Centineo — Astro

Oliver Stark — kattokoshmar-blog

Pedro Pascal — Karmela

Phoeve Dnyevor — OnAir

Richard Madden — Theo

Romaneinnc — lunita

Ryan Gosling — Dopesmoker

Ryan Guzman — Blossom

Sadie Sink — Obsidian

Scarlett Leithold — Blossom

Sebastian Stan — Themuffinman

Sergio Carvajal — Xenia

Sienna Raine Schmid — Fallen

Stefania Spampinato — OnAir

Stephen James — Conejito

Sophie Thatcher — safismística

Sydney Sweeney — muñeca vudú

Thomas Doherty — Coryo

Tobias Reuter — poseidón

Tom Hardy — Dr. C

Tyler Hoechlin — El Sensei

Vanessa Kirby — leire

Victoria Bronova — Laurificacion

Victor Pérez — PikachuPaldeano

Vinnie Hacker — Soul

Vladislav Gerasimov — Dimitri

Willy Whey — Hana

Yael Shelbia — elizabeth

Zoe Kravitz — Karmela

[alexlacquemanne]

Aout MMXXIV

Films

Le Gendarme en balade (1970) de Jean Girault avec Louis de Funès, Michel Galabru, Jean Lefebvre, Christian Marin, Guy Grosso, Michel Modo, Claude Gensac, France Rumilly, Nicole Vervil et Dominique Davray

Ali (2001) de Michael Mann avec Will Smith, Jon Voight, Jamie Foxx, Mario Van Peebles, Ron Silver, Jeffrey Wright et Nona Gaye

Les Enchaînés (Notorious) (1946) d'Alfred Hitchcock avec Cary Grant, Ingrid Bergman, Claude Rains, Louis Calhern, Leopoldine Konstantin et Reinhold Schünzel

Lettre d'une inconnue (Letter from an Unknown Woman) (1948) de Max Ophüls avec Joan Fontaine, Louis Jourdan, Art Smith, Leo B. Pessin, Marcel Journet, Mady Christians, Howard Freeman et Sonja Bryden

Lucky Jo (1964) de Michel Deville avec Eddie Constantine, Pierre Brasseur, Françoise Arnoul, Georges Wilson, Christiane Minazzoli, Claude Brasseur, Jean-Pierre Darras et André Cellier

Borg McEnroe (2017) de Janus Metz Pedersen avec Sverrir Gudnason, Shia LaBeouf, Stellan Skarsgård, Tuva Novotny, Scott Arthur, Robert Emms et David Bamber

La Vérité (1960) de Henri-Georges Clouzot avec Brigitte Bardot, Sami Frey, Marie-José Nat, Charles Vanel, Paul Meurisse, Louis Seigner, René Blancard et Colette Castel

Zack Snyder's Justice League (2021) de Zack Snyder avec Ben Affleck, Gal Gadot, Ray Fisher, Jason Momoa, Ezra Miller, Henry Cavill, Amy Adams, Jeremy Irons et Diane Lane

La Chèvre (1981) de Francis Veber avec Pierre Richard, Gérard Depardieu, Michel Robin, Corynne Charby, André Valardy, Pedro Armendáriz Jr. et Jorge Luke

Piège de cristal (Die Hard) (1988) de John McTiernan avec Bruce Willis, Alan Rickman, Alexander Godunov, Bonnie Bedelia, Reginald VelJohnson, Paul Gleason et William Atherton

Le Samouraï (1967) de Jean-Pierre Melville avec Alain Delon, François Périer, Nathalie Delon, Cathy Rosier, Jacques Leroy et Jacques Deschamps

La Piscine (1969) de Jacques Deray avec Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin, Paul Crauchet, Suzie Jaspard et Steve Eckart

Forfaiture (1937) de Marcel L'Herbier avec Louis Jouvet, Lise Delamare, Ève Francis, Sylvia Bataille, Victor Francen, Sessue Hayakawa et Lucas Gridoux

The Batman (2022) de Matt Reeves avec Robert Pattinson, Zoë Kravitz, Paul Dano, Jeffrey Wright, Colin Farrell, John Turturro, Andy Serkis

Plein Soleil (1960) de René Clément avec Alain Delon, Marie Laforêt, Maurice Ronet, Erno Crisa, Elvire Popesco, Frank Latimore et Billy Kearns

58 Minutes pour vivre (Die Hard 2) (1990) de Renny Harlin avec Bruce Willis, Bonnie Bedelia, William Sadler, Dennis Franz, Franco Nero, William Atherton, Reginald VelJohnson, Fred Thompson, Art Evans, John Amos, Tom Bower et Sheila McCarthy

Mort d'un pourri (1977) de Georges Lautner avec Alain Delon, Ornella Muti, Stéphane Audran, Mireille Darc, Maurice Ronet, Michel Aumont, Jean Bouise, Daniel Ceccaldi, Julien Guiomar et Klaus Kinski

The Layover (2017) de William H. Macy avec Alexandra Daddario, Kate Upton, Matt Barr, Matt L. Jones, Rob Corddry, Kal Penn et Molly Shannon

Une journée en enfer (Die Hard with a Vengeance) (1995) de John McTiernan avec Bruce Willis, Jeremy Irons, Samuel L. Jackson, Larry Bryggman, Graham Greene et Colleen Camp

Séries

Le Coffre à Catch

#179 : Le festival de Kane ! - #180 : Jack Swagger repasse par la ECW ! - #181 : Les adieux de Tommy Dreamer (Colby en fil rouge) - #182 : Bret et Shawn font la paix et on termine le Homecoming!

Castle Saison 7

Sans relâche - Montréal - Une force invisible - Un problème enfantin - Un buzz foudroyant - De parfaits inconnus - Les Mystères de l'Ouest - Chevalier blanc - Action! - Un Noël dans la mafia - Castle, détective privé - L'affaire est dans le sac - Devant mes yeux - Résurrection - Règlement de comptes

The Durrells : une famille anglaise à Corfou Saison 3, 4

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6 - Episode 7 - Episode 8 - Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6

Biography: WWE Legends Saison 3

Paige - Yokozuna

Le Comte de Monte-Cristo

Le Prisonnier du château d'If - Le Revenant - Les Scélérats - La Vengeance

Maguy Saison 7

Suzanne désespérément - OPA comique - Hallali conjugal - Qui l'eût "crue" ? - Dernier de Corday - La mégère à prix Boissier - Absence unique - Un monde chou, chou, chou - Flamme fatale - Le déchargé de mission - Ice-cream et châtiment - L'âge de déraison - Un ome peut en cacher un autre - Maguy rock - Direction assistée - La vie en roses - Le bazar et la nécessité - Le salaire du rappeur - Pas commode d'emploi - Maguyvaudages - Sauve qui puce - SOS vampires - Il est 5 heures, Maguy s'éveille - Certains l'aiment faux

Commissaire Moulin Saison 1

Petite Hantise - Cent mille soleils - Affectation spéciale

Commissaire Dupin

Une famille endeuillée - La morte rose

Affaires sensibles

Bambi, vedette de cabaret et femme ordinaire - Simone Weber, "la diabolique de Nancy"

Spectacles

Adele at the BBC (2015)

ABBA : Live at Wembley Arena (1979)

Bénabar : Live au Grand Rex (2004)

Eddy Mitchell : Ma dernière séance (2011) à l'Olympia

Livres

Les Disparus de Trégastel de Jean-Luc Bannalec

Nota Bene, tome 6 : La Vie au Moyen Âge de Benjamin Brillaud, Phil Castaza, Christian Paty et Mathieu Mariolle

Les Schtroumpfs, tome 11 : Les Schtroumpfs olympiques de Peyo

Astérix, tome 12 : Astérix aux jeux Olympiques de René Goscinny et Albert Uderzo

[fryesmoviereview]

The Knight Before Christmas - 2019

Vanessa Hudgens, Josh Whitehouse, Emmanuelle Chriqui, Isabelle Franca, Jean-Michel Le Gal, Arnold Pinnock, Harry Jarvis

Review: If Hallmark and Netflix teamed up this is the kind of movie I would expect. It's essentially just your typical Christmas romance movie with the twist of time travel.

