#Jazz Is Dead

[davetada]

Jazz is Dead

Los Angeles, CA

[seattlewalls]

[burlveneer-music]

Jazz Is Dead JID022 - Adrian Younge & Ali Shaheed Muhammad shepherd a new album from Afrobeat legend Ebo Taylor, whose postponed 2024 American tour has now been rescheduled (as his "Americas Farewell" tour)

At 88 years of age, the Ghanian highlife and afrobeat pioneer Ebo Taylor traveled to the US for the very first time to perform at the now iconic Jazz Is Dead concert series, selling out venues across the country. It was during this time that Ebo recorded a psychedelic afrobeat album alongside Adrian Younge & Ali Shaheed Muhammad. This mind-blowing collaboration is one that could not have been anticipated by Ebo fans worldwide and will surely satisfy connoisseurs of classic West African funk. The swirling horns and gritty guitars heard on Ebo Taylor JID022 are reminiscent of his seminal seventies recordings that made him one of Africa’s most prolific and revolutionary artists of all time. Recorded inside of Younge’s Linear Labs studio, this album captures polyrhythmic percussion and twangy, fuzzed out guitars that prove that rhythm is key. The ensemble of Ghanian background vocalists emanates a uniquely spiritual sound that takes the listener back to Ebo’s prime. However, one of the most exhilarating components to this album is Ebo’s signature approach to vocal stylings. His heartfelt lyrics about love, peace and spirituality echo nearly a centuary of experience and wisdom. Songs such as “Beye Bu, Beye Ba” demonstrate how God provides for his people as songs like “Kusi Na Sibo” teach life lessons on gratitude. This is an afrobeat classic that stands as a true highlight in the canon of Ebo Taylor’s undeniable catalog and a crown jewel in the Jazz Is Dead library. Ebo Taylor JID022 is set to be released just in time for Ebo’s highly anticipated live tour of The Americas presented by Jazz Is Dead. Ebo will be joined by the Ebo Taylor Family Band alongside his protégée and Ghanian legend Pat Thomas. Dates for this tour through The United States, Canada, Mexico and Brazil can be found on Jazz Is Dead’s site, link below. 

[jacobwren]

Henry Franklin "The Griot" LIVE at Jazz Is Dead

[kickmag]

Jazz Is Dead Has A New Album With Drumming Legend Tony Allen

Ali Shaheed Muhammad and Adrian Younge's Jazz Is Dead label is releasing a Tony Allen album. Allen, who passed in 2020, was the innovative drummer who helped Fela Kuti created the Afrobeat genre. Their work together added a new vocabulary to the world of rhythm. Younge and Muhammad were lucky enough to work with Allen on new music. Younge says, 

"First of all, to be able to work with somebody that helped pioneer the sound of a new genre, a genre that is kind of sort of an international style of funk, which is Afrobeat; it's Black American music going back to it’s birthplace, Africa. Tony Allen represents that foundation. When I got the chance to work with this legend, I wanted to create an album that harkened back to the dawn of this music. This album focuses on early to mid-'70s African funk. I wanted to pull a lot of that out of Tony."

Allen was always musically adventurous and it went beyond the creation of Afrobeat. When his days of working with Fela ended he continued to collaborate with various musicians. He shared his musical instincts with French pop stars Sebastien Tellier and Charlotte Gainsbourg on their famous "La Ritournelle" single and 5:55 album. Damon Albarn created the bands Rocket Juice and the Moon and The Good, the Bad and the Queen with Allen. Techno pioneer Jeff Mills worked with Allen on the Tomorrow Comes The Harvest EP. Detroit rapper Danny Brown and London rapper Skepta collaborated with Allen on the posthumous album There Is No End. 

The Jazz Is Dead album is another look inside Allen's vision of rhythm with Muhammad and Younge's energy in the studio. Tony Allen JID018 comes out on July 7th. 