A knight from the 14th century is sent on a quest by an old witch type woman to the year 2019. The twist is that he has no idea what the quest is. We are also not let in on what the quest is, but its super obvious that the quest is to find his one true love.

It's super predictable, very very cheesy, and their is a whole lot of Christmas related things. I enjoyed that they didn't try to hide the fact that it was a cheesy feel good Christmas movie. Their was no unnecessary drama, and actual had quite a charm to it.

Obviously there are a LOT of jokes about the knight being from the 14th century and not understanding our technology. Some of it was funny, some of it wasn't. It was very hit or miss with the comedy. One scene in particular was very cringe worthy, they had Cole (the knight) stay up all night watching TV, and when Brooke (Vanessa Hudgens) wakes up the next morning Cole was trying to use modern slang he had learned from the TV. Luckily he only did that for one scene and we moved past it pretty quick.

If you wanted to rip this movie apart from its inaccuracies to the 14th century, to it's weird magic witch that can make people time travel but only uses the power for true love, then you absolutely could. But, if you just sit back and enjoy the movie, it might actually make you smile. The movie had it's charm, but don't get me wrong, it was still a Hallmark movie on Netflix.

5.5/10

[feartube2000]

Un cavaliere per Natale

Un cavaliere per Natale

Brooke ha perso ogni speranza di trovare il vero amore. Tuttavia, quando arriva Natale, la donna incontra Cole, un cavaliere venuto dal Medioevo. Pensando che l’uomo soffra di amnesia, Brooke decide di aiutarlo. Titolo originale The Knight Before Christmas Regia Monika Mitchell Sceneggiatura Cara J. Russell Cast Vanessa Hudgens, Josh Whitehouse, Emmanuelle Chriqui, Ella Kenion, Harry…

[thewomanwhowatchedchristmas]

The Knight Before Christmas (2019)

Netflix's newest original Christmas movie is about a medieval knight who time travels to fall in love with a teacher. I'm not kidding. And while I'm a sucker for any cheesy Christmas movie, I have some THOUGHTS about this one.

Our story is the Brooke (Vanessa Hudgens) is a teacher in Ohio. She is bitter from a recent break up due to infidelity. Now I believe that cheating is never ok, but I kind of wanted to hear James's side a little bit here. Or maybe he could have weighed in once the knight joins us. Brooke is also very close to her sister Madison (Emmanuelle Chriqui) and niece Claire (Isabelle Franca). I found it weird that Madison's husband Evan (Scott Ryan Yamamura) wasn't mentioned before he showed up like an hour in. Or maybe he was but I didn't catch that he was her husband.

Jumping back to 1344, Sir Cole (Josh Whitehouse) is out hunting when he meets an Old Crone (Ella Kenion). She sends him to 2019 at the Christmas Castle in Bracebridge, Ohio. Shocking, I know. Now, everybody focuses on the fact that time travel is impossible, but I'm willing to suspend my disbelief on that and say that this witch can really do it. I think she convinced him that it was his quest in order to get him out of the way for her plans. Like some Morgana type shit. Proof is in the credit scene where she does the same thing to his younger brother.

In Ohio, Brooke decides to take in Cole until he "recovers from his head trauma." I am NOT willing to suspend my disbelief on this one. I know that she feels guilty for hitting him with her "steel steed," but most people would pay for a hotel room or something. Especially since she's living very well for a teacher in the house she inherited. There are men who are hot enough that if I were single, I'd let them move into my guest house indefinitely. Cole is not one of them. Brooke is way out of his league, but for some reason her sister low key hits on Cole and her neighbor high key wants to bone Cole. WHY.

The last storyline that I was confused by was the one with David (Jean-Michel Le Gal). He's a widower and single father of 4, but Brooke's interactions with him seem flirty? Like I thought there was going to be some sort of love triangle. No. David is just the dude that everyone feels sorry for. But Cole does get better as the movie goes on. He's very sweet and sincere. He even saves Claire from falling through the ice on the lake. Which I really wish someone could explain to me how people accidentally end up in the middle of a frozen lake. My favorite part was Christmas Eve. Before the feast,Brooke recreates Christmas for Cole, and he gets super sentimental. I teared up right along with him. Then at the Christmas Eve Feast, there's this whole mistletoe thing because Cole doesn't know the tradition. It's very cute.

I love Vanessa Hudgens. I love cheesy romances. I was smiling like an idiot at the end, but I just had so many questions.

Overall, I give it 2 stars.

[recsbylotte]

Please raise your kids the way David does.

[wornoutspines]

Condor (Season 1) | Quality Old School Thriller

I’ve been waiting for Condor S2 for a while now, I had to get a refresher before diving into the second season. S1 #review

Based on the novel “Six Days of the Condor” by James Grady and screenplay “Three Days of the Condor” by Lorenzo Semple Jr. and David Rayfiel. This television version was created by Todd Katzberg, Jason Smilovic (War Dogs) and Ken Robinson. The series stars Max Irons, Kristen Hager (Being Human), William Hurt (Civil War), Leem Lubany (Baghdad Central), Christina Moses, Bob Balaban, and Rose…

[milliondollarbaby87]

Anon (2018) Review

Sal Frieland is a detective in a world where crime is almost gone and you do not have any anonymity due to a government mandated implant that everyone has within their eyes!

⭐️

(more…)

[page58-blog1]

(Trailer) A new World is Untamed in 'Frontier' on Netflix as Jason Momoa goes to battle in Period Drama

(Trailer) A new World is Untamed in ‘Frontier’ on Netflix as Jason Momoa goes to battle in Period Drama

    “I want you to do me a favor I want you to run on home and I want you to tell them you tell them I’m here.” In the scripted historical drama ‘Frontier’ Jason Momoa stars as Declan Harp, a part-Irish, part-native American outlaw campaigning to breach the fur trade. In the Netflix series Momoa is in the middle of warring factions in the bloody 1700s fur trade — where the skins taken off animals…

[sapphicambitions]

Laynie Rose’s Library

At the Heart of the White Rose: The Letters and Diaries of Hans and Sophie Scholl. Edited by Inge Jens

Harry Potter and the Philosopher’s Stone: Syltherin Edition by JKR

King Charles III by Mike Bartlett

Edge of Twilight by Paula Christian

This Side of Love by Paula Christian

Serious Money by Caryl Churchill

The Waves by Virginia Woolf

Gay Old Gals by Zsa Zsa Gershick

Men Like That: A Southern Queer History by John Howard

Carmilla by Joseph Sheridan Le Fanu

Searching for Sappho: The Lost Songs and World of The First Woman Poet by Philip Freeman

If Not, Winter: Fragments of Sappho translated by Anne Carson

Maiden, Mother, Crone: The Three Faces of the Goddess by D.J. Conway

Victorian Sappho by Yopie Prins

Pride and Prejudice by Jane Austen (Collectors Edition)

Romeo & Juliet by Shakespeare (Collectors Edition)