[danbenzvi]

On The Jukebox: Adrian Younge & Ali Shaheed Muhammad - "Jazz Is Dead 22: Ebo Taylor (EP)"

[crumb-crumblet-s-crumbington]

missed calls

[dcxdpdabbles]

Teacher: Class, we have a new student joining us today. Danny, could you tell us a little about yourself? Danny, standing up: Ugh, okay. My name is Danny Fenton. I'm from Amity Park, Illinois. I moved to Gotham with my siblings. Teacher: That's lovely, Danny. Do you have any hobbies? Danny: I like to stargaze, but it's tricky here in Gotham to see them. Teacher waiting for more: *Stare* Classroom: *stare* Danny panics as the class stares at him. I also really liked helping Dan with his experiments. Teacher: Who's Dan? Danny: He's my eldest brother. He got a job at Wayne Labs three months ago, so we moved. Classmate: What kind of experiments do you guys do? Danny: Dan's a chemist. He likes to create antidotes to various poisons or toxic substances. Last month, he made the new Anti-Fear Gass Antidote! Classmate: *scoff* Yeah, right, and I'm the tooth fairy Classroom: *laughs* Teacher: Alright, everyone, settle down. Danny, welcome to Gotham, but you should be careful with your fibs. They can be dangerous in this city. Danny: I'm not lying. Teacher: Of course not. Everyone turn to pages three and twelve in your math textbooks- Danny, please sit down. Danny: *sits* It wasn't a lie Damian: I believe you. Danny: Really? Damian: Yes, my Father signs Dan Fenton's paychecks. Danny: Oh, does he work at Wayne Labs, too? Damian: .....In a way. Would you happen to know who I am? Danny: Damian Al Ghul. I heard you tell the teacher you prefer that name. Damian: .....Yes. Your pronunciation of my last is perfect. Most people claim it's too hard. Danny shrugs: If I can learn to pronounce Obi-Wan Kenobi, I can learn how to say your last name. Most people are just rude. Damian, under his breath: Is this the rush Mother felt when she found her Beloved? Danny: What? I'm sorry I didn't catch that Damian: Do not worry about it. Merely know that you belong to me now Danny: Like a friend? Damian:.....In a way. Danny: Cool :D

[goatpalacezine]

Jackie McLean: Destination Out!

Jazz is a happy thing and there are a lot of musicians around waiting to give a little happiness to a world filled with so much unrest. Jackie McLean“Destination Out!” (Blue Note Records, 1964/2022)

[paxopalotls]

The fanfictions are infecting me with brainrot oh my god have some au doodles before I explode

[somerandomcockroach]

AHGDAHGDH MMM I PRESENT MY 1 DAY MADNESS OVER THESE BOYS AND LOVE TO DANCES (and accidentally hearing this song again this morning which made my brain sqeacking)

[lass-us-slay]

Justice league/Young Justice: One.. Two-

Phantom: what are you guys doing?

Justice league/Young Justice, in the middle of breaking into the GIW facility: …you.. we were gonna go save you…

Phantom, tearing up: Me..? You were gonna save me?

JL/YJ, trying to lighten the mood for a very bloody and hurt Phantom: It was a good plan too..

Phantom, happy and touched that someone else cared enough to rescue him, and trying not to cry: well I can go back inside, and you can still do it

JL/YJ: *utterly baffled*

[burlveneer-music]

VA - Jazz Is Dead Remixes JID020 - 8 tracks from Adrian Younge and Ali Shaheed Muhammad's album series, remixed by Shabaka Hutchings, Melanie Charles, Shigeto, and more

Since its 2017 inception, Jazz Is Dead has remained true to its mission of honoring the legacies of their musical heroes through cross generational collaborations. With Jazz Is Dead Series 2, co-founders Adrian Younge and Ali Shaheed Muhammad, have delivered an unimpeachable collection of fresh and captivating recordings inspired by jazz’s past, present, and future. The series features new albums from legends Lonnie Liston Smith,Jean Carne, Tony Allen, Henry Franklin,Phil Ranelin,Wendell Harrison, Garrett Saracho, and the modern contemporary Los Angeles based collective Katalyst. For Remixes JID020, the label has tapped a few of their favorite contemporary artists and producers to offer their own take on the music of Series 2. The album features a variety of dynamic personalities with remixes from London based artists Shabaka Hutchins and Theon Cross, New York tastemaker Melanie Charles, LA based producer Bei Ru, Brazil’s Dj Nyack, Detroit based producer Tall Black Guy, Bay Area producer Mophono and the LA based house duo LO & Diisko.

[somnoir]

Gotham's newest Crime Lord - Part 1

Prompt: Dan kills the joker and unintentionally becomes a crime lord

Dan didn't mean to become a Crime Lord. It wasn't his fault that the Joker was fragile and easily killable with one punch to the head. He didn't know that the seemingly immortal clown was easily killed once the impact practically snapped his neck. So yes, Dan didn't mean for this shit to happen. Not when all he wanted to do was go to college, make sure Danny and Elle weren't attracting trouble back in Gotham academy.