Collection of Best Loved Fairy Tales by Hans Christian Anderson

The Norton Anthology of Drama Vol.1

The Norton Anthology of Drama Vol. 2

A Noble Treason: The Story of Sophie Scholl & The White Rose Revolt Against Hitler by Richard Hanser

The Art of Dramatic Writing by Lajos Egri

Strong is the New Pretty: A Celebration of Girls Being Themselves by Kate T. Parker

A Wrinkle in Time by Madeleine L’Engle

Our Town by Thorton Wilder

A Christmas Carol by Charles Dickens

The Hunchback of Notre Dame by Victor Hugo

Cloud Nine by Caryl Churchill

My Own Words by Ruth Bader Ginsberg

Bad Feminist by Roxanne Gay

Cinderella Ate My Daughter: Dispatches From the Front Lines of the New Girlie-Girl Culture by Peggy Orenstein

Who’s Afraid of Virginia Woolf by Edward Albee

The Woman Warrior by Maxine Hong Kingston

How to Be A Woman by Caitlin Moran

The Elements of Style by Strunk & White

Brave New World by Aldous Huxley

The Curly Girl Handbook by Lorraine Massey

Save The Cat! The Last Book on Screenwriting You’ll Ever Need by Blake Synder

No Sisters by Aaron Posner

Three Sisters by Anton Chekov

Gmorning & Gnight by LMM

Carry On, Warrior by Glennon Doyle Melton

The Feminine Mystique by Betty Friedan

The Original Folk & Fairy Tales of the Brothers Grimm

The Complete Works of William Shakespeare

Yes, Please by Amy Poheler

Becoming by Michelle Obama

Eleanor Roosevelt: In her Words edited by Nancy Woloch

What I Know For Sure by Oprah Winfrey

Astrology 101 by Kathleen Sears

All the Single Ladies: Unmarried Women and the Rise of an Independent Nation by Rebecca Traister

Mrs. Dalloway by Virginia Woolf

A Midsummer Night’s Dream by Shakespeare

The House on Mango Street by Sandra Cisneros

The Short Life of Sophie Scholl by Hermann Vinke

1984 by George Orwell

feminist theory by bell hooks

The Heart of a Woman by Maya Angelou

The House of Mirth by Edith Wharton

To the Lighthouse by Virginia Woolf

Dear John, I Love Jane: Women Write About Leaving Their Men for Women editied by Candace Walsh & Laura Andre

Anger by Thich Nhat Hanh

A Moment’s Liberty: The Shorter Diary of Virginia Woolf abridged and edited by Anne Olivier Bell

Hidden Figures by Margot Lee Shetterly

The Book of Unknown Americans by Cristina Henriquez

The 100: Day 21 by Kass Morgan

The Feminist Papers: From Adams to Beauvior: A Collection of Feminist Essays Throughout History edited by Alice S. Rossi

Appeals in Modern Rhetoric by M. Jimmie Killingsworth

Pride and Prejudice by Jane Austen

A Survival Guide for Stage Managers by Mary Ellen Allison

Wonder Woman and Philosophy: The Amazonian Mystique edited by Jacob M. Held

The Awakening by Kate Chopin

The Entire Harry Potter Series by JKR

the Entire Percy Jackson/Heroes of Olympus Series 

Together We Rise: Behind the Scenes of the Women’s March by the Women’s March Organizers

The Stage Management Handbook by Daniel A. Ionazzi

Girl Talk: What Science Can Tell Us About Female Friendship by Jacqueline Mroz

Making it On Broadway by David Wienir and Jodie Langel

I Am Malala by Malala Yousafzai

Patience and Sarah by Isabel Miller

Alexander Hamilton by Ron Chernow

Slaughterhouse Five by Kurt Vonnegut

Ceremony by Leslie Marmon Silko

Eleanor Roosevelt: Vol. 3: The War Years and After by Blanche Wiesen Cook

A New Earth: Awakening Your Life’s Purpose by Eckhart Tolle

The Subtle Art of Not Giving a Fuck by Mark Manson

Eleanor & Hick: The Love Affair that Shaped a First Lady by Susan Quinn

Adulting: How to Become A Grownup in 468 Easy(ish) Steps by Kelly Williams Brown

Seth’s Broadway Diary by Seth Rudetsky

Stage Management: The Essentials Handbook by Gail Pallin

Is It a Date or Just Coffee? The Gay Girl’s Guide to Dating, Sex, and Romance by Mo Brownsey

Rad Women Worldwide by Kate Schatz

Technical Theatre for Non-Technical People by Drew Campbell

Virginia Woolf: Life and London: A Biography of Place by Jean Moorcroft Wilson

A Collection of Robert Frost’s Poems

All Passions Spent by Vita Sackville-West

The Backstagers by Andy Mientus

Sense and Sensibility by Jane Austen

Simon vs. The Homosapien Agenda by Becky Albertalli

The Handmaid’s Tale by Margaret Atwood

Guyland: The Perilous Wold Where Boys Become Men, Understanding the Critical Years between 16 and 26 by Michael Kimmel

A Room of One’s Own by Virginia Woolf

Three Guineas by Virginia Woolf

Why I March: Images from the Women’s March Around the World

The Unofficial Harry Potter Cookbook by Dinah Bucholz

Little Women by Lousia May Alcott

What We Do Now: Standing Up For Your Values in Trump’s America: A Collection of Essasys by an assload of people

The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee

The Resolutions by Mia Garcia

Next to Normal by Tom Kitt & Brian Yorkley

Wanted: The Book I Wrote in Middle School

The Scottish Play (I WONT WRITE IT) by Shakespeare

Riotous Flesh: Women, Physiology and The Solidarity Vice in 19th Century America by April R. Haynes

Black Feminist Thought by Patricia Hill Collins

Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions by Chimamanda Ngozi Adichie

Savage Beauty: The Life of Edna St. Vincent Millay by Nancy Milford

Orlando by Virginia Woolf

Alias Grace by Margaret Atwood

The Voyage Out by Virginia Woolf

Night and Day by Virginia Woolf

Dykescapes: Short Fiction by Lesbians editied by Tina Portillo

The Myth of The Goddess: Evolution of an Image by Anne Barrin and Jules Cashford

On Our Own Ground: The Complete Writings ofWilliam Apess, a Peaquot

We Should All be Feminists by Chimamanda Ngozi Adichie

The Letters of Vita Sackville-West to Virginia Woolf edited by Louise DeSalve and Mitchell A. Leaska

At This Theater by Playbill

[outoftowninac]

THE AMAZING ADELE

1955

“The Amazing Adele” was a musical by Anita Loos (book) and Albert Selden (music and lyrics), based on a 1950 French comedy by Pierre Barrillet and Jean-Pierre Gredy "Le Don d'Adele."

Loos was the author of the highly successful “Gentlemen Prefer Blondes.” This musical was nicknamed “Gentlemen Chase Redheads”. 

Although the musical never tried out in Atlantic City, it is predominantly set in the seaside resort town. According to Loos: “It is the story of a Boardwalk Cinderella - with sex.”  The location of the original French play was a suburb of Paris. While writing the script, Loos initially set the action in Brooklyn, before finally moving it to Atlantic City during the summer of 1935, twenty years before the show premiered. 

The musical starred TAMMY GRIMES in the title role (in what would have been her Broadway debut), JOHNNY DESMOND, DAGMAR, ENID MARKEY and JOEY FAYE and featured PEGGY CASS, CRIS ALEXANDER, DON DE LEO, BABE HINES, HELEN DOWDY, ALLEN CONROY, MARA LYNN and STEVE WILAND.