It wasn't his fault that the crazy bastard thought it was a good idea to nab his siblings and try to use them for ransom. It's not his fault that his first instinct was to introduce his first to that pennywise knock-off. It'd not his fault that this city was haunted by vengeful ghosts that wanted to tear that motherfucker to shreds.

They were supposed to lay low after the mess with their parents and their name changes.

But nooooo!

They had to have an absolute hatred for clowns and now he's somehow made himself a crime lord. Why the fuck were the Joker's goons so fucking stupid?! They either tried to kill Dan for killing their boss or they tried to fall under him and make him their new leader. It was like a fucking cult in his eyes. Seriously, what the absolute fuck was going on with this shitty city?

It's not like he could call Jazz and say "Hi sis! I killed a crazy clown and I'm now the boss of his weird goons. I also might end up on the local vigilante's hitlist."

Yeah, no. He's not doing that.

But this might not be so bad... Not really. Being their boss could be treated as a source of income if he utilized the Joker's shit properly. I mean, he couldn't always rely on the fruitloops money, not when Vlad could turn traitor and use the money against them. He needed to find a way to support his siblings, one way or another.

And Clockwork did say to get a hobby. If not mass genocide then he could resort to carefully planned crime. Yes. This could work. He'll make it fucking work for the sake of his siblings.

Besides, if he was a crime lord—in motherfucking Gotham—he doubts that the GIW will even try to fuck around in a city where a ghost controlled some part of the criminal underworld.

Oh... Oh, he was gonna fucking do this.

(Clockwork watched as his most troublesome child shifts from world ender to crime lord. At least it was an upgrade from mass genocide.)

Nightwing didn't particularly know what to make of this mess. There were rumors of a new crime lord, of a new rogue.

One day, Joker's body was dropped into the harbor and found by the workers, all confused and scared as to why the Clown Prince of crime was dead in the water. It was humiliating in the Joker's standards, to be discarded like trash into the sea rather than have his body displayed for everyone to gawk at. The clown would have adored being glorified but whoever the hell killed him knew this and fucked the guy up bad.

His head snapped and his corpse tossed out like leftovers.

Jason had laughed, outright celebrated and Crime Alley was as festive as it ever was with the Red Hood blasting music through the streets and partying like there was no tomorrow. All of Gotham was celebrating, parading through the streets with pinatas that looked like the Joker. Harley would drop down from whatever roof she was on and swing her bat at the pinata, spilling red candy as everyone cheered and laughed. It was morbidly glorious.

But the festivities didn't erase the fact that someone had killed the Joker and knew what to do to disrespect him in the worst ways possible. It wasn't long until Joker's old lackeys were rallying to someone—a new boss. It wasn't odd for goons without bosses to move on to find different jobs, but for all of Joker's old minions to work for the same person? This was definitely the guy who killed the Joker.

No name, no appearance, nothing. Just quiet activity with organising his new goons to do strange errands. Stuff that didn't point them in the direction of criminal activity.

"You got anything?" Dick murmurs as Tim slouches over the batcomputer, watching as his younger brother sneered at the screen.

"Nothing. Absolutely nothing." He snaps, "All footage of this new rogue is immediately corrupted."

Babs hums, "And it's not like it's altered after it's been taken. The distortion happens live. They either have some tech on them or they're a meta who can avoid cameras." She adds, taking a leisure sip of the tea Alfred kindly offered them. "Whoever this is doesn't leave a trace aside from this shitty footage."

Tim groans, "I officially hate this guy!" He almost tosses his mug out of anger, shaking his head.

"Does Jason have any info on this one?"

And like the fucking menace he was, Jason pops up without another word. "He goes by Wraith." No one was startled, just sparing him a glance before nodding.

"That's it?"

"The goonions adore him." Jason shrugs, "Guy's been quick. Dealing with shit like Black Mask and other trafficking operations. Some of the kids he's saved wear clothes that have this specific symbol on them. It's a good tactic mind you. Tells people to fuck off and don't come anywhere near the kid or else he'll sic whatever bullshit he has in someone."

Dick narrowed his eyes, "Is it effective?"

"Hell yeah! One of the kids got kidnapped just last week. I went to save the poor thing but he walked out of that warehouse while the kidnappers were bleeding and sobbing." Jason once again grins, "Little Tommy threatened me if I try to arrest Wraith."

"So more anti-heri than villain. Good enough, at least." Dick sighed, shaking his head as he narrowed his eyes on the screen. More distorted footage.