Sets designed by OLIVER SMITH; Costumes designed by THOMAS BECHER; Dances and Musical Numbers staged by HERBERT ROSS; Musical Direction by SAUL SCHECHTMAN; Directed by JACK LANDAU; Produced by ALBERT SELDEN and MORTON GOTTLIEB.

Musical Numbers

Atlantic City Welcomes You

What Kind of Grandma Are You?

My Luck Has Changed

Saturday Night

The A.P.I.S. Parade

Now Is the Time

The Amazing Adele

Treat 'Em Rough

You Belong

Go and Get Yourself a Yo-Yo

Yo-Yo Dance

Tango, The

Under the Boardwalk Ballet

Count on Me

I Wonder

Go Away Devil

Never Again

Who Needs It

Finale

A production number was nicknamed "The Chase Supreme" by the cast It featured chorus girls and actors chasing one another up and down the aisles of the orchestra seats and balcony, leaping from the boxes onto the stage.

Originally, the producers wanted Leslie Caron for the lead and Roland Petit to choreograph. In July 1955, Tammy Grimes was announced as standby for the title role and Kay Thompson was likely to take the role of Lila. By August, Grimes had been cast in the lead role with no explanation for Caron's not being cast. 

Gloria McGhee and Patty Andrews (of the singing sisters) were mentioned as  cast members in August 1955. Joe E. Brown was announced to join the cast in November 1955. None of their names, however, are on the final cast list.

Auditions for singers and dancers for the ensemble were held in New York City in early September.  

Those winning roles were: Alvin Beam, Grover Dale, William Guske, William Inglis, Kenneth LeRoy, Gene Meyers, Harry Lee Rogers, Beverly Barsanti, Gene Carrons, Marlyn Greer, Jeanne Jones, Janet Perry, Bobbi Styne, Charles Aschmann, Jerry Craig, Edward Grace, Joe Ross, Charles Rule, James Stevenson, Betty Abbott, Janet Conway, Doreen Davis. June Ericson, Peg Hadley, Michelle Reiner, Jeri Archer, Carlene Carroll, Ruth Gillis, Lee Perkins, and Connie Van Ess.

Of this ensemble, Grover Dale is probably the best known. This would have been his Broadway debut, but this happened the very next year as a dancer in “Li’ Abner”.�� He went on to become an understudy and replacement in the original “West Side Story” (1957 above) before becoming a choreographer and director in his own right.  

One big name performer turned down a casting offer for the new musical... 

...and another signed on, despite having to put her popular TV show on hold. 

Rehearsals for “The Amazing Adele” began on November 19, 1955.

It didn’t help that November was cold and flu season. 

Then this!  Dagmar took “Break a Leg” to extremes!

(C)ouch!  Even the furniture isn’t stable!  

But at least she won’t be upstaged by other blondes!

A tryout in Philadelphia (prior to Broadway) was as close as the show would get to it’s main setting of Atlantic City. 

The show went from Philly to Bean Town - still hoping the Great White Way was in its future. 

While the show was still in rehearsals, gossip gal Hedda Hopper reported that breakout star Shirley MacLaine was whispered for the movie version of “The Amazing Adele.”  

Originally, the production had hoped to open on Broadway in December 1955. But by October of that year, a booking jam in theatres led many productions to either cancel or take extended pre-Broadway tryouts. 

The production was to open January 26, 1956 at the Winter Garden Theatre. However, contracts had not been signed and the Stratford Shakespeare Festival's production of Tamburlaine the Great went into the Winter Garden instead. On January 10, co-producer Albert Selden announced that the opening had been shifted to January 27 and that the Broadway Theatre was the likely venue.

Ultimately, poor reviews and lack of a theatre caused the production to shut down without opening on Broadway.

~  excerpt from “The Complete Book of 1950s Broadway Musicals” by Dan Dietz

In November 1955, New York newspapers ran an item saying that Peter B. Zeisler, who was the stage manager, was having a difficult time trying to find a yo-yo instructor. One of the production numbers required show girls to move to the footlights and create intricate patterns with the toys. Ziesler said, "Anyone can learn to use a yo-yo but it takes special instructions for the special tricks required." Zeisler eventually found Harold Frankel, a 17-year-old Brooklyn youth, to teach the show girls the patterns they needed. Frankel told the New York Times that the routines were: the creeper, trip to the moon, walk the dog, the sleep, around the world, shoot the gun, rock the cradle and Texas star.

The Philadelphia Review...

The first impression that one carries away from “The Amazing Adele" is it is probably the loudest musical comedy to open here in a long time perhaps the loudest since Anita Loos investigated another earlier bit o’ Americana in "Gentlemen Prefer Blondes.” And it must be admitted that frequently there is excitement in the stomping and shouting which go on at the Shubert in Miss Loos' most recent backward look, this time at Atlantic City in the middle 1930s.  

WIT IS SACRIFICED

On the other hand the disagreeable thought persists that wit has been sacrificed for exuberance, that even in the tolerant realm of musical comedy that the plot motivation is a bitt thin for all the fuss and that balladry suffers from undue amplification. 

Swinging the pendulum back again, the show has some personalities, both new and familiar, who may be able to bring ultimate order out of the present chaos. It introduces a wide-eyed young lady with a washing-machine hairdo and a faint Scots burr named Tammy Grimes, who has the title role.

CLAIRVOYANT ORPHAN 

She portrays an orphanage graduate with an amazing gift of clairvoyance, which fits perfectly into the scheme of that part of Boardwalk given over to palm readers, soothsayers and exhibitors or dead whales the latter role assumed by our hero. There is a catch to the Amazing Adele's gift, however. It has vanishing point strongly rooted biology and the exposition of idea is the fundamental base of plot provided by Miss Loos. 

Handicap or not the story gives Grimes a chance for several striking dance scenes and some adventures, which in their robust passages are effective. The cast also offers Dagmar, of television's earlier discoveries, who overcomes a somewhat shaky start to present a sort of Mae Wes-tian kind of hostess of a typical honky-tonk night club in Atlantic City, or anywhere, of 1935, or time. She is particularly effective when she clowns through a parody.

STAGE-SHAKING DANCES 

Speaking of dances, Herbert Ross has staged some stage-shaking ones and one of the solo step pers, Mara Lynn, completely stop the first act with a beaming-eyed, ingenuous rendition of a "Yo-yo" dance which will never be confused with a polka. The dependable Joey Faye is amusing as a gentle type of villain. Johnny Desmond plays hero in the "noble-heel" tradition of Sky Masterson of "Guys Dolls." Enid Markey wins as his horse-playing grandmother, and Peggy Cass plays a pre-Adele crystal-gazer who knows all secrets. The songs by Albert Selden lose by the amplification, but the ballads, "Now Is the Time," "You Belong" sounded good.

The old adage “Banned in Boston” was not an exaggeration. 

The Boston Review:

by CYRUS DURGIN 

"The Amazing Adele" which Albert Selden and Morton Gottlieb brought to the Shubert Theatre last night, is best described as a rowdy musical comedy. Based, and apparently distantly based, on the French comedy of 1950, "Le Don d'Adele," which was described as very funny, this is a show loud and fast, garish and commonplace, crude and tough. It will not appeal to that segment of the public with sensibility. 

It may be that someone thought this Anita Loos - Albert Selden contrivance might be to the sporting days and circle of Atlantic City in the 1930's what "The Boy Friend" is to the 1920's. Whether or no, it isn't. But "The Amazing Adele" does have two big assets in Tammy Grimes and Johnny Desmond, gifted performers who, with better material and direction, may yet emerge top-liners.

Miss Grimes has the most unusual, off-beat charming personality in years, which is accentuated by her very mobile face and its thatch of ultra-blonde, gamin-cut hair. As the Adele of the title, a girl who can foretell the future, except in relation to herself, Miss Grimes is a shining jewel in this tawdry exhibition. 

Mr. Desmond has a good personality and a robust singing voice, and the easeful magnetism of a born performer. Miss Loos book deals with what happens when the clairvoyant Adele gets mixed up with the casing-and-gambling set amid the honky-tonks of Atlantic City. She is up against the machinations of Horace Moran, the local crook and his trigger-men; of Mme. Zelda, one or the less-accomplished phony crystal-gazers; of The Professor, whose violin case sometimes contains a violin, and, when, it comes to the affections of Tony Gaskey, whom Adele loves, the animosity of Flo La Marr, a female hardly to be described in a family newspaper. 

But, thank heaven, Love wins out by 11 p.m. There are numerous gimmicks to keep the volume loud and the pace febrile, such as Mara Lynn, the mostly undressed girl who twirls a yo-yo; numerous hackneyed dance routines; a so-called ballet on midnight swimming, very suggestive, and a terpsichorean interlude by "The Scanties of 1935 Cuties," whose costume necklines have plunged nearly as far as the law of gravity can summon them. 

Yet, there is not one truly pretty girl in view. In the cast are people of eminence in various branches of the entertainment business: the blonde Dagmar, Joey Faye and Enid Markey, together with Peggy Cass, Don DeLeo and others.

With no place to perform, and less than stellar reviews and pre-sale, the show played its final performance in Boston.  The loss to backers is estimated at between $250,000 to $328,000, most invested the show’s composer, Albert Selden.  The show has never been revived. 

[eglise22]

Retour sur la messe en famille en l'église Saint Pierre de Pordic

(clic droit ouvrir le lien dans un nouvel onglet pour voir le diaporama SVP merci)

Messe en famille en l'église Saint Pierre de Pordic pour la paroisse Notre-Dame de la Mer ce dimanche 17 octobre 2021.

Rendez-vous avait été donné aux enfants de la paroisse et aux jeunes des deux paroisses une catéchèse et un éveil à la foi pour les plus petits avant la messe à 9h45 à l'école Sainte Anne.

La catéchèse familiale avec les parents et les enfants de CE1 : la rencontre a commencé par un petit temps de prière, ensuite, par petit groupe, un petit jeu pour apprendre à mieux se connaître. Puis, toujours en petit groupe, dans le livret des enfants « Promesse de Dieu » (Bande dessinée p 16), nous avons échangé autour de l'appel des 1ers disciples de Jésus.

Les enfants en 1re année de caté avec Marie-Pierre et Anne-Cécile (une maman qui est venue aider) : les enfants ont continué de découvrir les 4 étapes de la messe et le Notre Père. Les enfants de 1re année ont aussi fait l'accueil à l'église au début de la messe.

Les 2e année avec Hélène, Cyril et Roland Le Gal (curé) : les enfants ont vécu la 1re étape liturgique vers la 1re communion. En faisant l'expérience de planter des bulbes dans la terre, cela a été l'occasion de rappeler l'importance de l'eau et le rappel du baptême. C'est pourquoi nous avons eu le rite de l'aspersion au début de la messe.

Les 3e année avec Maryvonne, Armande et Damien : les enfants ont échangé autour des textes du jour. Pendant la messe, ils ont lu et participé avec intérêt à l'homélie de Damien.

Les collégiens (6e, 5e et 4e) étaient répartis dans 3 salles : les 4e avec Michelle, les 5e avec Pierre-Emmanuel (séminariste) et Marie-Claire, les 6e avec Bénédicte et Virginie.

Pour les 6è le thème abordé était : Qui est Jésus ? Découvrir la personne et l'identité de Jésus, c'est une étape vers la Confirmation.Pour les 5è : le thème : Chercher ce qu'il y a de meilleur. Découvrir que l'Amour de Dieu est premier.Pour les 4è : « Sur Lui reposera l'Esprit du Seigneur ». Qui est l'Esprit Saint ? Le Don de l'Esprit - Les dons de l'Esprit.

Ensuite, une courte répétition des chants était proposée à l'église de 10h45 à 11h00 ou la célébration a débuté à 11h00, présidée par l'abbé Roland Le Gal, curé entouré des abbés Damien Ayola et Jean Hamon. Également présent le diacre Emmanuel Briand.Durant la 1re partie de la messe, les enfants de 3 à 6 ans étaient invités à venir dans la sacristie pour un temps d'éveil à la foi, avec Tiffany et Claire. Ils étaient une vingtaine d'enfants. (ils ont parlé de l'évangile du jour « être serviteur comme Jésus »).

A la fin de la célébration l'abbé Jean Hamon a dédicacé son dernier ouvrage.

via Communauté pastorale du Littoral Ouest https://ift.tt/3nksSUf

[theprocrastinatingalien]

Battle of SuperHeroes - Batch#2 (featuring Deadpool, Daredevil, The Flash and Doctor Strange)

With the first batch of heroes done and dusted, it's time to find out who's in our second batch.

A new selection of 16 super heroes are waiting for you to pick your favourite - as before, over the course 8 heats, 4 quarter-finals, 2 semi-finals and the final.

Here are the contenders:

CATWOMAN

The main gal from Batman's 'rogue gallery'. Selina Kyle is a popular one.  And not just with Bruce Wayne!  The thief (or 'cat burglar') has appeared in each generation of Batflicks - in the 60s film BATMAN: THE MOVIE, Lee Meriwether played the feline, Michelle Pfeiffer donned the cat-suit in BATMAN RETURNS, and in THE DARK KNIGHT RISES Anne Hathaway took the famous role.  We have yet to have the DCEU Catwoman, but she's going to play a part in the upcoming GOTHAM CITY SIRENS, so lookout for a future casting announcement!

CYBORG

Victor Stone is becoming quite a popular member of the Justice League in the comics, and we've recently spotted the first big screen portrayal from Ray Fisher in the DCEU.  Right now, only a cameo in BATMAN V SUPERMAN: DAWN OF JUSTICE, but with bigger roles in JUSTICE LEAGUE, THE FLASH and (of course) CYBORG.

CYCLOPS

Scott Summers, the team captain of the X-Men.  His relationship with Jean Grey, and their family line is legendary in the Marvel comics.  (Not to mention complicated).  James Marsden played the role  in the first three X-MEN films (plus a cameo in DAYS OF FUTURE PAST) whilst Tye Sheridan has recently taken on the laser-eye hero, next to be seen in X-MEN: DARK PHOENIX.

DAREDEVIL

Matt Murdock, the blind lawyer of Hell's Kitchen, has enjoyed resurged popularity, thanks to the recent Marvel Netflix series, starring Charlie Cox.  He's enjoyed two seasons, and will next be seen in the anticipated DEFENDERS series.   A pleasant turnaround for the character after the much-maligned Ben Affleck film.

DARKSEID

Get ready, because everything points to Darkseid being the over-lord villain of the JUSTICE LEAGUE film in the DCEU, having been teased in BATMAN V SUPERMAN.

DEADPOOL

Who doesn't love Wade Wells, aka the Merc with a mouth?!  After a dubious big screen outing in X-MEN ORIGINS: WOLVERINE, Ryan Reynolds championed a return to the role, and DEADPOOL was a hit, with not one, but two sequels on the way.