"Thanks for the info, little wing."

"Just updatin' you guys. Heard some rumors that Harley's on the hunt for Wraith to thank him."

Great...

It's been a solid two months since the death of the Joker. Batman and the rest of his birds were increasingly wary of the Wraith and his two new associates that went by Phantom and Specter. No footage on the three could ever be recovered, making them all assume this was the work of a meta.

Most of them weren't sure if this guy was a threat or not. Red Hood, on the other hand, had a fairly positive opinion on the guy who's been hanging traffickers by their legs and immediately staking their claim on the kid to keep them safe.

The new crime lord was slowly dismantling the criminal underworld and building it back up to their design.

"FUCKING HELL!" Dick glared at the screen again, "That's Wraith's doing, isn't it? No way did the Riddler blow up that building."

"Wraith's only been dealing with traffickers so far. Why would he do this?" Steph murmurs, staring at the recording of a building that had suddenly went off. Numerous were dead, some barely survived.

"That's the motherfucker's symbol." Dick pointed to the glowing green symbol that looked liked a fire with some obscure letter they couldn't really make out. (Was it a D or a P?)

"Okay... Why would Wraith blow up a building and kill everyone?" Jason immediately asked, seeming to be defensive of the man. "He doesn't just kill people, Dick."

"Even so..." Bruce grunts, clearly displeased with the bloodshed. All that death...

"We're going after him." Bruce announced, "I'm not putting of the Wraith investigation anymore."

Dan stared at the pictures of the bodies, pudding out smoke without a cigarette in sight. His new minions—they preferred the term goons—were clearly apprehensive and continued to observe their new boss's expressions. This explosion had been his first act of pure and utter violence, a massacre of sorts.

He glances at Danny who melted out of the shadows, startling his goons.

"Can't say I'm not upset but I get why you did that shit." He begrudgingly admits, sitting across Dan. Phantom was a reluctant associate to his new organization of crime—ish.

"They weren't just trafficking kids, squirt. Pimping them, killing them and selling their organs, hosting matches and making meta kids fight to the fucking death." Dan clicked his tongue, "No redemption in that, Phantom."

"I get it, alright!" Danny snapped, "But the you've gotten the direct attention of the Bats now. They're gonna come for us, Wraith."

"Boss?" One of the goons—Dan remembers him as Jeremy Nelson. One guy just trying to support himself and his kid, trying to keep his sweet little daughter in school with as much money as he could get. Dan remembers giving the man a raise and a jacket with their family's symbol stitched into it—one for little Marigold.

"I'll deal with it. For now, you guys spread the word on that shit. I don't want anyone thinking I killed a bunch of kids." Dan growled, "My reputation can burn for all care, but like hell am I letting people think I hurt kids."

With Jeremy leading the other goons, he nodded and hurried out of the office to spread a word. The former Joker goons had taken a liking to their new boss, preferring his ways rather than their dead one.

"Jazz won't like this, y'know." Danny sighs, "I'm not gonna tell her. Never. But she'll find out, one way or another."

Dan frowns, "You think I don't know? It's Jazz, Danny."

"Yeah, yeah. I just didn't expect you to be like this. Crime Lord and everything."

Dan snorts, "I was the world ender, brat. This is mild compared to what I've done."

"Yeah, sure."

He shook his head, "You've got your own problems, brat. The Observants are still fussin' about you being king, your majesty."

An identical scowl looks back at Dan, and he's reminded that this kid is him. An alternate version of himself and yet they were brothers now. "I know. You killing the Joker fucked some stuff up. Apparently, the motherfucker was cursed to hell."

"Meaning?"

"He's got a lifetime of people in his shadow. Vengefu souls that want him dead." Danny huffs, "Had to deal with the paperwork cause everyone's wantin' a taste of him. I'm workin' on letting Walker release him so his victims can execute his soul."

"Cruel, little king."

"I'll give you his file. Bastard deserves to have his soul destroyed." Danny viciously grins. And once again, best reminded that this twerp is him. They were one and the same, different as well.

"Alright, alright. Fuck off now. We've still got some bats and birds to deal with." Dan immediately showed him away, noting Danny's eye roll.

"Better prepare a birdcage then."

Part 2 | Masterlist

[flwrkid14]

Tim and Danny: Love, Trust, and the Weight of Protection

part 1

Danny knows what it's like to be hunted.