DOCTOR DOOM

The main villain for the Fantastic Four, Victor Von Doom has been played by Julian McMahon and Toby Kebbell in the big screen versions.  For me, I got to know the metal-faced bad guy in an 80s Spider-Man cartoon!

DOCTOR MANHATTAN

An omnipotent Mars-dwelling naked blue guy from the WATCHMEN comic and film,  He's pretty impressive tbh, and I had to include him in this Battle of Super Heroes!  He was played by Billy Crudup in the movie.

DOCTOR STRANGE

Recently brought to life by Benedict Cumberbatch, The Sorcerer Supreme offers the MCU a gateway into magic (against the science grounding it's been used to).  Strange will next be seen in THOR: RAGNAROK before joining the rest of the Avengers in INFINITY WAR.

DRAX THE DESTROYER

Between James Gunn's writing, direction and Dave Bautista's portrayal, the character Drax went straight to the audiences' hearts in GUARDIANS OF THE GALAXY and the sequel. But as funny as he is, let's not forget it's also dangerous and angry.  That may well play a part in AVENGERS: INFINITY WAR!

ELEKTRA

Jennifer Garner played the assassin in the Affleck starrer DAREDEVIL, proving popular enough to get a spin-off.  Recently, the character appeared in the second season of the Netflix series, and despite dying, will be resurrected for THE DEFENDERS, played by Elodie Yung.

FALCON

Sam Wilson has proved a popular inclusion in the MCU, debuting in CAPTAIN AMERICA: THE WINTER SOLDIER, with a further three appearances, stepping up as an Avenger - much to excitement of actor Anthony Mackie, one of the most enthusiastic and energetic actors in Marvel.  In the comics, Wilson picks up the shield and becomes Captain America.   Will the same happen in the cinematic universe?

THE FLASH

The fastest man alive is doing double duties right now.  Barry Allen is played by Grant Gustin in the popular TV series, that connects to ARROW, SUPERGIRL and LEGENDS OF TOMORROW, whilst the DCEU movie line chose to cast a second actor to play Barry, with Ezra Miller already having made  cameo in both BATMAN V SUPERMAN and SUICIDE SQUAD. 

GALACTUS

The cosmic entity that consumes worlds, is a gigantic villain associated with the Fantastic Four, and was featured in FANTASTIC FOUR: RISE OF THE SILVER SURFER. 

GAMBIT

One of the most popular X-Men, Remy Le Beau can charge items to explode, thanks to his mutant powers.  The Cajun was played by Taylor Kitsch in X-MEN ORIGINS: WOLVERINE, and is expected to have a reboot in the next couple of years, when he's recast with Channing Tatum. 

GAMORA

One of Thanos' 'daughters', Gamora makes up one of the Guardians of the Galaxy, as well as love interest for Peter Quill.  Zoe Saldana has played the role in the two films, and will continue playing the green assassin for AVENGERS: INFINITY WAR, the untitled AVENGERS 4 before rounding out her time in the gang in GUARDIANS OF THE GALAXY VOL 3.

 So, there you have it.   Those are our 16 opponents for Batch#2.  Now, head over to twitter, add procrastinalien and vote for your favourite in each battle!

You've got 3 days - happy voting!

[alexlacquemanne]

Novembre MMXX

Films

You Only Live Twice (1967) de Lewis Gilbert avec Sean Connery, Tetsurō Tanba, Donald Pleasence et Akiko Wakabayashi

La Grande Attaque du train d'or (The First Great Train Robbery) (1979) de Michael Crichton avec Sean Connery, Donald Sutherland, Lesley-Anne Down et Alan Webb

Coup de foudre à Bangkok (2020) de Chris Briant avec Blandine Bellavoir, Loup-Denis Elion, Gavril Dartevelle et Mathilda May

Pancho Villa (Villa Rides) (1968) de Buzz Kulik avec Yul Brynner, Robert Mitchum et Charles Bronson

Meurtres à Albi (2020) de Delphine Lemoine avec Léonie Simaga, Bruno Debrandt, Frédérique Kamatari

Un homme voit rouge (Ransom) (1974) de Casper Wrede avec Sean Connery, Ian McShane, Jeffry Wickham et Norman Bristow

Wonder Woman (2017) de Patty Jenkins avec Gal Gadot, Chris Pine, Emmanuel Garijo, Connie Nielsen, Robin Wright et David Thewlis

Un homme qui me plaît (1969) de Claude Lelouch avec Jean-Paul Belmondo et Annie Girardot

La Classe américaine (1993) de Michel Hazanavicius et Dominique Mézerette avec John Wayne, Dustin Hoffman, Robert Redford et Paul Newman

Tandem (1987) de Patrice Leconte avec Gérard Jugnot, Jean Rochefort et Sylvie Granotier

Spectacle

Comment ça marche ? (2006) de François Rollin

Compromis (2020) de Philippe Claudel avec Pierre Arditi et Michel Leeb

Le Professeur Rollin a encore quelque chose à dire (2003) de François rollin

Un petit jeu sans conséquence (2015) de Jean Dell et Gérald Sibleyras avec Lionel Abelanski, Constance Dollé, Isabelle Gélinas, Bruno Salomone et Bruno Solo

Ferraille et chiffons (1972) de Garson Kanin adaptée par René Clair et Bronja Clair avec Pierre Mondy, Amarande, Jacques Balutin et Louis Velle

Attends-moi pour commencer (1977) de Joyce Rayburn avec Michel Roux, Daniel Prévost, Danielle Volle et Tony Marshall

Folie Douce (1973) de Bricaire et Lasaygues avec Daneille Darrieux, Michel Roux, Jean-Pierre Darras, Dany Carrel et Henri Poirier