It’s been his reality for as long as he can remember—forever glancing over his shoulder, never truly at ease. Between vengeful ghosts, government agents, and countless other dangers, his survival has depended solely on his instincts, his powers, and the fickleness of luck. He has his friends—two best friends and a sister who would drop everything to stand by him, who he knows would always have his back. But the weight of that reliance feels heavy, a burden he can't quite shake.

Trusting others, truly leaning on them, has always felt like a luxury he couldn’t afford. He wants to feel safe, to let someone else take some of the weight, but the thought of putting them in danger because of him? That’s a risk he can't bring himself to take.

Then he meets Tim Drake.

At first, Tim’s protectiveness doesn’t faze him. It’s Gotham. You don’t date a Wayne-adjacent vigilante and expect anything less than a little paranoia. Danny’s been through worse. A tracker on his phone? Standard. Tim pulling files on his professors? Honestly, kind of funny.

But then, Danny finds out how deep it goes.

He stumbles upon a folder on Tim’s desk—his name printed neatly on the tab. Inside? Background checks on his classmates, neighbors and friends. Surveillance reports. A detailed map of his daily routine. Heart rate data. Sleeping patterns. Eating habits. There’s even a file on Phantom.

For a moment, Danny froze.

This should terrify him—it used to. Being watched, tracked for his every move, reminded him too much of those who hunted him, who’d wanted to tear him apart and dissect him like a lab rat. His first instinct was always to run.

But at that moment? He felt... safe. The notes in the margins weren’t cold or clinical like the ones his parents would have written. No, instead, they were worried. Make sure he’s eating enough. Possible threat? Keep an eye on this one. Look for ectoplasmic spikes—could mean trouble.

This wasn’t someone trying to control him. This was someone trying to protect him.

Tim’s not like the people who hunted him in Amity Park. There’s no malice in what he does. No intent to control or hurt. It’s all fear. Love, even. Danny can see it in Tim’s eyes when he stammers through an explanation, bracing himself for anger or rejection.

He’s scared Danny will leave.

And that’s what gets Danny.

No one has ever cared for him like this, no one willing to go through such lengths just to ensure his safety. Yeah, it’s intense, maybe unhealthy, even by the standards of a world that isn’t known for its normalcy. Danny knows Sam, Tucker, and Jazz would do the same—they’ve all put their lives on the line for him before, and he loves them for it. But Tim is different.

Tim is strong enough to face the dangers of Danny’s world and carry the weight of his burdens without hesitation. It’s something Danny could never ask his friends to do—not because they wouldn’t, but because they have their own lives, their own paths. They would drop everything for him, just as Tim would, but Tim does it with the resolve of a vigilante, already living a life where protecting others is his duty. This is someone who understands the risks, who’s already made those sacrifices, and still chooses to say, “I will protect you, no matter the cost.”

So, he smiles. He kisses Tim’s cheek. And he asks, “Can I put a tracker on you too?”

The way Tim’s eyes light up? Yeah, Danny thinks. This is love.

-----------------

The batfamily doesn’t get it.

They corner Danny one day, all serious expressions and careful words.

“Danny, we’re worried,” Dick starts, voice soft. “About Tim?” Danny tilts his head. “About both of you,” Steph says. “This… surveillance thing. It’s not normal.”

Danny shrugs. “Neither am I.”

They might understand—on some level. They’d lived through their own kind of danger, faced their own threats. But for Danny, it was different. They didn’t grow up being hunted, didn’t spend years hiding from people who wanted to tear them apart just for existing. For him, trusting the wrong person wasn’t just a risk; it was a matter of life and death.

Tim’s methods might be extreme, but Danny sees the intent behind them. It’s not control. It’s care. Tim watches his back because he knows what it’s like to lose people. Danny lets him because he knows what it’s like to be alone.

“Tim’s the first person who’s made me feel safe,” Danny tells them, voice steady. “You see obsession. I see someone who cares enough to watch my back.”

They don’t know what to say to that.

-----------------

Their relationship isn’t conventional. But in a city like Gotham, love isn’t always soft and simple. Sometimes, it’s vigilance. Sometimes, it’s knowing someone’s tracking your heartbeat because they’d die if it ever stopped.

Tim watches over Danny. Danny watches over Tim. It’s not about control—it’s about trust. About knowing that, no matter what, someone’s got your back.

The bats worry. They whisper about boundaries, red flags and healthy relationships.

Danny doesn’t listen. He knows what he’s got.

In a world where ghosts and vigilantes collide, where danger lurks in every shadow, Danny’s finally found someone who won’t let him face it alone.

And that? That’s everything.