Séries

Kaamelott Livre I, II, III

Tel un chevalier - La Pâte d’amande - La Fureur du dragon - Vox populi - Unagi - L’Éclaireur - Lacrimosa - La Quête des deux renards - Agnus Dei - Le Tourment - La Retraite - La Vraie Nature du Graal - Spangenhelm - Les Alchimistes - Le Dialogue de Paix - Le Portrait - Silbury Hill - Le Reclassement Le Rassemblement du Corbeau - Les Volontaires II - Le Terroriste - La Chambre - Le Message Codé - La Délégation Maure - L’Enlèvement de Guenièvre - Les Classes de Bohort - Le Monde d’Arthur - Les Tuteurs - Les Jumelles du Pêcheur - Sept Cent Quarante-Quatre - L'Absolution - Les Misanthropes - La Cassette - Plus Près de Toi - La Révolte - Sous les Verrous - Séli et les Rongeurs - Un Roi à la Taverne II - L'Ancien Temps - Le Passage Secret - Les Mauvaises Graines - La Garde Royale - L'Ivresse - Mater Dixit - Spiritueux - La ronde - Merlin l'Archaïque - Les Exploités - L’Escorte II - Le Larcin - La Rencontre - Les Pigeons - O'Brother - La Fête du Printemps - La Voix Céleste - L'Invincible - Amen - Le Cadeau - Le Complot - La Vigilance d’Arthur - Les Chiens de Guerre - Always - Arthur in Love - Excalibur et le Destin - L'Absent - The Game - La Quinte Juste - La Fumée Blanche - Unagi II - La Joute Ancillaire - Le Donneur - Le Jeu du Caillou - L'Alliance - Le Secret d'Arthur - Aux Yeux de Tous - Immaculé Karadoc - La Morsure du Dace - Les Neiges Eternelles - Des Hommes d'Honneur - Stargate - Feue la Vache de Roparzh - Les Vœux - Le Pédagogue - Perceval et le Contre-Sirop - L'Oubli - L'Ambition - Le Poème - Corpore Sano - Le Havre de Paix - L'Anniversaire de Guenièvre - La Botte Secrète II - Les Parchemins Magiques - L'Enragé - Trois Cent Soixante Degrés - Pupi - Vox Populi II - Le Rebelle - Les Félicitations - Les Paris - Les Esclaves - Les Drapeaux - Le Guet - Le Sort Perdu - La Restriction - La Corde - Le Tourment II - Le Plat National - Le Temps des Secrets - La Conscience d'Arthur - La Frange Romaine - L'Orateur - Les Comptes - Le Chevalier errant - L’Aveu de Bohort - Le Magnanime - Le Porte-bonheur - Séfriane d’Aquitaine - Le Combat des chefs - Le Déserteur - La Potion de vivacité - Le Sanglier de Cornouailles - L’Ankou - Ablutions - La Poétique 1re partie - La Poétique 2e partie - Les Derniers Outrages - Guenièvre et Euripide - Unagi III - Le Fléau de Dieu II - Cryda de Tintagel - L’Ivresse II - Legenda - Le Renfort magique - Silbury Hill II - Le Professionnel - Les Suppléants - La Nuit du nomade - L’Assemblée des rois 1re partie - L’Assemblée des rois 2e partie - L’Arche de transport - Les Cousins - Le Trouble - Le Tournoi - La Pierre de Lune - La Pythie - Les Cheveux noirs - Dream On - Feue la poule de Guethenoc - Le Repos du guerrier II - Les Affranchis - Les Clous de la Sainte Croix - La Corne d’abondance - Morituri - Le Dialogue de paix II - Stargate II - L’Abstinent - Aux yeux de tous II - La Potion de vérité - Le Petit Poucet - Haunted II - La Révolte II - Perceval chante Sloubi - Le Jour d’Alexandre - La Cassette II - Poltergeist - Les Paris II - Au Bonheur des Dames - Les Tourelles - Cuisine et Dépendances - Arthur sensei - Le Solitaire - Les Festivités - La Menace fantôme - La Coopération - L’Empressée - La Ronde II - Mission - La Baliste - La Baraka - La Veillée - Le Tourment III - La Potion de fécondité II - L’Attaque nocturne - La Restriction II - Les Défis de Merlin II - Saponides et Détergents - Le Justicier - La Crypte maléfique

De Gaulle, l'éclat et le secret

Solitude - Tous les combats du monde - Liberté, liberté chérie - Premier des français - Le Chagrin des hommes - Crépuscule

Top Gear Saison 17, 10, 9, 19, 20

La Vallée de la mort - Les pires voitures anglaises ! - Les pires voitures de l’histoire - Course en camping-car - Road Trip à la Nouvelle-Orléans - Le train le moins cher du monde - Essais sur la côte d’Azur - 1500Km a fond de 5eme - Le meilleur taxi du monde - Tout doit disparaitre

The Rookie Saison 2

Usurpation d'identité - Dans la nuit - La Cargaison

Castle Saison 5

Morts de peur - Un passé insoupçonné - La Vie des autres - À la recherche de l'homme-singe - La Cible - La Chasse

Magnum Saison 1

Pas besoin de savoir

Off Prime Saison 2

Reviens vite - Les cultures - Savoir aidé - Un peu de mystère... - Chacun son tour - Un ami, oublié, retrouvé - La nouvelle émission - Le mariage de mon père - Come-back

Hooker Saison 3

La Guerre des gangs

Les enquêtes de Vera Saison 10

Le testament du sang - Parent inespéré - Pas si propre - Pari perdant

The Grand Tour Saison 3, 1

Bagages et vintage - Eco-conduite - Gare à l'Urus - Scotch Single Malt - Virée à l’italienne - Romance en 4x4

Columbo Saison 9

Votez pour moi

Friends Saison 3

Celui qui rêvait de la princesse Leia - Celui qui a du mal à se préparer

Stargate SG-1 Saison 7

Retour aux sources 1re partie - Retour aux sources 2e partie - La Grande Épreuve

L’agence tous risques Saison 1

Bagarre à Bad Rock

Amicalement Votre 

La Danseuse - Un petit coin tranquille

Doctor Who Saison 11

Planet of the Spiders

Nestor Burma Saison 2

Des kilomètres de linceuls

Livres

James Bond 007 Tome 7 : Goldfinger de Ian Fleming

Suis-je bête ! de François Rollin

Kaamelott  Livre V : Texte intégral d’Alexandre Astier

Yvain ou le Chevalier au lion de Chrétien de Troyes (Traduit et adapté par Pierre-Marie Beaude)

[thewomanwhowatchedchristmas]

The Knight Before Christmas is cheesy and cute but very confusing. Read my review below!

[a2sparis]

LES P’TITS MOLIÈRES

THÉÂTRE : les Prix des P’tits Molières 2019

Voici les lauréats des septièmes Prix des P’tits Molières, décernés par une association regroupant des théâtres français de moins de 150 places :

Meilleurs spectacles «tout public» : «Feu le père de Monsieur», «Les Justes», «Fool for Love». Meilleurs comédiens dans un premier rôle : Olivier Raynal, Sylvain Zarli, Léon Vitale.
 Meilleurs comédiens dans un second rôle : Jérémy Stora, Pierre Marazin.
 Meilleures comédiennes dans un premier rôle : Julie Zeno, Anne Barthel, Florence Merle.   Meilleures comédiennes dans un second rôle : Caroline Fontant, Séverine Wolff. Meilleur spectacle musical : «Sax». 
Meilleur spectacle de comédie : «Monsieur chasse».
Meilleures mises en scène : Florence Merle, Cliff Paillé, Odile Huleux.
 Meilleures scénographies : Aurélie Camus, Thomas Merland, Bruno Ladet, Elisa Ghertman, «Le 32 - cabinet de curiosités».
 Meilleurs auteurs vivants : Laurent Gaudé, Cliff Paillé.
Meilleurs spectacles «seul en scène» : «Bérénice 34-44», «Onysos le Furieux».
 Meilleur spectacle d’humour : «Sphères ennemies».
Meilleurs spectacles jeune public : «Le tour du monde en 80 jours», «Le cerf sans bois». Coups de coeur : «Un roi sans divertissement», «Piezz’ e core», «Le 32 - cabinet de curiosités», «Onysos le Furieux». ________

Voici une rapide présentation des spectacles lauréats, à un titre ou à un autre, des Prix des Ptits Molières 2019 :

«Sax» Mise en scène : Gil Galliot. Musiciens : Guy Rebreyend, Michel Oberli, Frédéric Saumagne et Samuel Maingaud. Durée : 1h10. Quatre saxophonistes, aux styles très différents, font connaissance à l’occasion d’une audition et, l’espace d’une journée, vont partager leurs mondes musicaux, leurs rêves, leurs désirs, leurs fantasmes, leurs émotions... Ensemble, ils vont jouer du funk, du Bach, du jazz, de la musique tzigane, brésilienne, africaine, arménienne, etc.

Le tour du monde en 80 jours Auteur : Jules Verne. Adaptation : Béatrice Bonnaudeau. Metteur en scène : Loïc Fieffé. Jeu : Pierre Serra, Béatrice Bonnaudeau, Raphaël Beauville, Alexandra Branel et Emilien Audibert. Scénographie : Morgane Barbry. Durée : 1h. Ce spectacle pour enfants raconte la célèbre aventure de Phileas Fogg, de son fidèle Passepartout et de l’inspecteur Fix à leurs trousses.

Journal d’un fou Texte : Nicolaï Gogol. Metteuse en scène : Stéphanie Slimani. Jeu : Sylvain Zarli. Durée : 1h. Adapté d’une nouvelle de Gogol écrite en 1834, ce spectacle raconte la vie d’un fonctionnaire russe qui, à cause d’un chien (représenté sur scène par une marionnette), devient fou.

Les Sphères Ennemies Auteur : Jean-Baptiste Thomas-Sertillanges, avec la collaboration d’Olivier Teillac. Comédiens : Olivier  Teillac et Jean-Baptiste Thomas-Sertillanges. Metteur en scène : Alexis Berecz. Durée : 1h30. Cette comédie, qui s’affirme « romantico-schizophrénique», se présente comme une plongée dans le cerveau amoureux de Jonathan, avec, d’un côté, son hémisphère droit, incarné par le personnage de Nathan Lafleur, idéaliste et romantique, et, de l’autre, son hémisphère gauche, un certain Jo Latrick, plutôt primaire, impulsif et cynique.

Piezz’e core Texte : Claudia Palleschi et Léa Dubreucq. Mise en scène : Dimitri Dubreucq. Direction musicale : Claudia Palleschi et Pascal Claro. Chorégraphies : Léa Dubreucq et Claudia Palleschi. Jeu : Claudia Palleschi, Léa Dubreucq, Pascal Claro, Pierre Marazin et Anaël Alexandre. Durée : 1h05. L’action de cette pièce de théâtre musical se déroule à Naples en 1947. Dans cette ville dévastée par la seconde guerre mondiale, deux soeurs orphelines essaient de survivre.

Le 32 - cabinet des curiosités Texte : Philippe d'Avilla, La Big Bertha et Ariane Carmin. Interprétation : La Big Bertha, Philippe d'Avilla, Ariane Carmin et Agnès Chamak. Durée : 1h15. Ce spectacle, qui s’affirme «à la croisée des genres sexuels», met en scène trois créatures de la nuit, dont un travesti qui ne passe pas du tout inaperçu : «La Big Bertha».

Bérénice 34-44 Auteure : Isabelle Stibbe. Mise en scène : Pierre-Olivier Scotto. Jeu : Violette Erhart. Durée : 1h15. Dans les années 1940, la comédienne Bérénice Kapelouchnik est expulsée de la Comédie française parce que juive. La pièce évoque sa vie sous l’Occupation allemande.

Le cerf sans bois Texte et mise en scène : Marine Torre. Jeu : Barbara Franch en alternance avec Nolwenn Le Gal et Marine Torre. Musiques : Alexis Liosha et Leor Lor. Durée : 45 minutes. Dans ce conte pour enfants, un jeune cerf, qui n'a pas encore de bois, est la risée de son frère et de son père. Un jour, il tombe dans un ravin et vivra toutes sortes d’aventures. Combinant théâtre et théâtre d'ombres, deux comédiennes interprètent tous les rôles : animaux et fées de la forêt.

Comme des adultes Texte : Victor Rossi. Acteurs : Mathilde Cribier, Victor Rossi et Léon Vitale. Cette comédie raconte la rencontre amoureuse de deux trentenaires très différents, socialement et culturellement, et quelque peu immatures, Muriel et Jeff. Cette fois, ils vont essayer de se comporter en adultes et, selon leur copain Jacques : "C'est pas forcément gagné".

Feu le père de Monsieur Texte : Georges Feydeau. Metteuse en scène : Odile Huleux. Jeu : Agnès Chamak, Jérémy Manesse, Kim Koolenn et Philippe d’Avilla. Dans ce classique du théâtre de boulevard très «revisité», c’est l’épouse, et non plus le mari, qui, un soir, rentre éméchée au domicile conjugal et qui va subir le courroux de son époux.

Fool for Love Texte : Sam Shepard. Mise en scène : Dannie Lucarr. Acteurs :  Olivier Raynal, Julie Zeno, Lee Michelsen et Dimitri Michelsen. Dans un motel du désert de Mojave, en Californie, quatre paumés se rencontrent, Eddie, May, son amour de jeunesse, le compagnon de May et une petite amie d’Eddy. La pièce est interprétée en anglais, avec des sur-titres en français.

Onysos le furieux Auteur : Laurent Gaudé. Jeu : Giovanni Vitello. Metteur en scène : Bruno Ladet . Durée : 1h10. Dans le métro de New-York, Onysos, «mi-dieu mi-homme», raconte sa vie depuis l’Antiquité. Le metteur en scène explique qu’Onysos est un «porte la parole de ceux qui sont humiliés». La pièce permet de «mettre en abîme ce qu’est le théâtre, de montrer les artifices, de jouer sur l’illusion», ajoute-t-il.

Madame Van Gogh Texte et mise en scène : Cliff Paillé. Interprétation : Lyne Lebreton et Romain Arnaud-Kneisky . Durée : 1h10. Peu après la mort de Vincent Van Gogh et de son frère Théo, Johanna, la veuve de ce dernier, héritière des tableaux de Vincent et de la volumineuse correspondance entre les deux frères,  dialogue avec Émile Bernard, peintre et ami de Vincent.

Monsieur chasse Texte : Georges Feydeau. Adaptation, mise en scène et scénographie : Olivier Schmidt. Piano et arrangements musicaux  : Justine Verdier. Chorégraphie : Séverine Wolff. Jeu : Olivier Schmidt, Julien Hammer, Alexandra Magin, Séverine Wolff, Kevin Maille, Mickaël Alabergère et Patrick Tulasne. Ce vaudeville met en scène un mari volage, une épouse qui veut se venger, mais aussi une domestique plus ou moins dérangée, un provincial benêt, un filleul encombrant ou encore une comtesse frivole.

Le Tartuffe Texte : Molière. Metteuse en scène : Florence Merle. Scénographie : Jean Tartaroli. Comédiens : Florence Merle, Olivier Lamoille, Claude Lesko et Martin Navizet-Sapet. Durée : 1h40. La pièce de Molière est transposée à notre époque, où «le développement personnel est perçu comme une nouvelle religion», nous a-t-on dit.

Dans la jungle des villes Texte : Bertolt Brecht. Mise en scène : Jérémie Stora. Acteurs : Thomas Besset, Caroline Fontant, Guillaume Kovacs et Jérémie Stora. Durée : 1h20. À Chicago, en 1912, deux hommes, Shlink et Garga, «fauves urbains», s’opposent violemment. L’un a réussi sa vie au plan matériel, l’autre est resté un marginal.

Les Justes Auteur : Albert Camus. Metteuse en scène : Aurélie Camus. Jeu : Fany Burgard, Victor Bratovic, Luc Févry, Sébastien Hugues Gillie, Tiffany Léonard, Lucas Jason Perrot et Adrien Pont. Dans la Russie tsariste, un groupe révolutionnaire préparant un attentat finit par se poser la question : jusqu'où peut-on aller, au plan moral, dans un combat politique ?

Un roi sans divertissement Texte : d’après un roman de Jean Giono. Mise en scène : Daniel Geiger. Jeu : André Sanfratello. Durée : 1h. Un collectionneur d’histoires nous raconte un fait divers : d’étranges disparitions pendant les hivers dans un village de montagne. L’acteur interprète le rôle de ce collectionneur-conteur, mais aussi tous les autres protagonistes du fait divers.